Companion Digital

7/21/2019 Companion Digital

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The New Guide to

Harmony with LEGO® Bricks

companion recordings



Table of contents

Introduction 3

Disk 1 4

Disk 2 6

Disk 3 8

Disk 4 10

Disk 5 12

Disk 6 15

Disk 7 18

Disk 8 20

Disk 9 22

Disk 10 24

Disk 11 26Disk 12 28

Disk 13 30

The Harmony with LEGO Bricks System.

31

1. Cadences 32

2. Turnarounds 37

3. Miscellaneous 40

4. Joins 43

Transcription Bibliography 44

Songs Listing 46

Albums Listing 50



Introduction

This booklet contains full discographical information for the Companion Recordingswhich go with the What To Listen For in Jazz part of my book The New Guide to Harmony

with LEGO Bricks. It runs to 13 CD's or MiniDiscs, and the main part of the text consistsof track by track details.

It also includes a summary of the system, all the joins and all the bricks, courtesy of

tireless LEGO bricklayer Phil Clark. You can reach Phil on [email protected]

For musicians I have made an attempt at a Transcription Bibliography, in transcriber

order for the solos in the examples. This will always be out of date and incomplete, but Iwill update it with my own and readers' discoveries. Where there is a knowntranscription available, the track's details are followed by a reference to this bibliography.

There are also a Songs Listing, in alphabetical order, cross-referenced to the tracks on

the individual CD's where they occur, and an Album Listing, in artist order, of all thesources for the given examples.

That should help anyone who doesn't already own the material used to identify and obtainthe music they want. The opportunity to sample before you buy means you can buy more

than you might have done anyway, and with complete confidence that you are going tolike what you get.

The 2 listings, Songs and Albums are, of course, given in The New Guide to Harmony with

LEGO Bricks itself. But there are enough differences here from the recommendedexamples in the book to make it advisable to include listings here that accurately reflect

the CD's.

You will need the book at hand because the text associated with each track is not repeatedhere. There are places here where extra text and/or different examples are used, and

those are fully explained as they occur. The typography of The New Guide to Harmony

with LEGO Bricks has been retained (and in a few places corrected) to help you keep your

place.

As always I will respond to any reader who emails me about any relevant matter.

If you want a source of sound advice about what to buy, as well as access to a huge list ofkeenly priced new and second hand records, it is a pleasure for me to recommend Alan

Ross, of Jazz House Records. Visit the website:www.jazzhouserecords.co.uk



The New Guide to Harmony withLEGO Bricks Companion CD's

Disk 1 --------------------------

A First encounter with a SongShape

Track 1. What’s New. Clifford Brown (1).

Helen Merrill, vocal; Clifford Brown, trumpet; Danny Bank, flute & baritone; Jimmy Jones,

piano; Barry Galbraith, guitar; Oscar Pett iford, bass; Bobby Donaldson, drums; Quincy Jones,

arranger & conductor. NYC, December 22, 1954.

The basic shape of AABA Songs

Track 2. What's New. Rita Reys (1).

Rita Reys, vocal; Pim Jacobs, piano; Wim Overgauw, guitar; Ruud Jacobs, bass; Kenny Clarke,

drums. Singer Concert Hall, Laren, Holland, October 12, 1961.

Track 3. What’s New. Art Pepper (1).

Art Pepper, alto; Russ Freeman, piano; Bob Magnusson, bass, Frank Butler, drums.

United/Western Studios, Hollywood, California, September 2, 1978.



Some Common Overall SongShapes

AABA

Replica Bridges

Track 4. Good Bait. John Coltrane (1).

John Coltrane, tenor; Red Garland, piano; Paul Chambers, bass; Art Taylor, drums. Van Gelder

Studios, NYC, February 7, 1958.

Known transcriptions available: Trane (White), Trane (Isacoff (2)).

Track 5. When Lights are Low. Miles Davis (1).

Miles Davis, trumpet; John Lewis, piano; Percy Heath, bass; Max Roach, drums. NYC, May 9,

1953.

Track 6. When Lights are Low. Vic Damone (1).

Vic Damone, vocal; Jack Marshall's music. 1962.

Track 7. When Lights are Low. Jaki Byard (1).

Jaki Byard, piano. Europasonor (Charcot) Paris, France, July 29, 1971.

Track 8. Bemsha Swing. John Coltrane (2).

Coltrane, tenor, Don Cherry, trumpet, Percy Heath, bass, Ed Blackwell, drums. Atlantic Studios,

NYC, Friday July 8th

, 1960.

Known transcriptions available: Trane (White)

'Normal' AABA Songs

Track 9. I Can’ t Get Started. Bunny Berigan (1).

Berigan, trumpet & vocal, Forrest Crawford, tenor, Artie Shaw, clarinet, Joe Bushkin, piano,

Morton Stuhlmaker, bass, Stan King, drums. NYC, April 12th

, 1936.

Track 10. I Can’t Get Star ted. Booker Ervin (1).

Booker Ervin, tenor; Jaki Byard, piano; Richard Davis, bass; Alan Dawson, drums. Van Gelder

Studios, NYC, October 2nd , 1964.

Track 11. Confirmation. Steve Kuhn (1).



Kuhn, piano, Sheila Jordan, vocal, Harvie Swartz, bass, Bob Moses, drums. Live at Fat

Tuesday's, NYC, April, 1981.

Track 12. Naima. John Coltrane (2).

Coltrane, tenor, Wynton Kelly, piano, Paul Chambers, bass, Art Taylor, drums. Atlantic Studios,

NYC, Wednesday December 2nd , 1959.

Known transcriptions available: Trane (White).

Track 13. Speak Low. Rita Reys (1).

Details as Reys's What's New.

Disk 2-------------------------------------

Track 1. Cherokee. Rita Reys (1).


Track 2. Cherokee. Clifford Brown (1).

Clifford Brown, trumpet; Harold Land, tenor; Richie Powell, piano; George Morrow, bass; MaxRoach, drums. NYC February 25, 1955.

Known transcriptions available: Brown (Slone 3)

Other Songs with Bridges

Track 3. I’ ll Remember April. Sara Vaughan (1).

Vaughan, vocal, Carl Schroeder, piano, Walter Booker, bass, Jimmy Cobb, drums. Ronnie Scott's

Club, 47 Frith Street London, June 10th or 11th 1977.

Track 4. Invitation . Sara Vaughan (2).

Vaughan, vocal, Quincy Jones, arrangement and orchestra. NYC 1962.

Songs of two Halves

Track 5. I’m Gonna Si t Right Down and Write Myself a Letter . Rita Reys (1).




Blues

Track 6. Reckless Blues. Bessie Smith (1).

Bessie Smith, vocal; Louis Armstrong, trumpet; Fred Longshaw, harmonium. January 24, 1925.

Track 7. Blues Walk . Clifford Brown (1).

As Brown's Cherokee, except NYC February 24, 1955.

Known transcriptions available: Brown (Baker 2)

Big Building Blocks for Songs

Rhythm Changes

Track 8. I Got Rhythm. Valaida Snow (1).

Valaida, trumpet & vocal; Johnny Claes, trumpet; Derek Neville, alto & baritone; Reg Dare, tenor; Gunn

Finley, piano; Norman Brown, guitar, Louis Barreiro, bass; Ken Stewart, drums. London, July 9, 1937.

Other Songs using Some or All of

Rhythm ChangesTrack 9. Squaty Roo. Johnny Hodges (1).

Ray Nance, trumpet; Lawrence Brown, trombone; Johnny Hodges, alto; Harry Carney, baritone;

Duke Ellington, piano; Jimmy Blanton, bass; Sonny Greer, drums. Hollywood July 3, 1941.(Note that this is the same track used by the book, but from a different release).

Track 10. Anthropology . Elvin Jones (1).



Charlie Mariano, alto; Richard Davis, bass; Hank Jones, piano; Elvin Jones, drums. Van Gelder

Studio February 23, 1965

Track 11. Scrapple from the Apple. Charlie Parker (1).

Charlie Parker, alto; Miles Davis, trumpet; Duke Jordan, piano; Tommy Potter, bass; Max Roach,

drums. NYC November 4, 1947. Take used is D 1113-C.

Known transcriptions available: Bird (Aebersold & Slone)

Track 12. Robbins Nest . Buck Clayton (1).

Buck Clayton & Joe Newman trumpets; Urbie Green & Henderson Chambers, trombones; Lem

Davis, alto; Julian Dash, tenor; Charlie Fowlkes, baritone, Sir Charles Thompson, piano; Freddie

Green, guitar; Walter Page, bass; Jo Jones, drums. NYC December 16, 1953. Note that this is the

first of two takes as included in the Mosaic box, not the amalgam of the two as originally issued.

Solos: Newman/Clayton split the theme bridge; Newman, Fowlkes, Thompson, Chambers, Davis,

Urbie Green, Clayton, Dash, ensemble + Thompson, Clayton/Newman spilt the bridge,

Thompson, trombone fours with Green first, Clayton/Newman split the last theme bridge.

Track 13. I Can’t Believe That You’re In Love With Me. Valaida Snow (1).

As I Got Rhythm except July 14, 1937.

Track 14. Between the Devil and the Deep Blue Sea. Dicky Wells (1).

Bill Dillard, Shad Collins & Bill Coleman, trumpets; Dicky Wells, trombone; Django Rheinhardt,guitar; Dick Fulbright, bass; Bill Beason, drums. Paris July 7, 1937.

Other Turnaround FrontsTrack 15. Blue Moon . Clifford Brown (1).

Clifford Brown, trumpet; Richie Powell, piano; Barry Galbraith, guitar; George Morrow, bass;

Max Roach, drums; 6 violins, 2 violas, 1 cello; Neil Hefti, arranger. NYC January 18 19 20,

1955.

Track 16. These Foolish Things. Lee Konitz (1).

Lee Konitz, alto; Gerry Mulligan, baritone; Chet Baker, trumpet, Carson Smith, bass; Larry

Bunker, drums. Hollywood, late January 1953.

Disk 3-------------------------------------

Track 1. Old Word New Imports. Hank Mobley (1).



Donald Byrd, trumpet; Hank Mobley, tenor; Herbie Hancock, piano; Butch Warren, bass; Philly

Joe Jones, drums. Van Gelder Studio NYC March 7, 1963

Pennies Endings

Track 2. Benny’s from Heaven . Eddie Jefferson (1).

Eddie Jefferson, vocal; Charles Sullivan, trumpet; Harold Mabern, piano; George Duvivier, bass;

Billy Hart, drums; Slide Hampton, arranger. Sep/Oct 1977.

Track 3. I Can’ t Give You Anything But Love. Lucky Thompson (1).

Lucky Thompson, tenor; Michel Hausser, vibes; Martial Solal, piano; Jean-Pierre Sasson, guitar;

Pierre Michelot, bass; Gérard Pochonet, drums. Paris March 2, 1956.

Track 4. Al l of Me . Lester Young (1).

Billie Holiday, vocal; Lester Young, tenor; Eddie Heywood, piano; Teddy Sturgis, bass; Kenny

Clarke, drums. NYC March 21, 1941. (This is the third version on the record, but almost

certainly the first one recorded at the session).

Track 5. I Thought About You. Archie Shepp (1).

Archie Shepp, soprano; Walter Bishop Jnr, piano; Sam Jones, bass; Joe Chambers, drums. NYC November 28, 1977.

Track 6. The More I See You . Hank Mobley (2).

Hank Mobley, tenor; Freddie Hubbard, trumpet; Wynton Kelly, piano; Paul Chambers, bass; Art

Blakey, drums. Van Gelder Studio NYC, November 13, 1960.

Track 7. On a Slow Boat to China. Sonny Rollins (1).

Sonny Rollins, tenor; Kenny Drew, piano; Percy Heath, bass; Art Blakey, drums. NYC December

17, 1951.

Donna Lee Openings

Track 8. Donna Lee. Richie Cole (1).

Richie Cole & Phil Woods, alto; John Hicks, piano; Walter Booker, bass; Jimmy Cobb, drums.

Denver, Colorado July 25 or 26, 1980. Woods solos first.

Track 9. Exactly Like You. Eddie Jefferson (2).

(as Benny's from Heaven except arrangement not by Hampton)

Track 10. Indiana. Dicky Wells (1)

Bill Coleman, vocal and trumpet; Stephane Grapelli, violin; Joseph Reinhardt, guitar; Wilson

Myers, bass; Ted Fields, drums. Paris November 12, 1937.

Track 11. Take the ‘A’ Train. Duke Ellington (2).

Ray Nance, trumpet featured. Hollywood February 15th

1941..



Starlight

Track 12. Stel la by Star light . Vic Damone (1).

Details as Damone's When Lights Are Low.

Track 13. Stella by Starlight. Booker Ervin (1).

Booker Ervin, tenor; Jaki Byard, piano; Richard Davis, bass; Alan Dawson, drums. Van Gelder

Studio NYC December 3, 1963.

Track 14. Woody ‘n’ You. Max Roach (1)

Kenny Dorham, trumpet; Sonny Rollins, tenor; Ray Bryant, piano; George Morrow, bass; Max

Roach, drums. NYC September 17, 19 & 20, 1956.

Track 15. Li ttle Will ie Leaps/Al l God’s Chil lun Got Rhythm. Sheila Jordan (1).

Sheila Jordan, vocal; Harvie Swartz, bass. NYC October 1 & 2, 1984.

Track 16. Jordu (as Minor Escamp ). Various Artists (1).

Duke Jordan, piano; Gene Ramey, bass; Lee Abrams, drums. NYC January 28, 1954.

Disk 4-------------------------------------

Track 1. Round Midnight . Miles Davis (2).

Miles Davis, trumpet; John Coltrane, tenor; Red Garland, piano; Paul Chambers, bass; Philly Joe

Jones, drums. NYC September 10, 1956.

Known transcriptions available: Trane (White), Trane (Isacoff (2))

On-off-On Plus Dropback

Nearby Offs Track 2. Whispering . Miles Davis (1).

Miles Davis, trumpet; Sonny Rollins, tenor; Bennie Green, trombone; John Lewis, piano; Percy

Heath, bass; Roy Haynes, drums. NYC January 17, 1951.

Known transcriptions available: Rollins (Cork)

Track 3. Heartaches . Patsy Cline (1).



Patsy Cline, vocal. (No other details known, or of any interest).

Track 4. Heartaches . Dexter Gordon (1).

Dexter Gordon, tenor; Bobby Hutcherson, vibes; Barry Harris, piano; Bob Cranshaw, bass; Billy

Higgins, drums. Van Gelder Studio NYC May 29, 1965

Known transcriptions available: Dexter (Cork), Harris (Cork)

Remote OffsTrack 5. Out of Nowhere. Bing Crosby (1).

Bing Crosby, vocal; with orchestral accompaniment. LA March 30,1931.

Track 6. Out of Nowhere. Various Artists (2).

Billy Butterfield, trumpet; Lou McGarity, trombone; Coleman Hawkins, tenor; Lou Stein, piano;

Arvell Shaw, bass, Osie Johnson, drums. NYC Saturday May 26, 1956.

New Bottle old wine

Track 7. Satell ite/How High the Moon . Denny Zeitlin (1).

Denny Zeitlin, piano; Charlie Haden, bass. Keystone Korner, San Francisco, July 1981.

Track 8. Ornithology. Various Artists (3).

Howard McGhee, trumpet; Vi Redd, alto; Jodie Christian, piano; Rufus Reid, bass; WilburCampbell, drums. North Park Hotel, Chicago, August 1970.

Known transcriptions available: Redd (Miedema)

Track 9. Lennie-Bird. Lennie Tristano (1).

Lee Konitz, alto; Lennie Tristano, piano; Gene Ramey, bass; Art Taylor, drums. The Sing Song

Room, Confucius Restaurant, NYC, June 11, 1955.

Track 10. What is This Thing Called Love. Frank Sinatra (1).

Frank Sinatra, vocal; orchestral accompaniment. 1955.

Track 11. Hot House. Dizzy Gillespie (1).

Dizzy Gillespie, trumpet; Charlie Parker, alto; Al Haig, piano; Curley Russell, bass; Big Sid

Catlett, drums. NYC February/March 1945.

Track 12. Sub-Conscious Lee. Lee Konitz (2).

Lee Konitz, alto; Martial Solal, piano. Philharmonie, Berlin, October 30, 1980.

Track 13. Fifth House. John Coltrane (2).



John Coltrane, tenor; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums. Atlantic

Studios, NYC, Wednesday December 2,1959.


Track 14. Groovin’ High. Various Artists (4).

Dizzy Gillespie, trumpet; Sonny Stitt, alto; Hank Jones, piano; Percy Heath, bass; Max Roach,drums. A&R Studios, NYC, May 19 & 20, 1975.

Disk 5-------------------------------------

Track 1. Donna Lee. Lennie Tristano (1).

Details as for Tristano's Lennie-Bird .

What is This Thing CalledHarmony?

Track 2. At Long Last Love. Frank Sinatra (2).

Frank Sinatra, vocal; orchestra arranged and conducted by Nelson Riddle. Date unknown.

These things called changes

Track 3. What’s New. Frank Sinatra (3).

Frank Sinatra, vocal; orchestra arranged and conducted by Nelson Riddle. Date unknown.

Track 4. My Funny Valentine. Gerry Mulligan (1).

Chet Baker, trumpet; Gerry Mulligan, baritone; Carson Smith, bass; Chico Hamilton, drums. Los

Angeles, September 1952.



In the mood

Track 5. I’ ll Remember April. Frank Sinatra (4).

Frank Sinatra, vocal; orchestra arranged and conducted by Axel Stordahl. September 11 & 12, 1961.

Straight and sad Moods

Track 6. Body and Soul. Mel Tormé (1).

Mel Tormé, vocal; Jack Sheldon, trumpet; orchestra arranged and conducted by Marty Paich.

1958.

Blue Moods

Track 7. Lover Man. Sarah Vaughan (3).

Sarah Vaughan, vocal; Kirk Stuart, piano; Buster Williams, bass; George Hughes, drums.

Copenhagen, 1963.

Track 8. Reckless Blues. Bessie Smith (1).

Details as previous use of this track.

Track 9. Dippermouth Blues. King Oliver (1).

King Oliver 7 Louis Armstrong, cornets; Honoré Dutrey, trombone; Johnny Dodds, clarinet; Lil

Hardin, piano; Bud Scott, banjo & vocal break; Baby Dodds, drums. Chicago Illinois, April 6th

1923. (Note that, in complete contrast to the analogue version of the Companion this is the

Gennett version, not the one recorded for Okeh in Richmond Indiana on June 23, 1923. This is

because of the quality of John R. T. Davies' aud io restoration on the Retrieval set I now

recommend).



Cadences - The Basic LEGO Brick

Straight Cadences

Track 10. At Long Last Love. Frank Sinatra (2).


Track 11. Donna Lee. Richie Cole (1).


Sad Cadences

Track 12. Beautiful Love . Helen Merrill (1).

Helen Merrill, vocal; Hank Jones, piano, Barry Galbraith, guitar; Milt Hinton, bass, Sol Gubin,

drums, Hal Mooney, arranger and conductor; strings. NYC October 21, 1955.

Track 13. Beautiful Love . Kenny Dorham (1).

Jackie McLean, alto; Bobby Timmons, piano; Teddy Smith, bass; J.C. Moses, drums. Sound

Mixers, NYC, April 15, 1962.

A Whole Song Built from Cadences

Track 14. Autumn Leaves . Rita Reys (1).


Track 15. Autumn Leaves . Chet Baker (1).

Chet Baker, trumpet; Paul Desmond, alto; Bob James, electric piano; Ron Carter, bass; Steve

Gadd, drums. Van Gelder Studios, NYC, July or October or November, 1974.

Known transcriptions available: Baker (Slone 2)



Compact Cadences

Track 16. What’s New. Lee Konitz (3).

Lee Konitz, alto; Martial Solal, piano, Dave Holland, bass, Jack DeJohnette, drums. CIRecording, NYC, September 30, 1974.

Magic Moments and Super Glue

Track 17. Blue Bossa. Art Pepper (1).

Details as Pepper's What's New. Note that this is a different version to one originally

recommended in the book.

Disk 6-------------------------------------

NB the nex t two tracks are in reverse order to the book, so that the vocal version comes first.

Track 1. I Get a Kick out of You. Frank Sinatra (5).

Frank Sinatra, vocal; Nelson Riddle, arranger and conductor. November 6, 1953.

Track 2. I Get a Kick out of You. Clifford Brown (1).

As Brown's Cherokee except Los Angeles, August 5, 1954. Original take used.

Track 3. Baubles Bangles and Beads. Sarah Vaughan (2).

Details as Vaughan's Invi tation . Note that this is not the version listed in the book.

Track 4. Baubles Bangles and Beads. Bill Evans (1).

Bill Evans, solo piano. This is the third song in a medley recorded on January 10, 1963, unissueduntil the invaluable Riverside box was published.

Partly because of the beauty of this version, but also because of the almost inaudible nature of the

original recommendation, I have reluctantly dropped the Getz/La Faro version.

Please bear this song in mind when reading the 'two-cadence bridge' section titled

bauble+bauble.



Bridge starts

Bootstraps at Bridge Starts.The next 10 tracks all feature AABA songs where all of the bridges start with a bootstrap. In

addition, some of these songs have two-cadence bridges (see next section). This means simply

that halfway through the bridge there is a jo in to another cadence, so that the whole bridge

can be expressed as just two joins - e.g. BootStrap+NewHorizon . Rather than repeat the

tracks immediately in the next section, they are delineated accordingly here, in the brackets

after the album references. Please refer forward to the book's text on Two Cadence Bridges

when listening.

For Musicians especially: just a thought for you. The next three songs (covering four tracks)

all have identical bridges. And, by simply being able to play cadences in any key and by

knowing what the joins are you can play all these bridges in any key too, without a second

thought . The complete set of possible joins is covered later in All the Joins There Are, and the

actual intervals which make the joins are given in the Al l the Joins part of this

documentation, and in Part IX of the book, The Harmony With LEGO Bricks Playalong .

Track 5. Broadway. Rita Reys (2). (2 Cadence Bridge: Bootstrap+New Horizon).

Rita Reys, vocal; Pim Jacobs, piano; Wim Overgaauw, guitar. Hilversum, Friday September 30,

1960.

Track 6. Broadway. Gerry Mulligan (2). (2 Cadence Bridge: Bootstrap+New Horizon).

Gerry Mulligan, baritone; Jon Eardley, trumpet; Zoot Sims, tenor; Bob Brookmeyer, valve

trombone; Peck Morrison, bass; Dave Bailey, drums. 1955.

Known transcriptions available: Sims (Cork).

Track 7. Daahoud . Clifford Brown (2). (2 Cadence Bridge: Bootstrap+New Horizon).

Clifford Brown, trumpet; Stu Williamson, valve trombone; Zoot Sims, tenor; Bob Gordon,

bar itone ; Russ Freeman, piano; Joe Mondragon , bass; Shelley Manne, drums; Jack Montrose,

arranger. Los Angeles, July 11 or 12, 1954.

Track 8. Crazy Rhythm. Benny Carter (1). (2 Cadence Bridge: Bootstrap+New Horizon).

Benny Carter & Phil Woods, altos; Coleman Hawkins & Charlie Rouse, tenors; Dick Katz, piano;

John Collins, guitar; Jimmy Garrison, bass; Jo Jones, drums. Van Gelder Studio, November 13 &

15, 1961. Saxophone solos in order, Hawkins, Woods, Rouse, Carter.

Known transcriptions available: Carter (Brown (2))

Track 9. You Can Depend on Me. Dexter Gordon (2). (2 Cadence Bridge:

Bootstrap+Woody).

Dexter Gordon, tenor; Kenny Drew, piano; Leroy Vinnegar, bass; Lawrence Marable, drums.

Hollywood, California, September 18, 1955.

Known transcriptions available: Every note Dexter plays (Allen).

Track 10. Honeysuckle Rose . Benny Carter (1). (2 Cadence Bridge: Bootstrap+Woody).



As Carter's Crazy Rhythm . Saxophone solos in order, Rouse, Woods, Hawkins, Carter.

Known transcriptions available: Carter and Woods solos (Miedema).

Track 11. On the Sunny Side of the Street . Lester Young (2). NB There is an error in the book,

where the attribution is given as Lester Young (1). (Almost Bootstrap+Woody. The join in the

middle is there OK, but there is a variation at the point of the second resolution).

Lester Young, tenor; Oscar Peterson, piano; Barney Kessel, guitar; Ray Brown, bass; J.C. Heard,

drums. NYC, August 4, 1952.

Track 12. Our Delight. Fats Navarro (1).

Fats Navarro, trumpet; Ernie Henry, alto; Charlie Rouse, tenor; Tadd Dameron, piano, Nelson

Boyd, bass; Shadow Wilson, drums. WOR Studios, NYC, September 26, 1947. Alternative

master used.

Known transcriptions available: Navarro solo (Cork).

Track 13. Confirmation. Dexter Gordon (2). (2 Cadence Bridge: Bootstrap+Highjump).

As Gordon's You Can Depend on Me.

Known transcriptions available: Dexter's theme and first chorus (Cork).

Track 14. Af ternoon in Paris. Sonny Stitt (1). (2 Cadence Bridge: Bootstrap+Homer).

Sonny Stitt, tenor; J.J. Johnson, trombone; John Lewis, piano; Nelson Boyd, bass; Max Roach,

drums. NYC October 17, 1949.

Incidentally, if you get the CD reissue of this (Sonny Stitt/Bud Powell/J.J. Johnson on OJCCD-

009-2) you will find the take used here - the one we've always known - described as 'take 1', a

'bonus track'. Don’t be fooled. The 'take 2' is much less assured, and considerably worse inrecording quality.

Two Cadence Bridges

We just saw several tracks with bootstrap bridge starts, so we don't repeat them here. (One of

the advantages of having gone digital is that going back to previous tracks is much easier to do

than it ever was with cassette).

As a reminder of the non-bootstrap starts in two-cadence bridges, here, starting with Woody+New

Horizon, are some examples to illustrate the points the book makes.

Woody+New Horizon.

Track 15. I Can't Get Star ted. Art Farmer (2).

Art Farmer, flugelhorn; Hampton Hawes, piano; Ray Brown, bass; Steve Ellington, drums.

Contemporary Studio, Los Angeles, July 26, 1976. (This version starts with Farmer playing the

bridge a cappella as an introduction).



Disk 7-------------------------------------

Homer+Retake.

Track 1. Al ice in Wonderland. Bill Evans (2).

Bill Evans, piano, Eddie Gomez, bass, Arnie Wise, drums. Village Vanguard NY, November

12th, 1966. (The recording is quite creditable given the 'clandestine' circumstances).

Bauble+Bauble

Baubles Bangles & Beads. (Please refer back to the Sarah Vaughan and Bill Evans versions).

New Horizon+New Horizon

Track 2. My Shining Hour. John Coltrane (2).

Details as Coltrane's Naima.


Fresh Air Bridge Starts

Up Nowhere Bridges

Track 3. ‘Swonderful. Lee Konitz (4).

Lee Konitz & Art Pepper, altos; Michael Lang, piano; Bob Magnusson, bass; John Dentz, drums.

Sage & Sound, Hollywood, California, January 18 & 19, 1982. Pepper solos first.

Track 4. Polka Dots and Moonbeams. John Coltrane (1).

John Coltrane, tenor, Donald Byrd, trumpet, Hank Mobley, tenor, Elmo Hope (leader), piano,

Paul Chambers, bass, Philly Joe Jones, drums. Van Gelder Studios, NYC, May 7, 1956. (Issued

as Informal Jazz ).

Known transcriptions available: First theme (Byrd with Mobley Bridge) (Cork), Trane (White).



Down Nowhere Bridges

Track 5. Darn That Dream. Dexter Gordon (2).

As Gordon's You Can Depend on Me.

Track 6. Easy Living. Various Artists (5).

Wardell Gray, tenor, Al Haig, piano, Tommy Potter, bass, Roy Haynes, drums. November 11th ,

1949.

Known transcriptions available: Gray (Brown (1))

All the Joins there areAll examples here illustrate the joins by having two successive cadences. The join is heard in thecontrast between the resolved sound of the first, and the 'further away' sound as the second

cadence kicks in. As well as having a name, the join is defined in words as e.g. 'starts a minor

third up'. That phrase, for instance, means that the next cadence starts a minor third up from the

resolution of the first. So in that case, a cadence ending on C would start the next one on Eb-. If

you want to see what they look like written out as changes, consult Part IX of the book, The

Harmony with LEGO Bricks Playalong . Note that the book locates each join in the tune for you.

Repeats of the Same Cadence

Homer (Repeats the same cadence exactly: i.e. starts a whole step up.)

Track 7. Al l the Things You Are. Serge Chaloff (1)

Chaloff, baritone, Sonny Clark, piano, Leroy Vinnegar, bass, Philly Joe Jones, drums. Capitol

Studios, LA, March 14th

1956.

Retake (Repeats the same cadence: i.e. starts a whole step up. It differs from a homer only in

that the last measure of the first cadence drops back , to launch the retake.)

Track 8. It’s You or No-One. Dexter Gordon (3).

Gordon, tenor, Freddie Hubbard, trumpet, Horace Parlan, piano, George Tucker, bass, Al

Harewood, drums. Van Gelder, Englewood Cliffs, New Jersey, May 6th , 1961.

Known transcriptions available: Hubbard (Slone (1))

New Horizon (Starts the new cadence on the same note the old one finished on, ends a whole

step down.)

Track 9. Tune Up. Miles Davis (1).

Davis, trumpet, John Lewis, piano, Percy Heath, bass, Max Roach, drums. NYC, May 19th , 1953.



Known transcriptions available: Davis in both Isacoff (1) and Washburn & Harbison. NB if you

check out Open Key, under Reading & Writ ing Sheet Music, in Part VIII, More Things to Think

About , it is possible you may not have found yourself convinced. Try the comparison of the two

transcriptions of the same solo here, and then see what you think! For a start, they don't always

agree on actual notes. Then, Isacoff presents it in 4 sharps, because the basic key (for the

trumpet) is E. But while the first cadence is to E, the second is to D, and the third is to C!

Isacoff doesn't change his key signature at all, which leads to some pretty odd and unnecessary

accidentals. Then again, while Isacoff starts out at four measures to the line, he only sticks to it

for the first chorus. The second chorus starts with five measures to the line, and so the

transcription ceases to look like the structure of the music. Washburn & Harbison are exemplary.

Track 10. Laura. Eric Dolphy (2).

Dolphy, alto, Bent Axen, piano, Erik Moseholm, bass, Jorn Elniff, drums. Copenhagen Students'

Association Lecture Hall, Copenhagen, September 8th

, 1961.

Downwinder (Starts the new cadence a half step up , ends a half step down.)

Track 11. Al l the Things You Are. Hampton Hawes (2

Hawes, piano, Red Mitchell, bass, Chuck Tompson, drums. ). Gymnasium-Auditorium of the Los

Angeles Police Academy, June 28 th 1955. (The session started at midnight, with the lights out).

Disk 8-------------------------------------

Cherokee (Starts the new cadence a minor third up, ends a half step up.)

Track 1. Cherokee. Barry Harris (1)

Harris, piano. Studio 44, Monster, Holland, July 29th , 1990.

Note that while the join to get into the bridge is a cherokee, the other three joins are all new

horizons. See Cherokee - a Case Study in Part II - Perspectives & Polemics , and also Trial Run -

the Bridge of Cherokee in Part VII - a LEGO Bricks Approach to Some Core Repertoire .

Woody (Starts the new cadence a third up, ends a whole step up.)

Track 2. Woody ‘n’ You. Miles Davis (1).

Davis, trumpet, John Coltrane, tenor, Red Garland, piano, Paul Chambers, bass, Philly Joe Jones,drums. Van Gelder, May 11

th, 1956.

Track 3.We've left a bit of studio chat on at the end so that you can here Coltrane asking for the beer opener! Our digital recorder heard it as a separate track!


Highjump (Starts the new cadence one forward round the cycle, ends a minor third up.)

Track 4. The Night Has 1000 Eyes. Stan Getz (1)



Getz, tenor, Lou Levy, piano, Monty Budwig, bass, Victor Lewis, drums. Live at Keystone Korner, San

Francisco, California, May 1981.

Bauble (Starts the new cadence a flat fifth up, ends a major third up)

Track 5. Gone With the Wind. Stan Getz (2).

Getz, tenor, Al Haig, piano, Tommy Potter, bass, Roy Haynes, drums. NYC May 17th, 1950.

Sidewinders (Starts the new cadence a half step down, ends a minor third down).

Track 6. There Will Never Be Another You. Stan Getz (3).

Getz, tenor, Lou Levy, piano, Leroy Vinnegar, bass, Stan Levey, drums. Los Angeles, November

24th

, 1956.

Half Nelson (Starts the new cadence a whole step down, ends a major third down).

Track 7. I Love You. Bill Evans (1).

Evans, piano, Teddy Kotick, bass, Paul Motian, drums. Riverside Studios, NYC, September 27th, 1956.

Backslider (Starts the new cadence a minor third down, ends one back round the cycle).

Track 8. You Stepped Out of a Dream. Dexter Gordon (4).

Gordon, tenor, Sonny Clark, piano, Butch Warren, bass, Billy Higgins, drums. Van Gelder

Studios, Englewood Cliffs, New jersey, August 29th, 1962.

Stella (The new cadence starts a major III down and ends a flat V away).

Track 9. Central Park West. John Coltrane (2).

Coltrane, soprano, McCoy Tyner, piano, Steve Davis, bass, Elvin Jones, drums. Atlantic Studios,

NYC, Monday October 24 th 1960.

Bootstrap (The new cadence starts one back round the cycle, and ends one forward round the cycle)

Track 10. Confirmation. Jackie McLean (2).

Mclean, alto, Kenny Drew, piano, Bo Stief, bass, Alex Riel, drums. Live at the Jazzhus Montmartre,

Copenhagen, August 5th, 1972.

Hovers

Track 11. So What. Miles Davis (3).

Davis, trumpet, John Coltrane, tenor, Cannonball Adderley, alto, Bill Evans, piano, Paul

Chambers, bass, Jimmy Cobb, drums. Columbia 30th Street Studio, NYC, March 2nd, 1959.

Known transcriptions available: Davis (Brown (3)) and Julien; Coltrane (White); Adderley - as

well as much other analysis and partial transcriptions (Kernfeld).



Disk 9-------------------------------------

Track 1. I’ ll Remember April. Kenny Dorham (2).

Dorham, trumpet, Sonny Rollins, tenor, Hank Jones, piano, Oscar Pettiford, bass, Max Roach,drums. Riverside Studios, NYC, May 21st or 22nd 1957.

Track 2. Invitation. Joe Henderson (1).

Henderson, tenor, Don Friedman, piano, Ron Carter, bass, Jack de Johnette, drums. Date

unknown.

Track 3. Take the ‘A’ Train. Stuff Smith (1).

Smith, violin, Kenny Drew, piano, Niels-Henning Ørsted Pedersen, bass, Alex Riel, drums. Live

at the Jazzhus Montmartre, Copenhagen, March 23rd, 1965.

Known transcriptions available: none I know of but there ought to be. Smith's playing here

arguably constitutes one of the great jazz solos.

Track 4. Remember . Hank Mobley (3).

Mobley, tenor, Wynton Kelly, piano, Paul Chambers, bass, Art Blakey, drums. Van Gelder

Studios, NYC, February 7th

, 1960.

Known transcriptions available: Mobley theme (Cork), Mobley solo (Butler).

A Kit of LEGO Bricks to Buildsongs With

Cadences: the basic building block

Four square Straight cadencesTrack 5. Al ice in Wonderland. Bill Evans (1).

Evans, piano, Scott LaFaro, bass, Paul Motian, drums. Live at the Village Vanguard, NYC,

evening of June 25th

1961.



Four Square Sad Cadences

Track 6. Beautiful Love . Bill Evans (1).

Personnel as Al ice in Wonderland above. Riverside Studios, NYC, February 2nd

, 1961.

OffSet Cadences

Track 7. How High the Moon. Sonny Stitt (2). Please note that some printings of the book

wrongly ascribe this track to Sonny Stitt (1).

Stitt and Art Pepper, altos, Lou Levy piano, Chuck de Monico, bass, Carl Burnett, drums. Sage &

Sound Studios, Hollywood, California. July 28th or 29 th 1980. Pepper and Stitt split the head in

that order, and Pepper solos first.

Track 8. Weaver of Dreams. Carmen McRae (1).

McRae, vocal and piano, Joey Baron, bass, John Gianelli, drums. Live at Ronnie Scott's Club,

London. July 8th or 9th 1977.

Launchers - quick cadences

Track 9. Confirmation. Charlie Parker (2).

Parker, alto, Al Haig, piano, Percy Heath, bass, Max Roach, drums. Fulton Recording, NYC,

Thursday July 30th

, 1953.

Known transcriptions available: Bird (Aebersold & Slone).

Track 10. Body and Soul. Coleman Hawkins (1).

Hawkins, tenor, Tommy Lindsay & Joe Guy, trumpets, Earl Hardy, trombone, Jackie Fields &

Eustis Moore, altos, Gene Rodgers, piano, William Oscar Smith, bass, Arthur Herbert, drums.

NYC, October 11 th , 1939.

Known transcriptions available: Hawkins (Brown (1)).

Slow launchers: conventional take-off

Track 11. Take the ‘A’ Train. Clifford Brown (1).

Personnel as Brown's Cherokee above. NYC February 23rd

, 1955.

Known transcriptions available: Brown (Slone (3)).

Track 12. Al l of Me. Lennie Tristano (1)

I hope nobody minds but instead of using the Al l of Me from Motion , that the book refers to, I've

used the one from Lee Koni tz Inside Hi-Fi. It's a little less abstract sounding than the (admittedlywonderful) Motion version, and so may actually be a better illustration. A bonus is that you get

to hear 'tenor Lee'.

Konitz, tenor, Sal Mosca, piano, Peter Ind, bass, Dick Scott, drums. Van Gelder Studio,

Hackensack New Jersey, September 26th, 1956.



Disk 10-------------------------------------

Bells and Whistles 1: Basic Variations on Cadences

Pullbacks

Track 1. I’ ll Remember April. Sonny Clark (1).

Clark, piano. Van Gelder Studios, NYC, November 13th , 1957.

Overruns

Track 2. Autumn Leaves . Booker Ervin (5).

A different version to the one in the book. Partly because of George Tucker's marvellous bass

playing, but also because Booker plays it in F/D minor , which makes a change from the more

usual Bb/G minor.

Booker Ervin, tenor, Richard Williams, trumpet, Horace Parlan, piano, George Tucker, bass,

Danny Richmond, drums. Newark November 26, 1960.

Two goes and more

Track 3. I Can’ t Get Started. Curtis Counce (1)

Harold Land, tenor, Carl Perkins, piano, Curtis Counce, bass, Frank Butler, drums. Los Angeles.

January 6, 1958. Note, this is not the version in the book.

Track 4. Woody 'n You. Al Cohn (1)

Al Cohn, tenor, Barry Harris, piano, Sam Jones, bass, Leroy Williams, drums. December 6, 1976.

Note, this is not the ver sion in the book.

Track 5. Lover Man. Kenny Dorham (1).

Jackie McLean, alto, Walter Bishop, piano, Leroy Vinnegar, bass, Art Taylor, drums. Live at TheJazz Workshop in San Francisco, November 1961.

Extended Cadences

Track 6. Al l The Things You Are . Booker Ervin (3).

Ervin, tenor, Tommy Flanagan, piano, Richard Davis, bass, Alan Dawson, drums. Van Gelder

Studios, Englewood Cliffs New jersey, February 27 th 1964.



Long Cadences

Track 7. Manhattan. Art Farmer (1).

Farmer, flugelhorn, Kenny Drew, piano, Mads Vinding, bass, Ed Thigpen, drums. Barigozzo

Studios, Milano, November 29 th or 30th , 1981.

Known transcriptions available: Farmer (Erjavec).

Rainy Cadences

Track 8. Here’s that Rainy Day. Paul Desmond (1).

Desmond, alto, Jim Hall, guitar, Percy Heath, bass, Connie Kay, drums. NYC, June 1st, 1965.

Known transcriptions available: Desmond (Niehaus (1)).

Starlight Cadences

Track 9. Stel la by Starlight. Hampton Hawes (1).

Hawes, piano, Red Mitchell, bass, Chuck Thompson, drums. Contemporary Studios, Los

Angeles, December 3rd , 1955.

Known transcriptions available: Hawes (Priestley (1)).

NB This song is usually played in G or Bb, but is here played in Eb.

Surprise endings for Cadences

Simple tension endings

Track 10. Cherokee. Lee Konitz (4).

Details as Konitz' S'Wonderful above. Note, this is not the version in the book. Barry Harris will

have to forgive me, but we have already used a solo Cherokee by him.

Supertension endings & surprise sad endings

Track 11. Invitation . John Coltrane (1).

Coltrane, tenor, Wilbur Harden, flugelhorn, Red Garland, piano, Paul Chambers, bass, Jimmy

Cobb, drums. Van Gelder Studios, NYC, July 11th , 1958.


Thanks to digital technology, it is easy to repeat this track, if you wish, and as the book suggests,

for both supertension endings and surprise sad endings. Interesting to hear this song done as areal ballad for a change.



Disk 11-------------------------------------

Surprise straight endings

Track 1. What’s New. Jackie McLean (1).

McLean, alto, Walter Bishop Jr, piano, Jimmy Garrison, bass, Art Taylor, drums. Van Gelder

Studio, Englewood Cliifs New Jersey, October 2nd

, 1959.

Fancy colours in Cadences

Fancy dominants

Track 2. Body and Soul. Eddie Jefferson (2).

Jefferson, vocalese, Richie Cole & Eric Kloss, altos, Mickey Tucker, electric piano, Rick Laird,

bass, Eddie Gladden , drums. Live at Th Tin Palace, NYC, March 26 th/27th 1976.

NB, this is Jefferson' s lyric to the Coleman Hawkins ver sion which was used to illustrate

Launchers above.

Gds cadences

Track 3. On Green Dolphin Street. Eric Dolphy (1).

Dolphy, bass clarinet, Freddie Hubbard, trumpet, Jaki Byard, piano, George Tucker, bass, Roy

Haynes, drums. Van Gelder Studios, NYC, April 1st , 1960.

Known transcriptions available: Hubbard (Isacoff (3))

On a personal note, and to underline how LEGO can often save you, I was playing alto on this

tune on a gig with the great Frank Campbell on piano. After the main solos Frank suddenly calledout that he was going to alternate between choruses of Eb and C for the rest of the tune. No

chance of disagreeing, it just had to be done!

Night and day cadences

Track 4. Night and Day. Lee Konitz (7).

Konitz, alto, Red Mitchell piano (yes!). Rosenburg Studio, Copenhagen, July 30th , 1974.

Stablemates cadences

Track 5. Stablemates. Jackie McLean (1).

Details as McLean's What's New, above.

Track 6. Our Delight. George Wallington (1).

Wallington, piano, Donald Byrd, trumpet, Phil Woods, alto, Teddy Kotick, bass, Art Taylor,

drums. NYC January 20th , 1956.



Bells & Whistles 2: oblique routes to resolutions

Yardbird Cadences

The book doesn't make it clear enough that the 'dominant' used to arrive at the resolution is one of

the Bartok substitutions discussed under Substitution in Part IV , The Transi tion from Listening to

Play ing . People often say 'substitution' when they really mean specifically 'tritone substitution',

implying that Db is the only sub for G. Remember Bartok showed that a sub could be anything

from the diminished arpeggio of the 'real' note. Yardbird cadences use the bIII, so Bb for G. The

'straight' form of the cadence breaks down the dominant seventh into a minor to dominant pair,

F- to Bb7.

Track 7. Speak Low. Booker Ervin (4).

Ervin, tenor, Horace Parlan (known as 'Felix Krull' - after the Thomas Mann confidence trickster

- on the original release), piano, George Tucker, bass, Al Harewood, drums. Nola Penthouse

Sound Studios, NYC, January 6th

, 1961.

Track 8. Yardbird Suite. Eddie Jefferson (3).

Jefferson, vocal, Bill Hardman, trumpet, Charles McPherson, alto, Barry Harris, piano, GeneTaylor, bass, Bill English, drums. Van Gelder Studios, NYC, August 12th , 1969.

Track 9. Monk’s Mood. Thelonious Monk (1).

Monk, piano, John Coltrane, tenor, Wilbur Ware, bass. Riverside Studios, NYC, April 16th , 1957.


Coltrane Cadences

There isn't a 'listen now' in the book for this next song, which I can only explain as an

unaccountable oversight on my part. After all, I quote the words as the bridge negotiates its

Giant Steps, so the song ought to be illustrated. Here is what the book should have said:

The bridge starts resolved (‘and all at once’), then proceeds through three compact cadences,

per fectly conventional in themselves, but which move downwards to arrive on resolutions a

‘giant step’ apart. In these, the last three beats of each measure containing the approach chords

has the words 'and all at', and every resolution is reached with the word 'once'. This repetition in

the lyric helps to point up the giant steps feel as you stride downwards. The final giant step goes

back upwards, and the approach chords lyric here is 'earth and', with the resolution 'sky'. (What

is really interesting is that Giant Steps itself does exactly this taking two steps down and one back

up from the starting point!)

Now perhaps you will believe me when I say Giant Steps is a Doddle, in Part VIII , More Things

to Think About .

Track 10. Have you Met Miss Jones. Rita Reys (2)

Details as for Reys's Broadway , above.

Track 11. But Not For Me. John Coltrane (2).

Coltrane, tenor, McCoy Tyner, piano, Steve Davis, bass, Elvin Jones, drums. Atlantic Studios,

NYC, Wednesday, October 26th

, 1960.




Known transcriptions available: Green (Cork), Wess (Cork).

Suspended Plain Old Turnarounds: SPOTs

Because the point ought to be illustrated by a Listen Now in the book, I've put this track in here.

Track 5. Between the Devil & the Deep Blue Sea. Dicky Wells (1).

Wells, trombone, Bill Dillard, Shad Collins & Bill Coleman, trumpets, Django Reinhardt, guitar,

Dick Fulbright, bass, Bill Beason, drums. Paris, July 7th , 1937. Trumpet solos Coleman (open),

Dillard (muted).

Rhythm Turnarounds

Track 6. On a Slow Boat to China. Sonny Rollins (1).

Rollins, tenor, Kenny Drew, piano, Percy Heath, bass, Art Blakey, drums. NYC December 17th

,

1951.

Known transcriptions available: Rollins theme (Cork), Rollins solo (Baker)

Track 7. Imagination. Sonny Stitt (4).

Art Pepper, alto, Russ Freeman, piano, John Heard, bass, Carl Burnett, drums. Sage & Sound

Studio, Hollywood, Los Angeles, California, July 30 th or 31st , 1980.

Note that although Stit t is the album leader, he doesn 't play on this track . It 's a feature for Art

Pepper. The album is one of a series (Konitz' High Jingo is another) where the formula is 'X and

his West Coast Friends', where the friends always prominently include Pepper. There were 2 led by Stit t, both used in this Companion, and I know of ones by Jack Sheldon and Pete Jolly. And

there may well be others.

Track 8. Oleo. Miles Davis (1).

Davis, trumpet, Sonny Rollins, tenor, Horace Silver, piano, Percy Heath, bass, Kenny Clarke,

drums. Van Gelder Studio, Hackensack, June 29th

, 1954.

Known transcriptions available: Davis (Isacoff), Rollins (Anon).

IV 'n' Back

Track 9. Chimes Blues. King Oliver (1).

King Oliver & Louis Armstrong, cornets, Honore Dutrey, trombone, Johnny Dodds, clarinet, Lil

Hardin, piano, Bud Scott, banjo, Baby Dodds, drums. Richmond, Indiana, April 5th , 1923.

Track 10. I’m Afraid the Masquerade is Over. Helen Merrill (1).

Merrill, vocal, accompanied by Hal Mooney, arranger and conductor, Hank Jones, piano, Barry

Galbraith, guitar, & others, plus strings. NYC October 24th , 1955.

Track 11. I’m Afraid the Masquerade is Over. Sonny Stitt (3).

Sonny Stitt, alto, Don Patterson, organ, Billy James, drums. NYC August 25, 1964. If the start

seems a touch abrupt, it's because the song is the second in a medley, and I had to cut in!



Track 12. I’m Afraid the Masquerade is Over. Milt Jackson (1).

Jackson, vibes, Frank Wess, flute, Hank Jones, piano, Kenny Burrell, guitar, Percy Heath, bass,

Art Taylor, drums. Atlantic Studios NYC, c 1959.

NB, due to a typographical error, the D on page 153, in the example of Grigson 's 'alternat ive' bass

notes is under the Bb, not the Bb7.

Note too, that the #IV diminished chord is not the result of any exotic theory. Jus t as with the #I

diminished in the rhythm turnaround, the diminished triad is reached by simply raising the root of

the preceding chord a half step, but leaving the other two notes of the triad alone. So F A C

becomes F# A C. Louis uses both set s of notes in his Chimes Blues solo to emphasise the upward

movement, and what's more, you can hear Bud Scott's banjo go with him!

Pennies Turnaround

Track 13. Hi Beck. Miles Davis (1).

Davis, trumpet, Lee Konitz (leader), alto, Sal Mosca, piano, Billy Bauer, guitar, Arnold Fishkin,

bass, Max Roach, drums. NYC, March 1951. (Interestingly, this is Miles's only Prestige date as

a sideman).

Fancy Colours in Turnarounds

(note that the fonts for some of these headings disappeared in the book, and are restored here)

Foggy TurnaroundsTrack 14. A Foggy Day. Lester Young (3).

Young, tenor, Bill Potts, piano, Norman Williams, bass, Jim Lucht, drums. Live in Washington

DC, December 3rd

, 1956.

NB there is an error in the book's discography. This track appears on Pablo 2308 219, the first in

the series, not the third. (And too early to be called Volume I!)

Disk 13-------------------------------------

Ladybird turnaroundsTrack 1. Ladybird . Barney Wilen (1).



Wilen, tenor, Kenny Dorham, trumpet, Duke Jordan, piano, Paul Rovère, bass, Daniel Humair,

drums. Live Club Saint-Germain, Paris, France, April 24th

/25th

1959.

(Who knew Duke Jordan could stomp like that?)

Multi-subbed TurnaroundsTrack 2. I Can’ t Get Started. Charles Mingus (1).

Mingus, bass, John Handy, alto, Richard Wyands, piano, Dannie Richmond, drums. Live at the

Nonagon Art Gallery, NYC, January 16 th , 1959.

Doo Wop Turnarounds

Go buy your own Whitney Houston! It was bad enough creeping out of a record shop with Patsy

Cline under my arm.

PassacagliasThe book should have made it clear just what the descending notes in this turnaround are. In C,

at two beats each the roots would be C Bb Ab G. Only the Bb is different in any way from a POT

with a substitution in it, of course. But the passacaglia is its own beast, and that wholestep down

from C to Bb is part of the relentless march to G!

Track 3. Friday the Thirteenth. Roswell Rudd (1).

Rudd, trombone, Steve Lacy, soprano, Misha Mengelberg, piano, Kent Carter, bass, Han Bennink,

drums. Barigozzi Studio, Milano, June 25th

, 1982.

Track 4. Moanin’. Art Blakey (2).

Blakey, drums, Lee Morgan, trumpet, Wayne Shorter, tenor, Bobby Timmons, piano, Jymie

merritt, bass. Live from the Paris Olympia, May 13th 1961.

Since we used the track the book refers to already, under Amen Cadences, here's a different one.

It's still by Blakey but it's by the band after Wayne Shorter replaced Golson. I remember this tour

very well, because as a student I made the journey from my University town Nottingham to

Leicester (where ironically I now live) to see it. My first ever great live jazz experience was

seeing and hearing Lee Morgan play Paper Moon .



The Harmony with LEGO Bricks

System.

1. Cadences

CADENCES Page

2-Goes (And More) II! V7 II! V7 I" 140

D! G7 D! G7 C"

Amen Cadence IV" I" 149

F" C"

Coltrane Cadence II! b III7 b VI" VII7 III" V7 I" 147

D! Eb 7 Ab " B7 E" G7 C"

Extended Cadence VI! II! V7 I" 140

A! D! G7 C"

GDS (Green Dolphin Street) Cadence II" b II" I" I" 144D" Db " C" C"

Long Cadence III! VI7 II! V7 I" I" 141

E! A7 D! G7 C" C"

Night And Day cadence b VI" (II!) V7 I" I" 145

Ab " (D!) G7 C" C"

Pullback II! V7 III! VI7 II! V7 I" 139

D! G7 E! A7 D! G7 C"

Rainbow Cadence V" VII! I" I" 148

G" B! C" C"

Rainy Cadence III! b IIIo II! V7 I" I" 141

E! Eb o D! G7 C" C"

Sad Cadence II# V7+9 I!" I!" 136

D# G7+9 C!" C!"

Stablemates Cadence b III! b VI7 II! V7 I" I" 145

Eb ! Ab 7 D! G7 C" C"

Starlight Cadence #IV# VII7 III! VI7 II! V7 I" 142

F## B7 E! A7 D! G7 C"

Straight Cadence II! V7 I" I" 136



D! G7 C" C"

Straight Cadence + Overrun II! V7 I" IV" 139

D! G7 C" F"

Supertension Ending II! V7 V! I7+11 143

D! G7 G! C7+11

Surprise Sad Ending II! V7 I!" I!" 143D! G7 C!" C!"

Surprise Straight Ending II# V7+9 I" I" 143

D# G7+9 C" C"

Tension Ending II! V7 (V!) I7 142

D! G7 (G!) C7

Tangerine Cadence VII! III7 I" I" tbd

B! E7 C" C"

Tritone Substitution II! b II7 I" I" 144

D! Db 7 C" C"

Yardbird Cadence IV! b VII7 I" I" 146

F!

Bb

7 C"

C"



2. Turnarounds

TURNAROUNDS Page

Doowop Turnaround I" VI! IV! V7 155

C" A! F! G7

Foggy Turnaround I" b III7 II! V7 153

C" Eb 7 D! G7

Groovin! Turnaround III! b III7 II! V7 207

E! Eb 7 D! G7

IV 'n' Back I" I7 IV7 #IVo I" 153

C" C7 F7 F#o C"

Ladybird Turnaround I" b III7 b VI" b II7 154

C" Eb 7 Ab " Db 7

Multisubbed SPOT VII! III7 b VII! b III7 VI! II7 b VI! b II7 154

B! E7 Bb ! Eb 7 A! D7 Ab ! Db 7

Pasacaglia I" b VII7 b VI7 V7 155

C" Bb 7 Ab 7 G7

Pennies Turnaround I" II! III! b IIIo II! V7 153

C" D! E! Eb o D! G7

POT (Plain Old Turnaround) I" VI! II! V7 149

C" A! D! G7

or I" VI7 II! V7 149

C" A7 D! G7

Rhythm Turnaround I" b IIo II! b IIIo 151

C" Db o D! Eb o

Sad POT I" VI# II# V7+9 150

C" A# D# G7+9

SPOT (Suspended POT) III! VI7 II! V7 150

E! A7 D! G7



3. Miscellaneous

MISCELLANEOUS Page

Collapse I! VIIo b VII! b III7 190

C! Bo Bb ! Eb 7

Dogleg II! V7 V! I7 I! etc 247

D! G7 G! C7 C! etc

Donna Lee Opening I" I" II7 II7 199

C" C" D7 D7

II! V7 I" I"

D! G7 C" C"

Launcher Any II! V7 I

" I

" 137Any D! G7 C" C"

Nowhere I" I" (b III!) b VI7 43

C" C" (Eb !) Ab 7

On-Off-On + Dropback I" (Any!) Any7 I" VI7 43

C" (Any!) Any7 C" A7

Pennies Ending IV" #VIo I" (III!) VI7 204

F" F#o C" (E!) A7

II! V7 I" I"

D! G7 C" C"

Rhythm Changes Opening I" b IIo II! b IIIo III! VI7 II! V7 201

= Rhythm Turnaround + SPOT + C" Db o D! Eb o E! A7 D! G7

IV "n! Back + (SPOT) I" I7 IV7 #IVo (III! VI7 II! V7)

C" C7 F7 F#o (E! A7 D! G7)

Rhythm Changes Bridge (VII!) III7 (III!) VI7 201

= Dogleg round the cycle from VII! (B!) E7 (E!) A7

(VI!) II7 (II!) V7

(A!) D7 (D!) G7

Slow Launcher II7 II7 (II!) V7 138

D7 D7 (D!) G7



4. Joins

JOINS Naming Rationale

Page

New Horizon Any I I Starts on same root to leadyou elsewhere

65

Downwinder Any I b II VII Resolves down a semi-tone 66

Launcher

Retake II (III!) VI7 II I Repeats previous cadence. 65

Homer II II I Resolves back home. 65

Cherokee Any I b III b II Entry into bridge of"Cherokee"

66

Woody Any I III II Bridge of “Woody "N! You” 66

Highjump Any I IV Jumps forward round thecycle

66

Bauble Any I #IV Jumps a tritone. Usedextensively in “Baubles

Bangles and Beads”

67

Bootstrap Any I V I Goes back to the V to pickitself up and move on

68

Stella Any I b VI Bars 11/12 of “Stella ByStarlight”

68

Backslider Any I VI V Resolves backwards roundthe cycle

67

Half Nelson Any I b VII b VI Resolves down a majorthird. Transition to last eightof “Half Nelson”

67

Sidewinder Any I VII Starts down a semi-tone 67



Transcription Bibliography

If you know of other transcriptions of examples on the Harmony with LEGO Bricks Digital Companion, please let me know.

Aebersold, Jamey & Slone, Ken. Charlie Parker Omnibook Atlantic Music Corp, 1958. This

wonderful book is available in Eb Bb Concert and Bass Clef editions.

Allen, Peter

These are by Peter Allen, one of the author's most talented students and are available from the author.

Anon. World's Greatest Jazz Solos. Almo Publications 1978. This volume is published in severaltransposed editions. I have the piano (said to be transcribed by Lennie Niehaus), and the trumpet (said

to be transcribed by Conte Candole). Since the solos are the same, you will forgive my scepticismabout the ostensible transcribers, hence, 'anon'.

Baker, David.

1. The Jazz Style of Sonny Rollins. Studio 224, Lebanon, IN, 1980.

2. The Jazz style of Clifford Brown. Studio P/R, 1982.

Brown, John Robert.

1. Front Line Sax Solos (Chappell & Company Limited 1979).

2. Jazz 2 Sax Alto (International Music Publications, 1986)3. Jazz 2 Trumpet (International Music Publications, 1987)

Butler, Hunt. Modern Jazz Tenor Solos. Brett Music, 1988.

Cork, Conrad

These are transcriptions made by the author over the last 40 years or so, and are offered strictly as

seen! That is, especially the earlier ones may need some editing. Some of them also look a bit tatty.

The author would be delighted if you were to return corrected versions.

Erjavec, Don. Art Farmer Solos. Advance Music, 1984.

Julien, Ivan. Miles Davis "en concert" de "Four" à "The Man With the Horn". Publication AlainPierson, 1984.

Kernfeld, Barry. Coltrane Adderley and Davis at the Twilight of Bebop (doctoral thesis), details

unknown at time of writing. I've got some 'fair copies' of some of it if anyone wants.

Isacoff, Stuart.

1. Jazz Masters - Miles Davis for Bb Trumpet. Consolidated Music Publishers, 1979

2. Solos for Jazz Tenor Sax. Carl Fischer Inc, 1985

3. Solos for Jazz Trumpet. Carl Fischer Inc, 1985.

Miedema, Harry. Jazz Styles and Analysis: Alto Sax (down beat music workshop publications,1977). Be aware that except on Konitz's Sub-Conscious Lee, Miedema's changes are all given in

concert pitch, even though the solos are transposed for alto.

Niehaus, Lennie.

1 Paul Desmond Jazz saxophone Solos. Almo Publications, 1979.



1 Jazz 3 Piano. International Music Publications, 1986.

Slone, Ken

1. 28 Modern Jazz Trumpet Solos Volume 1. Studio PR, 1977

2. 28 Modern Jazz Trumpet Solos Volume 2. Studio PR, 1980

3. Clifford Brown Trumpet Solos. Studio PR, 1982.

Washburn, Dick and Harbison, Pat. Miles Davis Transcribed Solos. Book and Record Set, Jamey

Aebersold, 1980.

White, Andrew. White has transcribed all Bird, all Trane, and a substantial chunk of Eric Dolphy.

You can buy anything from a single solo to a full life's work. Last known address for him was:

Andrew's Music

4830 South Dakota Avenue

N.E. Washington

D.C. 20017

USA



Songs Listing

The bracketed numbers after each name refer you to the entry in the Albums Listing below.The numbers after that give you the CD and Track number for each use of the song in the

Companion. E.g. 6/14 means CD 6, Track 14.

Af ternoon in Paris

Sonny Stitt (1). 6/14.

Al ice in Wonderland

Bill Evans (2). 7/1.Bill Evans (1). 9/5.

Al l Gods Chillun Got Rhythm

Sheila Jordan (1) (vocal version). 3/15.

Al l of Me

Lester Young (1) (vocal version). 3/4.

Lennie Tristano (1). 9/12.

Al l the Things You Are

Serge Chaloff (1). 7/7.

Hampton Hawes (2). 7/11.

Booker Ervin (3). 10/6.

At Long Last Love.

Frank Sinatra (2) (vocal version). 5/2. 5/10.

Anthropology.

Elvin Jones (1). 2/10.

Autumn Leaves.

Rita Reys (1) (vocal version). 5/14.

Chet Baker (1). 5/15.

Booker Ervin (5). 10/2. Baubles Bangles and Beads.

Sarah Vaughan (2). 6/3.

Bill Evans (1). 6/4.

Beauti ful Love.

Helen Merrill (1) (vocal version). 5/12.Kenny Dorham (1). 5/13.


Bemsha Swing.

John Coltrane (2). 1/8.

Benny’s from Heaven

Eddie Jefferson (1) (vocal version). 3/2.

Between the Devi l and the Deep Blue Sea.

Dicky Wells (1). 2/14. 12/5. Blue Bossa.

Art Pepper (1). 5/17.

Blue Moon.

Clifford Brown (1). 2/15.

Blues Walk.


Body and Soul

Mel Torme (1) (vocal version). 5/6.

Coleman Hawkins (1). 9/10.

Eddie Jefferson (2). 11/2.

Broadway.




But Not For Me.


Central Park West.


Cherokee.



Barry Harris (1). 8/1.

Lee Konitz (4). 10/10.

Chimes Blues.

King Oliver (1). 11/9.

Confirmation.

Steve Kuhn (1). 1/11.

Dexter Gordon (2). 6/13.

Jackie McLean (2). 8/9.

Charlie Parker (2). 9/9.Crazy Rhythm.

Benny Carter (1). 6/8. Daahoud.


Darn that Dream.Dexter Gordon (2). 7/5.

Dippermouth Blues

Louis Armstrong (1). 5/9.

Donna Lee.

Richie Cole (1). 3/8. 5/11.

Lennie Tristano (1). 5/1.

Easy Living.

Various Artists (5). 7/6. Exactly like you.


Fi fth House.


A Foggy Day.Lester Young (3). 12/14.

Friday the Thirteenth.

Roswell Rudd (1). 13/3.

Gone With the Wind.

Stan Getz (3). 8/4.

Groovin’ High.

Various Artists (4). 4/14.Good Bait.


Have You Met Miss Jones.

Rita Reys (2). 11/10.

Heartaches.

Patsy Cline (1) (vocal version). 4/3.Dexter Gordon (1). 4/4.

Here’s That Rainy Day.

Paul Desmond (1). 10/8.

Hi Beck .

Miles Davis (1). 12/13. Honeysuckle Rose.

Benny Carter (1). 6/10.

Hot House.

Dizzy Gillespie(1). 4/11.

How High the Moon.


I Can’ t Believe that You’re in Love Wi th Me.



I Can’ t Get Star ted.

Bunny Berigan (1) (vocal version). 1/9.


Art Farmer (2). 6/15.

Curtis Counce (1). 10/3.

Charles Mingus (1). 13/2. I Can’ t Give You Anything But Love .

Lucky Thompson (1). 3/3.

I Get a Kick out of You.

Frank Sinatra (5) (vocal version). 6/1.


I Got Rhythm.

Valaida Snow (1) (vocal version). 2/8.

I Love You.


I’ ll Remember April.

Sarah Vaughan (1) (vocal version). 2/3.

Frank Sinatra (4) (vocal version). 5/5.Kenny Dorham (2). 9/1.

Sonny Clark (1). 10/1.

I’m Afraid the Masquerade is Over .Helen Merrill (1) (vocal version). 12/10.


Milt Jackson (1). 12/12.

I’m Gonna Sit Right Down and Write Myself a Letter.


(back home again in ) Indiana.

Dicky Wells (1) (vocal version). 3/10. Imagination.

Sonny Stitt (4). 12/7. Invi tation

Sara Vaughan (2) (vocal version). 2/4.

Joe Henderson (1). 9/2.

John Coltrane (1). 10/11. I Remember Clif ford .


I Thought About You.

Archie Shepp (1). 3/5.

It ’s You or No-One.


Jordu.

Various Artists (1). 3/16.

Ladybird .

Barney Wilen (1). 13/1.

Laura.

Eric Dolphy (2). 7/10.

Lennie Bird.Lennie Tristano (1). 4/9

Lover Man.

Sarah Vaughan (3) (vocal version). 5/7.

Kenny Dorham (3). 10/5. Lullaby of Birdland.

Urbie Green (1). 12/4. Mama Too Tight.

Archie Shepp (2). 12/2.

Manhat tan.

Art Farmer (1). 10/7.

Moanin’.

Art Blakey (1). 12/1.



Monk’s Mood.

Thelonious Monk (1). 11/9.

The More I See You.

Hank Mobley (2). 3/6.

My Funny Valent ine.

Gerry Mulligan (1). 5/4. My Shining Hour .


My Ship.

Bud Shank (1). 12/3.

Naima.


Night and Day.


The Night Has 1000 Eyes.

Stan Getz (1). 8/3.Old Word New Imports.

Hank Mobley (1). 3/1.Oleo.

Miles Davis (1). 12/8.

On a Slow Boat to China.Sonny Rollins (1). 3/7. 12/6.

On the Sunny Side of the Street

Lester Young (1). 6/11.

On Green Dolphin Street

Eric Dolphy (1). 11/3.

Ornithology.

Various Artists (3). 4/8.Our Delight.

Fats Navarro (1). 6/12.

George Wallington (1). 11/6.

Out of Nowhere.

Bing Crosby (1) (vocal version). 4/5.

Various Artists (2). 4/6. Pennies from Heaven.

See Benny’s from Heaven

Polka Dots and Moonbeams


Reck less Blues.

Bessie Smith (1) (vocal version). 2/6. 5/8.

Remember.

Hank Mobley (3). 9/4.

Robbins Nest .

Buck Clayton (1). 2/12.

Round Midnight .


Satellite.Denny Zeitlin (1). 4/7.

Scrapple from the Apple.

Charlie Parker (1). 2/11.

So What.

Miles Davis (3). 8/10.Speak Low.



Squaty Roo.

Johnny Hodges (1). 2/9.

Stablemates.

Jackie McLean (1). 11/5.



Vic Damone (1) (vocal version). 3/12.


Hampton Hawes (1). 10/9.

SubconsciousLee.

Lee Konitz (2). 4/12

S’Wonderful.

Lee Konitz (4). 7/3.Take the ‘A’ Train.

Duke Ellington (2). 3/11.

Stuff Smith (1). 9/3.


These Foolish Things.


There Will Never be Another You.

Stan Getz (3). 8/5.

Tune Up.


Weaver of Dreams.

Carmen McRae (1) (vocal version). 9/8.

What is This Thing Called Love.

Frank Sinatra (1) (vocal version). 4/10.What’s New.



Art Pepper (1). 1/3.

Frank Sinatra (3) (vocal version). 5/3


Jackie McLean (1). 11/1.When Lights Are Low.


Vic Damone (1) (vocal version). 1/6.

Jaki Byard (1). 1/7

Whispering.

Miles Davis (1). 4/2.Woody ‘n’ You.

Max Roach (1). 3/14.


Al Cohn (1). 8/4.

Yardbird Suite.


You Can Depend on Me.


You Stepped Out of a Dream.


Albums Listing

Chet Baker

1. She Was Too Good To Me. CTI 6050 S1.Bunny Berrigan

1. (45rpm EP) RCA Victor RCX 1005.

Art Blakey

1. Moanin. Blue Note BNS 40012



Clifford Brown

1. Brownie - The Complete EmArcy recordings of Clifford Brown. EmArcy 838 306-

2. Clifford Brown - The Complete Blue Note and Pacific Jazz Recordings. CDP 72438 34195 2

Jaki Byard

1. Parisian Solos. Musica MUS.2008.

Benny Carter

1. Further Definitions . Impulse IMPL 8037.

Serge Chaloff

1. Blue Serge. Capitol Jazz Classics Vol 7. 5C 052.80 803.

Sonny Clark

1. Sonny Clark Trio. Blue Note CDP 7 46547 2.

Buck Clayton

1. The Complete Buck Clayton Jam Sessions. Mosaic MD6-144.

Patsy Cline

1. Dreaming . PLAT CD 303.

Al Cohn

1. Al Cohn's America. Xanadu 138.

Richie Cole

1. Side by Side. Muse MR5237

John Coltrane

1. John Coltrane - The Prestige Recordings. Prestige 16 PCD-4405-2.2. The Heavyweight Champion - John Coltrane - the complete Atlantic recordings. Atlantic

8122-71984-2.

Curtis Counce

1. Carl's Blues. Boplicity COP 040

Bing Crosby

1. The Early 30’s. Ace of Hearts AH 88.

Vic Damone

1. Linger Awhile. Capitol CAPS 186 7471.Miles Davis

1. Chronicle - The Complete Prestige Recordings 1951-1956. Prestige PCD-012-2.

2. Round About Midnight. CBS 460605 2.

3. Kind of Blue. CBS 460603 2.

Paul Desmond1. Polka Dots & Moonbeams. Bluebird ND90637.

Eric Dolphy

1. Outward Bound. Original Jazz Classics OJCCD-022-2.

2. Live in Europe Vol 2. Prestige PR 7350.

Kenny Dorham

1. Matador/Inta Somethin'. Blue Note CDP 7 84460 2..

2. Jazz Contrasts. Original Jazz Classics OJCCD-028-2.Duke Ellington

1. The Works of Duke Integrale Vol 17. RCA FXM1 7274.

2. The Works of Duke Integrale Vol 14. RCA FXM1 7134.

Booker Ervin

1. The Space Book. Prestige PR 7386.

2. Groovin’ High. Prestige PR 7417.3. The Song Book. Prestige PR 7318.

4. That’s It. Candid CCD 79014.

5. Down in the Dumps. Savoy SV-0245.

Bill Evans

1. Bill Evans - The Complete Riverside Recordings. Riverside 99.918.

2. Bill Evans - The Secret Sessions. Milestone 8MCD-4421-2.

Art Farmer

1. Manhattan. Soul Note SN 1026

2. On the Road . Contemporary S7636.

Stan Getz

1. The Dolphin. Concord CJ158

2. The Roost Quartets. Roulette CDP 7960522 (UK: CD-ROU 1027.).



Dizzy Gillespie

1. Professor Bop. Le Jazz CD 25.

Dexter Gordon

1. Gettin’ Around. Blue Note CDP 7 46681 2.

2. Dexter Gordon Quartet 1955-1967. Giants of Jazz CD 53065.

3. Doin’ Alright. Blue Note BST 84077.

4. A Swingin’ Affair. Blue Note CDP 7 84133 2.

Urbie Green

1. Old Time Modern. Vanguard PPT 12021.

Barry Harris

1. Solo. September CD 5111.

Hampton Hawes

1. This is Hampton Hawes, Vol 2: The Trio. Contemporary C3515.

2. Hampton Hawes Trio. Contemporary 98.640.

Coleman Hawkins

1. Complete Vol 1. Black & White FXM1 7325

Joe Henderson

1. Tetragon. Milestone MSP-9017.Johnny Hodges

1. Who Struck John. Definitive DRCD11124.

Milt Jackson1. Bags and Flutes. Atlantic 1294

Eddie Jefferson

1. The Main Man. Inner City 1033.

2. The Liveliest. Muse MR 5127.

3. Come Along With Me. Prestige PR 7698.

Elvin Jones

1. Dear John C. Impulse GRP11262.

Sheila Jordan

1. The Crossing. Black Hawk BKH 50501-1 D.

Lee Konitz

1. Konitz meets Mulligan. Pacific Jazz CDP 7 46847 2.

2. Live at the Berlin Jazz Days 1980. MPS 15577

3. Satori. Milestone M-9060.4. High Jingo. Atlas LA 27 1016.

7. I Concentrate on You. Steeplechase SCCD-31018.

Steve Kuhn

1. Last Year’s Waltz. ECM 1213.

Jackie McLean

1. Swing Swang Swingin’. Blue Note ST-84024.

2. Live at Montmartre. Steeplechase SCCD-31001.Carmen McRae

1. Live at Ronnie Scott’s. Pye NSPL 18543.

Helen Merrill

1. The Complete Helen Merrill on Mercury. Mercury 826 340-2.

Charles Mingus

1. Wonderland. United Artists UAS 5637.Hank Mobley

1. Straight No Filter. Blue Note CDP 7 84435 2.

2. Roll Call. Blue Note CDP 7 46823 2.

3. Soul Station. Blue Note CDP 7 46528 2.

Thelonious Monk

1. Thelonious Monk & John Coltrane. Milestone M-47011.

Gerry Mulligan

1. Quartet with Chet Baker. Giants of Jazz CD 53027.

2. Sextet. Giants of Jazz CD 53141.

Fats Navarro

1. Prime Source. Blue Note BN LA 507-H2.

King Oliver



Charlie Parker

1. Charlie Parker on Dial Completed. Spotlite CJ25-5043-6.

2. The Complete Charlie Parker on Verve. Verve 837 141-2.

Art Pepper

1. Among Friends. Interplay Records IP-7718.

Rita Reys

1. Jazz Pictures at an Exhibition. Mercury PG 899 846 242-2.

2. Marriage in Modern Jazz. Mercury PG 899 848 307-2.

Max Roach

1. Max Roach Plus 4. EmArcy 822 673-2.

Roswell Rudd -Steve Lacy -Misha Mengelberg -Kent Carter - Han Bennink

1. Regeneration. Soul Note SN1054.

Sonny Rollins

1. The Prestige Years Vol 1 1949-1953. Prestige PRE 4001-4.

Bud Shank

1. Heritage. Concord Jazz CJ-58.

Archie Shepp

1. On Green Dolphin Street. Denon YX7524ND2. Mama Too Tight. Impulse A-9134.

Frank Sinatra

1. The Wee Small Hours. Capitol CAPS 1008.2. A Swingin’ Affair. Capitol LCT 6135.

3. Sings For Only the Lonely. Capitol SM-1053.

4. Point of No Return. Capitol ED 26 01771.

5. Songs for Young Lovers. Capitol ED 26 00741.

Bessie Smith

1. The Empress. CBS 66264

Stuff Smith

1. Swingin’ Stuff. Polydor Special 236 509..Valaida Snow

1. Swing is the Thing. World Records SH354.

Sonny Stitt

1. Genesis. Prestige PR 24044.

2. Groovin’ High. Atlas LA27-1004.3. Soul People. Prestige PR 7372.

4. Blow & Ballade. Atlas LA27-1007.

Lucky Thompson

1. Lucky Standards. Vogue VG 405 500099.

Mel Torme

1. Torme. World Record Club TP350

Lennie Tristano

1. The Complete Atlantic Recordings of Lennie Tristano, Lee Konitz & Warne Marsh. Mosaic

MD6-174.

Valaida

see Valaida Snow.

Sara Vaughan

1. Ronnie Scott’s presents Sarah Vaughan ‘Live’. Pye NSPL 18544.2. You’re Mine You. (No label name on disc) P 910004.

3. In the Land of Hi Fi. EmArcy 840 829-2.

George Wallington

1. Jazz for the Carriage Trade. Prestige LP 7032.

Dicky Wells

1. Dicky Wells & Bill Coleman in Paris. Cedar CD AFS 1004.

Barney Wilen

1. Barney at the Club Saint-Germain (Paris 1959) the Complete RCA Victor Recordings. RCA

74321544212.

Lester Young

1. Evening of a Basie-ite - The Lester Young Story Vol 5. CBS 88493.

2. Pres & Teddy & Oscar. Verve 2610 031.



Denny Zeitlin

1. Time Remembers One Time Once. ECM 1239

Various Artists

1. The Bebop Keyboard Masters. Vogue VJD 574.

2. Session at Riverside. Dormouse DMI CDX01.

3. Charlie Parker Memorial Concert. Vogue VG 651 600188.

4. The Bop Session. Sonet SNTCD-692..

5. Pres tige First Sess ions 1949/50. Prestige P-24081.

Companion Digital

Documents

Transcript of Companion Digital