Copley Theatre The Man Who Stayed At Home Program

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IlEHI^jEWfiTT IIWPATTEB

Director Mamagh?.

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dfmttt piapra(Arranged Alphabetically)

Mr. Frederick Annerley: In England with Oscar Asche,Gerald DeMaurier, and Cyril Maude.

Madge Crichton: In England with George Edwards,Gatti and Cyril Maude.

Mr. Leonard Craske: In England with Ellen Terry andMartin Harvey, and in America with Annie Russell.

Mr. Leon Gordon: In England with Sir CharlesWyndham.

Mr. Nicholas Joy: In England with Lewis Waller andH. B. Irving.

Miss Florence LeClercq: In England and America withForbes-Robertson and Annie Russell.

Mr. Cameron Matthews: in England with GranvilleBarker; in America with Mrs. Patrick Campbell.

Miss Beatrice Miller: In England with Sir F. R. Bensonand Vedrenne and Eadie, Royalty Theatre.

Miss Jessamine Newcombe: In England with Sir Her-bert Tree and Oscar Asche.

Mr. Fred W. Permain: In England with Sir JohnstonForbes-Robertson, Sir John Hare and Sir CharlesWyndham.

Miss Pauline Potter: In England with Sir Herbert Tree,Weedon Grossmith and Charles Frohman.

Miss Viola Roach: In England with Sir Frank R. Ben-son, Sir H. Beerbohm Tree, and Miss Horniman.

iss Dorie Sawyer: In England with Sir CharlesWyndham.

Mr. N. Murray Stevens: In England with George Ed-wards and Sir Frank R. Benson.

Mr. H. Conway Wingfield: In England with Sir GeorgeAlexander, Arthur Bourcher, Sir Charles Wyndham.and Charles Frohman.

Mr. J. Casler-West: With the Henry Jewett Playersin Boston.

Ifrttry Stmtt iirrrtnr

COPLEY THEATRE PROGRAM

COPLEY THEATREM. DOUGLAS FLATTERY

Owner

Season 1917-1818

COPLEY AMUSEMENT COMPANYLessees

HENRY JEWETT H. W. PATTEEdirector managerEXECUTIVE STAFF

E. J. Remick Treasurer

George L. Patch Assistant ManagerMax Donner Violin Soloist

Kenneth A. Hallett Choralcello Soloist

J. easier West .. Assistant Stage ManagerA. Thieme, R.A Scenic Artist

Russell Shattuck Master MechanicPatrick Kerrigan Electrician

P. Hennessy Properties

Mrs. Sarah Keigwin. . .Wardrobe Mistress

Mrs. H. E. Shattuck MatronP. H . Clark Door Keeper

SCALE OP PRICESWar Tax Paid

Orchestra

Balcony Front 75

Balcony Centre 50

Balcony RearBoxes (4) 7.00

Ticket office open from 9 A. M. till

10 P. M.

Tickets for this Theatre ordered bymail should be accompanied by re-

mittance for same, and will be helduntil called for.

Out-of-townTpatrons desiring to pur-

chase tickets in advance or at shortnotice, or for delivery to friends,

may oruer, remit for same, and ar-

range for their delivery, by WesternUnion or Postal Telegraph Service .

Tlie Management earnestly requeststhose who are unable to remain un-til the close of the last act to leaveduring the intermission preceding -t

and thus avoid disturbing the audi-ence.

During the performances ladies arerequested not to wear hats or head-dress that obstruct any view of thestage. Hats can be left with theattendants in the Cloak Rooms, freeof charge.

Patrons will please report to theManager, in person or by letter, in-stances of inattention, or misde-meanor on the part of any attacheof this Theatre.

Parties finding articles in any por-tion of the Theatre will please pre-sent them at the Theatre Office. TheManagement will not be responsiblefor articles placed under the seats.

Physicians who have patients towhom they may be called suddenlycan leave their seat number in theBox Office and be called as quicklyas in their office.

NEXT MONDAYSIXTH MONTH

OF THE

Henry Jewett PlayersTwenty-Fourth Week

OF

With audiences more en-

thusiastic than ever.

A War Play and a Mys-

tery Play with Plenty

of Thrills and Laughter.

Eves, at 8,10

Mats., Tues., Thurs., Sats., at 2.10

SEATS ON SALE AT

BURKE’SADAMS HOUSECASHIN’SPARKER HOUSECASHIN’S

YOUNG’S HOTELFILENE’S

SERVICE BUREAUHARVARD COOP.

HARVARD SQ.. CAMBRIDGEHEARD’S

HOTEL TOURaINEHERRICK’S

COPLEY SQUAREJORDAN MARSH CO.

RECREATION DEPT.

TYSONCOPLEY PLAZA HOTEL

TYSONHOTEL THORNDYKE

TYSONHOTEL ESSEX


SEASON1917-1918

SUBSCRIPTION LIST

NOW OPEN

The subscription list for the

Season 1917-1918 is now ready,

and patrons desiring to retain

their usual seats may avail

themselves of this opportunity.

BOYLSTON SALES SHOP

346 BOYLSTON St.

BOSTONF. L. JOHN. Proprietor

ENGLISH AND

COLONIAL FURNITURE

A twentieth Century Theatreinstitution with absolutelymodern methods—offering dis-

tinct advantages in experi-mental study for the stage.

The Henry Jewett School

of Acting

i‘h\ COPLEY theatreStudents given the rare oppor-tunity of a thorough appren-ticeship — by attending pro-ductions in rehearsals — byappearing in public perform-ances (when qualified) in sub-sidiary roles In the repertoryof the Copley Theatre

0<=>«

Under the Personal Supervision of

HENRY JEWETT0<Z>0

TO

College and Amateur SoGlet.es

Complete scenic

productions furnished0<Z>0

ENROLLMENT AT ANY TIME

0C=>0

Address:

The Henry Jewett School of Acting

Copley Theotre BesCoa


Copley TheatreSeason 1917.1918

HENRY JEWETT H. W, PATTEEDirector Manager '

WEEK OF NOV. 12, 1917 FIFTY-NINTH WEEKEvenings at 8.10 Mats. Tues., Thurs. 2nid Sat. at 2.10

HENRY JEWETT PLAYERSIN

“The Man Who Stayed at Home”TWENTY-THIRD WEEK

A Play in Three Acts

BY

J. E. HAROLD TERRY. . . AND ...

LECHMERE WORRALL

Cast of Characters in the order of their appearance

JOHN PRESTON, J. P.

MISS MYRTLE .

FRAULEIN SCHROEDERPERCIVAL PENNYCUIKDAPHNE KIDLINGTON .

MOLLY PRESTONFRITZMIRIAM LEECHRISTOPHER BRENT .

MRS. SANDERSONCARL SANDERSONCORPORAL ATKINS

H. CONWAY WINGFIELDFLORENCE LeCLERCQ

PAULINE POTTERLEONARD CRASKE

BARBARA LEIGTTONMADGE CREIGHTONFRED W. PERMAIN

VIOLA ROACHLEON GORDON

JESSAMINE NEWCOMBECAMERON MATTHEWS

J. CASLER-WEST

Program Continued on


COPLEY THEATRE

BALL ROOM

The Copley TheatreBall Room can be en-

gaged for public or pri-

vate parties afternoons

or evenings. For terms

apply to Manager Cop-ley Theatre.

TRINITY COURTDINING ROOM

Opposite Copley Theatre

OPEN 7 A. M. to 8 P. M.

Table THote Dinner, 75c

Afternoon Tea and

Wafers a Specialty

Don’t Throw Your

Old Hats Away

Our remodeling depart-

ment makes them new

The Betsy Place

Hats and Gifts at Tempting Prices

12 W^st St. Room 61

1

Bigelotw-Kenaard Suilding

For Your Information

Any patron of this theatre desiringto become a subscriber to any groupof plays, with choice of seats, will befurnished with a request card at thebox office.

Lounging Room for ladies andgentlemen on lower flo3r.

Public telephone on lower floor.

Sanitary drinking fountains on all

floors.

Ladies* retiring rooms on Balconyfloor and lower floor.

Gentlemen’s smoking and retiring

room off Lounging Room on lowerfloor.

Check room on lower floor.


Program Continued from Page 3

Scene of the Play

The private sitting-room of the Proprietress of the

“Wave Crest’* Hotel, East Anglia

FIRST ACTAfter Breakfast.

SECOND ACTAfter Tea.

THIRD ACTFirst Scene—After Dinner

Second Scene—Three hours later

The action of the play passes in fifteen hours, on a certain day in

September, 1914

Play Produced under the personal direction of Henry Jewett

English and Colonial Furniture from the Boylston Sales Shop,

346 Boylston Street, Boston, F. L. John, Proprietor.

MUSICAL PROGRAMNational Hymns

1. Lorraine (Ma’-ch) Bose

2. Chanson B hemiene Boldi

3. Spanish Dances MoskowskyQhoralcelo Solo (La Rosa Waltz) NitkeChans' n Joyeuse RavinaSerenade Moskowsky

4 Star Spangled Banner

Henry Jewett Players Repertory Season

The announcement of the first group of plays will

be found in the amusement columns of the

daily papers.

Pianos used in this Theatre furnished exclu>ive’y by the M. Steinert & Sons Co.ViZ Boylston St., Boston

Scenery Painted by A. Thi-me, R. A.

Drop Curtain by William B. Savage Co.

Copley Plaza Florisit, Copley Plaza Hotel

Flowers as they should be at right prices. Telephone Connection

Wicker Furniture from Bailie Basket Company, S2 Sudbury Street Boston


Season 1916-17 of the

HENRY JEWETTPLAYERS

The success of the Henry JewettPlayers at the Copley Theatre hasdenionstrated that lioston will give

support to a repertory t.oinpany. 'JTie

management has selected, with few ex-

ceptions, plays by modern English

dramatists which are not often given

in a repertory theatre. What hascontributed largely to the success of

the Copley is the fact that each mem-ber of the company has been called onto play diiferent styles of parts, andthere has been no attempt to label anypiayer with a distinctive character.

This method tends to versatility in the

players and adds interest lor the play-

goer.

Week of Oct. 2, 1916, “You Never CanTell,’’ by George Bernard bhaw.

Week of Oct. 9, 1916, “The AdmirableCrichton,’’ by J6ir Janies ivi. Barrie.

Week of Oct. 16, 1916, “The lmportau<-eof Being Earnest,’’ by Oscar Wilde.

Week of oct. 26 , 1916, “Mrs. Dane’s De-fense,’’ by Henry Arthur Jones

Week of Oct. 30, 1916, “Jim the Pen-man,” by Sir Charles L. Young,Burt.

Week of Nov. 6, 1916, “Sweet Laven-der,” by Arthur W. Pinero.

Week of Nov. 13, 1916, “Diplomacy,” tyVictor Sardou.

Week of Nov. 20, 1916, “A Pair ofSpectacles,” by Sydney Grundy.“Leave the Woman Out-,” by LeonGordon.

Week of Nov. 27, 1916, “Arms and theMan,” by George Bernard Shaw.

Week of Dec. 4, 1916, “Arms and theMan,” by George Bernard Shaw.

Week of Dec ll, 1916, “The AdmirableCrichton,” by J. M. Barrie.

Week of Dec. 18, 1916, “The Chance,” byFrank Vernon; “The Morning Afterthe Night Before,” “The Ghost ofJerry Bundier,” by W. W. Jacobs,“A Christmas Carol,” by CharlesDickens. (Special Christmas bill.;

Week of Dec. 25, 1916, “An Ideal Hus-band,” by Oscar Wilde.

Week of Jan. 1, 1917, “The Odd Manout, ’ by Harold Brlghouse.

WeeK of Jan. b, 1917, “Man and Super-UiUn,” by George Bernard SnaW.

WeeK of Jan. lo, 1917, “ur. Wane’sPatient, ” by Gayer Mackay anaRuuert Ord.

WeeK of Jan. 22, 1917, “A Woman ofNo unpoi taiice,” by Oscar vv iiue.

WeeK of Jan. 29, “Candida,” byGeorge Bernard Shaw.

Week oi Feb 5, i9li, “Milestones,” byArnold Bennett and Edward Knob-lauch.

WeeK of 1 eb. 12, 1917, “Lady Winder-meres ran,” by Oscar vVllde.

WeeK of Feb. 19, 1917, “A Doll'sHouse,” by Henrik Ibsen.

WeeK ot Feb. 26, 1917, “Tne 1 assing ofthe Third Floor Back,” by JeromeIv. Jerome.

Week of March 6, 1917, “The SilverBox, ’ by John Galsworthy.

Week of March 12, 1j17, “The Liars,”by Henry Arthur Jones.

Week of March 19, 1917, “Jack Straw,”by VV. riomerset Maugham.

Week of March 2-, 1917, “The Liars,”by Henry Arthur Jones.

Week of April 2, 1917, “The Passing ofthe Third Floor Back,” by JeromeK. Jeiome.

Week of April 9, 1917, “She Stoops toConquer,” by Oliver Goldsmith.

Week of Apri. 16, 1917, “The Pillars ofSociety,” by Henrik Ibsen.

Week of April 23, 1917, “The Pigeon,”by John Galsworthy.

Week of April ;0, 1917, ‘The Lost SilkHat,” by Lord Dunsany; “Don,”by Rudolph Besier.

VVee.c of May 7, 1917, “The Case of Re-bellious Susan,” by Henry ArthurJones.

Week of May 14, 1917, “You Never CanTell,” by George Bernard Shaw.

Week of May 21, 1917, “Dandy Dick,by Sir A. W. Pinero.

W eek of May 28 and of June 4, 1917,

“The Angel in the House,” by EdenPhillpotts and Basil MacDonaldHastings.

Beginning June 11, 1917, “The Man WhoStayed at Home,” by J. E. HaroldTerry and Lech mere W'orrall. (In

' its twenty-third week and still

running.)

HOW THE OFF DUTY TIMEOF THE SOLDIERS ISDIVIDED AND SUPERVISED

War Camp Community Recreation Fund

NOVEMBER 5-10NATIONAL CAMPAIGN . $4,000,000BOSTON’S QUOTA .... 200,000

SEND SUBSCRIPTIONS TO

ALLAN FORBES, TREASURER,33 STATE STREET, BOSTON

“The spirit with which our soldiers leave America, andtheir efficiency on the battle fronts of Europe, will be vitally

affected by the character of the environment surrounding ourmiiitary training camps.**

—WOODROW WILSON.

You can go to the theatre.

Your Soldiers and Sailors in

Camps and at the Front cannot.

The “Y. Huts” provide enter-

tainment for them.

Won’t you help provide the

Huts and the equipment ?

Y, M, C, A, War Work FundNovember 11th to 19th,

“Your Help Helps’’

[overJ

^A\CA

YRed Triangle

War Work Fund Campaign

THE WORK TO BE DONEThe work in camps and cantonments centers in

“ huts ” in charge of secretaries and assistants. Hutsare supplied with pianos, talking machines and records,

motion picture machines, athletic equipment, stationery,

etc. The activities carried on include lectures, classes

in French and other subjects, entertainments, amateurtheatricals, singing classes, athletic events, and religious

meetings. The huts are available for religious meetingsfor all faiths, and the secretaries work hand in hand witharmy chaplains. Where the soldiers go the Y. M. C. A.follows. As in the English army, dugouts will be main-tained close to the first line trenches, and secretaries will

there serve the soldiers, furnishing hot coffee and choc-olate and assisting walking wounded to get to the rear.

The standard hut in a camp costs six thousand dollars

in America, fifteen thousand dollars in France. Fivehundred of them are required for each million men. Thecost stated is in addition to the cost of equipment andthe salaries of secretaries.

The Y. M. C. A. furnishes places where the soldiers

can go when on leave. Barracks for ten thousand menare to be provided in Paris. The Y. M. C. A. in Londonprovides sleeping quarters for fifteen thousand men.At the request of General Pershing, a place will be estab-

lished on the Swiss border where men can go when onleave and engage in winter sports. Men could be given

leave to go to such a place when they would not be al-

lowed to go to Paris. At one of the leading seaports the

Y. M. C. A. has five buildings, one of them to accommo-date shipwrecked men from vessels which have beentorpedoed.

The work is necessary, not simply to give to soldiers

and sailors so far as possible the comforts of home, butto maintain their efficiency as a fighting force. It hasthe confidence and support of officers and men.

THE MEN TO BE SERVEDBy July next 24 million men will need the Y. M. C. A.

•work as follows

2.500.000 Americans7.000.

000 Russians4.000.

000 French

3.000.

000 Italians

1.500.000 Smaller Allies

6.000.

000, Prisoners of WarThe budget calls for about $10 a man for the Ameri-

cans, and this leaves but 50 cents a man for our allies

unless the amount is over subscribed.

THE BUDGETThe amount to be raised in the United States is

35 MILLIONS. The allotment to the Boston Metro-politan District is $1,800,000.

35 millions covers the budget requirements up to

July 1, 1918. It is to be divided approximately as

follows

Work with United States enlisted menin this country

Work with United States enlisted menoverseas

Work in the Russian armyWork in the French armyWork in the Italian army .

Work in the prisoners of war camps

Not allotted, to provide for inevitable

expansion

11 millions

12 millions

3 millions

. 3 millions

1 million

1 million

31 millions

4 millions

35 millions

THE MEN IN CHARGEThe expenditures are to be made under the direc-

tion of the National War Work Council, of which John

R. Mott is general Secretary, and prominent busi-

ness men are members. The members of the ExecutiveCommittee in charge of raising the allotment of the Met-ropolitan District are: Walter C. Baylies, Edwin P.

Brown, B. Preston Clark, Lewis A. Crossett, Allen Curtis,

S. H. Eessenden, Allan Forbes, William A. Gaston, Rob-ert F. Elerrick, Arthur S. Johnson, George C. Lee, JohnR. Macomber, Robert C. Morse, James J. Phelan, A. C.Ratshesky, Frank W. Remick, Frank W. Stearns, Philip

Stockton, Galen L. Stone, Edwin S. Webster, Charles F.

Weed, William M. Wood.

THE RELATION TO THE GOVERNMENTSThe Y. M. C. A. is working with the United States

enlisted men in accordance with an executive order of

President Wilson, in which he says in part: “It seemsbest for the interests of the Service that it shall continueas a voluntary civilian organization

;however, the results

obtained are so beneficial and bear such a direct relation

to efficiency ” that “ official recognition is hereby giventhe Y. M. C. A. as a valuable adjunct and asset to the

Service. Officers are enjoined to render the fullest

practicable assistance and co-operation in the mainte-nance and extension of the Association, both at permanentposts and stations and in camp and field.” Invitations

have come to the Association through General Petain

to work with the French army, through a Prince of Italy

and a Prince of the Catholic Church to work with the

Italian army, and to Mr. Mott, a member of the Rootcommission, to work with the Russian army. The Eng-lish army has its own Y. M. C. A. The others need the

service but must get it from us.

WHY THE Y. M. C. A.?

The Y. M. C. A. is recognized by the government be-

cause it has the organization required to do the workwhich must be done. It serves all the soldiers and sailors

and works in harmony with all organizations working• for similar ends. It is non-sectarian.

The comfort, cheer and sympathy which the Y.M. C.A.will give to the French, Italian and Russian armies, as

well as to our own soldiers and sailors, will he directly in-

strumental in winning the war.

XCOPLEY THEATRE PROGRAM

Jntenor Bproraltona

CUSTOM FURNITURE

WALL PAPERS - DRAPERIES

ffliUtam g>atiag^ QInmpang^

68 Chauncy Street - BOSTON

WilsonINC.

723 BOYLSTON STREETBoston

DressesCoatsSuits

Waists I

Custom Made and Ready to Wear


nKi©n@Ki mwINSIGNIA OF RANK

AdmialoUbeNary Anfwtral ViceAdwilral RearAdmlral Captain 0)mmand«f

<5«nn*ry6Tbfp«do Experts¥ ¥ cP̂rinters SlaeWntiths

|5J^ 'V=f ^3hir«^ MOffs GunnePMes

CuoPonto • storefctepw Yeonw Eledriaans

^ O ^ ^ 6 #Buj^ter HAietaiw Hospi»CDrps ^

5^^? Sflmsntow PsdioOpeatar Torperloiw

AQutant«InjpectorV

Qv^rt«A ^AFF DEPARTMENfT DEVICES

Aides

Cai^

Colopd Lfeut-Colone! Major fgoW) Captain Lieutenant

OFnCERTS RANK INSIGNIA

NONCOMMISSIONED OFFICERS

Drum M^or ETBandIwkr

Setgcartt

Corporal

1^^^C!H1ETO@MS Sarten^

5a3««t1 1 , ^ 5«g«anr UnceCorporalX ^

prmiwner Quo Pointer

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boBJ-ue Off v^/rsooEas CORPSouvKDOAafW, field OPESi


Distributors of

Steinway, Steinert, Jewett and Woodbury Pianos

Duh-Art Pianos Pianola Pianos

New Louis XVI Salon for VICTOR VICTROLAS and Rec-ords, covering the entire lower floor at Steinert Hall, with themost distinctive display of Victrolas and the largest and finest

stock of records in New England.

New England’s Largest Musical

162 Boylston St. Instrument House 35 Arch St.

KENSINGTON TEA ROOMUnder Same Management at

Trinity Court Cafe

LUNCHEON Watch this11:30 TO 3

space

AFTERNOON TEAnext week

3 TO 5

LUNCHEONS TO TAKE OUT

f

COPLEY THEA TRE PROGRAM

A LONG RUNThe Remarkable Popularity of

“The Man Who Stayed at Home”

Boston has been the theatrical

home ot* many long runs, but none

ol them has excelled the career ol

“The Man Who Stayed at Home’'

in interest and novelty. When it

was staged at the Copley tor the

lirst time on June 11 last, it wasthe intention ot the managementto close the season witn it alter

a short run. But the fates forbade.BTom one week to another it wenton and on, through the advancingdays of summer, through the ter-

ntic hot spells of July and August.The management and the com-pany both longed for a rest, butthe public said peremptorily: “No.'

Several times the date was set

for its final performance, but the

clamor was irresistible. Finally

the announcement was that it

would run “till further notice.”

“The Man Who Stayed at

Home’’ has a rather curious stage

history. It is wholly a productof the war, for it was first actedin London at the Royalty Theatreon Dec. 10, 1914. if it is timely

now and here, what must it havebeen then and there, within a fewmonths of the very beginning of

the war, and with the horrors of

Belgium a part of immediate his-

tory. Is it any wonder that theEnglish public went to see it?

They could easily realize the truth-

fulness of the story of Germantrickery and German remorseless-ness as they might have been en-

countered by a placid group of

English people in a seashoreboarding house. Later,^- beginning

March 20. 1916, it ran for a while

at the Apollo Theatre in London.

When “The Man Who Stayed

at Home” was brought to this

country its name was changed to

“The White Feather.” It was act-

ed at the Comedy Theatre in NewYork, Feb. 5, 1915, and at thePlymouth Theatre in Boston, Sept.

6, 1915. Strangely enough, for onereason or another, perhaps be-cause of the change of title, it

was not a success, and it remainedfor the Henry Jewett Players to

start it upon the high-road to

American popularity under its

original title of “The Man WhoStayed at Home.”During its run at the Copley,

it has had many appreciative re-views. In a long notice in theHerald, Philip Hale wrote: “Nowonder that the play had a longrun in London. If one is sur-prised that jesting was acceptableto the English in a play that dealswith England’s danger, there arethe cartoons of the soldier Bains-father, picturing humorously life

in the trenches. The play is sing-

ularly appropriate at this time.

The play is, indeed, entertaining,

without regard to present condi-tions. Curiosity is at once excit-

ed; the interest is maintainedthroughout. It is a pleasure to addthat the performance was excel-lent in many ways, and greatlyenoyed by an audience that filled

the house completely. The playshould have had a long . and pros-perous run.” And it certainly hashad and is -continuing to have a

long and a prosperous run.


CUTLERYCarving may be a punish-

ment or a pleasure —Hunter’s guaranteed carv-

ing sets equip the host

to meet any carving

problem gracefully.

Jill other table and l^itchen

cutlery in great variety

J. B. HUNTER COMPANYHARDWARE

60 SUMMER STREET, BOSTON

©mat©ompang

Two Banking Offices

in Back Bay

Copley Square579 Boylston St.

Massachusetts Ave.Cor. Boylston St.

MAIN OFFICE33 State Street

MATERNITYFormerly ^ Tempi* Place

Now 149 Tremont St.

Room 1016 Lawrence Building

Maternity GownsSuits. Petticoats

Separate Skirts

GOWNS ALTERED AND MADETO ORDER

Maternity Corsets

Brassieres Ruffles

MARY L. SANDERS


EXIT PLANS

6TAGE

c^^=nx]^^G

asccc

-r-m >S ^

LOBBY

1 Exit r

COPLEY THEATRE

How the Off Duty Time of the

Soldiers is Divided and Supervised

President of the United States

WAR DEPARTMENTI NAVY DEPARTMENT

War Department and Navy Department Commission on

Training Camp Activities

Leisure Time Activities

OUTSIDE THE CAMPS

Leisure Time Activities

INSIDE THE CAMPS

WAR CAMP COMMUNITY

RECREATION SERVICE

Y.M.C.A.

Athletics, Singing

Theatricals, etc.

under Supervision

Commission Rep«

resentatives in

Camp

Under Supervision of the Play-

jironndand Recreation Association

of America.

K. of C.Camp Libraries

under control

American Library

Association

War Camp Community Recreation Fund

NOVEMBER 5-10

National Campaign $4,000,000

Boston’s Quota 200,000

SKND SUBSCRIPTIONS TO

ALLEN FORBES, Treasurer

33 STATE STREET, BOSTON

“The spirit with which our soldiers leave America, and their efficiency on the battle

fronts of Europe, will be vitally affected by the character of the environment surrounding

our military training camps.”—WOODROW WILSON.

John C. Kelly, pres James S. Fender, trea*

Murray B. Beck, sec y

VV

Eureka Press, I

111.5-1121 COLUMBUS AVE.

“ Boston, Mass.

^

TELEPHONE ROXBURY 4200

NC.

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Copley Theatre The Man Who Stayed At Home Program

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Transcript of Copley Theatre The Man Who Stayed At Home Program