Dichroic Contractions

Dichroic Contractionsfor voice, percussion, violoncello

- edward hamel -

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Copyright © June 2010 Chicago

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Voice

Percussion

Violoncello

n mf nethereal yet precise q = 40bpm

p ppp p (p) n

mf n mp n

ppp

f

p

p

mf

pp

n

n

ppp

f mf

p mf (mf)

(mf)

n

n

ff p

p mf (mf)

(p)

f (f)

mf

n

n

!! "!

!! "!

!! "!

!! "!

!! "!

!! "!

!! "!

!! "!

# $

3 cycles

!"! !#! !$!

No Bow- left hand only -

2nd cycle

3rd cycle

Bowed- normal -

1st cycle No Bow

- left hand

only -

Bowed

- normal -

Bowed

- normal -

No Bow

- left hand

only -

Bowed

- normal -

No Bow

- left hand

only -

Pitch

Air

Dichroic Contractions- edward hamel -

%&

(closed mouth)

senza vib.throughout

!%! !&! !'! !"! !#! !$!

%

Suspended Triangle(triangle beater)

l.v

-motor off/

Vibraphone

(soft mallet)P

tremolo as fast as possible with sporadic attacks of D4

throughout-

(slightly louder than voice and cello)

'

&legatissimo both hands-senza vib.throughout. "Left Hand" material should be hammered-on - (left hand pizz. for open strings)

(simile)

( ( ( ( () ( ( ( ( ()$(*

( ( ( ( ()$(*

( ( ( ( ()$(* $

(* $

(*

( ( ( ( () ( ( ( ( () ( ( ( ( ()$(*

( ( ( ( ()

'III &

IV

III

IV III II

&(l.v.)

III II

)+

)+

)+ +

) ) )+ + + +

3

35

3

35

3

35

3

35 3

35

3

35

3

35

3

35

#(echo)

(pronounced harmonics)

#(pronounced harmonics)


, , , , ,* -

, , , , , , , ,* - .

, %%%////) ####

%%%0000

.

$(* $

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.

,), ,) , ,) ,

, ,) , ,) ,, ,) , ,) ,

, ,) , ,) ,), ,) , ,) ,

, ,) , ,) ,, ,) , ,) ,

, ,) , ,)

!

"

!

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Vib.

n f3

p ppp p (p) n

mf

n p mf

f p

mp mf

(p) f

p

ff

ppp n

!! "! 1!

!! "! 1!

!! "! 1!

!! "! 1!

!! "! 1!

!! "! 1!

# $!"! !#! !$!

%


Bowed- normal -

No Bow

- left hand

only -

Bowed

- normal -

Pitch

Air

%&

Voice

(closed mouth)

!%! !&! !'! !"! !#! !$!

%


l.v

Vibraphone(soft mallet)



#

'

(simile)

%$(*

( ( ( ( ()$(*

( ( ( ( ()$(*

( ( ( ( ()$(*

( ( ( ( ()$(*

( ( ( ( ()$(*

( ( ( ( ()$(*

( ( ( ( ()$(*

( ( ( ( () .

'Vc.

)+

)+

)+ +

)+

)+

)+ +

33

53

35

3

35

3

35

3

35 3

35

3

35

3

35


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, %%%////) ####

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2

!

"

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sfz p ff p mf p sffz sfz p ff p mf p sffz

with a feeling of uncontrollability q = 72bpm

5

sfz

(all dynamics from m.5 - m.19 are levels of sonority not attack)

sfz f pp sfz p

/f/

sfz p sfz f pp sfz p

/f/

sfz p sfz p sfz f ppp

n sffz n sffz n sffz

sfz p ff p mf p sffz sfz p sffzsfz p ff p mf p sffz

11

f n

/f/

sfz p sfz

/f/

p sfz p sfz pp sfz f pp sfz p sfz

/s!/

p sfz f pp sfz p sfz p sfz p sfz pp sfz p sfz f pp

n sffz n sffz n sffz

1! !! 2! !! 2! !! 1!1! !! 2! !! 2! !! 1!

1! !! 2! !! 2! !! 1!

1! !! 2! !! 2! !! 1!

1! !! "! !! 2!1! !! "! !! 2!

1! !! "! !! 2!

1! !! "! !! 2!

%Voice

$ $3

molto accel a tempo

3

molto accel

&

4 4 4

!"! &

a tempo

4 +3

35

33 5

Unvoiced

Large

Small

Pitch

Node

Node

Rim

Rim

, ,,)

%+4

$3!(!

&

4 4 4

!"! &!(!

(oo lips - airy)!)! !"!

435

33 5

5 5 5 5 5 5 5

#

(scrape with finger print)

Bongos(hands)6 +

$3

(simile)

molto accel

(oo lips - airy)!)!

+4

!*!

4 +

!"!

a tempo6 +3

molto accel

+4

!*!

a tempo4 + 4 6 +3

3 3 3 3 33 3 3

%Vc.

+4$3

molto accel a tempo+43

molto accel a tempo+4 3

%Voice

molto accel

&

4 64

!"! &

4 +a tempo

3

accel

&

a tempo

+ +43

molto accel

&

4 64

!"! &

+4 +a tempo

33

53

35 3

5

Unvoiced

Small

Large

Pitch

Node

Node

Rim

Rim

,,)

%(exhale audibly/open mouth/norm. lips)

3(oo lips - airy)

3

3

5 5 5 5 5 5

*

5 5 5 5 5 5 5

*

#

!(!

molto accel

(oo lips - airy)!)!

+4

!*! !"!

4 + 4 4 a tempo6 +3

!(!

accela tempo

+4 4 + 6 +3

molto accel

!(! !)!

+4 4 + 4

!*! !"!

4a tempo

4 6 +3

3 3 3 3 3 3 5 3 3

%Vc.

molto accel a tempo+43

accela tempo+4

3molto accel

$

a tempo

+4 3

. . . . , ,,) . . . .

,* - . . 5 5 5 5 5 5 5 5

$

5* , , , , , , , , ,

*-

$

5

*

,*

-,

, , -$

5* , , , , , , , , ,

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- .$

5

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,*

-$

5

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5

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- .

$

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*- . . . . $

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*- . . . . . $

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*- . . .

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& & & . 5 . . . .

$

5

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,

*-

$

5

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, ,,

, 5,,7

$

5* , , , , , , , , ,

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5

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5*

,,,

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$

5

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,, ,

,, 5

,,, ,

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3

!

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!"

sfz p sffz p mf p sfz p sfz p ff p mf p

16

sfz p

/f/

sfz p sfz p sfz f pp sfz p sfz f pp sfz p sfz p

/f/

sfz p sfz pp sfz sfz p

n sffz n sffz pp f sffz

2! !! "! !!2! !! "! !!

2! !! "! !!

2! !! "! !!

%Voice

molto accel

& !"!

+ +4

&

a tempo

3

accel

&

a tempo

+ +

3

molto accel

&

+

& !"! &

+

Unvoiced

Small

Large

Pitch

Node

Node

Rim

Rim

%!(!

(oo lips - airy)

64 +$

5

*

5 5 5 5

#

!(!

molto accel

+4

(oo lips - airy)

!)!

a tempo

4 4 6 +3

accel

!(!

+4a tempo

6 +3

molto accel

+4

!)!

4 + 4

%

4 453 3 3 3

3 5 6

%Vc.

molto accel a tempo+4 3accel a tempo+4

3molto accel+4

'+4

, ,,) . . . . , # . . . . , #

$

,

*

,,)

*

-

5 5

$

5

*

,*

-$

5

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5

*,

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5

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4

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Vib.


20

p ppp p (p) n

mf n mp

f

ppp

p

p mf

pp

n

n

mf

f mf (mf)

f (f)

p

n

n

!! "!

!! "!

!! "!

!! "!

!! "!

!! "!

!! "!

%Voice

$

2 cycles

!"! !#! !$!


Bowed- normal -

2nd cycle

1st cycle

No Bow

- left hand

only -

No Bow

- left hand

only -

Bowed

- normal -

Bowed

- normal -

Pitch

Air

%&

(closed mouth)

!%! !&! !'! !"! !#! !$!

%


l.v

-motor off/

Vibraphone

(soft mallet)tremolo as fast as possible with sporadic attacks of D4

P throughout-


'

&legatissimo both hands-senza vib.throughout. "Left Hand" material should be hammered-on - (left hand pizz. for open strings)

(simile)

( ( ( ( () ( ( ( ( ()$(*

( ( ( ( ()$(*

( ( ( ( ()$(*

( ( ( ( ()$(*

( ( ( ( ()$(*

( ( ( ( ()$(*

( ( ( ( ()

'Vc.

III &IV

III

IV III II

&(l.v.)

III II

)+

) )+

) )+

)+

)+

) )+

) )+

)+

3

35

3

35

3

35

3

35 3

35

3

35

3

35 3

35

#(echo)

(pronounced harmonics)


, , , , ,* -

, , , , , , , ,* - .

, %%%////) ####

%%%0000

.

$(* $

(*

.

,), ,) , ,) ,

, , , ,) ,, , , ,) ,

, , , ,) ,), ,) , ,) ,

, , , ,) ,, , , ,) ,

, , , ,)

5

!

"

!

"

Vib.

22

p

(f)

(f) n

"! 1!

"! 1!

"! 1!

"! 1!

"! 1!

"! 1!

% $n

!"! !#! !$!

f


Bowed- normal -

No Bow

- left hand

only -

Bowed

- normal -

Pitch

Air

%&

Voice

(closed mouth)

p ppp

!%! !&! !'!

p

!"! !#! !$!

(p) n

#

%


mf

l.v

Vibraphone

n

(soft mallet)



p mf

#

'

(simile) (

(

-(over pressure- faint presence of pitch)

( ( ( ( ( ( ( ( ( ( ( '$(*

( ( ( ( ()$(*

( ( ( ( ()$(*

( ( ( ( ()$(*

( ( ( ( ()$(*

( ( ( ( ()$(*

( ( ( ( ()$(*

( ( ( ( ()$(*

( ( ( ( () .

'Vc.

)+

) )+

) )+

)+

)+

) )+

) )+

)+

3

35

3

35

3

35

3

35

3

35 3

35

3

35 3

35


mf f

(p) f

(over pressure- faint presence of pitch)

fff n

, , , , ,

, , , , , , , ,* - .

, %%%////) ####

%%%//// ####

%%%////

,), ,) , ,) ,

, , , ,) ,, , , ,) ,

, , , ,) ,), ,) , ,) ,

, , , ,) ,, , , ,) ,

, , , ,)

6

!

"

!

"

Vib.


42

p ppp p (p) n

n mp ppp

mf

mf

f

f (f)

(f)

n

n

!! "!

!! "!

!! "!

!! "!

!! "!

!! "!

% $!"! !#! !$!

3


Bowed- normal -

No Bow

- left hand

only -

Bowed

- normal -

Pitch

Air

%&

Voice

(closed mouth)

!%! !&! !'! !"! !#! !$!

3

%-motor off/

Vibraphone

(soft mallet)P throughout-



(l.v.) until niente3

'

&

Vc.

legatissimo both hands-senza vib.throughout. "Left Hand" material should be hammered-on - (left hand pizz. for open strings)

(simile)

3$(*

( ( ( ( ()$(*

( ( ( ( () ( ( ( ( () ( ( ( ( ()$(*

( ( ( ( ()$(*

( ( ( ( ()$(*

( ( ( ( ()$(*

( ( ( ( ()

'III &

IV

III

IV III II

&(l.v.)

III II

)+

) )+

) )+

)+

)+

) )+

) )+

)+

3

35

3

35

3

35 3

35 3

35

3

35 3

35 3

35


(echo)

, , , , ,* -

, , , , , , , ,* - .

%%%0000)

%%%0000 ,,,,

*-

$(* $

(*

.

,), ,) , ,) ,

, , , ,) ,, , , ,) ,

, , , ,) ,), ,) , ,) ,

, , , ,) ,, , , ,) ,

, , , ,)

11

Dichroic Contractions

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