2 0 1 2 – 2 0 1 3 S e a s o nArtist Series

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Artist Series Advisory Board

Gil BermanRudy BetancourtEllen Boal Joan McLean Braun

Curtis BroomeJohn DavisDiane DunnMichael Gallucci

Lissy GarrisonLaima HaleyDaryl James, PresidentMaryan K. Jaross

The Advisory Board is an integral part of the Artist Series, supporting the organization with advocacy, audience development, fundraising, and special projects.

Daniel SherGregory L. Silvus Ellen TaxmanNick Vocatura

Ruth KahnKathryn KellerJerry OrtenLouise Pearson

Daniel Sher, Dean

Joan McLean Braun, Executive DirectorLaima Haley, Marketing and Public Relations DirectorMyra Jackson, Programs and Scheduling Manager

Nick Vocatura, Operations ManagerKaren Schuster, Graphic Designer

Raechel Sherwood, Online Marketing AssistantCourtney Pomeroy, Public Relations Assistant

Stephanie Doctor, Programs and Scheduling AssistantMargaret Romero, Production Assistant

Kevin Harbison, Recording EngineerNancy Quintanilla, Accounting Technician

Robert Cloutier, Piano Technician

Macky AuditoriumRudy Betancourt, Director

Angela Venturo, Associate DirectorJ. P. Osnes, Technical Director

Rhett Snyder, Associate Technical DirectorRojana Savoye, House Manager

Chelsea Ayers, Assistant House ManagerSara Krumwiede, Assistant to the Director

For tickets and information for the Artist Series, CU Opera, Takács Quartet, Holiday Festival,and all other concerts and recitals presented by the College of Music, contact us at:

Phone: 303-492-8008 Fax: 303-492-1131 302 UCB, University of Colorado, Boulder, CO 80309-0302

Email: musictix@colorado.eduwww.cupresents.org

PhysicallyChallenged ConcertgoersSeating is available in each concert hall for concertgoers in wheelchairs, those with other special needs, and for their companions. To request special seating in advance, call the

Drop-off and handicap parking is available near Imig Music Building and Macky Auditorium.

Ticket Exchange Policy

or performance with no exchange fee; single ticket exchanges are subject to a $5 exchange fee. Before any exchange can occur, the original tickets must be returned to

prior to the performance. Exchanges are subject to availability, and an upgrade fee may apply.

Latecomer SeatingAs a courtesy to the artists and to other patrons, latecomers will be seated at the discretion of house management at an appropriate interval in the program. Fire regulations require everyone, regardless of age, to have a ticket in order to enter the auditorium.

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Recording DevicesRecording devices and taking of photographs are strictly prohibited. Please switch off cellular phones, beepers, or electronic watches BEFORE entering the auditorium.

CONCERT INFORMATION

Pre-Concert ConversationsYou are invited to attend informative pre-concert conversations 45 minutes prior to each Artist Series performance. All talks will be held in Macky’s room 102 and are free of charge. Opera pre-performance chats will be held in the Loge of Macky Auditorium one hour prior to the show.

DiscountsDiscounts are available for seniors (65 and over), youth (18 and under) and groups. Special discounts are also available for CU faculty, staff, and students. Only one discount per order. Discounts do not apply to Holiday Festival. Some discounts not available night of performance. Please call 303-492-8008 for more information.

Location/ParkingParking is available in the Euclid Avenue Autopark, Lot 204 and Lot 310 at a cost of $3 per evening. Lot 380 is reserved for VIP Members of the Artist Series.

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204

Imig Music Building

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18th

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University Ave. 18th St.

Macky Auditorium

17th St.

LOT380

UniversityTheatre

Mary Rippon Theatre

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Series Sponsors

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Artist Series Corporate PartnersCorporate Membership

An investment in arts and culture. An investment in education.An investment in the community and the region. An investment in quality of life.

Encourage your company to join today! For information, call 303-492-7425.

The following businesses support Artist Series programming; please join us in supporting these sponsors.

music and performing arts to which the community would otherwise not have access. The highest quality emerging and internationally recognized artists provide world-class performances and residency activities that

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Mission Statement

enhance the learning environment at the University of Colorado and the cultural life of the community. The Artist Series emphasizes a variety of presentations from many cultures and traditions.

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T

spen Santa Fe Ballet’s dynamic development in the American WestIn 1996 Aspen Santa Fe Ballet Founder Bebe Schweppe invited Tom Mossbrucker and Jean-Philippe Malaty to create a ballet company in Aspen. A unique multidimensional arts organization developed rapidly from the ballet school Schweppe had established in the Rocky Mountains. “Bebe’s vision for Aspen to have its own ballet company was the project of a lifetime,” says Malaty, ASFB’s executive director. “We embarked together on a serendipitous adventure. Sixteen years later, the connection between the dancers and our two communities is deep and inextricable.”

Forging a new frontierThe company started modestly with six dancers.

Arpino, Trey McIntyre, Septime Webre, Dwight Rhoden,

popular Noir Blanc was a seminal event for the young troupe. It launched a tradition of commissioning new work. An open, exploratory style emerged as Mossbrucker and Malaty tapped the creative scene in Europe where classical ballet was breaking from its boundaries. The athletic and adventurous American dancers found themselves at a crossroads of dance history. The divide between ballet and modern dance was dissolving.

Hybrid business modelIn 2000, the Aspen-based company forged its two-city structure with Santa Fe, broadening its scope and

business model, a roster of arts activities took wing, year-round, in both cities. Performance, education, presentation and community outreach all joined the mix. Rapid growth ensued.

New commissionsASFB’s mission has always placed highest priority on developing new choreography and nurturing relationships with emerging choreographers. The company fostered the early careers of key global dance makers such as Nicolo Fonte (10 commissioned Fonte works in the ASFB repertoire), Jorma Elo (4 commissioned Elo works), Edwaard Liang, Jacopo Godani, Helen Pickett and others. Works by late-20th

“For us it’s never been about the single work. It’s the relationship we build with our choreographers; they become part of the fabric of the company. The natural beauty of our surroundings has a profound impact on

create here,” says Mossbrucker, ASFB’s artistic director.

National reputationASFB’s sophisticated repertoire combines well with the co-directors’ desire to entertain audiences. Repeat engagements at the Joyce Theater, Jacob’s Pillow Dance Festival, Kennedy Center, Wolf Trap Center for the Performing Arts, the American Dance Festival and the Harris Theater for Music and Dance have built a national reputation. Overseas invitations arrived from Brazil, Canada, France, Greece, Guatemala, Israel and Italy. From its base in the American West, ASFB has become a player at the vanguard of its industry. Premier funders such as the National Endowment of the Arts, the Joyce Foundation, the Wolf Trap Foundation, Dance St. Louis and The Princess Grace Foundation have supported ASFB’s growth. ASFB recently acted as a U.S. State Department cultural envoy on a tour to Brazil.

Accolades into the futureIn 2010 the Joyce Theater Foundation conferred upon Tom Mossbrucker and Jean-Philippe Malaty the Joyce Theater Award in honor of their pioneering and innovative model for American dance. The always-evolving Aspen Santa Fe Ballet looks to a bright future with energy and optimism.

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Macky Auditorium Friday, September 21, 2012 7:30 p.m.

ASPEN SANTA FE BALLETFounder: Bebe Schweppe

Artistic Director: Tom Mossbrucker

Executive Director: Jean-Philippe Malaty

Artists: Craig Black, Katherine Bolaños, Paul Busch,

Samantha Klanac Campanile, Sam Chittenden, Katie Dehler,

Seth DelGrasso, Nolan DeMarco McGahan, Emily Proctor,

Seia Rassenti, Joseph Watson

Production Stage Manager: Eric Johnson

Lighting Supervisor: Seah Johnson

Representation:

United States and Canada

Cathy Pruzan

4709 Paradise Drive

Tiburon, CA 94920

(415) 789-5051 . cpruzan@aol.com

International:

Margaret Selby, Columbia Artists Management, Inc.

1790 Broadway, 16th Floor

New York, NY 10019-1412

(212) 841-9554 . mselby@cami.com

of Aspen Santa Fe Ballet

PROGRAM

Square NoneASFB Commisioned Work

Choreography: Norbert De La Cruz IIIMusic: Alva Noto and Ryuichi Sakamoto, Michelle Ross,

George Frederic Handel, Aphex TwinCostume Design: Austin ScarlettLighting Design: Seah Johnson

Craig Black, Paul Busch, Samantha Klanac Campanile,Nolan DeMarco McGahan, Emily Proctor, Seia Rassenti, Joseph Watson

Premiere: April 13, 2012, Aspen Santa Fe Ballet, St. Louis, MO.

Aspen Santa Fe Ballet’s production of Square None was made possible by the Jerome Robbins Foundation’s New Essential Works (NEW) Program with additional support by Dr. Dan Luedke,

in honor of his wife, Dr. Susan Luedke.

Intermission

Stamping Ground

Choreography: Jirí KyliánMusic: Carlos Chávez (Tocata para Instrumentos de Percusión)

Set Design: Jirí KyliánCostume Design: Heidi de RaadLighting Design: Joop Caboort

Staged By: Patrick Delcroix

Seia Rassenti, Sam Chittenden, Katie Dehler,Emily Proctor, Paul Busch, Joseph Watson

Premiere: February 17, 1983, Nederlands Dans Theater at the Circustheater, Scheveningen.

Aspen Santa Fe Ballet’s production of Stamping Ground is made possible throughthe generosity of Sherry and Eddie Wachs.

Intermission

OVER GLOWASFB Commissioned Work

Choreography: Jorma EloMusic: Felix Mendelssohn and Ludwig van Beethoven

Costume Design: Nete JosephLighting Design: Jordan Tuinman

Assistant to the Choreographer: Nancy Euverink

Katherine Bolaños, Samantha Klanac Campanile, Sam Chittenden, Katie Dehler, Seth DelGrasso, Nolan DeMarco McGahan

Premiere: July 12, 2011, Aspen Santa Fe Ballet, Vienna, VA - Wolf Trap.

Aspen Santa Fe Ballet’s production of OVER GLOW was commissioned by Wolf Trap Foundation for the Performing Arts with additional support by Kelli and Allen Questrom.

ebe Schweppe, Founder, grew up in Augusta, Georgia, and started dancing at the Georgia Dance Theatre, under Frankie Levy at the age of seven. She was invited by Robert Joffrey to study at his school in New York on a full scholarship at age eleven. Bebe moved to Aspen

School. Her presence was a catalyst in the region. In 1996, she invited Jean-Philippe Malaty and Tom Mossbrucker to develop a small professional company in Aspen. Through their combined energies, the Aspen Ballet Company was born a year later. Shortly after, new performing opportunities beckoned in Santa Fe, upon which the company was renamed Aspen Santa Fe Ballet. Bebe speaks with pride when she considers the changes that have occurred over the years to her “baby.” “The Company has evolved to having earned a name of its own - ASFB. What a treat! It is recognized by other artists and respected by all. This is of course due in large part to Jean-Philippe and Tom.” She cites that “their strength has been in their unique ability to perceive and design a repertoire that entertains all parts, whether it’s the audience or the dancer.” Tom and Jean-Philippe have “greatly succeeded” in realizing her dreams for the company, she says. “I am thankful that I had the dream and was lucky and persistent enough to convince JP and Tom to relocate from New York City. Never did I imagine that one day the company would be performing nationally and internationally and never did I imagine that one day they would be performing works by internationally famous choreographers. Although I had the dream, I never imagined so much. I feel very lucky.”

Jean-Philippe Malaty, Executive Director, was born in the Basque region of France. After receiving his baccalaureate in dance, he accepted scholarships to study at Mudra, Maurice Béjart’s school in Brussels, and at John Cranko’s ballet academy in Stuttgart. Invited by acclaimed instructor David Howard to study in New York, Jean-Philippe traveled to America under Howard’s tutelage. Jean-Philippe’s performance career began with Joffrey II. He also danced as a guest artist with Los Angeles Classical Ballet, Ballet Hispanico, and the Lyric Opera of Chicago. While still in his twenties Jean-Philippe segued from the stage to an administrator role. A key member of Aspen Santa Fe Ballet’s start-up team, Jean-Philippe has been central to developing the company’s unique hybrid business model. He directs operations in two locations, overseeing a $3.2 million budget that he allocates to two schools, an esteemed presenting series, and an award-winning folkloric outreach

schedule permits, he conducts master classes at schools and universities. In 2010, the Joyce Theater Foundation recognized Aspen Santa Fe Ballet for its contribution to the

Tom Mossbrucker with the Joyce Theater Foundation Award.

Jean-Philippe a Livingston Fellowship in recognition of his

A naturalized U.S. citizen, Jean-Philippe is proud to have forged a company alive with American ideals of energy, invention, popularity, and eclecticism.

—Jean-Philippe Malaty

Tom Mossbrucker, Artistic Director, has been artistic director of Aspen Santa Fe Ballet since 1996. For the

past sixteen years Tom has built a prestigious arts/dance organization sharing two homes in Aspen and Santa Fe. Not being a choreographer himself has freed Tom as an artistic

contemporary ballet. His shining achievement is a roster of 24 ballets created on commission for ASFB by leading global choreographers. Tom began dance training at age four, studying tap in his hometown of Tacoma, Washington. He studied ballet in New York City at the School of American Ballet and the Joffrey Ballet School. His twenty years as a principal dancer with the Joffrey Ballet, performing in over 70 ballets, coincided with a period of high artistic achievement for the company. Tom danced in creations by the world’s great choreographers: Fredrick Ashton, George Balanchine, Laura Dean, William Forsythe, Jirí Kylián, Mark Morris, Paul Taylor and Twyla Tharp. Signature roles included Iago in Jose Limon’s ; Champion Roper in Agnes DeMille’s Rodeo; Billy in Eugene Loring’s ; and Romeo in Cranko’s . All of this rich and diverse dance background Tom brings to his coaching of young dancers today. In 2010, Tom, along with Executive Director Jean-Philippe Malaty, was honored with the Joyce

of dance. A former board member of Dance USA, Tom currently serves on the board of The Gerald Arpino and Robert Joffrey Foundation.

—Tom Mossbrucker

DancersCraig Black is starting his second season with Aspen Santa Fe Ballet. The California native was the captain of his San Jose high school’s nationally ranked dance team. Craig received his BFA from The Juilliard School, where he was awarded the 2010 Princess Grace Award in Dance. He won the 2011 Lorna Strassler Award for Student Excellence at Jacob’s Pillow Dance Festival. Craig’s summer programs were at Springboard Danse Montreal, Nederlands Dans Theater, and the Pillow. “I’m interested in people in general. One of my favorite pastimes is people watching. Now that

that words aren’t necessary.”

Katherine Bolaños from Oklahoma City, is in her ninth season with ASFB. She began her professional career at age 15 with Ballet Oklahoma where she remained for seven years. As a guest artist with the Los Angeles Ballet Ensemble, she toured extensively in Taiwan and China. Katherine expresses herself best through movement. “I love the partnering in contemporary work and moving in a way that’s very slow, expressive, and creaturelike. It pushes me beyond my limits. It’s based on classical technique but stretched to an extreme. My favorite piece, William Forsythe’s , is special; it’s very intimate. It’s backlit, so you feel you are in a different world.”

Paul Busch is entering his second year with Aspen Santa Fe Ballet. Born in Romania, Paul began dancing with the Dayton Ballet. He received his high school diploma from Interlochen Arts Academy and his BFA in dance from The Juilliard School. Paul’s musical background lends his dancing special insight. “As a pianist, I studied the Suzuki method. Listening to music, I started to move a lot and fell into dance. I see myself as a musician who dances, rather

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than me separate from the music or dancing on top of the music. I could never go back to just playing piano.” Paul also taught yoga to children in India.

Samantha Klanac Campanile has been with ASFB for a decade. Growing up in Buffalo, N.Y., Samantha trained at the American Academy of Ballet, and on scholarship at The Chautauqua Institute, NYSSA, and School of American Ballet. After starting her college education at SUNY, Purchase, Sam earned her BA in the arts from SUNY, Empire State College. “I never thought I would live in Aspen for 10 years. I always assumed I’d be on the East Coast. But now I truly feel like Aspen has become my community. We get to know our supporters and board members. It’s not just the ten of us; it’s our whole town.”

Sam Chittenden, a senior company member, is entering his 15th year with Aspen Santa Fe Ballet. He danced previously with the Utah Ballet and Canyon Concert Ballet in Ft. Collins, CO. He also studied at the Ballet West Conservatory. An all-rounder whose interests stretch beyond dance, Sam is also a freelance graphic designer and an avid rock climber. “Each show is different. Shows can be technically the same, but some nights the performances have more magic. You’re always striving toward that, but it just happens. Like a good night on the town with friends, if you try to force it, you’ll lose it.”

Katie Dehler, born and raised in St. Joseph, MN, began her ballet training at the Stroia Dance Studio. She continued her studies on scholarship at the University of Utah’s Department of Ballet, earning a BFA with a performance emphasis. Now in her 13th season with ASFB, Katie’s a veteran performer

myself on stage and not worry so much about doing things correctly. Once in a performance at Wolf Trap we were all on stage and I felt the group somehow transcend the steps. It brought us all to a special place. That’s a moment I’ll always cherish and remember.”

Seth DelGrasso is proud to be a founding member of Aspen Santa Fe Ballet, now in his sixteenth season with the company. “The relationship created between choreographer, dancer, and audience, whether expressing a character, or a choreographer’s intention and feeling, is the most rewarding facet of dance” says Seth. The Colorado native moved to New York City to study dance with David Howard, Nanette Charise, Simon Dow, Gelsey Kirkland, and Talara Ruth. Although Seth has made numerous guest appearances with Complexions Contemporary Dance and other companies, he

development of my career.”

Nolan DeMarco McGahan, a native of Dallas, Texas, trained at Dallas Ballet Center, Ballet Academy of Texas, and with Fernando Bujones at the Orlando Ballet School. He received

and Boston Ballet. He attended Booker T. High School of the Performing and Visual Arts before graduating from The Juilliard School in New York City, earning his BFA in Dance. “One thing I have loved about dancing from day one is the

Emily Proctor, a graduate of The Juilliard School, is entering her sixth season with Aspen Santa Fe Ballet. A native of North Carolina, Emily trained at the North Carolina School of the Arts. Prior to joining ASFB, she had the opportunity to tour with Hell’s Kitchen Dance in Aszure Barton’s In, which starred Mikhail Baryshnikov. Emily was one of

Dance Magazine’s . “Cayetano Soto is a favorite choreographer of mine. His drive for what he wants in us has made me a better dancer. Almost like a football player, you’re supposed to hit every play as hard as you can.”

Seia Rassenti danced with Flamenco Y Mas as a youngster in Arizona, then trained in ballet with Linda Walker at the Tucson Regional Ballet. After graduating from the Kirov Academy of Ballet in Washington, D.C., she danced with North Carolina Dance Theater, where she worked with Dwight Rhoden. She later studied with Alonzo King. Entering her fourth season with ASFB, Seia says: “I feel most comfortable in the contemporary mode. There’s more freedom and more allowance for personal expression. I trained classically because I thought it would help me become a better dancer, but it was never my intent professionally. I love what I’m doing now.”

Joseph Watson’s formal training began at T.W.I.G.S. (To Work In Gaining Skills), an after-school program in Baltimore. After graduating from the Baltimore School for the Arts, Joseph attended The Juilliard School where he received a BFA in dance. He then joined North Carolina Dance Theatre, performing contemporary and classical roles like the lead in Dwight Rhoden’s . Joseph is now in his fourth year with ASFB. “I went from 5th to 8th grade without anyone knowing I was a dancer. It wasn’t easily accepted in my neighborhood. But that wouldn’t stop me from doing what I love. I just kept my head down and kept dancing.”

Choreographers Norbert De La Cruz III, Choreographer, was born in the Philippines and raised in Los Angeles, CA. He embarked on his artistic journey as a dancer at 13 years of age, training at the Gabriella Axelrad Education foundation, The LA County HS for the Arts, ABT NYC, San Francisco Ballet, Miami City Ballet, Lines Ballet, and was scholarship recipient for the 2009 & 2011 summer of Netherlands Dans Theatre Dance Course. In May of 2010, Norbert graduated from The Juilliard School with a Bachelor’s Degree in Fine Arts under the direction of Lawrence Rhodes. His professional experience includes performing with the Metropolitan Opera House in their production of Aida, performing repertoire from choreographers such as Adam Hougland, David Parker, Johannes Wieland, Ohad Naharin, Jill Johnson and Aszure Barton. Norbert has toured internationally with Aszure Barton & Artists and Balletto Teatro di Torino (Italy). Norbert was recently awarded the 2012 Princess Grace Foundation

also pursues his talents in photography and continues to dance with a high emphasis on choreography and movement invention.

Jorma Elo, Boston Ballet Resident Choreographer. Finnish-born Jorma Elo is one of the most sought-after choreographers in the world. Elo, who was named Resident Choreographer of Boston Ballet in 2005, was singled out as a “talent to follow” by Anna Kisselgoff in her 2004 Year in Review for . It was an astute observation. He has since created numerous works in the US and internationally, including for New York City Ballet, and (Close to Chuck) for American Ballet Theatre, for San Francisco Ballet, for Boston Ballet, for Vienna State Opera Ballet, for National Ballet of Canada,

for Royal Danish Ballet, and for

standing

ovation

Every Journey Begins with a Single StepAs a self-funding auxiliary of CU, the Artist Series depends on gifts and ticket revenue to cover artistic fees and production costs.

We encourage you to use the envelope in the center of this program to make your gift to the Artist Series and to help bring great artists to Boulder.

Simply give your envelope to an usher or mail it back to us. Donations can also be made online at cupresents.org or by calling 303-492-6291.

Thanks for your support!

Finnish National Ballet. His debuted in 2007 for Hubbard Street Dance Chicago, to a commissioned score from Chicago Symphony Orchestra’s Mead Composer-in- Residence, Mark Anthony Turnage, and the piece was conducted by Maestro Esa-Pekka Salonen. Elo trained with the Finnish National Ballet School and the Kirov Ballet School in Leningrad. Prior to joining Netherlands Dance Theater in 1990, he danced with Finnish National Ballet from 1978 through 1984 and Cullberg Ballet from 1984 to 1990. For Boston Ballet, Elo has created six world premieres:

(2002), (2004), (2006), (2007), (2008), and

(2009). Elo has received commissions from Netherlands Dance Theatre 1, Basel Ballet, Houston Ballet, Royal Danish Ballet, Norwegian National Ballet, Finnish National Ballet, Royal Ballet of Flanders, Stockholm 59° North, Alberta Ballet, Staatstheater Nurnberg, Aspen Santa Fe Ballet and Ballet X. He is also a skilled designer of costumes, lighting and video effects for his ballets. The 2005 Helsinki International Ballet Competition awarded Elo a choreographic prize, and he is the recipient of the Prince Charitable Trust Prize and the Choo-San Goh Choreographic Award in 2006. Dance Magazine (April, 2007) featured Elo on their cover with a corresponding article, Pointe Magazine named him a Dance VIP of 2006, and named him a “Master Artist” in 2008.

Kylián, Choreographer. Hailed as one of the world’s foremost living choreographers, Jirí Kylián was born in Prague, and studied at the city’s Conservatory and London’s Royal Ballet School before joining the Stuttgart Ballet (Germany) under John Cranko in 1968. In 1973 he was invited by the Nederlands Dans Theater in Den Haag as a guest choreographer. By 1975, he was appointed the company’s Artistic Director. Jirí achieved his international breakthrough with in 1978, set to music

reputation kept growing with such works as (1978), (1981), (1982),

(1983) and (1984). Apart from developing choreographic works, Kylián has also built up a unique organizational structure for and within the Nederlands Dans Theater, adding two new dimensions to the Dutch ballet company. The world-famous Nederlands Dans Theater I has been expanded by Nederlands Dans Theater II (‘The Young and Dynamic Company’ of dancers between the age of 17 and 22) and Nederlands Dans Theater III (dancers/performers beyond the age of 40)—each company with a distinctively individual

directing the Nederlands Dans Theater by mounting the large-scale dance production , which involved all the dancers of Nederlands Dans Theater I, II and III. On that occasion, he received one of the Netherlands’ highest

the Artistic Director of Nederlands Dans Theater. However, with respect to the future development of the company, he maintains the essential roles as a resident choreographer.

October 16Happy B., Mr. G.!Alejandro Cremaschi, piano and FriendsCarlos Guastavino (1912-2000), a composer born 100 years ago in Argentina, wrote thoroughly intoxicating and captivating music based on folk idioms of his country. Join us for a program of his solo piano and chamber works, including the

clarinet, cello and piano. Pianist Alejandro Cremaschi will be joined by Beth Kipper, Julie Simson, Christina Jennings, Daniel Silver, Thomas Heinrich and Daphne Leong.

October 23The Love of My LifePatrick Mason, baritone and FriendsJoin us for a look at our favorite topic in songs and duets by John Musto and Leonard Bernstein. Baritone Patrick Mason is joined by CU faculty Nicolò Spera, Jennifer Bird-Arvidsson, Margaret McDonald, Alexandra Nguyen, and Julie Simson. Guitar and voice! Piano four-hands! A crazy song in Yiddish! (But mostly in good ol’ American.)

October 30A Hugo Wolf LiederabendCU-Boulder Voice FacultyThe pianists and singers of the Voice Faculty join forces to present an evening of songs by the late Romantic Austrian composer, Hugo Wolf. In settings of Goethe, Eichendorff, and others, Wolf masterfully portrays the gamut of human experience, from the idealistic sublime to the wickedly hilarious.

September 25Tom Myer, saxophone and friendsJoin us for an hour of neo-romantic music for classical saxophone. Mr. Myer will perform with Andrew Cooperstock,

faculty Charles Wetherbee.

October 2Joel Burcham, tenor and FriendsTenor Joel Burcham will be joined by pianists Hsing-ay Hsu, Mutsumi Moteki, and Alexandra Nguyen for an evening of art song mainstays, including Beethoven’s and Liszt’s .

October 9John Cage at 100: “Imaginary Landscapes”David Korevaar, Andrew Cooperstock, Alejandro Cremaschi, Margaret McDonald, Hsing-ay Hsu, piano and other CU facultyCome hear an evening of John Cage’s prepared piano music sprinkled in with other Cage chamber pieces, and video clips of

100 Festival.

www.cupresents.org

2012 Fall Semester

Faculty Tuesdays recitals are held at 7:30 p.m. in Grusin Music Hall in the Imig Music Building.

All performances are free and open to the public.

MemberGordon AndersonAnonymousDavid BeausangGil and Nancy BermanMargot and Chris BrauchliShirley CarnahanPauline and Noel ClarkCatherine CloutierRobert and Janice ColemanColleen and Terry ConantKatherine and John CrawfordSylvia and Burt DarmourJohn DavisKenneth and Sally DellBarbara and John GardnerLeslie and Merrill GlustromJudy GouldHazel HanleyDavid and Jo HillDavid and Caryl KassoyLenore and Alvin KatzGlenn KorffMarion and Frank KriethJudah and Alice LevineMark and Linda LoewensteinThomas and Gail MaddenErma and John ManteyPaul and Kay McCormickHunter McDanielValorie and William MooneyKim and Richard PlumridgeRichard ReplinRebecca RoserDonald and Elizabeth SaundersMark Siegal and Phylis ApplebaumMary and Andrew SkumanichCarolyn and Courtland SpicerZoe Ann StiversAnthony and Randi StrohEllen and Adam TschidaRichard WarrenHunter WolcottAllan and Marta Wolfe

drummer from Yamato leads a technique demonstration at Boulder High School, Thomas

All of this is possible because of your support of the Artist Series. Together, we bring to our community a wealth of great programs including concerts, master classes and lectures. Parking is available for Artist Series performances with a donation at the Contributor level or above. We also offer some exciting thank-you gifts such as dinners, the Concert Club intermission reception, and more! Call Senior Director of Development Lissy Garrison at 303-492-6291 or email lissy.garrison@cufund.org for more information about becoming a member of the Artist Series. Members of the Friends of the Artist Series Society from January 1, 2011-August 23, 2012 are listed below.

Concert SponsorsColorado Public RadioDaily CameraMark H. Carson and Associates, P.C.Emerson Process/Micro MotionHotel BoulderadoHurdle’s JewelryFriends of the Artist SeriesJames and Associates, LLCNew England Foundation for the ArtsKUNCKUVOJames L. D. and Rebecca J. Roser Visiting Artist FundWestern States Arts Federation

Partners in the ArtsArt CleanersBoulder WeeklyCafe AionHB WoodsongsFlowers in BloomLiquor MartSage and Savory

Foundations and Matching GiftsJanet E. Ackermann and Scott R. Wiesner Charitable Fund

A. G. Edwards & Sons, Inc.National Endowment for the ArtsNewton Family FundWestern States Arts Federation Tour WestCU Athletic Ticketing DepartmentPolk Family Charitable FundGeorge F. Reynolds EndowmentScripps Company

BenefactorGrant Couch, Jr. and Louise PearsonGregory Silvus

SponsorAnonymousDick and Diane DunnDaryl and Kay JamesEllen and Joshua Taxman

PatronAnonymousJoan McLean BraunChris and Barbara ChristoffersenRon and Elizabeth HarringtonSuzanne and David HooverRuth Carmel KahnMary LamySandra and Robert McCalmonJerry and Jamie OrtenStephen Zimmermann

SupporterAnonymousDean and Ellen BoalMark and Margaret E. CarsonRobert and Janice ColemanPhilip and Yvonne DiStefano

Charles and Martha EverillCarol and Michael GallucciDoree and Gerald HickmanSusan and Jon LounsburyCharles and Heidi LynchJeff and Janet MartinVirginia NewtonLuana and Paul RubinLawrence and Ann ThomasScott Wiesner and Janet Ackerman

ContributorA FriendAnonymousDavid and Joan BraunNorma Ekstrand and Tom Campbell

Karla and Robert FriarFrank GrahekMyra JacksonGladeane and Gregory LefferdinkHarold and Joan LeinbachAnnyce MayerAlan and Judy MegibowTheodore and Ruth SmithJoan Stern-MuratahaDouglas TaylorCaroline and Vincent WaylandEdwin and Mary Wolff

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Friday, October 26, 7:30 p.m.Sunday, October 28, 2 p.m.Macky Auditorium

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FALSTAFFby Giuseppe Verdi

Beautiful melodies, Shakespearean dialogue, and brilliant orchestration combine in Giuseppe Verdi’s last opera. Falstaff weaves the tale of a portly, greedy knight who pledges his love to multiple married women. When the women discover his deception, they attempt revenge, involving a parade of comic characters who leave us to conclude that “Everything in the world is jest!” Sung in Italian.

Friday, March 15, 7:30 p.m.Saturday, March 16, 7:30 p.m.Sunday, March 17, 2 p.m.Macky Auditorium

LITTLE WOMENby Mark Adamo

A tale of growing up through hardships and the importance of family, the story of Little Women has become absorbed into the canon of American literary classics. With an original libretto, this opera eloquently captures the soul of the original novel with supple group harmonies and soaring arias. Esteemed director Rhoda Levine brings her international reputation to CU as a guest artist, having directed Little Women before with the New York City Opera in 2003. Sung in English.

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