Death and the Maiden (La muerte y la doncella ) Ariel Dorfman , 1990

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Death and the Maiden (La muerte y la doncella) Ariel Dorfman, 1990

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Death and the Maiden (La muerte y la doncella ) Ariel Dorfman , 1990. Setting, Historical Context: A nameless country in Latin America that has only recently returned to democracy ( i.e. Post-Pinochet Chile). Augusto Pinochet: 1915-2006 . The Aftermath of Tyranny. - PowerPoint PPT Presentation

Transcript of Death and the Maiden (La muerte y la doncella ) Ariel Dorfman , 1990

Page 1: Death and the Maiden  (La  muerte  y la  doncella )  Ariel  Dorfman , 1990

Death and the Maiden

(La muerte y la doncella)

Ariel Dorfman, 1990

Page 2: Death and the Maiden  (La  muerte  y la  doncella )  Ariel  Dorfman , 1990

Setting, Historical Context:A nameless country in Latin America

that has only recently returned to democracy(i.e. Post-Pinochet Chile)

Augusto Pinochet: 1915-2006

Page 3: Death and the Maiden  (La  muerte  y la  doncella )  Ariel  Dorfman , 1990

The Aftermath of Tyranny

Page 4: Death and the Maiden  (La  muerte  y la  doncella )  Ariel  Dorfman , 1990

Ariel Dorfman: 1942 –

A political refugee during the Pinochet regime, Dorfman now divides his time between the U.S. and Chile. He has been a professor at Duke University since 1985.

Born Buenos Aires, 1942U.S., 1943 – 1954Chile, 1954 – 1973U.S., 1973 – 1990

Page 5: Death and the Maiden  (La  muerte  y la  doncella )  Ariel  Dorfman , 1990

Dorfmann’s work: varied and prolific• The Last Song of Manuel Sendero (1988): “futuristic exploits of a politically

asphyxiated dictatorship.”• Blake’s Therapy (2001): “the conditions of reality in contemporary

capitalist culture.” • Exorcising Terror: The Incredible Unending Trial of Augusto Pinochet (2002)• Americanos: Los pasos de Murieta (2009): ”narrating California, the

incorporation of part of the Mexican territory to the U.S., from the Latin American perspective.”

Page 6: Death and the Maiden  (La  muerte  y la  doncella )  Ariel  Dorfman , 1990

Death and the Maiden

• Motif in Renaissance painting

• Originated with the Medieval Dance of Death, but with an added erotic subtext

• Dance of Death: an allegory about the universality of death, and its unifying power

• Later revived in the Romantic period (“Christabel”?)

Page 7: Death and the Maiden  (La  muerte  y la  doncella )  Ariel  Dorfman , 1990

Michael Wolgemut, Germany, 1943: “Dance of Death”

Page 8: Death and the Maiden  (La  muerte  y la  doncella )  Ariel  Dorfman , 1990

“Death and the Maiden” by Franz Schubert quartet / lied – “death knell accompanying a song about the terror & comfort of death”

The song details “a woman’s subjection to a death figure in musical form.”

Original German – Der Tod und das Mädchen English: Death and the Maiden

Das Mädchen:Vorüber! Ach, vorüber!Geh, wilder Knochenmann!Ich bin noch jung! Geh, lieber,Und rühre mich nicht an.Und rühre mich nicht an.

Der Tod:Gib deine Hand, du schön und zart Gebild!Bin Freund, und komme nicht, zu strafen.Sei gutes Muts! ich bin nicht wild,Sollst sanft in meinen Armen schlafen!

The Maiden:Pass me by! Oh, pass me by!Go, fierce man of bones!I am still young! Go, rather,And do not touch me.And do not touch me.

Death:Give me your hand, you beautiful and tender form!I am a friend, and come not to punish.Be of good cheer! I am not fierce,Softly shall you sleep in my arms!

Page 9: Death and the Maiden  (La  muerte  y la  doncella )  Ariel  Dorfman , 1990

The play:• A drama in three acts, with three characters:

– Paulina Salas: a woman around 40, formerly a political activist who was taken captive and tortured twenty years earlier during a hostile military regime

– Gerardo Escobar: her husband, a lawyer who has just been offered a position on a commission to investigate the crimes of the previous regime

– Dr. Roberto Miranda: a medical doctor who helps Gerardo when his car gets a flat tire near his home

• Setting: A remote Chilean beach house, 1990’s