Data materialism in art making
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Transcript of Data materialism in art making
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tom schofield
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EstúdioElásticohttp://dmtr.org/lunarcalendar/
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data.gov.uk
data.gov
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http://data.gov.uk/dataset/grants-for-the-arts-awards-arts-council-england
30 Hertz Ltd
Jah Wobble -in research of a world music musical 5,000 09-Feb-10 North West Cheadle Stockport Music
Root Music LtdMargins Music Live 37,525 08-Feb-10 North West
Oldham East and Saddleworth Oldham Music
Fuse Third Life 15,389 28-Apr-09 North WestLiverpool, Riverside Liverpool Combined arts
Monkeywood Theatre Company
Maine Road tour 2010 5,000 08-Feb-10 North West
Manchester, Gorton Manchester Theatre
The Reader Organisation
Community Theatre 2010 5,000 05-Feb-10 North West
Liverpool, Riverside Liverpool Theatre
Lena Simic
Artist development & production solo performance 4,999 29-Apr-09 North West
Liverpool, Riverside Liverpool Visual arts
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Scraper: a computer program that transforms information from webpagesinto a dataScraperWiki: a website where anyone can write and repair public web scrapers and discover uses for the data
http://scraperwiki.com/
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processing.org
openframeworks.cc
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HistoricalCulturalCreativeOntological
?
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//a: historical
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“To be sure, sociologists and several conceptual artists such as Victor Burgin and Hans Haacke have shown that pervasive
philanthropy and museum controlled ” taste making” do exert long term political control over the artistic tastes of the public. But
given the costs and popular failure of technological art, it would appear an enormously inefficient means of swaying the masses, much less a means of promoting Technocracy as a successor to
Capitalism.”
Burnham J, Art and Technology: The Panacea That Failed, from The Myths of Information
(p211), Woodward K (ed), Routledge and Kegan Paul Ltd, London, 1980
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“Cyberspace was supposed to bring us all together in a Global Village; however, what effectively happens is that we are bombarded with the multitude of messages belonging to
inconsistent and incompatible universes — instead of the Global Village, the big Other, we get the multitude of "small others," of
tribal particular identifications at our choice. “
SlavojZizek
http://www.egs.edu/faculty/slavoj-zizek/articles/the-matrix-or-two-sides-of-perversion/
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“The artist is not responsible to anyone. His social role is asocial; his only responsibility consists in an attitude to the work he does. There is no communication with any public whatsoever. The artist
can ask no question, and he makes no statement; he offers no information, and his work cannot be used. It is the end product
which counts, in my case, the picture.”
George Baselitz
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//a: personal
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//(sub)cultural backgrounds to material investigation
chiptunes and demoscene
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//Syphus – data airlines – the knife: Heartbeats
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// the philosophical study of the nature of being, existence or reality as such, as well as the basic categories of being and their
relations
http://en.wikipedia.org/wiki/Ontology
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//patterns and pulses
http://www.wired.com/geekdad/wp-content/uploads/2010/10/kensBinaryCalendar.jpg
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*Heidegger, Being and Time
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• fostering a deeper understanding of the technological processes involved in data gathering, mining and dissemination
• creating art works which are themselves creators or destroyers of data
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http://www.tomschofieldart.com/tomschofieldart/sticking_point.html
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Jean Tinguely,
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Burjbabil, Guy and Tom Schofield 2011
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