CREATE AN INTERRETIE FILM THAT ELORES ONE’S … · create an interretie film that elores one’s...
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CREATE AN INTERPRETIVE FILM THAT EXPLORES ONE’S CONSCIOUSNESS FLUCTUATING BETWEEN RATIONAL A IRRATIONAL THOUGHT. THINK OF HOW YOU COULD EXP THROUGH A CERTAIN FRAMEWORK. CREATE AN INTERP FILM THAT EXPLORES ONE’S CONSCIOUSNESS FLUCTUA BETWEEN RATIONAL AND IRRATIONAL THOUGHT. THINK OF HOW YOU COULD EXPLORE THIS THROUGH A CERTA FRAMEWORK. CREATE AN INTERPRETIVE FILM THAT EXP ONE’S CONSCIOUSNESS FLUCTUATING BETWEEN RATIO IRRATIONAL THOUGHT. THINK OF HOW YOU COULD EXP THROUGH A CERTAIN FRAMEWORK. CREATE AN INTERP FILM THAT EXPLORES ONE’S CONSCIOUSNESS FLUCTUA BETWEEN RATIONAL AND IRRATIONAL THOUGHT. THINK YOU COULD EXPLORE THIS THROUGH A CERTAIN FRAM IN SEARCH OF THE LACUNA AARON • EMILY • SELIN • ZOE
Transcript of CREATE AN INTERRETIE FILM THAT ELORES ONE’S … · create an interretie film that elores one’s...
C R E AT E A N I N T E R P R E T I V E F I L M T H AT E X P LO R E S O N E ’ S C O N S C I O U S N E S S F L U C T U AT I N G B E T W E E N R AT I O N A L A N D I R R AT I O N A L T H O U G H T. T H I N K O F H OW YO U C O U L D E X P LO R E T H I S T H R O U G H A C E R TA I N F R A M E WO R K . C R E AT E A N I N T E R P R E T I V E F I L M T H AT E X P LO R E S O N E ’ S C O N S C I O U S N E S S F L U C T U AT I N G B E T W E E N R AT I O N A L A N D I R R AT I O N A L T H O U G H T. T H I N K O F H OW YO U C O U L D E X P LO R E T H I S T H R O U G H A C E R TA I N F R A M E WO R K . C R E AT E A N I N T E R P R E T I V E F I L M T H AT E X P LO R E S O N E ’ S C O N S C I O U S N E S S F L U C T U AT I N G B E T W E E N R AT I O N A L A N D I R R AT I O N A L T H O U G H T. T H I N K O F H OW YO U C O U L D E X P LO R E T H I S T H R O U G H A C E R TA I N F R A M E WO R K . C R E AT E A N I N T E R P R E T I V E F I L M T H AT E X P LO R E S O N E ’ S C O N S C I O U S N E S S F L U C T U AT I N G B E T W E E N R AT I O N A L A N D I R R AT I O N A L T H O U G H T. T H I N K O F H OW YO U C O U L D E X P LO R E T H I S T H R O U G H A C E R TA I N F R A M E WO R K .
IN SEARCH OF THE LACUNAAARON • EMILY • SELIN • ZOE
C R E AT E A N I N T E R P R E T I V E F I L M T H AT E X P LO R E S O N E ’ S C O N S C I O U S N E S S F L U C T U AT I N G B E T W E E N R AT I O N A L A N D I R R AT I O N A L T H O U G H T. T H I N K O F H OW YO U C O U L D E X P LO R E T H I S T H R O U G H A C E R TA I N F R A M E WO R K .
BRIEF Q
UESTIO
N
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OUR RESPONSE
I D E A S F O R V I D E O
• Witching hour
• Midnight - the minute between one day and the next
• Awkwardness
• Spooky vibe
• Thresholds
• Weird narration
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T H R E S H O L D SRESEARCH
When you exceed your personal threshold, you “evolve emotionally and spiritually” pp.140
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T H E W I TC H I N G H O U RRESEARCH
“Double, double toil and trouble; Fire burn, and cauldron bubble”. (4.1.10-11)
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AW K WA R D N E S SRESEARCH
• Based on the concept of how something eerily funny can turn into something creepy
Body Remix & Les Variations Goldberg - Directed by Marie Chouinard
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FILMING TECHNIQUES
I D E A S
01 –Repetiton & Fast cutting
04 –Layering & Projection
05 –Cinemagraph/freezing footage
02 –Slow Motion
03 –Glitch
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TECHNIQUE 01
R E P E T I T I O N & FA ST C U T T I N G
Snakadaktal - Fall Underneath - Filmed by Dimitri Basil
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TECHNIQUE 02
S LOW M OT I O N
Inception, kick scene - Directed by Christopher Nolan
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TECHNIQUE 03
G L I TC H
UBU - Methyl Ethel
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TECHNIQUE 04
L AY E R I N G & P R O J E C T I O N
Iridescence - Simon Clowes
Ephemeral Soul - Genki Ito
1 0 Z E R O P I N K 2 ( A )
TECHNIQUE 05
C I N E M AG R A P H & F R E E Z I N G
Cinemagraph example - Kevin Berg and Jamie Beck
1 1 Z E R O P I N K 2 ( A )
B U D G E T I N GPROJECT PLAN
• Hire DSLR Canon 5D from UTS ($0)
• Tripod (Owned – $0)
• SD Card (Owned – $0)
• Music (Royalty Free – $0)
• Lights (Hire – $0)
• Props and Costumes (Max $100)
• Location (Max $100)
• Actors (Us and friends – $cupcakes)
• Projector (Owned – $0)
MAX SPEND (out of pocket) $200
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TA S K S C H E D U L EPROJECT PLAN
• Brainstorming of story
• Rough storyboarding
• Experimentation with filming
• Refining storyboards
• Location scouting
• Filming
Post production
• Audio
• Editing – Colour grading, effects, etc
STUVAC
WEEK 7
WEEK 8
WEEK 9-11
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REFERENCES
• Burg, K. & Beck, J. 2017, Cinemagraphs, viewed 5 April 2017, <http://cinemagraphs.com/>
• Chouinard, M. 2005, ‘Body Remix & Les Variations Goldberg’, viewed 19 April 2017, <https://www.youtube.com/watch?v=LYS1PG6RoyY>
• Genko Ito, 2014, Ephemeral Soul, experimental short film, Vimeo, viewed 11 April 2017, <https://vimeo.com/73016062/>
• Simon Clowes, 2015, Iridescence – A Visual Journal of an Ephemeral Existence, short film, Vimeo, viewed 11 April 2017, <https://vimeo.com/124576720/>
• Snakadaktal 2013, Fall Underneath, music video, YouTube, viewed 14 March 2017, <https://www.youtube.com/watch?v=TmDS_shIvQ8>.
• Wikipedia 2017, Cinemagraph, viewed 5 April 2017, <https://en.wikipedia.org/wiki/Cinemagraph>
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