Creative Digital Anarky

Ann Marie ShillitoDesigner maker / jeweller

Author of ‘Digital Crafts: Industrial Technologies for Applied Artists and Designer Makers’

Founder and CEO of Anarkik3D LtdHonorary Research Fellow, Edinburgh College of Art

Ann Marie Shillito

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To participate in, use industrial technologies: need digital data

My own work: 1990 to 1998• 2D/3D CAD• Laser cutting • 3D printing

To quote Peter Dormer:“It is not craft as ‘handicraft’ that defines contemporary

craftsmanship:it is craft as knowledge that empowers a maker to take

charge of technology.”

The tools we use as humans are extensions of our bodies. It is not hands that have built our world, it is tools we

have made. Peter Musson 2011

• metalsmithing workshop his laboratory: developing/adapting CNC system for his needs:– fine scanning as well as 3D printing in metals.– scripting and processing as a design tool.

‘Which is a good way to waste time, what with playing with it! Who said CNC would save time in the crafts! Ha!

Peter Musson: Designer silversmith http://www.petermusson.com

Image:Celebration of Calibration

Michael Eden: ceramics

,

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Jonathan Keep: 3D printing ceramic

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http://www.keep-art.co.uk

Delta 3D printer •to extrude clay

3D digital data = access to 3D printing

Digital model ‘bacon-sliced.

Digital slices sent to printer

Layers physically built into 3D object.

Different systems & range of materials.

(3a) Extrusions: plastics, edibles, composites

(3b) Sintered: plastics, starches, metals

Other materials/systems: resin, sheet, paper

Marcus Kayser:

sintering desert sand.

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Unfold: Rapman 3D printer for extruding clay

Unfold: Rapman 3D printer• for extruding clay

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Esteban Schunemann:•extruding precious

metal clay (silver)

4AXYZ furniture company (Samir Shah)

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Own machine: specialised glues to recreate wood

http://4axyz.com

Different ways to create:•Algorithms

•SHAPES iN PLAY,

Different ways to create:

Algorithms

Justin Marshall (at

theUniversity

College Falmouth)

andthe

University of Huddersfield.

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15Lynn MacLachlan

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designer makers accessing digital technologies to explore the potential for themselves*

Different ways to create:•Scanning – Geoffrey Mann

(*UK Craft Council report by Mary Schwarz and Dr. Karen Yair, June 2010)

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Combining advantages of traditional and cutting-edge technology

Gordon Burnett

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•Jae-won Yoon: designed using CAD, 3D printed/cast units coupled with Mokumegane

Combining advantages of traditional skills and methods with cutting-edge technology:

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Using 3D print services, combining available materials: Farah Bandookwala

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Jewellery from consumer 3D printers:Hot Pop Factory (below)

Elizabeth Armour (right)

Direct metal laser sintering: Ann Marie Shillito: 3D printed in bronze, titanium.

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Unfold

Towards a more inclusive gestural system for digital form-making.

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Kathryn Hinton

Towards a more inclusive haptic system for digital form-making.

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‘Tacitus’ Research Project 2000 – 2004Proof of Concept Award 2005 - 2006

investigating haptic technology as a more intuitive way of working digitally in 3D for designer makers/applied artists

Ann Marie Shillito: Principle Investigator,Edinburgh College of Art: Research Fellow

Dr. Mark Wright: Co-InvestigatorUniversity of Edinburgh. Research Fellow (EdVEC/Informatics)

Spin-out, founded 2006/2007: • 2007-2009: SMART Award, SE Business Support• 2008: developing own brand product:

• affordable haptic 3D sketch modelling package• Markets: Creative sector• Application: 3D printing, CNC milling

• 2011: Shortlisted: educational Bett Award

• 2013: Shortlisted 3DPrintShow Global Award

• Category: Best Consumer Software

Anarkik 3D Design

creative freedom to stretch the scope of our imagination.

•designer makers and artists,• creative persons, all ages

•Non-CAD usershaptic 3D modelling software

plus robust 3DoF haptic device:•coherent 3D interaction

•easy navigation •more intuitive

•non complex interface• straight forward range of tools

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• move & rotate objects & world in 3D

• manipulate, deform: feel and see interactions

• scale, construct, subtract: serendipity as default

• Export file formats: direct to 3D printing

• To some CAD (e.g. Rhino)

Anarkik 3D Design: Cloud9 interface:

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Anarkik 3D Design package:• non-CAD users: creative freedom

• easy access to 3D modelling 3D printing •Product designers: ‘quick & dirty’ idea generation & prototyping:

• Fast iterations: explore multiple options • Testing: best to fail ‘fast and early’

•http://vimeo.com/31644466•www.anarkik3d.co.uk

Farah Bandookwalla

Birgit Laken

Sketchup

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Anarkik 3D Design

Illustration adapted from Sketchup Presentation for i.materialise conference. Can be seen here http://vimeo.com/11322333

Grasshopper

TinkerCAD

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Education:

Anarkik 3D Design plus Personal 3D printers: access for pupils in art and crafts to engage with technology.

3D Consequences Pilot Project

• Collaboration & stretching the scope of their imagination• 4 designers makers: swop digital models: 3 iterations•Educational: one newbie supported to 3D digitally model for 3D printing

3D Consequences Pilot Project•12 digital models for 3D printing•3D printed 8 models: sponsorship from Sculpteo

• 4 more digital models to 3D print • further sponsorship sought to complete

info@anarkik3d.co.uk http://anarkik3d.co.uk anarkik3d.wordpress.com

@anarkik3d @anarkymarie Anarkik 3D Design 33

My book: ‘Digital Crafts: Industrial Technologies for Applied Artists and Designer Makers’

Be inspired, pile in, you do have the means to participate in these exciting technologies

Thank you.