CULTURAL HERITAGE OF TEXTILE TECHNIQUE AS A … Singapore Heritage Scien… · India —A mecca of...
Transcript of CULTURAL HERITAGE OF TEXTILE TECHNIQUE AS A … Singapore Heritage Scien… · India —A mecca of...
CULTURAL HERITAGE OF TEXTILE TECHNIQUE AS A
TOP FACTOR FOR CREATIVITY AND INSPIRATION
WEARABLE TECHNOLOGY:
TRANSFORMATION AND TRADITION
LOGY: TRANSFORMATION AND TRADITION
The TEXMEDIN Digital Library brings together in an ICT platform the most representative elements of the textile and
apparel collections detained in the archives of textile and fashion museums and enterprises. At present, it contains nearly 800 items - new items will be added in the near future - coming from the Textile Museum of Prato, Centre of Documentation
and Textile Museum of Terrassa, Peloponnesian Folklore Foundation and Carpiformazione.
The TEXMEDIN Digital Library is an innovative instrument linking each item to its cultural, social, historical and
environmental information. It illustrates the evolution of technology and fashion in a certain period and territory and
reveals how an item inspired a designer to create a new product. Information about new and advanced materials that can replace originally used ones and about modern environmentally friendly
production technologies, regulations and legislation for consumer protection will also be available for a selection of
items. These features, combined with an effective search mechanism, a user friendly presentation screen and the
possibility for the user to create his/her own theme by selecting different items that can be easily accessed each time the Digital
Library is entered, will offer a viable tool to professionals looking for inspiration and creativity in the treasure house of
the existing T&A heritage. The Digital Library can be accessed without any restriction for both item searching and browsing.
THE TEXMEDIN DIGITAL
LIBRARY
Texmedin (2009-12)(http://www.texmedin.eu)
Heritage agencies, business associations, technology centres and government bodies worked together on this project led by Italy with participants from Greece, Spain and
France. As part of the project, a competition was organized for young designers in order to
broaden their knowledge and use of their common heritage. All their creations were
inspired by heritage pieces from the collections of one of the museums
participating in the project. Prizes were awarded to five outstanding entries.
TEXTILES &CLOTHING
MEDITERRANEAN HERITAGE FOR
INNOVATION
FASHION
India — A mecca of inspiration
Wendell Rodricks says, “Emperor
Ashoka’s Greek wife took to the
sari and gave it a drape that has
evolved till today. Do we need to
recount the designers who have
taken India as inspiration? From
Yves Saint Laurent to Galliano,
Jean Paul Gaultier to Karl
Lagerfeld, India has fed their
dreams in couture, so it is no
surprise hat Givenchy, The Row,
Valentino and Marchesa have
followed suit this season.”
• Weaving
• Knitting
• Crochet
• Manipulating fabrics
• Pleating
• Applique
• Beading
• Embroidery
• Printing
• 3D Printing
• Felting
TEXTILE CRAFT TECHNIQUES
Fabric Manipulation - mesh top with textured embellishment with
beads & 3D applique clusters; artful fashion detail // Givenchy
3D APPLIQUE
Recycled Dress made from bottle tops, drink can rings and
disposable plastic spoons - sustainable fashion design
SUSTAINABLE FASHION DESIGN
Opulent pearl embellished dress detail with structured pattern; haute
couture embroidery // Balmain
EMBROIDERY
Crystal embellished pantsa,stylish
version with all-over embellished
crystal clusters / / . J.Crew
Dries Van Noten Floral Overprints – Masked and Silhouetted Flowers – Botanical Engravings – Decorative Details – 3D Embroidery – Gold Baroque – Ethnic Melting Pot – Eclectic Mixes
PRINT HIGHLIGHTS
Ann Demeulemeester Prints – Wisteria
Blossoms – Bold and Regular Stripes –
Decorative Flocking – Art Deco Inspired
Flora, Monochromatic Colour
3D Sculptural Knitwear with twisted layers,
chunky textures & tutu skirt; fashion as art //
Comme des Garcons
KNITTING
Media: Hand-woven cotton, conductive
yarns, silver ink, silk-screen ink,
thermochromic ink, drive electronics,
electrical parts, and expressive software.
16 textile pixels. 28" x 32" x 6"
MAGGIE ORTH
ART, TECHNOLOGY, DESIGN
Firefly Dress and Necklace, 1998
Media: Metallic silk organza,
conductive yarns, conductive Velcro,
LEDs, gold beads, silk, batteries and
electronics..
BEADING & EMBROYDERY
WEARABLE TECHNOLOGY
Traditional embroidery techniques to
incorporate LEDs and wiring into
fabric
Magnificent black dress with an
embroidered pattern sprinkled
with LED