Developing an Ear for Improvisation through Singing · Developing an Ear for Improvisation through...

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1 2017 UMTA CONFERENCE November 3 & 4, 2017 Salt Lake Community College Taylorsville-Redwood Campus Developing an Ear for Improvisation through Singing Christian Bohnenstengel Ideas for improvisation on an existing melody - Alter the rhythm - Improvise on chord tones (or harmonization) - Melodic embellishment Examples for melodic embellishment written by Mozart (see appendix): 1. based on K. 333 2. K. 333 3. K. 284 4. K. 332 5. K. 332 6. K. 311 7. K. 311

Transcript of Developing an Ear for Improvisation through Singing · Developing an Ear for Improvisation through...

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2017 UMTA CONFERENCE November 3 & 4, 2017

Salt Lake Community College Taylorsville-Redwood Campus

Developing an Ear for Improvisation through Singing

Christian Bohnenstengel

Ideas for improvisation on an existing melody

- Alter the rhythm - Improvise on chord tones (or harmonization) - Melodic embellishment

Examples for melodic embellishment written by Mozart (see appendix):

1. based on K. 333

2. K. 333

3. K. 284

4. K. 332

5. K. 332

6. K. 311

7. K. 311

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Example 1: London Bridge

1. Original

2. Harmonization (sing the words and rhythm on any chord tone)

3. Rhythmic alteration

4. Melodic embellishment

Example 2: Happy Birthday

1. Original

2. Harmonization

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3. Rhythmic alteration

4. Melodic embellishment

Example 3: Mozart’s K. 545

1. Original

2. Rhythmic alteration

3. Melodic embellishment

4. Melodic embellishment

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Appendix: Examples for melodic embellishment in Mozart’s piano sonatas

K. 284, Thema – Andante

K. 284, Adagio cantabile, Var. IX

K. 332, Adagio

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K. 311, Andante con espressione

K. 333, Adagio cantabile