Deborah Lee Email: [email protected] CIG Conference, Glasgow, September 2008
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Transcript of Deborah Lee Email: [email protected] CIG Conference, Glasgow, September 2008
Deborah LeeEmail: [email protected]
CIG Conference, Glasgow, September 2008
Classifying musical performance: the application of faceted classification principles
to concert programmes
>>1. Defining and dissecting concert programmes
2. Issues in arranging concert programmes3. Arrangement theories4. Model 1: Universal characteristics of
division5. Model 2: The event/object/manuscript
triumvirate
1. Defining and dissecting concert programmes
>>2. Issues in arranging concert programmes
3. Arrangement theories4. Model 1: Universal characteristics of
division5. Model 2: The event/object/manuscript
triumvirate
1. Defining and dissecting concert programmes
2. Issues in arranging concert programmes
>>3. Arrangement theories
4. Model 1: Universal characteristics of division
5. Model 2: The event/object/manuscript triumvirate
3. Arrangement theories
Bibliographic• Characteristic of division: generic name
of the aspect of item used to arrange collection, e.g. “language”, “literary form”
• Scattering: inevitable process where identical aspects not part of the first characteristic of division are deposited across a collection
• Distributed relatives: name of identical aspects occurring in multiple places in a collection, caused by scattering
Menges concert programmes
Solo Chamber Other
Venue a Venue b Venue a Venue b Venue a Venue b
Date a Date b Date a Date b … Date a Date b … Date a Date b
Characteristic:
Performer
Venue
Date
3. Arrangement theories
Menges concert programmes
Solo Chamber Other
Venue a Venue b Venue a Venue b Venue a Venue b
Date a Date b Date a Date b … Date a Date b … Date a Date b
Characteristic:
Performer
Venue
Date
3. Arrangement theories
Same date, different venues
1. Defining and dissecting concert programmes
2. Issues in arranging concert programmes
>>3. Arrangement theories
4. Model 1: Universal characteristics of division
5. Model 2: The event/object/manuscript triumvirate
3. Arrangement theories
Archival Provenance: arrangement according
to source of the collection; items from the same source are kept together
Ephemera collections Arrangement by form: programmes,
posters, tickets etc. kept in separate sequences
1. Defining and dissecting concert programmes
2. Issues in arranging concert programmes3. Arrangement theories
>>4. Model 1: Universal characteristics of division
5. Model 2: The event/object/manuscript triumvirate
Concert programme collection
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??? ??? ??? ??? ??? ???
??? ??? ??? ??? … ??? ??? … ??????
Characteristic:
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4. Model 1: Universal characteristics of division
1. Defining and dissecting concert programmes
2. Issues in arranging concert programmes3. Arrangement theories4. Model 1: Universal characteristics of
division
>>5. Model 2: The event/object/manuscript triumvirate
5. Model 2: The event/object/manuscript triumvirate
Event a concert exists in temporal and spatial planes, but not
in the physical plane Object
contains information about the event exists in the physical plane and has physical
attributes Manuscript
a particular exemplar of an object exists in the physical plane and has physical
attributes intellectually different from all other
manuscripts
5. Model 2: The event/object/manuscript triumvirate
Event layer Date of concert Time of concert Geographic location Concert venue Concert genre Repertoire Performers and performing groups Concert-promoters/concert-giving
societies
5. Model 2: The event/object/manuscript triumvirate
Object layer Form of object Size Programme notes Pictorial evidence Advertisements Seating plans Ticket prices
5. Model 2: The event/object/manuscript triumvirate
Manuscript layer Provenance Custodial history Storage type Comparative characteristics Annotations and signatures Copy number of programme