Daan: Essentials of SP
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Litratista sa DAAN
2BOOK
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I think what is essential to a street photograph is - it should be an AC-
TIVE photo. Preferred over informational and passive photos, SPs must
show real people in real events and must go beyond the surface facts
to stir-up an idea.
E S SE N TI A L S
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Essential too is the HUNGER. You may know the techniques and technicali-
ties like the palm of your hand, you may have the best composition the world
have ever seen, you may have talent, but SP is not a single photo trip, it is a
journey that will keep you going.
Joel Mataro (DAAN)
The hunger for
creating images that
blow people away.
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LAYERSA sure way to make any street photography image more interesting
is to include several subjects or scenes located on different planes
inside the frame. Doing layers, consists basically in making sure that
there is something that grabs the viewer attention in the front, mid-
dle and back of the image filling the entire field. You can have as many
layers as you want, some of them may be in the distant background,
appearing much smaller than the main subjects, and if they are all
located well could add more impact to the image but too many sub-
jects could also be confusing and distracting. There has to be some
sor t of symmetric distribution between the groups to make it work.
The front subject may only be par tially visible, maybe an arm or a
face, complementing the other subjects or it may be completely vis-
ible becoming the center point of the image. Placing subjects in lay-
ers is not enough to make it successful. There has to be at least one
subject that carries the picture and around which the other subjects
revolve. This is the hardest par t of doing layers and takes a little bit
of luck and great timing to pull it off successfully. It is the reason why
practicing the eye and being quick to react is impor tant.
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Joel Mataro
Luis Liwanag
Jun Jacob
Rob Castro
Ariel Sabio Galamgam
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Joel Mataro
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[ M O M E N T ]
Be there when it happens.
https://www.facebook.com/joel.mataro
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Luis Liwanag
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[ HEART+SOUL ]
-ity and myriad possibilities of humanity... the templates and visual concepts we have
I think it is time to do away with rules and conventions and view the world within our -
sive moments as we squeeze the shutters. The moments we search will remain elusive forever if we forget that the simplest most mundane happenings may also be the most
https://www.facebook.com/luis.liwanag
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Jun Jacob
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[ M O M E N T ]
Capturing a split-second moment. For me, it cannot be longer than that. If it is it becomes posed and no longer candid.
https://www.facebook.com/jun.jacolbe.5
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Rob Castro
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[ CONTENT ]
The content within the photograph, which must convey the message effectively - either be obvious or subtle tothe viewer.
https://www.facebook.com/juzno
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Ariel Sabio Galamgam
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[ C A N D I D N E S S ]
From that very vantage point of candidness, there I frame my street photographs. To portray candidness in any street photograph, the greatest pursuit is to capture any moment in its most decisive form - not too early nor too late - or you lose & ruin the moment!
https://www.facebook.com/arielsabio.galamgam
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LIGHT
You can use light to highlight a primary subject, to create interesting
patterns or shapes, to add contrast or softness, or to add glow or
warmth. You should tr y to photograph in all different lighting condi-
tions on the street, such as in the ear ly morning, during the harsh
brightness of midday, when it is foggy, in the glow of twilight, or even
under lampposts and ar tificial light at night. When shooting in the
street, there is no correct light. Each type of light has its own qualities
that you will need to pay attention to and account for. You should
make sure to pay attention to where the sun is in relationship to what
you are shooting. Is it in front of you, behind you, or to the side of
you? How high in the sky is it? It makes a huge difference as to how
the photo will turn out. The challenge with shooting on the street is
that the light changes constantly. When shooting on the street, you
need to constantly be aware of the light in order to identify good
welcomed outcome.
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Reddie Js
Edeguz
Augustus Columbano
Jaime Tan Ventura Jr.
Jefp Street
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Reddie Js
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[ LIGHT ]
Light gives the photo the ultimate realization of what is there in the
it tells, it shows the viewer what it is there to be seen. Look for that light and love it!
https://www.facebook.com/reddiejs
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Edeguz
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[ L I G H T I N G ]
Usage of light in a photograph can be the deciding factor whether that picture will be memorable or forgettable. Light can change everything about a subject we see, specially in photography. It changes the visible size and shape of a subject, the color of the subject, it can vary the look and size of the background and alter the depth of the image – By knowing how light works in photography, you don’t get ordinary pictures but unforgettable photographs.
https://www.facebook.com/ed.deguz
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Augustus Columbano
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[ C O N N E C T I O N ]
The connection of the human animal to his/her environment. For me this is the most important ingredient.
https://www.facebook.com/augustuscolumbano
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Jaime Tan Ventura Jr.
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[ TIMING+PATIENCE ]
“Patience is waiting. Not passively waiting. That is laziness. But to keep going when the going is hard and slow - that is patience.”
https://www.facebook.com/jtventura
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Jefp Street
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[ P U R S U I T ]
Street Photography is a very personal pursuit. We are capturing our own lives and our own feelings one shot at a time.
https://www.facebook.com/Jsoprano83
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FOCUS
This concept lacks a single defining word – I suppose ‘focus’ would be
closest, but the problem is that tends to induce confusion between
the subject distance and the concentration around the idea or subject
of the image. The ideal qualitative effect is that the eye of the viewer
must go straight to the primary subject of the photograph, and then
-
rapher desires. This can be accomplished through the use of a number
of different tools – leading lines, natural frames, negative space, bokeh
etc. The subject itself must stand out from the background or sur-
roundings; in that sense, some sor t of natural frame is always required
to provide the necessar y isolation – it could be a doorway, or a plain
color background of a different color to the subject, or a contrast in
-
tire image is the subject. Note that lighting is the other major source
of subject separation.
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Ted Claudio
Aking Balintataw
Jeff Mercader
R.C. Cipriano
Xyza Cruz Bacani
Bene Arcayan
Romeo Doneza
Loi Lee
Frederick Cabanero
Dominic Meily
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Ted Claudio
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[ V I S I O N ]
It’s the culmination of foreseeing where, what/who and when all will fall into place for that moment when you click the shutter button to freeze something mundane
https://www.facebook.com/tedclaudio
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Aking Balintataw
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[ F R E E D O M ]
I believe that it is fundamental to know and master the rules of composition
thrilled. It is an outlet of my emotion towards life.
https://www.facebook.com/akingbalintataw
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[ L I N E S , L I G H T, L I F E ]
Lines, Light and the Life of the people in your photo. These three elements for me can make a strong photograph. You can have the technical aspect plus the story being told by the people who can be a part of your life. A line from one book that i have read, the most important part of street photography is not just clicking the shutter, but clicking to the people around you.
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Jeff Mercader
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[ C O M P O S I T I O N + E X P O S U R E + PA S S I O N ]
These are the key ingredient to a complete ambrosia food! Without one or the other, the food is tasteless. Just to close my statement just want to share my all time favorite quote which i hold on to it since i stated my journey in photography. “Photography is an art of observation. It has little to do with the things you see and everything to do with the way you see them” by Elliott Erwitt
https://www.facebook.com/jeff.mercader.1
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R.C. Cipriano
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[ V A N TA G E P O I N T ]
I believe a good vantage point where we can compose and just wait for the right moment can contribute in making a shot. Being aware of the geometrical elements around the area can either help frame the image or give it direction.
https://www.facebook.com/rcipriano
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Xyza Cruz Bacani
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[ PA S S I O N + U R G E ]
For me,its always about the hunt,i never care about the kill. street photography is interesting cause of the process,the journey we took everyday just to shoot the mundane or ho hum that “usual photographers” ignore but we notice. the hunt usually take me somewhere zen and its orgasmic.there are rules which are equally important but i never made them so i tend to break them.
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Bene Arcayan
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[ PA S S I O N ]
https://www.facebook.com/bene.arcayan
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Romeo Doneza
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[ R U L E S O F P H OTO G R A P H Y + L O C AT I O N ]
It provides an important framework to Street Photography.
https://www.facebook.com/romeo.doneza
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Loi Lee
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[ F A S C I N AT I O N ]
ESSENTIAL of street photography is the fascination into idea that connect the element from our surrounding towards the breathe of
our indiscriminate way of living. The fascina-
to the needs of other and to show some
by passion with total loyalty and honesty. The essential which spell the human spirituality to
connect with street photography.
https://www.facebook.com/Abstra
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Frederick Cabanero
[ M U N D A N E ]
https://www.facebook.com/derek.cabanero
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Frederick Cabanero
[ M U N D A N E ]
https://www.facebook.com/derek.cabanero
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Dominic Meily
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[ COMPOSITION+TIMING ]
Composition and Timing
https://www.facebook.com/dominicmeily
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GESTURES
Strong gesture has the power to add feeling to a photo more than any
other element. As viewers, we relate to other people that we see in
a scene and so we feel whatever it looks like they are feeling. You can
have a great scene, a great perspective, and great lighting, but if the
main subject is disconnected from the surroundings then it can ruin
the moment. Accurately capturing sentiment is the bedrock of good
storytelling and as street photographers we want our photos to tell
stories.
Occasionally, it can be necessar y to sacrifice the perfect framing to
be able to capture that perfect gesture. If you waste that precious
-
sion again. Sometimes, you do not even have to see a person’s face
quickly that you have to frame and shoot almost instantly to capture
by their body, by the way they are walking, by the position of their
head, by how their hands are moving. the face does not even need to
be present to show strong emotion, but when it is hidden it amplifies
the impor tance of the rest of the body.
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Teni Sta Ines
Yobski Gonzales
Migz Pc
Kuya Jhuly
Mark Adalia
Nicasio M. Mendaro Jr.
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Teni Sta Ines
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[ OBSERVANT EYE +MIND ]
ordinary images. Patience to wait for the right moment and the right light, and be at the right place at the right time is the key. Need to be in the right position in a split second things will never be the same.
https://www.facebook.com/teni.staines
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Yobski Gonzales
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[ D I R E C T I O N ]
Seeking direction-as in treading unchartered streets
https://www.facebook.com/yobski
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Migz Pc
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[ REALITY ]
https://www.facebook.com/migz.pc
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Kuya Jhuly
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[ E M OT I O N S ]
The Essential for me is to capture the “Emotions” of the present drama that is unfold-ing in front of you. When you miss to capture those emotions, it means you were
never a part of the whole scene. You were there but emotionally detached, you were just there to take pictures like a tourist and not one with the crowd.
https://www.facebook.com/jhulyp
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Mark Adalia
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[ REALISM+VISION ]
There is one thing the photograph must contain, the humanity of the moment. This kind of photography is realism. But realism is not enough there has to be a vision, and the two together can make a good photograph.
https://www.facebook.com/mark.adalia.5
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Nicasio M. Mendaro Jr.
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[ SURREAL ]
...never limit your imagination and dreams
https://www.facebook.com/nicasio.mendaro
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MOMENT
Hesitation has ruined so many great street photos.
You see the moment, think for a second about whether you want to
take the shot and it is gone before you have made up your mind. You
get nervous and hesitate for too long and it is gone. You can only an-
ticipate so many moments before they happen. Many moments will
spring up in front of you without any warning; you have to be ready.
Your camera has to be on, lens cap off, in your hand, and set for the
lighting. You have to be paying attention and looking around. Then
you have to react. Reacting is a skill that takes practice. If you do not
shoot regular ly this is a skill that is easily lost. If you are a street pho-
tographer, then you have to be out there consistently shooting on the
street to hone your instincts. When shooting, you do not need to
take a thousand photos of everything that moves. The more selective
you are when shooting, the more of a chance you will have of captur-
ing the moment. When you sense a moment happening, you need
to think about the angle, the framing, the content, and you need to
takes ver y strong content to overcome horrible framing. In addition,
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Jayvee Sotto Mataro
Jet Rabe
Conrado Bugayong
Jay Ganzon
Jojo Nicdao
Rey Maglasang Pelayo
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Jayvee Sotto Mataro
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[ ORIGINALITY]
manner ; creative ability to come up with unusual or clever ideas.
https://www.facebook.com/sevaj
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Jet Rabe
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[ C U R I O S I T Y ]
It is essential for a street photographer to have a curious mind. Shooting in the streets is like a pin in a haystack, it is sometimes overwhelming but being curious in small things can make a big difference in the outcome of the photograph.
https://www.facebook.com/jet.rabe
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Conrado Bugayong
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[ HONESTY ]
I am still grasping what street photography is all about. But from what I’ve observed, the essentials are honesty and candidness in the images taken.
https://www.facebook.com/conrado.bugayong
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Jay Ganzon
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[ FUN ]
It is about having fun. That matters most, simple as that. Why make it complicated? To enjoy street photography, free yourself with these technicalities and just do the things you love. Observe life and keep the passion burning. Perpetually pushing yourself forward.
https://www.facebook.com/JayGanzon
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Jojo Nicdao
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[ SEEING ]
https://www.facebook.com/nicdao
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Rey Maglasang Pelayo
[ PA S S I O N ]
Passion, it makes you go out everyday to shoot each moments that captures you.
https://www.facebook.com/rey.m.pelayo
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Rey Maglasang Pelayo
[ PA S S I O N ]
Passion, it makes you go out everyday to shoot each moments that captures you.
https://www.facebook.com/rey.m.pelayo
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CONTEXT
primary subject, using the secondary elements in the frame as mental
markers. The secondary elements help to place the subject in terms of
time, location, culture, era, mood, as well as giving countless other psy-
chological clues such as wealth, pover ty, uncer tainty, danger, unasked
questions, etc. A subject in isolation is fine for a commercial product
shoot, but it lacks the emotion and narrative richness that well-framed
surroundings can add. The photographer also has to ensure that the
elements in the frame have the correct relative prominence, which is
to say the framing should direct the eye of the viewer to the primary
subject first, and then the secondary subjects in order of impor tance.
If this is not the case, then the message of the photograph can land up
being quite different to the intention of the photographer at the time
of capture. Proper ties of a subject that affect relative prominence
include size, position in the frame, relative brightness, and contrast/
color vis-a-vis the background.
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Yer Nevilos
Rob Reyes
Meij Loreto
Leo Paolo Dilay
Jhemsky San Pedro
Nathaniel Estenzo
Miguelle Cagadas
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Yer Nevilos
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[ A E S T H E T I C S ]
Capturing the ‘Aesthetics’ of the human element is to me one of the greater essentials
it, but also by how the image communicate to us, -it may mean sadness with a lot of
little of it, as we all aspire to capture. The Art of Composition -images visually captured -
standing of street photography, the different techniques, the tendencies of humans, and a big deal of personal enjoyment will at one way or the other result to more meaning-ful – street smell photographs. –reysoliven/kalye5
https://www.facebook.com/yer.nevilos
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Rob Reyes
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[ B A S I C S ]
It is all about mastering the Basics, and understanding how it works. Knowing where the controls, even when your eyes are all closed.
https://www.facebook.com/robreyesphotography
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Meij Loreto
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[ PAT I E N C E ]
Patience in waiting for the right time to click the shutter. Although we can take photo-graphs as many as we can and select for the best one, but for me, I value every click I make. ‘Coz opportunity comes once and every click counts.
https://www.facebook.com/meljloreto
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Leo Paolo Dilay
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[ FEEL ]
Keen observation and feel of your environment
https://www.facebook.com/leopaolo.dilay
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Jhemsky San Pedro
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[ H E A R T ]
I shoot street because i love to shoot street. For me, it is not enough that you know the basics. You have to love it to appreciate it. It’s like the world is moving in slow mo-tion when you’re holding your camera and you can see every details in your sorround-ing. You can even see things that are about to happen.
https://www.facebook.com/jhemsky.pedro
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Nathaniel Estenzo
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[ H I S TO R Y ]
We believe that photographers of all personality types, using the whole panoply of camera formats, would become better photographers at a faster rate by employing the common denominators gleaned from the image, ideas and lives of the best photogra-phers throughout the medium’s history.
https://www.facebook.com/nathaniel.estenzo
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Miguelle Cagadas
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[ POETRY ]
For me, I consider “Poetry” as one of the essential things in street photography. Poetry not in terms of words but in photo - on how the subject and environment rhyme with each other.
https://www.facebook.com/jmcagadas
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[ U N K N O W N ]
Dare to walk straight into the unknown...as cliche as it sounds...fortune truly favours the brave.
https://www.facebook.com/stax.eustaquio
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webphoto
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Thanks for taking the time to read this e-book
https://www.facebook.com/groups/daan
All rights reserved. This book or any portion thereofmay not be reproduced or used in any manner whatsoever
Excerpts taken from:The essentials of street photography by James Maherhttp://www.jamesmaherphotography.comMing Thein-Photographerhttp://blog.mingthein.com/
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Joel Mataro https://www.facebook.com/joel.mataro
Luis Liwanag https://www.facebook.com/luis.liwanag
Jun Jacobhttps://www.facebook.com/jun.jacolbe.5
Rob Castrohttps://www.facebook.com/juzno
Ariel Sabio Galamgamhttps://www.facebook.com/arielsabio.galamgam
Reddie Jshttps://www.facebook.com/reddiejs
Edeguzhttps://www.facebook.com/ed.deguz
Augustus Columbanohttps://www.facebook.com/augustuscolumbano
Jaime Tan Ventura Jr.https://www.facebook.com/jtventura
Jefp Streethttps://www.facebook.com/Jsoprano83
Ted Claudiohttps://www.facebook.com/tedclaudio
Aking Balintatawhttps://www.facebook.com/akingbalintataw
Jeff Mercader https://www.facebook.com/jeff.mercader.1
R.C. Ciprianohttps://www.facebook.com/rcipriano
Xyza Cruz Bacanihttps://www.facebook.com/xbacani
Rey Maglasang Pelayohttps://www.facebook.com/rey.m.pelayo
Bene Arcayanhttps://www.facebook.com/bene.arcayan
Romeo Donezahttps://www.facebook.com/romeo.doneza
Loi Leehttps://www.facebook.com/Abstra
CONTRIBUTORS
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Frederick Cabanerohttps://www.facebook.com/derek.cabanero
Dominic Meilyhttps://www.facebook.com/dominicmeily
Yobski Gonzaleshttps://www.facebook.com/yobski
Migz Pchttps://www.facebook.com/migz.pc
Kuya Jhulyhttps://www.facebook.com/jhulyp
Mark Adalia https://www.facebook.com/mark.adalia.5
Teni Sta Ines https://www.facebook.com/teni.staines
Nicasio M. Mendaro Jr.https://www.facebook.com/nicasio.mendaro
Jayvee Sotto Matarohttps://www.facebook.com/sevaj
Jet Rabehttps://www.facebook.com/jet.rabe
Conrado Bugayonghttps://www.facebook.com/conrado.bugayong
Jay Ganzonhttps://www.facebook.com/JayGanzon
Jojo Nicdaohttps://www.facebook.com/nicdao
Rob Reyes https://www.facebook.com/robreyesphotography
Meij Loretohttps://www.facebook.com/meljloreto
Jhemsky San Pedrohttps://www.facebook.com/jhemsky.pedro
Leo Paolo Dilayhttps://www.facebook.com/leopaolo.dilay
Nathaniel Estenzo https://www.facebook.com/nathaniel.estenzo
Yer Neviloshttps://www.facebook.com/yer.nevilos
Miguelle Cagadashttps://www.facebook.com/jmcagadas
https://www.facebook.com/stax.eustaquio
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When a hundred men stand together, each of them loses his mind and gets another one- ganito kami sa DAAN!
Kami ay samahan ng litratistang Pilipino na naglalayong matuto sa paglikha ng mga
mga ordinaryong kaganapan sa lipunang ating ginagalawan.
Sabay-sabay nating pag-aralan ang mga istilo at tamang paraan ng paglikha ng larawang kalye na inilatag ng mga kilalang eksperto sa larangan ng street photography at panati-lihing maging bukas ang ating isipan sa mga bagong kaalaman, pananaw at personal na
higit nating maarok ang tunay na kahulugan ng larawang/litratong kalye.
Bukas din ang samahang ito sa mga hindi Pilipinong gustong sumapi at makiisa sa mga layunin ng grupong DAAN.
https://www.facebook.com/groups/daan