{

For oll #cfronic piono s by Kenneth Baken

ffiEGOMPELEGT IG

PIPTAYER

Ieodr psrrctt to pfoy ory moke o{ hi-rech prcrrc from th. b.gitriatrg. teorn hor ro u:c :ourornqtk feotuFes 0rr yoor keyboord cfcctivaty. ,trdtdc5 dFrd dr"r.

You play 2O fomo{r ro.€3 irrluding - Yhcroc from Easttndc?:r' lst'l Sh. tlrtty,Whcn l'm 54, Roindropr Xecp folling On lty l{cod ond nroay ttF.r!...

M3

THEGOMPLETEELEG IG

PLNERBOOK3

About This Book, 3

New chord: 87, 4

New chord: Em (E Minor), 8

Scale of C; key of. C, 12

Scale of F; key of F, 12

New chords: Bb, F7, 13

Sixteenth notes (semiquavers), anddotted rhythms, 20

Scale of G; key of. G, 2l

New chord: BT ,24New chords: Gm (G Minor) and Bbm

(Bb Minor), 28

Minor keys, 32

Key of D Minor, 32

Key of E Minor, 36

Key of B Flat, 40

New chord: Eb Major), 40

New chord: C* (C Minor), 44

Chord chart, 48

For oll electronic pionos by Kenneth Bo,ken

SONGSAnniversary Song, 38

' Bright Eyes, 8

\ Chanson DAmour, 24t Don't Cry For Me Argentina, 4l

Dream Lover, 30

EastEnders (Theme), 42

\ Hava Nagtla, 34r I Left My Heart In San Francisco, 6' Isn't She Lovely, 29

Quando, Quando, Quando, 14

Raindrops Keep Falling On My Head, 44

r Sunny, 33

Taboo, 37'. Telstar, 46

'fime On My Hands, 16

\ Tulips From Amsterdam, 18

\ When I'm64, 26

\Where Is Your Heart (The Song FromMoulin Rouge), 10

\ Winner Takes It All (The), 4

Yellow Submarine,22

CHORD CHART tsnowing all "fingered chords" used in the course)

c- accompaniment sect ion

I

Io

Ia o o a

I

Dm- accompaniment sect ion l

E b- accompaniment section

I

G- accompaniment sect ion

I

C m- accompaniment sect ion l

D7- accompaniment sect ion l

E m- accompaniment sect ion

I

Gm- accompaniment sect ion l

F 7- accompaniment sect ion

I

I' l o

II

E7- accompaniment sect ion

I

87- accompaniment sect ion

I

tNIIDDLE C

tMIDDLE C

tMIDDLE C

tNTIDDLE C

tMIDDLE C

tNIIDDLE C

t\ I I D D L !

tMIDDLE C

tMIDDLE C

+MIDDLE C

t\ l l [ r I r L

t\ t l t ' t :

G7- accomPaniment sect ion l

JI, a

tMIDDLE C

tMIDDLE C

tUIDTiL

A7- accompaniment sect ion

I

o o

B b- accompaniment section

I

5(4) 3 (2) tIIIDDI-E C

tMIDDLE C

I! t l [ ' i '

C7- accompaniment sect ion - . t

Io o

a a o

IoI' l

o

I to o o

Io a

F

- accompaniment sect ion I

a a o

Fm- accompaniment section

I

Ia a

a o o o

Io

Am- accompaniment sectionl

o a a

Bb-- accompaniment sect ion

I

I' l Ia a a

T

MIDDLE C

NEWCHORD: E7

1. One finger chord method:

Locate "E" (the highest one available) inthe accompaniment section of your piano.Convert this note into "87" (see BookTrvo , p.12, and your owner's manual).

2. Fingered chord method:

E7

- accompaniment section-.'I

tMIDDLE C

THE WINNER TAKES IT ALLWords & Music bv Bennv Andersson &Bjorn Ulvaeus

Tone colour: piano 1Auto chord: onRhythm: 8 beatTempo: medium . :104Svnchro-start: on

VERSEN . C .

IGf,

l D E

I don' t wanp

talk a - bout things we'veand that's what You've

we've

@r

nacards

thoughn o -

hurt - ingmore to

it 'sthing

mesay

@r

\'--,-//now it's his

no more ace

* lst Time Bar. Play this

to clavinova 3 (string ensemble)

to - ry. I 've played al l myto - play.

bar on the first time through only (then repeat as marked).

US

@rHOR

E

fThe win - ner takes it al l ,

@r

small be - side the vic - to

@z

that's her des ny. The game is on

@z

gain, fr iend,

@r

big thing or small the win - ner takes

@r

+ zndTime Bar. Plav this bar on

@ Copyright 1980 Union Songs AB, Stockholrn, Sweden for the \\'orldrights reserved. International copl'nght secured.

Iffal l .

the second time through only (then carry on to the end).

. tsocu Music Lrnrted, 1 Wmdham Yur'a. Wunanurn Place. London Wl for Great Britain & Eire. All

I LEFT MY HEART IN SAN FRANCISCOWords by Douglas CrossMusic by George Cory

Tone colour: vibraphone (vibetone)Auto chord: onRhythm: swingTempo: quite slow J : 88Synchro-start: on

N.C.

( a l1 , , I .l

t , l -

left my heart in San Fran

P

Hieh

@r

1J a

me. To be where

l i t - t le climb to the stars.

@r

half - way

fogcresc.

The mor - ning may chill the

@r

aLt,

mf

Myp

lovedon't waits

bove the1n San Fran cis - co.

-- ..--.-

@r @r

blue sea.

f

@t

When home YoU' Fran

@r

cis - co.-_---.-

@t

=

E

gold - en

shine for me. Stop rhythm

@ Coplright 1954 General Music Publishing Co' lnc. ' USA Dash Music co. Limrted, g/g Frith Street, London w1. All rights reserved. International copyright secured'

NEWCHORD: Em (E Minor)

1. One finger chord method:

Locate E (the highest one available) in theaccompaniment section of your piano.Convert this note into "Em" (se-e BookOne, p.38, and your owner's manual).

2. Fingered chord method:

Em- accompaniment section .',

I

D\\\

tMIDDLE C

BRIGHT EYESWords & Music by Mike Batt

Tone colour: clavinova 1 (saxophone)Auto chord: onRhythm: 8 beatTempo: medium J :96

VERSE tr

G B

T

E

Isfog

p

a kind ofa - long the

dream- r i

aho

- ing

alr.

zon.

I I

FloatCold

I

t ideon thein the

@t

Fol - low - ing the riv - er ofNo - bo - dy ev - er knows

deathwhenmf

down - stream.you go,

ohandp

i s i t awhere do you

@rI (play I st time through only) (repeat from beginning) 12 (play 2nd t ime through)

There's ap

start, oh,

stereo symphonic (Chorus) onCHORUS@r

----#<

t----.--l-€-z

Bright -

f

@r

eyes, burn like- fire

Bright- eyes how can you close - and

@r @r

How can the light- that burned so bright lyfail.

I @r

sud - den - lv burn- pale? Bright- eyes.

@ C o p y r i g h t l 9 7 8 S B K S o n g s L i n l r t e d / \ \ ' a t e r s h i p P r c l d L i c t i c l n s , 3 - i R a t h b o n e P l a c e . L o n d o n \ \ ' 1 f r t h e

Stop rhythm

THE SONG FROM..MOULIN ROUGE''(wHERE rS YOUR HEART?)Words by William EngvickMusic by Georges Auric

Tone colour: vibraphone (vibetone)Auto chord: onRhythm: waltz (with 4 bar variation)Tempo: slow ; :80Synchro-start: on

t r r l* s

Whenp

@r @r

and der, your may

@r

here, where your heart?

@r

but -

ways l ike this,

@r @r

der, you're close

* split. these two notes (playing lower notefirst).

won to me here, but -

to clavinova I

where your heart? I t 's,rf

thing

@z

(saxophone)

that you've a heart that nev When we

@r

ta

kiss do you close your eyes,

@r to vibraphone

pre tend - ing that I 'm some - one

else? Youp

must break the spell,

@r @r

that I 'M der, please won't vou

@r

cloud

wheretel l , l ing, your heart?

11

@ Copyright 1953 Broadcast Music Inc., USA. Campbell, Connelly & Co. Limited, 8/9 Fnth Street, London Wl. All rights reserved. Intenrational copynght secured

QUANDO, QUANDO,Italian Words by A. TestaEnglish Lyrics by Pat BooneMusic bv Tonv Renis

Tone colour: piano 3 + stereo symphonic (chorus)Auto chord: onRhythm: sambaTempo: fas t J : I l2Synchro-start: on

QUANDO

rvhen will youa

be-

mine,CUT COMMON TIME. Tel l

A feeling of two in a

O,*Erather than four *f

| . No t i ce t he me t ronome

mark ing :d= I 12

@t

rTle ,more,

@r

telltelltel l

mememc

quanquanquan

do,do ,

quanquan

Uo,do,do,do, quan

qlunquanquan

do .d o .do.

WeYouSay

canmeanit 's

@ @r

sharehapme

api

that

loveIlESS

you

difora

vine,lxe,dore,

@r

pleaseohand

don'tmythen

makelovedar

mepleaseling

waittelltell

ga1n.when.when.

L4

stop rhythmT

(press synchro-start with L.H.)

a

a

toa

>a a

> \t-

when*f

will you say

stop rhythm (press synchro) @t(FrNE) /

EvnP

tnent's

day seems

let show you the WOY,

@r

tr

mf

stop rhythm

can't wait mo - ment

t h e R e p u b l i c o f E i r e & t h e c o n r i n e n t o f E u r ( ) p e ( e x c e p r L a t r n c o u n t n e s a n d S w i t z e r l a n d j c o n t r o l l e d b v W a r n e r B r o t h e r s M u s i c L i m i t e d , 1 7 B e r n e r s S t r e e t ' L o n d o n W 1 '

A l l R i g h t s R e s e r v e d . l n t e r n a t i o n a l C o p l - r r g h t S e c u r e d .

f

15

TIME ON MY HANDSWords by Harold Adamson & Mack GordonMusic by Vincent Youmans

Tone colour: clavinova 3 (string ensemble)Auto chord: onRhythm: swingTempo: medium .t :96

Timemp

on

@z

hands.

You in my arms.-----

No -thing but love -

@r @r @r @r

in view.

"f

@r

Then ifmp

you fall, once and for all,

come

16

my dreams

@r

stereo symphonic (Chorus) on

@zB flat

.1.

true.,t

spare

f

@r @r

you for,

@z

one lovedim.

@r

fair for two .

withp

time on my hands, and

@rB flat @r

you

cresc.

1n my arms, and love,rf

my heart

tr@r

t7

for you.

fStop rhythm

R e d w o o d N { u s i c L r m i t e d , 1 1 \ e N B u r L i n e r o n 5 1 r " " , , L o n d o n W 1 . A l l R i e h t s R e s e r v e d . I n t e r n a t i o n a l C o p y r i g h t S e c u r e d

TULIPS FROM AMSTERDAMEnglish Words by Gene MartynOriginal Words by Neumann and BaderMusic by Ralf Arnie

Tone colour: clavinova 5 Qazz organ) + stereo slrnphonic (chorus)Auto chord: onRhythm: waltzTempo : fas t J :184Synchro-start: on

trWhen,rf

gain,spring

bring

@. B

fromgain

dam. with

heart that 's grve you

18

dam. can't

to clavinova 3 (strings)

emp armsry

keeps onwind - mill

'4_-___.-

@r to clavinova 5

keeps on yearn - l l l8,

@r@J

share these

@

JTu - lips fromcresc.

@t

A m - s t e r - d a m .f

q

@ Copyr ight 1956 Beboton- \ 'er lag GmbH, Gernranr . Hans Sikorsk i L imi ted, 8-9 Fr i th Street , I -ondon W1. Ai l Rights Reserved lnrernat ional C<-rpyr ight Secured '

19

YELLOW SUBMARINEWbrds & Music byJohn Lennon & Paul McCartney

Tone colour: piano 3 + stereo slnnphonic (chorus)Auto chord: onRhythm: bounce (or swing)Tempo: ntedium .l : 100Synchro-start: on

VERSE N.C.(dot ted rhythm)

In the

say: hump-typ

where I

(hump) - ty dump

@r

@z

town born lived

(dot ted rhythm)

who sailed to And he told - us of

@r

in the land of sub mar - lnes.

USHOR

E

We all

flive yel low sub - mar-ine.

a a a a

yel - low sub - mar-ine,

@r

F sharp

l : . a a -

lorv sub -mar-ine. in

22

yel We all live yel - low sub - mar-ine,

to clavinova

VERSE2 (brass ensemble)

@r

v.ra

low

7i

sub -a a

mar-ine. And ourp

friends are all

@r

ny more of them live next and theboard, door ,

be-gins to plqy.t o u n t ( s a y ) : ' l - 2 4 t r ip- le t 4 t r i p - le t

@rCHORUS

mar-lne,live yel - low

l+'

yela a

low sub -a -

mar - lne, ye l

j t :

lorv sub mar- lne. We 1nall live

@r

yel - lowsub -mar- ine, vel - low sub

* Triplet. A tnplet is a group of 3 notesplayed in the time of 2. These three eighthnotes (quavers) must be played slightly

mar-ine, yel - low sub - mar-ine.

faster than norrnal eighth notes, in orderto fit them into the bar.

@ copyr ighr lg t i t i \or thern Songs. under hcenc. ro SBK Songs L imi ted, 3-5 Rathbone Place, London w1. Al l Rights Reserved. In ternat ional Copyr ight Secured

23

NEWCHORD: BT

1. One finger chord method:

Locate "B" (the highest one available) inthe accompaniment section of your piano.Convert this into "87" (see Book Two,p.12, and your owner's manual).

2. Fingered chord method:

R7- accompaniment section -.,

I

CHANSON D'AMOURWords & Music by Wayne Shanklin

Tone colour: piano 2 * stereo si.nnphonic (chorus)Auto chord: onRhythm: swingTempo :med ium i : 100

tMIDDLE C

@r

A B

Ijo

ChanChanp

d'ad 'a

rara

f

t a

da dada da

iuda

@r

do,da ,

playj e

en - core-t 'a - dore-

24

@t @z

HereEachp

da darara

f

to guitar

more more_

@z @r

da. chan - son chan - son

piano 2 @r

:_'-'--'_-.a a

Ev - 'ry time son - chan son

d'a - mour.

ff@ Copl'right 1958 Thqnderbird N1usic Inc., USA. Carlin Music Corporation, 14 New Burlington Street, London W1 for the territory of Uruted Kingdom of Great Britain &

Northern Ireland, Eye and the British Dominions, Colonies, Overseas Territories & Dependencies (exc. Canada, Australia & New Zealand). All rights reserved'

International coplright secured.

Stop rhythm

25

WHEN I'M SIXTY-FOURWords & Music by John Lennon & Paul McCartney

Tone colour: guitar 1 * stereo symphonic (chorus)Auto chord: onRhythm: bounce (or swing)Tempo :med ium, , : 108Synchro-start: on

When I getmp

old los - ing my hair- ma - ny- vears from

will you stil l be send - ing me en

birth d a y greet bot - t le of wine? -

@r

If

ryI'd been

tr

out -

quar ter to would you lockthree - door?

@t tr @r4bf

e

Will you stil lcresc.

when I'm

f

@r

need -

26

ffi€' will you still feed- f f ie, six - ty_-

@ to clavinova 2 (trumpet)

FINEl r

four?

@r

Evp

'ry sum - mer we can rent cot tage in the Isle of

Wight, it's not too dear. shall

@tF sharp-

scrimp and

Ah

pgrand child your knee

@r

14, L .nUCK,Chuck

l to guitar ID.C. al FINE

t stop rhythm (with L.H.) x

* leave synchro button on, and rhythm willstart agian automatically when you strike

@ copyrrght 196i Ncr thern Songs, L 'nder l icence to StsK Songs L imi ted, 3-5 Rathbone Place

the next chord ("G", at the beginning ofthe piece).

London W1. AI I Right-s Reserved ln ternat ional Ccip-vr ight Secured '

mfDave.

27

ISN'T SHE LOVELYWords & Music by Stevie Wonder

Tone colour: piano 3 + stereo s1'rnphonic (chorus)Auto chord: onRhythm: swingTempo:medium ) : l I2Synchro-start: on

@z

than one

m1n old? I n e v - e r

@_

J-. 1)

thought through love we'd

,rf

@r @r

mak - ing one as love - ly she.

@

.L

Isp

n't she

D.C. (all through again,

@r?

love made from

* Quarter Note (Crotchet) Triplet. 3quarter notes played in the time of 2. Playthese quarter notes slightly faster than

usual, in order to fit them into the bar, butkeep them even, and equal to each other'

love.

@ Copyr ight 1976Jobete \ lusrc Companl . Incorporated and Black Bul l Music (TM), USA. Jobete Music (UK) L imi ted/Black Bul l Music , 23-24 Rathbone Place ' London W1

for the UK and Ei re. . {11 Rrghts Reserved. ln ternat ional Copvr ight Secured.

Stop rhythm (with L.H.)

29

DREAM LOVERWords by Clifford GreyMusic by Victor Schertzinger

Tone colour: celesta (clavi) * stereo symphonic (chorus)Auto chord: onRhythm: waltz ,T e m p o : m e d i u m J : 8 8

Dreamp

lov - er fold vour arms a - round

@r*

t v

o a

ffie, Dream lov ef , your ro - mance has

@r

found

@r

held

@r

know

@z

spell ,

cresc. dreams l

x Acciaccatura. A purely ornamental note,not included in the timing of the bar. Playthe acciaccatura note as quickly aspossible.

30

well

to vibraphone (vibetone)

@r

Wep

two can leave the world be

@r

hind

@r

creet can rind

@t,.f'

mlne,

@r

shar withcrets vlne

"f

Ped. (sustaining pedal)you.Ped. (lift pedal at the change of chord

then put it down again)

@ Copynght lg2g Famous Nlusic Corporation, USA. Campbell, Connelly & Co. Limited, 8/9 Frith Street, London W1' All rights reserved'

International copl'right secured.

31

SUNNYWords & Music by Bobby Hebb

Tone colour: piano 2Auto chord: onRhythm: 8 beatT e m p o : m e d i u m i : 9 6

f t

Sun - ny,rf

@r

yesmp

ter - day my was fil led with

@t

rain. Sun - ny,rf

you smiled at me and

Tp

@t

eased thereal ly pain oh the dark days are done and the

@r

'qrbright days are here,

@t

my Sun - ny one shines so sin - cere,- oh,

, , , , , , '

stereo symphonic (Chorus) on

I

@t

Sun - ny,rf

one so

tStop rhythm

love you._

@ Copyaight 1965, 1966 portable Music co tnc., usA. campber, Cornely & co. Limited,8/9 Frith street, London w1. All rishts reserved. Internadonal coplaisht secured

f

33

HAVA NAGILATraditional

Tone colour: marimba (clavi)Auto chord: onRhythm: march ,Tempo: medium,' : 88

@z

(,l i t

TlF|-'/ ' TI

l r @r li2 @,

II

-

* Grace Notes. Purely ornamental notesnot included in the basic timing of the bar.Play your grace notes as quickly aspossible.

34

@t guitar I to guitar 22nd time

(Speedup tempo control, bit by bit , with left hand)

(leavetempo control

@\

@r@ @z

AI

Stop rhythm

@ Copyr ight 1987 Dorsel 'Brothers NIus ic L imi ted, 8-9 Fr i th Street , London W1. AI I Rights Reserved. In ternat ional Copyr ight Secured

35

TABOOWords by S. K. RussellSpanish words & music by Margarita Lecuona

Tone colour: clavinova I (flute)Auto chord: onRhythm: tangoTempo: medium.t : 116

@z

Slowp

the East - cend - e(

@z

ern moon as

I

:-.

f tl - to clavinova

-2 (trumpet.

FINI

side me. ----------.-

@r @t

AImf

knew this was mad NCSS.

P <

@t to clavinova I

pre - lude to sad ness.

@ Copyright 1934 and i94l by Peer International Corporation. Latin-American Music Publishing Co. Limited, 8 Denmark Street, London wC2' All rights reserved

International copl.right secured.

D.C. al Fin

Mere,t

37

ANNIVERSARY SONGWords & Music by Al Jolson & Saul Chaplin

Tone colour: guitar 1Auto chord: onRhythm: waltzTempo: quite fast i : 160

@t

oh! howwas

seemed

weinto

dancedbloom,p World

Nieht fade

a

onthere

in

thewere

to

nightstarsblos

wein

som

weretheing

vowedWeEx

The

wed,skies.dawn.

ceptsun

ourfor

shone

truethe

a

lovefewnew

thougn- a-that- were-but- the-

@t

though-

wordtheredance

wasinlin

n'tyourgered

said.eyes.on.

DON'T CRY FOR ME ARGENTINAMusic by Andrew Lloyd WebberLyrics by Tim Rice

Tone colour: piano 1Auto chord: onRhythm: tangoTempo :med ium r : 108

r'-)L.U

Don't cry

mP

for me Ar - gen

@r

left you. All through my wild days,-1

to clavinova I (flute)

f-I_B'J

I kept mymy mad ex - ist - ence,

pro - mlse, don't keep your dis-

tance.

truth

ft

left you. All through my

wild days, my mad ex - ist - ence, I kept my don't keep yourpro- mise,

@ Copyright 7976,lg77 for the World b-v Evita Music Limited, 138 Piccadilly, London Wl. All rights reserved. International copyright secured'

A 1A I

EASTENDERS (THEME)by Leslie Osborne & Simon May

Tone colour: harpsichord2 + stereo symphonic (chorus)Auto chord: onRhvthm: 8 beatTempo: medium J :96

3 - tts

@rE

r-3- -

42

Stts3-r

to clavinova 3 (syrftBE

@rE 3 --r

fltE

cresc.

@ Copyr ight 1985 Lawrence Wright Music Companv L imrted, London W1. AI I Rights Reserved. In ternat ional Copyr ight Secured

43

NEWCHORD: Gm (C Minor)

1. One finger chord method:

Locate "C" (the highest one) in theaccompaniment section of your piano.Convert this note into "Cm" (see BookOne, p.38, and your owner's manual).

2. Fingered chord method:

C m- accompaniment section

1

tMIDDLE C

Compare this chord to Cyou already know.

(major), a chord

RAINDROPS KEEP FALLING ON MY\\'ords by Hal David\lusic bv Burt Bacharach

Tone colour: piano I + stereo symphonic (chorus).{uto chord: onRh1'thm: sri'urgTempo:med ium, = 10 .1

HEAD

G C

IEb

I

Raindidp

dropsme

keep fallsome talk

my head,the sun.

onto

@r@

justI

arethe

tooway

biehe

-t

forgot

histhings

bed ,done,*f

like thesaid I

guy whose feetdid - n't l ike

no - thing seemssleep - in' on

-.--.--_

tothe--

Coda I@r@I4

To

fit,job ,

thosethose

--

ralnrain -mn

t

drops are falldrops are fall

onon

my head, theymy head, they

keep fallkeep fall

@r

SoBut

I justthere's one thing know, the

blues they send

@r

meet mecre sc.

feat ffie,

@r

won't

.t

hap - pi

fNESS steps

\ D.C. al Codo

greet - me.

@r $cooafr

@r

won't be lone -

Be - cause I'm

freeI-

no-thin's wor-ry-ing1

Stop rhythm

@ Copyr ight 1969 Blue Seas \ lus ic Incorporated. Jac Music Company Incorporated & Twent ie th Century Music Corporat ion, USA. Is land Music L imi ted '

3341336 King Street , London \ \ '6 . AI I Rights Reserved. In ternat ional Copyr ight Secured.

TELSTARBi'Joe Meek

Tone colour: clavinova 3 (synthe) * stereo symphonic (chorus)

Auto chord: onRhythm: Latin (or disco)Tempo :med ium ) : I 20

@t

@ @r

@r

@r To Coda| @

ry

@r@

J, fr to guitar I

| { t t ^L - :

l v 3

@z

@r_- ilronoE,

--'--

@r to clavinova 3

D.C. al Coda

J

@ Copyright 1962lvy Music Limited, 8i9 Frith Street, London Wl. All rights reserved. International copyright secured.

Stop rhythm onbeat 3