Concessions · A palanquin is a covered type of litter for a stretched-out passenger, carried on...
Transcript of Concessions · A palanquin is a covered type of litter for a stretched-out passenger, carried on...
required for admission to the presence of the Emperor of China. Many Westerners thought
it was a sign of worship, but in this context it is only a sign of extreme reverence. After a
time its meaning came to include any abject submission or groveling.
A toad in this song is used instead of the more common toady, meaning a sycophant who
flatters others to gain personal advantage.
Moses is by tradition assumed to be the author of the first five books of the Bible: Genesis,
Exodus, Leviticus, Numbers, and Deuteronomy. So in many Bibles the book of Genesis
has the fuller title of "The First Book of Moses, called Genesis".
Now is always best time. This is perhaps the best line in the whole play!
Songkla, or more properly Songkhla, is a port city on the eastern side of the Isthmus of
Kra, which connects Thailand with Malaysia. It is located near the Malaysian border. The
British controlled Malaya at the time, so Sir Edward Ramsay would be on his way to
Bangkok.
The King refers to Edward Ramsay as Sir Ramsay. Properly, a knight is referred to by
"Sir" with his first name only, but not his last name only: "Sir Edward", not "Sir Ramsay".
The phrase post meridian is a variation of post meridiem (abbreviated "p.m.", meaning
"afternoon". [Origin: Latin post ("after") + merīdiēm, accusative singular of merīdiēs
("noon, midday").]
In this context, I assume penang means what Siamese women traditionally wore below the
waist
Bodice, in this context, means the upper portion of a one- or two-piece dress, in distinction
to the skirt and sleeves; it would cover a woman from neck to waist.
The Indian city Bombay is now called "Mumbai". The name "Bombay" is from a Portu-
guese pronunciation of the name. The name is "Mumbai" in the Marathi language, but
"Bambai" in Hindi, Gujarati, and some other Indian languages. It was officially renamed
"Mumbai" in 1995.
Furtively means "stealthily" or "secretively."
Uncle Tom’s Cabin; or, Life Among the Lowly was published in 1852.
Now folds the lily is from the last stanza of Alfred Tennyson’s sonnet poem Now sleeps
the crimson petal, which was first published in 1847, in The Princess: A Medley.
Slavery existed in both Burma and Siam in the 19th century.
Dragon boat races are part of the Chinese celebration of the summer solstice, the Duanwu
Festival, also called the Dragon Boat Festival, or "Double 5", because it occurs on the fifth
day of the fifth month of the traditional Chinese lunar-solar calendar.
For more information, visit http://theater.aeaclubs.org/theater/byebyebirdie/ or
http://t_f_mcq.tripod.com/theater/birdie/birdie_gloss.html.
The Aerospace Players on the web: www.aeaclubs.org/theater
The Aerospace Players
Music by Richard Rodgers
Book and Lyrics by Oscar Hammerstein, 2nd
James Armstrong Theatre Torrance, California
July 19-27, 2013
Concessions Snacks and beverages are available in the lobby at intermission.
50/50 Drawing The winner receives 50% of the money collected at each performance. The winning
number will be posted in the lobby at the end of each performance.
Actor/Orchestra-Grams: $1 each “Wish them Luck for Only a Buck”
All proceeds support The Aerospace Players
production costs – Enjoy the Show!
One or more ads go here.
Interesting facts A binnacle is a wooden housing for a ship’s compass.
Bangkok has been the capital of Siam (now Thailand) since about 1767.
A palanquin is a covered type of litter for a stretched-out passenger, carried on four poles
on the shoulders of four or more bearers, as formerly used (also by colonials) in eastern
Asia. (From Portuguese palanquim, ultimately from Sanskrit पल्यङ्क (paly-aṅka, “bed,
couch, bedstead”).
My Lord and Master here is using the two words as synonyms. But the original phrase is
from John 13:14; "If I then, your Lord and Master, have washed your feet; ye also ought to
wash one another’s feet." Here, "master" means teacher, so many modern translations have
"master and teacher."
A hoop skirt is a woman’s undergarment formerly worn to hold the skirt extended into a
fashionable shape, typically consisting of a fabric petticoat with casings to hold a stiffening
material, variously rope, osiers, whalebone, steel, or nylon.
Pantalettes: a form of long underpants with a frill at the bottom of each leg, such as a
woman would wear under a hoop skirt.
When asked if she has children, Anna says she has "One little boy." The real Anna also
had a daughter, whom she sent to England while she was in Bangkok.
Home! Sweet Home! is a song written in the 1820s with lyric by the American John How-
ard Payne, with a tune probably by Englishman Sir Henry Bishop. It was supposedly
banned in the American Civil War in Union camps as being to nostalgic and likely to incite
desertions. It has been quoted frequently in operas and other classical music, as well as
many films and cartoons. It is also well known in Japan.
Bedlam originally was a contraction of the name St Mary’s of Bethlem in London, which,
for over 600 years, has been a hospital for the mentally ill. Originally located in the City of
London, it has been relocated to the Borough of Bromley, in the south part of Greater Lon-
don, and is today known as Bethlem Royal Hospital. Because of the chaotic conditions
inside at one time, the term bedlam came to mean "uproar and confusion".
The pound sterling is the monetary unit of the United Kingdom. Originally it was the
value of one pound troy of silver. But the country has gone on and off the gold standard,
and so the value has varied. In the twentieth century, it became fiat money, like most other
world currencies. Today it is the fourth most used currency in the world, after the U. S.
dollar, the Euro, and the Japanese Yen. During the 19th century the pound was valued at
$4.85 U.S., or about $1 = 4s 2d.
A concubine is a woman who lives with a man, but who is not a wife; especially Eastern
societies, a woman residing in a harem and kept, as by a king, for sexual purposes. [Origin:
1250–1300; Middle English, from Anglo-Norman, from Latin concubīna, equivalent to
concub- (variant stem of concumbō ("to lie together")) + feminine suffix -īna.]
A libertine is a person (especially a man) who takes no notice of moral laws, especially
those involving sexual propriety; someone loose in morals; a pleasure-seeker. [Origin:
Latin libertinus ("a freedman, prop. adj., of or belonging to the condition of a freedman"),
from libertus ("a freedman"), from liber ("free"); related to liberal, liberate.] {Usually pro-
nounced "LIB-er-teen".}
Anna was in fact not from Wales, but was born in India of English parents. Her husband,
however, was Welsh, at least in part, and had a Welsh name.
Gaol is the spelling of jail preferred in Britain.
In this song at least, ken means "knowledge"; a fossil word, surviving in ordinary usage
only in phrases like " beyond one’s ken." [Related to German kennen, meaning "to know."]
Kowtow is from a Chinese word 叩頭 (kòu tóu) meaning to bow so low as to touch one's
head to the floor or ground. The literal meaning is something like "bump head". It was
__________________________________________________________________________
Abbreviations used:
Aerospace = The Aerospace Corporation CLO = Civic Light Opera
H2$ = How to Succeed in Business Without Really Trying
Joseph = Joseph and the Amazing Technicolor Dreamcoat
TAP = The Aerospace Players
Dan Ullfig (Captain Orton)—This is Dan’s 4th production with TAP, although
he has been performing in the South Bay Area for some time. He was the chief
nazi in Cabaret, and Street Cleaner, Jack Lapidus, and Patrolman O’Reilly in
The Producers.
Tim Wade (Palace Guard)—This is Tim’s 7th production for TAP. His previ-
ous productions are: South Pacific (ensemble), My Fair Lady (Zoltan Karpa-
thy), Brigadoon (Sword Dancer), The Producers (Kevin), Once Upon a Mat-
tress (Sir Studley), and Bye Bye Birdie (Harvey Johnson). He is once again
thrilled to be doing another production with TAP. And this also his second
Rodgers and Hammerstein musical.
Travis Wheaton (Phra Alack)—Travis is pleased to see so many happy faces
to watch him in his glory. This is Travis’s 7th show with TAP, having been an
orphan in the children’s chorus of Oliver!, a guard in Joseph, Simon in Big
River, a sailor in South Pacific, as well as a paratrooper, a prisoner, and a jury-
man in The Producers. He graduated from California Lutheran University with
a B.S. in Mathematics, and soon will be attending Cal State Dominguez Hills
for a M. Ed.
Robin Wohlman (Artwork)—Robin is happy to return for Bye Bye Birdie after
appearing in TAP’s Camelot. Robin designed the Bye Bye Birdie logo. Favorite
past TAP roles include Princess #12 (Once Upon a Mattress), Kate
(Brigadoon), and the Painter (1776). She has illustrated a children’s book Tex
Rex: Octopus Rex Rides the Range by Barbara Hart and provides artistic sup-
port to the Sertoma Baseball Camp for hearing-impaired children.
John Woodcock (Asst. Tech. Director)—This is John’s 25th TAP show and
the second time he has directed: his first was the 2003 production of Guys and
Dolls. Favorite roles include the Fiddler in Fiddler on the Roof, Spats in
Sugar, and Sir Dinadan in Camelot, where he defeated the dreaded Sir Lionel
in hand-to-hand combat! John is a retired Air Force Lt. Colonel. Much love
and many thanks to his wife Susan—I couldn’t have done this without you!
Director’s Note
Melissa Geiger
ACT ONE
Overture ........................................................................... Orchestra
Scene 1 Deck of the ship Chow Phya I Whistle a Happy Tune ........................................ Anna and Louis
Intermediate Scene 1½ The Palace corridor
Scene 2 The King’s study in the Royal Palace My Lord and Master ........................................................... Tuptim
Hello, Young Lovers .............................................................. Anna
March of the Royal Siamese Children ............................ Orchestra
Scene 3 Exterior of the Palace A Puzzlement .......................................................................... King
Scene 4 Schoolroom in the Palace The Royal Bangkok Academy .......................... Anna and Children
Getting to Know You ....................................... Anna and Children
We Kiss in a Shadow ..................................... Tuptim and Lun Tha
Intermediate Scene 4½ The Palace corridor
Scene 5 Anna’s Bedroom in the Palace Shall I Tell You What I Think of You? ................................... Anna
Something Wonderful ................................................ Lady Thiang
Intermediate Scene 5½ The Palace corridor A Puzzlement (reprise) ................ Louis and Prince Chulalongkorn
Scene 6 The King’s study Buddhist Prayer .............................................. King and Ensemble
Intermission
Ariel Swift (Royal Wife)—Ariel is delighted to appear in her first TAP pro-
duction. She has been performing since elementary school, most recently in
South High School’s productions of Our Town (Mrs Gibbs) and Zombie
Prom (Sheila). An avid lover of cats and books, she is studying English: Lan-
guage and Linguistics at CSUDH. She thanks the production team for giving
her this opportunity, as well as her family, friends, and boyfriend for their love
Cathryn Starr (Anna)—Cathryn returns for her 10th show with TAP. Some
favorite credits include Brigadoon (Fiona), Hello, Dolly! (Irene Molloy), My
Fair Lady (Mrs Pearce), Kiss Me Kate (Lilly Vanessi/Kate), 1776 (Martha Jef-
ferson), H.M.S. Pinafore (Cousin Hebe), The Gondoliers (Tessa), Carmen
(Michaela), and Dialogues of the Carmelites (Blanche). She has also performed
as a soloist in such works as Handel’s Messiah and Mozart’s Requiem.
James Starr (Videographer)—Freelance videographer specializing in live thea-
tre. Headed video committee at the Magic Castle in Hollywood for many years.
Consultant for special effects in several TAP shows. See sorcerer’s cauldron in
Mattress, exploding toolshed in City of Angels, video projections. Studied clas-
sical piano for 11 years. Played rehearsal piano in various TAP shows. Worked
at Aerospace in Astrodynamics Dept, and Titan/EELV program offices. Cur-
rently retired.
Marah Studer (Dancer)—Marah is originally from Seattle but now calls Her-
mosa Beach her home. She is thrilled to be a part of TAP and is excited to
participate in her 2nd production with such a fantastic group, following last
season’s Camelot. Marah continues to name 2012 as her renaissance year,
adding not only TAP musical theater to her list of new experiences but also
women’s surf camp in Costa Rica and Bar Method instruction in both Hermosa
Beach and Palos Verdes.
JoMarie Rosser (Assistant Producer, Costumes, Tickets)—JoMarie is happy
to be producing yet again another TAP endeavor. She is especially happy that
her sister Victoria and niece Ariel will be acting in this production. On-stage
credits with TAP include The Music Man, City of Angels, Brigadoon, and My
Fair Lady. Production credits include Little Shop of Horrors, City of Angels,
1776, Brigadoon, Damn Yankees, My Fair Lady, South Pacific, Oklahoma!,
The Music Man, and The Producers.
Megan Stout (Ensemble)—
Benjamin Stout (Ensemble)—Benjamin is excited to be in his first big show.
This last year he performed with his fellow first graders in “The Three Piggie
Opera” where he played the stick peddler. Benjamin loves anything to do with
“Angry Birds,” ice cream, pizza, riding his scooter, playing tennis, and reading.
He is a great big brother and loves being in this show because he gets to spend
extra time with daddy.
Michael Stout (Ensemble)—
Lisa Stout (Ensemble)—Lisa is excited to be in her 3rd show with TAP. Last
year she performed in Mattress and Camelot. Some of her previous roles in-
clude Nerissa in The Merchant of Venice, Hermia in A Midsummer Night’s
Dream, and Gertie in Oklahoma! She also spent a few years performing with a
comedy/improv group. For real work Lisa is a stay-at-home mother of three (8,
6, and 4 years old). She also enjoys reading, teaching, dancing and learning to
fly on a trapeze.
Laura Pawlikowski (Royal Wife)—Laura Pawlikowski is excited to be sec-
ond performance with TAP, but she has been an audience member cheering on
her sister Jenn Greenwood and her father whenever she could since 2005. She
would like to thank her mother and father for encouraging her talents, and her
sister for persuading her to try out.
ACT TWO
Entr’acte ..........................................................................Orchestra
Scene 1 The schoolroom Western People Funny .......................................................... Wives
Scene 2 Exterior of the Palace I Have Dreamed ............................................. Lun Tha and Tuptim
Hello, Young Lovers (reprise) ................................................ Anna
Scene 3 Theater Pavilion in the Palace Small House of Uncle Thomas ..................... Tuptim and Ensemble
Scene 4 The King’s study Song of the King ...................................................................... King
Shall We Dance ....................................................... Anna and King
Intermediate Scene 4½ Exterior of the Palace
Scene 5 A Room in Anna’s House (Dismantled)
Intermediate Scene 5½ A Palace corridor
Scene 6 The King’s study I Whistle a Happy Tune (reprise) ........................................... Anna
Cast Captain Orton ................................................................ Dan Ullfig
Anna Leonowens ....................................................... Cathryn Starr
Louis Leonowens ..................................................... Logan Hannig
The Interpreter ...................................................... Michael Heidner
The Kralahome ..................................................... Bob Minnichelli
The King of Siam ................................................ Ronald M. Banks
Phra Alack, the King’s secretary ........................... Travis Wheaton
Tuptim ......................................................................... Keiko Clark
Lady Thiang ..................................................... Janet Arnold-Clark
Prince Chulalongkorn ........................................... Hollister Starrett
Princess Ying Yaowalak ............................................. Fiona Okida
Lun Tha ................................................................. Stephen Cathers
Sir Edward Ramsay ...................................................... John Nolan
Lun Tha stand-in ..................................................... Jacob Helfgott
PERSONS IN THE BALLET
Narrator .................................................................... Keiko Clark
Uncle Thomas ..............................................................................
Topsy ............................................................................................
Little Eva ......................................................................................
King Simon ..................................................................................
Angel ............................................................................................
PRINCES AND PRINCESSES Vikram Arora, Jordan Atkinson, Ivy Atkinson, Noelle Atkinson, David Con-
trers, Kami Danaei, Kimi Danaei, Tyler Goldstein, Olivia Gonser, Amelia Lu,
Tristan Lu, Milena Kerch, Nicholas Kerch, Arwen Lakandula, Yuha Lim, Shavit
Melamed, Daylin Nunez, Fiona Okida, Kimberly Pidazo, Benjamin Stout,
Megan Stout, Michael Stout
ROYAL WIVES Nancy Arnold, Gwendolyn Fleisher, Joyce Goffeau, Lisa Golden,
Jennifer Greenwood, Mary Kay, Sabrina Kerch, Laura Pawlikowski, Lisa Stout,
Marah Studer, Ariel Swift
“SMALL HOUSE” DANCERS Isela Fisher, Fiona Okida, Katie Neagle, Lisa Stout, Marah Studer,
Julia May Wong
PALACE GUARDS
Michael Heidner, Jacob Helfgott, Tony McQuilkin, John Nolan,
Tim Wade, Travis Wheaton
ENSEMBLE
Tony McQuilkin (Ensemble, Programs)—Tony is in his 13th show with
TAP, previously appearing in Bye Bye Birdie as the Trainman, The Produc-
ers, as Sandy Dean (Brigadoon), Counselor Robinson (Big River), Harrison
Howell (Kiss Me Kate), Witherspoon (1776), and Cord Elam (Oklahoma!).
Other productions include Amahl and the Night Visitors and Jesus Christ
Superstar. Tony sings with The Notables, The Concert Singers, and his
church choir. A college math teacher, he enjoys both Scottish and English
country dancing.
Ida Miller-Krause (Costumes, Properties)—Ida became involved with TAP
in 1997 as prop mistress for Hello Dolly. Since then she has worked on Little
Shop of Horrors, Damn Yankees, The Music Man, City of Angels, Oliver!,
H2$, Oklahoma!, Guys and Dolls, Joseph, Kiss Me Kate, Big River, South
Pacific, My Fair Lady, Cabaret, Brigadoon, and The Producers. She has
enjoyed her TAP experiences and made many great and lasting friendships
being involved with the group.
Flora Morin (Hair and Make-up)—Flora has been wiith TAP since the 1995
production of Sugar; time flies when you’re having fun! Daytime, a secre-
tary in the Navigation Div. at Aerospace. Favorite roles: Grandma Tzeitl–
Fiddler, Bag Lady–Little Shop, Aunt Eller–Oklahoma, Hattie–Kiss Me Kate,
and Bloody Mary–South Pacific. 1998 founding member of the DreaMakers
Center for Aspiring Performing Artists. 2001-2003 One Woman Shows;
local senior centers since 2005; 2001 & 2002 World Championships Of
Performing Arts (WCOPA).
John Nolan (Sir Edward Ramsay)—After dying on stage in Camelot, John
returns to a new and completely unimaginable role as the bartender. This
marks his 9th time on stage with TAP. Other favorite roles includes Pap Finn
(Big River), Dr Lyman Hall (1776), Cmdr Harbison (South Pacific), and
Bryan (The Producers). He wants to give a big shout out to his favorite fan,
Peggy. If not playing the role as rocket scientist Aerospace, he can be found
studying for his latest role in several South Bay establishments.
Bob Minnichelli (The Kralahome; Asst. Producer)—This is Bob’s 24th TAP
production in roles from Sound Board Operator to Director and many stage
roles. Favorite roles include Tevye, Max Bialystock, Nicely-Nicely, Smokey,
Harold Hill, Seymour, Ben Franklin, and directing Cabaret. He plays an engi-
neer in his day job as the Principal Director of the Architecture and Design
Subdivision at Aerospace. Bob appreciates the bellbanger in the pit for her
percussive love and support, and Joey’s patience tolerating many rehearsals!
Fiona Okida (Princess Ying Yaowalak)—This is Fiona’s 1st TAP show, al-
though she has been on stage for most of her life, having first appeared as a
babe in arms in Brigadoon. She has also appeared in The Music Man
(Amaryllis), Seven Brides for Seven Brothers, and many others.
Mary Kay (Royal Wife)—This is Mary’s 5th TAP show. She has been in Bye
Bye Birdie, Brigadoon, The Producers, and Once Upon a Mattress. Previous
Prime Time roles were in Good News, Kiss Me Kate, No No Nanette, 70 Girls
70, and the role of Mrs O’Malley in Funny Girl. She has performed at Carne-
gie Hall with the church choir. She thanks her husband, Howard for his love
and support.
Taryn Kamimoto (Royal Wife)—This is Taryn’s 6th show with TAP, having
previously appeared in Brigadoon and My Fair Lady as part of the chorus, as
Ngana in South Pacific, and in the children's choir of Joseph. Taryn loves to
sing, act, play the violin and double bass, compete in swim meets, and play
water polo. She would like to thank the cast and crew for this wonderful ex-
perience! Taryn has recently graduated from Mira Costa High School and will
be attending CSUN in the fall.
Courtney McManus (Assistant Choreographer)—Courtney is excited to be
back performing in her 8th show with TAP. She has been dancing and sing-
ing since she was little, and started performing with TAP at 13. She was
previously seen in Oklahoma!, Guys and Dolls, South Pacific, and as the
crazy showgirl in The Producers. Courtney is very thankful to be back per-
forming with her favorite TAPpers and would like to thank her family and
friends for their love and support, and her fabulous boyfriend.
Orchestra Conductor ............................................................................ Mark Aguero
Violin ..................... *Joseph Derthick, Colleen Okida, Ellen Woodyard,
Diane Bohl, Carol Ellis, Allyson Bates, Bianca Lara, Jesus Garcia
Cello ................................................................ Bob Boren, Audrey Irwin
Bass ........................................................................................... Steve Fry
Reeds ...................... Bill Malcolm, Jim Mack, Nick Sobko, Andy Meyer
Trumpets (3) ............ David Ploen, Tom Dufur, Vince Banim, Brian Lim
Horns (3) ..........................................................................RuthAnn Ploen
Trombones (2) ...................................... Hugo Vasquez, John Dusenberry
Piano (0) ................................................................................ Dave Boyer
Harp (1) .................................................................... Michael Cavanaugh
Drums .............................................................................. Arthur Garrison
Percussion ................................................................. Debbie Minnichelli
Orchestra Management ............................................. Debbie Minnichelli
Production Crew
Director .................................................................................... Melissa Geiger
Producer ................................................................................... JoMarie Rosser
Assistant Director ................................................................. Chuck Gustafson
Assistant Producer ................................................................. Bob Minnichelli
Musical Director ........................................................................Bob Brandzel
Choreographer ..................................................................... Drew Fitzimmons
Assistant Choreographer ................................................... Courtney McManus
Costumes .................................................................................. Kirk Stefferud
TAP Technical Director ........................................................ Chuck Gustafson
TAP Assistant Technical Directors ................ Tammy Choy, John Woodcock
Properties ............................................................................. Ida Miller-Krause
Publicity ........................................................................................ Kim Everett
Rehearsal Pianists ........................................ Dave Boyer, Debbie Minnichelli
Programs ................................................................................ Tony McQuilkin
Program Printing.............................................................................. Footlights
Photographers ............................................................ Kris Maine, Kathy Sena
Art and Graphic Design ......................................................... Robin Wohlman
Make-up and Hair ............................................................................ Karen Hill
Seamstresses .....................................................................................................
Videographer ................................................................................. James Starr
Tickets ..................................................................................... JoMarie Rosser
Concessions ............................................................................. JoMarie Rosser
Special Lighting ............................................................................ Mike Neary
Online Media .......................................................................... Stephen Cathers
AEA Liaison ............................................................................... Brian Kasper
House Managers ..............................................................................................
House Assistants ........................................ JoMarie Rosser, Marilee Wheaton
Stage Manager ............................................................................ James Harper
Lighting Design and Operation .............................................. Edgar Calderon
Sound Technician .................................................................. Tim Edmondson
Fly Rail ..................................................................................... Jimmy Zagala
Follow Spot Operators ............................... Janette Shugart, Christa Svorinich
Back-stage Crew ......................................................................... K. C. Hughes
Armstrong Technical Director ................................................. Jordan Rumery
Michael Heidner (Interpreter)—I feel truly blessed to be able to express my-
self onstage in the manner I do, because I would never be able to do such
things in real life. This is my 7th show with TAP and I am honored and hum-
bled to work with such a dedicated, professional, and usually zany group. I
love each and every one of you, as well as the people reading this message.
Thank you for your support.
Jacob Helfgott (Lun Tha Stand-in)—This is Jacob’s 3rd performance with
TAP, after Brigadoon and Once Upon a Mattress. At Mira Costa High School,
he is a member of band, choir, and the hockey, cross-country, and track teams.
His many hobbies include running, playing video games, watching movies,
pacing, drinking water, eating hummus, and referring to himself in third per-
son. He hopes that after the show, you find the time to rate, comment, and sub-
scribe.
Faye Gibson (Youngest Wife)—Faye is excited to join the cast of The King
and I. Faye lives in Colorado with her mom during the year, with this being
her 10th summer in California. Faye dreamed of one day participating in a
TAP production. Sincere appreciations to TAP, and especially deep gratitude
to JoMarie Rosser, for this dream opportunity come true. Hey mom, you’re
my hero!
Gwendolyn Fleisher (Ensemble)—
Joyce Goffeau (Ensemble)—This is Joyce’s 4th appearance with TAP, having
previously appeared in Bye Bye Birdie, The Producers, and Brigadoon. She has
performed with the Prime Time Players at the Norris Theatre in Funny Girl,
Kiss Me Kate, and 70 Girls 70. As a member of Tap Happy, a tap ensemble,
she has danced for local outreach programs. Recently she was seen in MBCC’s
production of Mame. It is a privilege to be a member of TAP and perform with
this outstanding cast.
Lisa Golden (Royal Wife)—I am astounded that this is my 5th show in a row
with TAP and I’ve pretty much done it all (though never in the orchestra—you
all are amazing!). I have worked at Aerospace for 9 years and have been study-
ing voiceover acting for the last eight years. Aerospace has heard my voice in
numerous online tutorials and orientation materials, and saw me in several
promotional commercials. This has been a great ride, TAP. Thanks for having
me. And Paul, my very own “Thai King”: I love you!
Tyler Goldstein (Ensemble)—Tyler has really enjoyed his second experience
with the TAP team! He is 10 years old and will be in the 5th grade at Seaside
Elementary School. He enjoys being active in Boy Scouts, Hapkido (a martial
art), and piano. He is a voracious reader, video game player and Lego engi-
neer.
Chuck Gustafson (Assistant Director)—Chuck is pleased to be a part of this
fine cast. Previous TAP credits are numerous and include directing Camelot,
1776, and Fiddler on the Roof; acting as Bud Frump in H2$ and Foist Gang-
stah in Kiss Me Kate, and assembling the massive sets of My Fair Lady.
Jennifer Greenwood (Royal Wife)—Jenn Pawlikowski is an Air Force brat
and has lived in seven states. She works for Contessa Premium Foods and is a
member of the Angel City Chorale. She thanks her sister for doing this show
with her and her mom and fiancé for always supporting her. She also thanks
her late father who taught her to love the stage.
Melissa Geiger (Director)—A “theater rat” since early childhood, Melissa has
performed in scores of plays and musicals in Southern California, the Bay
Area, Chicago, and the Southwest. Directorial credits include productions at
the Colony Theater in Burbank and the Zellerbach Playhouse in Berkeley.
Voiceover credits include Pier 1 Imports (multiple national campaigns), Dun-
kin’ Donuts, US Bank, Safeway, IBM, PBS, et cetera, et cetera, et cetera.
Graduate of UC Berkeley and Northwestern University. Special thanks to
Chuck, Ron, JoMarie, Mom, and Dad.
Set Construction
Set Design and Construction Lead .............................................................. John Bruner
Bob Borich
Delphi Borich
Crystal Boyer
Dave Boyer
Nancy Brennan
Sue Brennan
Mark Bruce-Casares
John Bruner
Tammy Choy
Tony Colee
Conna Condon
Jay Cutler
Joe Essner
Matt Everett
Drew Fitzsimmons
Kärin Frasier
Ted Greenwood
Lisa Golden
Chuck Gustafson
Laura Hecht
Michael Heidner
Cherise Kaiser
Taryn Kamimoto
Taylin Kamimoto
Mary Kay
Carol LeDoux
Anna Marotzke
Vasilli Martin
Bob Minnichelli
Debbie Minnichelli
Joey Minnichelli
Katie Neagle
Tony McQuilkin
Steve Norris
Ryan Raleigh
Regina Raleigh
John Ranaudo
Mike Riccio
Matt Sena
Donna Stogryn
Jason Stout
Marah Studer
Ariel Swift
Vickie Swift
Susan Tabak
Tim Wade
Kevin Wheaton
Travis Wheaton
Robin Wohlman
John Woodcock
Cast and Crew Biographies
Nancy Arnold (Royal Wife)—This is the fifth time around for Nancy in a
TAP production, and she is very happy to be back. She had a wonderful
career directing children's choirs and musicals, and now she's performing in
them. Her retired time is now spent with her two granddaughters, volunteer-
ing in the community and traveling the world with her boyfriend.
Ivy Atkinson (Ensemble)— Ivy has enjoyed every minute of rehearsals for
her first TAP production. Ivy is a talented singer who performs in a youth
choir. She also plays the piano and ukelele. She also loves to dance and stud-
ies ballet, tap, jazz, lyrical, hip- hop, and gymnastics at the Just Dance Com-
pany. She has performed with Torrettes and Dance 1 companies. She
is excited for opening night!
Jordan Atkinson (Ensemble)— Jordan is excited to be in her first TAP
performance. Jordan is a talented dancer who studies ballet, tap, jazz, lyrical,
hula,hip- hop, and gymnastics at the Just Dance Company. She has per-
formed with the Torrettes and Dance 1 dance companies. She also loves to
sing in a youth choir as well as play the piano and ukelele. She is thankful
Noelle Atkinson (Ensemble)— Noelle is thrilled to be in her first TAP per-
formance. She is a very talented 5 year old who loves to sing and act. She
studies ballet, tap, hip- hop, and gymnastics at the Just Dance Company. She
can also do an amazing one-hand cartwheel! She has enjoyed every rehearsal
for this show.
Janet Arnold-Clark (Lady Thiang)—
Mark Aguero (Conductor)—Mark has conducted most TAP shows since their
1994 production of Guys and Dolls. For many of them, he was the musical
director as well. Mark is the Director of Bands at Redondo Union High School.
He thanks Kerry, his family, and friends for their continued support.
Ronald M. Banks (King)—Bass-baritone Ronald M. Banks’s TAP roles:
Arthur, Camelot; Emile DeBecque, South Pacific; Fred, Kiss Me Kate. He
has been seen all over the country working in musical theatre, voice over,
and film. Ron currently stars as Jafar in Aladdin: A Musical Spectacular at
Disney’s California Adventure. Voiceover: World of Warcraft, Quan Chi,
Mortal Kombat. Ronald is married to Anna (Cathryn Starr). They share
their home with 5 (yes, 5) cats.
Stephen Cathers (Lun Tha)—Stephen is happy to be back for his 5th TAP
production. He’s a software developer at Aerospace, but he’s been perform-
ing since grade school, whether singing in church and choir, acting in nu-
merous plays, or minoring in musical theater at USC. Favorite past shows
include Brigadoon (Tommy), Sweeney Todd (Anthony), Mattress (Minstrel),
Camelot (Lancelot), and Christmas In Never Never Land (Captain Hook).
Thanks to friends, family, and, most of all, the Lord!
Keiko Clark (Tuptim)—A native of Tokyo, Keiko Clark holds a MM from
USC, a BM New England Conservatory in Boston, as well as a teaching
credential from CSULB. She has been featured in many opera roles, includ-
ing Olympia in Les Contes d’Hoffmann, Juliette in Roméo et Juliette, Queen
of the Night in The Magic Flute, Lucia in Lucia di Lammermoor, and Adina
in L’esir d’amore. In addition to her live performances, Ms. Clark teaches
voice in her private studio.
Joseph Derthick (Concertmonster)—Joe has been associated with TAP since
Hello Dolly in 1997, usually as concertmaster in the pit orchestra. Bye Bye
Birdie is his 18th show. Joe plays for several musical theater companies, includ-
ing Musical Theatre West, Downey CLO, Fullerton CLO, and ECC Musical
Theatre. He has been the musical director of several other community produc-
tions, including Carnival, Oliver!, Anything Goes, and Little Women. Joe is a
David Contrers (Ensemble)—