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EditingL e a r n i n g Ta r g e t s :
Day 1:
• I can plan how to edit efficiently.
• I can select the correct style of editing for my story.
Day 2:
• I know how to prioritize where to make a cut.
• I know how to shape my scene.
Day 3:
• I know how to use parallel and J & L edits to enhance my story.
Day 4:
• I know what type of transition I should use.
• I know how to hide my editing.
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DAY 1: HOW TO EDIT
EFFICIENTLY
I can plan how to edit efficiently.
I can select the editing style that is correct to use for my story and purpose.
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3 Phases of Editing
Rough Cut
Final Cut
Final Treatment
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Phase 1
Rough Cut
• Place video clips into the anticipated/desired order.
• Don’t worry about perfect in and out points.
• Review timeline for narrative logic, emotional impact, and pacing.
• Rearrange timeline to achieve a better effect.
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Phase 2
Final Cut
• Trim for precise out-points and in-points.– The edit is smooth
• Double check all looks good.
• Commit to not changing TRT or clip length.
• May actually lock tracks.
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Phase 3
Final Treatment
• Add music that fits the narrative cues.
• Add visual and audio effects.
• Correct or enhance film colors.
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STYLES OF VIDEO
EDITING
I know which editing style is correct to use for my story and purpose.
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Comparison of StylesContinuity Editing The method of recreating a cohesive reality from different shots within different setups and different takes.
Complexity EditingThe method of breaking continuity to show a passage of time, combination of ideas, and or an intensification of action.
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Continuity RevisitedMake sure content audience sees matches from one shot to another when edited together.
• Subjects
• Costumes
• Objects
• Lighting
• Audio
• 180 & 30 degree rule.
• 20 mm rule.
Example: Lynda.com “Reviewing the Cut”.
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Opportunity to Improve
Continuity Editing
What continuity can
be improved?
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DAY 2: ROUGH
CUTTING
I know how to prioritize where to make a cut.
I know how to shape my scene.
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Murch’s Rules
A prioritized checklist
for the perfect cut.
• Emotion – 51%
• Story – 23%
• Rhythm– 10%
• Eye Trace – 7%
• 180 Degree Rule – 5%
• 3D Space of Action – 4%
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Murch’s Rules
Emotion – 51%Does the cut reflect what the viewer should be feeling?
Example:A bounty hunting scam joins two men in an uneasy alliance against a third in a race to find a fortune in gold buried in a remote cemetery. Click here
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Murch’s Rules
Story – 23%Does the cut help to move the plot along?
What do we learn about this story?
______________________________________________________________________________________________________________________________________________________ Click here
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Murch’s Rules
Rythm – 10%Does the cut follow the rhythm of the scene?
Example:A promising young drummer enrolls at a cut-throat music conservatory where his dreams of greatness are mentored by an instructor who will stop at nothing to realize a student's potential. Click here
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Murch’s Rules
Eye Trace – 10%Does the cut ensure the audience’s focus is in the correct place?
Example:A woman rebels against a tyrannical ruler in post-apocalyptic Australia in search for her home-land with the help of a group of female prisoners, a psychotic worshipper, and a drifter named Max. Click here
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DAY 3: HOW TO SHAPE
MURCH’S TOP THREE
I can use parallel and J & L edits enhance my edit.
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Parallel EditingDefinition: Editing between two or more scenes that occur during the same imagined time on screen.
Why It’s Used: Builds tension in the story and helps improve pacing.
How to Do It:Build a scene and almost pay it off but cut it short by switching to another scene. Repeat until all the scenes are complete.
Example
A young F.B.I. cadet must confide in an incarcerated and manipulative killer to receive his help on catching another serial killer who skins his victims. Click here
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J & L CutsDefinition: Edit where a clip’s audio is extended in front of or behind the clip’s video.
Why It’s Done: Improves pacing. Allows the viewer to see how others react to dialogue or sounds.
How It’s Done: Unlink the video and audio lines and make straight cuts on them.
Example
Sherlock must confiscate something of importance from a mysterious woman named Irene Adler. Click here
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DAY 4: FINE CUTTING
I know what type of transition I should use.
I know how to hide my editing.
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Transition Purposes
Straight Cut• Use when the action is continuous.
• There needs to be a change of impact.
• There is a change of information or location.
Fade• Use at the beginning/end of video, scene, or act,
• Use where there is a change of time.
• Use when there is a change in location.
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Transition Purposes
Wipe• Use when there is a change in time or location.
• Use when a punchier transition is needed.
• Use when there isn’t a strong relationship between the outgoing and incoming image.
Dissolve• Use when there is a change in time or location.
• Use when time needs to be slowed down or sped up.
• Use when there is an emotional appeal to the story.
• Use when there is a strong connection between the outgoing and incoming image.
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How to Hide My Editing
• Cut when characters or objects are in movement.
• Cut for proper values rather than proper matches. Click here
• Cut at blinks.
• Cut on motion blurs or obstruction of vision. Click here
• When undecided on what frame to cut on, cut longer rather than shorter.
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Editing Paradox
Successful Edit
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EditingL e a r n i n g Ta r g e t s :
Day 1:
• I can plan how to edit efficiently.
• I can select the correct style of editing for my story.
Day 2:
• I know how to prioritize where to make a cut.
• I know how to shape my scene.
Day 3:
• I know how to use parallel and J & L edits to enhance my story.
Day 4:
• I know what type of transition I should use.
• I know how to hide my editing.