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Constellation Lamp
4Ad-hoc Chair
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Bourgeois Knuckles
6Garland Light
exploring the potential of copper in design world
issue 5 January 10www.copperindesign.org
copperindesign
objects
lighting
furnishing
lighting
7Found Objectsart
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8Alloy Copper Tiles
9Robber Baron
10Citadel Lighting
11When Objects Work
12Base Lightlighting
objects
lighting
objects
art
www.copperdesign.org is a meeting space for contemporary designers and their followers. This
international platform provides a comprehensive source of information on the crafting of the red metal:
copper creations, first-hand accounts from designers, exhibitions, competitions and many others. The
website is aimed at creators, design professionals, journalists and all copper-loving netsurfers, offering
them an invitation to (re)discover this material whose natural properties have established it over the past
few years as an essential feature of the design scene.
Sponsor: European Copper Institute www.eurocopper.org
Studio 1ThousandConstellation Lamp
There are a great many lights and chandeliers that
emulate an explosion of light through glass and lines of
refraction. The Constellation Chandelier from Studio 1
Thousand, however, accomplishes this feat through the
simple use of LEDs and bent copper stems that array
downward from a wrapped base. Upon closer inspection,
the clamps securing the LED clusters might even bring
to mind Ingo Mauer’s Zettelz lamps, although this is
anything but derivative.
From a tech standpoint, the chandelier uses 91 separate
arms, each having four energy-efficient LEDs attached,
something which makes the prospect of owning a
chandelier in the first place more palatable.
3lighting
Jean Marie MassaudAd-hoc Chair
Acclaimed French designer Jean-Marie Massaud is
known for his unconventional approach to design. He
aims to blend intelligence with feeling, nature with
culture, always ensuring that it is the human being who
takes pride of place. Ad-hoc chair certainly satisfies all those
aims with its light yet incredibly strong structure.
Constructed entirely by hand, each piece is unique and
“ad hoc” in the way that its webbed shell is constructed.
The lounge chair, produced by the Spanish furniture firm
Viccarbe, is made in brass, lacquered in white, black, or
orange epoxy, or entirely in brass finish.
Epoxy versions are suitable for both indoor and outdoor
use.
4furnishing
Jonathan SabineBourgeois Knuckles
MatCult is an abbreviation of the term ‘material
culture’. It is a line of objects designed by Jonathan Sabine
and produced by manufacturers in and around Toronto,
Canada. These objects are intended to explore primitivity
/technological sophistication and materiality/
conceptuality within the context of furniture and product
design.
All the objects in the line are designed around local
manufacturing capabilities. In this way, MatCult is an
accurate, if limited, portrayal of the current character of
Canadian design and manufacturing.
Thinking outside the wine box, Jonathan Sabine has
come up with a unique bottle opener design called the
Bourgeois Knuckles. The integration of the brass knucks
makes it appear that this is the purpose the weapon was
truly intended to serve. It certainly looks like it would make
removing a cork a lot easier.
Jonathan Sabine describes the product as “a cross
between two iconic objects whose cultural and socio-
economic associations lie at opposite ends of the
spectrum from one another.”
5objects
Tord BoontjeGarland Light
Tord Boontje is an award-winning Dutch designer
who mainly works with silhouettes of leaves and animals,
designs inspired by nature.
The Garland shade, manufactured by Artecnica in the
US, is probably his most successful commercial project.
A photographic process typically employed to make
electronic components was used to create intricate
patterns of cascading flowers and leaves on brass. It is
created by laser cutting a thin sheet of brass and copper
into the shapes of leaves, flowers and petals which then
form a flat sheet. This sheet has a central stem from which
all the shapes are connected and it is this stem which
forms the structure of the shade.
Tord Boontje infuses his work with romance that typifies
the 17th and 18th centuries, but the result is a piece that
is truly modern and innovative.
6lighting
Oscar DiazFound Objects
Found is a project by London-based designer Oscar
Diaz for Airmail, an exhibition which opened during last
London Design Festival.
Found is a super light, metal-coated cutlery set, which
has been “designed” by editing plastic bottles. The spoon,
fork, and knife, have all been made from parts of existing
bottles found at the local supermarket.
Since there are so many shapes already available, with
each brand fighting to be seen on the shelves, Oscar’s
approach has been to work more as an editor than a
designer, and just select the bottles for their shapes to
make the cutlery set.
Using a process normally employed to produce intricate
metal instruments, the plastic cuttings are coated with
copper and then tin plated for a metallic finish. While
mixing handcraft and uncommon processes, the project
represents a twist on the re-use of existing objects and
makes evidence of an environment clearly saturated with
shapes.
By finding objects within objects, Found suggests that
we can look afresh and reevaluate our surroundings by
uncovering the beauty hidden in banal, disposable
objects. The result is a simple and understated cutlery set
with a familiar look.
7art
Karim RashidAlloy Copper Tiles
Internationally-awarded industrial designer Karim
Rashid has created an innovative, striking range of organic
shaped metal wall and floor tiles for Alloy, a highly-
regarded Australian metal tile manufacturer, creating a
unique 3D effect that contradicts the traditional square
tile. The result of the much-anticipated collaboration is
an innovative collection of eight, predominantly organic
metal tile ‘cells’ for interior and exterior design use.
The metal tile designs are suitably named flux, infinit,
karma, kismet, ninja, kink and ubiquity and are available
in copper, stainless steel, brass and titanium.
Every tile is punched from individual sheets of solid,
1.6mm high quality metal to deliver a seamless,
hardwearing finish designed to last a lifetime.
“I have always been obsessed with patterns,” says Karim.
“Working with Alloy has given me a great opportunity to
play with the idea of pattern, grid, and repetition. A
pattern is a way of giving richness and depth to our
Cartesian landscape. The more diversity of line, shape,
and composition, the more interesting a single cell is.
The undulating, curvilinear forms give a 2-dimensional
surface a sense of 3-dimensions. These elements repeat
in a predictable manner, but they are designed to
contradict the square tile.”
8objects
Studio JobRobber Baron
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Dutch designers Job Smeets and Nynke Tynagel
formed Studio Job, a young creative team working
between art and design.
Their five monumental pieces, cast in bronze, combine
stylised elements from famous landmarks around the
world and represent industrial power, wealth and
corruption.
Robber Baron is an important suite of five cast-bronze
furnishings, consisting of a Cabinet, Mantel Clock, Table,
Standing Lamp, and Jewel Safe. Magnificent in scale,
exceptionally finely modeled, detailed, and cast, with
precision mechanical movements where required,
incorporating deeply carved iconographic reliefs, with
areas highly polished, gilded, or patinated, these works
are guild-like in their master craftsmanship.
Their mirror finish reflecting the outrageous excesses of
America’s 19th century tycoons and Russia’s new
oligarchs, these surreal, highly-expressive furnishings,
each a complex composition of multiple visual elements
depicting a narrative - much like a cathedral’s stained
glass windows or its majestic bronze front doors -
represent an interior belonging to a powerful industrial
leader or his heirs. With clouds of pollution belching from
towering smoke stacks, and missiles, falcons, gas masks,
warplanes and wrenches adorning golden surfaces,
Robber Baron celebrates and shames both art and
industry.
art
Jan PauwelsCitadel Lighting
Just as halogen lamps - once used exclusively for
vehicle headlights - revolutionised lighting design in the
1970s and took residential interiors by storm, LED (light-
emitting diode) technology appears destined to conquer
the future. Light-emitting diodes are small, durable and
extraordinarily efficient. Here as well, Dutch designer Jan
Pauwels is at the forefront of design with his hanging
lamp Citadel Light among the first to recognise the
potential of LEDs. The elegant aesthetic of this lamp plays
with the experimental character inherent in the
pioneering work with this forward-looking technology.
Its realisation hinges on Pauwels’s intense involvement
in the process. He not only designs everything himself,
but - a rare exception amongst his peers - also produces
everything himself in his design lab.
Citadel, available in three different size and made from
copper and brass, is made by Quasar, an international
renawed lighting producer.
10lighting
John PawsonWhen Objects Work
When Objects Work is a new collection of small
objects for Interis designed by the famous English
minimalist architect John Pawson.
The main body of the candle holder is a bronze cylinder
with storage for seven candles. The solid bronze top has
a curved upper surface. As well as acting as a lid to the
container, this bronze element acts as a holder for a single
candle, either on its own, or on top of the wooden base.
Discreetly housed within the wooden cylinder is a cylinder
of glass. In conjunction with the bronze candleholder,
the slender glass tube becomes part of a contemporary
reworking of the traditional storm lantern.
This bronze bowl is a perfect hemisphere. There is no
flatness on the base to disrupt the smooth curve of the
profile, but the bowl can still sit perfectly upright or slightly
tilted, thanks to hidden detailing inside the material.
11objects
Tom DixonBase Light
Tom Dixon is famed for his work with a variety of
metals and his Base Light is a fine example of why his
work is so prized for both residential and commercial
interiors. Clean lines and interesting combinations of
material make this lamp equally at home in spaces large
and small.
The heavily weighted, matte cast iron base is eminently
practical and virtually impossible to tip over. It resists scuffs
and scratches and takes up a small footprint with its square
base and open pyramid sides. The slender stem of the
pole runs straight up to an impressively large shade of
satin-polished spun brass. The striking contrast between
the industrial construction of the black iron and the
warmth of the spun brass gives the Base Lamp just
enough richness to lend elegance to an executive’s office
or an informal family room.
The shade’s highly reflective surface sends out a warm
glow to touch nearby surfaces with a golden haze of
light for reading or relaxing. Dixon’s combination of
industrial construction and warm colours in brushed
finishes creates a rustic yet polished whole that’s pared
down to the essentials. Standing next to a leather chair
or wool sofa, the Base floor light will lend extraordinary
presence to any room.
12lighting