CONCERTS GATHERINGS • SEPTEMBER 12 – 15, 2019 •...

CONCERTS GATHERINGS • SEPTEMBER 12 – 15, 2019 • MASTERCLASSES

2 ORGANSPACE |2019

Orgeln talar många språk och är ett storslaget internationellt instrument. Man kan inte tänka sig musikhistorien i Europa utan ”Instrumentens drottning”. Och knappast något annat instrument bjuder på så mycket av kosmos, kombinerar rymd och klang, rationalitet och känsla, det uttalade och det outtalade.

Orgelns inflytande sträcker sig från antiken, via tidig klostermusik till kyrkor, konsertsalar och stadshus. Och orgeln har även haft en viktig roll i biografer på stumfilmernas tid – i Stockholm finns Skandiaorgeln bevarad i en experimen-tell kärnreaktorhall med katedralliknande akustik. Arkitektoniskt är det unika med varje orgel lätt att se när man beskådar olika orgelfasader, men klangerna är minst lika unika. Vid festivalen blir det goda tillfällen både att se och framfö-rallt lyssna.

Välkomna, vi önskar er magiska konsertupplevelser! Michael Dierks

Welcome back to OrganSpace Stockholm!The organ speaks in many languages and is a truly international instrument, and the history of European music is hardly imaginable without the contribution of the “Queen of Instruments.” Her influence extends from the earliest monastic music in churches (in fact, even much earlier than that) to concert and town halls and even cinemas - and in Stockholm most spectacularly inside an experimental nuclear reactor hall with cathedral-like acoustics.

The uniqueness of each single instrument can be easily grasped by looking at the various organ facades, but this singularity is even more important on a sonic level. There fore, OrganSpace Stockholm extends a friendly invitation and a unique chance to stop by often and listen to the many recitals featuring a great spectrum of instrumental queens. Hardly any other instrument offers so much cosmos, a so rich combination of space and sound, rationality and emotion, and both the heard and the unheard.

We wish you many magical concert experiences! Michael Dierks

Foto

: Mic

hael

Die

rks

Välkommen åter till OrganSpace Stockholm!

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Torsdag12/9

Fredag13/9

Lördag14/9

Söndag15/9

Festivalprogram Stadshuset - Thomas Ospital kl 19.00 4

Reaktorhallen - Richard Hills kl 12.00 & 15.00 6 8

Högalidskyrkan - Giovanna Fornari kl 17.00 8

Hedvig Eleonora kyrka - Ryan Kennedy kl 19.00 10

Immanuelskyrkan - Dag för unga 12

Familjekonsert - Tomas Willstedt kl 12.00 14

Konserthuset - Péter Kováts kl 15.00 16

Engelbrektskyrkan - Dominik Susteck kl 17.00 18

Tyska kyrkan - Wolfgang Zerer & Jean-Pierre Leguay kl 20.00 20

Adolf Fredriks kyrka - Festhögmässa kl 11.00 22

Sofia kyrka - David Higgs kl 15.00 24

Sammankomster och masterclasses 26

Ungdomsläger 28

Orgeldispositioner 30

Karta 39

Om festivalen OrganSpace 40

Intresserad av orglar och orgelmusik?Då är Svenska Orgelsällska-

pet någonting för Dig! Svenska Orgelsällskapet är en förening som arbetar för orgelkonstens

utveckling och bevarande.

Vårt flaggskepp är tidskriften Orgelforum, som kommer ut med fyra laddade num-mer per år. Orgelforum speglar insiktsfullt nyheter om orglar i Sverige och utom-lands, skriver kunnigt och engagerat om bland annat tonsättare, orgelbyggare och orgelmusik, recenserar inspelningar, noter och böcker med anknytning till orgel samt värnar allmänt om värdefull orgelkonst. Vid våra årsmöten, som hålls på olika plat-ser i Sverige, och vid specialarrangerade studieresor får deltagarna ta del av briljanta konserter och visningar av intressanta och värdefulla orglar från olika tider och stilar.

SVENSKAORGELSÄLLSKAPET

Följ oss på sociala medier! www.organspace.se

Fri entré (förutom Konserthuset)Admission free (except Konserthuset)

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Stockholms Stadshus Stockholm City Hall

Torsdag 12 september kl 19 Thursday September 12th, 7 p.m.

Opening recital

Thomas Ospital, orgel

W. A. Mozart Adagio och fuga c-moll K 546 1756–1791 (orgelbearbetning Jean Guillou) Julius Reubke Sonat över Psaltarens 94de psalm 1834–1858

Maurice Ravel Ma mère l’Oye, cinq pièces enfantines1875–1937 (Gåsmors sagor) (orgelbearbetning Thomas Ospital)

I. Pavane för Törnrosa II. Tummeliten III. Laideronnette, pagodernas prinsessa IV. Dialogen mellan Skönheten och Odjuret V. Feernas trädgård

Gabriel Fauré Sicilienne ur skådespelsmusiken till 1845–1924 ”Pélleas och Mélisande” (orgelbearbetning Louis Robilliard)

Claude Debussy Danse-tarantelle styrienne1862–1918 (orgelbearbetning Thierry Hirsch)

Konserten spelas in av Sveriges Radio P2 Radio Broadcast

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Titulaire of the grand organ at Saint-Eustache Church in Paris, Organist in Residence at Maison de la Radio (Radio France Concert Hall) and recently appointed Harmony Tutor at the Paris Conservatoire (CNSMDP). Thomas Ospital is a young artist who has quickly earned a place amongst the world’s finest concert organists.

A laureate of several competitions, he was awarded First Prize at the 2009 International Competition of Organ in Saragossa, Spain, the Duruflé-Prize and the Audience Prize at the 2012 International Chartres Competition, and Second Prize at the 2013 International Xavier Darasse Competition in Toulouse. In May of 2014, he took the Grand Prize Jean Louis Florentz and the Audience Prize at the International Organ Competition of Angers under the direction of the Académie des Beaux-Arts. And most recently, in November 2014,he was awarded Second Prize, Audience Prize and the Florentz Prize at the International Chartres Competition.

Mr. Ospital is equally at home performing as a solo recitalist and with choir or

orchestra. He is also eager to perpetuate the art of improvisation in all of its forms, including the accompaniment of silent films. His performances have taken him throughout Europe, including the United Kingdom, Spain, Italy, Greece, Germany, Switzerland and Holland. He has also performed in Russia and in North America, where in 2012 he served for six months as Young Artist in Residence at the Cathedral-Basilica of Saint Louis King of France in New Orleans, USA.

Born in 1990, Thomas Ospital began his musical studies at the Conservatoire Maurice Ravel in Bayonne, France, completing his studies with Esteban Landart in 2008 (Mention Très bien à l’unanimité). From 2008 until 2015, he was a student at the Conservatoire National Superieur de Musique de Paris where he earned five First Place prizes in organ, improvisation, harmony, counterpoint and fugue. His teachers at the Paris Conservatoire included Olivier Latry, Michel Bouvard, Thierry Escaich, Philippe Lefebvre, László Fassang, Isabelle Duha, Pierre Pince and Jean-François Zygel.Mr. Ospital currently serves as Titular Organist of the largest pipe organ in

France; the Grand Organ at St. Eustache in Paris. He took up the post in 2015 when he succeeded Jean Guillou. Mr. Ospital is also the newly appointed Organist in Residence at the Maison de la Radio France where he presides over the new concert hall organ built by Grenzing.

Thomas Ospital


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Reaktorhallen • Reactor Hall, KTH Eric Coates ‘London Calling!’1886–1957

Cole Porter Selections from High Society1891–1964 (arrangement Richard Hills)

Quentin Maclean Babbling1896–1962

Parade of the Sunbeams

Leonard Bernstein Lonely Town 1918–1990 (from On the Town)

Antônio Carlos Jobim The Girl from Ipanema1927–1994

Léo Delibes Selections from Coppelia1836–1891

Fredag 13 september kl 12 och 15Friday Sept. 13th, 12 am and 3 pm

Konserterna spelas in av Sveriges Radio P2 Radio BroadcastFo

to: H

ans-

Mar

tin R

iben

Hands Across the Sea -The Art of the Unit Organ

Richard Hills, biograforgel

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Richard Hills is one of the very few musicians truly to have bridged and mastered the divide between the world of the classical organ and that of the theatre organ. Having commenced classical organ studies under William Whitehead at Rochester Cathedral, he became Organ Scholar at Exeter College Oxford, studying with David Sanger. Further organ scholarships followed at Portsmouth Cathedral, where he studied with Rosemary Field and at Westminster Abbey.

He now pursues a freelance career and is Organist at St Mary’s, Bourne Street, London. His career in the theatre organ world has been equally prestigious. He has numerous prizes and awards to his credit, both in the UK and in the USA, where he was named by ‘Organist of the Year’ in 2010 by the American Theatre Organ Society. He has appeared many times on national and international TV and Radio, including solo appearances on pro-

grammes as diverse as Radio 3 Choral Evensong and Radio 2’s Friday Night is Music Night, and has several recording credits. His most recent solo recording was made on the magnificent dual-purpose Compton organ of Southampton’s Guildhall.

When not on the bench, Richard serves as Musical Advisor to the Cinema Organ Society and maintains a practical interest in organ building.

Richard Hills

Konserterna spelas in av Sveriges Radio P2 Radio Broadcast Foto: Courtesy of The Embassy Theatre Foundation

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HögalidskyrkanHögalid Church

Giovanna Fornari, orgel

Arcangelo Corelli Concerto grosso g-moll, op. 6:8 [1]1653–1713 “Julkonserten” Vivace – Grave – Allegro – Adagio – Allegro – Adagio – Vivace – Allegro

Simone Campanini ... thinking about G. F.’s Canzona (2019)*1977 (Tankar kring Girolamo Frescobaldis Canzona)

Bernardo Pasquini Capriccio sopra lo scherzo del cucco1637–1710 (Capriccio över göken) Michelangelo Rossi Toccata settima1602–1656 ur ”Toccate e correnti” (Rom, 1634)

Vincenzo Petrali Tre versetter ”Per il gloria” [2]1830–1889 1. Allegro brillante 2. Andante mosso 3. Allegretto grazioso

Fillippo Capocci Orgelsonat nr. 1 d-moll (1881) 1840–1911 Andante un poco mosso – Andantino – Allegro maestoso

[1] = Kororgeln - Choir organ[2] = Läktarorgeln - Great organ

Fredag 13 september kl 17Friday September 13th, 5 p.m.

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Giovanna Fornari obtained her diploma and subsequently her second-level degree in organ and organ composition under the guidance of Francesco Tasini, in the Conservatories of Parma and Ferrara. She also took a diploma in harpsichord, and went on in her study of basso continuo and the French repertoire at the Conservatory of Toulouse, obtaining the “Premier Prix d’orgue” with the“Congratulations of the jury” and the “Prix de Perfectionnement” in harpsichord under the guidance of Jan Willem Jansen. Then she specialised in the romanticrepertoire for organ at the Hochschule of Bern. Moreover she earned a degree Cum laude at the Faculty of Arts (musicological course) of the University of Parma.

Her first work (composed by her at the age of fifteen), “Tanzteather project” for synthesizer, dancer, and electronic equipment, was selected to be performed at the “Welt Musik Tage” Festival of Contemporary Music of Frankfurt, Germany, together with works by Luca Lombardi, Mario Garuti and Marcella Mandanici.

Giovanna Fornari is also working on an innovative project that uses the exploitation of the timbres of ancient organs in the field of modern techniques of composition and sound research.

Since 2007, she is the artistic director of the Accademia Organistica of Parma, and is furthering the rediscovery of the historical organs of the city, the organisation of guided tours, and the realisation of the Festival Organistico Città di Parma, in close collaboration with the Verdi Festival.

Giovanna Fornari collaborates actively with several record companies as a harpsichordist and organist, both as a soloist and as a basso-continuo and chamber-music performer. She is the official organist of the monumental Tamburini 1928 organ of the Abbatial Church of San Giovanni Evangelista in Parma. She is professor of harpsichord at the A. Peri Musical Institute of Reggio Emilia.

Giovanna Fornari

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Hedvig Eleonora kyrkaHedvig Eleonora Church

Ryan Kennedy, orgel

Maurice Ravel Daphnis och Chloé, svit nr. 21875–1937 (orgelbearbetning Ryan Kennedy) 1. Gryning 2. Pantomim (Pan och Syrinx) 3. Allmän dans (Backanal) Nadia Boulanger Tre stycken (1911)1887–1979 1. Preludium 2. Liten kanon 3. Improvisation

Sigfrid Karg-Elert Orgelsymfoni fiss-moll, op. 143 1877–1933 1. Prologus (Lento misterioso) - Allegro brioso ed energico

2. Scherzo (Presto demoniaco) - Chorale quasi Trio

3. Largo e quieto

4. Vivace e brioso - Coda con Cadenza corale

Fredag 13 september kl 19Friday September 13th, 7 p.m


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Ryan Kennedy

Festivalmiddag efter konserten i Hedvig Eleonoras församlingshem. Föranmälan via organspace.se

Ryan Kennedy was an aspiring physicist and amateur pianist when he first heard the organ at age fifteen, and was fascinated by the prospect of playing all his favorite music on a new and fascinating instrument. Two years later, he was accepted to Juilliard as an organ major.

Since then, he has become an increasingly busy concert organist with an increasingly international concert diary. A background in piano and opera accompaniment has manifested itself in the form of many transcriptions, both of virtuosic piano works like Ravel’s Gaspard de la Nuit and Liszt’s Sonata in B Minor, and of orchestral music like Strauss’ Alpine Symphony and Mahler’s Ninth Symphony. Ryan’s recordings have been broadcast on NPR, WQXR, and BBC3, most notably his interpretation of Milton Babbitt’s rarely-played Manifold Music.

Competition credits include the American Guild of Organists’ Regional Competition (winner), the Longwood Gardens International Organ Competition (semi-finalist), and the AGO’s NYACOP (semi-finalist).

He has recently attained a Master’s degree from The Juilliard School, studying with Paul Jacobs, and is currently a doctoral student at Yale School of Music. He is the associate organist at Christ Church Bronxville in New York.

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(beginner to medium level, ages 9-17)

Lördag 14 september, kl 9–13Immanuelskyrkan (Kungstensgatan 17)

Prova på att spela orgel – improvisation – workshops.Vegansk lunch till deltagarna.

Alla festivalbesökare är välkomna till familjekonserten av organisten Tomas Willstedt klockan 12.

Arrangör: Stockholm stift, Stiftets orgelpedagogis ka nätverk och OrganSpace.

Mer info på www.organspace.se

Kontaktperson: Anna Pihl Lindén, musikkonsulent i Stockholms StiftTelefon 08-508 940 48, [email protected]

Youth Organ Day

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9.00 Start

9.20-10.00 Workshop 1 ”Så enkelt som möjligt” – Lekfull improvisation Lärare Tomas Willstedt

10.05-10.45 Workshop 2 ”Vi bygger en orgel tillsammans”Lärare Kira Lankinen

10.50-11.30 Workshop 3 ”Notskola på nytt sätt”Lärare Britta Lovén och Elisabet Wimark

11.30 Lunch

12.00-12.45 Familjekonsert Tomas WillstedtSe presentation och program på nästa sida.

Schema för dagen

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Lördag 14 september, kl 12Saturday September 14th, 12 a.m.

Immanuelskyrkan Immanuel’s Church

Familjekonsert Family Concert

Johann Sebastian Bach Preludium b-moll BWV 8671685–1750 ur ”Das wohltemperierte Klavier” del 1

Jesu, meine Freude BWV 713

Nun freut euch, lieben Christen g´mein BWV 734

Nadia Boulanger Deux Pièces (1900)1887–1979 a. Orgue de barbarie (Positivhalaren)

b. Air sérieux Elaine Sturtevant Toccata (1979)1924–2014

Yoko Ono Improvisation Concert Piece *1933 (Music score 1964)

Anna Magdalena Bach ur ”Anna Magdalenas notbok”1701–1760

Tomas Willstedt, orgel

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Tomas Willstedt, organist at the Cathedral of Lund 1976-2016, has been active as an artist and teacher in Sweden as well as abroad. He has played more than 1000 concerts at Lund Cathedral.

In 1992 he won the International Organ Improvisation Competition in Haarlem, Holland, after that followed invitations from all over the world. Willstedt is also active as a composer with the intention to put aside the established aesthetics and academic stereotypes.

Furthermore he has written a textbook on improvisation.

Tomas Willstedt var organist i Lunds domkyrka mellan 1976 och 2016, och han har en gedigen karriär som lärare och konstnär både i Sverige och utomlands. År 1992 vann han första priset i prestigefulla Internationella orgelimprovisationstävlingen i Haarlem, Holland. Tomas Willstedt är även aktiv som tonsättare och har skrivit flera böcker och artiklar om orgelimprovisation.

Tomas Willstedt

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Konserthuset StockholmStockholm Concert Hall

Péter Kováts, orgel

Lördag 14 september kl 15Saturday September 14th, 15 p.m.

Olivier Messiaen ur ”L’Ascension” (1934) (Himmelsfärden) 1908–1992

Transports de joie d’une âme devant la gloire du Christ qui est la sienne

(Glädjeutbrott från en själ inför Kristus härlighet, vilken är dess egen majestät)

Maurice Duruflé Preludium och fuga över namnet Alain 1902–1986 (1942)

Franz Liszt Fantasi och fuga över koralen 1811–1886 ”Ad nos, ad salutarem undam” ur Giacomo Meyerbeers opera ”Profeten” (1850)

Péter Kováts Improvisation

Entré 150krkan förbokas på konserthuset.se eller på Konserthusets biljettkontor.

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Péter Kováts was born in Pécs, Hungary, in 1979. He started his musical studies in Nagyatád at the age of five. During this early time he won several prizes on regional competitions.

His first organ teacher was József Kárpáti from 1992 to 1994, thanks to his preparation he won two special prizes in the 1994 National Organ Competition in Salgótarján, including the one for the best Bach performance. In 1998, he was admitted to the Organ performing artist and Organ teacher faculty at the Ferenc Liszt Academy of Music in Budapest, where he graduated with honours in 2004.

From 2004 to 2008, he did postgraduate and improvisation studies in France with Pierre Mea in Reims and Pierre Pincemaille in Paris, acquired an unanimously awarded Gold Medal in improvisation in 2008.He achieved significant success in several international competitions: In 2007 as finalist in improvisation at Paris Interna-tional Organ Competition, and in 2009 as the only participant in both categories interpretation and improvisation in the Competition in St. Albans, England.

In the Liszt Memorial Year in 2011, he won the International Bach-Liszt Organ Competition in Weimar, Germany.Audiences have had the opportunity to listen to his performances in the major Hungarian churches and concert halls on numerous occasions.

In summer of 2010, he played at the inauguration ceremonies of the organ in Zamárdi, built in French Baroque style.He also gave concerts abroad as in Switzerland, Germany, Italy, Serbia, Slovakia, and France. His 2012 concert in Nuremberg was recorded and broadcasted by Radio Bavaria.

He composed film music, too, for the nature film series Jelfák (Sign Trees) by the famous cinematographer Tamás Szabados in 2002, which was shown several times on Duna Television. Since summer 2012, Péter Kováts has been the organist of the Primatial Cathedral of Esztergom beside István Baróti, and became his appointed successor in 2014.

Péter Kováts

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Engelbrektskyrkan Engelbrekt’s Church

Dominik Susteck, orgel


Dominik Susteck Morse - sats 1 ur “Zeichen“ (2016) *1977 för orgel

Mauricio Kagel Raga ur ”Rrrrrrr... 8 orgelstycken” (1982) 1931–2008

Dominik Susteck Radiofyr - sats 2 ur “Zeichen“ Gabriel Iranyi Haikai ur ”Tempora“ (1988) *1946 (transkription Paul Fournier)

Dominik Susteck Skuggor - sats 3 ur “Zeichen“

Wolfgang Rihm Fantasi nr 1 ur ”Drei Fantasien” (1968)*1951

Dominik Susteck Ekon - sats 4 ur “Zeichen“

Mauricio Kagel Rondeña ur ”Rrrrrrr... 8 orgelstycken”

Dominik Susteck Signal - sats 5 ur “Zeichen“

Hans-Joachim Hespos SNS (1975)*1938 för orgel och medhjälpare

Dominik Susteck Spöken - sats 6 ur “Zeichen“


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Dominik Susteck (born in 1977) studied Church music at the Folkwang Hochschule in Essen, Cologne, and Saarbrücken with an emphasis on music theory and composition. He completed his education with a concert degree in organ. He was held a lecturer’s position for music theory and organ at the School for Sacred Music in Essen, which he used for the dissemination and inclusion of contemporary music in church activities. He has also served as a lecturer at the Folkwang University in Essen, the Rob-ert Schumann Hochschule in Düssel-dorf, and at the Franz Liszt Hochschule in Weimar. Of particular importance to him is work with young people, with whom he has worked on projects dedi-cated to compositions by György Ligeti, Kurt Schwitters, John Cage, and Terry Riley, among others.

Since 2007, he has been the successor to Peter Bares as composer and organ-ist at St. Peter’s Art Station in Cologne, where his improvisation concerts have attracted particular notice. Susteck has played numerous premiere perfor-mances of works by composers includ-ing Peter Bares, Erik Janson, Johannes

S. Sistermanns, Stefan Froleyks, and Peter Köszeghy. His concerts have been broad-cast by various German radio networks (among them Deutschlandfunk, WDR, and Saarland Radio).

Dominik Susteck is the director of the International Organfestival “orgel-mix-turen” and has been guest at festivals for contemporary organ music in Berlin and Frankfurt. As a composer and organist,

he has been awarded a number of prizes (among them the first prize in the Aeolian Trio Composition Competition in 2004, the Klaus Martin Ziegler Prize in 2008 in Kassel, and the first prize in composition in the “organ plus” competition at the music conservatory in Mainz in 2010. In 2012, he was awarded a prize for con-temporary sacred music in Schwäbisch Gmünd, and most recently the German Record Critics’ Award.

Dominik SusteckFoto: M

ichael Muck Krem

tz och Boris Heinrich


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Tyska S:ta Gertruds kyrkaGerman St. Gertrud’s Church

Wolfgang Zerer, DübenorgelnJean-Pierre Leguay, Junoorgeln

Dieterich Buxtehude Toccata in F BuxWV 156 [WZ]ca. 1637–1707 Christian Erbach Canzona in F ca. 1573–1635 Juan Cabanilles Tiento de medio registro 1644–1712 de mano izquierda

Jean-Pierre Leguay Et il chante l´aurore (2012-2016) [JPL]*1939 (Och han sjunger gryningen) Johannes Brahms O Welt, ich muss dich lassen op. 122/3 [WZ]1833–1897 Herzliebster Jesu op. 122/2 [JPL]

O Gott, du frommer Gott op. 122/7

Max Reger Ach Gott, verlaß mich nicht [WZ]1873–1916 (O Gott, du frommer Gott) op. 79b/1 Georg Muffat Toccata septima 1653–1704 ur ”Apparatus musico-organisticus”

PAUS

Jean-Pierre Leguay Improvisation [JPL]

Vincent Lübeck Ich ruf zu dir, Herr Jesu Christ [WZ] 1684–1755 (Koralfantasi)

Franz Liszt Variationen über ”Weinen, Klagen, [JPL]1811–1886 Sorgen, Zagen”



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Wolfgang Zerer, born 1961 in Passau, received his first organ lessons from cathedral organist Walther Schuster. He studied in Vienna, organ with Michael Radulescu, harpsichord with Gordon Murray, conducting with Karl Österreicher and church music. Further studies led him to Amsterdam where he studied harpsichord for Ton Koopman and organ for Ludger Lohmann in Stuttgart.

He has won prizes at various organ competitions, e.g. in Bruges and Innsbruck. After teaching assignments in Stuttgart and Vienna he was appointed professor for organ at the Hochschule für Musik und Theater Hamburg in 1989.

Jean-Pierre Leguay served as titular organist at Notre-Dame-des-Champs in Paris from 1961 to 1984. In 1985, he was appointed titular organist at Notre-Dame de Paris until he became titular organist emeritus four years ago. He has won many awards for organ, improvisation and composition, e.g. at the Conservatoire National Supérieur de Musique de Paris, in addition to international competitions in Lyon, Nice, Haarlem, and Erding.

In addition to his work as a teacher at different conservatories in Dijon and Paris, Jean-Pierre Leguay’s numerous recordings span repertory from the 17th- to the 21st century. Constantly exploring the “alchemy of sound,” the composer’s catalog comprises more than seventy works for various instrumental and vocal ensembles, including Etoilé (harpsichord and quintet), Sève (alto saxophone and piano), Souffle (fourteen instruments), Azur (piano), Aube (organ and chamber orchestra), Cendres d’ailes (tenor and piano) and a string trio and quartet, Jubilus (six instruments), Sonnantes (piano for four hands).

He became “Chevalier de la Légion d’honneur” in 2013.

Wolfgang Zerer

Jean-Pierre Leguay

Mingel efter konserten i Tyska kyrkans församlingshem, 50 SEK.

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FESTHÖGMÄSSA Sön 15 sept kl 11

OrganistPer-Ove Larsson

Adolf Fredriks kyrkas kammarkör

Dirigent Christoffer Holgersson

KomministerRoger Gärtner

Kyrklunch kl 12.15 50 SEK

ADOLF FREDRIKS KYRKA

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Christoffer Holgersson har diplomutbildning i kördirige-ring vid Kungl. Musikhögskolan i Stockholm. Han har jobbat som musiklärare vid Adolf Fredriks musikklasser, som dirigent för Adolf Fredriks Gosskör samt Stockholms Kammarkör. Han är för nuvarande kyrkomusiker i Adolf Fredriks församling.

Christoffer Holgersson Adolf Fredriks kyrkas kammarkör

Kören grundades år 2000 som en ungdomskör och är idag en blandad kör som består av drygt 30 korister i åldrarna 18 – 35 år. Kören är knuten till Adolf Fredriks församling och sedan år 2011 är Christoffer Holgersson körens dirigent och konstnärlige ledare. Koristerna kommer från olika musikaliska sammanhang och musi-ken är för många av medlemmarna huvudintresset eller yrkesin-riktningen. Utöver sin verksamhet inom Adolf Fredriks församling har kören genom åren medverkat vid internationella körtävlingar och vunnit många priser. Senast kören tävlade var i april 2018 då kören vann Fleischmann International Trophy Competition när de medverkade i Cork International Choral Festival, Irland.

Per-Ove Larsson är organist i Adolf Fredriks kyrka sedan 30 år tillbaka och bedriver en stor konsertverksamhet. Tidigare i år tilldelades han S:ta Ceci-liapriset, och i motiveringen framhålls särskilt att Per-Ove lever musik! Priset syftar till att främja musiken i Stockholms stifts församlingar.

Per-Ove LarssonChristoffer Holgersson, Roger Gärtner, Per-Ove Larsson

Foto: Binniam Eskender

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Sofia kyrka • Sofia Church

Final recital

Söndag 15 september kl 15Sunday September 15th, 3 p.m.

Franz Liszt Preludium och fuga över B-A-C-H 1811–1886

David Conte Soliloquy (1996) *1955

Marcel Dupré Variations sur un Noël, op. 20 (1922) 1886–1971 (Variationer över en fransk julvisa)

William Albright Sweet Sixteenths: 1944–1998 A concert rag for organ (1990)

Maurice Duruflé Svit för orgel, op. 5 (1932) 1902–1986

I. Preludium

II. Sicilienne

III. Toccata

David Higgs, orgel


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One of America’s leading concert organists, David Higgs is also Chair of the Organ Department at the Eastman School of Music. He performs extensively throughout the United States and abroad, and has inaugurated many important new instruments including St. Stephan’s Cathedral in Vienna and St. Albans Cathedral in England. For over twenty years he performed annual holiday organ concerts at Davies Symphony Hall in San Francisco and at Walt Disney Concert Hall in Los Angeles. His performances with numerous ensembles have included the San Francisco Symphony, the Orpheus Ensemble, Chanticleer, and the Empire Brass.

Mr. Higgs performs, teaches, andadjudicates at festivals and competitions throughout the world, including the Leipzig Bach Competition and the Gottfried Silbermann Competition in Freiberg. In England he has appeared several times at the Oundle- and St. Albans Festival, in France at the Xavier Darasse Competition in Toulouse; and in Japan at several venues. In 2018 he performed several concerts in France, including a solo recital at Notre-Dame Cathedral in Paris,

and was a guest teacher at the Paris Conservatoire. His performances for colleagues include national, regional and pedagogy conventions of the American Guild of Organists, as well as national conventions in the US.

A native of New York City, Mr. Higgs held his first position as a church organist at age ten; as a teenager, he performed classical music as well as rock, gospel, and soul music. He earned the Bachelor and Master of Music degrees at the Manhattan School of Music, and the Performer’s Certificate from the Eastman School of Music. He was Director of Music and Organist at Park Avenue Christian Church, and later Associate Organist of the Riverside Church, where he also conducted the Riverside Choral Society. After moving to San Francisco in 1986, he became Director of Music and Organist at St. Mark’s Episcopal Church in Berkeley, Director of Church Music Studies at the Church Divinity School of the Pacific in Berkeley, and Organist/Choir Director at Temple Emanu-El in San Francisco.

In addition to his significant performing career, Mr. Higgs has distinguished himself

as a pedagogue. He was appointed to the faculty of the Manhattan School of Music upon graduation from that institution, and has been a member of the faculty of the Eastman School of Music since 1992. His students have won prizes in prestigious international competitions, and hold im-portant positions in leading academic and religious institutions.

David HiggsFoto: Stephen Kennedy


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We want to meet you! OrganSpace Stockholm was inspired by the Reformation Jubilee 2017, and exactly as Martin Luther did with his table talks, so do we want to offer places to meet each other, our artists, other professional musicians from Stockholm and Sweden, and visitors and friends from abroad. Welcome!

Friday September 13th, 20.15Festival dinner after the concert in Hedvig Eleonora’s Church.Reservation required via www.organspace.se

Saturday September 14th, 21.30 Reception after the concert in German St. Gertrud’s Church50 SEK. Swish: 123 640 7258

Sunday September 15th, 12.15Lunch after the service in Adolf Fredrik’s Church. 50 SEK.

Sunday September 15th,16.00 Final reception after the concert in Sofia’s Church, admission free.

Gatherings

MasterclassesOur masterclasses are open for passive participants, no registration required. Admission free. Questions? Email to [email protected]

David HiggsThursday September 12, 13.00-16.00, Sofia’s ChurchFriday September 13, 9.00-12.00, Sofia’s Church

Thomas OspitalFriday September 13, 13.00-16.00, Katarina’s Church

Foto

: Ste

phen

Ken

nedy

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Foto: Yanan Li

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Fint tillfälle för ungdomar som kommit långt i sitt orgelspel att lära känna Stockholms orgelvärld. Ungdomarna får undervisning i KMHs lokaler samt gå på konserter, orgelvisningar och sammankomster. Lägret äger rum fredag kväll till söndag eftermiddag och anordnas av OrganSpace för tredje året i rad i samarbete med Sensus studieförbund, orgelföreningen Oktava och Stockholms Stift. Lägret är återkommande årligen. Information och anmälan sker via orgelpedagogiska nätverk och hemsidor.Detaljinformation finns på www.organspace.se Lärare: Richard Hills, Kira Lankinen ochprofessor Stefan Therstam, KMH.

Lägerledare och kontaktperson: Karin Sundin, Sensus StudieförbundTelefon 0702-373770, [email protected]

National Youth Organ Camp at the Royal College of Music in Stockholm(advanced level, ages 15-25)Friday-Sunday, September 13-15

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Stefan Therstam är professor och ämnesansvarig i orgel vid Kungliga Musikhögskolan i Stockholm där han undervisar sedan 1985 med improvisation som specialitet. 1988 vann han den legendariska Internationella orgelimprovisationstävlingen i Haarlem, Holland.

Sedan 1999 är han or ganist in Engelbrektskyrkan i Stockholm. Stefan konserterar regel bundet inom och utom landet, har internationella juryuppdrag, föreläser samt medverkar i radio och TV.

Kira Lankinen är diplomorganist och har utbildat sig i solistiskt orgel spel vid Sibeliusakademin i Helsingfors för professor Kari Jussila samt kyrkomusik vid Högskolan för Scen och Musik vid Göteborgs Universitet där hon avlade organistexamen (Master of Church Music) år 2007.

Kira har spelat solokonserter förutom i Finland, Sverige och Nor ge även i Polen och Tyskland samt arbetat som kyrkomusiker i Sve rige, Norge och Finland. Sedan september 2016 arbetar Kira Lankinen som musikkonsulent i Västerås stift och är ledamot i Svenska orgelsällskapet samt Svenska kyrkans musikråd.

Stefan Therstam, Stockholm Richard Hills, London, CV se sida 7 Kira Lankinen, Västerås

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Huvudverk (Manual I)1. Principal 16’2. Oktave 8’3. Principal 8’4. Sologamba 8’5. Doppelflöte 8’6. Konzertflöte 8’7. Grossgedackt 8’8. Quinte 5 1⁄3’9. Oktave 4’10. Gemshorn 4’11. Rohrflöte 4’12. Nasat 2 2⁄3’13. Oktave 2’ nr.114. Oktave 2’ nr.2 *15. Kornett IV-V16. Gross-Mixtur V-VII17. Cymbel IV18. Trompete 16’19. Trompete 8’20. Trompete 4’21. Tuba Magna 8’ ° *22. Royal Trumpet 4’ ° *

Positiv (Manual II)23. Rohrflöte 16’

24. Hornprincipal 8’25. Vox retusa 8’26. Hornflöte 8’27. Violine 8’28. Spitzflöte 8’29. Unda Maris 8’30. Flûte harm. 8’31. Hohlflöte 8’32. Bordun 8’33. Oktava 4’34. Bachflöte 4’35. Quintatön 4’36. Gemshornkvint 2 2⁄3’37. Oktave 2’ **38. Fugara 2’39. Waldflöte 2’40. Terz 1 3/5’41. Hohlquinte 1 1⁄3’ **42. Solokornett V-VII43. Mixtur V44. Scharff III45. Rankett 16’46. Tuba mirabilis 8’47. Klarinette 8’48. Bärpfeife 8’49. Schalmei 4’

Svällverk (Manual III)50. Echobordun 16’51. Geigenprincipal 8’52. Salicional 8’53. Viola d’amour 8’54. Aeoline 8’55. Vox coelestis 8’56. Portunalflöte 8’57. Flûte d’amour 8’58. Lieblich Gedackt 8’59. Quintatön 8’60. Principal 4’61. Fugara 4’62. Blockflöte 4’63. Oktave 2’ **64. Piccolo 2’65. Progressio harmonica IV66. Harmonia aetheria III-IV67. Helikon 16’68. Trompette harm. 8’ *69. Oboe 8’70. Vox humana 8’ *71. Clairon 4’

Soloverk (Manual IV)72. Contra Gamba 16’73. Gamba 8’ *74. Céleste 8’ **75. Oktave Gamba 4’ *76. Harmonic Flute 8’ *77. Wald Flute 4’ **78. Open Flute 2’ *79. Orchestral Horn 8´ ° *80. Cor Anglais 8’ *81. Krummhorn 8’82. Orchestral Oboe 8’ *83. Baryton 8’ *

84. Tuba Magna 8’ ° *85. Royal Trumpet 8’ ° *

Fjärrverk (Manual V)86. Quintatön 16’87. Synthematofon 8’88. Principal 8’89. Orchestergeige 8’90. Vox angelica 8’91. Jubalflöte 8’92. Nachthorn 8’93. Bourdon 8’94. Geigenprincipal 4’95. Viola 4’96. Rohrgedackt 4’97. Flageolette 2’98. Schwiegelpfeife 1’99. Sesquialtera II100. Kornett-Mixtur V101. Glockenton IV-V102. Fagott 16’103. Solotrompete 8’104. Englisch Horn 8’105. Vox humana 8’106. Hohe Trompete 4’

Pedal 107. Kontrabass 32’108. Principal 16’109. Violon 16’110. Flötenbass 16’111. Salicetbass 16’112. Subbass 16’113. Gedacktbass 16’ **114. Quinte 10 2⁄3’115. Oktavbass 8’116. Gedackt 8’ **/*

117. Quinte 5 1⁄3’118. Oktave 4’ **119. Nachthorn 4’120. Kornett V **121. Mixtur IV122. Bombarde 32’123. Posaune 16’124. Trompete 8’ *125. Clairon 4’ *126. Singend Kornett 2’127. Tuba 16’ ° *128. Tuba 8’ ° *

Fjärrverkspedal129. Kontrabass 16’130. Violonbass 8’131. Posaune 16’132. Kontrafagott 16’

Fristående på orgel- läktaren133. Orchestercelesta134. Tuba Magna 8’ *135. Royal Trumpet 8’ *

Slejflådor (Harrison 1973) i huvudorgelns manualverk och mindre pedalTaschenlådor (Walcker 1925) i fjärrverketTremulanter och svällare: II, III, IV/VNormalkoppel, super- och suboktavkoppelStämmor upp till 4’ i Manual I utbyggda till c5

STADSHUSETS ORGELbyggd 1925 av E. F. Walcker & Cie.,Ludwigsburg, Tyskland

* = Harrison & Harrison (1973, 2008)**= Magnus Fries, 1973° = Högtrycksstämma

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Stämmor1. Open Diapason (*), 85 pipor, 16’-4’2. Tibia Clausa , 73 pipor, 8’-4’3. Violin, 73 pipor, 8’-4’4. Violin Celeste, 61 pipor, 4’ 5. Bourdon/Flute, 97 pipor, 16’-2’6. Vox Humana, 61 pipor, 8’7. Trumpet, 61 pipor, 8’

Totalt 511 pipor* de 12 lägsta piporna typ DiaphoneLufttryck 10 tum (254mm) (Vox Humana 6 tum/152mm)

Övriga instrument Klockspel, 18 noter, c1-f2Xylofon, 37 noter, c1-c4Glockenspiel, 30 noter, g-c3 Chrysoglott (påminner om Celesta), 49 noter, G-g3

SlagverkVirveltrummaBastrumma Cymbal Större cymbal Triangel Tamburin Chinese Block

Kastanjetter Bjällror

Ljudeffekter Tågvissla Siren Brandlarm Fågelkvitter Hästhovar Havsbränningar Bilhorn Ringklocka

Pedal (C-g1) 16’ Diaphone (från nr. 1)16’ Bourdon (från nr. 5) 8’ Trumpet (från nr. 7) 8’ Diaphonic Diapason (från nr. 1) 8’ Tibia Clausa (från nr. 2) 8’ Flute (från nr. 5)8’ Cello (från nr. 3)Bass Drum (bastrumma)Kettle Drum (bastrumma med virvel)Crash Cymbal (större cymbal)Cymbal (cymbal )

Accompaniment (Man. I, omfång C–c4)16’ Contra Viol (Ten. C, från nr.3)16’ Vox Humana

(Ten. C, från nr.6)8’ Trumpet (från nr. 7)8’ Diaphonic Diapason (från nr. 1)8’ Tibia Clausa (från nr. 2)8’ Violin Violin (från nr. 3) 8’ Violin Celeste (Ten. C, från nr. 4) 8’ Concert Flute (från nr. 5) 8’ Vox Humana (från nr. 6)4’ Octave (från nr. 1)4’ Piccolo (från nr. 2) 4’ Violin (från nr. 3) 4’ Octave Celeste (från nr. 4) 4’ Flute (från nr. 5) 4’ Vox Humana (från nr. 6) 2’ Piccolo (från nr. 5) Harp ChrysoglottSnare Drum (från virveltrum-ma)TambourineCastanetsChinese BlockTom Tom (från virveltrumma)

Sleigh BellsDoor bell

Manual I (Accompaniment Second Touch)8’ Trumpet (från nr. 7) 8’ Tibia Clausa (från nr. 2) Cathedral Chimes Triangle16’ Diaphone (från nr. 1) 16’ Tibia Clausa (Ten. C, från nr. 2) 16’ Bourdon (från nr. 5) 16’ Vox Humana (Ten C, från nr. 6)8’ Trumpet (från nr. 7) 8’ Diaphonic Diapason (från nr.1) 8’ Tibia Clausa (från nr. 2) 8’ Violin (från nr.3) 8’ Violin Celeste (Ten. C, från nr. 4)8’ Concert Flute (från nr. 5) 8’ Vox Humana (från nr. 6)4’ Octave (från nr. 1)

4’ Piccolo (från nr. 2) 4’ Viol (från nr. 3) 4’ Octave Celeste (från nr. 4)4’ Flute (från nr. 5) 2 2⁄3’ Twelfth (från nr. 5) 2’ Piccolo (från nr. 5) 1 3⁄5’ Tierce (från nr. 5) Cathedral ChimesXylophoneGlockenspielHarp Chrysoglott Solo koppel (Man II)Solo Sub OctaveSolo OctaveTremulanter Main (utom Vox Humana)Tremulant Vox HumanaSvällare för hela orgeln inklusive ljudeffekter i en pipkammare9 Toe pistons för olika effek-ter, t. ex. fågelkvitter, siren, tågvissla

SKANDIAORGELN installerad på Skandiateatern 1916,Fabrikat Wurlitzer Style E (2/7), op. 1254

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HÖGALIDSKYRKANS LÄKTARORGELbyggd 1966 av Olof Hammarbergs Orgelbyggeri AB, Göteborg, Sverige. Renoverad 2003.

HÖGALIDSKYRKANS KORORGELbyggd 1984 av Mads Kjersgaard, Uppsala, och Robert Gustavssons Orgelbyggeri, Härnösand. Intonation Mads Kjersgaard.

Huvudverk (Manual I) C - g31. Gedaktpommer 16’2. Principal 8’3. Spetsflöjt 8’4. Oktava 4’5. Nachthorn 4’6. Kvinta 2 2/3’7. Oktava 2’8. Mixtur 6-8 chor9. Cymbel 3 chor10. Trumpet 16’11. Trumpet 8’

Positif (Manual II)12.Gedakt 8’13. Kvintadena 8’14. Principal 4’15. Koppelflöjt 4’16. Waldflöjt 2’17. Nasat 1 1/3’18. Sesquialtera 2 chor19. Scharf 4-5 chor20. Rankett 16’21. Vox Humana 8’Tremulant

Svällverk I (Manual III)22. Italiensk principal 8’23. Rörflöjt 8’24. Oktava 4’25. Traversflöjt 4’26. Oktava 2’27. Cornett 3-4 chor28. Mixtur 3 chor29. Fagott 16’30. Trumpet 8’31. Clairon 4’

Svällverk II (Manual IV)32. Gedakt 16’33. Gedakt 8’34. Viola di Gamba 8’35. Voix Céleste 8’ (2003)36. Gemshorn 4’37. Rörnasat 2 2/3’38. Hålflöjt 2’39. Ters 1 3/5’40. Tritonus 1 9/13’41. Septima 1 1/7’42. Piccolo 1’43. Terscymbel 3 chor44. Oboe 8’Tremulant

Fjärrverk (Manual II)45. Principal 8’46. Flûte harmonique 8’47. Gamba 8’48. Voix Céleste 8’49. Oktava 4’50. Hålflöjt 4’51. Klarinett 8’Tremulant

Pedal C - f152. Principal 16’53. Subbas 16’54. Kvinta 10 2/3’55. Oktava 8’56. Gedakt 8’57. Oktava 4’58. Rörgedakt 4’59. Nachthorn 2’60. Sesquialtera 3 chor61. Mixtur 6 chor62. Basun 16’63. Trumpet 8’64. Skalmeja 4’

Huvudverk (Man I) C - d31. Borduna 16’2. Principal 8’ (i fasaden)3. Blockflöjt 8’4. Octava 4’5. Quinta major 3’6. Superoctava 2’7. Tertia 1 3/5’8. Quinta minor 1 1/2’9. Sedecima 1’10. Mixtur

Bröstverk (Man II)11. Qvintadena 8’12. Hålflöjt 4’13. Rörflöjt 2’14. Sexqvialtera15. Ranckett 8 ’ Pedal – C - d116. Subbas 16’17. Gedactbas 8’

Koppel: II/I, I/P,II/P, II 4´/PCymbelstjärna, Tremolo

Temperatur: Kirnberger III

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Huvudverk(Man I) Principal 16* Bourdon 16 Principal 8* Diapason 8 Dubbelflöjt 8* Harm. Flute 8 Bourdon 8 Gamba 8* Viole 8Kvinta 5 1/3 Oktava 4* Gamba 4Traverse Flute 4 Rörflöjt 4*Twelfth 2 2/3 Oktava 2* Waldflute 2 Mollters 16/19 Sharp Mixture III Mixtur II*Scharf III*Mixtur IV*Grand Cornet V* Trumpet 16*Double Trp. 16 Spansk Trp. 8 Trumpet 8*Clairon 4*ChimesGeniSys voice 5GeniSys voice 6

Positiv (Man II)Contre Viole 16Borduna 16*Principal 8*Gedackt 8*Flûte Harm. 8*Viole 8Viole Celeste 8Kvintadena 8Oktava 4*Koppelflöjt 4*Flûte Harm. 4Violes II 4Nasard 2 2/3*Oktava 2*Flute 2Tritonus 1 9/23 Ters 1 3/5* Larigot 1 1/3* Mixtur III* Cymbale III Cymbel II* Rankett 16 Klarinette 8Krumhorn 8* Trumpet 8*Oboe 4GeniSys voice 7GeniSys voice 8Tremulant*

Svällverk (Man III) Bourd. doux 16 Fugara 16*Principal 8* Geigen Diap. 8 Rörflöjt 8* Bourdon 8First Salicional 8* Second Salic. 8 First Voix Cél. 8* Second Voix Cel. 8 Flute Celeste II 8Gamba II 8Salicional II 8Oktava 4* Octave geigen 4 Flûte oct 4* Spitzflute 4 Salicet 4*Nasard 2 2/3 Waldflöjt 2* Septima 1 1/7 Piccolo 1* Nona 8/9 Fourniture IV Mixtur V*Sesquialtera II* Bassoon 16 Bombard 16* Vox Angelica 8 Vox Humana 8* Hautbois 8Oboe 8*

Trompette 8 Trumpet 8* Klarine 4 Clairon 4* Celesta (fr Solo) GeniSys 3 & 4Tremulant*

PedalResultant 64Violon 32Bourdon 32* Soft Subbas 32Gamba 32 (St)Violone 32 (St)Principal 16*Subbas 16*Bourdon 16Bourd. doux 16Flûte 16Violone 16 (St)Gamba 16 (St)Kvinta 10 2/3Borduna 8Gedackt flöte 8Cello 8Oktava 4*Choralbass 4Öppen flöjt 4*Flûte 4Flöjt 2*Theorbe IIIMixture VI*Bombard 32*Contra Trp. 32Contre Bomb. 32Basun 16*Dbl. Trumpet 16Bombarde 16

Trumpet 8*Trompette 8Clairon 4*Klarine 4GeniSys 1 & 2

Stråkverk (Floating)

Salicional II 8 Gamba II 81st Viole II 8 2nd Viole II 8Salicet II 4Dulcet II 4Violina II 2Dulciana Mixture V Genisys 11Tremulant

HEDVIG ELEONORA KYRKAS ORGELbyggd 1976 av Grönlunds orgelbyggeri,Gammelstad, Sverige. Nytt spelbord 2018 med digitala stämmor från Allen, USA.

Soloverk (Man IV) Gamba Cel. II 16 Solo Gamba 8 Gamba Celeste 8 Concert Flute 8 French Horn 8 Cor Anglais 8 Gambette Cel. II 4Tuba Mirabilis 16Tuba Mirabilis 8Trompette Cham. 8 Octave Mirabilis 4CelestaHarpsichord GeniSys 9 & 10TremulantEdoff Star* (2018)

Kororgel (man I)Bourdon 16Soft Principal 8 Geigen Diapason 8 Flauto Mirabilis 8 Gamba 8Flute Celeste II 8 Flûte Harm. 4 Super Octave 2 Mixture IVTromba 8Vox Humana 8

* Grönlundsorgeln (III/58)

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Huvudverk (Manual I) 1. Gedacktpommer 16´2. Principal 8´3. Rörflöjt 8´4. Oktava 4´5. Spetsflöjt 4´6. Principal 2´7. Cornett 5 chor8. Mixtur 6-8 chor9. Trumpet 8´ (spansk)

Svällverk (Manual II)10. Gedackt 8´11. Kvintadena 8´12. Fugara 8´ (1995)13. Principal 4´14. Koppelflöjt 4´15.Waldflöjt 2´16. Sesquialtera 2 chor17. Scharff 4 chor18. Dulcian 16´19. Oboe 8´Tremulant

Bröstverk (Manual III) 20. Trägedackt 8´ 21. Rörflöjt 4´22. Oktava 2´23. Blockflöjt 2´24. Nasat 1 1/3´25. Cymbel 2 chor26. Vox humana 8´Tremulant

Pedal27. Principal 16´28. Subbas 16´29. Oktava 8´30. Gedackt 8´ (1995)31. Oktava 4´32. Nachthorn 2´33. Mixtur 6 chor34. Fagott 32´35. Basun 16´36. Trumpet 8´37. Zink 4´

38. Klockspel (man IV)Svällare för Svällverk och BröstverkNormalkoppel8 setzer-kombinationerStor/ liten pedal

Omfång:Manual I-III (C-g3)Klockspel (IV) c2-f3Pedal C-f1

IMMANUELKYRKANS ORGELbyggd 1975 av Grönlunds orgelbyggeri, Gammelstad, Sverige.

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Huvudverk (Manual II)1. Principal 16´2. Gedackt 16´3. Principal 8´4. Gedackt 8´5. Spitzflöte 8´6. Gamba 8´7. Quinta 5 1/3´8. Oktava 4´9. Hohlflöte 4´10. Quinta 2 2/3´11. Oktava 2´12. Mixtur 6-8 chor13. Quintcymbel 4-5 chor14. Grand Cornet 5 chor15. Trompette 16´16. Trompette 8´17. Trompette 4´18. Trompette en chamade 8´19. Trompette en chamade 4´

Positiv (Manual I)20. Principal 8´21. Gemshorn 8´22. Rohrflöte 8´23. Oktava 4´24. Flûte traversière 4´25. Oktava 2´26. Sesquialtera 2 chor27. Mixtur 5 chor28. Cymbel 2 chor29. Dulcian 16´30. Cromorne 8´Tremulant

Crescendoverk (Manual III)31. Bourdon 16´32. Principal 8´33. Bourdon 8´34. Flûte harmonique 8´35. Violin 8´36. Voix céleste 8´37. Oktava 4´,38. Flûte octaviante 4´39. Terz 3 1/5´40. Nasat 2 2/3´41. Piccolo 2´42. Terz 1 3/5´43. Sifflöte 1´44. Mixtur 6-8 chor45. Terzcymbel 3 chor46. Bombarde 16´47. Trompette harmonique 8´48. Hautbois 8´49. Vox humana 8´50. Clairon 4´Tremulant

Soloverk (IV)51. Gamba 8´52. Orchesterflöte 8´53. Tuba 8´54. Cornet 5 chor

Pedal55. Principal 32´56. Principal 16´57. Subbas 16´58. Violon 16´59. Oktava 8´60. Gedackt 8´61. Oktava 4´62. Blockflöte 4´63. Nachthorn 2´64. Mixtur 6-7 chor65. Cornet 4 chor66. Contrabasun 32´67. Basun 16´68. Trompette 8´69. Trompette 4´

KONSERTHUSETS ORGELbyggd 1982 av Grönlunds orgelbyggeri,Gammelstad, Sverige.

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ENGELBREKTSKYRKANS ORGELbyggd 1964 av Grönlunds orgelbyggeri,Gammelstad, SverigeIntonation: Walter Thür

Huvudverk (Manual II) 1. Principal 16’ 2. Oktava 8‘3. Principal 8’4. Rörflöjt 8’5. Oktava 4’6. Gemshorn 4’7. Kvinta 2 2⁄3’8. Oktava 2’ 9. Flagflöjt 2’10. Cornet IV11. Rauschkvint III12. Mixtur VI-VIII13. Cymbel III14. Trumpet 16’ 15. Trumpet 8’Cymbelstjärna

Ryggpositiv (Manual I)16. Principal 8’17. Gedackt 8’18. Kvintadena 8’19. Oktava 4’20. Koppelflöjt 4’21. Oktava 2’22. Sifflöjt 1 1⁄3’23. Sesquialtera II24. Scharf IV-V25. Krumhorn 16’26. Rörskalmeja 8’Tremulant

Svällverk (Manual III)27. Gedackt 16’ 28. Principal 8’29. Spetsflöjt 8’30. Gamba 8’

31. Voix Céleste 8’32. Oktava 4’33. Traversflöjt 4’ 34. Gedacktflöjt 4’35. Spetskvint 2 2⁄3’36. Svegel 2’37. Ters 1 3⁄5’38. Waldflöjt 1’39. Cornett III40. Mixtur V-VI41. Cymbel III42. Fagott 16’43. Tromp. harm. 8’44. Oboe 8’ 45. Clairon 4’Tremulant

Bröstverk (Manual IV)46. Trägedackt 8’47. Principal 4’48. Rörflöjt 4’49. Oktava 2’50. Blockflöjt 2’ 51. Kvinta 1 1⁄3’52. Oktava 1’53. Cymbel II54. Rankett 16’ 55. Dulcian 8’56. Regal 4’Tremulant

Pedal57. Principal 16’58. Subbas 16’59. Kvinta 10 2⁄3’ 60. Oktava 8’61. Gedackt 8’

62. Oktava 4’63. Flöjt 4’64. Nachthorn 2’65. Rörflöjt 1’66. Mixtur VII67. Rauschkvint IV68. Kontrafagott 32’ 69. Basun 16’ 70. Dulcian 16’71. Trumpet 8’72. Zink 4’73. Cornet 2’

Fjärrverk (Manual V)74. Principal 8’75. Dubbelflöjt 8’76. Gamba Céleste 8’77. Principal 4’78. Hålflöjt 4’79. Kvinta 2 2⁄3’80. Piccolo 2’81. Oktava 1’82. Mixtur IV-VI83. Vox Humana 8’Tremulant

Kororgel (Manual V)84. Gedackt 8’85. Salicional 8’86. Rörflöjt 4’87. Kvintadena 4’88. Principal 2’89. Nasat 1 1⁄3’

Floating90. Chamade 8‘91. Chamade 4‘

Foto: Stefan Therstam

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TYSKA KYRKANS JUNOORGELByggd 1887 av Åkerman & Lund, Stockholm, SverigeÅteruppsatt 2018. Intonation: Carl Johan Lund,Hans-Petter Schröder och Helmuth Gripentrog

TYSKA KYRKANS DÜBENORGELbyggd 2004 av Grönlunds Orgelbyggeri,Gammelstad, SverigeIntonation Anders Grönlund & Andreas Krischer

Huvudverk (Manual I)1. Borduna 16’2. Prinzipal 8’3. Gamba 8’4. Flûte harmonique 8’5. Dolce 8’6. Fleute double 4’7. Flûte octaviante 4’8. Octava 4’9. Octava 2’10. Cornette 4 fach11. Trumpet 16’12. Trumpet 8’

Svällverk (Manual II)13. Gedakt 16’14. Basetthorn 8’15. Violin 8’16. Salicional 8’17. Rörfleut 8’18. Angelica 8’19. Fugara 4’20. Echofleut 4’21. Waldfleut 2’22. Euphone 8’23. Tuba 8’ *

Pedal24. Prinzipal 16’25. Subbas 16’26. Quinta 12’27. Violoncello 8’28. Borduna 8’29. Octava 4’30. Basun 16’31. Trumpet 8’

Werck (Manual II) – C, D, E, F - c’’’1. Principal 8’ 2. Quintadena 16’ 3. Gro: Spiel flöte 8’ 4. Gedacte 8’ 5. Octava 4’ 6. Spitz flött 4’ 7. Quinta 3’ 8. Super Octava 2’ I-II 9. Mixtur VI 10. Dussanen 16’ 11. Trommeten 8’ Rückpositieff (Manual I)13. Principal 4’14. Flött 8’15. Flött 4’

16. Octava 2’ 17. Waltpfeiffen 2’18. Sexquealtra II19. Cimball III20. Dulcian 16’21. Krumbhorn 8’22. Geigen Regall 4’

Oberwerck (Manual III)23. Quintadena 8’ 24. Zap: flöite 4’ 25. Nassat 3’ 26. Octava 2’ 27. Spitz Quinte 1 1⁄2’ 28. Zimball II 29. Schallmeijen 8’

Brustwerck (Manual II)12. Starck Regal 8’

Pedal – C, D, E, F - d’30. Under Bass 16’31. Gedacter Bass 8’32. Octava Bass 4’33. Posaunen Bass 16’34. Trommeten Bass 8’35. Dulcian Bass 8’36. Corneten Bass 4’

Stimmung mitteltöniga’=467 Hz67 mm Wassersäule

* = Högtrycksstämma

Foto: Dirk Thom

as

38 ORGANSPACE |2019

Huvudverk (Manual I) 1. Borduna 16’ 2. Principal 8’3. Borduna 8’4. Gamba 8’5. Flûte Harmonique 8’ 6. Oktava 4’7. Spetsflöjt 4’8. Kvinta 2 2⁄3’ 9. Oktava 2’ 10. Cornet IV 11. Mixtur IV-V 12. Trumpet 16’ 13. Trumpet 8’ 14. Trumpet 4’ Positif (Manual II) 15. Principal 8’ 16. Flûte Harmonique 8’17. Kvintadena 8’18. Dolce 8’19. Unda Maris 8’20. Gemshorn 4’ 21. Täckflöjt 4’22. Spetskvint 2 2⁄3’23. Nachthorn 2’24. Ters 1 3⁄5’25. Larigot 1 1⁄3’26. Mixtur III27. Krumhorn 8’28. Vox Humana 8’29. Trompette Mirabilis 8’Tremulant

Svällverk (Manual III) 30. Gedackt 16’ 31. Vox Retusa 8’ 32. Rörflöjt 8’ 33. Salicional 8’ 34. Voix Celeste 8’ 35. Principal 4’ 36. Flûte Octaviante 4’ 37. Nasard 2 2⁄3’ 38. Waldflöjt 2’ 39. Mixtur IV 40. Fagott 16’ 41. Corno 8’ 42. Oboe 8’ 43. Clarion 4’ Tremulant

Pedal44. Borduna 32’45. Violon 16’46. Subbas 16’47. Borduna 16’48. Ekobas 16’49. Oktava 8’50. Borduna 8’51. Oktava 4’52. Piccolo 4’53. Mixtur IV54. Kontrabasun 32’55. Basun 16’56. Trumpet 16’57. Trumpet 8’58. Clarion 4’

SOFIA KYRKAS ORGELbyggd 1951 av A. Magnusson, Mölnlycke, Sverige

2012 renoverad och utökad av Nicholson & Co., Malvern, England

Foto: Caroline Hedin

39ORGANSPACE |2019

REAKTORHALLENDrottning Kristinas väg 51

ENGELBREKTSKYRKANEngelbrekts kyrkogata

IMMANUELSKYRKANKungstensgatan 17

ADOLF FREDRIKS KYRKAHolländargatan 14

KONSERTHUSETHötorget

HEDVIG ELEONORA KYRKAStorgatan 2

STADSHUSETHantverkargatan 1

TYSKA S:TA GERTRUDS KYRKATyska brinken 13

HÖGALIDSKYRKANHögalids kyrkväg

SOFIA KYRKAKlefbecks backe 1

REAKTORHALLEN

ENGELBREKTSKYRKAN

IMMANUELSKYRKAN

ADOLF FREDRIKS KYRKA

KONSERTHUSET

HEDVIG ELEONORA KYRKA

STADSHUSET

TYSKA KYRKAN

HÖGALIDSKYRKAN

SOFIA KYRKA

40 ORGANSPACE |2019

THANKS TOMichaela Kratz, Kristina Harrison, Svante Hådell, Anna Pihl Lindén, Karin Sundin, Anders Frisk, Per-Olof Schultz, Gunnar Julin, Stefan Therstam, Elisabet Therstam, Kekke Waltersson, Ulf Norberg, Nils Larsson, Björn Gäfvert, Emily Tatlow, Fredrik Andersson, Per-Ove Larsson, Henrik Arlestrand, Kira Lankinen, Britta Lovén, Elisabet Wimark, Pär Fridberg, David Böling, Christoffer Holgersson, Roger Gärtner, Curt Carlsson.

OrganSpace 2019 is supported byThe Congregations of Engelbrekt, St. Gertrud, Sofia, Hedvig Eleonora, Högalid, Katarina, Adolf Fredrik and Immanuel. The Church of Sweden – Diocese of Stockholm, The City of Stockholm, Region Stockholm, Sensus, Sveriges Radio SR, Edward Vincent Organ Foundation, Skandia-Organ Association, Kulturrådet, Musikverket, Konserthuset, Stockholm stifts kyrkomusikerförening, KTH, KMH.

OrganSpace 2021 takes place September 9-12, 2021.

Logo: Andréas Lindström, Layout: Kevin Lembke, Michael Dierks, Lisa Guggomos

OrganSpace Committee: Michael Dierks, Kevin Lembke, Gabriella Sjöström, Patrick Lindblom

How it all began . . .

MED STÖD AVREGION STOCKHOLM

[email protected]

Vill du bidra till OrganSpace? Swish: 123 640 7258

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