Contact Philip Riley 917 536 8347 services@digitalskink · Philip Riley | Photo Retouching Original...

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Contact Philip Riley 917 536 8347 [email protected]

Transcript of Contact Philip Riley 917 536 8347 services@digitalskink · Philip Riley | Photo Retouching Original...

Page 1: Contact Philip Riley 917 536 8347 services@digitalskink · Philip Riley | Photo Retouching Original image (above) The photographer disliked the color shift from real life in the greens

Contact Philip Riley

917 536 8347

[email protected]

Page 2: Contact Philip Riley 917 536 8347 services@digitalskink · Philip Riley | Photo Retouching Original image (above) The photographer disliked the color shift from real life in the greens

Philip Riley | Photo Retouching

Final retouched imageFinal retouched imageOriginal image

Client: Morgan Stanley Worlwide

Page 3: Contact Philip Riley 917 536 8347 services@digitalskink · Philip Riley | Photo Retouching Original image (above) The photographer disliked the color shift from real life in the greens

Philip Riley | Photo Retouching

Original imageModel shot for a promotional web

campaign for Juicy Couture. Client: Bergdorf Goodman Final retouched image

Page 4: Contact Philip Riley 917 536 8347 services@digitalskink · Philip Riley | Photo Retouching Original image (above) The photographer disliked the color shift from real life in the greens

Philip Riley | Photo Retouching

Final retouched image

Removal of creases and folds

Removal of blemishes

Removal of creases and folds

Removal of creases and folds

Model shot for a promotional web campaign for Juicy Couture. Client: Bergdorf Goodman

Original image

Page 5: Contact Philip Riley 917 536 8347 services@digitalskink · Philip Riley | Photo Retouching Original image (above) The photographer disliked the color shift from real life in the greens

Final retouched imageOriginal image

Reworking of the fur trim

Reworking of the fur trim

Silhouetting of complex areas to replace the back-

ground color

Philip Riley | Photo Retouching

Final retouched imageOriginal image

Original imageModel shot for a life-sized

in-store displayClient: Victoria’s Secret

Page 6: Contact Philip Riley 917 536 8347 services@digitalskink · Philip Riley | Photo Retouching Original image (above) The photographer disliked the color shift from real life in the greens

Philip Riley | Photo Retouching

Original images (above)This product shot required montaging and substantial work to create this idealized shot of the product.

This was used for a full page color advertisement in the New York Times. Shown right

Client: Bergdorf Goodman

Magenta cast removed

Background text required erasing

Foreground text required

enhancing

Logo and text enhanced

Reflections simplified

Magenta cast removed

image of reflec-tion extended

Final retouched image

Page 7: Contact Philip Riley 917 536 8347 services@digitalskink · Philip Riley | Photo Retouching Original image (above) The photographer disliked the color shift from real life in the greens

Philip Riley | Photo Retouching

Final retouched image

Original imagesThese product shots required substantial work as they were taken with a basic digital camera under non-ideal conditions

Client: Ugg for the online

Apple Store

Removal of fingers and replacement of lost information

Production of false shadows on each image

Sharpening and enhancement

of detail

Removal of backgrounds

Replacement of lost information

Page 8: Contact Philip Riley 917 536 8347 services@digitalskink · Philip Riley | Photo Retouching Original image (above) The photographer disliked the color shift from real life in the greens

Philip Riley | Photo Retouching

Original image

NINA BASHAROVA

Original image (above)This product shot required the mounting glue from the shoot removing. This went out as printed promotional piece.

Client: Nina Basharova

Removal of glue support from the photo shoot

Final retouched image

Page 9: Contact Philip Riley 917 536 8347 services@digitalskink · Philip Riley | Photo Retouching Original image (above) The photographer disliked the color shift from real life in the greens

Philip Riley | Photo Retouching

Removal of shoe and replacement of missing design on the bag

Creation and addition of a Bendel Medallion

Removal of the background

Original image This was rapid image work from a tear sheet for an in-house branding exercise.

Client: Limited Brands/Henri BendelFinal retouched image

(not intended for publication)

Page 10: Contact Philip Riley 917 536 8347 services@digitalskink · Philip Riley | Photo Retouching Original image (above) The photographer disliked the color shift from real life in the greens

Philip Riley | Photo Retouching

Final retouched image(not intended for publication)

Original image This was rapid image work from a tear sheet for an in-house branding exercise.

Client: Limited Brands/Henri Bendel

This signature pattern was applied to the models bathing suit

Page 11: Contact Philip Riley 917 536 8347 services@digitalskink · Philip Riley | Photo Retouching Original image (above) The photographer disliked the color shift from real life in the greens

Philip Riley | Photo Retouching

Final retouched image

Ball from this shot was montaged onto the above shot to create a composite.

Shadow area reworked to make the placed image convincing

Original images (above)The image of the soccer player required a ball adding to the shot.

Client: Arnel/Reebok

Page 12: Contact Philip Riley 917 536 8347 services@digitalskink · Philip Riley | Photo Retouching Original image (above) The photographer disliked the color shift from real life in the greens

Philip Riley | Photo Retouching

Original image (above) The photographer disliked the color shift from real life in the greens and reds of the sun-bleached play house. In addition the face needed to emerge from the shadows and skin tones needed to be warmed.

Client: Chris Floyd/Premiere Magazine

Return colors to original hues

Lifted the shadow off the face

Final retouched image

Page 13: Contact Philip Riley 917 536 8347 services@digitalskink · Philip Riley | Photo Retouching Original image (above) The photographer disliked the color shift from real life in the greens

Philip Riley | Photo Retouching

Original image (above) The photographer requested general color correction to produce warm vivid colors in this portrait of the Director Peter Greenaway.

Client: Chris Floyd/Premiere Magazine

Restored the color and tonality to this

very bleached image

Final retouched image

Page 14: Contact Philip Riley 917 536 8347 services@digitalskink · Philip Riley | Photo Retouching Original image (above) The photographer disliked the color shift from real life in the greens

Philip Riley | Photo Retouching

Final retouched image

Color correction to the figureand the face

Clean up of the white marks on the

truck and across the image

Overall Color correc-tion to the image

Original image (above) The contents page for a monograph on the movie director Hal Hartley

The designer was supplied with a simple snapshot of the director which nonethe-less had historical value and needed to be cleaned up in order to be used.

All images in this book were scanned and/or retouched.

Client: Hal Hartly/ Possible Films

Page 15: Contact Philip Riley 917 536 8347 services@digitalskink · Philip Riley | Photo Retouching Original image (above) The photographer disliked the color shift from real life in the greens

Philip Riley | Photo Retouching

Removal of discoloration due to wetness

Removal of the back ground

Original image (above) The water stains needed to be removed from this sculpture and the image placed on a neutral ground

Client: Sang Joon Park

Final retouched image

Page 16: Contact Philip Riley 917 536 8347 services@digitalskink · Philip Riley | Photo Retouching Original image (above) The photographer disliked the color shift from real life in the greens

Philip Riley | Photo Retouching

High contrast bleached out feel

reminiscent of stage-lighting

Original imagesThe photographer wanted the top image correcting for exposure and modifying to give a high contrast bleached out feel reminiscent of stage-lighting.

The lower image required infomation restoration and color correction.

Images used in a monograph of the photographer’s work. In all 80 images were retouched for the book.

Client: Paul AssimacopoulosFinal retouched images

Restoration of lost informationand extended background

Color correction

Creation of spotlight halo

Page 17: Contact Philip Riley 917 536 8347 services@digitalskink · Philip Riley | Photo Retouching Original image (above) The photographer disliked the color shift from real life in the greens

Philip Riley | Photo Retouching

Removal of this background figure

Original image (above) The image had a figure in the background that needed removing.

This image was used in a printed brochure for this Japanese Flamenco Dancer

Client: Makiko Takeuchi/Ura

Final retouched image

Page 18: Contact Philip Riley 917 536 8347 services@digitalskink · Philip Riley | Photo Retouching Original image (above) The photographer disliked the color shift from real life in the greens

Contact Philip Riley

917 536 8347

[email protected]