Davey P - Abracadabra Violin Method Completo

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Abracadabra

BOOK1SECONO EOITION

Fully revised and expanded

Peter Davey

withChristopher Hussey

A & e B lock. L ondon



~~

~....

2

~ 11"

Second edition 2002R eprinted 2003 and 2005A&C B lack P ub lishers L td38 Soho Square, London W 1D 3H B(t) 2 002, 1 985 A&C B lack P ub lishers L td

B oo k IS BN 10 : O 7 13 6 6 308 1B ook ISB N 13: 978 O 7 136 63082BooklCD ISBN 10: O 7 136 6309 XBooklCD ISBN 13: 978 O 7136 6309 9

T echn ical diagram s by K anako D am erumand Yu zu ru T ak as ak iI lIu str atio ns b y P au l P ar ksC ov er iI Iu str atio n b y D ee S hu lm anD es ig n b y ja ce ly n L uca sM usic setting by C hristopher H ussey and jeanne FisherEdited by C hristopher H ussey and jane Sebba

CONTENTS

step 1.J 1 1 Pizz o n D

pizz. 2 Pizz A pizza!3 Bobby Shafto

step 2- J i 4 When the saints go

m arching in

arca 1"1 ~ ~ 5 Supercalifragilistic-

expialidodous

A tisket, a tasket

Lit tl e p laymatesMobile p hone

Fiddle fanfare

Pho to co py in g p ro hi bi te élA lI r ights reserved. N o part of thispublication m ay be reproduced in anyform or by any means - photographic,

e le ct ro ni c o r me ch an ic al , i nc lu di ngp ho to co py in g, r~ co rd in g, ta pin g o rinform ation sto rage an d retriev al sys tem s

- w itho ut th e prior perm iss ion in w ritin go f t he p ub li sh er s.

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-:)

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",.)

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'C:)& C B lack uses paper produced w ithe lemen ta l c hl or in e- fr ee p ul p, h ar ve st edfro m m an aged sus tain able forests. 4

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'-()

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P ri nt ed b y Cal ig ra vi ng L td , T he tf or d,Norfolk

O .e. al F ine 23 Au clair de la lune

24 Twinkle, tw inkl~ little bow

25 M iss Mary Mac26 The song that never stops

27 W histle while you work-'""t;1;ii

~

";

step 6~ ~ : ~ 28 Secret agents

0.5. 29 Little birdo s.b. 30 Summer shine

31 Halfway down the stairs

32 Old M acDonald

G m ajor scale

6

V 78+ 9

step 310 A friend in DEED

:~ 11 One f.jnger dance

12 Eee -abba-dabba -dee !

13 Spinning wheel14 A stitch in time

2

, 11..

step 4ostinato

~15 Frere Jacques

16 W elsh lullaby (Suo-ganJ

17 W indmill song) n 18 Hot cross buns

19 M errily we roll along

step 520 Pease pudding hot21 Clown dance22 Road monsters

.,.~j

step 733 Brown bread

34 Big Ben

35 Tum the glasses over (a round)

36 Off to France in the morning

D major scale

~~

~-~-~~C

-~

~(c

step 837 Racing driver (a round)

38 Long, long ago

39 Ode to joy

- 40 The way you look tonight41 (M eet the) Flintstones

-(~(

'-'e

-'e'- '

.

\-

"

step 942 l c arne from Alabama

43 Morningtown ride44 Troika

45 D aydream er

- (-

~(

~(-

/\

~ -" -... . .._---

-./I



step 10J f 46 Roses from the South

47 lavender's blue

~ 48 Call of the carousel-----------

slow fast

J .J

step 11

P f 49 We all stand together

50 Edelw eissq 51 On top of Old Smokey

52 london's burning

(a round)

53 The hippopotamus song

step 12.J. f.b. 54 london Bridge

55 Tea for two

56 Stand by me

step 13~ -=- 57 Skye boat song

58 Jupiter

-= 59 Feed the birds

step 14.J r cresc. 60 Kalinka

61 The old bazaar in Cairo; r m:p '"!f 7

62 Muck! (a round)

= U 63 WaltL

r-r 64 Puff the magic dragon

).J) 65 Dumplins

step 15g 66 Row, row, row your boat

(a ro un d)

67 Pop! goes the weasel

68 Dance of the cuckoos

69 The shepherdess (a round)

O m ajar arpeggio

G m ajor arpeggio

70 We're off tosee the W izard

() 2

-~-- ..step 1671 Egyptian snake dance

72 Shalom (a round)

73 Summer is icumen in

(a raund)

74 Part of your world

step 17) 75 Sho rt'n in ' b re ad

76 What shall we do with the

drun ken sailo r?

n 77 Winte rwonderland78 EastEnders

step 18r.\ 79

Hap py b irth day80 Heigh-ho

81 The Addams family

82 The mocking bird

83 Chim chim che r-ee

step 1984 Ragamuffin's rag

A m ajor scale

A major arpeg gia

85 Who wil l buy?

G maja r s eale ( two octaves)

G majo r a rpeggia ( two octaves)

86 Beauty and the Beast

step 2087 B arcarolle

88 Millennium89 Wa tch out k ookaburra!

(a rou nd )rall. 90 Nocturne

AcknowledgementsIndexGlossary



~.... .u

-u -

G D A E

~o1 Pizz ~11D u

P layyour par t tw ice. D

You

~zzj ~j ~.J

~Piz zi ea to , squashed to ma

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C H / V 5 P {~;

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j ~vl.

to .~l

'-'(.

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ring. ".~(

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Pluek your violín strings to play the tunes in step 1 .Th is te eh niq ue is e alle d p izzicato , o r p izz.

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lis - ten to the soundstring.zi to o- ea

5

~dy beatokeep a steaar ,

ryCount - in g in , evwo



You~zz.

.J fJ

Moz za rel

Yourteacher

fJ .J

~pizza !

~.J fJ .J

Shaf to's gone to.

I~ .JfJ .J

buck les on his

2P la y y ou r part twice.

C H / 1 S

A

.J .J

la , pizz A

Chee - sy piz - za , Mar - gh e - my

You

~zz.

.J

80 b by

5

~.J

Sil ver

Your teacher

ri - ta , That's fav -' rite treat.ea - time

tradit ionaJ

I~ .J

se a oh ,

.J

knee oh .

Bob - by Shaf - to's gone to Sil - ver on his knee.-uck - lesea.-

He'U come back and mar - ry

FJme.- Bon - ny to .ob - by Shaf

Pizzicato is an Italia n w ord,

mean ing 'p lucked '.



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traditiona/spiritua/--(~--./c

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From now on, play 011the tunes arco - w ith your bow - unle ss p iz zic ato is indic ated.

n marks a down -b ow .

~ tells you to lift your bow in a circular m otíon to prepare for the next dow n-bow .

4 W~en t~e saints 5~ \'nar(~in5 in( pup il's part)

~ -o -G

lift~ lift~lift

~lift

~-

6

~

lift~

lift~

lift~

-- - -

-

- !



Richard M Sherm an andRobert B Sherm an

lift.uperea I i... E ve n th ou gh th e...

9.

.If you say iL

Supereali...

.Su - pe r - ea - li - fra - gi - lis - tic - ex - pi - a - Ii - do - cious! E - ven though the

6-sound of it is some - thing quite. a - tro. - cious, If you soy it loud e - nough . y ou 'lI

~~l - ways sound pre - eo - c io us . Su - per - ea - li - fra - gi - lis - t ic - ex - pi - a - Ii - do - cious!

..

.

4 W hen the saints go m arching in

(teacher's part)

7

arco

V

~¡ ¡

Oh, when the saints go mareh - ing in, Oh, when the

J¡

~.saints go mareh - ing in, want to be with - in that

7

~.~ - J

num - ber- When the saints go mareh - ing in .



6~~i1 ~i1 ~i1

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1 l,ttl e plaj'tnates FX Chwat al

~iJV i1 ~i1 V i1

~J I~ - ~J I=;] -

5V

i1 V i1

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6 -A-tts"et, a-tas"et

~t~o~t~ ~

wor ds CH ,m u sic tr ad itio na l

t.:;

L-

V 4

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C)

't)

f' j

()

Tj

-r Jba s - ket, It

bi s - cuit, 1'11

tis - ket,tos - ket,

o - tos -o - tis -

ket. There's some - thing in myket, A choc - 'lote or - ange T")

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fj

fé J

'~if)

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. smells so sweet: ¡t's good to eot, I'd bet you'd like to toste it. 2. A I don't wont to waste ¡tI

eot it now be - fore you con, 'Cos

V marks an up-bow.

The bowing i1 V i1 tells you to".

playa down-bow, an

.

up-bow and a down-bow,

without lifting your bow off the

strin g in b etw een .

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11. 112. I

.

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1() i\ fTictld 'h D E E D C H / 1 S

P la y and s in g t h is s on g w ith a f rie nd oI t i s l i kea conve rs at ion, i nwh ich you and you r f ri end p lay quest ion and answer phras es .

Yo uO 1 O O O O

~~!j J S J ~j ~-D E E D, You're a friend in deed.

Your friend

5 O O O O 1 O

~~d S J ~j j ~-Al ways there to help when I'm in need.

80th

9 O 1.O 1 O O 1 O

~d ~d I~ .J .J ~-~So

we're friends to ge - ther, ye s in deed.

Swung

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Y o u r friendV Vf} r1 r1~I I I I I I

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I~ ~V -~~~AB B A, D A B B A,

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In the second part of One fin ger d an ce the open strings D and A are played together - th is is c alled double

stopping.

11PO

You

12CH

E9

~D E E, Fred and me, Eee ab - ba - dab - ba - dee!

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V

~~J ~JPush tread - le, drive spm - die, Round goes th e spm - ning wheel.

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i~Stitch stitch time saves nine.titch stitch inime, An, in, In

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s

( 1S ) t'rere Jat1t/ese

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tr ad itio na l F re nc h

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~.

-Fre - re Ja c - ques, Fr e - re Ja c - ques, Dor - mez vous? Dor - mez vous?

s

~So n - nez les ma - ti - nes! So n -nez les ma - ti - nes! Ding, dang, dong! Ding, dang, dong!

Ostinato 2 Ostinato 3~012 ~j~ :

Fre - re Ja c - ques Fre - re Jac -ques



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1 1 1 .

. . . - 1 I

4 0 "1

"~ , , - 11 - 1 1 U

Y o u r f r ie n d '

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T I 1 1"

1 1 U U

Sails go round, the corn is ground for flour in - side the wind - milI.

Y o u r f r ie n d2 2

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, .I

' 4 1 ) "-

" " . " "11 11 U

1 é,

( S u o - g o n ) t ra di ti on al We ls h

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11 words C H, m usic PO

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4J11 O TI U

Hot cross buns. hot cross buns.

Y o u r friend1"} i1,

IT II

,) ., fT ., .,

~~i1,

~I II

-=40

., ., ., ., - - - - T U

On e ho t.

buns.pe n - ny . two a pe n - ny. cross

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r, ,, - - -" V40 TI ., - 11

i1

~J J S

T he next tw o pieces begin on FU ,played w ith the 2nd finger. M ake sure the F~ is in tune before you start the piece. C lim b up to it by

p lay ing D (open), then E(1s t f inger) . then F~(2nd f inger)..

traditional

Yo u2 o v

s

Look at the last bar in no. 19. Do you remem ber the name of this technique? (Look at no. 11.)

traditional

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Swung. .. ..' .,. . . . .



~j ~.J S J ~- :1

pud - ding in the pot grow ing mould!

s

latraditional

-

Pease pu d - ding hot, pu d - ding cold.ea se

5 .

~ease

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,

, , ,", ,#,

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l1 traditional French

Ask your friend to play the ostinato accompaniment on page 17 .

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9 11.

tJ ~~j jrood troin and a big red bus. A

tor, a trae - tor, .0

112. I

:~ j j~big

red bus.

~ad h\~l1sters

~t ~o~t~II wor ds CH /S R, m us ic tr ad itio na / /s ra e/i

v. v

'-ig red big red bus, on H. G. v. and ous,

~ig red bus. A big red bus. A trae -

v

.A big red bus, big red

511 . 112."

~bi g red

big red traeus . Aus . A

bus, on or - ti - eu - la - ted lor - ry ond o.

. V

~ rtor, trae tor, on or-

9- 11 .

r~I

E=U

- ti - cu - la - ted lor - ry ond bi g red

21 Ostinato accompaniment for C low n dance

r rbus. big red bus:

11. 112. I

~-~



"t rad it ianal French

,

"'.,This piece begins on G , p layed w ith the 3rd finger. M ake sure the G is in tune before you start the piece.C lim b up to it by playing D (open), then E ( 1st finger), then F~ (2nd fjnger), then G (3rd finger).

Fine.'(.'

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t)

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t)

D .e. al Fine

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~° To Codal ¡

112

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24

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words 15 , mus ic t rad it ianal

(p up il's p art)

~t~Fine

fj

f.c.)- ..

Twin - k le , tw in - kle li t - tle bow, play this fast then play it slow.0'J

D .e. al Fine- I~

,

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D raw .your bow a - cress the string, care - fu i not te let it ping!



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r1

pIZZ. I

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-11

back, back, back. M iss Ma - ry back.

MiSS Mary Ma~

r1 ~ r1 ~

~~

traditional

Miss Ma - ry Mac, Mac, Mac, all dressed in

s ...lack, black, black, Her hair was long, long, long, all down her

. .

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. . . .. . ... ..

7 11. 112. .

=fJ- . ... . . . .

pizz. I

~-

,.. .- .

24 Twinkle, tw inkle little bow

(teacher's part).

~~ ~' / ~~6 . 112. I

.



ti ti I I I I I I I

..40 TI 11

Just whist - le while you work, Just whis - tle while you work. Come

~V i1 . V V,I ,

. 1"... I

I4) 11 . 11 11 . - 11 .

26 T~e S ~ 1 1 5 t~at l1ever ~t~p~Play this song over and aver w ithaut pausing in betw een. Find a w ay ta end the piece.T hen play it again, starting slo wly and g rad ually getting faster each tim e.

v i1

This

V

song can start and

i1

yo u drop!top , You 'lI keep on play - ing 'tilev - er

W~j~tle w ~ j l e i'~t{ W~T"

V i1 V

wor ds L ar ry Mo re y, m us ic F ra nk C hu rc hill

5 112.

on get smart, Tune and to whis - tle while you work. Just

V

work.tartp

CH

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. .... -...

s.. ..

words 15 . mus ic t rad it ional

arco

Be

pIZZ.

a - wa re and take good c are o Wa tc h out for sec - ret a - gents.

.5

v

Codes to crack and cars to chase. Trails to track and foes to face.

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9n

Be dis - creet al l you . do, 'Cos a - gents might be watch - ing you!



s.b. Fine

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s.b. is short for 'slow bow'. Use the whole of your bow to play any note marked s.b.e)

c)

c~n) tells you to playa down-bow on the repeat.

little birdt ra di ti an a/ G e rman

C)

r)

J

nF)

nr)r)t( )

fe )

Mh?,:>¡

9

r~v- 0.5. al Fine

~D.e . a l F in e

wi thout repeat

(

)

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P)

6Finel

(','\

f"1

w ards CH , music P Of')

P1

Ho - Ii - days are on th e way, C lou ds are gone, days are long.

,:- '\

5r

s.b. '-/I

Sum - mer shine is here to sta y , Lark will sing hi s""U'"

songo

s.b.

i



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~.§There

V

~.J~.

I'm

V

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.

J ~J~isthe stair where al

w ords A A M ilne, m usic H F raser Sim son

Introduction

~~Holf - way down the stairs is a stair

9

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17

fjIntroduction

~5,~

J

is - n' t

no t

this

a - ny o - ther stair that's quite

where -sit:

-t the not

Jlike. it.

bot - tom and I'm at the top:

ways stop.

11 .

.

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Y o u3

Y o u r friend 11.b

~S~Old Mac-Do- nald ha d horse, ee - i - ee - i

w ords adapted by S R, m usic traditional

1 1 2 . Y o u~ _ J

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).. G here and a G. G there. Here a G. there a G . ev - 'ry- where a G. G.

. '. .'-

.11 . pizz. arco I. . . . ~

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5 12. . pizz. arco.' .

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oo ..oo.!

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~th

Old

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horse,adac - Do -. nald ee

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d~- .»:>" >- > -

G majar sea le3

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2 3 o , 2 V 2' o 3

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2 1

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oh ! oh ! W ith a

f::~:':J

-- -)

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ee oh !



~~~T~WnTead CH.

Cheerfully2 3 2 .~

2 3 Finen

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5 23 2 n D .e. al Fine



'"~~4)

D D ,. ., ,, ,, (J D

Big Ben 011 doy long goes 'Oing, dong, ding, dong'. Smoll clocks

/'¡~ s.b.

'u u ~u U D (J

'"~~ I I I I I I I 1"

40

on the woll so y 'T ic k, tock, tick, tock, tick, tock, tick, tock'. Bu - sy lit - tle

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'4) D D D D U ,, 1 I

~~~I I I I

40-:-

wotch - es whis - pe r 'Tick - a -:-ock - a, tick - o-tock - a, tic k - o-tock - a, tick'.

~~I3 2

I

~110-.40

"

T I

"ve been to Hor.- lem, I've been to Do - ver, ¡'ve tro - velled th is wide l" J

4*

r

~ J ~ J J .E 8 J = = = 1'-.

J r;

r (

world 01 1 o ver. O ver, o ver, three times o ver,

~~j .J 11

Orinkwhot you hove to drink ond turn the gloss - es o ver.

* e nt ry p oi nt when ployed as a round

traditiona/

Like cIockwork

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TttTh t~e 5'asses ~veT (a round)Allegro

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traditiona



wards CH, m usic P O

~ Off to France, just for a day, Glad that it's not toa far a - w ay.

Get - ting up at the crack of the dawn, When ev - 'ry - one is yawn - ing.9

~ Off on the train and I hope it won't rain, W e'lI sing out a song as we roll a - long,13

~~can't w ait, let's ce - le -brate, 'Cos we're off to France.. in the morn - ing.

v . V V..

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~"."VV VV"V.V

'-.-' -- ~ ~.,-~ ~~ '--' .. .

-. -

V .

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o majar scale

.o 1 2 3 .0 1 2 3

~~~~ 11



s

You can .use either the open string or your 4th finger to play the note A. The choice you make w ill depend on

the notes before and after the note A.

In the fo llowing pie ces the fin gerin g is m ark ed.

: ; ; ; . . R ~ . t i t ¡ ! i driver (a round)w o rd s C H , m u s ic t r a d i t io n a l F r e n c h

D o you recognise this tune? (L ook at no. 15)

4

~Ra - cing dri - .ver, dri - Ver, in car,na - cing yourour car,

*.FiII it up with pet -, rol, fill it up with pet - rol, You'lI 90 far, you'lI 90 faro

*entry point w hen played as a round .~

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fe.)

Fe!}

ts';¡.-,..,/I.

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Sing me the songs I de- light - ed to hear, Long, long a - go, long a - go.

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s.b.

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1 ~3 1 I3 2

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-1"1 I I I

.-1 - .-1 ...¡. 4U '

., - -

Tho rn as H Bay ly

Andante'" 1\ .!.lo oI . 4 I

., .. -Te 11 me the tales that to

s.b.

me were so dear,

I

Long, long a - go ,s.b.

long, long a - go.

- I I

u .,

5 o o 4 b

Ludwig v an B ee th ov en

Allegro 4 4

6 v

4 4



4 0 je r o m e K e rn

Cantabile

~

v

~4

J5

~Il .

I

112. pizz. I

:~

. arco . arco . arco V . .

..' . arco . 11. arco 112. arcopl~Z. arco V . pIZZ. V plZZ. n

J~ .

:n_:

'. ' ".'

: ;:/

41 joseph B arbera, W il/iam H anna and H oyt C urtin

(p up il's p art)

A im to play this tune quickly, but practise slow ly at first. N otice that there is a rest on the first beat of som e bars.

o

~4

~4

~1 . F lin t - s tone s,2. From the

th eof

they'rethey're

the mod - ern stone age

place right out ofFlint - stones,Sed - rock,

meettown a

Il .

Eu

112.

:~u

fa - m ihis - to

Iy . Let's ride with thery .

13

~

o

fam -'Iy down the street, through the of Fred's two feet.our - te - sy

'\

¡- ,

r',

-r/'I I.(1

r }

f)

r,

( ¡

i "~t:';

--t ._',

l' "¡

.........-

,"

---

-



W hen you're with the Flint - stones, have a ya ba da ba do o

~Vo

J~ r~I

oI

-

a ya ba do o time, you'lI have a good old time.

t ime,

pIZZ.

~

41 (Meet the) F lintsto nes.(te ache r's p art)

~J.§

.1 n n

. 7 ''-.7

CODA

~

.



A slur joins tw o notes of different pitch and isplayed in one bow ,w hich enables you to play sm oothly.

T he Ita/ian term for playing sm ooth/y is legato.

42

5

~

v

Jr1 V

~V

J

V

J. . Melody .

11- ~

o

traditional North American, arr. CH

V r1 V

~pIZZ.

~

r1

J~' '"

112 pizz. I

~Malvina Reyrrolds

V 4 r1

j~~

-

5 Il.

~

V

J

r1. V

.J W~.

r1 V r1

J o~~

-J

9 12.

t9V r1 V

.

~V r1~

. I

V r1 p~z..J~~

..0 0. .3 :1

. . ¡+ . .

~ 3

r-)'0t')rJ7)11/)4i)

"F"rf"

. }~')

')...¡')r)"1

:~



Tr~j~c\Serge P roko fi ef f

Light and liv ely

~v

~S 4 O

~IS.b

. .0.our teacher r : . . . r : . . r . . r -.

Dc\}'dre~h\er

~ Think how day- dreams soothe, when

CH

J

2

n 3 V O

~ll the ed - ges blur.

v

J=i.To

n V s.b.

~omake the mu . - sic smooth, then join notes w ith a slur.

...

-

~ ~ .",".. ~."' '...

~ -----

43 M orningtow n ride (teacher's part con tinued)

9 12. .I

.



johonn Strauss 1/

With a HIt

~~oIl .

~4

'

~.~.~. ~.

pizz. I

~.112.

:~

Y o u r friend Ipizz.' l..41 traditional

Dolce 4

blue, di! - Iy , La - ve n - der's green;

-"

'(c)

T '}

l")

'f::'}

r')

'()

y'¡

l:')

T

r,:

('

- t

'-',

(

-,.

~i

'-" I



"-'----

54

am You shall be queen.ing. dil - Iy,

..

(all ~f t~e tar~t{sel. "CH

~. ~. ~.s.b.

~.~. --------4

~.s.b.

~. .~.,-------.6~~II-'~~r~L~'~'~



~~~I I In

-~ Tl '....

4J . P

ce r - tain we'lI ne v - er give in . Side by side, Hond in

)J.I,

I I I I I

I -,-

'-41 r -- -. r T

.I I I

I

/ "¡J.I,

,,

.. .

41 ) - o. ~- ~~..... u.

f..7

hond, We 01 1 stond to - g e - th er We -ge-ther

) J.I, I I I I I I I I I

-"1

:.;;¡'~. . I

,. \J

,,41 ) 1 -

s

Dynamics tell you how quietly

or loudly to play.

p tells you to play quietly.

It stands for pianomean ing 'quie t';

f te 115 o u to play loudly.

It stands for fortemean ing 'Io ud '.

1\ 1

In this step you will practise a slow-fast bowing pattern in g r)

t'1low fast

j

o,

r)

,. ;

T i

T)

T)

1"',

,""

P a u l McCartney

p

o o v o o ~é"

~r'

fWin Sink or swim, One thing islose,r

v "C'

p

8 o

14

4

(

..

p

11 2

f



w or ds O se ar H amme rs tein 1 /, m us ie R ieh ard R od ge rs

r ; ; e S S i V O ~.~E - de l - weiss, J~'ry- morn - ing yo udel - weiss, Ev

7

f1.o

-

~ ~.-~

Small

I~.

greet me. an d white, el ea n and bright, -

13

tJ~.

o

~lo s - som of snow , may youou look hap - py to meet me.

19

r~ ~.~

bloom and grow,

4

~~~m. ~. J~P~E - del-

~.Bloom and grow fo r ev er .

~.~.

-weiss, E de l - weiss, Bless my h om e -Ia nd fo r ev er.

11 .

11



") JJ . O, I I I I

. l .

4 J

., .~p

snow, I lost my true lov -

..~ JJ. VI l

~'\:V~u

., ., .,

11~f¡J,j.

~r",J

~-er ,

'\ U

~r"

""4 0 '-01 I I

51 t ra di ti on al No rt h Amer ic an

vo o

top of Old Smo key, Al! COy - ered with

6 s.b.v

4 4

p

s.b

r:;T'

From court - in' too slow.

I I.- I I

traditional

C on fu oc o

~ Lon -don's burn - ing,

~J

*

Jjen - gines, fetch theLon -don's burn - ing, Fetch the

*

~wa - ter, pour on wa - ter.

en - gines, Fire, fire! Fire, fire! Pour on

,,-.)

e)~)

rJ~)

lZJ)~g

~

~~~)

l@

fj ]\.;,.-~

J;o,f/.~

~e ;~

'--E

~(

'-'(2

~C

~<1

.t i'--'{

/" "I¿

,~.<-- ('- ' {

(

.-;5.'\.".:

,'\;.:..,

*entry point w hen played as a round I(

c:

-(



w ords M ichael R anders, m usic D onald Sw ann

Waltz

rry~Mud,

I~.

4

~.mud, glo - ri - OUS mud! No - thing quite like it for

7

~Accompaniment

.

~p(~ o

Melody .

me, follow.- down to

.§f

hollow ,) A ndoo l - ing the blood. fol - low th e

13 .

~~~there let us wal - low in glo ri - ous mudo

Melody. arco

.o o .. o o o o p

fo

(So follow m e,

1~~~_. ""-'" . . ... .' .'. '.

fol-Iow ,- dow n to the hol-Iow ,) f



1 2 + 3---

r u rLon don Bridge

r' ~rLon don Bridge f.b . is s ho rt fo r 'fa st bow'.

" ~~I ~. I I I

4U f '---"" ---../ '--""

Lon - d on B rid ge is fall - in g down, fall - ing down, foil - ing down.

') .u.

.4 ) '--" . ,- , ' ~. ~. ~"--....I

1

T he se tw o rhythm s look different,

but sound the sam e:

traditional

o 4 4

p

54 o f.b.

Lo n don fall fair dy .a

s.b.

down,ridge ing Mys.

Tea f~T tw~ (pupil's part) words lrving Caesar, m usic V incent Youm ans, arr. C H

Leggiero

~op

Te a

_.. ~.or for you andor and Mewo - tw o - tw o tea,wo

~.you - you - you for me, f Cao' l

~.- 'ha - we wili

,na ha p - pyowou se e

~)

\:,)

;c')

~}

()

~J

1f)

r)

r)

r)

r: ¡

¡---:,

C)

l"}f:)

T)

f( )

T'j¡

( .

- )



55 Tea tor two (pupil's part continued)

1 1 .

1 -i1

1 1 2 .

~P

7

~i1

~f

p i z z .+

I

~

Je .

B e n E King, je r r y L e ib e r o n d M ik e S to l le r , o r r . C H

R h y t h m i c a l l y

~ . ~ .

4

f - J . ~ . . ~ ~ .

1 1 . 2 .

~

7

~ .+

I

~~ }. I ~ ~ .

W h e n th e n ig h t h a s c o m e - a n d !h e la n d is d a r !< . A n d t h e m o o n is t h e

o I ~ .o n - I y - l ig h t w e 'U s e e . - No I w o n ' t b e a - f r a i d , No I w o n ' t b e a -_ .f r a i d ,u s ts l o n g a s y o u s ta n d , - s t a n d b y m e . S o d a r - l in g , d a r - l i n g b y

1 8

.m e , O h . - s t a n d b y m e , O h , s t a n d , - s ta n d b y - m e , s t a n d by- me.

55 Tea tor two (teacher's part)



Learn this zig-zag technique, w hich uses the w hole bo\N .

./ shows a r1 V r1 pattern

1shows a V i1 V pattern

~"}'f b~at s~n5Dolcen

t rad it ional Scot ti sh

..........

f.b.

7 nin e

p

(p )

11.

v n

112.

V

o.e. al Fine(with repeat )3

f.b.

JtlpitfT (p~pil'spart)In t his p ie ce, u se y ou r 4 th fin ge r t o p la y t he n ote D o n th e G strin g whe n m ark ed .

, Maestoso

~ f, Accompaniment.

p0.5. al F ine

11

.,0

,

4... ..

Melady

'---' " --

Gust av Ho ls t

rJFJ

r)C)

r)

(' )

t:?;

P)

t)

T)

t'')

I¡

-< :C)

r)T)

'...,¿/1 )

F}

¡;'~

~/¡". )



~ is a crescendo. It tells you to get gradually louder.

feed t~e birds R ichard M Sherm an and R obert B Sherm an

~g[ntrodu~ion

I~p

fb.~ .

~.~.

f.b.

~ ~. ~.

fb.

~f

f.b.~ 4

I~.

f.b.

~

.P

7.

..f

58 Jupiter (teacher's part).

*..-

1

~J

Rn~. D.S. a l F in e(Accomp.)

~";."J.,""; ,','.;.

-~-': ~.Cj..:..,-;:-:.' ~"Z/,~ '~_.o..:;:u.:. -i",Z:",O,i"...;1 ' ;"'' :!' '' ; ' :; ...:J .,;~i: ' ' '' l ' '' ' ' ;~.:1-~-.;..-:,'. ' ' - .,'I.~.:.~:'i :-:':"-=-->~'.~

-:...-=':"-':-~'-':'-''.



1 j rA staccato dot tells you to make a

note short and detached.

cresc. indicates a long crescendo. It tells you to get graduallylouder until you reach the next dynam ic m ark.

6()t rad it ional Russ ian

Con s pir ito

~. 4

~p crese.

5O 4 4 /1 .

~f

]/2. I

~f

~

p

. p cresc..

11. 112. I

61 T~e ~'d bazaar traditionalti

arco

~.

5 r1

~ ; cre;c.

- . ,--:; - . - . .-f

. . . . . .. .. . ."

. ..

f.

.p crese.

f

\.1

~)

--"'''\,

,-,,'l.;

f'Jt; )

t)

cW¡

;~{ }

r:~

F'')

r)

r-

()

(~ ¡

tII

r)

f)

)

l

I

--



- -,- ---,-

mp (m ezzo piano) tells you to play m oderately quietly.

'"!f (m ezzo forte) tells you to play m oderately loudly.

j r A tenuto line tells you to hold the note for its fulllength.

62 traditionala round)

Waltz. .. ~ . . - . ~mp . .Oh you can't put your muck in .our dust - bin. our dust - bin, our dust - bin, you

jcan't put your muck in our dust bin. our dust bin's fui!.

~v

m.f --/Fish 'n' chips and vin - e - gar,

v .

V

~Pizz.+ +

~pep - pe r pe p - pe r pe p - pe r pot. A t - choo!

~ Fish 'n' chips and vin - e - gar,

VV

~pe p - per pep - per pep - pe r pat.

.One cup of tea, twa cup of tea, three cup of tea, faur cup of tea,

21

~five cu p of tea, six cu p of tea, sev'n cu p af tea, eight.

*entry point w hen played ds a round



6~ Wa'tz F ra n z L e h ar

~j~ ~JE J~. ~. S.~----'

mp mf =-- mp

9 4

~j~ ~j~ ~. ~. ~.~~mf

=- mp

i1 i1 Y~-..v

j j r r~

These are non-Iegato tieso They tell you to play both notes in the same bow, but to

make them slightly detached by stopping the bow for a moment in m id-stroke.

T his technique is som etim es called hooked bow ing.

=-is a dim inuendo. It tells you to get gradually quieter. ,

~.=-- mp

pIZZ.

~.~~ '

s.

.

.7 11if mp

.11if

mp

, ~n

f

lJ

V)

ri

c:')f:)

}::)

tj

r)

r;1

T)

T)

~'F )

'iJ

7)

~)(-c:~)

T; J

7';)

1' )

""')l; )

..~)

...)

A t~/~)~F.~~

"~/"

..)

.r..".-.

~)

é" J

'-" '

'-' "



64-P ete r Y ar ro w a nd L eo na rd U pto n

Moderato

1"1 1"1 V v v v f.b. 4

o v V 11 . 4 4

"\

t rad it iona/ Car ibbean

~.

11.

.8u112.

:~ .J.

mf'-" '-"

'Ja - ney, you see no-bo-dy pass here?' 1TI!J1'NO me friend.' friend.' 'W ell

6 pizz..~ -~ - f..

one of me dump-lins gane.' 'Don't tell- me so!' 'One af me dump-lins gane!' .

avcoV V

pizz.ll. + lIzo

}. o.:.~ . o". o o .

11if. mp o '0. '0

h nrrn

~ m f . f

r



5V V

4pIZZ. arco

~r 1 ~r1

~~7 7 j~--------

That's th e way the mon - ey goes. Pop! goes

~

nV~nv ~

.'~ - . ~-

f- -------

Half a pound of tup - pe n - ny rice, Half a pound of trea

1

~w) T~W) T~W i'~t{T b~at (around)*

~. J t : ¡ ¡ ~. ~mj'-

Row,

66

ge n - tly down

~Mer - ri - Iy, m er - ri - Iy, mer - ri - Iy. mer - ri - Iy, life

row. row your boat

is but

*entry point w hen ployed os o round

61

O stinato accom panim ent (play four tim es)

~ .11if

\.1

nr')

í¡

traditional

f0

r' )

r)

r')

r" )

V

~.th e stream.

r1

~.

(' )

[) ,

lO')

a dream.~e)

"" )

traditional'-'~~.;.:

j.)

de , )

-ffi.

the wea - se!.



,;~~r1 l l

t.J 'u.'

nif~~jJ,pizz.

.1) .' ~. .. ~. - ~. .' ~.

--~ ------ - - ---

~ ,---

1

Marvin Hatley

Cheekilyarco v r1 v

f

v r1 v r1s,b.

V

mp

. .

f-------

ff

t ra dit ia niJ I F re nc h

Sheepishly!*.

~ ~

P :~6

~.v v

~r~'~ mf

r1

}¡V n

~r .

f*

entry point when played as a round

D majar arpeggia G majar arpeggia

3

~.

3

~.I1



lO WeJre ~ff t~ see t~e W,zard w ords E Y Harburg, m usic H arold Arlen

Con spirito.1i f

- ./

.

We're off tosee the W iz-ard, the won-der - fui W iz - ard of Oz. We

"\

5

WJFn V n

~ ~.

V n

~~the W iz-ard of Oz

e)

T)

r')

e)

r)

r)

T)

hear he is a whiz of a W iz if ev - er a W iz

,

there was.

mpIf

ev - er, oh ev - e r a Wiz there w as, is one be -cause, be -

I:J)

If~

ti )

e,

fr'j

13

fJrn s.b.

~~--~

be - cause, be - cause,

V

14fBe -- cause, be-cause, be - cause,

17

~¡ ~.

V

~~11if

We're

(\J

21

~n V n V

~.

r)

C')

.1,1')

1)

7:1

-cause of the won-der - fui things he does.

off to see th e Wiz-ard, the won - der - fui W iz - a rd of Oz. ('.¡

, ,,

. V

'1-mp

13

'I~19

~~f

(.::.-)

---

"

n . V V

."!:t - ' ' -



1

F is halfway between E and F# - a sem itone higher than E and a sem itone lower than F# .

11 traditional

Misterioso

~ia~mp

2 4

~2

v V 2 Il.

~----4 2 112. I

~~. .----.--

..



. 'o

~~a'~\'n (a round )

Wcvm1y* o *

.~i~.uCm:...

,-".

- .

- -= m".¡.amp .

':/

Sh a - 10m , cha - ve - rim , sha - 10m, cha - ve - rim , sha - 10m,

- hi - tra le hi - tra sh a - lóm.to ot ,

*entry point w hen played as a round

Brightly~ n V

~~'"!f =-

~-o

~~'

12

~-

traditíonallsraeli

*

f~f.b.J=i

sh a - 10m. Le -

fobo

~.

sha:. .

' tom~

traditional

*

i~mp

V

~. J~

n .

_.f:


~.

,- .

(

r)

(~

r;~)

l' )

1)

()

r"'-..

")

)

-

" )

.'¡

'



14 w ords H ow ard A shm an, m usic A Jan M enken

Cantabilen o 4

mp

4

mp

s o 4

9v n

oV n

-=4 v

mf

13v n V n v v

4 v pizz.

4

.mp

7 11..n

112.. .

~#.. mf

12.. mp



'"!f

V n

'"!f

- -4

'"!f~-4f

What shall "" e do with the drunk - en sail - or o What shall we do with the drunk - en sail - or o

"¡ V n V

,4 ) ~~~.~

~,

4 - " ,.f

What shall we do w ith the drunk - en sail - or , Ear - Iy in th e morn - ing?

n

4

,'

,

1L ook carefully at the key signature before you start each piece,

so that you can decide where to place your second finger.

T

f',

r'

Lookat the accompaniments for Short'nin' bread and W hat shall we do with the drunken sailor~

C heck their key signatures. W hat do you notice? Where w ill you place your second finger?

f)~~rt' n in ' breadV

ja c q u e s W o / f e a n d C /e m en t W o o d

Vn

V

1 6 t r a d i t i o n a /

Con spi ri to _J

~)

)

mf

5

-<:::; '

f

-..:-'



11 w ord s R ic har d S mith, m us ic F elix B ern ard

V r1 V

~4r1

J

oV r1 V

~.r1 V

~~.Sleigh be lis ring, ar e you list - 'n in'! In the lane snow is

~rA

vor1 V r1 V

~. J3J

4

Jr

glist - 'nin', beau - ti - fui sight,- We're hap - py to - night,-

§.

or1

J.

V112.

:J~.

I

I7

~ Walk -

~.

in ' in a win - ter won de r - land! Sleigh bells -Iand!

. - 11. 112. pizz..

I

~j.~

L esJie O sborne and Sim on M ay

";

r1 V V

~'--'

71if

11. O . 112. 4

~.~.

pizz.+

~

OJ

~:mf

4 11 112.

-

~: ~: JII



."¡,t

G \ i1 I

fI mf

I

birth - do y deor M is - sak, ho p - py birth - do y to you.

I'J~G\ i1 V i1

,41) V -.f "" ""u .... -d

sA l! th e tunes in this step use a m ixture of both positions of the

2 nd fin ge r.

..4

.~

Patty S H i I l a n d M ild r e d H i I l

( ~)

ct \

')IFJ

birth - doy to you, hop - py birth - doy to you. Hop - py

("")

T' )

~r.")

mf

f'~-.;'

5 v v

f

V. i1

~ i

V

~

,)

"" )

')

')

'"1

")~"

fmf

words L a r r y M o re y , m u s ic F ra n k C h u r c h i l l

L i v e l y

~'Heigh - ho',

i

V

~""1

~o

".¡

~- -

'H eigh - ho', To moke your trou - b les go , Just keep on sing - in g )

i i

V

~I

~

01 1 doy long 'Heigh - ho', 'Heigh - ho', 'He igh - h o', 'H eig h - ho', 'Heigh - ho'. ,~. -

""'0.f'.

-. '.

6 11.112-

r

_.~

_L

-~

_1



nif

5V V

11 .V

112.n n n

f = mf mp

The next three tunes use both positions of the 2nd finger on the O string: F~ and F.

T~e - A d d a t n S fatnilySpookily

V

VicMizzy

n V n V

t ra di ti on al C ar ib be an

f.b.

~.

~b. V

J~o :~.p mp

I

El

-- ,

~mf



1.. ~I I I

4 - 6.-.1 I I ........ I I I rmp

t ¡.¡. V

- ..... -

.. - n n I -e

,,-,,, ,,

~nif=

.. V r - - - .

. I I I ....

~Tm =-

~rj . . I I

'1)

-= f mp-

Ij.. n V r7 \

"'u :¡ j .g ' 7::f 7::f.

Richard M Sherm an and Robert 8 Sherman

Waltz

r '0)

r

p,

Il .f.b.V n

r' )

F")

7' )

r- )6

Vf.b.

VV

112.

V

p)

!'!p

if~~

")

11. Accompanimentn

.

V

/ .

\/

=mf p

/)

"')

)~.

. '<)

')

.' 11.

. mp .

Melodyarco8 112." V .

~ii-mf -:::

., .

.

~.

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A majar

scaleThe finger pattern is the sam e as that of D m ajor (pa.ge 27), starting on the A string.

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scared, ne i - ther one pre - pared. Beau - ty and th e Beast.

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w ords H ow ard A shm an, m usic A Jan M enken

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Watch out kookaburra! and Nocturne contain four-note slurs. Play all four notes in one bow .

(a round)

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The author and publisher would like to thank the follow ing for their help in

th e p re pa ra tio n o f th is b oo k: je re my B ir ch all, P atr ic ia B ir ch all, je nn íf er

B oston, A drian B radb ury, E mily B ra ysh aw , C hris B ryant, H elen C rayford,

jane t C rew , L ou ise D ea rsley , T anya D em id ova, P hilip D ukes, H eathe r F le ck.

D avid W G ile s, E mily'H aw ard, joce lyn L ucus, A ndrew L yn waod , G race

L ynw oo d, B arry N ew lan d, M aleolm P ollant, M aja P assc hier, A oife P ata ro t-

H inds, R oland R obe rts, S he ena R obe rts, V alé ríe S aint-P ierre, E lain e S cott,

M ichelle S im pson, H ally S tirling, D am inic V iall, M atthew W atson a nd

A llison W hitehead. V ery special thanks ga to C aria M oss.

W e are grateful to the follow ing copyright ow ners w ho have kindly granted

perm issio;, for th e reprinting of these item s:

Beauty and the beast (from Beauty And The Beast) W ords by HowardAshman, music by Alan M enken «:J1991 W alt D isney M usic Co and

W onderland M usic Co Inc, U SA W arner/Chappell A rtem is M usic L td,

L ondon W 6 SBS . R eproduced by perm ission af Faber M usic L td. A II Rights

Reserved;

C him c him c "e r- ee (from M ary Poppins) W ards ,and music by Richard M

Sherm an and Rabert B Sherman «:J 1963 W onderland M usic Company Inc.

USA . W arner/Chappell Artem is M usic Ltd, London W 6 8BS. Reproduced by

perm ission of Faber M usic L td. A II Rights Reserved ;

Dance of the cuckoos (Ku-ku) By T M arvin Hatley <C1930, 1932 H atley

M usic C om pany, U SA . Robert K ingston M usic L im ited, 8/9 Frith Street,

L ondon W l. U sed by perm ission of M usic Sales L td. A II R ights R eserved.

I nte rn atia na l C op yr ig ht S ec ur ed ;

Eastenders by Leslie O sborne & Simon M ay <C1985 ATV M usic. Sany/ ATV

M usic Publishing (U K) L im ited, 10 G reat M arlborough Street, London W l.

U sed by perm ission of M usic S ales L td. A II R ights R eserved . Inte rnation al, Copyright Secured;

E delw eiss from the Sound of M usic. W ords by O scar H am merstein 11,m usic

by Richard Rodgers <C19S9 by Ríchard Rodgers and Oscar Ham merstein 11.

C opyright renew ed. T his arrangem ent tO 2 002 by W illiam son M usic.

W illiam son M usic ow ner of publication and allied 'rights throughout the

w or ld . I nte rn atio na l C op yr ig ht S ec ure d. A II R ig hts R ese rv ed ;

Feed the birds (from M ary Pappins) Music and words by Richard M

Sherman and Robe,rt B S herm an <C1963 W onderland M usic Company Inc,

U SA, W arner/Chappell A rtemis M usic Ltd, Londan W 6 8BS. Reproduced by

p erm is si an , of F ab er Mu si c L td .A I IR ig ht sRe se rv ed ;,

Halfway down the stairs Text by A A M ilne and music by H Fraser Simson.

C opy rig ht unde r the B erne C on ventio n;

Happy birthday to you W ards and music by Patty S HiII and Mildred HiII

<C1935 Sum my B irchard Inc, U SA . K eith Prow se M usic Publishing C o L td,

London W C2H OQY (far Europe) and W arner/Chappell Ltd, Landan W 6

8BS (far W arld excl E urope). R epraduced by perm ission of Faber M usic L td

a nd In ternatio nal M usic P ublic ations L td. A II R ights R eserve d;

H eigh ho W ords by L arry M orey. M usic by Frank C hurchill < Ccopyright 1938

by B ourne C o. C opyright R enew ed. T his arrangem ent < Ccopyright 2002 by

B ourne C o. A II R igh ts R ese rve d. Inte rn ationa l C opy rig ht S ecured . P rinte d

w ith perm ission from B ourne M usic L td;

lieutenant K ijé (T roika) by Prokofieff. C opyright 10 1 936 by B aosey & C o

L td. Reproduced by' p erm ission of Boos~ & H aw kes M usic Publishers Ltd;

(M eet the) Flintstones W ords and music by joseph Barbera, W illiam Hanna

and H oyt C urtin <C 1960, 1962 (renew ed) B arbara-H anna M usic, U SA ,

W arner/Chappell M usic Ltd Landan W 6 8BS. Reproduced by permission of

F ab er M us ic L td . A II R ig hts R es er ve d.T he F lin ts to ne s 1M is a trademark of

and copyrighted by H anna-B arbera Production Inc;

M illennium W ords and M usic by Robert W illiam s, G uy C ham bers, John

Barry and L eslie B ricusse 10 1 998 EM I V irgin M usic L td. B MG M usic

Publishing L td and E MI U nited Partnership L td, U SA (33.33% ) EM I V irgin

M usic L td, L ond on W C2H OQY (33.34% ). W orldw ide print rights co ntrolled

by A lfred Publishing/IM P L td. R eproduced by perm ission of Faber M usic L td

a nd Inte rn ationa l M usic P ublica tions L td. A II R ights R eserved. [rhis song

cantains a sample from "You O nly Live Twice" by Barry & Bricusse 10 E MI

U nited P artne rship L td];

M orningtown ride 10 1 959 by A madeo Brio M usic Inc. Administered by

M CS M usic Ltd, 32 Lexington Street, Londan W 1F OLQ;

O ff ta France in the morning, One finger dance, Spinning w heel. Summer

shine and W indm ill song <C 1985 Peter D avey;

Part of your w orld (from The Little M erm aid) M usic by Alan M enken, w ords

b y T im R ice < C1988 W alt D isne y M usic C om pany , U SA a nd W onde rla nd

M usic Com pany Inc, W arner/C happellA rtem is M usic Ltd, L ondon W 6 8B S.

R ep ro duce d by pe rm ission o f F abe r M usic L td. A II R igh ts R ese rv ed;

Puff the magic dragon W ords and M usic by Peter Y arrow and Leonard

L ipton 10 1 963 Pepam ar M usic C orp and H onalee M elodies, U SA , (70% )W arneriC happeii M usic L td, L ondon W b 865. R eproduced by perm ission oi

F ab er M us ic L td . A II R ig hts R es er ve d;

Short'n in' bread lb>C opyright 1928 (renew ed) by H arold Flam mer M usic

(A S C A P), a div isia n of 5 haw nee P ress Inc. Inte rna tiona l C opy rig ht S ecu re d.

A II R ights R eserve d. R eproduc ed by perm ission of C hester M usic L im ited;

Stand by me'W ords and m usic by Ben E K ing, jerry Leiber and M ike Stoller

10 1 961 (renew ed) jerry L eiber M usic, M ike S toller M usic and T rio M usic

C om pany IN C. T his arrangem ent tC 2002 jerry Leiber M usic, M i'ke Stoller

M usic a nd T rio M usic C am pa ny IN C. A II R igh ts R ese rv ed;

S uperca lifra gilisticex pialido cious (from M ary P oppins) W ords and m usic

by R ichard M Sherm an and R obert B Sherm an, U SA , W arner/C happell

A rtem is M usic L td, London W 6 8B5. Reproduced by perm ission of Faber

M usic L td . A II R ig hts R ese rv ed ;

Tea For two W ords by Irving Caesar, music by Vincent Youm ans 10 1920

H arm s Inc, U SA W arner/Chappell M usic L td, L ondan W 6 8B S. R epraduced

b y pe rm ission of F abe r M usic L td. A II R ights R eserve d;

The Addams family W ords and music by V ic M izzy 10 1964 U nison M usic,

U SA . E MI M usic Publishing L td, L ondon, W C2H O QY . Reproduced by

perm issio n of Interna tiona l M usic P ublic ation s L td . A II R ights R eserved .

E ur op e o nl y;

The hippopotamus song W ords by M ichael Flanders, music by Donald

Sw ann <C1952 C happell M usic L td, L ondan W 6 8B S. R eproduced by

perm issio n of F ab er M usic L td. A II R igh ts R ese rv ed;

The way you look tonight W ords by Dorothy Fields, music by Jerome K ern

<C1936 T B H arm s C o and jerom e K ern, U SA , (50% ) W arner/C happell

M usic Ltd, L ondon W 6 8B S. R eproduced by perm ission of Faber M usic L td.

AI IRi gh ts Re se rv ed ; ,

Theme from Jupiter from The Planets Op 32 M usic by Gustav Holst

lO copyright 1921 Goodwin & Tabb Limited. Transferred to J Curwen & Sons

L im ited, 8 /9 F rith S tre et, L ond on W 1D 3JB . A II R ig hts R ese rved.

R ep ro du ce d b y p ermi ss io n;

W altz from The m erry widow O riginal words by Leo Stein and V iktor

L eon. E nglish translation by A dria n R oss. M usic by F ranz L ehar. < C1964

G locken V erlag L td. C happell M usic L td, L ondon W 6 8BS. Reproduced by

pe rm ission of F abe r M usic L td. A II R ights R eserve d;

W atch out koakaburra (K ookaburra sits in the old gum tree by M arian

S inc lair) < C1934 a nd re new ed 198 9 L arrikin M usic P ublishing P ty L td. 4 /30-

32 C arringto n S t, S yd ney, N SW 2000 , A ustra lia. Inte rnation al co pyright

secu re d. A II R ights R eserve d. R eprinte d by pe rm ission of C am pbe ll C onne lly

& Co. L im it ed .

W e all stand together W ords and music by Paul M cCartney 10 1 984 M PL

C om mun icatio ns L td;

W e're off to see the w izard Words by E Y Harburg, music by Harold Arlen

lO 1 939 EM I Catalogue Partnership, E MI Feist C atalog Inc and E MI U nited

P artne rship L td, U SA . W orldw ide p rin t rights controlle d by A lfre d'

Publishing/IM P L td. R eproduced by perm ission of Faber M usic L td. A II

R ig h ts R e se rv ed ;

W histle w hile you w ork W ords by L arry M orey. M usic by Frank' C hurchill. 10

co pyright 19 37 by B ourne C o. A II R igh ts R eserve d. Inte rn ationa l C op yright

Secured. Printed w ith perm ission from Bourne M usic L td;

W ho w ill buyl < C1960 L akeview M usic Publishing C o L td. Suite 2 .07, Plaza

535 K ings R oad, London SW 10 O SZ . International C opyright Secured. A II

R ig hts R es er ve d. U se d b y p er mis sio n;

W inter w onderland W ords by Richard Sm ith, m usic by Felix Bernard 10 1 934

B regm an V ocea & C onn Inc, U SA . (50% ) Francis D ay & H unter L td, L ondon

W C2H OQ Y (for Europe) and W arner/Chappell M usic Ltd. Landon, W 6 8BS

(for W orld excl. E urope and B ritish C om monw ealth). 50% Redw ood M usic

Ltd, L ondon, N Wl 8B D (for B ritish C om monw eafth). R eproduced byperm ission of Faber M usic Ltd and Internationál M usic Publications L td.

A I I R ig h ts R e se rved.

A II o ther original pieces and arrangem ents are copyright A &C B lack.

Every effort has been made to trace and acknowledge copyright owners. If

any right has béen om itted, the publishers offer their apologies and w ill

r ec tif y th is in su bse qu en t ~ itio ns f oI lo win g n otific atio n.

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ABRACADABRA VIOLIN Boob 1 CDViolín - Roland RobertsPiano - Helen CrayfordEngineeredby Andrew Lynwoodat Win terbrook Record ingStudio, London

AIIr igh ts reserved . Copying ,publ icperfo rmance and

broadcastinq - in whole or in Dart - of the recordinq areprohibi ted by law. ' -



page page page

A friend in DEED, 10 10!

1 carne from Alabama, 42 32 I Secret agents, 28 21

A m ajor arpeggio 59I

i Shalom (a round), 72 52I

A major sea le 59 Jupiter, 58 42 i Short'nin' bread, 75 54

A stitch in tim e, 14I ¡

Skye boat song, 57 422 I I

A tisket, a tasket, 6 8

¡ Kalinka,6044

I S pin nin g whe el, 1 3 12

A u clair de la lune, 23 18 I I Stand by me, 56 41¡

I Lavender's blue, 47 34¡

Sum mer is . icum en in (a round), 73 52!L ittle bird, 29 I

B arcarolle, 87 62

I

22 I Summer shine, 30 22

Beauty and the Beast, 86 61 Little p laymates, 7 8 iSuo-géin, 16 14

Big Ben, 34 26I London Bridge, 54 40 I

Supercalifragilistic-i IBobby S hafto, 3 5

L ondo n's bu rn ing (a ro un d), 5 2 38 I expi al idoci ous, 5I L ong, long ago, 38 7B row n bread, 3 3 25 i 29 I

I¡ T ea fo r t w o, 5 5¡ (Meet the) Flintstones, 41 30 .40

Call of the carousel, 48 35 I Merrily we roll along, 19 15

,

The Addams fam ily, 81 57Chim chim cher-ee, 83

I

58 I M illennium , 88 62 The hippopotamus song, 53 39Clown dance, 21 16

! Miss M ary M ac , 2 5 19 I T he mockin g bird, 8 2 57i M obile phone, 8 9

i The old bazaar in C airo, 61 44D ance of the cuckoos, 68

II9 I

Morning tow n ride, 43 T he sheph erdess (a rou nd ), 6 9Day dreamer, 4 5 í 32 I 49

33 I Muck! (a round ), 62 45I

The song that liever stops, 26 20

D ma jo r a rp eggio I49 ¡ I The w ay you look tonight, 40 30D majo r sc ale 27 I Noctu rn e, 90 63

II

Tro ika , 44 33Dump lin s, 6 5 47 Tum the glasses over{a round), 35 26I

Ode to joy, 39I

I

29 ITwinkle, twinkle little bow, 24 18

Eas tEnd ers , 7 8 55 Offto France in the moming, 36 27 IE de1 weis s, 5 0 37

IOld MacDonald, 32 24 I

Eee-abba-dabba-dee! 12 11 IOne finger dance, 11

i W altz, 63 46I 11 i Wa tc h out k ooka bu rra !E gyp tian snake dance, 71 51 i On top of Old Smokey, 51 38 II I (a round), 89 63

iFeec:t the birds, 59

!Part of your world, 74

I We all stand together, 49 3643 53

I

Fiddle fanfare, 9 9i

Pease pudding hot, 20 16W elshlullaby, 16 14

IFrere Jacques, 15 13

I

Pizz A pizza! 2 5W e're off to see the W izard, 70 50

í P iz z o nO , 1 4Wh at sh all w e d ow i th

G major arpeggio 49 I Pop ! g oe s th e weas el, 6 7 48 ¡ th e d ru nk en sa ilo r? 7 6 54

G major scale 24 I Puff the m agic dragon, 6447

W hen th e sain ts go m arch ing in, 4 6

I ! Whistle w hile you w ork , 2 7majo r sc ale an d a rp eg gio I 20(two octaves) 60 I R acin g driver (a rou nd), 37 28

i W in dm ill so ng , 1 7 14I

R agam uffin's rag, 8 4 59W in ter w ond erland , 77 55,

IWho wi ll buy?85a lfway d own th e s ta ir s, 3 1 23 I R oad m onsters, 22 17 60

H appy birthday, 79 56 R oses from the South, 46I

I 34 II

Heigh-ho, 80 56I Row, row, row your boat i

Hot cross buns, 18 15 I (a round), 66 48 I.

,.,

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D .e. al F in e

D .5 . a l F in e

s.b.

f.b.

down-bowup-bow

lift b ow i n c irc ula r mo tio n

le ft h and p iz zi ca to

repeat from the beginning (D a C apo) up to R ne (the end)

repeat from % ;(the sign) up to Fine (the end)

slow b ow

fast bo w

p

f

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( pi ano ) qu ie t

(f or te ) lo ud

(mezz o p ia no ) mod erate ly q uie t

(me zz o fo rte ) mode r.a te ly l,! lu d

allegro

andante

fa st a nd liv ely

a t a le isu re ly p ac e

Davey P - Abracadabra Violin Method Completo

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Transcript of Davey P - Abracadabra Violin Method Completo