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Cubism C. 1907/1911 - Present. Cubism Defined: Elements such as objects and figures are broken into...
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Transcript of Cubism C. 1907/1911 - Present. Cubism Defined: Elements such as objects and figures are broken into...
Cubism
C. 1907/1911 - Present
Cubism Defined:Elements such as objects
and figures are broken into a
variety of planes through use
of geometry, depicting
multiple points of view and
the passage of time in the same work.
Cubism:Considered one of the
most influential art
movements of the 20 th Century as well as
contemporary art, music, literature and architecture.
Influence
d w
ork
s in
oth
er
field
s
PoetryNovels—William Faulkner’s As I Lay DyingMusicFilm
These
two a
re cre
dite
d
with
startin
g C
ubism
Pablo Picasso
Georges
Braque
Georg
es
Bra
que
1882-1
963
Violin and Candlestick 1910
Pablo
Pic
ass
o1881-1
973
Seated Nude1909-1910
Sum
mer o
f
1911
Pablo Picasso
Still Life With
Bottle of Rum 1911
Georges Braque
Still Life With
Bandelliras
1911
Georg
es
Bra
que
Still Life with Pair of Banderillas
Pablo
Pic
ass
o
Still Life With Bottle of Rum 1911
Paul C
eza
nne 1
839-
1906 —
cubis
ts
influence
d b
y his
sty
le
and a
ppro
ach
to t
he
pass
age o
f ti
me.
Still Life, Drapery, Pitcher and Fruit Bowl1893-94
Paul C
eza
nne
Drag picture to placeholder or click icon to add
Mill at the River1900-1906Watercolor
Paul C
eza
nne
Mont Sainte-Victoire1887
Fern
and L
eger
1881-1
955 W
ork
influence
d b
y C
eza
nne
1907 e
xhib
itio
n
La Femme en Bleu1912
Henri
Mati
sse 1
869-
1964—
als
o in
fluence
d
Cubis
m F
auve
s G
roup
Woman With a Hat1905
Cubis
m
influence
d b
y Afr
ican A
rt
Fang Mask used in search for
sorcerers—19 th Century
Pablo
Pic
ass
o
Head of a Woman1907
Pica
sso’s
cubis
t sc
ulp
ture
Head of a Woman1910
Le C
orb
usi
er
(Charl
es-
Édouard
Jeannere
t-G
ris)
1887-1
965
Cubis
m in
arc
hit
ect
ure
Heidi Weber Museum1960
Cubism
“It is almost impossible to
exaggerate the importance
of Cubism. It was a
revolution in the visual arts
as great as that which took
place in the early
Renaissance. Its effects on
later art, on film, and on
architecture are already so
numerous that we hardly
notice them.” John Berger