Contents of schematics-20000228 - The Blue Guitar

32
Contents of schematics-20000228 Note: There is some duplication in this archive, some schematics show up multiple times in various formats. I know about it, you don't need to mail me, I don't plan on fixing it right now, down the road yes - but not right now. schematics-20000228/ File Description 1987pow.gif Marshall 1987 Output Stage & PSU 1987pre.gif Marshall 1987 Preamp 2204pre.gif Marshall 2204 Preamp 2205pow.gif Marshall 2205 Output Stage & PSU 2205pre.gif Marshall 2205 Preamp 2210pow.gif Marshall 2210 Output Stage & PSU 2550.gif Marshall 2550 2550pow.gif Marshall 2550 PSU bassman.ps Fender Bassman 5F6 (Tweed) Tube Amp bl_delux.gif Fender Blues Deluxe fbassman.gif Fender Bassman fchamp.gif Fender Champ 12 fndr60a.gif Fender 60, page 1 fndr60b.gif Fender 60, page 2 fstudio85.gif Fender Studio 85 j9po1002.gif Marshall JCM900 100W Power Amp j9pow100.gif Marshall JCM900 100W Power Amp j9pow50.gif Marshall JCM900 50W Power Amp j9pr_mv2.gif Marshall JCM900 Master Volume Preamp j9pre_mv.gif Marshall JCM900 Master Volume Preamp jcm900du.gif Marshall JCM900 Dual Reverb Preamp mmrd50b.gif Music Man RD-50 Amplifier orange.ps Orange 125 MK III Amplifier ormkii.gif Orange MK II Amplifier tubedist.ps Tube Distortion Pedal tubehead.ps PAiA TubeHead Preamp tubemicp.ps PAiA Tube Mic Preamp

Transcript of Contents of schematics-20000228 - The Blue Guitar

Contents of schematics-20000228Note:

There is some duplication in this archive, some schematics show up multiple times in various formats. I know about it, you don't need to mail me, I don't plan on fixing it right now, down the road yes - but not right now.

schematics-20000228/

File Description 1987pow.gif Marshall 1987 Output Stage & PSU1987pre.gif Marshall 1987 Preamp2204pre.gif Marshall 2204 Preamp2205pow.gif Marshall 2205 Output Stage & PSU2205pre.gif Marshall 2205 Preamp2210pow.gif Marshall 2210 Output Stage & PSU2550.gif Marshall 25502550pow.gif Marshall 2550 PSUbassman.ps Fender Bassman 5F6 (Tweed) Tube Ampbl_delux.gif Fender Blues Deluxefbassman.gif Fender Bassmanfchamp.gif Fender Champ 12fndr60a.gif Fender 60, page 1fndr60b.gif Fender 60, page 2fstudio85.gif Fender Studio 85j9po1002.gif Marshall JCM900 100W Power Ampj9pow100.gif Marshall JCM900 100W Power Ampj9pow50.gif Marshall JCM900 50W Power Ampj9pr_mv2.gif Marshall JCM900 Master Volume Preampj9pre_mv.gif Marshall JCM900 Master Volume Preampjcm900du.gif Marshall JCM900 Dual Reverb Preampmmrd50b.gif Music Man RD-50 Amplifierorange.ps Orange 125 MK III Amplifierormkii.gif Orange MK II Amplifiertubedist.ps Tube Distortion Pedaltubehead.ps PAiA TubeHead Preamptubemicp.ps PAiA Tube Mic Preamp

C++

A

B

0.1uf400v

0.1uf400v

1

2

1

2

20uf600v

20uf600v

20uf600v

20uf600v

0.1uf400v

Fender Bassman 5F6 (Tweed)

250

12AX7 (orig. 12AY7)

4701W

1W470

325VAC

325VAC

1M

68k

68k

820

6v

68k

68k

and pilot lightto all 6.3v heaters3 amp fuse

AC Switch

GZ34

150v8uf

15k

8uf 150v

56k

0.02uf400v 1M Volume

100k

Volume

400v0.02uf

100k 270k

270k820 100k

250kTreb.

0.00025uf

56k

0.02uf 400v1M

Bass

25kMid

0.02uf400v

5k Pres.

12AX7

5881 (6L6)

5881 (6L6)

4k7

0.1uf 200v

0.02uf 400v

47010k

27k

450v8uf

10k

220k

220k

0.05uf600v

Standby

0.05uf

600v

Ground Switch

Bright

Normal

82k 5%

100k5%

A

B

1M

0.0001uf

12AX7

1M

C

47pf

Volume

1M - log

+

100k

100k

470

220k

220k

22k

15k

1M

1M2.2k

100560

560

68n

68n

680p

68n

10n

10µ

-100v

-40v

+454v

+ 10µ

+454v

Out to Power stage

Out to Power stage

Feedback from Power stage

Ground

ECC83

47µ

100n

47n

2.2k

68n

330p

Volume

Trebble BassGuitar In

ECC83

1.8v 1.8v

250k - log

1M - log

++

68k

220k100k 220k

1M 2.2k

250k - log

47µ

220k220k

++

+

47µ

47n

100n

2.2k

68n

330p

Volume

Trebble

Bass

Guitar In

ECC83

1.8v 1.8v

250k - log

1M - log

++

68k

220k100k

1M 2.2k

250k - log

47µ

220k220k

+

+

Orange Preamp Section - Channel II

330p

Middle

10k - log

+

+

+392v

+392v

To Mixer

To Reverb

1k

1k

1k

1k

2.2k

2.2k

2.2k

2.2k

Mains

6.3v

+

+

Red Red Gray

Gray

Black

Purple Blue

Orange

Brown

Black

Yellow

Gray

Blue

Black

Black

Brown

SpeakerOutput

Main

Aux

Ground

Blue

To Printed Board Rectifiers

To Printed Board, Power Amp Drive

To Printed Board, High Voltage

4x EL34

Orange 125mk3 Power Section

2.2k100k

100k

68n

1M 1k

1k

10n 470n

68n

1M

Out toReverb

100k

ReberbReturn

20n

68n

Reverb Level

100k

470k

100k

100k 1k68n+

47

+472.2k

220k

+47

100k

100n 47n

2.2k

220k

220k

68n

+47 2.2k

220k

+47

100k

100n 47n330p

2.2k

68n

680p

33M

330p

220k

220k

680p

Slave Out

1M

2.2k

100

470

100n560

560

68n1M

To Power Stage

68n

68n

100k

220k

220k

100k

15k

+10

Foot Switch

92M

1k

10k

+16

+16

+1022k

620

+

+

32

32

100k

100k

3xBA127

3xBA127

100

100

6.3V

+ High Voltage

Ground

2.2k +

2.2k +2x1M

470k

22n

10n

10n

68n

220k

92M

100k

220k

Black

VolumeTrebble Bass

68k

1M

220kRed

Guitar In

Red

OrangeBrown

YellowBlack

VolumeTrebble Bass

68k

Red

Guitar In

Red Brown

Middle

Orange

Speed

Purple Pink

Yellow

DepthMaster

220k

Red1

Blue1

Red2

Blue2

Orange 125mk3 Guitar Preamplifier

ECC83

ECC83ECC83

ECC83

ECC83

ECC82

Reverb Driver

Chan I

Chan II

Tremolo

Reverb Return

Power Amp Driver

47

2.3v1.8v1.8v

1.8v

1.8v

1.8v

392v

454v

-100v-40v

Red

Purple BlueRed Purple

Blue

Blue PurpleBrown Black

Blue

Yellow

Yellow

Gray

Red

Gray

Red

100k - lin

250k - log 250k - log 1M - log 250k - log 250k - log 1M - log10k - log 1M - log 100k - lin 2M - lin

Name: Manufacturer / Designer: Revision: Model #

+ ++

+

-

-

+

Ron BlackTube Distortion 10/13/95

Circuit from Guitar Player : October 1981

-120VAC IC2

IC1 - 747 dual op-amp, others may be substitued but pinout will differ

All resistors 1/2 W, 10% prefered

Bridge Rectifier - Full wave bridge recitifier, 50 Volts, 500 mA minimum

IC2 - LM340K-12V Voltage Regulator

12V

22k

1M

500k

0.1uf

10k

12VAC200mA minimum

RectifierBridge 1N3600

470uf50V

1000uf12V

6V100uf

10k

6V

12V

0.01uf180k180k

0.01uf 0.01uf

1M470k

100k

0.1uf

6V

12V

Out

In

Filament of12AU7A

1

2

3

6

7

1

3

2

12

132

1

IC1a

8

7

6

910

4

54

IC1b

Name: Manufacturer / Designer: Revision: Model #

+

+

+

++

+

+

+

+

+

+

+

- +

+

+

+

- +

IC4a

1-

+3

2

TubeHead PAiA Electronics 11/4/95 9305

+42v

D3 D4 D5 D6 D7

33ufIC1e

IC1d

IC1b

33k 33k

220pf

IC1f IC1a

IC1c

33uf

33uf 33uf 33uf

10

9

11 12 14 15 3 2

45

7 6

S1

330

D2 100

100uf 1000uf16v

100uf25v

1000uf16v

100

Vcc

+12v

-12v

D1

0.05uf

0.5A12VAC

25v1k 10k

Vref

+12v Vcc - Pin 1 IC1+12v - Pin 8 IC2, IC3, & IC4-12v - Pin 4 IC2, IC3, & IC4

- Pin 8 IC1

IC1 - 4049 CMOS Hex Inverting BufferIC2, 3, & 4 - 5532 Dual Low-Noise OpAmpD1, 2 - 1N4001D3, 4, 5, 6, & 7 - 1N4148All 1uf caps 50v all others 25v unless marked otherwise.All resistors 1/4W, 5%

Original circuit from December 1993 Electronic Musician

82k

8k2

2k72k7

150k

47k

10k Drive22k

Vref

10k Output

Out

Channel 1

+42v

0.01uf 1uf270k 270k

100k 1uf

1uf

10k 470k

470k

10k

220

82k

5pf

IC2b

330 33uf

100k

100

IC2a

20pf

220

2.2uf

In2

1 6

7

100kTrim

86943

2

31

6

57

10k

12AX7Pre/

100k Trim Pot controls Symmetry12VAC

Clip

47k*

47k"

BlendPost

resistor and the 20pf cap from the feedback loop of the driving OpAmp. Then change the 47k" resistor to 680k and the 22k resistor in the feedback loop of the

Channel 2 is identicle to Channel 1, and uses IC4b for the clipping meter and IC3 for the input/output driver. The input impedance of the TubeHead is about20k ohms, which is consistant with most gear like Synths, Effects Processors, Mixers, EQs, and so on. 20k is too low for a proper match with high impedance sources like guitar pickups, but a few minor changes take care of this. To use the TubeHead as a instrument pickup preamp, remove the 47k*

driving OpAmp to 100k. Now the TubeHead can be used to warm up a cold sounding guitar amp or just provide a great preamp tone.

1uf

Name: Manufacturer / Designer: Revision: Model #

+

+

+

+

-

+

-+

-

+

++

++

+

+

+

+

+

+

-

+

+

+

+

+

+

PAiA Electronics

Original circuit from Recording Magazine January 1995

Tube Mic Pre 9407

S1

330

D2 100

25v

100

Vcc

D1

0.05uf

0.5A12VAC

25v

470uf

470uf

220uf

220uf

25v

25v

+15v

-15v

Mic In

Output

Bal Out

4.7uf

4.7uf

IC1f

10010k

IC2b

47k

2k7

220

82k

470

10k

IC3b

IC3a

10k

2201k

10k D10

10k

DriveTube

12VAC2k7

22k

0.01uf 1uf 270k 270k

1uf

100k

1uf

Blend10k

100k33k1k

D8

D9 270k

270100k 1uf

1uf

82k

470k4k7

PolarityIC2a

10k

D11

D13

D12

150k

10k

47uf

#

5pf

PP On

+48v

Drive

Power

Phant.

10k

470 33uf

33uf

10kOutput

D3 D4 D5 D6 D7

33uf

33k 33k

220pf

33uf

33uf 33uf 33uf

Vcc - Pin 1 IC1

- Pin 8 IC1

IC1 - 4049 CMOS Hex Inverting Buffer

+15v - Pin 8 IC2, & IC3-15v - Pin 4 IC2, & IC3

IC2, & 3 - 5532 Dual Low-Noise OpAmp

+48v

IC1c

IC1b IC1d

IC1e

IC1a

D1, D2 - 1N4001D3 to D8 - 1N4148

12AX7

470k

470k

#

# #

#

#

##

# 33k

#

D10 to D13 - 6.8v Zener DiodeD9 - 51v Zener Diode

6k81

6k81

All 33uf caps 16v all others 50v unless marked othewise. Resistors marked with # are 1% film type. The "Drive" LED indicates how hard the tube is being driven. The "Blend" control allows for a mixing of SS and tube coloration. Symmetry controls the relative amounts of even and odd harmonics, CCW the

6

8 394 5

1

27

75

6

3

21

75

6

100k

2

31

1415

7

6

5 4 3 2 9 10

1211

Symmetry

should be connected to point A.

A

G

231

231

Tube Mic Pre may sound punchier, while CW it may sound warmer. The 12VAC needed for pin 5 of the 12AX7 can be obtained from point G while pin 4

1 / 2

11/11/95

Name: Manufacturer / Designer: Revision: Model #

231

This mod converts the XLR jacks to 1/4" balanced stereo jacks. However, when a mono plug is used with this new jack the inverting input of the differential amp is grounded, this single-ends the balanced input so standard phone plugs on dyanmic mics can be plugged in directly. Additionally the polarity switch still works, even for unbalanced inputs. If phantom power is notturned off while using a singled ended input the performance of the TMP will not be up to par but it won’t damage the TMP either.

USING STERO PHONE JACKS FOR INPUT

Mic In

31

2

47k

47k

#

#

Low / Line Level

USING THE TMP WITH LINE LEVEL SIGNALSThere are two options for line level signals. First if you know that you’ll be using line level signals all the time with theTMP then you can change the two 33k 1% resistors to 1k 1% types and your done. Alternatively if you want the optionof line level or low level signals then you can sacrifice the polarity switch and and rewire it here as shown. Notice that the 47k resistors are again of the 1% variety.

+

+

+

+

+

S1

330

D2 100

25v

100

Vcc

D1

0.05uf

0.5A12VAC

25v

470uf

470uf

220uf

220uf

25v

25v

+15v

-15v

Power1000uf25v

1W

15

Pin 5 12AX7

Pin 4 12AX7

USING DC TO POWER THE HEATER FILAMENTSThis mod can make the TMP quiter. Insted of using the 12VAC to power the heater filaments rectified and filtered DC can be used. This is accomplished as shown.The new resistor added is a 15 ohm 1W type, the new cap is a 1000uf 25v as shown. It is critical that pin 5 of the12AX7 connects to the ground point shown.

PAiA Electronics

2 / 2

Tube Mic Pre (Mods) 11/11/95