Composition List- Trevor Bumgarner

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Trevor Bumgarner Composer/Arranger and Bassoonist 1211a West Friendly Ave (828) 4556396 Greensboro, NC 27403 [email protected] www.Trevorbumgarner.com Composition List (with program notes) Gods Particle For Chamber Singers, SSAATTBB (Winter 2012) The “God Particle” or Higgs Boson is the hypothetical elementary particle that gives all atoms mass. It is the only missing variable in the equation that explains the creation of the universe. Scientists are coming ever closer to discovering this particle, solving the unknown. This piece illustrates the creation as a result of the God Particle, all music expanding from one single event. I merge both sacred and secular text all dealing with the concept of creation. The majority of the work utilizes patterns each using one descriptive word. Words come and go simultaneously forming a constellation of sound. Text is borrowed from the Bible, Palestrina’s Credo, Greek philosopher Democritus, Isaac Newton, and Albert Einstein. I use these texts, forming them together into my own creation, emerging from a sole source the God Particle. Reboot Club For Brass Trio Duration: 6 minutes Commissioned by the North Carolina Brass Trio When I was first asked to write a brass trio, I was hesitant to accept. If it weren’t for the virtuosity of the performers in the group, I wouldn’t of imagined composition a piece for this instrumentation. There were virtually no model pieces, mostly arrangements of hymns, marches, and paired down orchestral literature. The one sole piece that stands atop the repertoire is the Poulenc Brass Trio. In typical Poulenc fashion, it references folk music of the past adapting it for the current time. I aim to literally contrast that. I take the folk music of the future and adapt it for the current time. In the future, all buildings are made from the same model called “Reboot.” “The Reboot is designed to be entirely selfsufficient, with energy collecting solar paint, wind turbines and a rainwater collection system that could provide a little hydroelectric boost as well as a bit of water for the house. Tossing a variety of different renewable energy options together is a popular option in modern design, both conceptually and in practice.” This piece is club music found at these locations. Front Porch Prelude For String Quartet Duration: 4 mins In fulfillment for Highscore music festival

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Composition List- Trevor Bumgarner

Transcript of Composition List- Trevor Bumgarner

Page 1: Composition List- Trevor Bumgarner

Trevor Bumgarner Composer/Arranger and Bassoonist 1211a  West  Friendly  Ave                                          (828)  455-­‐6396  Greensboro,  NC  27403      [email protected]  

www.Trevorbumgarner.com  Composition  List  (with  program  notes)    Gods  Particle     For  Chamber  Singers,  SSAATTBB  (Winter-­‐  2012)    

The  “God  Particle”  or  Higgs  Boson  is  the  hypothetical  elementary  particle  that  gives  all  atoms  mass.  It  is  the  only  missing  variable  in  the  equation  that  explains  the  creation  of  the  universe.  Scientists  are  coming  ever  closer  to  discovering  this  particle,  solving  the  unknown.  This  piece  illustrates  the  creation  as  a  result  of  the  God  Particle,  all  music  expanding  from  one  single  event.     I  merge  both  sacred  and  secular  text  all  dealing  with  the  concept  of  creation.  The  majority  of  the  work  utilizes  patterns  each  using  one  descriptive  word.  Words  come  and  go  simultaneously  forming  a  constellation  of  sound.  Text  is  borrowed  from  the  Bible,  Palestrina’s  Credo,  Greek  philosopher  Democritus,  Isaac  Newton,  and  Albert  Einstein.  I  use  these  texts,  forming  them  together  into  my  own  creation,  emerging  from  a  sole  source-­‐  the  God  Particle.    Reboot  Club     For  Brass  Trio     Duration:  6  minutes     Commissioned  by  the  North  Carolina  Brass  Trio       When  I  was  first  asked  to  write  a  brass  trio,  I  was  hesitant  to  accept.  If  it  weren’t  for  the  virtuosity  of  the  performers  in  the  group,  I  wouldn’t  of  imagined  composition  a  piece  for  this  instrumentation.  There  were  virtually  no  model  pieces,  mostly  arrangements  of  hymns,  marches,  and  paired  down  orchestral  literature.  The  one  sole  piece  that  stands  atop  the  repertoire  is  the  Poulenc  Brass  Trio.  In  typical  Poulenc  fashion,  it  references  folk  music  of  the  past  adapting  it  for  the  current  time.     I  aim  to  literally  contrast  that.  I  take  the  folk  music  of  the  future  and  adapt  it  for  the  current  time.  In  the  future,  all  buildings  are  made  from  the  same  model  called  “Reboot.”  “The  Reboot  is  designed  to  be  entirely  self-­‐sufficient,  with  energy  collecting  solar  paint,  wind  turbines  and  a  rainwater  collection  system  that  could  provide  a  little  hydroelectric  boost  as  well  as  a  bit  of  water  for  the  house.  Tossing  a  variety  of  different  renewable  energy  options  together  is  a  popular  option  in  modern  design,  both  conceptually  and  in  practice.”  This  piece  is  club  music  found  at  these  locations.    Front  Porch  Prelude     For  String  Quartet     Duration:  4  mins     In  fulfillment  for  Highscore  music  festival      

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Trevor Bumgarner Composer/Arranger and Bassoonist 1211a  West  Friendly  Ave                                          (828)  455-­‐6396  Greensboro,  NC  27403      [email protected]  

www.Trevorbumgarner.com  

I  had  to  compose  a  string  quartet  for  the  HighSCORE  Music  Festival.  I  had  been  mulling  over  several  concepts,  but  they  were  taking  a  considerable  amount  of  planning  and  thought.  I  was  running  out  of  time  and  I  knew  I  could  not  serve  the  concepts  proper  justice.  With  nearly  a  week  left  I  was  desperate  for  inspiration.    

Frustrated,  I  took  a  break  and  sat  on  my  front  porch  and  found  my  inspiration  right  next  to  me.  My  neighbors  were  all  sitting  on  their  porch  jamming,  testing  out  their  amateur  guitar  skills.  It  was  a  conglomeration  of  random  solos,  unrelated  harmonies,  and  fast  changing  irregular  accompaniment  rhythms.  Un-­‐phased  by  this,  they  were  having  the  time  of  their  lives.    LED  

For  Sax  Quartet  (2011)    

Technology  is  advancing  at  alarming  speeds.  There  are  around  5  billion  cellular  phones  and  1.4  million  cellular  stations  that  transfer  data  around  the  world.  These  stations  only  run  at  five  percent  efficiency  to  transfer  radio  waves,  which  are  unsecured  and  can  be  tampered  with.  This  is  extremely  inefficient  and  science  is  responding.  Radio  waves  are  on  the  electromagnetic  spectrum  along  with  visible  light.  In  the  future,  data  can  be  transmitted  by  this  illumination,  ten  thousand  times  more  data  at  100  percent  efficiency,  using  LED  lights  already  installed.  This  piece  is  musical  data  transferred  by  illumination.    Piano  Concerto  Mvt.  1     For  Solo  Piano  and  Mixed  Large  Chamber  Ensemble  (2011)     Composed  for  the  UNCG  Contemporary  Chamber  Players    

This  Concerto  was  originally  composed  for  the  UNCG  Contemporary  Chamber  Players  Ensemble.  It  is  a  collaborative  group  of  varied  instrumentation  and  performance  skill,  from  non-­‐music  majors  to  D.M.A.  performance  majors.  Regardless  of  potential  instrumentation  combinations,  everyone  who  is  a  member  of  the  ensemble  has  a  part  in  this  work.     Musically  I  evoke  several  aspects  from  previous  piano  concertos  to  give  the  less  experienced  performers  a  familiar  setting,  while  providing  my  own  flare  and  difficulty  to  the  more  experienced  performers.  I  would  like  to  thank  my  pianist  Sally  Renee  Todd,  for  whom  the  work  was  originally  composed.      Sonata  for  Bassoon  and  Piano  (2010)    This  sonata  was  my  first  composition  and  was  a  fun  way  to  build  technique  and  musicality  in  all  ranges  on  the  bassoon.  It  is  intended  to  improve  skill  from  advanced  high  school  students  to  professionals.  This  sonatas  general  story  is  based  on  a  child's  dream.  Actual  details  of  the  dream  are  not  certain.  

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Trevor Bumgarner Composer/Arranger and Bassoonist 1211a  West  Friendly  Ave                                          (828)  455-­‐6396  Greensboro,  NC  27403      [email protected]  

www.Trevorbumgarner.com    Upcoming  Works    Unconscious  Resonance  (exp.  2013)     For  Piano  Quintet        Brief  Description-­‐  

A  common  inspiration  for  art  is  dreams.  I  decided  to  attempt  this  myself  but  wanted  a  different  approach  that  a  representing  the  mood  or  events  within  a  dream.  I  decided  to  represent  the  physical  manifestation  of  the  actual  "mental  image."  One  theory  states  that  dreams  come  from  relaxed  signals  the  brain  sends  to  itself.  The  generated  oscillation  makes  spontaneous  resonance  patterns  to  occur,  implying  that  dreams  are  a  simple  consequence  of  this  neural  oscillation.  This  piece  is  a  musical  result  of  this  unconscious  resonance.  

   

Event  Horizon     For  Wind  Ensemble  (exp.  2013)     Duration  10-­‐12’    Brief  Description-­‐     Like  many  other  musicians,  the  first  group  I  ever  played  in  was  a  wind  band.  I  still  play  in  one  today.  I  continue  my  fascination  with  science  and  space  in  this  work.  The  Event  Horizon  is  the  outer  ring  of  a  black  hole.  It  is  both  beautiful  and  chaotic.  This  work  will  be  a  fast  paced  journey  to  the  inside  of  a  black  hole.      Life  and  Transfiguration     For  Orchestra  (exp.  2013)     Duration  13-­‐15’    

Over  the  past  century,  all  of  the  arts  sought  to  push  their  artistic  esthetic  to  the  extreme.  Horrors  of  World  Wars,  genocides,  and  famines  led  towards  dark  and  anguished  expression.  Science  was  advancing  and  art  followed  suit,  using  complex  procedures.  Things  are  not  as  bad  as  they  used  to  be  these  days.     One  of  the  first  pieces  I  played  with  an  orchestra  was  Strauss’s  Death  and  Transfiguration.  The  work  is  a  story  of  a  man  on  his  deathbed,  looking  back  over  his  life  and  regrets.  The  ending  is  the  man  transcending  to  the  great  beyond  in  a  jubilatory  fashion.  This  work  looks  back  at  how  life  was  before  and  ascends  above.  In  Life  and  Transfiguration,  I  take  a  different  approach.  Why  must  we  wait  until  the  end  of  life  to  celebrate  and  look  back?  This  work  starts  at  the  beginning  of  life  and  

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Trevor Bumgarner Composer/Arranger and Bassoonist 1211a  West  Friendly  Ave                                          (828)  455-­‐6396  Greensboro,  NC  27403      [email protected]  

www.Trevorbumgarner.com  looks  forward  to  the  unknown.  It  knows  of  the  pains  of  the  early  century  but  ascends  forth  into  the  bright  future.