Cosmological Cinema: Metaphor, Symbolism, and Immersion
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Science World Telus World of Science Vancouver, British Columbia, Canada 1986 Model of the Universe Johannes Kepler 1619 Cultures from around the world have long turned to the dome of the heavens to better understand the cosmos. Basilica di San Pietro Michelangelo As this perceived curvature has manifested architecturally throughout the world, domes have been used to enclose the most sacred environments of many cultures. From Buddhist stupas to Islamic mosques to Christian cathedrals, these structures have been used as places of ritual, indoctrination, and transcendence. In the 20th century, it became possible for the first time to radially extend mental images onto the dome screen using projections of light. Everyone stands under his own dome of heaven Anselm Kiefer 1970 Hagia Sophia Istanbul, Turkey Assumption of the Virgin Antonio Allegri da Correggio Cathedral of Parma, Italy 1530 Angkor Wat Angkor, Cambodia 12th century San Lorenzo Dome Guarino Guarini Turin, Italy 1687 Stonehenge Amesbury, England ca. 2500-2000 BCE Nebra Stardisk Nebra, Germany ca. 1600 BCE Total Environment Learning Lab Roger Ferragallo Oakland, California, USA 1967 Dome of the Rock East Jerusalem, Israel 691 Boudhanath Stupa Kathmandu, Nepal 5th century Basilica di San Pietro in Vaticano Vatican City 1426 Abakh Hoja Tomb Cashi, China ca. 1640 Flammarion An anonymous woodcut depicting a pilgrim looking beyond the firmament to see the inner workings of the universe. Date Unknown Yggdrasil The ‘World Tree’ of Norse Cosmology Rosicrucian Planetarium San Jose, California, USA 1936 Zeiss Planetarium Jena, Germany 1923 Dream Temple Mariko Mori 1999 Movie-Drome Stan Vanderbeek Stony Point, New York, USA 1965 Pepsi Pavilion Experiments in Art and Tech- nology Osaka, Japan 1970 The Vortex Experiments Henry Jacobs & Jordan Belson San Francisco, California, USA 1957-59 Rose Center for Earth and Space New York, New York, USA 2000 La Géode Paris, France 1985 Bok Globule Carter Emmart & Leo Villareal Black Rock City, Nevada, USA 2004 Three-Story Universe Common to numerous cosmologies worldwide Uniview Networked real-time data visualizations based on NASA’s Digital Universe Atlas Sonic Vision Rose Center for Earth and Space Animation based on paintings by Alex Grey 2004 Innovations in architecture, large-format cinema, and computer graphics have enabled the development of elaborate dome installations for art, education, and entertainment. The Apotheosis of Washington Constantino Brumidi United States Capitol Building 1865 As they are integrated with networked and interactive media, how can portable and permanent immersive visualization domes be most effectively utilized to communicate and expand mental maps in the 21st century? In the latter half of the 20th century, numerous artists, engineers, and educators experimented with domed environments to explore the possibilities of mediated sensory immersion. La Piedra del Sol Aztec Calendar Stone ca. 15th century Sanchi Stupa Sanchi, India 3rd Century BCE Newgrange Passage Tomb Newgrange, Ireland ca. 3200 BCE Mycenaean Tholos Tomb Mycenae, Greece ca. 1250 BCE Camera degli Sposi Andrea Mantegna Mantua, Italy 1474 Sultan Faraj ibn Barquq Mausoleum Cairo, Egypt 1411 The Cosmological Cinema Metaphor, Symbolism, and Immersion Adler Planetarium Chicago, Illinois, USA 1930 Hayden Planetarium New York, New York, USA 1935 Griffith Planetarium Los Angeles, California, USA 1935 NVIDIA Visualization Dome Los Angeles, California, USA SIGGRAPH 2005 Celestial Mechanics D. Scott Hessels & Gabriel Dunne UCLA Design | Media Arts 2005 Frame of Peyote Sweat Lodge Cheyenne Nation The rounded enclosures have often been used as canvases upon which to represent psycho-cosmological constructs, with both internal and external surfaces often steeped in visually symbolic and geometric meaning. The shape of the celestial screen has influenced the evolution of mental maps around the world, revealed by numerous artistic, religious, and scientific artifacts and beliefs. David McConville [email protected] Planetary Collegium CAiiA-Hub
description
McConville, D. (2007, November 15). Cosmological Cinema: Metaphor, Symbolism, and Immersion. Poster presented at the re:place 2007: on the histories of media, art, science, and technology, Berlin, Germany. Retrieved from http://www.mediaarthistory.org/replace/
Transcript of Cosmological Cinema: Metaphor, Symbolism, and Immersion
Science WorldTelus World of Science
Vancouver, British Columbia, Canada
1986
Model of the UniverseJohannes Kepler
1619
Cultures from around the world have long turned to the dome of the heavens to better
understand the cosmos.
Basilica di San PietroMichelangelo
As this perceived curvature has manifested architecturally throughout the world, domes have been used to enclose the most sacred
environments of many cultures.
From Buddhist stupas to Islamic mosques to Christian cathedrals, these structures have
been used as places of ritual, indoctrination, and transcendence.
In the 20th century, it became possible for the first time to
radially extend mental images onto the dome screen using
projections of light.
Everyone stands under his own dome of heaven
Anselm Kiefer1970
Hagia SophiaIstanbul, Turkey
Assumption of the VirginAntonio Allegri da Correggio
Cathedral of Parma, Italy1530
Angkor WatAngkor, Cambodia
12th century
San Lorenzo DomeGuarino Guarini
Turin, Italy1687
StonehengeAmesbury, Englandca. 2500-2000 BCE
Nebra StardiskNebra, Germany
ca. 1600 BCE
Total Environment Learning LabRoger Ferragallo
Oakland, California, USA1967
Dome of the RockEast Jerusalem, Israel
691
Boudhanath StupaKathmandu, Nepal
5th century
Basilica di San Pietro in VaticanoVatican City
1426
Abakh Hoja TombCashi, China
ca. 1640
FlammarionAn anonymous woodcut depicting
a pilgrim looking beyond the firmament to see the inner workings
of the universe.Date Unknown
YggdrasilThe ‘World Tree’ of
Norse Cosmology
Rosicrucian PlanetariumSan Jose, California, USA
1936
Zeiss PlanetariumJena, Germany
1923
Dream TempleMariko Mori1999
Movie-DromeStan Vanderbeek
Stony Point, New York, USA1965
Pepsi PavilionExperiments in Art and Tech-nology
Osaka, Japan1970The Vortex Experiments
Henry Jacobs & Jordan Belson
San Francisco, California, USA1957-59
Rose Center for Earth and Space
New York, New York, USA2000
La GéodeParis, France
1985
Bok GlobuleCarter Emmart & Leo VillarealBlack Rock City, Nevada, USA2004
Three-Story Universe
Common to numerous
cosmologies worldwide
UniviewNetworked real-time data
visualizations based on NASA’s Digital Universe Atlas
Sonic VisionRose Center for Earth and SpaceAnimation based
on paintings by Alex Grey
2004
Innovations in architecture, large-format cinema, and computer graphics have
enabled the development of elaborate dome installations
for art, education, and entertainment.
The Apotheosis of WashingtonConstantino
BrumidiUnited States
Capitol Building1865
As they are integrated with networked and interactive media, how can portable and permanent
immersive visualization domes be most effectively utilized to
communicate and expandmental maps in the 21st century?
In the latter half of the 20th century, numerous artists, engineers, and
educators experimented with domed environments to explore the
possibilities of mediated sensory immersion.
La Piedra del SolAztec Calendar Stoneca. 15th century
Sanchi StupaSanchi, India
3rd Century BCE
Newgrange Passage Tomb
Newgrange, Ireland ca. 3200 BCE
Mycenaean Tholos TombMycenae, Greece
ca. 1250 BCE
Camera degli SposiAndrea Mantegna
Mantua, Italy1474
Sultan Faraj ibn Barquq MausoleumCairo, Egypt1411
The Cosmological CinemaMetaphor, Symbolism, and Immersion
Adler PlanetariumChicago, Illinois, USA
1930
Hayden PlanetariumNew York, New York, USA
1935
Griffith PlanetariumLos Angeles, California, USA
1935
NVIDIA Visualization DomeLos Angeles, California, USA
SIGGRAPH2005
Celestial MechanicsD. Scott Hessels & Gabriel Dunne
UCLA Design | Media Arts2005
Frame of Peyote Sweat LodgeCheyenne Nation
The rounded enclosures have often been used as canvases upon which to
represent psycho-cosmological constructs, with both internal and external surfaces often steeped in visually symbolic and
geometric meaning.
The shape of the celestial screen has influenced the evolution of mental maps
around the world, revealed by numerous artistic,
religious, and scientific artifacts and beliefs.
David [email protected]
Planetary Collegium CAiiA-Hub
