CONTROL FREAK Oleksiy Sai Shukhliada exposition environment … · 2020. 6. 9. · CONTROL FREAK...
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CONTROL FREAK Oleksiy Sai Shukhliada exposition environment Curated by Ksenia Malykh Music by Vasyl Sai Oleksiy Sai’s exhibition is built on a set of triggers. How the viewer will make sense of the exhibition depends on what triggers him/her first. ROOM 1 ROOM 9 ROOM 18 ROOM 19 ROOM 20 E x c e l - a r t s e r i e s E x c e l - a r t s e r i e s E x c e l - a r t s e r i e s N o m a d i c s t r u c t u r e S l o g a n S t a t e m e n t s ROOM 5 ROOM 13 -216 S o l a r i u m Chinatown Under Yellow sky – It is difficult to assess the scale of today’s global culture. Trying to find an adequate visual language to describe contemporary processes I make a series of works in the program which counts the money - Microsoft Excel. Millions of administrators produce their work without coming into contact with reality - and the data I use as elements of visual language can be clearly understood by a person of the corporate Mongolian yurt – a masterpiece Slogans and statements material culture of practical things All types of Soviet Net (inc 2010, 125x243, digital print 2020, 152x254, digital print % o f a) Cont 188 – – b) SearchStruct: struct, op 12.5 12.5 Cash and cash equivalents T o t a l ###### 1 required argumen argumen It is difficult to assess the scale of today’s global culture. Trying to find an adequate visual language to describe contemporary processes I make a series of works in the program which counts the money - Microsoft Excel. 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Trying to find an adequate visual language to describe contemporary processes I make a series of works in the program which counts the money - Microsoft Excel. Millions of administrators produce their work without coming into contact with reality - and the data I use as elements of visual language can be clearly understood by a person of the corporate Mongolian yurt – a masterpiece of minimalism and utilitarian, modern spaces for living and working has almost approached to such standard – we are content with essential, but it seems, is too much of such essential stuff. Slogans and statements - wishes from outer and inner space of soviet consciousness - when it multiplied, it became speechless. Solarium – a device that imitates the sunlight – and this object imitates a solarium itself. The material culture of practical things that are cheap to manufacture has become widespread standard – but we have to pay for this convenience. All types of Soviet propaganda slogans had one thing in common – nobody had read them, but they were everywhere. “Please do not throw paper to the toilet” - an attempt to destroy historical memory, as a factor of £200 E a r n i n g s p e r s h a r e , b a s i c , i n 0 Charges to HM Government bodies Smiley attacks 1,189 9 0 Under Pink sky w qryGetCon w 600 key if it doesn’t exist It is difficult to assess the scale of today’s global culture. Trying to find an adequate visual language to describe contemporary processes I make a series of works in the program which counts the money - Microsoft Excel. Millions of administrators produce their work without coming into contact with reality - and the data I use as elements of visual language can be clearly understood by a person of the corporate 2012, 600x400, All types of Soviet propaganda slogans had one thing in common – nobody had read them, but they were everywhere. “Please do not throw paper to the toilet” - an attempt to destroy historical memory, as a factor of W 2010, 257x143, digital print s Total pension benefits 2020, 117x152, digital print Evaluate = B d . . It is difficult to assess the scale of today’s global culture. Trying to find an adequate visual language to describe contemporary processes I make a series of works in the program which counts the money - Microsoft Excel. Millions of administrators produce their work without coming into contact with reality - and the data I use as elements of visual language can be clearly understood by a person of the corporate 2012, 600x400, installation, metal 2012, 600x400, installation, metal 2010, 220x250x150, installation, All types of Soviet propaganda slogans had one thing in common – nobody had read them, but they were everywhere. “Please do not throw paper to the toilet” - an attempt to destroy historical memory, as a factor of manipulation of mass consciousness. 63,401 £900.00 Account Other remuneration 10,766 LECT Name 2012, 600x400, installation, metal profile, lamps, wires, plastic wrap 2012, 600x400, installation, metal profile, lamps, electric 2010, 220x250x150, installation, metal structure, lamps Black clouds 2 81,188 -157 Change in receivables Traffic 0.12 £ e . Total remuneration Flowers 81,188 – – 6 5 , 2 3 0 2019, 125x160, digital print 30,533 2010, 250x106, digital print £ e . Total remuneration 2009, 300x132, digital print ###### -1,128 17,529 -1,226 -30,600 3 3 , 1 4 8 Base salary w s n - c u r r e n t l i a b i l i t i e s 2 , 7 9 1 contact’s deta Brave 1,465 0 3 3 , 6 9 8 7 8 4 , 7 5 2 Cash flo w 2,840 Total pension bene Interest inc Arguments: 2019, 130x115, digital print 83 0 ROOM 6 98 Other remuneration -74 0 a) Contact Site Visitors LIABILITIES AND . E x c e l - a r t s e r i e s ROOM 21 ROOM 14 2012, 600x400, installation, metal profile, lamps, electric wires, plastic wrap 2015, 1500x75, slogan on fabric E x c e l - a r t s e r i e s Total remuneration ROOM 10 E x c e l - a r t s e r i e s Traffic 2 0 – Total liabil 1,364 q D i s t a n c e m e a s u r i n g 0 . 0 Arguments as Current liabilities Interest expenses Copy of Winter 2019, 88x147, digital print Subscribed capital . 0 Big way 0 £m EBIT Total liabilities and equity £2,000 . 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Distance measuring Other Funds Received / (Disburse Other administ 2010, 141x173, digital print w e Skyline part 6 -549 Earnings from associates accounted for using the equity method 2008, 177x118, digital print -36,892 –£m #REF! 2016, mixed media #VALUE! 15 Property, plant and equipment 435033 2020, 36x35, digital print E x c e l - a r t s e r i e s 2.23 11,821 1 5 8 , 0 0 0 Deferred income taxes £100 £0 #REF! 0 £20,000 #REF! 169 Copy of Autumn Trade liabilities -13356 20,680 162 Data2 -549 #### #####CASH RECEIV Total oth Distance measuring #VALUE! Less: PR 26 TIM HORTONS INC. AND SUBSIDIARIES 2010, 145 x 170, digital print . Current liabilities to related parties Interest income LIABILITIES AND EQUITY 10970 1,188 8,946 Landscape Adoration Group 297,977 1 0 - 1 2 | 2 0 1 3 2,233 LIABILITIES AND EQUITY 20,692 2008, 119x142, digital print 418 46,622 1,177 1,364 Beginning Cash Balance 2016, mixed media Tax & NI #VALUE! Total st 634 Current financial liabilities . . 893619 42,012 2014, 102x122, digital print 2013, 127x148, digital print Loans 10 0 Deprecia 17,529 middle 21% ##### . -370,914 Adjustment #### 406320 Benefits of Usin S H R E C E I Total other comprehens #VALUE! Expenses . (647) (568) 10 10 21,765 Other l 11 – - 1 , 2 0 3 -216 Dividend 355,800 Change in receivables Distance measuring Amortisatio #### 104383 10559 Beginning Cash 32 #VALUE! ROOM 15 Banking Department (647) (412) Fees relating to prio 132 169 Tax & NI 0 4,458 Flying Inhabitant Island View Securit 12 1 s u m Net movement in accrued int ROOM 7 middle 21% # R E F ! Receivables – 2016, mixed media Depreciatio #### 4 Lower 90.90% Cash S Charg 32 #VALUE! E m p i r e o f p l e n t y Issue Department (132) (106) Fees . Loan Interest Lower 2014, 140x84, digital print 2018, 185x90, digital print 265 W e b e c a m e b e t t e r . £500 319 85,311 . 7 Lowest91.30% – – Tax relief on payment to HM Treasury (12) (20) #REF! #REF! Lowest – Cash, cash - 2 2 1 1 7 , 2 8 9 0.96 85,311 – I104383 e contact.cfc Things to Avoid – Three mounts 5 windows with raster lamps instead of sunlight and two columns decorated with roman style festive garlands, made Going out 32,290 Non-current assets held for sale 600 -36,892 ROOM 11 10399 0 66 -43,755 Changes in working capital -16,748 2014, 121x89, digital print Portraits of small tin soldiers. These are faceless managers, 5 windows with raster lamps instead of sunlight and two columns decorated with roman style festive garlands, made of 10 000 mobile phone chargers. Triumph of plenty. 2018, 110 115, digital print, edition C o n t a i n e r t h r o u g h p u t Changes in working capital -16,748 8 0 , 3 9 6 Changes in working capital -16,748 C a n o n 806 418 As at w 0 Revenue 0 Portraits of small tin soldiers. These are faceless managers, which went through the aging process and have acquired 0 -216 - 2 3 9 Revenue 0 Current liabilities - 2 2 Revenue 0 Cash and cash equivalents December 29, 2013 December 30, 2012 Untitled Food from machine 1 3 8 -216 tion between net profit and cash inflow / outflow from operating activities Total rem Earnings before interest and taxes (EB Current liabilities 7 Restricted cash a 2,137 1 1 7 , 2 8 9 – 2018_50 34, digital print 2014, 146x131, digital print - 5 5 1 407 . Total remune 4 -36,892 ASSETS 1,181 -5,041 - 2 2 -16 Total pension be P r o fi t a f t e r t a x -5,041 1 0 0.44 0 9 , 4 5 0 Junk Other remuneration Total 0 3 -878 Current assets ROOM 16 0.44 83 0 2013, 90x65, digital print ROOM 3 Cash and cash equivalents Other remunerat . Other remun 6 . If SearchS Sorry 1,800 1,798 Building Construction E x c e l - a r t s e r i e s Target by 2022 Total current a Restricted Total remunerati 6,748 Other remuneration £7,000 #REF! 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Intan Cash Sales 0.10 Beginnin Current p 17782 2018, 147x250, digital print Legal and other professional fees a) Conta ##### Net in Issue Department 132 106 £200 £0 10970 234,648 1 9 , 4 6 7 Cash Sa 234,648 a) ContactID: numeric, re 83 Yellow Changes in inventories Telephone ##### – 4 Migration Securities h 12 Transport and delivery ### #### 355,800 2019, 474x40, digital print Notes issue c Consultancy, leg 151 0.6 2016, variable dimensions, installation, drywall stand The column of the Corinthian order that is being trying to make of drywall - its base has almost been raised - but the process is stopped at the moment when it becomes clear that it does not fit into the building and generally cannot stand. 2019, dimensions variable, installation, metal grid, light Neutral sign and neutral word. Word spoken without emotions and feelings. Neutral as nature to all of us. The tunnel, which is dark in one end and full of blinding light in the other. The exit is veiled. Portraits of small tin soldiers. These are faceless managers, which went through the aging process and have acquired personal features. We are witnessing the new class being formed - «office plankton» and after 20 years of their careless existence, we can observe their retreat from the ideals of the consumer society, the soldiers become more humane. 2010, 60x80, digital print, edition 5 1000 tin soldiers – the managers that placed under the cold light sources as fungal cultures in Petri dishes. We can look at ourselves with the bird’s eye. All soldiers are smiling. 2009–2014, installation, dimensions variable, painted tin figures, raster lamps 2017, dimensions variable, installation, raster lamps, metal profile 2016, dimensions variable, installation, columns, mobile chargers, raster lamps, metal profile £000 Other utilities 140 Current liabi Cash a #### -647 -412 Taxable benefits 2016, 190x86, digital print Payment and settle – ### w Subscriptions, pu 138 0.6 2011, 3500x3000, Net incr Insurance Cash flo (361) (538) C A S H R E C E I V E D 140 Current . Pension b The tax charged within the inco The tax charg £100 (361) (538) – (118) 5% If you’ve visited any of our previous exhibitions, please clear your browser’s cache before e To start your visit, press the play button in the lower left co You can download the exhibition and captions by clicking the following two bu Click here to begin. You can find more information and chat with us by clicking on the logo at t To view the exhibition on your computer, you need a 360º video player. 2011, 3500x3000, installation, suspended ceiling, raster lamps Trigger 1. Exhibition Form. The exhibition is constructed to deny the viewer control over the viewing process. The rhythm of observation, the order in which one encounters the works, how far one can get into each one, is no longer up to the viewer. The only thing s/he can do is leave the exhibition space by closing the browser tab. On the one hand, this is an aggressive method to grab the viewer’s attention, common to advertising. On the other hand (and with Sai, there’s always another angle), this is a self-deprecating insinuation that the artist constantly needs attention. Trigger 2. Loss of Control. The second trigger follows from the first. The process of becoming immersed in the exhibition feels literal (excuse me--virtual), like the gradual descent into a hole with no bottom, because there is no end. And this is the most dramatic and most straightforward part of the exhibition: the confession that behind the spectacular packaging lie the doubts and anxiety inherent in contemporary life, when new challenges arise so quickly that there is no time to grasp overcoming the previous ones. Trigger 3. Artistic Oeuvre.This is an account of the artist before the community, before the viewer, before himself. But this trigger -- tied to the phrase “retrospective exhibition,” with its images of formalities in honor of an anniversary -- is also used ironically. In this exhibition, Sai’s “artistic oeuvre” since 2007 is almost entirely instrumentalized, used as material for a total installation. The works are mutilated and not one of them remains in its original entirety. And so it is impossible to “read” the exhibition from beginning to end, like a book. Yet it is possible to have an experience that resembles a cosmic journey through a space with weak gravity, filled with a dense layer of artistic expressions lacking chronological logic.For Sai, art is a method for experiencing reality, and in this method he is protected by irony, which he employs to reflect on this reality. But Sai’s irony is not sarcastic; it conveys goodness and sadness, with hints of bitterness and longing, for the distance from which Sai contemplates life is not so great as to absolve him of responsibility for the current state of affairs. Ksenia Malykh The founders of Shukhliada exposition environment sincerely thank Daniel Yavorovych, the Stedley Art Foundation, the Front Pictures and the Residencies Program team at Ujazdowski Castle Center for Contemporary Art for their assistance and partnership.
Transcript of CONTROL FREAK Oleksiy Sai Shukhliada exposition environment … · 2020. 6. 9. · CONTROL FREAK...
CONTROL FREAK Oleksiy Sai Shukhliada exposition environment Curated by Ksenia Malykh Music by Vasyl SaiOleksiy Sai’s exhibition is built on a set of triggers. How the viewer will make sense of the exhibition depends on what triggers him/her first.
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It is difficult to assess the scale of today’s global culture. Trying to find an adequate visual language to describe contemporary processes I make a series of works in the program which counts the money - Microsoft Excel. Millions of administrators produce their work without coming into contact with reality - and the data I use as elements of visual language can be clearly understood by a person of the corporate
Mongolian yurt – a masterpiece of minimalism and utilitarian, modern spaces for living and working has almost approached to such standard – we are content with essential, but it seems, is too much of such essential stuff.
Slogans and statements - wishes from outer and inner space of soviet consciousness - when it multiplied, it became speechless.
Solarium – a device that imitates the sunlight – and this object imitates a solarium itself. The material culture of practical things that are cheap to manufacture has become widespread standard – but we have to pay for this convenience.
All types of Soviet propaganda slogans had one thing in common – nobody had read them, but they were everywhere. “Please do not throw paper to the toilet” - an attempt to destroy historical memory, as a factor of manipulation of mass consciousness.
Net (increase)/decrease in financial derivatives 108,309 2010, 125x243, digital print 2020, 152x254, digital print % of
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It is difficult to assess the scale of today’s global culture. Trying to find an adequate visual language to describe contemporary processes I make a series of works in the program which counts the money - Microsoft Excel. Millions of administrators produce their work without coming into contact with reality - and the data I use as elements of visual language can be clearly understood by a person of the corporate
Mongolian yurt – a masterpiece of minimalism and utilitarian, modern spaces for living and working has almost approached to such standard – we are content with essential, but it seems, is too much of such essential stuff.
Slogans and statements - wishes from outer and inner space of soviet consciousness - when it multiplied, it became speechless.
Solarium – a device that imitates the sunlight – and this object imitates a solarium itself. The material culture of practical things that are cheap to manufacture has become widespread standard – but we have to pay for this convenience.
All types of Soviet propaganda slogans had one thing in common – nobody had read them, but they were everywhere. “Please do not throw paper to the toilet” - an attempt to destroy historical memory, as a factor of manipulation of mass consciousness.
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It is difficult to assess the scale of today’s global culture. Trying to find an adequate visual language to describe contemporary processes I make a series of works in the program which counts the money - Microsoft Excel. Millions of administrators produce their work without coming into contact with reality - and the data I use as elements of visual language can be clearly understood by a person of the corporate
Mongolian yurt – a masterpiece of minimalism and utilitarian, modern spaces for living and working has almost approached to such standard – we are content with essential, but it seems, is too much of such essential stuff.
Slogans and statements - wishes from outer and inner space of soviet consciousness - when it multiplied, it became speechless.
2012, 600x400, installation, metal profile, lamps, electric wires, plastic wrap
Solarium – a device that imitates the sunlight – and this object imitates a solarium itself. The material culture of practical things that are cheap to manufacture has become widespread standard – but we have to pay for this convenience.
All types of Soviet propaganda slogans had one thing in common – nobody had read them, but they were everywhere. “Please do not throw paper to the toilet” - an attempt to destroy historical memory, as a factor of manipulation of mass consciousness.
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It is difficult to assess the scale of today’s global culture. Trying to find an adequate visual language to describe contemporary processes I make a series of works in the program which counts the money - Microsoft Excel. Millions of administrators produce their work without coming into contact with reality - and the data I use as elements of visual language can be clearly understood by a person of the corporate 2012, 600x400, installation, metal
profile, lamps, wires, plastic wrap
2012, 600x400, installation, metal profile, lamps, electric wires, plastic wrap
2010, 220x250x150, installation, metal structure, lamps
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It is difficult to assess the scale of today’s global culture. Trying to find an adequate visual language to describe contemporary processes I make a series of works in the program which counts the money - Microsoft Excel. Millions of administrators produce their work without coming into contact with reality - and the data I use as elements of visual language can be clearly understood by a person of the corporate 2012, 600x400, installation, metal
profile, lamps, wires, plastic wrap
2012, 600x400, installation, metal profile, lamps, electric wires, plastic wrap
2010, 220x250x150, installation, metal structure, lamps
All types of Soviet propaganda slogans had one thing in common – nobody had read them, but they were everywhere. “Please do not throw paper to the toilet” - an attempt to destroy historical memory, as a factor of manipulation of mass consciousness.
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2012, 600x400, installation, metal profile, lamps, wires, plastic wrap
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Excel - art series 2.23 11,821 158,000 Deferred income taxes £100 £0 #REF! 0 £20,000 #REF! 169 Copy of Autumn Trade liabilities 20,680 -13356
20,680 162 Data2 -549 #### #####CASH RECEIVEDTotal other comprehensive income that may be recycled to profit or loss Distance measuring #VALUE! Less: PRA staff costs1 26 TIM HORTONS INC. AND SUBSIDIARIES 2010, 145 x 170, digital print.
Current liabilities to related parties 10 - 12 | 2013Interest income 2,233 LIABILITIES AND EQUITY 109701,188
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Things to Avoid
– Three mountsPortraits of small tin soldiers. These are faceless managers, which went through the aging process and have acquired personal features. We are witnessing the new class being formed - «office plankton» and after 20 years of their careless existence, we can observe their retreat from the ideals of the consumer society, the soldiers become more humane.
5 windows with raster lamps instead of sunlight and two columns decorated with roman style festive garlands, made of 10 000 mobile phone chargers. Triumph of plenty.
Going out 32,290 Non-current assets held for sale 600 -36,892 ROOM 11 10399 0 66
-43,755
Changes in working capital -16,748 2014, 121x89, digital printPortraits of small tin soldiers. These are faceless managers, which went through the aging process and have acquired personal features. We are witnessing the new class being formed - «office plankton» and after 20 years of their careless existence, we can observe their retreat from the ideals of the consumer society, the soldiers become more humane.
5 windows with raster lamps instead of sunlight and two columns decorated with roman style festive garlands, made of 10 000 mobile phone chargers. Triumph of plenty.
2018, 110 115, digital print, edition Container throughput in thousand TEUChanges in working capital -16,748 80,396 Changes in working capital -16,748 Canon 806
418
As at
w0 Revenue 0
Portraits of small tin soldiers. These are faceless managers, which went through the aging process and have acquired personal features. We are witnessing the new class being formed - «office plankton» and after 20 years of their careless existence, we can observe their retreat from the ideals of the consumer society, the soldiers become more humane.
2016, dimensions variable, installation, columns, mobile chargers, raster lamps, metal profile0 -216 -239 Revenue 0 Current liabilities -22 Revenue 0 Cash and cash equivalents December 29, 2013 December 30, 2012 Untitled
Food from machine 138 -216Reconciliation between net profit and cash inflow / outflow from operating activities Total remuneration Earnings before interest and taxes (EBIT)Current liabilities 7 Restricted cash and cash equivalents2,137
117,289 – 2018_50 34, digital print
2014, 146x131, digital print -551 407 . Total remuneration 4
-36,892
ASSETS 1,181 -5,041
-22 -16 Total pension benefits Profit after tax -5,041 1 0 0.44 0 9,450 Junk
Other remuneration Total pension benefits 0 3 -878 Current assets ROOM 16 0.44 83 0 2013, 90x65, digital print
ROOM 3 Cash and cash equivalents Other remuneration . Other remuneration 6 .
If SearchStruct not defined, all contacts
Sorry 1,800 1,798 Building Construction
Excel - art series Target by 2022 Total current assetsRestricted cash and cash equivalents Total remuneration.16,748 Other remuneration £7,000 #REF!
Returns a query of contacts
151 #REF! 606,813 517,679 Decorating Place for all
e Total remuneration £1,000 #REF!
Returns a query of the addresses for a contact
Examples
### Install Fixtures & Equip. 2012, 165x80, digital print
All out! £100 £0 Property, plant and equipment#NAME? 8,437
Arguments:
Including, but not limited to:
. #REF! . . £20,000
2016, 180x38, digital print 0 32,408 Investments 77 ROOM 8 1,505 Property, plant and equipment32,408 Accounts payable 169762 7,155 33,015
7,155 -4 105,827 Mould TIM HORTONS INC. AND SUBSIDIARIES
–3
-17,818 -4 ROOM 12 .-833
-6,502 ROOM 22Non controlling interests PRA corporate services fee1 o TIM HORTONS INC. AND SUBSIDIARIES Excel - art series 4 (156)
Updates an existing contact
Receivables Collected– – Administration and general costs 4 Black hole
ROOM 4 Balance SheetTotal management fees CASH RECEIVED 6,835 -647
Don’t forget to fill out the evaluation!
£500 319 377 ROOM 17 . Less: Costs recharged to the PRA 7
Time to say goodbye #REF! Property, plant and equipment and investment propertyTotal Income from regulatory activity Beginning Cash Balance0.10 10 - 12 | 2012 CASH RECEIVEDShort-term borrowings30000 Fireworks 9 Purchase of property, plant and equipment
Passing By Reference
#REF! 423 108 Excel - art series .
Intangible assets Cash Sales 0.10 Beginning Cash BalanceCurrent portion of long-term obligations17782 2018, 147x250, digital print Legal and other professional fees
a) ContactStruct: struct, required
##### Net increase in cash and cash equivalentsIssue Department costs under seigniorage arrangements1 132 106 £200 £0
10970 234,648 19,467 Cash Sales 225,331 234,648
a) ContactID: numeric, required
83 Yellow Changes in inventories
Telephone ##### – 4 Migration Securities held at fair value through profit or loss 12
Transport and delivery
### #### 355,800 2019, 474x40, digital print Notes issue costs recharged to the Issue Department 1 Consultancy, legal and professional fees 151 0.6
2016, variable dimensions, installation, drywall stand
The column of the Corinthian order that is being trying to make of drywall - its base has almost been raised - but the process is stopped at the moment when it becomes clear that it does not fit into the building and generally cannot stand.
2019, dimensions variable, installation, metal grid, light
Neutral sign and neutral word. Word spoken without emotions and feelings. Neutral as nature to all of us.
2011, 3500x3000, installation, suspended ceiling, raster lamps
The tunnel, which is dark in one end and full of blinding light in the other. The exit is veiled.
Portraits of small tin soldiers. These are faceless managers, which went through the aging process and have acquired personal features. We are witnessing the new class being formed - «office plankton» and after 20 years of their careless existence, we can observe their retreat from the ideals of the consumer society, the soldiers become more humane.
2010, 60x80, digital print, edition 5
1000 tin soldiers – the managers that placed under the cold light sources as fungal cultures in Petri dishes. We can look at ourselves with the bird’s eye. All soldiers are smiling.
2009–2014, installation, dimensions variable, painted tin figures, raster lamps
2017, dimensions variable, installation, raster lamps, metal profile
2016, dimensions variable, installation, columns, mobile chargers, raster lamps, metal profile
£000 Other utilities14
0 Current liabilitiesCash and cash equivalents at 28 February #### -647 -412
Taxable benefits 2016, 190x86, digital print Payment and settlement – ###
wSubscriptions, publications, stationery and communications 138 0.6
2011, 3500x3000, installation, suspended ceiling, raster lamps Net increase in deposits Insurance Cash flows from operating activities (361) (538) CASH RECEIVED 140 Current liabilities. Pension benefits The tax charged within the income statement is made up as follows:The tax charged within the income statement is made up as follows:£100 (361) (538) – (118) 5%
If you’ve visited any of our previous exhibitions, please clear your browser’s cache before entering. To start your visit, press the play button in the lower left corner. You can download the exhibition and captions by clicking the following two buttons. Click here to begin. You can find more information and chat with us by clicking on the logo at the top right. To view the exhibition on your computer, you need a 360º video player.
2011, 3500x3000, installation, suspended ceiling, raster lamps
Trigger 1. Exhibition Form. The exhibition is constructed to deny the viewer control over the viewing process. The rhythm of observation, the order in which one encounters the works, how far one can get into each one, is no longer up to the viewer. The only thing s/he can do is leave the exhibition space by closing the browser tab. On the one hand, this is an aggressive method to grab the viewer’s attention, common to advertising. On the other hand (and with Sai, there’s always another angle), this is a self-deprecating insinuation that the artist constantly needs attention. Trigger 2. Loss of Control. The second trigger follows from the first. The process of becoming immersed in the exhibition feels literal (excuse me--virtual), like the gradual descent into a hole with no bottom, because there is no end. And this is the most dramatic and most straightforward part of the exhibition: the confession that behind the spectacular packaging lie the doubts and anxiety inherent in contemporary life, when new challenges arise so quickly that there is no time to grasp overcoming the previous ones. Trigger 3. Artistic Oeuvre.This is an account of the artist before the community, before the viewer, before himself. But this trigger -- tied to the phrase “retrospective exhibition,” with its images of formalities in honor of an anniversary -- is also used ironically. In this exhibition, Sai’s “artistic oeuvre” since 2007 is almost entirely instrumentalized, used as material for a total installation. The works are mutilated and not one of them remains in its original entirety. And so it is impossible to “read” the exhibition from beginning to end, like a book. Yet it is possible to have an experience that resembles a cosmic journey through a space with weak gravity, filled with a dense layer of artistic expressions lacking chronological logic.For Sai, art is a method for experiencing reality, and in this method he is protected by irony, which he employs to reflect on this reality. But Sai’s irony is not sarcastic; it conveys goodness and sadness, with hints of bitterness and longing, for the distance from which Sai contemplates life is not so great as to absolve him of responsibility for the current state of affairs. Ksenia Malykh
The founders of Shukhliada exposition environmentsincerely thank Daniel Yavorovych, the Stedley Art Foundation, the Front Pictures and the Residencies Programteam at Ujazdowski Castle Center for Contemporary Art for their assistance and partnership.
