DETAILED SYLLABUS FOR DISTANCE EDUCATION … of Microprocessor / Microcontroller in Sizing Machine,...

DETAILED SYLLABUS

FOR

DISTANCE EDUCATION

M.SC IN FASHION DESIGNING

(SEMESTER SYSTEM)

COURSE TITLE: MSCFDDURATION : 2 YEARMODE : SEMESTER

FIRST SEMESTER

COURSE TITLE Paper Code MARKSTHEORY PRACTICAL TOTAL

INTERNAL EXTERNAL INTERNAL EXTERNAL

TEXTILE ELECTRONICS-II MSCFD/S/110 40 60 40 60 200

STRUCTURE & PRODUCTION OF KNITTED FABRIC MSCFD/S/120 40 60 40 60 200

GARMENT PROCESSING MSCFD/S/130 40 60 40 60 200

TESTING OF TEXTILES & APPARELS MSCFD/S/140 40 60 40 60 200GARMENT PRODUCTION MACHINERY &EQUIPMENTS MSCFD/S/150 40 60 40 60 200

FASHION ART & DESIGN MSCFD/S/160 40 60 40 60 200

INPLANT TRAINING - I MSCFD/S/170 40 60 40 60 200

SECOND SEMESTER


INTERNAL EXTERNAL INTERNAL EXTERNALADVANCED COMPUTER PROGRAMMING MSCFD/S/210 40 60 40 60 200

FASHION ILLUSTRATION MSCFD/S/220 40 60 40 60 200EMBROIDERY & SURFACE ORNAMENTATION MSCFD/S/230 40 60 40 60 200HOME TEXTILES IN FASHION MSCFD/S/240 40 60 200MERCHANDISING IN APPAREL & FASHIONINDUSTRY MSCFD/S/250 40 60 200

MEN, WOMEN & CHILDREN'S W EAR MSCFD/S/260 40 60 40 60 200

DESIGN COLLECTION & PRESENTATION MSCFD/S/270 40 60 200

THIRD YEAR B. TEXT (FASHION TECHNOLOGY) - SEMESTER-ITEXTILE ELECTRONICS-II MSCFD/S/110

Lectures : 3 Hrs / Week

Practicals : 2 Hrs / Week

Theory Paper : 100 MarksPractical Exam : 100 Marks

Subject Total : 200 Marks

I) Digital Electronics and Number System:-

Difference between digital and analog, digital gates, working, truth table &

Boolean equation, with examples from TTL family.

Digital Circuits :- Introduction to multiplexers, Demultiplexers, Encoders,decoders, Flip Flop – R-S, D & J – K, Registers Latches, binary counter,

buffers, Tri state devices, memories – RAM, ROM, EPROM.

Introduction to Number systems :- Decimal, Binary, hexadecimal, conversion

of numbers from one system to other. Binary arithmetic – addition,subtraction, two’s complement representation.

II) 8085 Microprocessor:-

Introduction to microprocessor, features of 8085, Architecture of 8085 –

Register section, ALU, Timing & Control etc. Demultiplexing of address data

bus. Generation of control signals, Example of microprocessor basedsystem, 8085 machine cycles and bus timing. Memory interfacing to 808

III) Programming of 8085:-

Instruction classification, instruction and data formats, addressing modes,

complete instruction set, assembly language programming , Execution of

programs, programming with looping, counting & indexing techniques. Time

delay’s & counters.

IV) Stacks and Subroutine:-Stack, subroutine, call & Return instructions advanced subroutine concepts.

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V) Interfacing Input / output devices:-Basic interfacing concept, interfacing output displays, interfacing input

devices, difference between peripheral Input/output memory mapped

Input/out.

VI) Interrupts:-

Concept of interrupts, software & hardware interrupts, Description of interrupt

process, vectored interrupts, programming using interrupts.

VII) Interfacing of peripherals & other I/O devices:-

8255 PPI interfacing & programming, interfacing of keyboard (matrix) &

display, interfacing of thumbwheel switches, stepper motor, D/A & A/Dconverters, Relays etc.

VIII) Introduction to Microcontroller:-

Introduction to microcontroller, Block diagram of microcontroller, Difference

between microprocessor and microcontroller, Features of 8051microcontroller, Introduction to PLC & its applications.

IX) Applications of Microprocessor in Textiles:-

Use of Microprocessor / Microcontroller in Sizing Machine, Jet dyeing

machine, advanced looms, Spinning machines, Ring data System, Auto

levelers, On-line monitoring systems, Evenness tester.

List of Experiments

1) Study of basic gates.2) Study of flip flops

3) Assembly language programms ( 6 to 8)

4) Interfacing of 8255 in simple I / O & BSR mode.

5) Interfacing of Seven segment display.6) Interfacing of keyboard.

7) Interfacing of stepper motor.

8) Interfacing of D/A converter.

9) Interfacing of A/D converter.10) Interfacing of thumbwheel.

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Reference Books

1) Digital Principles and applications by Malvino & leach.

2) Microprocessor Architecture, Programming and applications with 8085 by

Ramesh Gaonkar.3) Microprocessor & Digital system by Douglas Hall.

4) Fundamentals of microprocessors & microcomputers by B. Ram.

5) The 8051 Microcontroller Architecture, Programming and Applications by

Kenneth J, Ayala.6) Machine manuals of USTER, LOPHE, PREMIER

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THIRD YEAR B. TEXT (FASHION TECHNOLOGY) - SEMESTER-I2 STRUCTURE & PRODUCTION OF KNITTED FABRIC MSCFD/S/120



Theory Paper : 100 MarksTerm Work : 100 Marks


I) Introduction:- Reasons for the growth of knitting, Comparison of knitted &

woven fabric with respect to production and properties, Hand knitting. Knitting

processes (weft & warp) and their structures. Basic terms and definitions used

in knitting (wales, courses, stitch length, stitch density, face & back loops)II) Weft Knitting:-

1. Machine: Passage of yarn through circular weft knitting machine. Study of

elements of knitting machines such as : Creel, Yarn feeding – Need, types,stop motions, indicators, tensioners etc. , Loop forming mechanism – Knitting

cycle, types of needles and their comparison, Study of essential elements of

loop forming such as cylinder, sinker, cam, dial, yarn guide. etc, Loop forming

cycle for single jersey, rib and Interlock fabrics. Take down motion –Spreader, Nip roller, cloth roller

2. Fabric structures: - Principle stitches such as knit, Tuck, miss and their

representation, their effects on fabric properties. Types and properties of

knitted fabrics such as single jersey, double jersey and their derivatives likeinterlock, Rib and purl etc. Pattern analysis method, Needle order, Cam order.

Pattern structures with one, two, three & four needle types (Single Jersey :

cross miss, Lapique, Longitudinal tuck stripes, Plain pique. Rib : Milano, Half

Milano, Cardigan, Half Cardigan, Double Cardigan, Swiss and French doublepique. Interlock: Pique, Texi Pique, Pin tuck, Interlock Super Roma,

Bourrelet). Concept of colour and structure Jacquards. Fleecy fabrics, plush

fabrics, stripers, Loop transfer.

3. Study of weft knitted fabric defects and their remedies, yarn quality

requirements.

4. Circular weft knitting machine production calculations, fabric weight andTightness factor. Knitted fabric relaxation concept.

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III) Flat Knitting :-1. Basic elements & their functions of flat knitting machine. Hand and machine

operated flat knitting machines & their knitting actions.

2. Machine operation for various stitches such as Miss, Tuck, Transfer, drop

stitch.3. Design with and without needle selection, bed racking, new formed and

transfer loop for hand and machine operated machines.

4. Concept of seamless knitting.

IV) Warp Knitting :-

1. Passage of yarn through warp knitting machine. Essential elements of warp

knitting machine. Knitting cycle of Tricot and Raschel warp knitting machine.

2. Study and representation of single and two guide bars structures like Pillerstitch, Tricot, Blind lap, In lay, Atlas, Full Tricot, Locknit, Reverse Locknit,

Satin, Loop raised, Shark Skin, nettings and Crochet

3. Methods for calculating runner ratios for each bar for different structures.

List of Experiments

1. Study of single jersey circular weft knitting machine – yarn supply

arrangements, loop forming mechanism, takedown motion, Production

calculation.2. Study of double jersey circular weft knitting machine – yarn supply

arrangements, loop forming mechanism, takedown motion, Production

calculation.

3. Study of warp knitting machine – yarn supply arrangements, loop formingmechanism, takedown motion, Production calculation.

4. Study of flat knitting machine – yarn supply arrangements, loop forming

mechanism, takedown motion, Production calculation.

Design setting on single jersey circular weft knitting machine- Machineoperation, cam & needle arrangements, yarn feeding and take down setting.

6. Design setting on Double jersey circular weft knitting machine- Machine

operation, cam & needle arrangements, yarn feeding and take down setting.

7. Knitted fabric analysis Single jersey8. Knitted fabric analysis Derivative of single jersey

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9. Knitted fabric analysis. Derivative of single jersey10. Knitted fabric analysis. Double Jersey

11. Knitted fabric analysis. Derivative of Double Jersey

12. Visit to knitting unit.

Reference Books

1. Knitting Technology by Prof.D.B. Ajgaonkar.

2. Circular Knitting by Dr. Chandrashekhar Iyer.

3. Knitting Technology by Mr. D. Spenser.4. Warp Knitting by Dr. S. Raz.

Flat Knitting by Dr. S. Raz.

THIRD YEAR B. TEXT (FASHION TECHNOLOGY) - SEMESTER-I

3 GARMENT PROCESSING MSCFD/S/130


Practicals : 2 Hrs / WeekTheory Paper : 100 Marks

Practical Exam : 100 Marks

Subject Total : 200 MarksI. Introduction – Objects of finishing, Importance of finishing, classification of

finishes, Difference between finishing of woven fabric, Knit goods, Terry towel

and Readymade garments.II. Resin Finishing – Mechanism of resin finishing, concept of anti crease, wash-

n-wear and durable press finish.

III. Finishing of Synthetic Materials – Heat setting and weight reduction of

polyesterIV. Functional Finishes – Soil release finish, water repellent and flame retardant

finish, anti microbial finish, Anti static finish, mildew and moth proofing finish,

Organdie finish.

V. Finishing of Readymade Garments – Aim and scope of garment field withspecial reference to textile wet processing. Difference between pre-garment

stage and readymade garment stage finishing, concept of garment finishing,

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general precaution to be taken during finishing of cotton, wool, silk, rayon,woven and knitted materials.

VI. Speciality Finishes on Garments – Finishing of woven / knitted garments –

Stoneless stone wash effects – Mud wash, Ion wash, chalk wash etc. , various

softening treatments, water resistant breathable finish, Bio polishing, LeatheryFinish, Protective Finishes – Antimicrobial, Deodorizing etc., Functional

Finishes – Cool finish, Thermocat finishes, Wrinkle free finishes.

VII. Wash down effects on Denim - Stone Wash, Enzyme Wash, Combined

enzyme and stone wash, Acid wash, Antique wash, Ball blast, W hiskering,Sand blast, Ice wash.

VIII. Finishing Machines – Rotary and paper press, Drum washing machine, hydro

extractor, Tumble drier, Pedal dyeing machine, W hiskering Machine, Fusing

Machine.IX. Finishing of Wool – Potting, Crabbing, Felting.

List of Experiments

1. Weight reduction to produce silk like finish2. To identify various types of stains and their removal

3. To test cotton & blended fabrics for dimensional stability (Shrinkage)

4. Wrinkle free finishing of garment.

Permanent press finishing of garment6. Softening treatments on garment.

7. Stiffening treatment on garment.

8. Soil release finishing.

9. Water repellant finishing.10. Antimicrobial finishing on garment.

11. Bio-polishing treatment on garment.

12. Stone wash on garment.

13. Acid wash on garment.14. Special printing on garments like Plastizol.

1 Pearl and Metallic Printing on garment.

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Reference Books1) Chemical after treatments of textile by Marks, Atlas & Wooding.2) Textile finishing by A.J. Hall.3) Introduction to textile finishing by J.T. Marsh.4) Technology of finishing – Vol. X by Dr. V.A. Shenai.5) Chemical processing of polyester/cellulosic blends by R.M. Mittal and S.S.

Trivedi.6) Silk dyeing, printing and finishing by Prof. M.L. Gulrajani.7) Garment Finishing & Care Labelling byS.S.Satsangi, Usha Publishers,53-B/AC-

IV, Shalimar Bagh, New Delhi.8) Stain Removing T echniques by byS.S.Satsangi, Usha Publishers,53-B/AC-IV,

Shalimar Bagh, New Delhi.9) Fabric Care by Noemia D’SOUZA, New Age International Publishers,

Daryagang, New Delhi.


4 TESTING OF TEXTILES & APPARELS MSCFD/S/140


Practicals : 2 Hrs / WeekTheory Paper : 100 Marks



I) Classification of fabric Properties, Sampling of Fabrics

II) Dimensional characteristics - Length, width & thickness and their

measurement, importance of thickness.III) Threads/Unit length – EPI and PPI, count warp count, weft count, weight of

fabric weight per unit length, weight per unit area, warp & weft crimp, effect of

crimp on the fabric properties, Measurement of crimp, fabric cover – cover

factor.IV) Fabric Strength – Tensile strength testing – cut strip method, Grab test

method, comparison between strip test & grab test, Tear strength testing –

Measurement of tear strength – different methods of testing, ballistic test,

bursting test & its measurement.

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V) Fabric abrasion & Handle of fabric – Serviceability, wear, abrasion, testingof abrasion resistance, assessment of abrasion damage, the BFT abrasion

testing machine, Martindale abrasion tester.

VI) Pilling of fabrics – Pills, mechanism of pilling, factors responsible for pilling,

effect of pilling, remedies, ICI Pill Box Tester.VII) Fabric Stiffness, Handle & Drape – Handle, drape, measurement of drape,

stiffness, Shirley stiffness tester (cantilever test), Heart loop test.

VIII) Crease resistance & crease reco very, measurement of crease recovery.

IX) Air permeability– air permeability, air resistance, air porosity, SHIRLEY airpermeability tester,

X) Water proofing & water repellency – Wetting time test, spray test. Drop

penetration test, Bundesmann testers, W ater head tester.

XI) Fabric Hand – Objective & subjective evaluation of textiles, Measurement offabric hand by KAW ABATA & FAST techniques

XII) Luster – Subjective aspects of luster, measurement of luster, Effect of fabric

construction in luster.

App arel Testing

Strength properties of Apparel Fabrics – Fabric strength, Seam Strength,

Resistance to Yarn Slippage, Fabric Stretch Properties, Dimensional Stability in

Apparel, Durable Press Evaluation, Needle cutting/Yarn Severance, Sewability ofFabrics, Soil/Stain Release Testing, Snagging, Colorfastness to – Washing, Dry

Cleaning, Light, Crocking, Perspiration, Frosting, Heat, Burnt Gas fumes, Ozone

Testing of Fusible interlinings, Testing of Zippers, Testing of Elastic Waistband

List of Experiments

1. Determination of Fabric Tensile strength and Elongation

2. Determination of crimp in Yarn.3. Determination of Abrasion Resistance.

4. Determination of Fabric bursting strength

Determination of fabric washing fastness.

6. Determination of Shrinkage of knitted and woven fabrics.7. Determination of color fastness to rubbing - Crock meter

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8. Analyzing of Woven and knitted fabric EPI, PPI, Wales and courses per inch,loop length, GSM,

9. Determination of fabric stiffness and crease recovery angle.

10. Determination of fabric Drape

11. Seam strength testing12. Dimensional Stability

Reference Books

1. J.E.Booth- “Principles of Textile Testing”, CBS Publishers & Distributors, 1996.2. Sundaram V, “Hand book of Textile Testing”, CTRL Publication, Bombay.

3. Textile Testing Vol.I & II by Anagappan & Gopalkrishnan

4. An Introduction to Quality Control for Apparel Industry , Pradip Mehta

Managing Quality in the Apparel Industry, Pradip Mehta & Satish Bhardwaj


5 GARMENT PRODUCTION MACHINERY & EQUIPMENTS MSCFD/S/150


Practical : 2 Hrs / Week

Theory Paper : 100 Marks

Term Work : 100 MarksSubject Total : 200 Marks

I) Introduction to spreading machines and cutting machines - types andfunctions History of sewing machines and development. Sewing machinery -

classification according to bed types, stitch types (hook or looper), material

wise (extra light to heavy weight).

II) Major parts of sewing machinery and functions. Adjustment of major parts ofSingle needle lock stitch machine: non-UBT: stand height, pedal, presser foot,

height of needle bar, needle to hook relationship, height of feed dog, normal

and reverse feed stitch length, feed timing, presser foot pressure, needle and

bobbin thread tension, bobbin winding assembly, belt tension. Sewingmachine safety regulations.

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III) Sewing needle and sewing thread, thread consumption, thread routing.Adjustment on SNLS UBT: Needle stop position, wiper, thread timing

sequence, timing of thread trimmer cam, positioning the moving knife,

installation, sharpening, replacing moving knives, adjusting the floating

amount of the auxiliary tension disk.IV) Parts, functions and adjustments of Over lock: Needle height, feed dog height,

differential feed ratio, tilt of the feed dog, position of the upper and lower

knives, sharpening of knife and loopers, trouble shooting in over lock.

V) Work-aids and attachments, functions of pullers, guides and folderscompensating presser foots- left, right, double; feller, hemmer etc. Collar

turning machines, folding machinery, fusing and pressing machinery.

Computer controlled cutting, sewing, folding machinery.

List of Experiments

1. Study of various types of cutting machine for the working & construction.

2. Study of various types of cutting machine for the working & construction.

3. Study the various types of beds of the sewing machines.

4. Study the major parts of sewing machines.Study of Needles for the sewing machine.

6. Study of sewing threads.

7. Study of single needle sewing machine for working & construction.

8. Study of overlock sewing machine for working & construction9. Study of special sewing machines for working & construction.

10. Study of feed off the arm machine for working & construction

11. Work aids and attachment for sewing machine.

12. Visit to garment unit.

Reference Books

1. Jacob Solinger., “Apparel Manufacturing Handbook ", Van Nostrand Reinhold

Company (1980).2. Peyton B .Hudson., " Guide to Apparel Manufacturing ", MEDIApparel Inc

(1989) ISBN: 0 -945116-08-X.

3. Carr.H, Latham. B., " The Technology of Clothing Manufacture ", Blackwell

Scientific Publications(1988).

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THIRD YEAR B. TEXT (FASHION TECHNOLOGY) - SEMESTER-I6 F ASHION ART & DESIGN MSCFD/S/160





I) Origin of clothing – Grouping of dress out of painting, cutting and other

methods. Role of costumes as a status symbol, sex appeal, Fashion andseasons. Costumes of ancient civilization – Egypt, Greece, Roman, English,

French empires during Rennaizance 1500 –1600 AD.

II) Costumes of India. History of Indian costumes up to Mughal period, History of

Indian costumes post Mughal period. Traditional costumes of different states.In India – Factors influencing costumes changes. Accessories and Garment

used in India. Costumes of Pakistan, Srilanka, Burma, China & Japan.

III) Lines- color, light Theory of Color, prang of color system – Proportions –

rhythm – Balance. Emphasis, Harmony – Sketching and Drawing – FashionClassification And Types Of Fashion – Origin of Fashion language –

Philosophy of Design – street Fashion – Study of leading Fashion Designers –

French, Italian, American, Indian& English.

IV) Concepts of Design – Background to the world of Fashion Design – DefinitionOf Fashion Designing – Initial steps of Fashion Designing – Ingredients of

Fashion Designing – Designing Equipments – Computer Aided Designing.

Knowledge Of Latest Fashions – Based On Age, Sex, Nationality,

Occupation, Socio Economic Status.V) Study of Dacca Muslin, Jamdhani, Himrus & Amrus, Carpets, Kashmir shawls,

Kancheepuram & Baluchari saris, Paithani Saris, Bandhani, Patola, Ikkat,

Kalamkari & other styles of printing and dyeing textiles. Factors determining

changes in Costumes from period to period.VI) Design Details of:

(a) Neckline finishes classification and their types.(b) Collars – classification & Their types(c) Seam & Pockets – Classification & Their types(d) Cuffs.

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List of Experiment1. Drawing of Neckline finishes I

2. Drawing of Neckline finishes I

3. Drawing of Collars and their types

4. Drawing of Collars and their typesDrawing of Collars and their types

6. Drawing of different types of Seams

7. Drawing of different types of Seams

8. Drawing of different types of Pockets9. Drawing of different types of Pockets

10. Drawing of different types of Cuffs.

Reference Books1. Russel Gillow, Nicholas Barnard, “Traditional Indian Textiles”, Thames and

Hudson Ltd., London, 1991.

2. Elizabeth Rouse, “Understanding Fashion”, Blackwell Scientific Publication,

Oxford, 1989. ISBN:0632018917.3. Mckelvey, K. and Munslow, J. “Illustrating Fashion”, Blackwell Science, 1997,

ISBN:0632040246.

4. Entwistle, J. “The Fashioned Body”, Polity 2000, ISBN: 0745620078.

S.N Dar, “Costumes of India & Pakistan”, D.B Tataporevala sons & co. Ltd.,1982.

6. Churye G.S, “Indian Costume”, Ramdas Bhatkal for Popular Prakashan Pvt.

Ltd., Bombay, 199

7. Corter Ernestine, “The Changing World Of Fashion”, Om Book Service, 1900 to8. present.

9. Singer, “Sewing Active Wear”, The Hamlyn Publishing group Ltd., London 1963.

10. Hatanaka kokyo Collection –“Textile arts of India”, chronide Books, 1996

11. Madhubani, K.prakash, “An Invaluable book on the original Art Tradition”,Design Point, 1994.

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THIRD YEAR B. TEXT (FASHION TECHNOLOGY) - SEMESTER-I7 INPLANT TRAINING-I MSCFD/S/170

Term Work : 100 Marks


Objective:To provide an opportunity to observe industrial activities and gather related

technical and non-technical information about industry working.

Training Period:

One Month after completion of second semester of Second Year B.Text.

Industry:

Training with a Boutique/domestic garment production house for minimum of4 weeks/one month.

Observations:Observe working of industry and collect data as per guidelines in the manual,

study machineries / systems / practices.

During this period, students are required to study the layout, structure,

process flow, Types of fabric, Types of Garment, Machinery working & specification,layout, humidification, air supply system, material handling systems, inspection

techniques, In-house quality practices, packing system for local and export market,

industrial practices and the other relevant data, and information.

Training Report:* Report should have Title on Cover of Report as per Format.

* Report should be prepared as per following sequence -

I Page Certificate from Institute as per Format.

II Page AcknowledgementIII Page Programme of Training

IV Page Introduction of Industry

V Page Index with Page Numbers

VI Page Plant/Dept. LayoutVII Page Organization Structure.

VIII Page Department wise / Product wise Report: Report should

(Onwards) be based on Own Observations made, data

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colleted during Inplant Training (i.e. Study of Machinery, ActualProduction and Efficiency, Production Control, Modern

Developments in Machines/Process, Flow Chart of Processes,

Speed of Important Parts, Labour Allocation, Maintenance

Practices, Process Control & Quality Control Activities etc.) rolesand responsibilities of various W orkers/Technical Staffs.

Special Study: Mini Project Undertaken, Costing,

Production Planning & Control, Target Achievement, Information

regarding humidification plant, Utility, Electrical Supply, Store,Purchase, Marketing, Sales, Samples, Lay-out of Mill etc.

Assessment:

Viva-voce to be conducted in first semester of Third Year B.Text. Term Work

Marks are assigned on the basis of student’s performance in viva-voce, conductedby internal and external examiners from related field.

THIRD YEAR B. TEXT (FASHION TECHNOLOGY) - SEMESTER-II

6.1 ADVANCED COMPUTER PROGRAMMING MSCFD/S/210

Lectures : 3 Hrs / WeekPracticals : 2 Hrs / Week


Practical Exam : 100 MarksSubject Total : 200 Marks

1. Introduction to Windows:

Managing windows, working with disks, folders and files, finding lost files,

creating backups, shortcut keys, installing and removing programmes,

printing in windows, printer setting, fonts, installing fonts.

2. Netw orking Concepts:Introduction to network, use of computer networks, network topologies, network

types – LAN, MAN, WAN, network hardware components – cables, connectors, NIC,

Hub, Switch etc. Network operating system, client/server architecture, Internet and

its applications.

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3. Database Management:Introduction to database, records, Relational database management systems,

structural query languages (SQL), SQL commands – Select, Insert, update,

delete, joins – inner join, outer join, equijoin.

4. Visual Basic Fundamentals:

Introduction, projects in visual basic, project explorer, setting project options,

Visual Basic code – understanding procedures, subroutines, functions,comments, code window & its features, controlling program flow, conditional

branching, loops.

Visual Basic Data Types:

Data types in visual basic, - byte, lnteger, long, single, double, currency,

Boolean, data, string, object, variant, declaring variables, variable scope & life

time, data conversion, arrays, constants, user defined data types.

6. Designing User Interface:

Forms, form properties, form events, loading, unloading, showing & hiding

forms controls in visual Basic – label, buttons, text box, list, dropdown

selection list, checkbox, option button, timer control, setting tab order, manusin visual basic.

7. Dialogs:

Introduction, message box, input box, common dialog.8. Programming Database Access :

Introduction, Record set object – definition, properties, methods & events,

records, working with record set in code, visual basic data control,

Introduction to ADO.

List of Experiments1. Study of Windows 98 operating system.2. Working with Start Button, Desktop, Explorer, Control Panel.

3. Study of network System with commands from Novell Network.

4. Creating databases, tables using Ms-access.

Working with SQL Commands like Select, Insert, Update, Delete, etc.6. Creating simple form in Visual Basic.

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7. Writing applications in Visual Basic using multiple forms, various controls (likeradio button, list etc.) and database application using data control for

Finding mean, SD, CV% of yarn strength testing machine

Finding twist & its SD, mean & CV%

To calculate production of winding m/c, warping m/c, sizing m/c, looms, (Weaving

Machine.), blow room, card, speed frame, ring frame etc (Spinning Machine).

Finding % exhaustion of dye bath.

Finding correlation between whiteness & strength.

Finding at add on of finish.

Reference Books1. Windows 95 for busy people – Ron Mansfield (Tata McGraw-Hill Edition)2. Computer Guide to Networking – Peter Norton (Techmedia publication)3. Computer Networks (Third Edition)4. SQL for professional – Swapna Kishore, Rajesh Naik (Tata McGraw-Hill editon)

Guide to Visual Basic 6 – Peter Norton (Techmedia Publication)6. Beginning Visual Basic 6 – Peter Wright (WROX Publication)

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THIRD YEAR B. TEXT (FASHION TECHNOLOGY) - SEMESTER-II6.2 FASHION ILLUSTRATION MSCFD/S/220



Theory Paper : 100 MarksTerm Work : 100 Marks


I) Anatomy for Designer – Human proportion and figure construction

II) Head the unit of measurement – methods of determining individualproportions – Basic Drawing of the Fashion Figure – Flat Sketching average

proportions- Methods of determining standards of Child, Men & Women’s

Figure

III) Drawing the Lay figures – Three Quarter View of Lay Figure – proportions of

the figure measuring 8 Heads

IV) Sketching and illustration of body figures and body shapes

V) Display of Fashion Materials – Definition , Importance, Source, Techniques,

Window Display

VI) Folios – Creative- Dress – Designer

List of Experiments

1. Concept of fashion drawings2. Drawing of Basic figures,

3. Drawing of Bone Structure

4. Drawing of Muscle view

Drawing of Front view ½ sheet each6. Drawing of Side view

7. Drawing of Back pose

8. Drawing of Structure of hands, legs & foot

9. Enlargement and reduction of Basic Figures

10. Drawing the face & Facial proportion

11. Drawing of hair Styles12. Drawing of 8 Head Figure

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Reference Books

1. Fashion Drawing Designs by Magazine of Thailand2. Fashion Drawing – The Basic Principles by Anne Allen and Julion Seaman

3. Fashion Illustration by Bina Abling

4. Erwin Mabel(1994) Clothing for Moderns Macmillan Publications, New York.

Mckelvey, K. and Munslow, J. “Illustrating Fashion”, Blackwell Science, 1997,ISBN:0632040246.

6. Tate and Sharon Lee 1976. Inside Fashion Design Canfield Press publication

Inc London

THIRD YEAR B. TEXT (FASHION TECHNOLOGY) - SEMESTER-II6.3 EMBROIDERY & SURFACE ORNAMENTATION MSCFD/S/230






I) Introduction and origin of embroidery – general rules for hand and machine

embroidery, Attachments of sewing machines for embroidery – Selection of

needle, threads & fabrics for embroidery.

II) Knowledge, classification & practice of hand embroidery stitches- running,couching, button hole, satin, long & short, wheat, chain, stem, herringbone,

cross stitch, knotted stitches, fish bone etc. Some Indian traditional

embroideries – Phulkari, Kasuti, Kashmiri embroidery, kutch work,

chikkankari, kantha, tribal embroideries- stitches, designs, colors andmaterials used.

III) Knowledge & practice of the following machine embroideries and surface

ornamentations– eyelet work, cutwork, Richelieu work, lace work, drawn

thread and fabric work, patch work, mirror work, applique, shaded embroidery,

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shadow work, badala work, bead and sequins work, bobbin thread embroideryetc.

IV) Selection of thread color and suitable stitches for embroidery using computer

–Care and maintenance of embroidery articles – pressing embroidery articles

– frames & backing materials Types & Purposes. Estimating, costing &marketing of finished embroidery goods.

V) CAD Softwares used for embroideries – process of designing, types of stitch

applications, punching. Types of embroidery machines and their working –

vertical embroidery machines, multi-head embroidery machines- Specialattachments in Embroidery machines.

List of Experiments

1. Study of the stitches and work style .2. Study of historical background motifs, colours, and materials used in

embroideries of Phulkari, Kasuti.

3. Study of historical background motifs, colours, and materials used in

embroideries of Kashmiri, Kutch.4. Study of historical background motifs, colors, and materials used in

embroideries of kantha and tribal embroidery.

Study of computerized embroidery machine.

6. Selection of material for different types of embroidery work and for the differentarticles.

7. Study of embroidery software.

8. Design development for embroidery.

9. Design development for embroidery.10. Embroidering of the developed design on machine.

11. Study of the special types of embroidery machines and applications.

12. Visit to Embroidery unit.

Reference Books

1. Shailaja D. Naik, “Traditional Embroideries of India”, A.P.H Publishing

Corporation, New Delhi, 1996.

2. . Sheila Paine, “Embroidered textiles”, Thames and Hudson Ltd., 1990.

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3. 2. Gail Lawther, “Inspirational Ideas for Embroidery on clothes & Accessories”,Search Press Ltd., 1993.

THIRD YEAR B. TEXT (FASHION TECHNOLOGY) - SEMESTER-II6.4 HOME TEXTILES IN FASHION MSCFD/S/240




I) Textile for seating – Upholstery fabrics for domestic applications – scope,

fixed upholstery, non-stretch loose covers, stretch covers. Upholstery fabricsfor contract use – general, automotive applications, Commercial applications.

II) Window Textiles – Sun filters (Sheers and nets), Semi-sheers, Reflective

textiles, curtain fabrics & drapes, Blinds.

III) Bed Textiles – Sheets & Pillow Cases, Quilted Textile, Blankets & Rugs -Jacquard blankets, Printed blankets, Fire proof blankets, Baby blankets. Bed

Spreads, Mattress covers, (Ticking)

IV) Fabrics for Wall Covering, Textile Art – Tapestries, Wall hangings, Textiles

for screens & Room Dividers.

V) Bathroom Textiles - General shower curtains, Terry Toweling.

VI) Accessories – Scatter Cushions, Floor Cushions, Lampshade fabrics.VII) Table Textiles – Tablecloths – Colour – Woven & Printed type, jacquard

types, embroidered types, non-woven types. Table mats – Colour -woven,

Printed jacquard, embroidered.

VIII) Textile Floor Coverings – Introduction, Pile Fibres, Backing fibres & fabrics– Tufted carpets, Needle felt backings, woven carpet. Woven Carpet

Manufacture – Wilton weaving, shedding mechanism, Aximinster. Tufted

Carpet Manufacture – Broadloom machinery, Hand tufting, Ancillary

equipments Needle felt Manufacture – Needling machinery, textured &patterned needle felts, thermo-bonded products. Unconventional methods for

making carpets – Bonding, knitted carpet, stitch bonding, flocking.

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IX) Towels :- Types of towels, Bath robes, Beech Towels, Kitchen Towels, Terrytowels, Napkins - Construction, weave, pile height, patterning, production,

dyeing, finishing, etc.

X) Velour: - Types of velvets – Jacquard, Dobby, Plain, Printed – Manufacture &

construction. Methods of velour making by cutting and shearing.XI) Kitchen Textiles :-Aprons, Dish cloth, Teacosy, Bread bag, Mittens, Pot

Holders, Table Mats – Construction & manufacturing details.

XII) General: - Hand / machine embroidered scarves, stoles, shawls,Madeups

used in hospitals, etc. Textiles care labeling & Design aids.

Reference Books

1. Carpets : Back to Front, Textile Progress, Vol.19, No.3 by – L Cegielka MA, The

Textile Inst. Publication

2. Textile Floor coverings by G.H. Crawshaw, Textile Progress, Vol.9, No.2, TheTextile Inst. Publisher.

3. Interior Furnishings’, Textile Progress, Vol.11, No.1, By Mortimer O.Shea, The

Textile Inst. Publication

4. Interior Furnishing by Mortimer O.Shea, Textile Progress, Vol.11, No.1, TheTextile Institute, Publication.

Textile Floor covering by G.H. Crawshaw, Textile Progress Vol.9, No.2, The

Textile Institute, Publication

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THIRD YEAR B. TEXT (FASHION TECHNOLOGY) - SEMESTER-II6.5 MERCHANDISING IN APPAREL & F ASHION INDUSTRY MSCFD/S/250




I) Organization of the Apparel Business - Introduction to apparel industry -

organization of the apparel industry types of exporters Business conceptsapplied to the apparel industry - International trade.

II) Marketing - Functional organization of an apparel firm. Responsibilities of a

marketing division - marketing objectives and strategies - Marketing research

- Types of markets: Retails and wholesale strategies for merchandisedistribution- retailers - sourcing flows and practices. Marketing plan. Labeling

and licensing.

III) Merchandising - Definition of merchandising - functions of merchandising

division - Role and responsibilities of a merchandiser- different types ofbuyers -Communications with the buyers - awareness of current market

trends – product development - line planning line presentation.

IV) Sourcing - Need for sourcing - sourcing materials - manufacturing resources

planning - principles of MRP – Overseas sourcing - sourcing strategies.Supply chain and demand chain analysis - Materials management for quick

response - JIT technology.

V) Documentation - Order confirmation, various types of export documents,

Pre-shipment Post -shipment documentation, Terms of sale, payment,shipment etc.Export incentives: Duty drawback, DEPB, I / E license -

exchange control regulation - foreign exchange regulation acts - export

management risk - export finance. WTO / GATT / MFA - Functions and

objectives, successes and failures.

Reference Books1. D. Sinha., - " Export Planning and Promotion ", - IIMS, Calcutta (1989).2. Tuhin K. Nandi., - " Import - Export Finance ", - IIMS, Calcutta (1989).3. Elaine Stone, Jean A. Samples., - “Fashion Merchandising ", McGraw Hill Book

Company (1985) ISBN: 0 - 07 - 061742 - 2.4. S. Shivaramu., - " Export Marketing - A practical guide to Exporters ",W heeler

Publishing ( 1996) ISBN: 81-7544-166-6.J.A. Jarnow, M.Guerreiro, B.Judelle., - " Inside the Fashion Business "

,Macmillan Publishing Company ( 1987) ISBN: 0-02-360000-4.

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THIRD YEAR B. TEXT (FASHION TECHNOLOGY) - SEMESTER-II6.6 MEN, WOMEN & CHILDREN’S WEAR MSCFD/S/260




I) Study of various types of kids wear and children’s wear; measurements

required for construction of kids & children’s wear (Baba suit, Baby frock,

shorts, Rompers, Pedal pushers). Selection of fabrics, trimmings, seams for

Children’s wear. Factors affecting selection.

II) Pattern lay rules, common method of layout for asymmetric design, strips,checks and one way design for children’s garments. Fit for children’s

garments.

III) Step by step procedure for construction and minimizing fabric consumption for

men’s Boxer shorts, formal shirts with regular collar, button down collar-plackets – back tucks – center and side tucks – Balancing of designs –

Asymmetric & symmetric designs - checks & stripes.

IV) Step by step procedure for construction and minimizing fabric consumption for

Men’s formal trouser: –principles involved in fitting –step-by-step constructionprocedure for men’s trousers. Formal trouser –pleated and flat front – Double

welt and single welt back pockets- 5 pocket casual trousers.

V) Step by step procedure for construction and minimizing fabric consumption for

Men’s suits: – principles of fit- step by step construction of 2 piece and 3 piecesuits – single and double breasted suits.

VI) Step by step procedure for pattern making & construction, nighties, blouses,

midi skirts & tops – dart manipulation – dart relocation by pivot.

VII) Method – connectivity darts into seams –fitting problems. Step by stepProcedure for pattern making and construction of salwar kameez – selection

of thread, color, material – embroidery using computer – beadwork and tinged

work.

VIII) Step by step pattern making – construction for trousers and peach bottom –pleated trousers - skirts ‘A’ line– umbrella- 6 gore skirt – circular skirt.

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IX) Intimate apparels – Different types of fitting for ladies inner wear – step bystep procedure of construction– braziers – size & fit – ladies panties- – other

lingerie’s- use of Elastomeric yarns in lingerie.

Reference Books

1. Harold Carr & Barbara Latham, “The technology of Clothing Manufacture”,Blackwell Science Inc., 1994.

2. Singer, “Sewing Lingerie”, Cy DeCosse Incorporated, 1991.

3. Singer, “Sewing Active Wear”, Cy DeCosse Incorporated, 1986.

4. Singer, “Sewing Pants That Fit”, Cowles Creative Publishing Inc., 1989.Patric John Ireland, “Fashion Design Illustration: Men”, B.T Batsford Ltd.,

London, 1996.

6. Cooklin Gerry, “Pattern Grading for Children’s”, Om Book Service, 1991.

7. Gerry Cooklin, “Garment Technology for Fashion Designers”, BlackwellScience, 1997

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THIRD YEAR B. TEXT (FASHION TECHNOLOGY) - SEMESTER-II6.7 DESIGN COLLECTION & PRESENTATION MSCFD/S/270


Term Work : 100 Marks


List of Experiments

1. Forecasting colours, pattern and fabric for the ensuing seasons based on

international forecast2. Collections of fabric swatches and colours based on future forecast.

3. Collection of the laces, braids, linings, waddings, etc. on future forecast.

4. Preparation of story boards/Mood boards

Illustrating Fashion Models6. Selection F abric Swatches

7. Selection of Surface Ornamentation techniques

8. Preparation of various Styles for Selected fabrics

9. Selection of Seams, Necklines, Collars, Sleeves etc10. Selection of cuffs, pockets , etc.

11. Selection of Accessories

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DETAILED SYLLABUS

FOR

DISTANCE EDUCATION

MASTER OF SCIENCE IN

Fashion Designing

(SEMESTER SYSTEM)

COURSE TITLE: MSCFDDURATION : 2 YEARMODE : SEMESTER

THIRD SEMESTER


INTERNAL EXTERNAL INTERNAL EXTERNALApparel Manufacturing Technology MSCFD/S/310 40 60 40 60 200

Fashion Communication MSCFD/S/320 40 60 40 60 200

Advanced Pattern Making – I MSCFD/S/330 40 60 40 60 200

Construction of Women’s Wear MSCFD/S/340 40 60 40 60 200

Design Illustration – I MSCFD/S/350 40 60 40 60 200

Computer Designing – I MSCFD/S/360 40 60 40 60 200

Seminar MSCFD/S/370 40 60 40 60 200

FOURTH SEMESTER


INTERNAL EXTERNAL INTERNAL EXTERNALRetail Marketing & Merchandising MSCFD/S/410 40 60 40 60 200

Knitwear Design Technology MSCFD/S/420 40 60 40 60 200Advanced Pattern Making – II MSCFD/S/430 40 60 40 60 200Construction of Men’s Wear MSCFD/S/440 40 60 40 60 200Design Illustration – II MSCFD/S/450 40 60 40 60 200Computer Designing – II MSCFD/S/460 40 60 40 60 200

1

APPAREL MANUFACTURING TECHNOLOGY MSCFD/S/310

Objectives• To impart knowledge of Industrial operations• To impart awareness about machines and equipments used in apparel industry

Instructions to the Examiner1. Question paper will have four sections2. Examiner will set a total of nine questions comprising two questions from each unit and

one compulsory question of short answer type covering the whole syllabus.3. Students will attempt one question from each unit and the compulsory question.4. All questions may carry equal marks, unless specified

Unit-I

• Introduction to Indian Apparel Industry• Structure of the Apparel Industry• Sectors of the Apparel Industry

Unit-II

Organization of an Apparel Industry

The Design Department• Forecasting• Designing• Collection Planning• Pattern Making• Production of Sample Garments• Pattern Grading

The Production Departmenta) Operations in cutting room

1. Marker Planning2. Spreading3. Cutting

b) Sewing1. Preparation for sewing, stitches, seams, feed systems, needles, threads,machinery and equipment

2. Assembly

Unit-III

Finishing Department• Pressing Machinery and equipment• Finishing, Inspecting, Warehousing and shipping

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Unit-IV

Marketing Department• Marketing – Marketing Calendar• Product Pricing• Price Evaluation• Product Planning• Customers

Merchandising – Distribution

Sales – Promotion• Market Research• Selling• Sales Forecasting & Budgeting

References:

• Carr Harold and Latham Barbara “The technology of clothing manufacture” BlackwellPublisher (1994-2004)

• Ruth EC “Apparel manufacturing and Sewn Product Analysis”• Chultler AJ, Blackwell Science UK, 1998 “Introduction to Clothing Production

Management” Blackwell science (1995) London• Kaplan, NS “Changing Trends in Apparel Industry” Abhishek Publisher (2004)• Cooklin Gerry “Introduction to Clothing manufacture, Blackwell Science, UK, 1991• Bheda Rajesh, “Managing Productivity in the Apparel Industry” CBS Pub, New Delhi

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FASHION COMMUNICATION MSCFD/S/320

Objectives:To enable the students to understand the intricacies of fashion industry

Instructions to the Examiner1. Question paper will have four sections.2. Examiner will set a total of nine questions comprising two questions from each unit and one

compulsory question of short answer type covering the whole syllabus.3. Students will attempt one question from each unit and the compulsory question.4. All questions may carry equal marks, unless specified.

Unit-I• Communication:- Concept, Definition, Scope, functions of communication• Mass Communication:- Concept, Definition, Scope and functions of Mass Communication

through different media – Electronic media, Print media, Cyber media• Role of media in society.• Need of Mass Communication in Fashion world.

Unit-II• Creative writing:- writing a feature, different types of feature, rules for writing feature:-

Defining Article, rules for writing.• Interviews:- Definition, Concept and scope of interviews, types of interview. How to

conduct an interview, writing interview.• Designing catalogues and brochures.

Unit-III• Photography:- Role of photography in fashion world, concept, definition and functions of

photography. Types of camera, camera angles, shots and movements.• Editing:-Definitions, various techniques of editing.• Ethics of media.

Unit-IV• Event management:- fashions shows, photo shoots, outdoor and indoor shoots.• Advertising:- concept, definition, scope, functions and need of advertising in fashion world.• Public relations:- concept, definition, scope, functions and qualities of good PRO. Need of

PRO in fashion.• Publicity:- Definition and scope, event reporting, concept of image management.

Reference:• Kristen K. Swanson, Judith C. Everett., ‘Writing for the Fashion Business’, Fairchild Pub.,

USA.• Guy Masterman, Emma H.Wood, ‘Innovative Marketing Communication: Strategies for the

Events Industry, Elsevier Butterworth–Heinemann, Burlington.• Williams John Matt, ‘Business through Correspondence and Advertising’,• Ashok Bhalla, ‘Effective Communicationn’, Abhishek Pub.,Chandigarh.• Ashok Bhalla, ‘Perfect Public Speaking’, Abhishek Pub.,Chandigarh.• Vaibhav Mehndiratta, ‘Event Management’, Abhishek Pub.,Chandigarh.

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ADVANCED PATTERN MAKING – I MSCFD/S/330

Objectives:• To enable the students to develop the patterns through dart manipulation• To enable the students to understand & realize the importance of fitting.

Instructions to the ExaminerThe Examiner will set questions covering the whole syllabus.

Pattern Development of the following:• Halter neck one piece dress• Off shoulder – single and both• Choli cut corseted kurti• One piece fitted dress with gathers in princess line.

Pattern development of at least two fitted garments with fullness added in various dart locations.

References:• Helen Joseph Armstrong ‘Pattern Making for Fashion Design’, Pearson Education, 2007.• Jaffe Hilde & Nurie Relis ‘Draping for Fashion Design’, N Jersey, Prentice Hall, 1993.• Natalie Bray ‘Dress Pattern Designing’, Blackwell Science, London, 1996.• Winfred Aldrich ‘Fabric, Form and Flat Pattern Cutting’, Blackwell Science, USA, 2001.• Connie Amaden Crawford ‘Art of Fashion Draping’, Om B ook International, New Delhi,

2003• Bane Allyne, ‘Flat Pattern Design’, McGraw Hill USA

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CONSTRUCTION OF WOMEN’S WEAR MSCFD/S/340

Objectives:To enable the students to develop skills in construction of fitted and stylized dresses.


Construction of the following fitted garments:• Halter neck one piece dress• Off shoulder dress: single and both• Choli cut corseted Kurti• One piece fitted dress with gathers in princess line.

Construction of two fitted garments with fullness added in various dart locations.

References:• Thomas Anna Jacob, ‘The Art of sewing,’ UBS, Publishers distributors ltd, New Delhi,

1999.• Allynie, ‘Creative sewing’ McGraw-Hill Book Co. Inc, New York.• Connie Amadon Crawford, ‘A Guide to Fashion Sewing’, Fairchild Pub., USA, 1992.• Doongaji Sherie & Deshpande, R, ‘Basic Processes and Clothing Construction’.• Dorothy Wood, ‘The practical Encyclopedia of Sewing’• Reader’s Digest ‘Complete guide to Sewing’• Singer, ‘Sewing Book’

DESIGN ILLUSTRATION – I MSCFD/S/350

Objectives:• To learn to design theme based collection.• To develop a personal style of illustration and presentation technique.• To impart skills for portfolio presentations

Instruction to the ExaminerThe Examiner will set questions covering the whole syllabus

The below mentioned Design illustrations should be based on Advanced Pattern Makingand Construction of Women’s Wear subjects of this semester.

• Design a collection for Women’s Wear on various specified themes.• Drape these garments on fashion figures in different moods.• Colour and Texture rendering; swatches and notions; spec sheets• Define a personal designer style and make a portfolio.

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References:• Patrick John Ireland, ‘Fashion Design Drawing & Presentation’ Om Books International,

New Delhi, 2005• Seaman ‘Professional Fashion Illustration’ B.T. Batsford Ltd.• Kathryn McKalvey, ‘Illustrating Fashion’ Black Well Publishing.• Patrick John Ireland, ‘Fashion Design Illustration Women’ B.T.Batsford Ltd. London.• Colussy ‘Rendering Fashion-Fabrics & Paints’• Hagen, ‘Fashion Illustration for designers’.• Martin Dawber, ‘Big book of Illustrations’.

COMPUTER DESIGNING – I MSCFD/S/360

Objectives:To enable the students to understand the application of Adobe Photoshop and used the same tocreate various design compositions.

Instruction to the ExaminerThe Examiner will set questions covering the whole syllabus[[Understanding application of basic tools of Photoshop.Learning the technique of scanning pictures of celebrities/veterans/models and redefining themin terms of hair styles, dresses, and accessories.

Designing the following for sales promotion:• Posters and Fliers• CD covers of fashion shows, music CD’s etc.• Visiting cards and brochures of designers, professors etc.• Thematic backgrounds like corporate/ Board meeting room, hotel lounge, teller desk; party

hall; beach; classroom; etc.References:

• User guide for the Software.

SEMINARMSCFD/S/370 Total Marks : 50

ObjectivesTo enable the students to improve their presentation skills and to make them aware aboutvarious designers and their collections.

Note:Seminar will not be exam based. It will be assessed internally.

Each student has to present a seminar on at least one national and one international designerand their collections.

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M.Sc. Fashion Designing

SEMESTER – IV

1. Retail Marketing & Merchandising (RMM)

2. Knitwear Design Technology (KDT)

3. Advanced Pattern Making – II (APM-II)

4. Construction of Men’s Wear (CMW)

5. Design Illustration – II (DI-II)

6. Computer Designing – II (CD-II)

10

RETAIL MARKETING & MERCHANDISING MSCFD/S/410

Objectives:• To introduce the concept of Retailing & Marketing• To impart knowledge regarding the marketing environment and consumer behaviour.

Instruction to the Examiner1. Question paper will have four sections.2. Examiner will set a total of nine questions comprising two questions from each unit

and one compulsory question of short answer type covering the whole syllabus.3. Students will attempt one question from each unit and the compulsory question.4. All questions may carry equal marks, unless specified.

Unit-I• Introduction to Retailing: types and its formats.• Merchandising: its definition, types, role and responsibility of merchandiser.• Orga nisational structure

Unit-II• Identification and analysis of consumer.• Communicating with consumer.• Relationship between retailer and consumer.• Business ethics and social responsibility.

Unit-III• Financial aspects of retail merchandising.• Retail Pricing.• Planning sales and inventory.

Unit-IV• Merchandising control.• Store Planning and Design.• Human Resource Management.

References:• John Donnellan, ‘Merchandise Buying a nd Management’• Leslie Davis Burns, Nancy O. Bryant, ‘The Business of Fashion’• Edited by Mike Easey, ‘Fashion Marketing’• Ellen Diamond, ‘Fashion Retailing’• Jay Diamond Gerald Pintel, ‘Retail Buying’• Rasshid Din, ‘New Retail’• Michael R. Solaman, ‘Consumer Behaviour in Fashion’

11

KNITWEAR DESIGN TECHNOLOGY MSCFD/S/420

Objectives:• To understand the characteristics of knitted fabrics• To understand the versatility of knit fabrics for end uses.

Instructions to the Examiner1. Question paper will have four sections.2. Examiner will set a total of nine questions comprising two questions from each

unit and one compulsory question of short answer type covering the wholesyllabus.

3. Students will attempt one question from each unit and the compulsory question.4. All questions may carry equal marks, unless specified.

Unit-IIntroduction to knitting• Definition of knitting• Weft and Warp Knitting• Comparison of Weft and Warp Knitting

Unit-IIWeft knitted fabrics• Plain, Knit, Purl, Tuck, Float, Rib, Jacquard.Warp knitted fabrics• Tricot, Raschel, Simplex, Milenese.

Unit-IIIKnitted garments• Fully cut• Stitch shaped cut• Fully fashioned• Integral

Unit-IVQuality Control of knitted fabricsGarment Quality

References:• Terry Blackenbury ,’Knitted Clothing Technology’ , Blackwell Publishing, 2005.• Henry Joshnson, ‘Introduction to Knitting Technology’, Abhishek Pub., 2006.• D.B. Ajgaonkar, ‘Knitting Technology’• David J.Spencer, ‘Knitting Technology’• Samuel Rag, ‘Flat Knitting Technology’• Smirfitt, ‘An Introduction to Weft Knitting’

12

KNITWEAR DESIGN TECHNOLOGY MSCFD/S/430

Objectives:• To impart the knowledge of Knitting• To develop an understanding of the various knitted structures


For a knitted sample file develop 20 swatches from basic stitches(Knit, Purl, Tuck, Miss, Transfer loop)

Develop a garment from a creative swatch

References:• Sandy Black ‘Knitwear in Fashion’, Thames & Hundson, London, 2005• Debbie B lis ‘Cotton Knits for all seasons’• Zoe Mellor ‘Double Knits’• The step by step guide to knitting• The Harmony guide to knitting stitches

ADVANCED PATTERN MAKING – II

Objectives:To enable the students to develop patterns for men’s wear garments.

Instruction to the ExaminerThe Examiner will set questions covering the whole syllabus.

Pattern development of the following garments• Jacket–Reversible, Lined• Trousers–Jeans, Formal• Shirt• Sherwani with aligarhi pyjama

References:• Helen Joshpa Armstrong, ‘Pattern Making for Fashion Design’, Pearson Education, 2007.• Jaffe Hilde & Nurie Relis ‘Draping for Fashion Design’, N.Jersey, Prentice Hall Career, 1993.• Natalie Bray ‘Dress Pattern Designing’, London Blackwell Science, 1996• Winfred Aldrich ‘Fabric Form and Flat Pattern Cutting’, Blackwell Science, USA, 2001.• Connie Amaden Crawford ‘Art of Fashion Draping’, Om B ook International, New Delhi,

2003.• Bane Allyne, MC Graw Hill USA ‘Flat Pattern Design’.• Bernar Zamkoff, ‘Basic Pattern Skills for Fashion Design’.

13

CONSTUCTION OF MEN’S WEAR MSCFD/S/440

Objectives:To learn to assemble and stitch the diverse components of men’s garments.


Construction of the following garments:• Jacket–Reversible, Lined• Trousers–Jeans, Formal• Shirt• Sherwani with aligarhi pyjama

References:• Thomas Anna Jacob, “The Art of Sewing,” UBS, Publishers Distributors Ltd., New

Delhi, 1994.• Reader’s Digest Complete Guide to Sewing.• Allynie, ‘Creative Sewing’, McGraw Hill Book Co. Inc, New York.• Dorothy Wood, ‘The Practical Encyclopaedia of Sewing’.• Connie Anadon Crawford, ‘A Guide to Fashion Sewing, Fairchild Pub., USA, 1992.• Doongaji Sherie & Deshpande, R, Basic Process and Clothing Construction.

DESIGN ILLUSTRATION-II MSCFD/S/450

Objectives:• To introduce male croqui and various postures.• To impart skill for development of inspirational designing ability.


Introduction to male figure, features and postures

Draping male figure in• Casual wear• Street wear• Formal wear

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Detailed line planning with emphasis on design development sheets for men.

Making a theme based working drawing collection of five ensembles of men’s wear–formal andcasual.

Creation of different textures for men’s wear.

References• John Ireland, ‘Fashion Design Illustration–Men’, B.T. Batsford Ltd, London, 1996.• Bina Abling, ‘Illustrating Fashion’• Kathryn McKalvey, and Janiew Musslwo, ‘Illustrating Fashion’ Blackwell Pub. Co., 2005.• Patrick John Ireland, ‘Fashion Design-Drawing and Presentation’, Om Book

International, New Delhi, 2005.• Seaman ‘Professional Fashion Illustration’ B.T. Batsford Ltd.• Colussy ‘Rendering Fashion-Fabrics & Paints’

COMPUTER DESIGNING-II MSCFD/S/460

Objectives:To make students acquire skill in computer aided designing.


Prepare design illustrations and work sheets of the following garments using the tools of AdobePhotoshop and Corel Draw:• Jacket• Trousers• Sherwani with aligarhi pyjama

Create different textures for above garments.

Drape of created textures in the above garments.

Reference:• User guide for the software.• Corel Draw by BPB Publications

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