Creative Economy and the Value of Culture2014.artsummit.org › media › medialibrary › 2014 ›...
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Creative Economy and the
Value of Culture
Avril Joffe, CAJ South Africa
Presentation to 6th World Summit on Arts and Culture, SANTIAGO DE CHILE, 2014 13-16 January 2014
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Valuing culture
IFACCA asked this panel whether the standard tools and language to measure results and impact of public spending and contribution of culture to employment, trade…
© CAJ, 2014
“Is this the right focus?”
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Myriad of ways of valuing
culture’s contribution
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The Cultural and Creative Economy –
where does this concept originate from?
Intellectual property and copyright
Creative
origin of
goods/
service
Cultural origin of goods/service
Commercialisation
of products
leading to wealth
and job creation
culture the arts cultural planning
cultural resources
cultural industries
creative industries
1980’s 1990’s
Creativity
as a key
attribute
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Intersection with Public
Policy Only in the mid 1990’s that
creativity as a broad based attribute became
common currency – Creative Economy
© CAJ, 2014
Charles
Landry’s
value
chain
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Cultural Industries
Creative industries
Creative Economy
Application of
individual creativity to
enterprise
• Design
• Animation
• Multi-media
• Advertising
Arts, Culture and
Heritage
• Arts
organisations
• Craft
• Visual arts
• Music
• Film
• Performing
arts
Creative Assets found in all sectors of economy • Knowledge-based • Creativity adds value • Centred but not restricted
to arts and culture • Generate income from
trade and property rights
© CAJ, 2014
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Experience in Africa
Increasing importance of evidence based
research using figures and statistical indicators
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• The Cultural Industries Growth Strategy
Measuring Culture – developments globally to inform what we do locally
Investigation in the Establishment of a South African Cultural Observatory
ILO SADC contribution of culture to jobs and small business
Cultural Diversity in Developing Countries – the challenges of globalisation
Africa contribution in UNCTAD’s CER 2008
UNESCO technical facility for Africa
Creative Mapping Studies in South Africa, Nigeria, Kenya, Ghana, East African Development community
Arterial Networks’ generic framework for Cultural Policy
o New White Paper for Arts and
Culture in SA
o Arterial Network annual
conferences on the African
Creative Economy
Developing the evidence base for
creative sector in Africa
© CAJ, 2014
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Sectoral analyses vs the
creative industries in general
Creative South Africa (DAC)
The Creative Capital: Johannesburg and the creative industries (DBSA: Newtown)
Mapping studies in South Africa, Kenya, Nigeria (British Coiuncil) East African region (EAC)
Creative city evaluations and city level cutlural strategies
© CAJ, 2014
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Is this the right focus?
Does the creative economy or creative industries agenda continue to serve the needs of the cultural sector
And if not
What new ways of thinking are needed?
What definitions, concepts and methodologies are necessary for advocacy, education, impact and relevance and value?
© CAJ, 2014
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Key public policy tension
Does the focus on the value of the
creative ECONOMY divert
attention away from the value of
the arts?
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Creative Industries Agenda
‘Creativity’ is too all-inclusive and therefore unhelpful in the definition of ‘creative industries’
Over-emphasized commercial aspects of culture
Reduced creativity to intellectual property rights
Ignores growing exploitation of creative labour
Silent on and at times contributing to growing structural inequalities within and between nations
Reduces cultural value to the bottom line
Increased reliance on statistical indicators of economic impact to make the case for culture
Ref: Cultural Economy Network formed in 2013 in Shanghai © CAJ, 2014
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Cultural Economy
Puts culture back in the heart of the
economy
Opens up possibility for more nuanced
view of the ‘economy’ (social welfare,
institutions, environment and society)
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Secure cultural goals within
new development agenda Asserting the leading value of culture within the cultural/ creative economy
New development agenda relevant to Global South
Texts that set this tone
UNESCO’s 2005 Convention on the Diversity of Cultural Expressions
CER 2013 ‘Widening Development Pathways’
UNESCO’s Technical assistance programme to assist the implementation of the Convention
Hangzhou Declaration: “Placing culture at the heart of sustainable development policies’ in the post 2015 Development Goals © CAJ, 2014
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Unesco cultural economy
Cultural Domains Related domains
A:
Cultural
&
Natural
Heritage
B:
Perfor
mance
&
Celebr
ation
C:
Visual
Arts &
Crafts
D:
Books
&
Press
E:
Audio
Visual
&
Interac
tive
Media
F: Design
&
Creative
Services
A:
Tourism
A:
Sports
&
Recrea
tion
Intangible cultural heritage
Intangible cultural
heritage
Education and training
Archiving & Preserving
Equipment & Support Materials
Education & Training
Archiving & Preserving
Equipment & Support
Materials © CAJ, 2014
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Cultural Economy as
Complex
Acknowledge the complex links between sectors
One size does not fit all
Need to address specific needs but keep
connections to wider cultural economy
See cultural and creative industry products and
services as Experiences/ Services/ Originals /
Content
© CAJ, 2014
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Online/mobile services Publishing TV/radio broadcast/distribution Games publishers Film studios/distribution Recorded music Merchandise Designer fashion
PR, Marketing Architecture
Design Advertising
Post-production, facilities
Heritage & tourism services
Exhibitions, attractions (design & build) Cinemas Live music Performing arts
Spectator sports Visitor attractions Galleries Museums Heritage
Antiques Designer-making Crafts Visual arts
Web/mobile development Photography TV & radio production Games development Contract publishing Agents
Services
Originals
Expe
rien
ces
Co
nte
nt
© CAJ, 2014
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© CAJ, 2014
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Recognising that Global trade and markets talk the language of property rights, contracts and market exchange in which value is created through robust markets and ‘development’
Clearly the value of our creative expression can not only to be measured in terms of buying and selling, jobs, income, turnover and quantities?
Are we stuck in a narrative in which market economics and privatised ownership are hailed as the formula for all progress, innovation, and prosperity?
© CAJ, 2014
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New narratives needed …
© CAJ, 2014
For why culture has intrinsic value without adopting the default language of the market
For why the market is not an adequate guardian of the arts and culture and why the arts is valuable in its own right
A narrative that takes us further than the formulation of ‘arts for its own sake’, ‘culture for development or the cultural dimension of development’, the cultural and creative industries, culture as enabler and driver of development
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Question posed at annual African Creative Economy
conference, Nairobi , 2011, Arterial Network
what new narratives and new models ?
what new methodologies and new ways of
measuring the specific values in the cultural
economy (texts, sound, images, experiences and
memories?
what can be implemented on our continent ?
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The
Commons
Market State
Current examples of
the commons The Human Genome Project
Open source software
movement
Wikipedia
The creative commons
license
Information commons
© CAJ, 2014
Accommodate a variety of market interactions and new social interactions
social communities, online communities, crowd financing, stockvels, new
flexible, innovative solutions emerging out of all territories including from
African creative practice and further in the Global South
Demonstrate the value of the arts and culture apart from its market
valuations
Public need
The physical, intellectual, creative and digital resources,
social institutions & intangible cultural traditions that we
own collectively as a society – resources that we have paid
for (taxes), or communities have created for themselves, or
have inherited – social institutions and cultural traditions
that define us as people
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DEFENDING THE COMMONS is to RECOGNISE that people have collective needs and identities that the market simply cannot fulfil by itself
People own certain resources (artistic, creative, cultural) and must have the right and legal mechanism to control them
We are not all either sellers or consumers – we have other identities that are important to us
Allows us to highlight market abuses
Focus on specific policy proposals for preserving, promoting culture and the diversity of artistic expressions
© CAJ, 2014
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Valuing the cultural
economy
Economic Significance
Personal development
Common Culture
Artistic freedoms
Community
participation
Human and
Social Impact
Local cultural identity
Globalisation
Glocal thinking
Distinctiveness
The “creation of meaning”
Creativity
Reclaiming space and place
Non-conventionality
Problem solving
Innovation
& Creativity
Values
Heritage Nation building
Identity
Place Marketing Tourism
Image
Ideas & information
Forum for debate
Freedom of expression , artistic
expression
Information and
Communication
Employment
Wealth
Income & Turnover
Foreign exchange
© CAJ, 2014
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© CAJ, 2014