Copyright & licensing in Japan: Today and tomorrow · JRRC: key data 17 13 November 2017 IFRRO...
Transcript of Copyright & licensing in Japan: Today and tomorrow · JRRC: key data 17 13 November 2017 IFRRO...
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© 2017 CCC
Copyright & licensing in Japan:Today and tomorrow
Michael HealyExecutive Director, International RelationsSTM Connect Japan, November 2017
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Making Copyright Work
Rightsholders Content Users
Licensing solutions
Rights Management
Content Delivery
Copyright Education
Service Bureau
800+ million rights from:
•Publishers
•Authors
•Agents
•Creators
35K companies
Workers in 180 countries
1,200 colleges and universities
Publishers and Authors
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Collective Licensing
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Individual Licensing
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1 Rightsholder Specific Use of1 Work
1 User
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Collective Licensing
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Multiple
Rightsholders Multiple Works Multiple Users
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How Collective Licensing Works
Rights from many sources are available in one place
Copyright holders
Content users
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How Collective Licensing Works
Royalties are collected from content usersand distributed to rightsholders
Copyright holders
Content users
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Key duties and responsibilities
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License Collect Distribute
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Benefits of Collective Licensing
• Faster, more convenient way for users to
access rights & share legally
• More efficient way for copyright holders
to license their works
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Collective Management Organizations
• Exist in all creative sectors
• Are usually subject tospecific legal regulationsat national level
• Increasingly subject to government regulation
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Reproduction Rights Organizations (RROs)
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Some CMOs are RROs
Reproductive Rights
Organizations
License the reuse and sharing of:
Books
Journals
Newspapers
Magazines
In some cases, RROs also
license:
Press Clippings Separate
Organization
Separate Organization
Separate Organization
Separate Organization
Visual Works
Sheet Music
Library Lending
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RROs Around the World
• 84 RROs worldwide
• Most RROs belong to IFRROwww.ifrro.org
- USA: Copyright Clearance Center (CCC)
- Japan: JAC, JCOPY, JRRC
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Copyright Licensing in Japan
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Japan Academic
Assn. for Copyright
Clearance (JAC)
Japan Publishers
Copyright Organization
(JCOPY)
Japan Reproduction
Rights Center
(JRRC)
Ministry of Culture, Education, Sports, Science & Technology (MEXT)
Agency for Cultural Affairs (ACA): Copyright Division
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• Japan Academic Association for Copyright Clearance
• Established in 1989; re-organized in 2003
• Registered with the ACA as a CMO in 2002
• Five member associations (scholarly societies)
• Board (Directors, Advisors & Inspectors)
• Annual collections (latest): €12.1 million
• IFRRO: full RRO member
JAC: key data
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• Primary rights holders: academic/scholarly societies
• Key licensees: corporations (esp. pharmaceutical)
• Products:
• Annual photocopy license (AAS)
• Annual photocopy license (MR-AAS): medical representatives
• Transactional photocopy license (TRS)
• Digital Copyright License (DCL): sold by RightsDirect Japan
• RRO agreements (30+)
JAC: markets and products
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• Japan Reproduction Rights Centre
• Established in 1991; CMO registration in 2002
• Four member associations
• Copyright Council of Newspaper Publishers
• Federation of Authors Organizations
• JAC
• JCOPY (terminating governance role in 2017)
• Annual collections (latest): €2.4 million
JRRC: key data
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• Primary rights holders: newspapers
• Key licensees: 6,100 corporations and libraries
• Products:
• Annual photocopy license
• Transactional photocopy license
• No RRO agreements (some pending)
• IFRRO: full RRO member
JRRC: markets and products
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• Japan Publishers Copyright Organization
• Established in 2009
• Annual collections (latest): €5.7 million
• IFRRO: full RRO member
JCOPY: the basics
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• Primary rights holders: 350+ journal & book publishers
• Key licensees: corporations (+ universities)
• Products:
• Annual repertory license (digital + photocopy)
• Annual transactional license
• Single transactional license
• Document delivery services (in partnership)
•RRO agreements
JCOPY: markets and products
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How RROs Are Organized
• RROs usually are non-profit associations of rightsholders
• Aggregation of rights through voluntary or legal mandates
• Internal and external control mechanisms
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What’s the Value?
• Supports research
• Supports teaching
• Enables sharing
• Efficiency
• Protects rights
• Rewards creators
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We need a global infrastructure that permits simple, global licensing. One that makes the task of licensing cultural works legally on the Internet as easy as it is to obtain such works there illegally.
Francis GurryDirector General, WIPO
“
”
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Copyright reform in Japan?
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• Agency for Cultural Affairs: Copyright Subdivision
• Interim report: 29 February 2017
• Copyright Educational Use: 2015 study
• Copyright Comprehensive Limitation: February 2017
• August 2017 public notification
• Legislative timetable
• Delayed by recent elections
• Text available when the Diet’s next session begins
• Draft text in February or March 2018?
• Introduction to Diet in May or June 2018?
What do we know?
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1. Exceptions that meet “the needs of the new era”
2. Facilitating technology-based teaching and learning
3. Promoting information access to those with disabilities
4. Enabling libraries’ access to orphan and out-of-commerce works
Criteria for future exceptions
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• “Multi-layered” system
• Clarity and flexibility
• Three layers
• “Degrees of disadvantage” incurred potentially by rights holders
• Maximizing effect through promotion and user education
Exceptions for “the needs of the new era”
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• Promoting the use of ICT in the classroom
• Facilitating “on demand and interactive transmission”
• Encouraging use while protecting rightsholders
• Remunerated exceptions
• Encourages co-operation of users and rightsholders:
• Administration of licensing & remuneration procedures
• Copyright education for users
• Promotion of responsible classroom uses
• Need for further research on uses
Technology-based teaching & learning
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• Proposes amendments to Article 37 (3)
• Designated beneficiaries to include reading-disabled users
• Email transmission to be an authorized use
• Extension of those permitted to make reproductions (e.g. voluntary groups”)
Information access for disabled users
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• Out-of-commerce “materials”
• Extend current system to add libraries in other countries as “destination facilities” for works transmitted by National Diet Library
• Extend current system to encompass electronic access to works using “thumbnail images”
• Remuneration of rightsholders of orphan works
• After rightsholder comes forward
• Further discussion required on various issues:
• Copyright clearance
• Promoting use of works, etc.
Libraries/Archives
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• Longstanding pro-Fair Use lobby
• Advocates contend that Fair Use would stimulate growth of Japan’s IT sector
• Signals of government opposition?
• Favors introduction of specific, narrower exceptions?
• Unclear what exceptions will be prioritized and when they will be introduced
• Balancing interests of users and rightsholders
Is Fair Use coming to Japan?
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1. “Non-intrinsic uses”, not normally harmful to the interests of rightsholders, for example
• Creation of database search and retrieval tools
• Reverse engineering services
• Automated translation services
2. ”Non-intrinsic uses”, where harm to the interests of rightsholders is slight or insignificant
3. “Intrinsic uses” that support “the public interest”
Criteria for new exceptions?
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In conclusion …
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• We have much more to learn
• “Diversity of views was a distinguishing feature”
• US-style Fair Use appears to have little support
• “Fair Use for machines”. Is this a risk for publishers?
• Little or no consensus on educational exceptions
• More work required on key uses, e.g. MOOCs
• Will any new exceptions be remunerated?
Conclusions
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THANK YOU!