Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke...

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Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008

Transcript of Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke...

Page 1: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Documenting American circuses and carnivals: an archivist’s perspective

by Marian Matyn,Clarke Historical Library, CMU

SAA-San FranciscoAug. 30, 2008

Page 2: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Based on:

• 6 month sabbatical studying MI circuses and carnivals, [1793]1900-1960[current]

• 3 years reading related materials• 2 years conducting oral history interviews

with circus and carnival people• Travel throughout MI, IN, WI • Correspondence with other states

Page 3: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

What is a circus?

• Classic definition: to the public, a performance space, usually a tent with one or more rings; a menagerie; and a sideshow.

• Basic: “the ring, the horse, and the clown” (Arthur H. Saxon, Circus language: a glossary of

circus terms, 2000)• In U.S. since 1793• Circus performers are artists

Page 4: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Zeidman and Pollie Circus, Cincinnati, OH, sometime

between 1910- 1927, private collection of Curt Pollie.

Page 5: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

What is a carnival?

• Both circuses and carnivals had midway, sideshows, performers, games of chance, at one point both had rides.

• Now: Rides, games of chance, food and drink, and maybe sideshows, inflatables, organized around a midway

• In U.S. since 1893 (Chicago’s World’s Fair)• Carnival people are business owners

Page 6: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Carnival Midway, Ionia Free Fair [MI],1922?, private collection of Curt Pollie.

Page 7: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Secondary Sources:

• Books• Articles• Websites• Directories• Maps• Catalogs

Page 8: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Primary and Secondary Sources: Route books

• Published • Manuscript with Route information

Page 9: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Zeidman & Pollie Exposition Shows Route book, 1932, CHL.

Page 10: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Pollie Bros. Circus Program, 1924, CHL.

Page 11: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Wixom Bros. Great Railroad Show Diary, 1900, BFRC, at The Henry Ford, includes route information.

Page 12: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Wixom Bros. Great Railroad Show Diary, 1900, BFRC, at The Henry Ford, with paid licensing fees.

Page 13: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Primary sources I used:

• Manuscripts• Vertical Files• Scrapbooks• Oral Histories• Newspapers (NY Clipper, Billboard, local)• Census• Images (photographic, movies, posters,

drawings, paintings, etc.)

Page 14: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Manuscript Collections:

• John C. Pollie Papers, 1910-1960, and undated, Clarke Historical Library (CHL), CMULetters to/from John were written at the time

• Wixom Family Papers, 1890-1968, and undated, Benson Ford Research Center, The Henry Ford (BFRC)Clyde Wixom wrote after the fact, late 1960s

Page 15: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

John C. Pollie Papers, Business Correspondence, CHL. Letter, 1933, requesting hire by Cetlin & Wilson.

Page 16: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

John C. Pollie Papers, Business Correspondence, CHL. Letter, 1955, from Net Tortni, WI DeLuxe Co., to John.

Page 17: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

John C. Pollie Papers, Personal Correspondence, CHL. Birthday cards to John from his children.

Page 18: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

John C. Pollie Papers, Personal Correspondence, CHL, birthday telegram to his six-year-old daughter, Janice, 1950.

Page 19: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

John C. Pollie Papers, Personal Correspondence, CHL, postcard written by Bea to John, reporting personal and business news, 1957. Please mow the lawn!

Page 20: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

John C. Pollie Papers, Business Accounts, CHL, examples of a wide variety of financial records.

Page 21: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Wixom Family Papers, BFRC, various tickets, passes, and railroad script, from Wixom and other circuses, giving date, location, and additional information.

Page 22: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Wixom Family Papers, BFRC. Letter from Clyde Wixom, 1965, to Art & Gracie Johns, about family history and circus staff.

Page 23: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Primary Sources: Vertical Files

• Pre-show advertisement (Example)• Short sketches, obituaries, articles, images

Page 24: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

G.G. Grady’s Circus, Menagerie Museum & Grand Free Balloon show, pre-show advertisement, 1873, Western MI Univ. Archives & Regional History Collections, Kalamazoo, MI.

Page 25: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Primary Sources: Oral Histories

• Clowns, Trapeze Artist, Carnival people• Problems: lack of trust, “not one of us”, need

introduction, time consuming process, memory, dying off

Page 26: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Another Source: Newspapers

• NY Clipper, Billboard• Local news: ads, images, critiques, accidents,

deaths, reports, cancellations, elephant rampages

• Some people consider these primary and some secondary sources

Page 27: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

N.Y. Clipper,Under the Tents, a1901 report from the Skerbeck Circus. They had a rough year!

Page 28: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Gollmar Bros. 3-ring Circus illustrative ad, Iron Ore, Ishpeming, MI, Aug. 4, 1917.

Page 29: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Death of trapeze artist Belinda Connors,Shrine Circus, Mining Journal, Marquette, MI, April 16, 1991.

Page 30: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Deaths in websites & grave-yards.Lizzie Whitlock, Circus Fat Lady in (Findagrave.com)

Page 31: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Primary Sources : Census

• Problematic: traveled in summer, used various performance names

• Example 1860 Federal Census for Goshen Township, Tuscarawas County, OH, Stow Circus troupe, Eliakim or Eliakam and Wes Stow

Page 32: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.
Page 33: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Primary Sources: Images

• Negatives, photographs, movies

Page 34: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Wixom Family Papers, BFRC, photograph taken at Fair Grounds, Ithaca, MI, 1900.

Page 35: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Information from back of previous Wixom photograph.

Page 36: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Wes Stow of the Stow Circus. Scan of now a lost carte-de-visite,Berrien Co. Historical Society, MI.

Page 37: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Location of Sources: All over

• Circus World Museum, Research Library, WI• International Circus Hall of Fame, Peru, IN• John & Mable Ringling Museum of Art, FL• State, university, other archives• Public libraries and Historical societies• Museums• Private collections (especially carnival)

Page 38: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Conclusion:

• Much information, many formats in many institutions

• Many topics to researched= papers to publish, presentations to make, exhibits to mount

• On-line images help

Page 39: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

Conclusion Problems:

• General problems: – Lack of cataloging, indexing, and public

knowledge of these documents –Deterioration, theft

• Oral history: memory problems, dying

Page 40: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

More problems

General circus/carnival problems: • Lack of and conflicting information• a lot of baloney • facts crazier than fiction • Carnival problem: don’t trust outsiders

Page 41: Documenting American circuses and carnivals: an archivist’s perspective by Marian Matyn, Clarke Historical Library, CMU SAA-San Francisco Aug. 30, 2008.

We are at the end. “Elephant’s rear end”, a scanned glass-plate negative of two circus elephants, in Alpena, MI, date unknown, William Boulton Glass-Plate Negative Collection, CHL.