Cultural encounters

29
Encountering cultural encounters: Making connections & exploring differences Tonbridge, 23 June 2012
  • date post

    17-Oct-2014
  • Category

    Education

  • view

    969
  • download

    1

description

 

Transcript of Cultural encounters

Page 1: Cultural encounters

Encountering cultural encounters: Making connections & exploring differences

Tonbridge, 23 June 2012

Page 2: Cultural encounters

What is culture?

Page 3: Cultural encounters

Culture in Book 3:We’re interested in two sorts of culture, the first of which is to examine artworks such as statues, short stories and plays, alongside different cultural records such as medical texts. The second sense of culture we consider is the expression of the ideas and identities of groups of people.

Danson Brown, 2008, p. v

Page 4: Cultural encounters

Cultural EncountersCultural Encounters signals our focus on the ways in which cultures interact, overlap and are transformed by these encounters.

Danson Brown, 2008, Introduction, p. v

Page 5: Cultural encounters

What sort of encounter?

Page 6: Cultural encounters

Transplantation

Page 7: Cultural encounters

Translation

Page 8: Cultural encounters

(mis)understandingMr Sumarsono was now ready and he spoke. ‘Please!’ he said politely. My mother looked up again and realized this time what he was doing. She shook her head, raising her hands in deprecation.

‘No, no,’ she said, smiling. ‘Not me. Don’t take a picture of me. I wanted to see a picture of your wife.’ She pointed at Mr Sumarsono. ‘Your wife,’ she said, ‘your children.’

I was embarrassed not only for my mother but for poor Mr Sumarsono. Whatever he had expected from a country weekend in America, it could not have been a cramped attic room, two sullen girls, a voluble and incomprehensible hostess. I felt we had failed him . . . I wanted to save him . . . .I wanted to liberate poor Mr Sumarsono from this aerial grid of misunderstandings. . . .

But things had changed. Mr Sumarsono stood gracefully, firm and erect, in charge. . . . The absence of strut did not mean an absence of command, and we now saw how an Indonesian diplomat behaved when he was in charge. . . .

‘No’, said Mr Sumarsono clearly. ‘You wife.’ He bowed firmly at my mother. ‘You children.’ He bowed at us.

Page 9: Cultural encounters

mis(understanding)But it is his picture of my mother that surprised me the most. Mr Sumarsono’s portrait was of someone entirely different from the person I knew, though the face was the same. Looking at it gave me the same feeling that the sopped escalator did; a sense of dislocation, a sudden uncertainty about my own beliefs. . . . I could see for the first time that other people might think she actually was beautiful.

Mr Sumarsono’s view of my mother was of a glowing, self-assured, generous woman. And Mr Sumarsono himself was a real person, despite his meekness. I knew that; I had seen him take control. His view meant something; I could not ignore it. And I began to wonder.

We still have the pictures. Mr Sumarsono brought them with him the next time he came out for the weekend.

Roxana Robinson, ‘Mr Sumarsono’, in Prescott, 2008, pp. 89-91

Page 10: Cultural encounters

(non)communication

Page 11: Cultural encounters

Belonging

Page 12: Cultural encounters

Alienation

Page 13: Cultural encounters

Sharing

Page 14: Cultural encounters

Jokes“Okay. A bunch of rafters are on the beach getting ready to sail off to Miami.” . .

“So anyway a bunch of rafters are gathered there on the sand. And they’re all crying and hugging their wives and all the rafts are bobbing on the water and suddenly someone in the group yells, “Hey! Look who goes there!’ And it’s Fidel in swimming trunks, carrying a raft on his back.” . . .

“So one of the guys on the sand says to Fidel, ‘Compatriota, what are you doing here? What’s with the raft?’ And Fidel sits on his raft and pushes off the shore and says, ‘I’m sick of this place too. I’m going to Miami.’ So the other guys look at each other and say, ‘Cono, compadre, if you’re leaving, then there’s no reason for us to go. Here, take my raft too, and get the f**k out of here.’”

. . . Carlos laughed long and loud. Antonio laughed too, but he was careful not to laugh too hard and he gave his friend a sharp look over the racket he was causing. He and Carlos were Dominican, not Cuban, and they ate their same foods and played their same games, but Antonio knew they still didn’t understand all the layers of hurt in the Cuban’s jokes.

Ana Menendez, ‘In Cuba I was a German Shepherd’, in Prescott, 2008, pp.22-23

Page 15: Cultural encounters

Overlap

Page 16: Cultural encounters

Gaps

Page 17: Cultural encounters

Interaction

Page 18: Cultural encounters

(non)interaction?

Page 19: Cultural encounters

Transformation

Page 20: Cultural encounters

UntransformedThis has nothing to do with me. It’s about a young couple with three children who moved into a house on my route the first of last summer. I got to thinking about them again when I picked up last Sunday’s newspaper and found a picture of a young man who’d been arrested down in San Francisco for killing his wife and her boyfriend with a baseball bat. . . .

Henry Robinson is the name. I’m a postman, a federal civil servant, and have been since 1947.

Raymond Carver, ‘What do you do in San Francisco?’, in Prescott, 2008, p. 65

Page 21: Cultural encounters

Sameness- allegiance

Page 22: Cultural encounters

Difference

Page 23: Cultural encounters

Viewpoint• Who is narrating?• Whose encounter is this?

Page 24: Cultural encounters

Mediation

Page 25: Cultural encounters

Known/knowable/unknowing?

Page 26: Cultural encounters

Making connections

Page 27: Cultural encounters

Playing with connections• Cleopatra• Benin• Shostakovich• Short stories• Pugin• ?

Page 28: Cultural encounters

• Benin• Shostakovich• Cleopatra• ????

Page 29: Cultural encounters

Jennie Osborn

Email: [email protected]