Dewan Tunku Canselor Final Report
Transcript of Dewan Tunku Canselor Final Report
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SchoolofArchitecture,BuildingandDesign
ARCHITECTURE,CULTUREANDHISTORY2
(ARC60203)
Project2:Report DewanTunkuCanselor,UniversitiMalaya,PetalingJaya.
Tutor:Ms.Shahrianne
GroupMembers:
FooJiSun 0323550
HengRuiYing 0326639
HengSyHua 0321999
HoZiYan 0323698
HongSeoTaek0322045
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CONTENT
1.0Introduction [3]
1.1FastFactsoftheBuilding
1.2Location
1.3HistoryoftheBuilding
1.4TheArchitect
2.0SiteContextAnalysis(HongSeoTaek0322045) [10]
2.1Accessibility
2.2RelationtotheNaturalEnvironment
2.3ComparisontoSurroundingBuildings
3.0ArchitecturalLayoutoftheBuilding(HengSyHua0321999) [17]
3.1PlantoSectionAnalysis
3.2Circulation 3.3SpatialOrganization
3.4Hierarchy
3.5BuildingArchitecturalAnalysis
3.6Summary-ComparisonofBuildings
3.7Appendix-ScannedOriginalPlan
4.0ArchitecturalStyleAnalysis(FooJiSun0323550) [49]
5.0BuildingConstruction,Structure&MaterialAnalysis(HoZiYan0323689) [52]
5.1BuildingConstruction
5.2BuildingMaterials
6.0ArchitecturalElementsAnalysis(HengRuiYing0326639) [60]
6.1Superstructure
6.2Finishes
7.0Conclusion [69]
8.0References [70]
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1.0 INTRODUCTION
UniversityMalayaistheoldestuniversityinMalaysia,itislocatedatthesouthwestof
KualaLumpurandwasestablishedin1962.DewanTunkuCanselor(DTC)islocatedwithinthe
campusofUniversityMalaya,constructedin1965-1966.DewanTunkuCanselorwasopenedby
thefirstPrimeMinisterofMalaysiaandthefirstChancelloroftheUniversity,theHon.Tunku
AbdulRahmanPutraAl-Haj.ThebuildingwasaninfluenceoftheInternationalstyle,Brutalist
Architecture.FamouslyknownbyLeCorbusier’sworks,similaritiescanbedistinguishedfrom
thebuildingsinChandigarh,IndiawiththeDewanTunkuCanselor.
DewanTunkuCanselorinPJ,Malaysia.ChandigarhinIndia,byLeCorbusier.
MostofthemodernbuildingsinMalaysiawereinspiredbybrutalistarchitecturewhere
thedesignsconsistsmoreofrepetitivesandangulargeometries.Theusageofrawconcrete
materialswascommonasitwasfunctionableandaffordable.ExampleofmodernMalaysian
buildingsaretheBankNegaraMalaysia,BangunanKWSPandmanymore.
BankNegaraMalaysia. BangunanKWSP.
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1.1 FastFactsoftheBuilding
BuildingName DewanTunkuCanselor
Address DewanTunkuCanselor,UniversityofMalaya, 50603KualaLumpur,Selangor.
ConstructionPeriod 1956-1966
Architect Dato’KingtonLoo
Capacity 6000people
MainFunctions Convocations Concerts Semesterexaminations Theatreperformances Seminars Conferences
HistoricalEvents
1966 OfficiallycommencedbythefirstPrimeMinisterofMalaysiaandthefirstChancelloroftheUniversity,TunkuAbdulRahmanPutraAl-Haj.
1966 ThefirsteverconvocationconductedinDewanTunkuCanselor.
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2001 AfirebrokeoutintheDewanTunkuCanselor.DamagescausedbythefirewasestimatedtobeRM12million.
2002 OfficiallyreopenedforthesecondtimebyDatukSeriAbdullahAhmadBadawi.
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1.2 Location
LocationofUniversitiMalaya.
LocationofDewanTunkuCanselorinUniversitiMalaya.
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1.3 HistoryoftheBuilding
DewanTunkuCanseloristheconventioncenterofUniversityMalayawhichisbuiltin1965by
DatukKingtonLoowhoisfromBEPArchitect.Itisrenownedasthelandmarkoftheuniversity
and also influenced by Brutalism and modernism architecture. Dewan Tunku Canselor was
declaredin25thJun1996byourfirstprimeministerALMARHUMTUNKUABDULRAHMANAL-
HAJwhowasthechancellorofUniversityMalayaduringthatperiodoftime.
Thebuildingfirstvernissageofceremonywasmanagedin1996tocontributethecredentialletter
ofthegraduatedstudents invariousgraduationsofdiploma,degree,mastersandPHD.Since
thatyear,studentsareassembledannuallyinthisbuildingforexaminationsandgraduations.In
addition,therewasanincidenton29thJun2001where90%oftheinternalbuildingwasonfire.
Itwasthenretrievedbythefacultyofenvironmentanditwasopenedagainoneyearlaterby
DatukSeriAbdullahAhmadBadawi.
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1.4 TheArchitect
Name KingtonLoo
DateofBirth 17October1930
GraduatedUniversity UniversityofMelbourne
Buildingsdesigned 1.Rexcinema 2.SubangInternationalAirport 3.Dayabumicomplex 4.DewanTunkuCanselor,UM
Achievements 1.ChairmanofMalaysiaInstituteofArchitectAdvisoryCommittee
2.PresidentofSelangorClub 3.ChairmanofBukitBintangMCA 4.PresidentofFederationofMalayaSocietyofArchitects
(FMSA) 5.CommitteesofPAMandBBAM 6.FirstPAM’sinauguralGoldMedalwinner 7.ChairmanofMalaysianZoologicalSociety 8.ChairmanofMalaysianArtsCouncil 9.CommitteeforNationalArtGallery
KingtonLoowasaprofessionalarchitectduringtheworldwarIIeraandisthepersonwhich
bringsmodernismtoSoutheastAsia.HismothernamesLokSohJuneandwasafamouspiano
playerwhowasalsothesixthdaughterofLokeChowKit,amillionairebusinessman.
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Nonetheless,Kingtonloo’sfatherwasanengineerwhowasthegrandsonofLokeYew,alate
successfulbusinessman.KingtonhadsonlyonedaughternamedYsaLoo.Kintonwasbornin
MalaysiabuthadgrownupindifferentplaceswhichincludedSingaporeandIndiatoavoidthe
Japaneseinvasion.
HewasthencontinuedhisformfoureducationinVictorianInstitutionafterreturningtoKuala
Lumpur.HehadstudiedinGovernmentcommercialDaySchoolandtookengineeringcoursein
TechnologyCollegebeforehisgreat-grandmother,LokeYewdecidedtofinancehisstudiesto
UniversityofMelbourneinAustralia.DuringhisstudiesofArchitecture,hewasthebeststudent
bywinningtheinternalcompetitiontodesigntheDeanofArchitecture’sHolidayHouse.
Loofinallygraduatedin1953andhejoinedthefirmofBooty,Edwards&Partners(BEP)after
returningtoKualaLumpur.Heworkedinthefirmtransformingfromagraduatedarchitecttoa
full-fledgedarchitectandfinallybecomeoneofthepartnersinthefirm.Duringhispractise,the
involvedintheconstructionvarioussignificantlandmarksforexampleSubangInternational
Airport,StandardCharteredbuildinginklandalsotheDewanTunkuCanselor.
Asconclusion,KingtonLoowasalwaysakindheartedandsoftspokenmanashealso
contributedhistimeinvariouspreservingsocietywhichincludedthenatureandarts.Hewas
alsopassionatethroughouthiscareerlifebyconstantlyimprovingandinnovatinghismindsetin
design.Lastly,KingtonLoocanbesaidistherolemodelofallprofessionsinthecountrywho
servedhimselftothefullnessforthesociety.
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2.0 SITECONTEXTANALYSISHongSeoTaek0322045
SiteAnalysisDiagram
- SunpathrisefromKualaLumpurandsettowardsPetalingJaya
- Northwestwinddirectionwithaverageof7.7kph(October2016data)
- Averagetemperatureof28.8degreeCelsiusandaround33degreeCelsiusduringthe
hottesttimeoftheday(12-2pm)
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2.1 Accessibility
SitemapofDTCindicatedwithmasspathwayandboundary
AmongstthemultiplehigheducationalinstitutionaroundMalaysia,UniversitiMalayaisthefirst
post-independencenationaluniversitybuilton750acrelandinbetweenKualaLumpurand
PetalingJaya.Suchhugeareaofcampusisdividedintomanydivisions,eachdivisionserving
purposeofeducatingandleadingacertainfieldofeducationtocontributeincountrygrowthby
well-structuredspecificeducation.
ThemagnificentaspectofdesignofUniversitiMalaya(UM)comparedtootherhigheducational
institutionisintermsofscaleofthebuilding.InthemasterplanofUM,isstructuredinawayto
accommodatemultipletypesofbuildingrequiredforeachdivisionsuchasadministrative,
educationalbuilding(lecturehalls),students’accommodation,commercialbuildingsandfaculty
building.Thesitecontextofthebuildingshowsthepotentialemptylandprovidedforpotential
furtherextensionandexpansionofthebuildingasthepopulationandscaleofuniversitygrows.
SiteContext–CirculationaroundtheBuildingHongSeoTaek0322045
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SitemapshowingtheconvenientaccessibilitytootheruniversitybuildingsaroundDTC
Inaddition,therearepedestrianmovementandtrafficpatternsthatcreateseffective
circulationaroundthewholecampus.Thedistancefromstudentaccommodationtodifferent
partsoftheuniversityiskepttominimumdistancetoreducethediscomfortforthestudentsby
reducingthedistancetowalkandprovidesshelterfromsunlightandrain.Suchshortdistances
betweendifferenttypesofbuilding,createsefficientflowofcirculationaroundtheuniversity.
DewanTunkuCanselor(DTC)islocatedatthesiteofUniversitiMalaya.DTCisplacedinthe
centerofUM,actingasasignaturebuildingoftheuniversityservingthepurposeofholding
largescaledeventssuchasceremoniesandexams,wherethedistancebetweenotherbuildings
ofuniversityiskeptunderakilometer.
ModeofTransportfromOutside
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PublicBusPersonalVehicleTransportationModeofInternalTransportation(incampus)
PedestrianWalkCyclingUniversityShuttleBus
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2.2 RelationtotheNaturalEnvironment
Mapofvegetationdensityandwaterarea
UMintendstocreateharmonywiththenaturalenvironment.Theplacementhavetohavean
interactionwiththeenvironmentandalsoshouldcreateobstacles.ThemajorsiteofUMis
locatedatanareaofhighforestdensitywhichwasnotdevelopedafterindependence.DTC,
beingthecentralizingbuildingisplacedonanareawheretheforestdensityisrelativelylow,
therearestilldecentamountofgreendensityforvisualpleasurewiththeclearviewofDTC.
AlsothegreeneryareaallaroundtheUMisthepotentiallandforextensionoftheuniversity
mentionedabove.
ThelakeandriverstreamflowonthesouthernsideofDTCprovidesnaturalaestheticsandcool
prevailingbreeze.ItactsasnaturaldrainagesystemforregularheavytropicalraininMalaysia
alongwiththethickvegetationaroundittopreventpotentialwaterhazardinthecampus.
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2.3 ComparisontoSurroundingBuildings
ExamplesofSurroundingEducationalBuildings
FacultyofBusinessandAccountingFacultyofEducationHighImpactResearchCenterExamplesofSurroundingCommercialBuildings
PejabatPosUMCIMBBankUMArtGallery
DTCbeingthecenteraxisoftheUMcampusasmentionedearlierinthecontentsabove,the
arrangementofthesurroundingislocatedinasortofaradialpattern.DTCiswherebigevents
oftheuniversitysuchasfinalexam,graduationandetcisorganized,categorizedasan
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educationalbuildingblock.Thesefactsindicatesthat,oftenhighpopulationdensityisheldat
thelocationincludingstudentsandstaffofUMandexternalvisitors.Duetosuchreasoning,
mostofthemajorcommercialcomponentofthecampusislocatedradiallyaroundDTCwithin
100mrangeforpeopletoconvenientlyaccessandfulfiltheirnecessityduringthevisittoDTC.
Meanwhile,thearrangementshowsthefunctionalcontrastbetweenthechancellorandother
buildings.DTCwouldbemainlycategorizedasaneducationalblockofthecampus,however
therearesomeinterestingmixtures.DTCisaneducationalbuildingwhichhasslightportionof
commercialuse.Whilecommercialblockandeducationalblockisdesignatedforspecific
purposewhichcouldbeidentifiedinthename.Everysurroundingcommercialandeducational
buildingssharesimilarcharacteristicstoeachotherinsamecategorybutthefactthatDTCis
neitherofthese2iswhatmakesituniqueanddifferentfromitssurrounding.
PedestriansaroundDTC
ExternalVisitorsUMStudents
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3.0 ARCHITECTURALLAYOUTANALYSISHengSyHua03219993.1 PlantoSectionAnalysis3.1.1LocationanalysisDewanTunkuCanselorisactuallylocatedatthetopofthehillinsideUMwhichmadeitbecome
theiconiclandmarkofthebuilding.Duetoitsspecialtopography,itsconcretefoundationcan
beseenslantedfromtheelevationplaninordertocreateaflatsurface.Moreover,Dewan
TunkuCanselorisbuiltmorethan80%usingconcrete,hence,itslocationatahighersealevel
hasactuallyanadvantageofhavingabetterlightpenetrationandwindventilation.Withthis,
DTChasavariousarchitecturalelementwhichisbothforaestheticbutalsopracticalpurpose.
ThewholeDTCareaisactuallyconsistof4mainbuildingswhichisDewanTunkuCanselor,
Amphitheatre,Canseleriandasmallcourtroom
Figure1showsthelocationandtopographyofDTC
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Diagram2showstheinfluencesoftopographytowardstheelevationofbuilding3.1.2LocationofopeningsTheopeningofDTCisactuallyaccordingtothedirectionofitsfacingpart.Openingslocatedat
theNorthandSouthareaislarger,longerandwithbiggeropeningswhiletheopeningsinEast
andwestsidearecomparativelyshorterandsmallerwithsmalleropeningsorcoveredwith
certainfaçadesanddesigns.AstheareaofDTCisalsoincludingthePusatkebudayaanbesideit,
differentfromtheDewan,theCanselerihasactuallyalargeopeningsinthemiddleofthe
buildingwhichleadstoahalfclosurestyleforthebuilding.Hence,thewholebuildingactually
portraysahalfclosureandexposurearchitecturalstylewithabrilliantusedofdifferenttypesof
openingtocreatetheambiance,windandlightqualitythatisdemandedbythearchitect.
Highest point of the hill
Increasing concrete foundation
NORTH
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Diagram3showsthedirectionofDTCincompass
Diagram4showsthewindowsandopeningsofdifferentdirectionofthemainbuilding
Opening of: Left upper: East Left Lower: West Right first: North Right second: South
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3.1.3NaturallightpenetrationandwindventilationContinuingfromtheabove,thearchitecthasactuallycreatedalotofarchitecturalelement
whichisexclusivelyforDTCinordertoachievethehighestamountofwindblowandoptimum
lightpenetration.Allthesedesignsaremainlylocatedattheopeningsattheexteriorsand
aroundthestaircasesfortheinterior.
Diagram5showsthegeneralpenetrationofwindandsunlight.
Light penetration Wind ventilation
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3.1.3.1NaturallightpenetrationThebrilliantdesignofallowingoptimumlightpenetrationofentretheinteriorcompoundcan
beclearlyseeninslantedfaçadeabovethemainentrance.Thefaçadeiscarefullymeasureand
calculatewherehalfoftheopeningsideofthefaçadeisfacingthemorningsunlightwhilethe
otherhalfisfacingtheeveningsunlight.Theflatsurfacewillbefacingtheafternoonsunlight.
Withthis,therewillbeoptimumofsunlightpenetrationthroughoutthedaywithout
overheatingtheinteriorspace.Whileforthesecondarylightdiffusingareawillbealltheglass
doorsandsmallopeningbetween2concretefaçade.Theseopeningsarealsoimportantto
createasoftandwarmambiancefortheinteriorspaces.
Diagram6showsthepercentageofsunlightpenetrationperdayandhowthefaçadeworkstoblocktheexcessivesunlight.
Morning Sunlight 50% penetration
Afternoon Sunlight 0% penetration
Evening sunlight 50% penetration
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3.1.3.2WindventilationAirventilationisalsoanimportantpartthatisconsideredbythearchitect.Forthedewanand
amphitheatredoubleceilingconceptisusedtoenhancetheairventilationeffect.This
architecturalconceptisbeinginfusedintothebuildingduetoitsmainmaterialusedisconcrete
andithaspoorairdiffusingcharacteristics.Hence,doubleceiling,conceptisintroducedwhere
theceilingheightbuiltatthefoyerareaismorethan2storeyandalmostthesameheightas
theamphitheatretoallowmaximumamountofairflow.Also,thearchitecthasavoidedmostof
thecornercreatedbyflatwallandreplaceditwithcurvedwalltomakesurethatthewindblow
isnotbeingblockbyallmeans.Hence,thereare2curvedwallatthesideofthefoyer(Diagram
7)whichisalsowherethestaircaseissituated.Thisistoallowmoreairtoenterthesecond
flowasminimalairisblockbythewall.
Diagram7showsthelocationofcurvedwallinDTC.
Curved walls are used in the foyer and staircase area.
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3.2 Circulation3.2.1TypeofplanTheoverallarchitecturalplanusedbythearchitectisactuallycentralplanasallthecirculations
routearelocatedatthesideoftheplanswhilethemiddlespaceisusedasfunctionalspacefor
eitherhumanactivitiesorventilationarea.Fortheamphitheatrethecentralspaceiswhereall
chairsarelocatedandistheaudiencesittingareawhiletheopeningsarealsosituatedatthe
sideofthehall.Withthis,theaudiencewillnotbedisturbedbythepeoplewalkingasallthe
circulationaresituatedattheleftandrightsideofthehall.Also,middleareaatthefoyerwill
actasarestingandstandingspaceforthepeopleasmostofthehumanflowisaccumulateat
theside.Asforthecanseleri,anopeningskylightisintroducedatthecentreoftheplanasa
wayforexcellentairandlightventilation.Also,rainwatercanactasthenaturalwatering
systemfortheplantationatthesmallgardenarealocatingatthegroundfloorofthebuilding.
Withthis,theambianceofthebuildingwillbemorenaturalandenvironmentalfriendly.
Diagram8showstheambiencethatbroughtintothespacebyusingacentralplanwhereallthefunctionalandnaturalelementareplaceinthecentreoftheplan.
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3.2.2PointofaccessibilityAsDTCisbuilttoaccommodateahugeamountofvisitors,studentsandalsolecturers,there
arequiteanamountofentranceactasthepointofaccessibilitytoeachseparatedspaces.
However,someoftheentranceactsastheprimaryentrancewhilesomearesecondary
entrance.Also,DewanTunkuCanselorisoneofthemostimportantyethugeconstructionsin
UM,hence,therearemorethanonetypeofcirculationforeasyexcessanduserfriendly.
Diagram9showsthepositionofentranceandthemainaccesswaylinkingthewholebuilding.
Position of doors
Access way
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3.2.2.1PrimaryentranceThereareonly5primaryentrancesinthisbuildingastheyareallthemaindoorsconnecting
fromonespacetoanother.ThefirstentranceisthefrontdoorofDTCwhereitIsthelinkage
betweenexteriorandinterior.However,theentranceisonlyopenedwhenthereissome
formaleventcarryingon.Secondandthirdentranceisthelinksbetweenthefoyerandthe
amphitheatrewhichislocatedattheleftandrightsideofthefoyer.Theseentrancearealso
theonlyentranceinandoutofthehall.Next,thelinkbridgebetweenthehallandthe
canseleri.Thisbridgeisalsotheonlylinkagebetweenthe2partsofthebuildings.Lastly,the
entranceforthecourtroom.AsthecourtroomIsaprivatespace,thereisonlyoneentrancefor
Iandoutpurpose.
Diagram10showstheprimaryentranceofDTC.
Position of doors
Access way
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3.2.2.2PubliccirculationAbout60%ofthecirculationinDTCisactuallypubliccirculationascirculationisthemain
elementthatconnectsallthespaceswitheachother.ThefoyerofDTCaswellasthecanseleri
iswherethepubliccirculationisplacedasboththeseservesasastudyandpractisingplacesfor
thestudentsinUM.Also,thewalkwaythatconnectsthefoyerandcanseleriactsasashortcut
forUMstudentstopassthrough.
Diagram11showsthemainpubliccirculationinDTC.
Position of doors
Access way
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3.2.2.3PrivatecirculationThroughoutthehistory,DTCactsastheplaceforformalfunctionsandactivities,hence,VIP
guestsandbackstageworkerswillhavetheirowncirculationpathwaytoensurethesafetyofte
guestsandtoensureasmoothworkingenvironment.Theentrancetothebackstageofthe
amphitheatreandstairstosecondfloorofDTCareactuallyconsideredasprivatecirculation.
Also,anotherprivatecirculationinthisareaistheentrancetotheVIProomandthecourtroom
asitisusedforspecialpurposesandguestsonly.
Diagram12showstheprivatecirculationinDTC.
Position of doors
Access way
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3.2.2.4PositionofstaircaseandfireescapeTherea2circularstaircasessituatedattheleftandrightsideofthestaircaseinorderto
provideasmoothcirculationaswellascreatingabalanceandsymmetryarchitecturalplan.
Anotherstaircaseispositionatthecanseleriwhichactastheonlyconnectiontoeachfloorin
thebuilding.However,thestaircasehaddesignedinawaythatitismoreusersfriendly.From
thediagrambelowitcanbeseenthatdog-leggedstairsisusedwhereuserwillonlyrequire
walkingashorterdistancetoreachthenextstaircasecomparedtothenormalstaircase.
Moreover,thefireescapeintroducedinDTCisalsonicelyconsideredastherearemorethan
oneconnectionsaredesignedtoexcesstoeachspacesespeciallywhenstairsandsmaller
entranceareused.Forinstance,thereare2circularstaircaseslocatedatbothsidesofsecond
floortoprovideaquickerandsmootherexitifthereisanemergencyaswelltheentranceand
exitfortheamphitheatre.AllthefireescapewillbedirectedtothespaceoutsideDTCandact
asatemporarilygatheringarea.
Diagram13showsthepositionoffireescapeexitandthepositionofstiacases.
Fire escape exit
Position of staircase
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3.3 Spatialorganization3.3.1.SpatialplanningAgoodspatialplanningisessentialtocreateboth,healthyenvironmentandeliminatesasmuch
threatsaspossible,hencebothnaturalandman-madeelementsarebothconsidered.
3.3.1.1NaturalelementThearchitectdesignedthebuildinginawaythathetriedtoconserveasmuchnatural
elementsaspossiblewhileblendingthenatureintothebuilding.Hence,acentralgardenis
beingdesignedtoincreasethenatureelementinthebuildingasthearchitectbelievedthat
greeneriesareablerecreateacalmandpeacefulambiencetotheuser.Also,theexteriorwall
ofthecourtroomisalsoplantedwithclimbingplanttocreateafusionofnatureandman-made
element.Italsobringuponamysterioushinttothespaceasthecourtroomisthemostprivate
spaceinthebuilding.
Diagram14showstheeffectofnaturalelementtowardsthebuilding.
The cylindrical façade are mostly covered with climbing plants to enhance the natural element and mysterious effect.
Natural element is added into the building compound as a relax and resting area
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3.3.1.2SpatialexperienceOntheotherhand,impactfulspatialexperienceiscreatedbythechangingofvolumeand
ambiancefromonespacetoanother.Thespacesareplannedandarrangedinawaythatthe
userswillfeelcomfortableandmajesticatthewhilewalkingtthroughthespacesasthe
architectwantedtobringouttheambienceoftheholinessofauniversity.Hence,double
volumeislargelyusedinthehallareaaswellaslargearchitecturalelementsforinstance,the
slantedfaçadeandthecircularwallbythewalkway.Theotherpartofthebuildingisdesigned
halfopenedasametaphorofthefreenessinthejourneysearchingforknowledge.
Diagram15showshowthearchitectureinfluencesthespatialexperiencetotheviewers.
Enlarged architectural elements is used to let the viewer feels majestic and holy.
Doubled ceiling is introduced to the foyer in increase the freeness and openness of the space
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3.3.2SpatialrelationbetweeneachspacesSpatialrelationisdefineasthecertaintyofaspaceisplacedinrelationtooneanother.
DifferenttypesofrelationareintroducedinDTCtocreateahighlylinkedbuilding.
Type1:Spacewithinaspace
Naturalspaceandman-madespacearefusedtogetherbythisrelationasthecourtyardis
createdwithinthecanseleri.Withthis,thecourtyardnotonlyactasthefunctiontofiltertheair
butalsocreateaneyepleasingviewaswellasaperfectrestingareaforthestudents.
Diagram16showshowthecourtyardandcanseleriisrelatedtooneanother.
Type2:Adjacentspace
ThefoyerofDTCandtheamphitheatreactuallysharedacommonwallandislinktogetherby
thespecificwall.Thiscanbeawaytoavoidthewastageofspacesandcreatesamore
functionalcirculation
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Diagram17showsoneoftheentrancefromthefoyertowardtheamphitheatreandhowan
adjacentspacerelatedtooneanother.
Type3:Spaceslinkedbyacommonspace
Boththefoyerandcanseleriislinktogetherbythebridgeinthemiddle.Thisspaceactsasthe
onlyconnectingforthe2otherspaces.Withthis,theconnectingspacewillalsoaidin
enhancingthespatialeffectandtheambianceofthearchitecture.
Diagram18showstheenhancementoftheambiencethatiscreatedbytheconnectingspace.
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3.3.3SpatialrelationbetweensiteThetopography,height,ventilationandexteriorcirculation.DTCissituatedontopofahill,
hencetoavoidslantedstairs,andpreservingthehill,thearchitectplacedtheentranceatthe
flatsurfaceandleavethebackofthebuildingbytheedgeofthehill.Also,inordertoprevent
trafficcongestionwhenthereisfunctionbeingheldInthebuilding,thereisnoentranceatthe
sideofthebuildingwhichisfacingtheroadside.Allthearchitectureelementsandpositionof
thewindowsarealsoplacedaccordingtothewinddirectionandsunpath.
Diagram19showsthesiteanalysisofhowthesiteinfluencesthearchitecture.
Slope
Slope
Stairs is built according the slope in order to preserve the hill as make DTC at the highest point.
A huge square is built to act as a gathering area for high population. Also, to direct the visitor to the main
Flat surface
Vehicles passing route
In order to create a smooth vehicle circulation, main entrance is placed avoiding the passing route.
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3.3.4PrivateandpublicspacesDuetoitsarchitecturalstyle,allthepublicandprivatespacedistributionareinaveryorderly
andgeometricalmanner.About50%oftheareaarepublicspace,30%ofsemi-publicspaceand
20%ofthespacesareprivatespace.Themostprivatespacewouldbethecourtroomatthe
edgeofthebuildingasthespacehastotallynowindowswithonlyadoorconnectingtoa
narrowhallway.ThecourtroomalsosituatedinsidetheprivateVIPrestingroomfortheguests
includingsometimesthePrimeMinisterofMalaysia.Whileforthesemi-publicarea,thespaces
areoftenseparatedbydoorsandwall,forexamplethemanagementoffice,backstageand
storeroom.Asforthepublicspaces,theyarealsocommonlyusedaspartofthecirculationand
alsocommonrestingareaforallthestudents.Thesespacesalsomainlysituatednearthemain
entranceforinstance,thefoyer,amphitheatreandthegarden.
Diagram21showstheseparationofpublicandprivatespaces.
Public
Semi public
Private
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3.4 Hierarchy3.4.1SpatialflowAsthebuildingispartofthemodernismarchitecture,thespatialflowisoftenverygentleinan
orderlywaywhereatransitionvolumeorambiencewillbecreatedbythearchitect.
3.4.1.1FrompublictoprivateTheprivateandpublicspacesarebeingseparatedclearlyinDTCandthearchitectwillgivea
clearhintbychangingthesurroundingarchitecture.Thewayfromthecanseleritothecourt
roomistheperfectexample.AVIPrestingroomiscreatedasatransitionalspacefromthe
publicspacetoprivateareaasthewalloftheroomismimicasadisplaycabinetwhilethe
entranceoftheroomissituatedattheside.Uponreachingthecourtroom,userswillhaveto
passthroughawalkwaywhichheightisonlyabout2.3metresandawidthofabout1.3metres.
Thesuddenchangedofvolumeimposedaclearsenseofprivacyandmysterious.Therearealso
nowindowinthecourtroomandthespaceisdesignedinacircularshapewhereitmimicasa
maintenancearealookingfromtheoutside.
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3.4.1.2FrominteriortoexteriorThearchitectbrilliantlyusedthechangeofambiencebymanipulatingthelightpenetrationand
windventilationtoallowtheuserhasamorecomfortableexperience.Forinstance,the
amphitheatreisdarkerandmoresorrowintheambienceaslightpenetrationislimitedbythe
curtainsandwalls.However,whilewalkingtowardsthefoyerwhichactsasatransitionalspace
fromtheinteriorandexterior,moreopenedwindowsandglasswallsareusedtoallowmore
lightenteringthespace.Theuserwillbeabletoadapttothegentlechangebeforeexpose
themselvesunderthesunlight.
Private
Diagram 22 shows the volume of space shows a strong sense of hierarchy as it goes from public to private space.
Public Double ceiling height
Normal ceiling height
Lower ceiling height
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Diagram23showsthehierarchyofnaturallightintensity
Interior
Exterior
Low natural light intensity which makes the users feel enclosed.
Optimum natural light intensity as a transitional space for the users to adapt.
High natural light intensity where the users are exposed
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3.4.2SpatialfunctionandpurposeThearchitectureofthebuildingwillchangeandadapttothespatialfunctionandpurpose.DTC
has4mainspacesinthebuildingandeachofithasitsownpurposeservedtotheusers.
Foyer:Thisspaceactsasagatheringareafortheguestsbeforeenteringtheamphitheatre.Also
actsasthepractisingareafortheperformers.
Amphitheatre:Largehallwhichcanaccommodate25000people.Venueformostoftheformal
functionorganizedbyUMforinstance,convocation,annualdinnerandmusicalperformance.
Canseleri:Formercanseleri,currentlyhaschangedintoclassroomsandmanagementofficefor
DTC,alsonamedasPusatKebudayaanwheresomecultureartefactsareexhibitedhere.
Courtroom:Asmall,enclosed,privateplacewhichactasacourtroomtodiscussaboutlegal
casesinUMandalsomakingclassifieddiscussionwithintheleadersoftheUniversity.
Diagram24showsthemainspatialfunctionofDTC.
Canseleri Court room
Foyer Amphitheatre
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3.4.3Person-containerrelationship
Thevolumeofthespaceisdeterminedbytheamountofuserthatwillaccommodatethespace
andthepublicityofthespace.Hence,publicspacelikethefoyerandamphitheatrewillhave
doublevolumeandmoreexposedspacewhilespacethatwillonlyneedtoaccommodatelesser
peoplelikethecourtroomwillhavelowerceilingheightandamoreenclosesurrounding.
Diagram25showstherelationshipofspacevolumeandpublicity.
As the publicity of the space become higher, the volume of the space will increase to accommodate more human and kinds of activity which includes passive and active activities.
As the publicity of the space become lower, the volume of the space will decrease less human activity will be achieved for example, passive activities.
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3.5 BuildingArchitecturalAnalysis3.5.1RepetitionDuetoitsmodernismarchitecturalperiod,thearchitectureelementusedinDTCareoften
repeated.Fromtheexteriordesign,repeatedconcreteshapescanbeseenasapartofaesthetic
aswellasfunctionedastocontrolthelightintensityoftheinteriorspaces.Asinfluencedbythe
architectureperiod,thearchitectureaimstoachieveamoreharmoniousambiencehence,
repeatedconcreteslabscanbeseenaroundthebuildingwithonlyaslightchangeofwidthand
height.Aunitycanbeseenasallthematerialsandarchitecturalelementsusedareconstantly
repeated.
Diagram26showstherepetitionofarchitectureelementsavailableattheelevationofDTC.
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3.5.2SymmetryandbalanceTheplanofthebuildingissymmetryandbalancewhichalsoreflectstomissionofUM,
representingthebalanceddevelopmentinproducingtalent.Besidetoachieveanaesthetically
balancedarchitecture,thebalancedandsymmetryplanwillalsoensureasmootheranddirect
circulationwhichisalsouserfriendlytothevisitors.
Diagram27showshowtheplanofDTCisbeingsectionedsymmetrically.
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3.5.3RepetitivetouniqueAlthoughsimpleandrepeatedgeometricshapesareusedfortheplan,however,thearchitect
experimentedwithdifferentcombiningmethodbyoverlapping,intersectingandfusingthe
shapeswitheachothertocreateauniqueyetharmoniousplan.Forinstance,thecourtyard
whichissituatedinthecentreofthecanseleriisaresultofoverlapping2differentsizeof
squareswitheachother.Thecircularstairsarealsotheproductionofintersectionofcircleand
rectangular.
Diagram28showshowrepetitivegeometricarearrangedinauniquewaytocreatespecial
architecturaleffect.
overlapping
Intersecting
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3.5.4AdditiveandsubtractiveAdditiveandsubtractivemethodisimposedintothebuildingassociatewiththegeometricplan.
Acuboidissubtractedfromtheplantocreatethecourtyardwhileacylinderisaddedintothe
cuboidcourtyardasstairs.Acontrastbetweenstraightandcurvilinearlinescanbeseenby
addingthecylindersaroundthecuboidplan.
Diagram29showshow3dimensionalgeometricshapesareaddedorsubtractedtocreatethe
desiredarchitecturaleffect.
Subtracted method is used to create the courtyard
Additional method is used for the cylindrical parts.
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3.5.5GeometricThebuildingemergesfromthecombinationsofgeometriccirclesandrectangularshapes.The
shapesareplacedinorderlymannerwithouthavinganyorganicshapeswhichisalsoinfluenced
bythearchitecturalstyle.Thespatialfunctionandorganizationcaneasilybedeterminedasitis
plannedaccordingtothesimplerepeatedgeometricshapes.
Diagram30showshowgeometricshapesareplannedintheplanandthespaceorganisation.
Rectangle 1 space 1 Rectangle 2 space 2
Rectangle 3 space 4
Rectangle 4 space 6
Circle 1 space 3
Circle 1 space 5
Circle 1 space 7
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3.5.6BuildingmassingThebuildingmassingiscreatedbyoverlappingcylindersandcuboidwhileitsvolumeandheight
isdeterminedbyitsfunctionandpublicity.Apartfromthat,themassingisfurtherfurnishedby
brisesoleilwhichactsasthedesignandfaçadeofthebuilding.
Diagram31showshowpublicityandhumanactivitiesdeterminethemassingofthebuilding.
Volume: large Height: high Publicity: high Usage: to create multiple floors for mass usage
Volume: small Height: low Publicity: low Usage: for private discussions
Volume: large Height: high Publicity: high Usage: for public function which involve large human count
Volume: large Height: high Publicity: high Usage: as gathering area before function
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3.6 Summary–Comparisonofbuildings3.6.1ChandigarhbyLeCorbusierDewanTunkuCanselor Chandigarh
Exterior
Thebalanceddevelopmentin
producingtalent
Building
concept
Themajesticoflawandthepowerof
fearoflaw
Usageofbothcircularandrectangular
geometricshapes
Architectura
lPlan
Onlyrectangulargeometricshapes
available
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Amphitheatre,canseleriandcourt
room
Function Highcourt,Offices
Allcirculationislinkedtogetherwith
eachother
Circulation Eachcourtroomhasindividual
entrancefromoutside
Courtyard Subspace
available
Carpark
Allthewindowandopeningsize
changedinahierarchy
Exterior
openingsize
Windowandopeningsizechangedin
hugedistinguish
Involvedlinearandcurvilinearshapes Building
massing
Onlylinearshapesareinvolved
Asconclusion,bothDTCandChandigarhsharesomecommonarchitecturalelementlikethe
hugefaçadeandoversizestyle.However,DTCisricherinitshierarchy,harmonyandambience
whichcanbesaidthatDTCisamoresensational,considerateyetmajesticones.
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3.7 Appendix-Scannedoriginalplan
Amphitheatrefloorplan
Canselerifloorplan
Rightelevation
Leftelevation
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4.0 ARCHITECTURESTYLEANALYSIS FooJiSun0323550
Brutalistarchitecturegainedmomentuminthemid-twentiethcentury.Communities
thatwerefacingeconomicdepressionhadtorelyonlowcostconstructionmethods.Brutalism
stretchesthelimitofhowconcretecanbeused.However,thesebuildingslacktheappearance
ofinternationalstylebuildingsduetotheprominentuseofrawconcrete.
TheDewanTunkuCanseloradoptstheBrutaliststyleofthe1950sand60s.Itisoneof
thefirststructuresthatisinfluencedbySwiss-FrencharchitectLeCorbusier.Thisstyle
incorporatestheuseofappropriatebuildingmaterials,withoutusingornamentationofthe
building.BritisharchitectssawthesuccessofLeCorbusier’sworkandstartedsteppinginto
brutalism.
FacadeoftheDTCfacingthemainroad.
FacadeofthemainentranceoftheDTC.
Asseeninthepicturesabove,concreteisveryprominentbecauseitissaidtorevealthe
rawnatureofitsconstruction.
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Verticallouvres.
BriseSoleil.
Thebuildingisalsodesignedwithrepetitionofmodularelementsformingaunified
mass.Thisgivesthebuildingamassiveandblockyappearance.
ProminentwatertoweratHunstantonSchool.
ExteriorstaircaseattheDTC.
Acommonfeatureinbrutalistarchitectureistheexposureofthebuilding’sfunctions,
rangingfromstructureandservicestohumanuse.Forexample,theHunstantonSchoolin
Norfolk,England,placedthefacility’swatertankonaprominentandvisibletower,insteadof
keepingithiddenlikeotherbuilding’sservicefeatures.
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OtherexamplesofbrutalisminMalaysia
BankNegaraMalaysia,KualaLumpur.
MenaraDBKL,KualaLumpur.
WismaEquity,KualaLumpur.
DewanSriPinang,Georgetown.
BrutalistarchitecturesawariseinMalaysiawhenthecolonialerawascomingtoanend.
Brutalismbecamepopularmostlywithgovernmentalandinstitutionalbuildings.Anotherone
ofthemorenotablearchitectsthatadoptedbrutalistarchitectureinMalaysiaisHijjasKasturi,
whodesignedoneofthemostprominentbrutalistbuildingsinMalaysia,WismaEquity.
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5.0 BUILDINGCONSTRUCTION,STRUCTUREANDMATERIALANALYSIS
5.1BuildingConstruction HoZiYan0323698
Figure5.1:thepanoramicviewofDewanTunkuCanselor.
DewanTunkuCanselorisabuildingthatwasconstructedwithrawconcreteorbareconcretethat
isnamedas “betronbrut”alongwith“egg-crate”concrete.Themainpurposeofusing these
materialsistoenhancethedurabilityofthebuilding.Moreover,precastconcreteisusedbecause
it has made the construction work easier since it implemented repetitive elements in the
architecture.
Figure5.2:thefacadeviewofDewanTunkuCanselor.
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5.1.1ConcreteRibbedSlabCeilings
Theconcreteribbedslabceilingsarebeingusedinthebuilding.Ribbedfloorsconsistofequally
spacedribsthataresupportedbycolumns.Thisconstructioniscommonduetotheformwork
costsandthelowfirerating.Theribbedslabsareforsupportingmediumtoheavyloads.From
theribstothesoffitoftheslab,itactuallyreducesthequantityofconcreteandtheweightofthe
floor.
Figure5.3:theribbedslabceilingoftheinterior. Figure5.4:zoominviewoftheceiling.
Figure5.5:thedrawingdetailsoftheribbedceilings.
CONSTRUCTION TECHNIQUE:
1. Arrangingtheframework2. Fixingtheconnectors3. Fixingtheframework4. Providingahorizontal
connector5. PlacingthePods6. Fixingpodstothe
connectors7. Removingframework8. Removingconnectors9. Removingpods10. Providingstacking
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5.1.2PrecastConcrete
Precastconcreteisaproductthatisfactory-madepiecemanufacturedwithconcreteandlater,
togetherwithotherpieces,willbecomealargerstructure.Itisa20thcenturydevelopment,itis
believed that precasting increases the strength and decreases time and construction costs.
Precastconcretecomponentsconsistsofslabs,beams,columns,walls,stairways,modularboxes
andbathroomsthatisfeaturedwithprecastfigures.
THESIMILARITIESBETWEENTHEMODERNBUILDINGSINTHEWEST
BOSTONCITYHALL
The Boston City Hall is one of the building that meets the similarity in Tunku Dewan Canselor where both of the buildings is brutalism architecture. The city hall is constructed with precast Portland cement concrete and some masonry.
Figure 5.6: one of the façade view that shows precast concrete material.
Figure 5.7: the picture of the Boston City Hall
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5.1.3BétonBrut
Bétonbrutisasmootharchitecturalsurfacethatismadeofconcrete.Aftercasting,theconcrete
is left unfinished and remained exposed visually. The final state of the surface where the
frameworkisremoved,theframeworkjointsarereflectedontheconcretesurface.Itisusedin
DewanTunkuCanselorasamainpartofmaterialoftheconstruction.
THESIMILARITIESBETWEENTHEMODERNBUILDINGSINTHEWEST
UNITED’HABITATION
The Unite d’Habitation is designed by Le Corbusier. The building is constructed in béton brut same as Tunku Dewan Canselor because steel at that period of time was expensive.
Figure 5.8: the pathway to the Canselor.
Figure 5.9: the pathway in Unite D’habitation.
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5.1.4SpiralStaircase
Astaircaseisusedtoconnectbetweenonelevelstoanotherinabuilding.Thebuildingmaterials
of staircase can be varied from timber, stone, steel or concrete. In brutalism architecture,
concrete is the material that is widely used. Since Dewan Tunku Canselor is influenced by
brutalism,itsmainmaterial,concrete,isbeingimplementedinthebuilding,whichincludespart
ofthemainfeatureofthebuilding,thespiralstaircase.
THESIMILARITIESBETWEENTHEMODERNBUILDINGSINTHEWEST
VILLASAVOYE
One of the most famous brutalist architects is Le Corbusier. The Villa Savoge is one of his renowned work and this residential building features a spiral staircase that is designed by him.
Figure 5.10: the spiral staircase of Dewan Tunku Canselor.
Figure 5.11: the spiral staircase of Villa Savoye.
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5.2BuildingMaterials
5.2.1Concrete
In brutalist architecture, concrete ismainly used as constructionmaterial. It is believed that
concreteisthebasicnatureofconstruction.DewanTunkuCanselorisconstructedbyreinforced
concrete.Theexteriorofthebuildingaremadeoutofbareconcretestructure,bétonbrutand
reinforcedconcrete.Thestaircaseisalsomadebyconcreteanditsrailingsconsistamixtureof
timberandconcrete.
Figure5.12:thefrontviewofDewanTunkuCanselor.
Figure5.13:thebackviewofthespiralstaircase.
The picture of the building that is made of reinforced concrete.
Spiral staircase that is made of concrete.
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5.2.2Glass
TheglassispartofthematerialsthatisusedintheconstructionofDewanTunkuCanselor.Itis
implementedintheinstallationofwindowsandskylights.Laminatedglass,floatglassandstained
glassarethe3typesofglassthatareused.Fortheskylightswhichistheroofingsystemofthe
building is constructed by using laminated glass. It reduces the risk of causing injuries as
laminatedglassisatypeofsafetyglassthatisabletoholdtogetherwhenshattered.Floatglass
isappliedinwindowsinstallation.Itisadecorativeandhighlytransparentglassthatenhancethe
clarityofthewindows.Stainedglassisimplementedinthefoyerasapurposeofdecoration.Itis
atypeofglassthatisalsoknownascolouredglass.Thefloralpatternstainedglassaddsvisual
attractiontothebuilding.
Laminated glass used in roofing system
Float glass used in windows
Stained glass used in the foyer
Figure 5.14: the roof system of Dewan Tunku Canselor.
Figure 5.15: the windows of the building.
Figure 5.16: windows of the foyer that uses flowered glass.
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5.2.3Tiles
ThetilesonthefloorarecommonlyappliedinthebuildingconstructionofDewanTunkuCanselor.
Thereare2typesoftilesbeingimplementedwhichisthegranitetilesandtheporcelaintiles.The
flooringofthebuildingisconstructedwithgranitetiles.Granitetilesareformedunderhighheat
andtheyhavesimilarstrengthtoporcelaintiles.Theporcelaintilesareusedtocoverupthetoilet
flooring.Porcelaintilesarestronganddurable.Theyareeasytocleanandmaintenanceasitis
oneofthestain-proofmaterial.
Figure5.17:thetilesofthespiralstaircaseinthebuilding.
Figure5.18:thewalltilesoftherestroomsinthebuilding.
Ceramic tiles used in staircases
Porcelain tiles used in restrooms
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6.0 ARCHITECTURALELEMENTS/COMPONENTSANALYSIS
6.1Superstructure HengRuiYing0326639
6.1.1.Roof
Extendedwaffleslabstotheexterior.
DewanTunkuCanselorhasacantileveredroofsurroundingthebuilding.Theroofispart
oftheceilingslabswhichisextendedoutwards.Theslabsalsoholdandsupportstheroof.
Flatroofing.
Spacesontherooftopisutilized.
(Left:DewanTunkuCanselor;Right:TheAssemblyPlace,Chandigarh,India)
RoofDrainage
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Theroofofthebuildingisflat;presenceofdrainagesystemcanbefoundontheroof
whichpreventstheaccumulationofrainwaterontheflatroofsurface.Byutilizingtheflatspacesabovetheroof,servicesareplacedontopoftheroof.ComparingtoLeCorbusier’sbuildinginChandigarh,TheAssemblyPlace.TheroofofthebuildingisalsoutilizedassimilarwiththeDewanTunkuCanselor.
6.1.2.Ceiling/Slab
DewanTunkuCanselor’swaffleslab.
Waffleslabscanbenefitasitcanwithstandheavierloadsandalsospanlongerdistances
comparedtotheusualflatslabs.Thesesystemsarelightandonlytheusageoflightframeworkisrequired.Thecofferedundersidecanbeseenfromtheinteriortopromoteaestheticvisualappearances.6.1.2.Windows
FloralandabstractpatternsonthewindowsofDewanTunkuCanselor.
ThefixedwindowslocatedonthegroundfloorofDewanTunkuCanselorusesstained
glasswindowswithabstractandfloralpatternsthatthefoyer.Itgivesapleasantvisual
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aestheticmeanwhileitalsocreatesasoftessenceratherthanjustconcreterigidstructureandalsoawelcomingsensation.
Windowsattheadministrationofficearea.
Thewindowsaroundtheadministrationareausesnormalwindows.Theareaisnotexposedtopublicthereforeitemphasizesmoreonfunctionalitythanaestheticscomparedtothestainedglassusedatthefoyerofthebuilding.
6.1.3.Doors
Glassdoubledoorslocatedaroundthesideentranceofthebuilding.
(Left:Glassdoubledooratthesideentranceofthebuilding’sexterior;Right:Doorentrancetowardsthemain
hallofDewanTunkuCanselor)
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Theprominentusageofglassdoubledoorscanbeseenthroughoutthebuilding.Apartfromwalls,doorsplayanimportantroleincirculatingthepeoplethroughoutthebuilding.Thebuildingitselfholdsfunctionsandcertainactivitieswhichoftenbringsinanumberofcrowd.Doubledoorseasethecirculationofthepeopleenteringandexitingthebuilding. Thedoorsaremostlymadeofglasstobringinnaturallightintothebuilding.Thebuildingismadeofconcretewhichblocksmostofthenaturallightings.Withtheusageofglassdoors,itenhancesthelightingsintothebuildinggivingitabrighterenvironmentfortheinteriors.
6.1.4.Staircase
Wshapestaircase.
3typesofstaircasescanbeseeninthebuilding.TheWshapestairscanbeseenatthe
othersideofthebuildingwherethe‘PusatKebudayaan’is.Itconnectsthelevelsbetweentheupperfloorandlowerfloor,alsoallowingtheflowofpeopleintwodirections.
Halflandingstaircase.
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Theemergencyexitfromthehallwhichleadstothehalflandingstaircase.Thepictureontherightshowsthe
doorexittowardsthestaircase.
Thehalflandingstaircaseislocatedattheexteriorofthebuildingwhichisconnectedtothegrandhall.Itisusedasanemergencyexit.
Spiralstaircase.
Left:Unattachedstepsofstairs.;Right:Studdedmosaicsatthesidesofthestepflooring.
Thespiralstaircaseisatbothsidesofthehallconnectingthegroundfloortotheupper
mezzaninefloors.Thestepsofthespiralstaircasearenotconnectedbutattachedtothewalls.Presenceofslightlystuddedpiecesofmosaicsattheedgeofeachstepswhichhelpstopreventpeoplefromslipping.Besides,thelightingaroundthestairsisalittledulltherefore,thewhenlightingshinesuponthemosaicitreflectsandtellstheuserthatthere’sanotherstepahead.
EmergencyExits
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6.1.5.Skylight
Theskylightcanbeseenatthecantileveredshadeatthesideentranceofthebuilding.
Thepositionoftheskylightsisplacedinfrontofthedoorentrances.
SkylightswereuseddecadesagobytheAncientRomans.‘Open’skylightscanbeseenin
buildingssuchasthePantheonwheretheoculusservesfordaylightingpurposes.HoweverlaterduringtheIndustrialRevolution,‘Closed’skylightswereintroducedasmachineshaslightenedtheburdenpeopletomanufactureglasses.
SkylightsareusedfortheexteriorofDewanTunkuCanseloratthesideentrance.The
skylightallowsmorenaturalsunlightenteringthearea.Asthecantileveredroofisfullycovered,thetwoskylightsareplacedrightinfrontofthedoorentrancebyincreasingtheamountofnaturallightingsandalsobringinginawelcomingfirstimpression.Theusageofskylightsalsopromotesenergyconservationwhereartificiallightingsisnotneededmuch.
Door Entrance
Door Entrance
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6.2Finishes6.2.1.‘BriseSoleil’
TheBriseSoleilofDewanTunkuCanselor.
Theinteriorofthebuildingitself,showinghowlightaffectstheinteriorspaceswiththesunscreenonthe
façade.
TheusageofbrisesoleilissimilarasThePalaceofAssemblyinChandigarhbyLeCorbusier.
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‘BriseSoleil’alsoknownassunscreen,isthemostprominentelementthatcanbeseenfromthefaçadeofDewanTunkuCanselor.Theconcretedsunshadingdevicesitselfstandsoutcomparedtootherbuildingswhicharepresentinthearea.Thesesunscreensdeflectsunlight,providestheinterioracoolerspacebyreducingitsheatgain.Eachlevelofthescreenisalternatedintheoppositewaytoallowlightsfromdifferentdirectionenteringthebuilding.SimilaritycanbeseenbetweenLeCorbusier’sworkinChandigarh.
6.2.2.TensileFabricCanopy
TensileFabricCanopiescanbeseenatpartsofthebuilding.
Theeffectofthecanopyprovidingasuitableshadingandbrightness.
Shadingdeviceswereavailableinthebuildingitself.Toshadetheopenspaceswithin
thebuildings,tensilefabriccanopiesareusedtoshadetheopenareawherethesmallrestareaandgardenis.Thefabricistranslucent;therefore,itprovidesacomfortablelevelofilluminationcomparedtotheusualoutdoorbrightness.Thesmallporesonthefabricnotonlyallowsventilationbutitcanalsoholduprainwater.
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6.2.3.AcousticPanels
Thewallsofthehallincorporatewithpartconcreteandpartofitwithacousticpanels.
Acousticpanelsarealternatelyarrangedalongthewallsofthegrandhall.
Acousticpanelsareexcellentsoundproofingmaterialsthatpreventsechoes.Thegrand
hallisaplacewithfunctionsandeventswhichcanaccommodatealotofpeople.Echoesarelikelytohappenthereforewiththeinstallationofacousticpanelsalongthewall,itabsorbsthesoundandreducesthereflectionofsoundwhichcausesechoes.Withoutusingthepanelsfullybutincorporatingwithothermaterialsofthewallitself.Itgivesapleasantvisualappearancetothehallaswell.
Acoustic Panels
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7.0 CONCLUSION
Dewan Tunku Canselor (DTC) is one of the first known post-independence architecture of
MalaysiabyDatukKingtonLoo,adoptingthestyleofbrutalismarchitectureasapartofUniversiti
Malayacampus.Suchbrutalismarchitecturewereseenandthoughtasahardandmonotony
architecturestylewhichmaynotbesuitableforsuchsignaturebuildingofaninstitutiononone
sideofmanydifferentperspectives.
Despite that, this brutalism explored on architectural honesty, simplicity and emphasis on
sculptural qualitiesof the constructionmaterial itself, concrete. Texture, colouring andother
internalcharacteristicsofconcreteasthemajorpartofdesignandconstruction,providedsense
ofrigidnesstotheviewers,butitalsosymbolizedthegreatandmajesticstrength.Thisstyleof
architectureallowedtheextremeexpressionofexternalelevationsandperspectiveandwhole-
sitearchitecturalplan.Thiswasagaintheapplicationofmodernism’sbasics.
TheinteriorofDTChasbeendesignedwithrelationtotraditionandcultureofpost-
independenceMalaysia,creatingacontrastingharmonywiththemoderntechnologiestoadapt
tothetropicalclimateofMalaysia.OverallsuchachievementfromconstructingDewanTunku
Canselorbroughtinamajorpositiveinfluencetomodernpost-independencearchitecturein
Malaysianarchitectureindustry.
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