DAVID MASLANKA Recitation Bookdavidmaslanka.com/wp-content/uploads/2014/02/Recitation-Book-00... ·...

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DAVID MASLANKA Recitation Book MASLANKA PRESS NEW YORK FOR SAXOPHONE QUARTET

Transcript of DAVID MASLANKA Recitation Bookdavidmaslanka.com/wp-content/uploads/2014/02/Recitation-Book-00... ·...

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D AV I D M A S L A N K A

Recitation Book

M A S L A N K A P R E S S

N E W YO R K

F O RS A XO P H O N E Q UA RT E T

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I have loved Italian madrigals since my student days, and “Recitation Book” for Saxophone Quartet feels something like a madrigal collec-tion, but with a grand !nale. My approach to composing is vocal, and the singing quality of saxophones is one of their !ne strengths. "e movements in this piece are relatively brief and intimate songs.

Much of my recent music draws its inspira-tion from the distant past. An old melody push-es open a door in my mind and a parallel world or dream makes its way out. Each piece in this set found its inspiration in that way.

"e title “Recitation Book” implies a set of lessons. I don’t want to say explicitly what each “lesson” means, but the titles of the pieces circle

around the theme of death, which for me im-plies the passing of the old, and the coming of the new.

I have not only quoted a number of old mel-odies in “Recitation Book,” but two whole brief pieces as well. "is !rst is J.S. Bach’s four-part chorale “Jesu, meine Freude,” and the second is an arrangement for the four saxophones of the !ve-voiced madrigal “Ecco moriro dunque” by Gesualdo di Venosa.

My acquaintance with the Masato Kumoi Saxophone Quartet began several years ago when I received a #$ in the mail. When record-ings come unbidden I am generally prepared for something less than I want to hear. But this rendition of “Mountain Roads” (my !rst com-

position for saxophone quartet) was the !nest performance of the piece that I had ever heard. Since then the Kumoi Quartet has performed the piece many times, and they have promoted it widely among players in Japan. In %&&', Masato Kumoi commissioned me to write another quar-tet especially for his group, and you will hear the !rst performance of “Recitation Book” tonight. In May of %&&(, Masato Kumoi recorded a solo alto #$ (Simple Songs, Cafua Records), and in-cluded my “Sonata for Alto Saxophone and Pia-no.” "is is a wonderful performance, and I am deeply indebted to him for his brilliant play, and the depth of his musical insight. I look forward to many more years of our collaboration.

—David Maslanka

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Recitation Bookfor Saxophone Quartet

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3 Broken Heart: Meditation on the chorale melody “Der du bist drei in einigkeit” (You who are three in one) ('’4&”)

' Prelude/Chorale: Meditation on the chorale melody “Jesu meine Freude” (Jesus my joy) ('’4&)

5 Ecco moriro dunque (Look! My Death is Near!) - Gesualdo di Venosa, 3(61 (3’4&”)

7 Meditation on the Gregorian Chant “O Salutaris Hostia” (O Salvation’s Victim) ('’)

3& Fanfare/Variations on the chorale melody “Durch Adams Fall” ("rough Adam’s fall) (3&’)

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Copyright © 2006 David Maslanka

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G 0 0 0 0 0 0 0 0ff

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G 5 5 5� 5� 5 5 5 5 5 5 5� 5� 5 5� 5 5 : 5 5� 5� : 5� 5 : 5� 5 5� 5 5 5� 5 5 5 5� 5 5� 5 5 5 5 5 B� 5� =5� 5 5� 5I 5 5 5 5 5

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Fanfare/Variations on “Durch Adams Fall” (Through Adam’s Fall)

21

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G5 5� 5 5� 5 5 5� 5� 5 5 5 5 5 55 5� 5� B 5 5 5� 555 5� 55 5� 55 5� 5� 5 5� 5I 5555I 5 5 5� 5 5� 5� 5� 5 5 5 5 5 5

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G ? 4 =ff5� 5 5 5 5 5� 5 5 5 5� 5 5

K5 5 5� 5 5 5 5 5 5555

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� =3 3 3 3 3 3 3 3

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G 5 5� 5 5 5 5 5� 5 5 5 5! 5� 5 5 5� 5 5 5 5� = 4 ? 5 5 5 5 5� 5 5 5 5 5 5 5� 5 5 5 5� 5 5 5 5� = 5 5 5E 5� =

� 5 5 5 5 5� 5� 5 5 5 5� 5 5� 5 5 5 5 5 5 5� 5 5� = 4 5 5 5 5� = G 5 5� 5 5 5 5 5� 5 5 5 5 5� 5 5 5 5 5� 5 5� = 0� 5� = 5� = 5�� = 5� = 5�� = 5� = 5�� = =

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5 5� = 5� 5� = 5 5� = B : 5� =

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G 5 5� 5 55 5 5� 5 5 5 5 5� 5 5 5 5 5� 5 5 5�5 5 55� 5 5 5 5� 5� 5 5 5 = 5 5 5� = 5

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55 5 5 5

5 5 5� =

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� 0 0 ? 4( f )

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3 3

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5M� 5M 5M 5M 5M 5M

sfz

5M 5M

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5M 5M 5M 5M 5M 5M sfz

5M 5M

� 4 =sfz p

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5M 5M 5M� 5M

f

5M 5M 5I� 5Iff

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5� 5 5 5 5 5� 5 5 5 5� 5 5 5 5 5 5 5

Gp

5M 5M 5M 5M 5M� 5Msfz

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sfz

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�p

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5M� 5M

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5M 5M 5M� 5Mff

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5 5 555 4 4 =sfz p cresc. grad.

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�p5M 5M 5M� 5M 5M 5M

sfz

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5M� 5M 5M 5Mff

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5� 5 5 5� 5 5 5 5� 5 5 5� 5 5 5 5� 5 5

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Fanfare/Variations on “Durch Adams Fall” (Through Adam’s Fall)

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S.

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G 5 5 5 5 5� 5 5 5 5� 5 5 5 5 5sfz

5 5 5 5 5 5 5� 5f

5 5 5� 5sfz

5 5 5� 5� 5� = ? 4 =sfz p5� 5 5� 5� = ? 555 5 5� 5� = 555

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5 5 5 5 5 5 5� 5f

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5M� 5 5� 5 5 5� 5� 5� = 4 =sfz5� 5 5� 5� = = 5

� 5� 5� 5� = = 5�

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sfz

5 5� G5� 5

5 5 5 5f

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55 5� = 4 =f

555� =

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5 5E 5 5 5� =fp

5! 5 5 5 5� =fp

5 5E 5 5 5� =fp

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� =

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� = 5M� =

5 5� 5 5 5M� = ?

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