1. OPENING TITLES

2. THE GAME IS ON

3. WAR

4. PINK

5. SECURITY CAMERAS

6. PURSUIT

7. WHICH BOTTLE?

8. TARGETS

9. LIBRARY BOOKS

10. NUMBER SYSTEMS

11. LIGHT-FINGERED

12. ELEGY

13. CRATES OF BOOKS

14. SANDBAG

15. ON THE MOVE

16. BACK TO WORK

17. WOMAN ON THE SLAB

18. A MAN WHO CAN

19. FINAL ACT

Intelligent, funny, thrilling - all words seldom used to describefilm music composers. A lot of what we do is responding tovisual images, trying to find a way in to illuminate the scene orthe characters, to hold the audience's hand as we all travelthrough the story.

As a composer, the worst thing that you can be confronted withare characters or stories which appear in varying shades of grey.It's an uphill struggle to make something live emotionally if it'sso obviously unwell on the screen.

This was never going to be a problem with "Sherlock". From thefirst time we saw Benedict and Martin on screen as Holmes andWatson it was obvious that they were bringing fierceintelligence, humour, incredible colour and humanity to theamazing scripts of Messers Moffat, Gatiss and Thompson. Thenit was just a case of trying not to break something that was notonly wonderful… but something we both felt was the best pieceof British TV we had seen in years.

Each of the three episodes here has individual characterthemes, but the thread running throughout is Sherlock's speedof thought. We tried to find ways to be with him musically as hededuced, so we could all enjoy feeling, even for a moment, whatit might like to be him in real life. And to balance that with thegenuine integrity and warmth of John Watson.

It's an extraordinary series to be a part of, created byextraordinary people, from extraordinary stories. Now with some tunes.

Michael & David

Music Produced by David Arnold and Michael PriceAdditional Music by Rael JonesPerformed by The London Session Orchestra, conducted by Michael PriceOrchestrated by Anthony WeedenGuitars, Mandolins and Percussion by Rael JonesRecorded and Mixed by Nick Wollage and Chris Barrett, at Air Studios, LondonMastered by Ray StaffSession Preparation by Tom FarnonAdditional vocals by Haley Glennie-Smith

With thanks to:Steven, Mark, Paul, Sue, Beryl, Debbie and all the fabulous Sherlock productionteam; Becky Bentham @ Hothouse; Alison, Nick, Chris, Fiona and everyone at Airfor their skill and hospitality; David Stoner and Silva Screen Records; Simon Platzat Bucks Music, and anyone out there turning their collar up and solving crimes.

For Hartswood Films:Series Producer: Sue VertueCreated by: Steven Moffat and Mark GatissWritten by: Steven Moffat, Mark Gatiss, Steve ThompsonExecutive Producer: Beryl VertueDirectors: Paul McGuigan and Euros Lyn

© Hartswood Films Ltd

Music published by: Hartswood Films Ltd administered by EMI Music Publishing / Bucks Music Group Ltd.All images © Hartswood Films Limited

Thanks to:Debbie Vertue, Howard Price, Sue Vertue, Beryl Vertue, Steven Moffat, Mark Gatiss,Colin Hutton and all at Hartswood Films.

Executive Producers for Silva Screen Records Ltd.: Reynold D'Silva and David Stoner

CD artwork: Stuart Ford

SILCD 1377

© 2012 Silva Screen Records Ltd.2011 Hartswood Films Limited. Under exclusive

licence to Silva Screen Records Ltd.UK: T: +44 (0)207 428 5500 F: +44 (0)207 482 2385US: T: +1 212 564 8855 F: +1 212 564 8865E: info@silvascreenusa.com / info@silvascreen.co.uk

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