Comics7054_catalogpdf

5/13/2018 Comics7054_catalogpdf - slidepdf.com

http://slidepdf.com/reader/full/comics7054catalogpdf 1/418

COMICS & COMIC A RT A UCTION

february 22-24, 2012 New york live & oNliNe

B Illy W RIghTCOlleCT ION



F r o

n t C

o v e r L

o t : 9

1 1 7 9 | B a c k C o v e r Lo t s : 9 110 4 , 9 0 29, 91134, 91001, 911 2 6, 91 1 4 6, 9 1 0 7 0, 9 1 1

4 7, 9 1 2

1 8, 9 1 1

4 2, 9 1 1 1 8

, 9 1 0 4 7, 9 1 0 3

6, 9 1 0 41 | Ins ide Front Lot: 91149 | I n s i d e B a c k Lo t : 9 1 1 6 7



2

Heritage Signature® Auction #7054

The Billy Wright CollectionFebruary 22-24, 2012 | New York

LIVE AUCTION Signature® Floor Sessions 1-2(Floor, Telephone, HERITAGE Live!,™ Internet, Fax, and Mail)

Ukrainian Institute o America at theFletcher Sinclair Mansion2 E. 79th Street • New York, NY 10075

Session 1Wednesday, February 22 • 12:00 PM ET • Lots 91001–91677

Lots 91001-91227 - The Billy Wright Collection

Lots 91228-91677 (see separate catalog) - DC Ashcan Collection,

Golden Age Comics, Silver Age and Bronze Age Comics, Bound

Volumes, Magazines, Underground Comix, Pulps, and Memorabilia

Session 2Thursday, February 23 • 12:00 PM ET • Lots 92001–92397Original Art, Production Art, Classics Illustrated Art, Underground Art,

Animation Art

HERITAGE Live!,™ Internet, Fax, & Mail only Session

Session 3

Friday, February 24 • 3:00 PM CT (4:00 PM ET) Lots 93001-93785

Lots 93001-93091 – The Billy Wright Collection

Lots 93092-93785 (see separate catalog) – Golden Age Comics,

Silver Age and Bronze Age Comics, Bound Volumes, Magazines, Pulps,

Memorabilia, Original Art A-Z, Production Art, Underground Art, and

Animation Art.

LOT SETTLEMENT AND PICK-UPAvailable immediately ollowing sessions 1 and 2 or9:00 AM – 12:00 PM ET, Friday, February 24th.After 12:00 PM on the 24th all lots will be transported backto our Dallas Headquarters and shipped rom there.

Extended Payment Terms available. Email: [email protected]

Lots are sold at an approximate rate of 100 lots per hour, but itis not uncommon to sell 75 lots or 125 lots in any given hour.

This auction is subject to a 19.5% Buyer’s Premium.

Heritage Auctioneers & Galleries, Inc.: NYC #41513036 and NYC Second HandDealers License #1364739. NYC Auctioneer licenses: Samuel Foose 0952360;Robert Korver 1096338; Kathleen Guzman 0762165; Michael J. Sadler 1304630;Scott Peterson 1306933; Andrea Voss 1320558. Nicholas Dawes 1304724; EdBeardsley 1183220.

LOT VIEWINGUkrainian Institute o America at theFletcher Sinclair Mansion2 E. 79th Street • New York, NY 10075

Monday, February 20 • 12:00 PM – 6:00 PM ETTuesday, February 21 • 10:00 AM – 6:00 PM ETWednesday, February 22 • 10:00 AM – 6:00 PM ETThursday, February 23 • 9:00 AM – 2:00 PM ET

View lots & auction results online at HA.com/7054

BIDDING METHODS:

Bidding Bid live on your computer or mobile, anywhere in theworld, during the Auction using our HERITAGE Live!™program at HA.com/Live

Live Floor BiddingBid in person during the oor sessions.

Live Telephone Bidding (oor sessions only) Phone bidding must be arranged on or beforeTuesday, February 21, by 12:00 PM CT.Client Service: 866-835-3243.

Internet Bidding

Internet absentee bidding ends at 10:00 PM CT the evening beore each session. HA.com/7054

Fax BiddingFax bids must be received on or beore Tuesday,February 21, by 12:00 PM CT. Fax: 214-409-1425

Mail BiddingMail bids must be received on or beoreTuesday, February 21.

Phone: 214.528.3500 • 800.872.6467Fax: 214.409.1425

Direct Client Service Line: 866.835.3243Email: [email protected]



3500 Maple Avenue • Dallas, Texas 75219

Phone 214-528-3500 • 800-872-6467

HA.com/Comics

Consignment Directors: Lon Allen, Steve Borock, Todd Hignite, Ed Jaster, Barry Sandoval, David

Tosh, Jim Steele, Jerry Stephan, and Aaron White.

Cataloged by: Barry Sandoval

Steve IvyCEOCo-Chairman o the Board

Jim HalperinCo-Chairman o the Board

Paul MinshullChie Operating Oicer

Todd Imho Executive Vice President

Greg RohanPresident

Lon AllenManaging Director o Comics & Comic Art

Barry SandovalDirector, Operations

Steve BorockConsignment Director

Comics Specialists

Ed JasterSr. Vice President

Todd Hignite Vice President



About the

The Billy Wright CollectionBilly Wright was 11 years old when Action Comics #1 hit thenewsstands to begin the Golden Age o comics. He grew upLynchburg, Virginia, attended The College o William and Maand then had a long career as a chemical engineer for DuPonHe passed away in 1994.

His comics were stored in the basement o his home, stacked

on shelves in a storage closet, and remained there until hiswie’s recent passing.

The collection has been recognized as a pedigree collection CGC. Paul Litch, Vice-President of CGC, remarked at the tim“They have a nice eel to them, nice over-all page quality anddistinctive scent. The Billy Wright books are an exciting fnd absolutely worthy o being recognized as a pedigree by CGC

A remarkable aspect o the collection is the high percentage o key issues and the almostcomplete absence o less collectible titles. In addition to having many o Overstreet’s Top 100

Golden Age books (see chart on the ollowing page), the collection has sixty-seven #1 issues athirty-three #2 issues.

In all, the Billy Wright collection consists o approximately 340 comics, almost all rom 1936-1941, with just a handul o later 1940s issues. The earliest comic in the collection is New Com#2, cover-dated January 1936.

While a couple o comics have Mr. Wright’s name on the cover, the vast majority aredistinguished by having no cover markings o any kind, a act that is sure to be welcomed bycollectors.

Please note that additional comics from the Billy Wright Collection will be offered in the SundInternet Comics Auction at HA.com, ending February 26th.



2011 2011 2010 2010 $ %TITLE/ISSUE# RANK NM- PRICE RANK NM- PRICE INCR. INCR.

Action Comics #1 . . . . . . . . . . . . . . . .1 $1,400,000 1 $1,200,000 $200,000 17%

Detective Comics #27 . . . . . . . . . . . .2 $1,200,000 2 $1,050,000 $150,000 14%Superman #1 . . . . . . . . . . . . . . . . . .3 $560,000 3 $500,000 $60,000 12%Marvel Comics #1 . . . . . . . . . . . . . . .4 $460,000 4 $450,000 $10,000 2%All-American Comics #16 . . . . . . . . . .5 $400,000 5 $350,000 $50,000 14%Batman #1 . . . . . . . . . . . . . . . . . . . .6 $285,000 6 $250,000 $35,000 14%Captain America Comics #1 . . . . . . . .7 $240,000 7 $215,000 $25,000 12%Flash Comics #1 . . . . . . . . . . . . . . . .8 $155,000 8 $145,000 $10,000 7%More Fun Comics #52 . . . . . . . . . . . .9 $145,000 9 $135,000 $10,000 7%Action Comics #7 . . . . . . . . . . . . . . .10 $125,000 11 $100,000 $25,000 25%Adventure Comics #40 . . . . . . . . . . .11 $120,000 10 $115,000 $5,000 4%Detective Comics #31 . . . . . . . . . . . .12 $100,000 14 $90,000 $10,000 11%Detective Comics #33 . . . . . . . . . . . .12 $100,000 13 $92,000 $8,000 9%Whiz Comics #2 (#1) . . . . . . . . . . . .12 $100,000 12 $95,000 $5,000 5%

Action Comics #2 . . . . . . . . . . . . . . .15 $95,000 17 $84,000 $11,000 13%All Star Comics #3 . . . . . . . . . . . . . .16 $90,000 15 $85,000 $5,000 6%Detective Comics #29 . . . . . . . . . . . .17 $88,000 18 $80,000 $8,000 10%Detective Comics #38 . . . . . . . . . . . .17 $88,000 15 $85,000 $3,000 4%Detective Comics #1 . . . . . . . . . . . .19 VF $84,000 19 VF $77,000 $7,000 9%Marvel Mystery Comics #9 . . . . . . . .20 $80,000 20 $70,000 $10,000 14%

All Star Comics #8 . . . . . . . . . . . . . .21 $75,000 20 $70,000 $5,000 7%More Fun Comics #53 . . . . . . . . . . . .21 $75,000 20 $70,000 $5,000 7%Archie Comics #1 . . . . . . . . . . . . . . .23 $70,000 35 $50,000 $20,000 40%Pep Comics #22 . . . . . . . . . . . . . . . .23 $70,000 35 $50,000 $20,000 40%Marvel Mystery Comics #2 . . . . . . . .25 $68,000 23 $65,000 $3,000 5%Action Comics #10 . . . . . . . . . . . . . .26 $66,000 28 $55,000 $11,000 20%

Human Torch #2 (#1) . . . . . . . . . . . .27 $65,000 24 $64,000 $1,000 2%Sub-Mariner Comics #1 . . . . . . . . . .27 $65,000 24 $64,000 $1,000 2%Green Lantern #1 . . . . . . . . . . . . . . .29 $64,000 26 $62,000 $2,000 3%Sensation Comics #1 . . . . . . . . . . . .30 $62,000 27 $60,000 $2,000 3%Action Comics #3 . . . . . . . . . . . . . . .31 $60,000 30 $54,000 $6,000 11%Captain Marvel Adventures #1 . . . . . .32 $57,000 28 $55,000 $2,000 4%Marvel Mystery Comics #5 . . . . . . . .32 $57,000 30 $54,000 $3,000 6%Detective Comics #28 . . . . . . . . . . . .34 $56,000 35 $50,000 $6,000 12%Wonder Woman #1 . . . . . . . . . . . . .35 $55,000 32 $52,000 $3,000 6%Adventure Comics #48 . . . . . . . . . . .36 $54,000 32 $52,000 $2,000 4%New Fun Comics #1 . . . . . . . . . . . . .37 VF $52,000 34 VF $51,000 $1,000 2%Suspense Comics #3 . . . . . . . . . . . .38 $50,000 38 $45,000 $5,000 11%Detective Comics #35 . . . . . . . . . . . .39 $46,000 39 $40,000 $6,000 15%

Walt Disney’s Comics & Stories #1 . .40 $42,000 39 $40,000 $2,000 5%

TOP 100 GOLDEN AGE BOOKS

The Billy Wright Collection: The Best of the Golden Age An unusually high percentage o the comics bought by Billy Wright are the “key” books o today. In act, a stunning 44issues o Overstreet’s Top 100 Golden Age Books list are represented in the collection. For easy reference, we have marked these issues below as follows: The Billy Wright copy is either the highest-graded on CGC’s census report, or tied for the highest grade, as of January2012.

The Billy Wright copy is one of the ve highest-graded single copies certied by CGC as of January 2012.

The issue is included in the Billy Wright collection.

*Detective Comics #30, while not included in this list, also has a high Guide value o $20,000 and could thereore be said to be tied or #97.

The Billy Wright copy is one o the fve best on CGC’s census to date.

List ©2011 Gemstone Publishing, Inc. Overstreet® is a Registered Trademark of Gemstone Publishing, Inc. All rights reserved. Used by permission.



2011 2011 2010 2010 $ %TITLE/ISSUE# RANK NM- PRICE RANK NM- PRICE INCR. INCR.

All-American Comics #19 . . . . . . . . .41 $39,000 43 $37,000 $2,000 5%Captain America Comics #2 . . . . . . .42 $38,000 46 $35,000 $3,000 9%Daring Mystery Comics #1 . . . . . . . .42 $38,000 41 $38,000 $0 0%Marvel Mystery Comics #3 . . . . . . . .42 $38,000 44 $36,000 $2,000 6%*Marvel Mystery Comics 132 pg. . . . .42 VF $38,000 44 VF $36,000 $2,000 6%Superman #2 . . . . . . . . . . . . . . . . .42 $38,000 46 $35,000 $3,000 9%All Winners Comics #1 . . . . . . . . . . .47 $35,000 41 $38,000 -$3,000 -8%Batman #2 . . . . . . . . . . . . . . . . . . .47 $35,000 49 $32,000 $3,000 9%Captain America Comics 132 pg. . . .47 VF $35,000 48 VF $33,000 $2,000 6%Action Comics #4 . . . . . . . . . . . . . . .50 $34,000 52 $31,000 $3,000 10%Action Comics #5 . . . . . . . . . . . . . . .50 $34,000 52 $31,000 $3,000 10%Action Comics #6 . . . . . . . . . . . . . . .50 $34,000 52 $31,000 $3,000 10%More Fun Comics #54 . . . . . . . . . . . .50 $34,000 49 $32,000 $2,000 6%Marvel Mystery Comics #4 . . . . . . . .54 $33,000 59 $29,000 $4,000 14%More Fun Comics #55 . . . . . . . . . . . .54 $33,000 52 $31,000 $2,000 6%Motion Picture Funnies Wkly #1 . . . .54 $33,000 49 $32,000 $1,000 3%Famous Funnies-Series 1 #1 . . . . . . .57 VF $31,000 56 VF $30,000 $1,000 3%More Fun Comics #73 . . . . . . . . . . . .57 $31,000 56 $30,000 $1,000 3%Action Comics #13 . . . . . . . . . . . . . .59 $30,000 70 $25,000 $5,000 20%All-Select Comics #1 . . . . . . . . . . . .59 $30,000 62 $28,000 $2,000 7%Amazing Man Comics #5 . . . . . . . . . .59 $30,000 59 $29,000 $1,000 3%Captain America Comics #3 . . . . . . .59 $30,000 65 $27,000 $3,000 11%

New Book of Comics #1 . . . . . . . . . .59 VF $30,000 56 VF $30,000 $0 0%New York World’s Fair 1939 . . . . . . .64 VF/NM $29,000 59VF/NM $29,000 $0 0%Mystic Comics #1 . . . . . . . . . . . . . .65 $28,000 65 $27,000 $1,000 4%Wonder Comics #1 . . . . . . . . . . . . . .65 $28,000 63 $27,500 $500 2%Marvel Mystery Comics #8 . . . . . . . .67 $27,000 70 $25,000 $2,000 8%Wow Comics (FAW) #1 . . . . . . . . . . .67 $27,000 65 $27,000 $0 0%Silver Streak Comics #6 . . . . . . . . . .69 $26,500 68 $26,000 $500 2%All-Flash #1 . . . . . . . . . . . . . . . . . .70 $26,000 63 $27,500 -$1,500 -5%Young Allies Comics #1 . . . . . . . . . .70 $26,000 69 $25,500 $500 2%Adventure Comics #73 . . . . . . . . . . .72 $25,000 70 $25,000 $0 0%Four Color Ser. 1 (Donald Duck) #4 . .72 $25,000 74 $24,000 $1,000 4%Marvel Mystery Comics #10 . . . . . . .72 $25,000 79 $23,000 $2,000 9%World’s Best Comics #1 . . . . . . . . . .72 $25,000 70 $25,000 $0 0%

New Fun Comics #6 . . . . . . . . . . . . .76 VF $24,500 74 VF $24,000 $500 2%Planet Comics #1 . . . . . . . . . . . . . . .77 $24,500 74 $24,000 $500 2%Adventure Comics #61 . . . . . . . . . . .78 $24,000 74 $24,000 $0 0%Detective Comics #2 . . . . . . . . . . . .78 VF $24,000 82 VF $22,000 $2,000 9%Red Raven Comics #1 . . . . . . . . . . .78 $24,000 78 $23,500 $500 2%

All Star Comics #1 . . . . . . . . . . . . . .81 $23,500 79 $23,000 $500 2%Daredevil #1 . . . . . . . . . . . . . . . . . .81 $23,500 79 $23,000 $500 2%All-American Comics #18 . . . . . . . . .83 $23,000 82 $22,000 $1,000 5%Famous Funnies #1 . . . . . . . . . . . . .83 VF $23,000 81 VF $22,500 $500 2%Green Giant Comics #1 . . . . . . . . . . .83 $23,000 82 $22,000 $1,000 5%Looney Tunes and Merrie Melodies #1 86 $22,500 82 $22,000 $500 2%New Fun Comics #2 . . . . . . . . . . . . .86 VF $22,500 82 VF $22,000 $500 2%Action Comics #8 . . . . . . . . . . . . . . .88 $22,000 89 $20,000 $2,000 10%

Action Comics #9 . . . . . . . . . . . . . . .88 $22,000 89 $20,000 $2,000 10%All-American Comics #17 . . . . . . . . .88 $22,000 96 $19,000 $3,000 16%All-American Comics #25 . . . . . . . . .88 $22,000 88 $21,000 $1,000 5%Superman #3 . . . . . . . . . . . . . . . . .88 $22,000 89 $20,000 $2,000 10%Jumbo Comics #1 . . . . . . . . . . . . . .93 VF $21,500 87 VF $21,500 $0 0%Daring Mystery Comics #2 . . . . . . . .94 $21,000 89 $20,000 $1,000 5%Dick Tracy-Feature Book nn (#1) . . . .94 $21,000 96 $19,000 $2,000 11%Double Action Comics #2 . . . . . . . . .96 $20,500 89 $20,000 $500 3%Batman #3 . . . . . . . . . . . . . . . . . . .97 $20,000 - $18,000 $2,000 11%Comics Magazine #1 . . . . . . . . . . . .97 VF $20,000 96 VF $19,000 $1,000 5%Exciting Comics #9 . . . . . . . . . . . . . .97 $20,000 96 $19,000 $1,000 5%Four Color Ser. 2 (Donald Duck) #9 . .97 $20,000 96 $19,000 $1,000 5%New Comics #1 . . . . . . . . . . . . . . . .97 VF $20,000 89 VF $20,000 $0 0%USA Comics #1 . . . . . . . . . . . . . . . .97 $20,000 89 $20,000 $0 0%



Billy Wright: Before the Golden Age

Since this auction begins with Action Comics #1 (June, 1938), the comic book that started the

Golden Age, we thought the 38 comics in the Billy Wright Collection that pre-date that classic

early issue were worthy of special mention. All are offered in this catalog. They are:

Cowboy Comics#13 (May 1938)

New Comics #2(January 1936)

More Fun Comics #13(September 1936) , 24,25, 31

Funny Picture Stories #1(November 1936)

Star Comics V1#2 (April1937), V1#6, V1#11, V1#12

Funny Pages V1(June 1937), V2 V2#7

Star Ranger #4 (June1937), 5, 6, 7, 9, 12

Detective Comics #6(August 1937), 7, 8, 9,11, 12, 14 and 15

New AdventureComics #18 (August1937), 19, 20, 21, 22,23, and 25

Feature Books (DickTracy) #4 (August1937), 6, and 9



B illy W right ColleCtio

February 22-24, 2012 12:00PM New york

HerITaGe auCTIoNS INTroDuCeS THe

Signature Auction # 7054 | lots 91001 - 91227 A 19.5% Buyer's Premium ($14 minimum) Will Be Added To All Lots

To view full descriptions, enlargeable images and bid online, visit HA.com/7054

B illy W right ColleCt ion



8 To view full descriptions, enlargeable images and bid online, visit HA.com/7054

DC ComiCS

91001 Action Comics #1 Billy Wright pedigree (DC, 1938) CGC GD/VG 3.0 O-white to

white pages. “The most important comic book ever published” was Overstreet’s note about this

issue some years ago, and we’ve never heard anyone nominate any other comic! Now that the

best copies o this book are considered seven-gure items, many are looking or a solid (yet unre-

stored) lower-grade copy. Not only does this ll that bill, we hasten to add that it’s being oered

without a reserve.

This is the rst appearance o Superman, and it’s the comic that started the Golden Age. I you

browse the rest o the Billy Wright collection in this catalog you’ll see the dierence between

the 1936-37 comics oered and the comics that came later. Superman spawned many imitators

(again many o which can be seen on these pages), and the character’s runaway success estab-

lished DC as one o the top publishers, a status it has never lost. This rst Superman story, written

by Jerry Siegel and drawn by Joe Shuster, also briey tells the origin o the character.

Given the price o an Action #1, the key actor is how well the comic presents in the holder. Some

o the copies In this grade range that have come on the market have had a deect such as being

hole-punched, having a large missing chunk, or being water-stained. No such glaring deect ham-

pers this solid copy. The spine o the book will no doubt be the topic o some discussion, so we’ll

note that this copy has a 1” spine split at the top and a 3.75” spine split at the bottom. While the

latter extends past the bottom staple, note that the back cover is attached to that bottom staple.

That aside, we think you’ll agree the copy has more than enough “pluses” to bestow serious brag-

ging rights upon the winning bidder.

Overstreet 2011 GD 2.0 value = $90,000; VG 4.0 value = $180,000. CGC census 1/12: 4 in 3.0, 21

higher.

THE MOST IMPORTANT COMIC BOOK EVER PUBLISHED



Session One, Auction #7054 | Wednesday, February 22, 2012 | 12:00PM ET





91002 Action Comics #2 Billy Wright pedigree (DC, 1938) CGC VG/FN 5.0 White pages. The second appearance o Superman, this is oneo the 15 most valuable comics in the hobby in its own right. Unrestoredcopies seldom turn up, and when they do they tend to have signicantstaining or oxing. This copy has only the general wear commensuratewith the grade, and the page quality is a major plus. We’ve only seen hal as many o these as we have Action #1s, making this an attractive buy ata tenth o the price (or less) the #1 is likely to sell or. Obviously Supermandidn’t make the issue’s cover, but this was beore DC had caught on tothe act that the Man o Tomorrow was the breakout character. Still, we’veseen this elegant illustration by Leo O’Mealia show up on collectors’ “all-time avorite covers” lists. Overstreet 2011 VG 4.0 value = $11,176; FN 6.0value = $16,764. CGC census 1/12: 5 in 5.0, 4 higher.

91003 Action Comics #3 Billy Wright pedigree (DC, 1938) CGC VG4.5 O-white to white pages. This is just the ourth copy we’ve evoered, and the highest-graded o the bunch. It’s been six years sinwe’ve oered a copy in any condition! Overstreet’s “scarce” rating anGerber’s 8 (“rare”) rating certainly jibe with our experience here.

The third appearance o Superman, this is currently #31 on Overstreelist o the top Golden Age books. The cover art is by Leo O’Mealia. CGnotes, “2 pieces o tape on interior cover.” Overstreet 2011 VG 4.0 value$7,058. CGC census 1/12: 3 in 4.5, 2 higher.

91004 Action Comics #5 Billy Wright pedigree (DC, 1938) CGC VG4.5 O-white to white pages. One o Overstreet’s Top 50 Golden Abooks, this is tougher to nd than Action #1! Superman didn’t make tcover o his th appearance. While this book is airly low-grade owing spine and back-cover issues, the ront cover presents very well, and as tcensus ino below indicates, there are not many better ones known to thobby. Leo O’Mealia is the cover artist. Overstreet 2011 VG 4.0 value$4,000. CGC census 1/12: 3 in 4.5, 7 higher.





91005 Action Comics #6 Billy Wright pedigree (DC, 1938) CGC VF+ 8.5 O-white to white pages. This is the only copy graded above 7.0 to and one o just three graded above 6.0! We’re talking about one o Overstreet’s top 50 Golden Age comics. This very early Superman adventure (the o Tomorrow’s sixth appearance) also has the debut o an unnamed “ofce boy,” who according to Overstreet as well as DC’s own Who’s Who is other than Jimmy Olsen. That’s a pretty important debut in its own right, considering that Superman’s Pal later starred in his own comic that ratwenty years! We’d be remiss i we didn’t note that this may be DC’s rst-ever gorilla cover — a theme the publisher would return to over and over in decades, to the delight o many ans including us. Leo O’Mealia is the cover artist. Overstreet 2011 VF 8.0 value = $15,000; VF/NM 9.0 value = $24CGC census 1/12: 1 in 8.5, none higher.




91006 Action Comics #8 Billy Wright pedigree (DC, 1939) CGC VG- 3.5 White pages. A difcbook to nd in any grade. Superman’s rst use o super-hearing was in this issue. Fred Guardinecover art. CGC notes, “3 pieces o tape on interior cover.” Overstreet 2011 VG 4.0 value = $2,588. CGcensus 1/12: 1 in 3.5, 2 higher.

91007 Action Comics #9 Billy Wright pedigree (DC, 1939) CGC VG/FN5.0 O-white to white pages. This issue is so tough that the copy oeredhere is one o just two graded above VG- 3.5! Just to illustrate the strongdemand or this issue: Heritage sold the only higher-graded copy (7.0) in2008, when it etched $19,120 or quadruple the Guide value at the time!

This was just the second cover ever to mention Superman’s name (#7 being

the rst, even #1 did not have his name)! That shows that by this time, eightmonths ater #1, DC had an early inkling that Superman was the charac-ter who was selling this anthology series. The cover illustration is by FredGuardineer. Overstreet 2011 VG 4.0 value = $2,588; FN 6.0 value = $3,882.CGC census 1/12: 1 in 5.0, 1 higher.

91008 Action Comics #11 Billy Wright pedigree (DC, 1939) CGC GD/VG 3.0 O-white to white pages. Just the oucover o the series to show Superman’s name. Fred Guardineer cover and art. CGC notes, “3 pieces o tape on interior coveOverstreet 2011 GD 2.0 value = $735; VG 4.0 value = $1,470. CGC census 1/12: 1 in 3.0, 12 higher.





91009 Action Comics #12 Billy Wright pedigree (DC, 1939) CGC GD+ 2.5 O-white to white pages. This is just thecopy we’ve oered, and also the best copy we’ve oered, which should tell you something about how tough these arnd in anything but the lowest grades! This is rom beore Superman was the permanent cover eature — here, that hwent to Zatara, drawn by Fred Guardineer. CGC notes, “Tape on entire spine o interior cover.” Overstreet 2011 GD 2.0 v

= $824. CGC census 1/12: 1 in 2.5, 5 higher.

91010 Action Comics #13 Billy Wright pedigree (DC, 1939) CGC VG/FN 5.0 O-white to whitepages. The ourth Superman cover appearance. The scarcity o this book is very underrated — inact, this is actually the rst complete copy o #13 Heritage has ever oered (or comparison’s sake,we have sold ourteen Action #1s in that time)! Issues #1, 7, and 10 were the only previous Supermancovers, and o course the character did not become the permanent cover star until #19. Rememberthat the sight o a man stopping a train, commonplace in comics in years to come, was brand new at

the time! One o Overstreet’s top 100 Golden Age books. Overstreet 2011 VG 4.0 value = $3,530; FN6.0 value = $5,295. CGC census 1/12: 1 in 5.0, 5 higher.

91011 Action Comics #14 Billy Wright pedigree (DC, 1939) CGC 8.5 O-white to white pages. The highest-graded copy o an early Acis a marquee comic in anyone’s book! The next-highest copies are gr7.5. This one’s rom the era beore Superman became the permanent ceature, it’s the second and last cover to showcase Zatara the magician.Guardineer cover art. Overstreet 2011 VF 8.0 value = $5,513; VF/NM 9.0 v= $9,007. CGC census 1/12: 1 in 8.5, none higher.




91012 Action Comics #15 Billy Wright pedigree (DC, 1939) CGC FN/VF 7.0 O-white to white pages. The th Superman cover, this issue issomewhat o a bargain in our eyes, though as the best copy we’ve everoered, the nal price o this one might put that statement to the lie! Theissue date o 8/39, two months beore Marvel Comics #1, is noteworthy.Overstreet 2011 FN 6.0 value = $3,354; VF 8.0 value = $8,385. CGC census1/12: 3 in 7.0, 2 higher.

91013 Action Comics #18 Billy Wright pedigree (DC, 1939) CGC FN6.0 O-white to white pages.The last non-Superman cover o the series.Cover art by Fred Guardineer. Overstreet 2011 FN 6.0 value = $1,554. CGCcensus 1/12: 3 in 6.0, 4 higher.

91014 Action Comics #19 Billy Wright pedigree (DC, 1939) CGC V7.5 O-white to white pages. Easily the best copy we’ve ever sold o tearly Superman outing. This issue actually marked the run o consective Superman covers that continued all the way to the present day. JShuster cover. Overstreet 2011 VF 8.0 value = $6,398. CGC census 1/12in 7.5, 2 higher.

91015 Action Comics #23 Billy Wright pedigree (DC, 1940) CGC FN6.5 White pages. Two major rsts here: the rst appearance o Lex Luth(who appears with red hair) and the rst mention o the Daily Planet.rst o a dierent kind: this is the rst copy certied “white pages” thHeritage has oered. Joe Shuster cover and art. Overstreet 2011 FN 6value = $2,838; VF 8.0 value = $6,906. CGC census 1/12: 4 in 6.5, 6 high





91016 Action Comics #24 Billy Wright pedigree (DC, 1940) CGCFN/VF 7.0 O-white to white pages. This one doesn’t oten turn up inmid grade or better. Clark Kent’s employer is called the Daily Planet orthe rst time here, previously it was the Daily Star. Joe Shuster cover art.Overstreet 2011 FN 6.0 value = $1,269; VF 8.0 value = $2,938. CGC census1/12: 1 in 7.0, 5 higher.

91017 Action Comics #26 Billy Wright pedigree (DC, 1940) CGC FN+6.5 O-white to white pages. Superman cover by Wayne Boring. CGCnotes, “Tape stain on cover.” Overstreet 2011 FN 6.0 value = $1,098; VF 8.0value = $2,562. CGC census 1/12: 3 in 6.5, 7 higher.

91018 Action Comics #27 Billy Wright pedigree (DC, 1940) CGCVF- 7.5 O-white to white pages. Superman cover by Paul Cassidy.

Overstreet 2011 VF 8.0 value = $2,562. CGC census 1/12: 2 in 7.5, 2 higher.

91019 Action Comics #29 Billy Wright pedigree (DC, 1940) NM 9.4 O-white to white pages. This is the highest-graded copywide margin (the runner-up being 8.0). It’s wonderul to see a high-gcopy o this early Lois Lane cover appearance — Lois’s very rst accing to Overstreet (i you tend to give issues #23, 24, or 27 the nod, yoin luck, as those issues are oered in this same auction). What’s ccut is that the copy shown here is the best one ever oered or psale. Superman cover by Wayne Boring. Overstreet 2011 NM- 9.2 va$7,000. CGC census 1/12: 1 in 9.4, none higher.

91020 Action Comics #30 Billy Wright pedigree (DC, 1940) CG8.0 O-white to white pages. Superman cover. Overstreet 2011 Vvalue = $2,562. CGC census 1/12: 3 in 8.0, 8 higher.




91021 Action Comics #31 Billy Wright pedigree (DC, 1940) CGC NM-9.2 O-white to white pages. The best copy Heritage has ever oered o this Superman outing. The ring squad cover is credited to Joe Shusterand Wayne Boring. Overstreet 2011 NM- 9.2 value = $4,000. CGC census1/12: 2 in 9.2, 1 higher.

91022 Action Comics #32 Billy Wright pedigree (DC, 1941) CGC VF-7.5 White pages. Fred Ray electric chair cover. A side note: CGC notes therst appearance o the Krypto Ray Gun. This was a projector device in theshape o a gun, and its presence in the story was early “product place-ment,” tying in with a toy released around the same time. Overstreet 2011VF 8.0 value = $1,651. CGC census 1/12: 4 in 7.5, 1 higher.

91023 Action Comics #33 Billy Wright pedigree (DC, 1941) CGC V8.0 White pages. Superman cover by Wayne Boring. Overstreet 2011 8.0 value = $1,694. CGC census 1/12: 4 in 8.0, none higher.

91024 Action Comics #34 Billy Wright pedigree (DC, 1941) CGC VNM 9.0 White pages. Fred Ray cover art eaturing Superman. Overstre2011 VF/NM 9.0 value = $2,757; NM- 9.2 value = $3,900. CGC census 1/3 in 9.0, 2 higher.





91025 Action Comics #36 Billy Wright pedi-gree (DC, 1941) CGC VF+ 8.5 White pages. Classic robot cover by Fred Ray. Overstreet 2011VF 8.0 value = $1,651; VF/NM 9.0 value = $2,826.CGC census 1/12: 2 in 8.5, 2 higher.

91026 Action Comics #37 Billy Wright pedi-gree (DC, 1941) CGC NM 9.4 White pages. Thehighest-graded copy by a tidy margin, with therunner-up being the Larson copy at 9.0. Look atthe green block at the top o this one and you’llbe a believer! The Superman cover is by Fred Ray.

This issue is “broken out” in Overstreet thanks tohaving the origin o DC long-timer Congo Bill.Overstreet 2011 NM- 9.2 value = $3,950. CGC

census 1/12: 1 in 9.4, none higher.

91027 Action Comics #39 Billy Wright pedi-gree (DC, 1941) CGC VF 8.0 O-white to whitepages. The midnight sky looks antastic onthis copy! Early German war cover by Fred Ray.Overstreet 2011 VF 8.0 value = $1,613. CGC cen-sus 1/12: 2 in 8.0, 2 higher.

91028 Action Comics #40 Billy Wright pedi-gree (DC, 1941) CGC VF+ 8.5 O-white towhite pages. First appearance o Star SpangledKid and Stripesy. Superman cover by Fred Ray.Overstreet 2011 VF 8.0 value = $1,651; VF/NM9.0 value = $2,826. CGC census 1/12: 2 in 8.5, 1higher.




91029 Adventure Comics #40 Billy Wright pedigree (DC, 1939) CGC VF 8.0 White pages. This is one o the teen most valuable comic book issuin the hobby, and when we rst laid eyes on this copy beore it was certied, we knew it would be the highest-graded copy.

Not only is this one o the toughest keys to nd in high grade, it’s one o the toughest, period (compare the 14 unrestored copies that have been certieto the 32 Action #1s). It’s also notable that this book is missing rom most o the big-name pedigree collections — to the best o our knowledge the onother pedigree copy that has been certied is the Mile High copy, which unortunately is a restored book.

The debut o the Sandman in Adventure, this is the rst superhero issue o one o DC’s earliest and longest-running books. Creig Flessel’s amous covart only adds to the appeal.

This is certainly the rst copy we’ve oered to be certied “white pages.” We think this copy’s grade will stand up to scrutiny, and as with other books rothis collection, the absence o any cover marking is a major plus. Overstreet 2011 VF 8.0 value = $47,000. CGC census 1/12: 1 in 8.0, none higher.





91030 Adventure Comics #41 Billy Wright pedigree (DC, 1939)CGC VF+ 8.5 O-white to white pages. One o only two copies gradedabove 6.5. The Sandman, who rst appeared in the previous issue, returns.Fantastic shark cover by Leo O’Mealia. Overstreet 2011 VF 8.0 value =$4,350; VF/NM 9.0 value = $7,675. CGC census 1/12: 1 in 8.5, 1 higher.

91031 Adventure Comics #52 Billy Wright pedigree (DC, 1940) CGCNM- 9.2 O-white to white pages. Only the esteemed Mile High copyhas been graded higher than this one. This is the third cover appearanceo the Hourman, with cover art by Bernard Baily. The high issue numberbelies how early this one is: it has the same cover date as All-American #16 (which is oered in this same auction). Overstreet 2011 NM- 9.2 value= $4,000. CGC census 1/12: 2 in 9.2, 1 higher.

91032 Adventure Comics #53 Wright pedigree (DC, 1940) CGC NM 9.0 White pages. One o just twoies graded above 8.0 to date. Bernard cover eaturing the Hour-Man. Overs

2011 VF/NM 9.0 value = $2,826; NMvalue = $4,000. CGC census 1/12: 1 in 9higher.

91033 Adventure Comics #54 BillyWright pedigree (DC, 1940) CGC VF 8.0O-white to white pages. Hour Man andSandman eatures. Cover by Bernard Baily.Overstreet 2011 VF 8.0 value = $1,651. CGCcensus 1/12: 1 in 8.0, 3 higher.

91034 Adventure Comics #55 Wright pedigree (DC, 1940) CGC VF+O-white to white pages. Bernard cover eaturing the Hour-Man. Overs2011 VF 8.0 value = $1,651; VF/NM 9.0 v= $2,826. CGC census 1/12: 3 in 8.5, 1 hi

91035 Adventure Comics#61 Billy Wrightpedigree (DC, 1941)CGC FN+ 6.5 Whitepages. Starman

made his rstappearance here,bumping Sandmanand the Hour-Mano o the Adventure cover where theyhad been alternat-ing top billing. Onlya couple o copieshave been gradedhigher (and note thatthe Mile High copy o #61 is a restored book). Don’t let the high issue number ool you —pretty early book, preceding the likes o Green Lantern #1 and All#8. Jack Burnley cover art. Overstreet 2011 FN 6.0 value = $3,600; Vvalue = $9,000. CGC census 1/12: 2 in 6.5, 2 higher.




91036 All-American Comics #16 Billy Wright pedigree (DC, 1940) CGC VF 8.0 O-white to

white pages. The rst appearance o Green Lantern is one o the top ve comic issues in the

hobby! This is a book that’s hard to come by in unrestored condition in any grade, and this is one

o just two copies that have earned a grade higher than FN 6.0.

In act, inspect this copy closely and you might like it even more than the 8.0 grade would indi-

cate. Foxing in some areas is the only noteworthy deect we can even see — the book is attached

rmly onto the staples and there is no spine split. Nor is there any rust on the staples.

“The” Green Lantern (as he was originally known) became a breakout character. Overstreet noted,

“The ancient able o the magic lamp was transormed into a modern and more accessible, moremysterious orm. The Green Lantern’s chant became a staple o school boy mythology.” Jim

Steranko gave some credit or the strip’s popularity to the lantern chant as well: “The ceremony o

the ring charging its power by the god-like glow o the lantern was almost religious in content.”

The character was created by Martin Nodell, and the cover art or the rst issue was by Sheldon

Moldo.

Is this the most desirable book in the auction? We leave that decision to the bidders, but while

Action #1 and Detective #27 have seen high-prole copies come to auction in recent years, we

can’t remember the last time a signicant copy o this sought-ater issue was sold publicly.

Overstreet 2011 VF 8.0 value = $130,000. CGC census 1/12: 1 in 8.0, 1 higher.

ONE OF THE FINEST KNOWN COPIES OF GREEN LANTERN’S DEBUT




91037 All-American Comics #17 Billy Wright pedigree (DC, 1940)CGC VF/NM 9.0 O-white to white pages. The second Green Lanternappearance is one o Overstreet’s Top 100 Golden Age books in its ownright, so we’re thrilled to be oering the highest-graded copy! And this isactually a tougher book to nd than #16. Sheldon Moldo cover and art.Overstreet 2011 VF/NM 9.0 value = $15,180; NM- 9.2 value = $22,000. CGCcensus 1/12: 1 in 9.0, none higher.

91038 All-American Comics #18 Billy Wright pedigree (DC, 194CGC VF- 7.5 O-white to white pages. By ar the best copy we’ve seo a book that’s tough to nd in any grade! In the ten years Heritage hbeen auctioning comics we had seen just two copies previously, t“best” being a sorry GD+. Like so many other comics in this collection, this ranked among Overstreet’s top 100 Golden Age books.

The scarcity is just one part o the appeal — another is that it’s just tthird appearance o Green Lantern (with his rst two also being oerin this auction). It also has the original Atom in one panel, pre-datinthat character’s rst ull appearance in the next issue. And the SheldMoldo cover has a delightul New York World’s Fair scene, only addinto the collectibilty.

And while a 7.5 copy is major news, we would go so ar as to say the bopresents better than that grade — by all means have a look or yoursel

Overstreet 2011 VF 8.0 value = $8,740. CGC census 1/12: 1 in 7.5, no

higher.





91039 All-American Comics #19 Billy Wright pedigree (DC, 1940)

CGC VF+ 8.5 O-white pages. This is the only copy graded above 7.0as o this writing. This is one o Overstreet’s Top 50 Golden Age books inno small part because o its scarcity — we hadn’t oered a copy in anygrade in six years. It’s the rst appearance o the original Atom and alsoone o the earliest Green Lantern appearances. Even given some o theoutstanding collections we’ve brought to market over the years, a run o All-American #16-20 is unheard-o, no matter what the grade, and wecouldn’t be prouder to be oering one here. Overstreet 2011 VF 8.0 value= $14,600; VF/NM 9.0 value = $26,800. CGC census 1/12: 1 in 8.5, nonehigher.

91040 All-AmericanComics #20 BillyWright pedigree (DC,1940) CGC VF+ 8.5 O-white to white pages. Not only the highest-graded copy, this is theonly one graded above7.5 to date. It’s one o the earliest appear-ances o Green Lantern,who debuted in #16.It’s also the rst appear-ance o the original Red Tornado, a comic relie character who wore anupside-down pot on herhead (and yes, we didsay her ) and became aregular in this title. Also,this issue has the sec-ond appearance o theAtom, and the frst timethat character donneda costume. Overstreet2011 VF 8.0 value =

$3,950; VF/NM 9.0 value= $6,975. CGC census1/12: 1 in 8.5, none higher.

91041 All Star Comics #1 Billy Wpedigree (DC, 1940) CGC Qualifed VO-white to white pages. Flash, HawkSpectre, Sandman, Hourman, and Ultraall have stories in this inaugural issue oan-avorite title. CGC notes, “Large coumissing rom 25th page, does not astory. Incomplete.” Overstreet 2011 GDvalue = $1,185; VG 4.0 value = $2,370; F

value = $3,555; VF 8.0 value = $8,900.

91042 All Star Comics #2 Billy Wrightpedigree (DC, 1940) CGC Qualifed VF/NM9.0 O-white to white pages. In terms o eyeappeal this is the best copy we have seen. Forcomparison’s sake, the top blue-label copieson CGC’s census are a single 9.2 and a single8.5. The cover eatures gure swipes o theFlash (rom Flash Comics #8), and the Spectre(swiped rom a story in All Star Comics #1),and then there’s the Green Lantern, who isswiped rom the All-American Comics #16

cover which in turn was swiped rom an AlexRaymond Flash Gordon Sunday! CGC notes,“Large coupon missing rom 25th page, doesnot afect story. Incomplete.” Overstreet 2011GD 2.0 value = $508; VG 4.0 value = $1,016; FN 6.0 value = $1,524; Vvalue = $3,708; VF/NM 9.0 value = $6,554.




91043 All Star Comics #3 Billy Wright pedigree (DC, 1940) CGC VF+ 8.5 O-white to white pages. An unrestored high-grade copy o All Star #3very seldom oered or sale. A key comic in anyone’s book, this ranks #16 on Overstreet’s top Golden Age list. In some quarters this issue is held in ev

higher esteem, as the Justice Society o America, which made its rst appearance here, enjoyed a anatical ollowing in its heyday and thereater.

This isn’t just the rst appearance o this superhero group, it’s the rst appearance o any superhero group! “A breakthrough concept, second in impotance only to the creation o the super hero” is how Overstreet once summarized the signicance o this issue. Some have even advanced the theothat the concept was unprecedented in all o ction, as even the Knights o the Round Table didn’t hold meetings beore joining to vanquish a commoopponent!

The cover image is one o the most amous in the history o comics, and it’s been imitated and paid homage to on many occasions (E. E. Hibbard is genally credited with the cover art). Shown here are the Atom (that character’s rst appearance on any comic cover), the Sandman, the Spectre, the FlaHawkman, Dr. Fate, Green Lantern, and the Hour-Man. Paul Levitz’s recent book noted that some point to the end o the All Star series in 1951 as the eo the Golden Age, a strong testament to the inuence o this title.

Many books could be written about All Star and the Justice Society (in act Roy Thomas alone has written our books on the subject!), so we will get to ttopic on everyone’s mind: what is this comic worth? GPAnalysis notes a 2007 sale o a 7.0 copy (not at Heritage) or $18,500, and o course we auctionthe 9.6 Mile High copy or $126,500 back in 2002, or years beore six-gure prices or major key books became relatively commonplace. That makes tcopy oered here tough to gure, and should make or an interesting ew minutes when this lot is called.

Overstreet 2011 VF 8.0 value = $34,000; VF/NM 9.0 value = $62,000. CGC census 1/12: 1 in 8.5, 2 higher.





91044 All Star Comics #4 Billy Wright pedigree (DC, 1941) CGCNM- 9.2 White pages. It’s the rst adventure o the Justice Society o America! I you ask how that could be given that they rst appeared in#3, it’s because they spent #3 sitting around that amous meeting tabletelling stories. Here, they spring into action. E. E. Hibbard is credited withthe cover art. Overstreet 2011 NM- 9.2 value = $9,800. CGC census 1/12: 2in 9.2, 1 higher.

91045 All Star Comics #5 Billy Wright pedigree (DC, 1941) CGCNM 9.0 White pages. An “unorgiving” black cover is this issue’s cubut it’s a blessing when a high-grade copy is what you have in hanaddition to being just the third Justice Society issue, this book is notethy or the moment that Shiera Sanders dons Hawkman’s spare costto become “Hawkwoman” — o course, Shiera is the uture Hawkgirlthis may well be the rst comic book appearance o a costumed suheroine. Howard Purcell is credited with the cover art. Overstreet VF/NM 9.0 value = $5,925; NM- 9.2 value = $8,500. CGC census 1/129.0, 4 higher.

91046 All Star Comics #7 Billy Wright pedigree (DC, 1941) CGC9.4 White pages. Last but ar rom least in our All Star run is this ing copy, tied with the Hawkeye copy as the best CGC has certiedissue would be the rst time that Batman and Superman would apin a story together, about a year ater they shared the cover o New World’s Fair 1940 (also available in this auction). Justice Society covE. E. Hibbard. Overstreet 2011 NM- 9.2 value = $5,800. CGC census 1/in 9.4, none higher.




91047 Batman #1 Billy Wright pedigree (DC, 1940) CGC VF+ 8.5 White pages.

Unrestored, high-grade copies o major Golden Age keys top everyone’s wantlists, and

this is a major key by anyone’s denition. Just ve comics have higher Guide values (our

o which are oered in this same auction), yet we wonder i “top o Guide” or this book

should actually be higher!

Despite oering more than 50 copies o this book over the years, this is just the second

unrestored copy we’ve had that was certied “white pages.”

The issue has the rst appearances o both the Joker and Catwoman, who o course are

among the very ew comic book villains to have attained true “household name” sta-

tus. Also o note is a classic (and much-imitated) cover by Bob Kane and the late Jerry

Robinson. Overstreet 2011 VF 8.0 value = $100,000; VF/NM 9.0 value = $192,500. CGC

census 1/12: 3 in 8.5, 3 higher.

SUPERB COPY OF ONE OF THE MOST DESIRABLE COMICS OF ALL




91048 Batman #2 Billy Wright pedigree (DC, 1940) CGC VF+ 8.5 O-white to white pages. One o Overstreet’s Top 50 Golden Age books. O courissue #1 is now so expensive in high grade that it’s out o the reach o most, so it might be time to secure #2 beore this issue ollows suit.

Not only is this just the second appearance o both the Joker and Catwoman, it’s the rst appearance o the name “Catwoman,” since this classic villainewas called “the Cat” in her rst outing in #1. Bob Kane and Jerry Robinson are credited with the cover art.

Since this meaty 64-pager had our Batman stories, kids would read it again and again, which is why most existing copies are scued, smudged, anspine-split. This is a superb opportunity to nally secure one in high grade. Overstreet 2011 VF 8.0 value = $12,500; VF/NM 9.0 value = $23,750. CGC cesus 1/12: 2 in 8.5, 2 higher.





91049 Batman #4 Billy Wright pedigree (DC, 1940) CGC VF+ 8.5 O-white to white pages. This early issue has very unorgiving red and black suraces, hence the low number o high-grade copies. Notable events inthis issue are the ourth appearance o the Joker (he was in two previ-ous Batmans and one Detective) and the rst mention o Gotham Cityin a Batman comic. Cover art by Bob Kane and Jerry Robinson. Overstreet2011 VF 8.0 value = $5,920; VF/NM 9.0 value = $10,460. CGC census 1/12:4 in 8.5, 2 higher.

91050 Batman #5 Billy Wright pedigree (DC, 1941) CGC VF/NM 9.0White pages. First appearance o the Batmobile with its bat-head ront.

The Bat emblem was let o o Batman’s chest on this cover by Bob Kane.Overstreet 2011 VF/NM 9.0 value = $7,675; NM- 9.2 value = $11,000. CGCcensus 1/12: 3 in 9.0, 5 higher.

91051 Batman #6 Billy Wright pedigree (DC, 1941) CGC VFWhite pages. Bob Kane and Jerry Robinson cover and art. Overs2011 VF 8.0 value = $3,750. CGC census 1/12: 6 in 7.5, 22 higher.

91052 Batman #7 Billy Wright pedigree (DC, 1941) CGC NMWhite pages. One o the most recognizable covers o the series’ earlhas never looked better than on this copy! CGC’s note “Batman beworking with police” points out that this is still an early issue — yrecall that Batman began as a mysterious vigilante-like gure. Bob Kathe cover artist. Overstreet 2011 NM- 9.2 value = $9,500. CGC census 1 in 9.2, none higher.




91053 Batman #15 Billy Wright pedigree (DC, 1943) CGC VF/NM9.0 White pages. Every schoolboy knows that Batman never uses a gun,right? The act that he does here makes this a collectible issue, and we’venever seen a nicer copy. Jack Burnley cover art. Overstreet 2011 VF/NM9.0 value = $3,849; NM- 9.2 value = $5,500. CGC census 1/12: 2 in 9.0, nonehigher.

91054 Boy Commandos #1 Billy Wright pedigree (DC, 1942) CGCVF/NM 9.0 O-white to white pages. Only the Mile High and Vancouvercopies have been graded higher than this superb specimen. Cover and artby Simon and Kirby. Overstreet 2011 VF/NM 9.0 value = $4,900; NM- 9.2value = $7,000. CGC census 1/12: 1 in 9.0, 2 higher.

91055 Detective Comics #6 Billy Wrigpedigree (DC, 1937) CGC VG/FN 5.0 Owhite pages. Speed Saunders by CreFlessel is the cover eature o this early DC, months beore Action #1. Overstreet 20VG 4.0 value = $1,840; FN 6.0 value = $2,76CGC census 1/12: 1 in 5.0, 3 higher.

91056 Detective Comics #7 Billy Wrightpedigree (DC, 1937) CGC FN 6.0 O-whiteto white pages. Creig Flessel cover art. Thisis just the th copy we’ve oered o thisearly issue. Overstreet 2011 FN 6.0 value =$2,760. CGC census 1/12: 1 in 6.0, 3 higher.

91057 Detective Comics #8 Billy Wright pedigree (DC, 1937) CGVF- 7.5 O-white pages. This shows you how early the Wright colletion started: this book is one o the rst 250 or so comics ever publisheand pre-dated Action #1 by eight months, but when it came out, BiWright had already been buying DCs or 21 months! The classic cover aor this issue is credited to Creig Flessel (i the art looks amiliar, it’s proably because it was appropriated or the oddball Atomic Comics someight years later). Overstreet 2011 VF 8.0 value = $7,700. CGC census 1/12 in 7.5, 2 higher.





91058 Detective Comics #9 Billy Wright ped-igree (DC, 1937) CGC VG- 3.5 O-white pages.

This is the rst copy o #9 we have ever oered!Almost all o the pre-Batman Detective issues areconsidered tough to come by, so we’re thrilled tobe oering a number o them here. Creig Flesselcover art. Overstreet 2011 VG 4.0 value = $1,840.CGC census 1/12: 1 in 3.5, 5 higher.

91059 Detective Comics #11 Billy Wrightpedigree (DC, 1938) CGC VG- 3.5 Cream to o-white pages. Creig Flessel portrayed the dapper

Speed Saunders on this wonderul cover, whichis one o the better covers o Detective‘s pre-Bat-man run. CGC notes, “5 pieces o tape on interiorcover.” Overstreet 2011 VG 4.0 value = $1,440.CGC census 1/12: 1 in 3.5, 10 higher.

91060 Detective Comics #12 Billy Wrightpedigree (DC, 1938) CGC VG/FN 5.0 O-whitepages. This pre-Action #1 issue is tough to ndin any grade — this is just the th dierent copywe have auctioned. Creig Flessel is the cover art-ist. Overstreet 2011 VG 4.0 value = $1,440; FN6.0 value = $2,160. CGC census 1/12: 1 in 5.0, 4higher.

91061 Detective Comics #14 Billy Wrightpedigree (DC, 1938) CGC FN 6.0 O-white towhite pages. Here’s how tough mid- to high-grade copies o this issue are: in 2001 we sold thelone 7.0 copy (in the very early days o CGC andits census), and in the ensuing 10 years no copyhas come along to top it. This one comes closeat least, and collectors o pre-hero Detectiveshave been waiting a long time or a copy thisnice. Creig Flessel cover art. Overstreet 2011 FN6.0 value = $2,160. CGC census 1/12: 1 in 6.0, 2higher.

91062 Detective Comics #15 Billy Wrightpedigree (DC, 1938) CGC FN 6.0 O-white

pages. The best copy we’ve oered o an issuethat came out a month beore Action #1. In act,the issue even contains a “coming soon” ad orAction #1! Superman creators Jerry Siegel andJoe Shuster actually drew two stories or thisissue as well. Creig Flessel cover art. Overstreet2011 FN 6.0 value = $2,160. CGC census 1/12: 3 in6.0, 2 higher.

91063 Detective Comics #16 Billy Wpedigree (DC, 1938) CGC FN/VF 7.0 Wpages. Creig Flessel provided the cover arthis issue. The book was on the stands asame time as Action #1, and has an ad inside! Overstreet 2011 FN 6.0 value = $2,168.0 value = $3,960. CGC census 1/12: 2 in 7higher.

91064 Detective Comics #17 Billy Wpedigree (DC, 1938) CGC VF 8.0 White pa

This issue has the rst appearance o DManchu in Detective. Creig Flessel is the cartist. Overstreet 2011 VF 8.0 value = $3,960.census 1/12: 2 in 8.0, 1 higher.




91065 Detective Comics #18 Billy Wright pedigree (DC, 1938) CGCVF- 7.5 White pages. The cover is a classic in most anyone’s book. CreigFlessel is the artist, Fu Manchu the character. Unrestored copies o thisissue are tough to come by, and this is the highest-graded one we’ve eversold.

Batman was nine months away and Superman had been in just threecomics when this issue hit the stands. Fu Manchu was actually the staro a eature at this time, and the lineup o good guys included the likeso Slam Bradley (two-sted sleuth), Speed Saunders (plainclothes cop),Buck Marshall (range-ridin’ detective), Bart Regan (spy), and Cosmo (“thephantom o disguise”). A real gem among early DCs. Overstreet 2011 VF8.0 value = $6,325. CGC census 1/12: 2 in 7.5, 1 higher.

91066 Detective Comics #21 BillyWright pedigree (DC, 1938) CGC FN+ 6.5O-white to white pages. Not just the high-est-graded copy, this is the only one gradedabove 4.0! And we might as well mentionthat the Mile High copy o this book bears a“qualied 9.0” grade thanks to a long spinesplit. So the Billy Wright copy is by ar thebest available blue-label option. It’s the sec-ond appearance o the Crimson Avenger bythe way. Lee O’Mealia cover art. Overstreet2011 FN 6.0 value = $1,740; VF 8.0 value= $3,190. CGC census 1/12: 1 in 6.5, nonehigher.

91067 Detective Comics #22 Billy Wright pedigree (DC, 1938) CGFN/VF 7.0 O-white to white pages. This is just the second superhecover in the history o comics! It’s tied or that honor with Action #7, wo course only Action #1 coming earlier. Beore Batman came along, ttitle had the Crimson Avenger, and this is his only cover appearance the series (though a ew hardy dissenters aver that the masked ellow #34 is this character). Jim Chambers is the cover artist. Overstreet 20FN 6.0 value = $2,310; VF 8.0 value = $4,235. CGC census 1/12: 2 in 7.0higher.

91068 Detective Comics #24 Billy Wrigpedigree (DC, 1939) CGC FN- 5.5 Whpages. One o the very toughest Detectiissues to nd, both in our opinion and tho Ernst Gerber, who gave it a scarcity ratio “8.” The cover art is by Fred Guardinewho also drew the Speed Saunders eatuinside the book. Just the third copy we’ever oered, and the best one o the buncOverstreet 2011 FN 6.0 value = $1,740. CGcensus 1/12: 1 in 5.5, 3 higher.

91069 Detective Comics #26 Billy

Wright pedigree (DC, 1939) CGC VG 4.0O-white to white pages. The title o the series accurately describes both FredGuardineer’s cover and the contents... butthere was this announcement at the top o a gag page: “The Batman! This new thrillingadventure strip starts in the May issue o Detective Comics! Don’t miss it!” Overstreet2011 VG 4.0 value = $1,140. CGC census 1/12:2 in 4.0, 6 higher.




91070 Detective Comics #27 Billy Wright pedigree (DC, 1939) CGC FN+ 6.5 O-white to white

pages. The rst appearance o Batman is currently considered the second most-valuable comic in the

hobby. However, it has had the #1 spot beore, and it’s not inconceivable that it could regain it, as Batman

is a collector many preer to Superman. Batman has certainly been more o a pop culture presence than

Superman in recent years.

To put the 6.5 grade in perspective, no copy has received a grade higher than 8.0 rom CGC to date. The

“o-white to white” page quality is the best page quality certication we’ve seen or this issue (aside rom

copies that owed their white pages to restoration).

As with the majority o comics rom this collection, this copy has no writing or marking rom a newsdealer

or previous owner on the cover. The other thing that struck us as we examined this copy was that Bob

Kane’s signature at the bottom is almost entirely visible -- most copies you’ll nd do not have the “Kane”

visible. When this issue was released with a May 1939 cover date, Superman was the only other superhero

on the stands, save or the now-obscure likes o the Arrow and the Crimson Avenger. So it’s no wonder that

the striking cover by Kane made a strong impact. It has taken its place as one o the most amous covers in

the history o comics. Kane and writer Bill Finger (generally credited these days as a co-creator o the char-

acter) produced a hero to rival Superman without imitating the earlier character. As Jim Steranko noted,

“Superman had given DC its strength, but Batman gave it tone. O course, Superman was more impres-

sive... but Batman was more ascinating.”

“The Bat-Man” appeared in a six-page story that also introduced the character o Commissioner Gordon.

The second-to-last panel revealed that this mysterious gure was in act Bruce Wayne, introduced earlier

in the story.

It’s a special treat to be able to oer this book as part o a Detective run, allowing the hobbyist to compare

and contrast the subsequent issues with what came beore!

While o course not every existing comic has been CGC-certied, many o the notable Golden Age pedigree

comic collections have lacked this key issue. It was notably absent among the Lamont Larson collection and

the Davis Crippen “D” Copies, two o the ew pedigree collections which began early enough to encompass

this book’s May 1939 cover date.

Overstreet 2011 FN 6.0 value = $240,000; VF 8.0 value = $600,000. CGC census 1/12: 3 in 6.5, 6 higher.

A POP CULTURE PHENOMENON DEBUTS




91071 Detective Comics #28 Billy Wright pedigree (DC, 1939) CGC VF 8.0 O-white to white pages. The second appearance o Batman is a boso tough to nd in unrestored condition that we’ve only oered one in better condition than Poor in our ten years o auctioning vintage comics.

While Batman obviously didn’t make the cover except or a blurb, he was the lead eature in the book, indicating that DC knew they had a winner on thehands. The story o the “Bat-Man” (written thus inside i not on the cover) was the second and last to be signed “Rob’t Kane.”

Fred Guardineer is the cover artist o this early issue, which Overstreet lists among the 50 most valuable Golden Age comic books. Overstreet 2011 VF 8value = $22,500. CGC census 1/12: 1 in 8.0, 2 higher.





91072 Detective Comics #29 Billy Wright pedigree (DC, 1939) CGC FN/VF 7.0 O-white to white pages. The second-ever Batman cover is adesirable book indeed, and it’s ranked among the top 20 Golden Age books by Overstreet. The cover art by Bob Kane is simply electriying, and we wargue that Batman is more “in character” here than on his rst appearance in #27. This is the Darknight Detective that every comic collector knowsloves! This book is seldom ound in unrestored condition, and this is the best copy to be oered or public sale in the CGC era. Overstreet 2011 FN 6.0 = $14,400; VF 8.0 value = $36,000. CGC census 1/12: 2 in 7.0, 2 higher.




91073 Detective Comics #30 Billy Wright pedigree (DC, 1939) CGCVF/NM 9.0 Of-white to white pages. Batman’s ourth appearancedoesn’t come along much in any grade, and certainly not in an unrestoredhigh grade. Overstreet mentions the “classic Batman splash panel” — it’s agrim Batman looming over the top third o the rst page. In these choiceearly issues, the Bat-Man was a diferent character than he became in lateryears. As Rob Hughes noted, Batman “was not interested in taking pris-oners, rehabilitation or giving these law-breakers a second chance.” Likeissue #28, this one has a non-Batman cover, a airly violent scene by FredGuardineer. Overstreet 2011 VF/NM 9.0 value = $13,800; NM- 9.2 value =$20,000. CGC census 1/12: 1 in 9.0, 1 higher.

91074 Detective Comics #32 Billy Wright pedigree (DC, 1939) CGFN+ 6.5 Of-white to white pages. The sixth appearance o Batmanunknown in high grade (the two copies above this one on CGC’s cesus are both 7.5). The act that Batman isn’t on the cover tells you it’s early issue. And indeed, the early Golden Age Batman was a bit difererom the later character in some respects — not only does he use a gin #32, he shoots two villains while they’re asleep! Overstreet calls it t“rst time a costumed hero used a gun in comic books.” Cover art by FreGuardineer. Overstreet 2011 FN 6.0 value = $2,757; VF 8.0 value = $6,70CGC census 1/12: 2 in 6.5, 2 higher.





91075 Detective Comics #34 Billy Wright pedigree (DC, 1939) CGCVF/NM 9.0 O-white to white pages. It’s unexpected to see this book in this grade, but scrutinize our scan and we think you’ll agree that thiscopy is the real deal. As with so many o the Wright books, the act thatthis one lacks any sort o cover marking is a major plus. The “large logo”block at the top is simply outstanding! This is the last non-Batman covero Detective Comics. The cover art is by Creig Flessel. Overstreet 2011 VF/NM 9.0 value = $8,718; NM- 9.2 value = $12,500. CGC census 1/12: 1 in 9.0,1 higher.

91076 Detective Comics #35 Billy Wright pedigree (DC, 1940) VG 4.0 O-white to white pages. One o Overstreet’s Top 100 GoAge books, this is a xture on wantlists and sells or a pretty penny ingrade as the Guide values annually scramble to catch up. So why are tso ew copies that are graded higher than this VG? It’s because survcopies are almost invariably in really bad shape or restored (or both)book is in-demand or a number o reasons. The creepy hypodermicdle cover is a avorite (note how long Batman’s ears are!). Then there’act that it’s just the th cover appearance o the character (the prevones being #27, 29, 31, and 33). And many remember the issue’s spanel with an angry Batman holding a smoking gun... yes, we said a It’s been three years since we’ve oered a copy that wasn’t restored“beater,” and plenty o demand has built up in that time. Overstreet 2VG 4.0 value = $5,000. CGC census 1/12: 4 in 4.0, 4 higher.




91077 Detective Comics #39 Billy Wright pedigree (DC, 1940) CGCVF- 7.5 O-white to white pages. Cover by Bob Kane and the late JerryRobinson. An early appearance or both Batman and Robin, especiallythe latter whose world premiere was #38! Overstreet 2011 VF 8.0 value =$5,526. CGC census 1/12: 4 in 7.5, 2 higher.

91078 Detective Comics #40 Billy Wright pedigree (DC, 1940) CGVF/NM 9.0 O-white pages. The rst cover appearance o the Joker wright here! The Joker story that was intended or this issue was insteused in Batman #1. The issue also had the origin and rst appearanceClayace. And o course it’s an early outing or Robin who rst appearin #38. Bob Kane and Jerry Robinson cover and art. Overstreet 2011 VNM 9.0 value = $11,506; NM- 9.2 value = $16,500. CGC census 1/12: 3 9.0, 1 higher.





91079 Detective Comics #41 Billy Wright pedigree (DC, 1940) CGCVF+ 8.5 O-white to white pages. Robin’s rst solo story. Bob Kanecover and art. Overstreet 2011 VF 8.0 value = $2,918; VF/NM 9.0 value =$5,109. CGC census 1/12: 1 in 8.5, 3 higher.

91080 Detective Comics #42 Billy Wright pedigree (DC, 1940) CGCVF+ 8.5 O-white to white pages. Easily the best copy we’ve sold o this early Robin appearance. The uniorm blue o Batman’s costume hasnever looked better than here! Bob Kane and Jerry Robinson cover art.Overstreet 2011 VF 8.0 value = $2,163; VF/NM 9.0 value = $3,782. CGC cen-sus 1/12: 2 in 8.5, 1 higher.

91081 Detective Comics #43 Billy Wright pedigree (DC, 1940) NM 9.4 White pages. The only copy graded above 8.0 by CGC to dado we have your attention, Batman collectors? We’ve never seen a that comes close to this one. The cover art is credited to Bob Kane andlate Jerry Robinson. Overstreet 2011 NM- 9.2 value = $5,400. CGC ce1/12: 1 in 9.4, none higher.

91082 Detective Comics #44 Billy Wright pedigree (DC, 1940) NM 9.4 O-white to white pages. Easily the best copy we’ve oerethis one. Batman cover by Bob Kane and Jerry Robinson. Overstreet NM- 9.2 value = $5,400. CGC census 1/12: 3 in 9.4, none higher.




91083 Detective Comics #45 Billy Wright pedigree (DC, 1940) CGCNM- 9.2 White pages. The rst Joker story in Detective Comics is justhis third comic book appearance, and his ourth story overall (the Jokerappeared in two stories in Batman #1). Bob Kane cover and art. Overstreet2011 NM- 9.2 value = $7,700. CGC census 1/12: 1 in 9.2, 1 higher.

91084 Detective Comics #52 Billy

Wright pedigree (DC, 1941) CGC VF 8.0O-white to white pages. Batman coverby Bob Kane. Overstreet 2011 VF 8.0 value =$1,402. CGC census 1/12: 1 in 8.0, 4 higher.

91085 Detective Comics #80 BillyWright pedigree (DC, 1943) CGC VF+ 8.5O-white to white pages. One o the mostremarkable aspects o this collection is theway Billy Wright’s purchases were almostexclusively comics that became highly col-

lectible later. This one was picked up a coupleo years ater he stopped buying comics reg-ularly and o course it’s a standout issue witha Two-Face cover and story. Bob Kane andJerry Robinson cover art. Overstreet 2011 VF8.0 value = $1,003; VF/NM 9.0 value = $1,727.CGC census 1/12: 3 in 8.5, 5 higher.

91086 Flash Comics #2 Billy Wright pedigree (DC, 1940) CGC FN/V7.0 O-white to white pages. Features the rst ull Hawkman cover. Tsecond appearance o both the Flash and Hawkman. Dennis Neville covart. Overstreet 2011 FN 6.0 value = $2,514; VF 8.0 value = $6,117. CGC cesus 1/12: 1 in 7.0, 4 higher.

91087 Flash Comics #3 Billy Wright pedigree (DC, 1940) CGC VF 8White pages. The Flash and Hawkman were the breakout stars o tbook, but these anthology titles needed a while to settle on their sta

Thus, Cli Cornwall got his one and only cover. Sheldon Moldo is tartist. Overstreet 2011 VF 8.0 value = $3,950. CGC census 1/12: 1 in 8.0higher.





91088 Flash Comics #6 Billy Wright pedigree (DC, 1940) CGC VF- 7.5White pages. This is one o just two copies graded above 6.0! Amazingly,this is just the second Flash cover — or the covers o issues #2-5 ourhero took a backseat to Hawkman, Cli Cornwall, the Whip, and the King,respectively. E. E. Hibbard cover art. Overstreet 2011 VF 8.0 value = $4,263.CGC census 1/12: 1 in 7.5, 1 higher.

91089 Flash Comics #7 Billy Wright pedigree (DC, 1940) CGC VF8.0 O-white to white pages. This is the second Hawkman cover, therst being issue #2, also oered in this section. But this time he’s drawnby Sheldon Moldo, who brought a distinctive look to the character.Overstreet 2011 VF 8.0 value = $4,146. CGC census 1/12: 2 in 8.0, 5 higher.

91090 Flash Comics #8 Billy Wright pedigree (DC, 1940) Qualifed VF+ 8.5 White pages. For comparison’s sake, the top label copies on CGC’s census are our copies tied at 8.5. Classic SheMoldo Flash cover. CGC notes, “Coupon missing rom 28th page, not aect story. (2 pieces o tape on 28th page). Incomplete.” Overs2011 GD 2.0 value=$354; VG 4.0 value= $708; FN 6.0 value= $1,062; Vvalue = $2,478; VF/NM 9.0 value = $4,339. CGC census 1/12: 4 in 8.5, nhigher.

91091 Flash Comics #9 Billy Wright pedigree (DC, 1940) CGC9.4 O-white to white pages. Only the Mile High copy has been grhigher than this one, and it’s worth noting that CGC has certiednine copies in any grade. We always loved Sheldon Moldo’s lushing when he drew the wings o Hawkman, never more impressivelyhere. Overstreet 2011 NM- 9.2 value = $6,400. CGC census 1/12: 1 in

1 higher.




91092 Flash Comics #10 Billy Wright pedigree (DC, 1940) CGC NM/MT 9.8 O-white to white pages. How unusual is it to nd a 9.8 copyo a book like this? Well, o the entire 104-issue 1940-1949 run o thisseries, just seven copies total have made it to 9.8, and this is the earliesto the bunch. Sheldon Moldo cover art. Overstreet 2011 NM- 9.2 value =$6,400. CGC census 1/12: 1 in 9.8, none higher.

91093 Flash Comics #11 Billy Wright pedigree (DC, 1940) CGC NM-9.2 O-white to white pages. Tied with the Mile High copy at the topo CGC’s census. Sheldon Moldo gorilla cover. Overstreet 2011 NM- 9.2value = $3,700. CGC census 1/12: 2 in 9.2, none higher.

91094 Flash Comics #12 Billy Wrigpedigree (DC, 1940) CGC NM- 9.2 Whipages. Look how great the green covbackground looks here! Only the Mile Hicopy has been graded higher to date. E.

Hibbard cover art. Overstreet 2011 NM- 9value = $3,700. CGC census 1/12: 1 in 9.2higher.

91095 More Fun Comics #32 Billy Wrightpedigree (DC, 1938) CGC FN 6.0 O-whiteto white pages. Just the ourth copy we’veever oered. Published the same month asAction #1, and has an ad or it on the insideront cover. As an aside, looking through theearly New Fun /More Fun and New Comics /New Adventure issues oered in this cata-log, it’s striking how many o the coversevoke Tom Sawyer or Huckleberry Finn. Thisscene could certainly pass or somethingrom Mark Twain as well. Vin Sullivan is thecover artist. Overstreet 2011 FN 6.0 value= $750. CGC census 1/12: 1 in 6.0, 1 higher.

91096 More Fun Comics #38 Billy Wrigpedigree (DC, 1938) CGC VF/NM 9.0 Owhite to white pages. This is one o just twcopies graded above 4.0! Early More Fuare notoriously tough, and this one’s 12/cover date puts it earlier than Detective #

and beore many Golden Age publishers heven begun publishing. Creig Flessel covOverstreet 2011 VF/NM 9.0 value = $2,08NM- 9.2 value = $2,800. CGC census 1/12in 9.0, 1 higher.

91097 More Fun Comics #53 BillyWright pedigree (DC, 1940) CGC GD 2.0O-white to white pages. Currently #21on Overstreet’s Top 100 Golden Age bookslist. The second appearance o the Spectreis here, the rst time in a story that he’s incostume. Despite the modest grade, notehow ew copies have been graded higher.Bernard Baily created one o his most amouscovers or the issue (a “bondage cover”). CGCnotes, “3 pieces o tape on interior cover.

Tape stains on spine.” Overstreet 2011 GD 2.0value = $3,250. CGC census 1/12: 2 in 2.0, 8higher.





91098 More Fun Comics #54 Billy Wright pedigree (DC, 1940) CGC VF/NM 9.0 White pages. One o Overstreet’s 100 most valuable Goldenbooks, this one has a classic cover eaturing the Spectre, possibly the best cover o the run. The Spectre is as huge as he is rightening on this one. Iwar cover o sorts, yet the Spectre doesn’t take a side, seeming to be above such things. Gerber calls the book “scarce.” Bernard Baily cover art. Overs2011 VF/NM 9.0 value = $23,563; NM- 9.2 value = $34,000. CGC census 1/12: 2 in 9.0, 2 higher.




91099 More Fun Comics #55 Billy Wright pedigree (DC, 1940)CGC VF- 7.5 White pages. The rst appearance o Dr. Fate. It’s been veyears since we’ve oered this issue in any grade, so we can see why bothOverstreet and Gerber gave it the designation “scarce.” This issue “guides”at one-quarter the price o the Spectre’s debut in #52, yet it’s no easier tond in high grade than #52 is! O course, it’s also one o the earliest Spectreoutings, drawn by Bernard Baily who also did the cover art. Overstreet2011 VF 8.0 value = $12,750. CGC census 1/12: 1 in 7.5, 2 higher.

91100 More Fun Comics #56 Billy Wright pedigree (DC, 1940) CGCVF+ 8.5 White pages. This is one o the most valuable issues o this title’srun, thanks largely to the classic cover. This is the rst cover appearance o Dr. Fate, his second appearance overall. This issue also has the rst appear-ance o Congo Bill, who was an Action Comics regular or many yearsand also briey had his own series. Howard Sherman is credited with theunusual cover art. When Comic Book Marketplace asked experts to rank the scarcity o More Fun issues, this was the only one mentioned by ouro the ve experts. Overstreet 2011 VF 8.0 value = $6,117; VF/NM 9.0 value= $10,809. CGC census 1/12: 1 in 8.5, 2 higher.

91101 More Fun Comics #57 Billy Wright pedigree (DC, 1940) CGNM- 9.2 O-white to white pages. Only the Nova Scotia copy (9.4 hbeen graded higher), and unlike that copy, this one (like most Billy Wrigbooks) has no writing on the cover. It’s a strong showcase or BernaBaily’s cover eaturing the Spectre, an intimidating superhero indeeOverstreet 2011 NM- 9.2 value = $8,000. CGC census 1/12: 2 in 9.2higher.

91102 More Fun Comics #58 Billy Wright pedigree (DC, 1940) CGNM 9.4 O-white to white pages. Tying the Mile High copy or highegraded on a book like this should make the most hardened skeptic tathis new pedigree seriously. This book is tough in any grade with justunrestored copies on CGC’s census in total! Incidentally this has the sampage quality as the Mile High. Also, while the Mile High has a pencilcode on the logo, this copy has no marking. Just sayin’. Spectre cover bBernard Baily. Overstreet 2011 NM- 9.2 value = $8,000. CGC census 1/12in 9.4, none higher.





91103 More Fun Comics #59 Billy Wright pedigree (DC, 1940) CGCVF+ 8.5 O-white pages. Only the Larson and Mile High copies havebeen graded higher, and we think this copy actually compares avorablyto the Larson copy (a scan o which can be ound in our online archives).Spectre cover by Bernard Baily. Overstreet 2011 VF 8.0 value = $3,154; VF/NM 9.0 value = $5,577. CGC census 1/12: 1 in 8.5, 2 higher.

91104 More Fun Comics #60 Billy Wright pedigree (DC, 1940) CGCNM+ 9.6 O-white to white pages. Previously the highest-graded copyo this issue was 9.2, so this 9.6 comes close to leaving us speechless (onlythree copies have received grades above 7.5). The Spectre has neverlooked more earsome than on this cover by Bernard Baily. Overstreet2011 NM- 9.2 value = $8,000. CGC census 1/12: 1 in 9.6, none higher.

91105 More FunComics #61 BillyWright pedigree

(DC, 1940) CGC VF+8.5 White pages. It’sbeen ve years sincewe last oered thisbook in any grade.Bizarre cover art byHoward Sherman,eaturing Dr. Fate.Overstreet 2011 VF8.0 value = $2,877;VF/NM 9.0 value =$5,039. CGC cen-sus 1/12: 1 in 8.5, 2higher.

91106 Movie Comics #1 Billy Wpedigree (DC, 1939) CGC FN+ 6.5 Wpages. Unique concept had stories toldcolorized movie stills. This became theDC title to get cancelled, and as Paul Lnoted, “comics tied to lms wouldn’t beca major product or decades thereaOverstreet 2011 FN 6.0 value = $1,098; Vvalue = $2,562. CGC census 1/12: 1 in 6higher.

91107 New Adventure Comics #20 BillyWright pedigree (DC, 1937) CGC FN/VF 7.0O-white to white pages. To put the 10/37cover date in perspective: just 13 comicbooks came out that month rom all publish-ers put together! By early 1940 that gurewould rise to some 50 a month. Creig Flessel,whose dramatic covers are on display else-where in this section o the catalog, showedhis humorous side here. Overstreet 2011 FN6.0 value = $1,080; VF 8.0 value = $1,980. CGCcensus 1/12: 1 in 7.0, 3 higher.

91108 New Adventure Comics #22Wright pedigree (DC, 1937) CGC FNCream to o-white pages. Just the copy we’ve ever oered o this early issua Gerber “8” and deservedly so. Creig Fsupplied the cover art (i you can’t maout on the scan: the two kids are at theNorth Pole with a letter addressed to SClaus!). Overstreet 2011 FN 6.0 value = CGC census 1/12: 1 in 6.0, 1 higher.




91109 New AdventureComics #23 BillyWright pedigree(DC, 1938) CGCFN- 5.5 O-whitepages. Just thesecond time we’ve

oered this issuein ten years o auc-tioning Golden Agecomics. The issue isa Gerber “8.” CreigFlessel cover art.Overstreet 2011 FN

6.0 value = $810. CGC census 1/12: 2 in 5.5, 2higher.

91110 New Comics #2Billy Wright pedi-gree (DC, 1936)CGC GD 2.0 O-white to white

pages. The earliestcomic in the BillyWright collection,this is just the ninthcomic issue DCever published. It’salso an extremelyrare issue thatmade Comic Book Marketplace‘s list o the “50 Rarest Golden AgeComic Books.” In act, that list had it tied withNew Fun #2 as the rarest newsstand-distributedDCs. The act that a 2.0 is the highest-gradedunrestored copy on CGC’s census says a lot aboutthe rarity as well!

New Comics eventually became AdventureComics, and it was just DC’s second series, withNew Fun being the rst. New Comics was justthe second anthology title with original, continu-ing characters — remember that its competitionon the stands was Famous Funnies, whichthough signicant, was an all-reprint aair.Making its rst appearance in this issue was thelong-running Federal Men eature, the work o Jerry Siegel and Joe Shuster, more than twoyears beore Action Comics introduced theircharacter Superman. The cover art is credited toR. B. Lefngwell. CGC notes, “Moderate amounto tape on interior cover.” Overstreet 2011 GD 2.0value = $1,229. CGC census 1/12: 1 in 2.0, nonehigher.

91111 New York World’s Fair Comics 1939Billy Wright pedigree (DC, 1939) CGC FN-5.5 White pages. One o Overstreet’s Top 100Golden Age books despite not having a NM-value listed in the Guide. This early DC, is therst ull-color, non-reprint superhero annual.Superman is shown with blonde hair (he hadbeen appearing in comics or less than a yearat the time), and this comic, cover-dated 4/39,pre-dates Detective Comics #27, which explainswhy Batman doesn’t appear here! Also, thisissue has the rst published appearance o theSandman (compare with the rst Sandman storyin Adventure #40, oered in this same section).

Despite all o this, and as collectible as the issueis now, the comic was not a strong seller whenit was released owing to the unheard-o 25¢cover price. Vin Sullivan and Fred Guardineer arethe cover artists. Overstreet 2011 FN 6.0 value =$5,100. CGC census 1/12: 3 in 5.5, 6 higher.

91112 New York World’s Fair Comics 19Billy Wright pedigree (DC, 1940) CGC VF- 7White pages. The rst “white pages” copy this one we’ve ever oered. It’s worth notithat many o the other top pedigree collectiodid not have a top-drawer copy o this book, example Larson (6.0), Mile High (5.5) and Cripp“D” Copy (3.5). Also, while most copies we’seen (pedigree or otherwise) have had some soo writing on the cover, this does not.

This cover was the rst time Batman, Robin, aSuperman all appeared together, and it’s also trst published comic work by Jack Burnley. W

believe it’s also the rst time any o these chacters were drawn by someone besides thcreators (or the creators’ studios at any rate). Alwhile the 25¢ World’s Fair comic o the previoyear was a op, this one at 15¢ was a hit aled to the long-running World’s Best /WorldFinest series. Overstreet 2011 VF 8.0 value$6,915. CGC census 1/12: 4 in 7.5, 1 higher.

91113 Star Spangled Comics #1 BillyWright pedigree (DC, 1941) CGC QualifedVF/NM 9.0 O-white pages. For compari-son’s sake, CGC’s census or universal gradesis topped by three copies at 9.0. Origin andrst appearance o Tarantula. Robot cover byHal Sherman. CGC notes, “Piece out o 15thand 16th page, aects story. Incomplete.”Overstreet 2011 GD 2.0 value= $503; VG 4.0value= $1,006; FN 6.0 value= $1,509; VF 8.0value= $3,672; VF/NM 9.0 value = $6,486;NM- 9.2 value = $9,300.

91114 Star Spangled Comics #2 BillyWright pedigree (DC, 1941) CGC NM 9.4O-white pages. The only copy gradedabove 9.0 by CGC to date. Check out the Star-Spangled Kid and his adult sidekick Stripesy,as well as their beetle-browed oe Dr. Weerd!Hal Sherman cover and art. Overstreet 2011NM- 9.2 value = $2,550. CGC census 1/12: 1 in9.4, none higher.




B illy W right ColleCtiotimely

91115 All Winners Comics #1 Billy Wright pedigree (Timely, 1941) CGC NM- 9.2 O-white to white pages. One o Overstreet’s top 50 Goldenbooks and it’s much sought-ater in any grade. All o the best Timely characters are on hand: The Human Torch, Toro, Captain America, Bucky, andSub-Mariner are joined by the Angel and the Black Marvel. These heroes starred in individual eatures, however the Stan Lee-penned text eature hasrst appearance o the All-Winners Squad, the rst Timely/Marvel superhero group. Overstreet 2011 NM- 9.2 value = $35,000. CGC census 1/12: 3 in2 higher.




91116 All Winners Comics #2 Billy Wright pedigree (Timely, 1941)CGC NM- 9.2 O-white to white pages. How could this ail to bring asmile to any Golden Age an’s ace? The black cover looks antastic here,and so does the light-colored “ground” at the bottom which is usuallyeasily smudgeable — this is a 9.2 or a reason! And this book is a greatexample o Golden Age are — the art may have been crude but this patri-otic cover is still stirring, and must have been irresistible to kids back then.

The Human Torch, Captain America, and the Sub-Mariner scarcely need anintroduction o course. But note also that the Whizzer is wearing his veryearly costume and making one o his rst appearances close on the heelso his U.S.A. Comics debut. And this early Destroyer appearance (that’shim in the striped pants) was released at the same time as that character’sdebut in Mystic Comics #6. Jack Binder cover art. Overstreet 2011 NM- 9.2value = $9,500. CGC census 12/11: 2 in 9.2, none higher.

91117 All Winners Comics #7 Billy Wright pedigree (Timely, 194CGC FN 6.0 O-white pages. Fighting the Japanese and Germans the same beach is a tall order! Another delightully busy Alex Schombucover eaturing Captain America, the Human Torch, and the Sub-MarinOverstreet 2011 FN 6.0 value = $852. CGC census 1/12: 1 in 6.0, 2 high





91118 Captain America Comics #2 Billy Wright pedigree (Timely, 1941) CGC NM 9.4 O-white pages. One o Overstreet’s top 100 books, this second appearance o Captain America, but the rst appearance o the Cap costume most are amiliar with, including his trademark, the round shi

The classic cover is by the great Joe Simon, who just passed away a ew weeks ago. As with issue #1, Adol Hitler himsel was the eatured cover vthough this was beore the United States had entered World War II. As Simon noted in his autobiography, Cap “was the rst major comic book hero toa political stand... as or capturing the attention o the comic book-reading public, it was natural that the adventures o our new red, white, and blue would have the advantage over the others who were still challenging the mad scientists or the hoodlums robbing the corner candy store.”

The red block at the top o the comic looks immaculate here, and this might rank with the Marvel Comics #1 as the most exciting book o the auor the Timely an.

Overstreet 2011 NM- 9.2 value = $38,000. CGC census 1/12: 2 in 9.4, none higher.




91119 Captain America Comics #3 Billy Wright pedigree (Timely, 1941) CGC NM- 9.2 O-white pages. We haven’t handled a copy even closethis one! Check out the bondage cover eaturing the Red Skull and drawn by Alex Schomburg. But this issue also has an interesting distinction: the rcomic book work o Stan Lee, on the text eature “Captain America Foils the Traitor’s Revenge.” Overstreet 2011 NM- 9.2 value = $30,000. CGC census 1/12 in 9.2, 1 higher.





91120 Captain America Comics #23Billy Wright pedigree (Timely, 1943) CGCFN/VF 7.0 O-white to white pages. Thebest copy we’ve ever oered o an issue thatdoesn’t seem to come around very oten.Check out the bondage cover by the under-rated Syd Shores! Overstreet 2011 FN 6.0value = $1,029; VF 8.0 value = $2,400. CGCcensus 1/12: 1 in 7.0, 7 higher.

91121 Daring MysteryComics #6 BillyWright pedigree(Timely, 1940) CGCVF/NM 9.0 Creamto o-white pages. By ar the highest-graded copy we’veoered. The Simon andKirby team put theirstamp on this issue,drawing the cover andwriting and illustratingtwo stories, one intro-ducing Marvel Boy(not the same charac-ter who briey had hisown series). Overstreet2011 VF/NM 9.0 value= $5,925; NM- 9.2 value= $8,500. CGC census1/12: 1 in 9.0, 1 higher.

9 1 1 2 2 D a r i n gMystery Comics #7Billy Wright pedi-gree (Timely, 1941)CGC VF/NM 9.0O-white to whitepages. Overstreet

credits the cover artto Alex Schomburg.Overstreet 2011VF/NM 9.0 value =$4,550; NM- 9.2 value= $6,500. CGC census1/12: 1 in 9.0, 2 higher.

91123 The Human Torch #3 (#2) Billy Wright pedigree (Tim1940) CGC NM- 9.2 O-white pages. You’ll love seeing this one in grade! Low-grade or unrestored copies can be ound, but a copy liketurns up very seldom. To explain the issue numbering: the one-shotRaven #1 (available elsewhere in this auction) had its numbering coued by Human Torch #2, and this was the issue ater that, thus it’ssecond issue despite being #3. Alex Schomburg cover art. Overs2011 NM- 9.2 value = $10,800. CGC census 1/12: 2 in 9.2, 2 higher.

91124 The Human Torch #4 (#3) Wright pedigree (Timely, 1941) CGC8.5 O-white pages. Alex Schomburg cart. Overstreet 2011 VF 8.0 value = $3VF/NM 9.0 value = $5,789. CGC census 4 in 8.5, 3 higher.

91125 The Human Torch #10 BillyWright pedigree (Timely, 1942) CGC VF+8.5 O-white pages. Two years ater the

Human Torch and the Sub-Mariner had theiramous donnybrook in Marvel Mystery #9 (oered in this same auction), the twobegan another multi-issue battle here. AlexSchomburg cover. Overstreet 2011 VF 8.0value = $2,317; VF/NM 9.0 value = $4,059.CGC census 1/12: 1 in 8.5, 1 higher.




91126 Marvel Comics #1 Billy Wright pedigree (Timely, 1939) CGC VF- 7.5 O-

white to white pages. Our rst reaction upon seeing this copy was: what separates it

rom the 8.0, 8.5 and 9.0 copies that are known to exist? The overall impression o the

book in-hand is on a par with all o the above, with perhaps only the amous Pay Copy

a being a clearly superior book. Fortunately since all o the above have been in previ-

ous Heritage auctions, collectors can submit all o these to their own scrutiny using the

archived scans on our website.

This book does have scufng along the spine, but we can see no other deect o any

note. I you’ve seen multiple copies o this key, you know that it’s oten ound printed

a bit out o register, with the Human Torch’s chin appearing as a double line. There’s no

such problem here, and the “o-white to white” page quality designation matches the

best we’ve seen.

It’s worth noting that some o the copies rom other pedigrees are restored books, or

example the Allentown and Kansas City copies. And some o the other top copies such

as the Pay Copy and the Larson copy do have prominent markings on the cover, while

this has none.

For many years, Marvel Comics #1 was listed as the most valuable comic book by

the Overstreet Guide. In the meantime it is #4 behind Action #1, Detective #27, and

Superman #1, but or the Marvel an there’s no topping this issue here. It’s the rst comic

the company ever published.

Certainly no comic book can claim two rst appearances as signicant as those o the

Human Torch and the Sub-Mariner, who both made their debuts here (the latter had

been used in a promotional comic previously, but hadn’t appeared in a newsstand publi-

cation until this issue). And that made this comic the start o the Marvel Universe, a set o

characters that let its mark on American popular culture, selling millions o comic books

and starring in TV shows, movies, and more. The publisher that produced the issue used

many dierent company names over the years and is usually reerred to as Timely, but

it’s only tting that when the publisher nally had one ofcial name years later, it took its

name rom this very comic.

Ater #1 the title o the series was changed to Marvel Mystery, and it’s a special thrill

to us to be oering the rst seven issues o the series, and eleven o the rst twelve,

together in one consecutive run.

We haven’t even mentioned the host o other characters making debuts here, the most

notable o which are Ka-Zar and the Angel. The cover, showing the Human Torch, is by

science ction pulp illustrator Frank R. Paul. Overstreet 2011 VF 8.0 value = $135,000. CGC


MARVEL’S FIRST COMIC BOOK




91127 Marvel Mystery Comics #2 Billy Wright pedigree (Timely,1939) CGC VG+ 4.5 O-white to white pages. Ranked among the 25most valuable Golden Age books by Overstreet. This was the rst issuewith “Mystery” in the title, #1 being simply called Marvel Comics. Likemany o the early covers, this one eatured the original Angel. Claire Moeis the cover artist. Overstreet 2011 VG 4.0 value = $6,400. CGC census 1/12:2 in 4.5, 6 higher.

91128 Marvel Mystery Comics #3 Billy Wright pedigree (Time1940) CGC FN 6.0 O-white to white pages. This issue’s tough to even in a “mid” grade like 6.0, and the copy oered here has strong eappeal or the grade. As with other comics in this collection, the abseno any sort o cover writing or marking is a major plus. Alex Schombucover eaturing the Angel. Overstreet 2011 FN 6.0 value = $5,700. CGcensus 1/12: 1 in 6.0, 3 higher.





91129 Marvel Mystery Comics #4 Billy Wright pedigree (Timely, 1940) CGC NM- 9.2 O-white to white pages. A glance at the CGC census respeaks volumes about how tough this book is in high grade. The copy oered here is the sole highest-graded, and one o just three copies graded ab5.5 to date (the others being the 9.0 “Nicolas Cage” copy and a 7.5).

The Guide value o the book has gone up almost 50% in just the last ew years, owing to both the scarcity in high grade and the book’s signicance. Itrst time the Sub-Mariner appeared on a cover or one. It’s also just the second time a swastika appeared on the cover o a comic book. Alex Schombucover art or these earliest Timelys displayed a dierent style than his later work, and this superb copy certainly lets you enjoy his eorts to the uOverstreet 2011 NM- 9.2 value = $33,000. CGC census 1/12: 1 in 9.2, none higher.




91130 Marvel Mystery Comics #5 Billy Wright pedigree (Timely, 1940) CGC VF+ 8.5 O-white to white pages. We’re proud to oer the highegraded copy o this early Timely. Both Gerber and Overstreet call the issue “scarce,” and we consider it the toughest issue o Marvel Mystery to nd. course, nding it in high grade is an even taller order. The only copy we’ve seen that comes close is the Lamont Larson copy (8.0), o course the Billy Wrigcopy has the obvious advantage o no writing on the cover. This is currently #32 on Overstreet’s list o the top Golden Age books.

It’s just the second time the Human Torch appeared on a cover, and note that his look here is a lot closer to the way he’s usually portrayed than the wahe looked on the cover o Marvel Comics #1. The cover art by Alex Schomburg is a classic. Overstreet 2011 VF 8.0 value = $20,000; VF/NM 9.0 value$38,500. CGC census 1/12: 1 in 8.5, none higher.





91131 Marvel Mystery Comics #6 Billy Wright pedigree (Timely,1940) CGC NM- 9.2 O-white to white pages. This mind-boggler shouldimpress you even i the previous ve have somehow ailed to — a 9.2copy o a book that’s eagerly scooped up no matter what the grade! Thecover by Alex Schomburg stars the ever-dashing Angel, who was eaturedon some o the early covers beore giving way to bigger stars. The coverconcept o saving someone rom hooded menaces in an underground lairwould be re-used many times by Timely but this was one o the earliest o such scenes. Overstreet 2011 NM- 9.2 value = $18,000. CGC census 1/12: 2in 9.2, none higher.

91132 Marvel Mystery Comics #7 Billy Wright pedigree (Tim1940) CGC VF 8.0 O-white to white pages. Alex Schomburg coveeaturing the Human Torch. Overstreet 2011 VF 8.0 value = $7,180.census 1/12: 4 in 8.0, 5 higher.

See More

IN our SuNDay INTerNeT CoMICS auCTIoN #121209





91133 Marvel Mystery Comics #9 Billy Wright pedigree (Timely, 1940) CGC VF- 7.5 O-white pages. One o Overstreet ’s Top 20 Golden Age boothis key is prized not only or its scarcity but also because o the signicance o the Human Torch versus Sub-Mariner battle shown on the cover. This batwas the rst time in comics that two super heroes appeared together in one story (the adventure spilled over into issues #8 and 10). The battle betweethe two heroes has been reprised, reprinted, and paid homage to many times in the ensuing decades. The cover art is credited to Bill Everett and AleSchomburg. Overstreet 2011 VF 8.0 value = $32,000. CGC census 1/12: 1 in 7.5, 2 higher.





91134 Marvel Mystery Comics #10 Billy Wright pedigree (Timely, 1940) CGC NM 9.4 O-white to white pages. In recent years this booelbowed its way onto Overstreet’s Top 100 Golden Age books list, and this Near Mint copy should get plenty o attention. This issue had the concluo the single biggest event o the Timely years, the rst Human Torch/Sub-Mariner battle that raged through 22 pages o issue #9. Alex Schomburg icover artist. Other amiliar characters are Ka-Zar and the Angel, and note that this book had the rst appearance o Timely regular Terry Vance. Overs2011 NM- 9.2 value = $25,000. CGC census 1/12: 3 in 9.4, none higher.




91135 Marvel Mystery Comics #11 BillyWright pedigree (Timely, 1940) CGC FN+6.5 O-white pages. Alex Schomburg covereaturing the Human Torch. Overstreet 2011FN 6.0 value = $1,269; VF 8.0 value = $3,000.

CGC census 1/12: 1 in 6.5, 9 higher.

91136 Marvel Mystery Comics #12 BillyWright pedigree (Timely, 1940) CGC FN+6.5 O-white pages. “Classic [Jack] Kirbycover” says Overstreet, and perhaps this onedoesn’t get enough recognition. This wasthe th and last Angel cover o the series.All that attention tells us that perhaps thepublisher envisioned the Angel as the break-out star, and perhaps i Kirby had drawn his

stories he would have been. Overstreet 2011FN 6.0 value = $1,377; VF 8.0 value = $3,350.CGC census 1/12: 2 in 6.5, 13 higher.

91137 Marvel Mystery Comics #18Billy Wright pedigree (Timely, 1941) CGCVF+ 8.5 O-white pages. Alex Schomburgcover. Overstreet 2011 VF 8.0 value = $2,121;VF/NM 9.0 value = $3,711. CGC census 1/12:2 in 8.5, 2 higher.

9 1 1 3 8 M a r v e lMystery Comics #19Billy Wright pedi-gree (Timely, 1941)CGC NM- 9.2 Creamto o-white pages. What a pleasure it isto see a true high-grade copy o this

book! The cover col-ors are outstanding,and as with so manyBilly Wright books,there is no writtencode or markingon the cover to maryour enjoyment.Alex Schomburgcover art. Overstreet2011 NM- 9.2 value= $5,400. CGC cen-sus 1/12: 2 in 9.2, 1higher.

91139 Marvel Mystery Comics #20 Billy Wright pedigree (Time1941) CGC VF/NM 9.0 O-white pages. Seldom has this issue been sein high grade, and looking at this copy tells you what the Golden Age is aabout! Alex Schomburg cover eaturing the Sub-Mariner. Overstreet 20VF/NM 9.0 value = $3,782; NM- 9.2 value = $5,400. CGC census 1/12: 2 9.0, none higher.

91140 Marvel Mystery Comics #21 Billy Wright pedigree (Time1941) CGC NM- 9.2 O-white to white pages. A beautiul copy — adoubters o the legitimacy o the grade are encouraged to come out our lot-viewing day. Trust us, you’ll nd little to nit-pick! The creative mino Alex Schomburg gave the Human Torch and Toro a tough challenge the orm o an unbelievable Nazi ortress! This issue is also unusual in ththe back cover is a ull page pin-up o the Sub-Mariner. Overstreet 20NM- 9.2 value = $5,300. CGC census 1/12: 1 in 9.2, none higher.





91141 Marvel Mystery Comics #22 Billy Wright pedigree (Timely,1941) CGC VF+ 8.5 O-white to white pages. Alex Schomburg covereaturing the Human Torch and the Sub-Mariner. Overstreet 2011 VF 8.0value = $2,040; VF/NM 9.0 value = $3,570. CGC census 1/12: 1 in 8.5, 4higher.

91142 Marvel Mystery Comics #40 Billy Wright pedigree (Timely,1943) CGC VF/NM 9.0 O-white to white pages. We’ve never seen acopy o this book with such bold cover colors — what a showcase or theclassic cover art o Alex Schomburg! I you judged this book on the rontcover alone it would be a 9.4, and note that this copy has no writing ormarking on the cover o any kind. We seem to recall one ace Timely collec-tor calling this the best cover ever produced by that publisher. It’s toughto argue with that giving the striking zeppelin attack scene. Our biddersin Iceland (and Heritage actually has quite a ew) might be interested tonote that that air nation is being deended by the Human Torch here.Overstreet 2011 VF/NM 9.0 value = $3,505; NM- 9.2 value = $5,000. CGCcensus 1/12: 1 in 9.0, none higher.

91143 Mystic Comics #1 Billy Wright pedigree (Timely, 1940)VF+ 8.5 O-white to white pages. Yet another o Overstreet’s TopGolden Age books to be included in this collection! This was justhird series Timely introduced, close on the heels o Marvel MysteryDaring Mystery. Alex Schomburg bondage cover. Overstreet 2011 Vvalue = $10,700; VF/NM 9.0 value = $19,350. CGC census 1/12: 1 in 8higher.

91144 Mystic Comics #5 Billy Wright pedigree (Timely, 1941)VF 8.0 O-white to white pages. Alex Schomburg is the cover

Timely was still trying out new heroes all the time, and this issue harst appearances o three: the Black Marvel, the Terror, and the BlaSkull. Overstreet 2011 VF 8.0 value = $2,600. CGC census 1/12: 1 in 8higher.




91145 Red Raven Comics #1 Billy Wright pedigree (Timely, 1940) CGC VF/NM 9.0 O-white pages. For all those who weren’t able to get the 9Mile High copy oered in our last auction (and that’s a lot o people, given the sti price) will get a second chance at a pedigree copy in the same gradhere. Only the Denver copy has been graded higher as o this writing.

This issue eatures the rst signed work o “the king o the comics,” Jack Kirby. That plus a reputation or being hard to nd in high grade have propellethis issue onto Overstreet’s top 100 Golden Age books list. A unique book that never ceases to ascinate! Overstreet 2011 VF/NM 9.0 value = $16,70NM- 9.2 value = $24,000. CGC census 1/12: 3 in 9.0, 1 higher.





91146 Sub-Mariner Comics #1 Billy Wright pedigree (Timely, 1941) CGC VF+ 8.5 O-white pages. One o Overstreet’s Top 100 Goldenbooks, this one eatured the character who came to prominence in the pages o Marvel Mystery. This title’s run had some very strong covers, withSchomburg’s eort here getting the run o to a great start. Overstreet 2011 VF 8.0 value = $23,000; VF/NM 9.0 value = $44,000. CGC census 1/12: 2 in3 higher.




91147 USA Comics #1 Billy Wright pedigree (Timely, 1941) CGCNM- 9.2 O-white to white pages. It’s the highest-graded copy o one o Overstreet’s top 100 comic books! While we’ve oered copies close to thisgrade beore, they’ve all had some sort o cover marking, and we love theact that this copy has none.

The book has the rst appearance o the Whizzer, and while the othercharacters debuting here aren’t memorable, the creators certainly are:Simon and Kirby drew the cover as well as one interior page, and BasilWolverton drew the Rockman story. By the way: according to the late JoeSimon, Timely publisher Martin Goodman had some misgivings aboutthe title o this series, earing objection on the part o the government.His lawyer convinced him that Timely would be in the clear i they took out the periods in U.S.A. Thus, this is the only cover on which the peri-ods appear, with stars used thereater. Overstreet 2011 NM- 9.2 value =$20,000. CGC census 1/12: 1 in 9.2, none higher.

CentAur ComiCS

91148 Amazing Adventure Funnies #1Billy Wright pedigree (Centaur, 1940) CGCVF+ 8.5 O-white to white pages. William

Rowland cover. Fantom o the Fair andSkyrocket Steele stories. Overstreet 2011 VF8.0 value = $1,114; VF/NM 9.0 value = $1,907.CGC census 1/12: 2 in 8.5, 1 higher.

91149 Amazing-Man Comics #5 Billy Wright pedigree (Centau1939) CGC VF- 7.5 O-white pages. By ar the most valuable Centacomic, this is on Overstreet’s top 100 Golden Age books list. The outlanish cover is just part o the appeal. The number 5 notwithstanding, thwas the rst issue o the series, making Amazing-Man just the secosuperhero to headline his own title — only Superman did so beore hiEven Batman was still just the lead eature in Detective, hal a year beoBatman #1. Also note that Amazing-Man, a Bill Everett creation, hit stana month before Marvel Comics #1, eaturing Everett’s Sub-Mariner.

Overstreet and Gerber both call this book “rare.” Cover art by EvereOverstreet 2011 VF 8.0 value = $11,600. CGC census 1/12: 1 in 7.5higher.





91150 Amazing-Man Comics #7Billy Wright pedi-gree (Centaur,1939) CGC VF- 7.5O-white to whitepages. The onlycopy graded above5.0 by CGC to date.

Bill Everett cover.Overstreet 2011 VF8.0 value = $1,651.CGC census 1/12: 1in 7.5, none higher.

91151 AmazingMystery FunniesV1#2 Billy Wrightpedigree (Centaur,1938) CGC FN/VF7.0 O-white towhite pages. Justthe third copy thathas ever crossed ourpath, this one is tiedwith the Mile Highcopy at the top o CGC’s census. LikeV1#1 this has a BillEverett cover, butthis one has interiorart by him as well, his rst interior work in com-ics. Will Eisner was also a contributor. Also notethe quaint cover blurb that tells us that SkyrocketSteele appears “In Complete Pictures.” Overstreet2011 FN 6.0 value = $600; VF 8.0 value = $1,280.CGC census 1/12: 3 in 7.0, none higher.

91152 Amazing Mystery Funnies V2#5 BillyWright pedigree (Centaur, 1939) CGC VF- 7.5White pages. I this classic cover by Bill Everettdoesn’t look amiliar it’s because this is a very

tough book to nd. Heritage last oered a copynine years ago (and it was a beater at that), andonly the Mile High copy has been graded higher.

The longer we look at this cover, the moreinclined we are to rank it among the best Everettever did. And i the imagery reminds you o Everett’s Sub-Mariner art, you’re not wrong...except that this issue preceded the entire Timelyline by several months. While coming across thisissue in 7.5 is quite a nd, we actually wonderwhy it didn’t grade out even higher than that,and we encourage you to take a close look at thebook. Overstreet 2011 VF 8.0 value = $1,197. CGCcensus 1/12: 1 in 7.5, 1 higher.

91153 Amazing Mystery Funnies V2#6 BillyWright pedigree (Centaur, 1939) CGC VF+ 8.5O-white to white pages. This is the rst copythat Heritage has ever oered. Like some otherCentaurs in this section, this is a Bill Everett shopproduction that pre-dates Marvel Comics #1,with Everett himsel credited with the cover art(eaturing Air-Sub DX). Everett’s Skyrocket Steele,the Buck Rogers-like star o the early run o thebook, ended his run here to make room or thenext issue’s Fantom o the Fair. Bidders take note:

“High-grade Centaur” is not a phrase used oten!Overstreet 2011 VF 8.0 value = $538; VF/NM 9.0value = $919. CGC census 1/12: 2 in 8.5, 1 higher.

91154 Amazing Mystery Funnies V2#9 BillyWright pedigree (Centaur, 1939) CGC VF/NM9.0 O-white to white pages. The Fantom o the Fair! What more brilliant concept was there in1939 than a hero who stalks the New York World’sFair and has his secret hideout underneath it?

This is the character’s second cover appearanceand the rst to clearly show the Fair setting onthe cover. Paul Gustavson is the cover artist. Thisis the only copy graded above 7.5 by CGC to date,and the black block on the cover looks superb, asdoes the absence o any sort o cover marking.Overstreet 2011 VF/NM 9.0 value = $919; NM- 9.2

value = $1,300. CGC census 1/12: 1 in 9.0, nonehigher.

91155 AmazingMystery Funnies#19 Billy Wrightpedigree (Centaur,1940) CGC VF 8.0O-white to whitepages. It’s beennine years since welast oered a copyo this one. TheFantom o the Fairand Speed Centaurare the best-knowncharacters in thebook, though thisissue had the onlycover appearance o Tippy Taylor, drawn by GChapian. Also, note that Basil Wolverton wcontributor. Overstreet 2011 VF 8.0 value = $CGC census 1/12: 1 in 8.0, 1 higher.

91156 Arrow #1

Wright ped(Centaur, 1CGC VF 8.0 Wpages. The copy graded a7.0. The Arrow uated rom FPages to his book at a time wnot many chters had done Overstreet 2018.0 value = $2CGC census 1/in 8.0, none hi

91157 CowboyComics #13 BillyWright pedigree(Centaur, 1938)CGC VG/FN 5.0O-white to whitepages. There are

just two issues o Cowboy Comics,and incredibly, wehad never oeredeither o thembeore today, norhad CGC certieda single copy o either! So we cer-tainly see why Overstreet calls #13 “rare”Gerber gave it a scarcity rating o “8.”

This was a single-theme comic back whenew such comics were published. The releaseis just one month ater Action #1, a time wCentaur was publishing more titles than DC

The reason or the #13 is that Cowboy waentitling o Star Ranger, and with #15, thewas changed again to Star Ranger Funniesnote this issue’s neat-o Centaur logo whichpublisher did not use very oten. Overstreet VG 4.0 value = $270; FN 6.0 value = $405.census 1/12: 1 in 5.0, none higher.




91158 Fantoman #2 Billy Wright pedigree(Centaur, 1940) CGC VF+ 8.5 O-white to whitepages. The rst unrestored copy we have everoered, and one o two that CGC has certied.Any Centaur is a tough nd in this grade! This isactually the rst issue o the title, with numberingcontinued rom Amazing Adventure Funnies #1 (oered in this same auction). Fantoman is theonetime Fantom o the Fair, the name changebeing dictated by the New York World’s Fair com-ing to an end. Also eatured in the issue was the

Ermine... no, not a wealthy woman’s coat cometo lie, but a heroic woodsman type. Alas, thiswas his only appearance. Overstreet 2011 VF 8.0value = $704; VF/NM 9.0 value = $1,202. CGC cen-sus 1/12: 1 in 8.5, 1 higher.

91159 Funny Picture Stories #1 Billy Wrightpedigree (Comics Magazine, 1936) CGC FN 6.0O-white to white pages. Named one o the“50 Rarest Golden Age Comics” by Comic Book Marketplace. Just the second copy Heritage hasever oered. The Clock was the very rst maskedcomic book hero. He became a regular eature inthis title starting with this issue just ater makinghis rst appearance in Funny Pages that samemonth. (By the way, or a detailed explanation o how Comics Magazine related to Centaur, see pg.323 o Gerber’s Photo Journal Vol. 1.) Overstreet

2011 FN 6.0 value = $1,098. CGC census 1/12: 1 in6.0, 2 higher.

91160 Keen Detective Funnies V2#2 BillyWright pedigree (Centaur, 1939) CGC VF+ 8.5White pages. The only copy graded above 3.5by CGC to date. The only unrestored copy wehave ever oered. A Gerber “8” (one o just twoissues o the series to receive that scarcity rating).Overstreet 2011 VF 8.0 value = $493; VF/NM 9.0value = $847. CGC census 1/12: 1 in 8.5, nonehigher.

91161 Keen Detective Funnies V2#7 BillyWright pedigree (Centaur, 1939) CGC NM9.4 O-white to white pages. This is the onlycopy graded above 6.5 by CGC to date! Thisis a scarce book according to Overstreet and

Gerber. This early issue was on the stands at thesame time as Adventure #40, and also like thatbook, was a major turning point or its series. It’sthe rst appearance o the Masked Marvel. Ben

Thompson cover art. Overstreet 2011 NM- 9.2value = $4,000. CGC census 1/12: 1 in 9.4, nonehigher.

91162 Keen Detective Funnies #10 BiWright pedigree (Centaur, 1938) CGC VF+ 8O-white to white pages.The rst copy we haever oered or CGC has ever graded! Since tseries had more than one #10, let us stress ththis is the third issue o the series, dated Octob1938. The scarcity aside, how oten do you any Centaur graded 8.5? Maurice Gutwirth covart. Overstreet 2011 VF 8.0 value = $538; VF/N9.0 value = $919. CGC census 1/12: 1 in 8.5, nohigher.

91163 Masked Marvel #1 Billy Wright pegree (Centaur, 1940) CGC VF/NM 9.0 Whpages. This Keen Detective Comics characgot a solo book here. The cover is by artist SaGilman, whose comic-book career was brie bwho went on to a long stint as a character actin Hollywood. Overstreet 2011 VF/NM 9.0 value$1,838; NM- 9.2 value = $2,600. CGC census 1/13 in 9.0, 2 higher.




B illy W right ColleCtioFox FeAtureS

91164 Blue Beetle #2 Billy Wright pedigree(Fox Features Syndicate, 1940) CGC VF 8.0 O-white to white pages. Lou Fine cover. Overstreet2011 VF 8.0 value = $1,075. CGC census 1/12: 1 in8.0, none higher.

91165 Blue Beetle #3 (Fox FeaturesSyndicate, 1940) CGC VF/NM 9.0 O-whiteto white pages. The only copy graded above8.0 to date. This is one o our avorite Joe Simonsolo covers! Overstreet 2011 VF/NM 9.0 value =$1,344; NM- 9.2 value = $1,900. CGC census 1/12:1 in 9.0, none higher.

91166 Fantastic Comics #1 Billy Wrightpedigree (Fox, 1939) CGC FN+ 6.5 Whitepages. Cover art by the great Lou Fine has putthe early run o this series on a lot o wantlists.Samson made his rst appearance in the issue.For that matter so did a certain Stardust... i thatrings a bell, it’s because the eature’s artist “HenryFletcher” is the notorious Fletcher Hanks, whohas become collectible o late. Overstreet 2011FN 6.0 value = $1,491; VF 8.0 value = $3,628. CGCcensus 1/12: 1 in 6.5, 4 higher.

91167 Fantastic Comics #3 Billy Wright pedigree (Fox, 1940) CGC FN- 5.5 White pages.see this classic Lou Fine robot cover reproduced in books quite oten, but try nding a copy oactual comic book! We’ve only oered three previous copies in ten years, two o which were Note also that the only higher-graded copy is just one notch above this one at 6.0.

This cover is considered one o Fine’s very best, and back when Comic Book Marketplace askecollectors or their avorite comic book covers, Fantastic #3 garnered a couple o mentions. SCarey noted “The image... is simply unorgettable.” Jon Signorelli noted, “Fine [was] unencumbby a collaborating artist; the detail is amazing, the robots simply pulp classics!”

We could scarcely hype the cover more but it could scarcely deserve it more — look at it again, ynotice something you didn’t see the rst time! As an aside, the backup eature Stardust the SWizard was drawn (under a pseudonym) by cult-avorite artist Fletcher Hanks. Mike Benton nthat “[Hanks] gave his hero unlimited powers and unbelievable anatomy.” Overstreet 2011 Fvalue = $4,500. CGC census 1/12: 2 in 5.5, 1 higher.

91168 The Flame #1 Billy Wright pedigree (Fox, 1940) CGC VO-white to white pages. Blazing out o the pages o WonderwComics, the Flame got his own book here, something only Superthe Blue Beetle, and Batman had achieved to that point. Lou Finerior art. Overstreet 2011 VF 8.0 value = $2,040. CGC census 1/12: 2 i2 higher.




91169 Green Mask #1 Billy Wright pedigree(Fox Features Syndicate, 1940) CGC FN/VF 7.0O-white to white pages. Ater appearing inMystery Men (see elsewhere in this section) orabout a year the character got his own series at atime when even luminaries like the Human Torchand Captain Marvel hadn’t received that honor.Lou Fine cover. Overstreet 2011 FN 6.0 value =$1,011; VF 8.0 value = $2,359. CGC census 1/12: 1in 7.0, 5 higher.

91170 Mystery Men Comics #1 Billy Wrightpedigree (Fox, 1939) CGC VG 4.0 O-white towhite pages. We think you’ll like the ront covereye appeal o this one. The rst appearance o theBlue Beetle just missed being one o Overstreet’s

Top 100 Golden Age books. Now or the conus-ing part: the blue-masked character on the coveris not the Blue Beetle but the Green Mask, whostarred on most o the early covers and later hadhis own series. You can take issue with the col-oring but not with the drawing — this bondagecover is by the great Lou Fine! The Blue Beetleturned out to have plenty o longevity, outlast-ing more than one o his publishers in act. Aversion o him stars in DC comics in the presentday. Overstreet 2011 VG 4.0 value = $2,000. CGC


91171 Mystery

Men Comics #3Billy Wright pedi-gree (Fox, 1939)CGC VF- 7.5 O-white to whitepages. A highlyprized issue thanks

to the Lou Fine cover. The Green Mask is the cov-erboy, while the Blue Beetle makes one o hisearliest appearances inside. It’s an early super-hero comic, period, on the stands at the sametime as Marvel Comics #1. Overstreet 2011 VF8.0 value = $3,234. CGC census 1/12: 3 in 7.5, 2higher.

91172 Science Comics #1 Billy Wright pedi-gree (Fox, 1940) CGC VF 8.0 O-white to whitepages. The only copy graded above 7.0 by CGCto date. As such, this could be as exciting to theFox an as some o the Timelys and DCs in the col-lection are to those rms’ adherents! The cover

art rather than the characters is the most notableaspect o this one. “Sex and sadism and a super-hero, rendered by the redoubtable Lou Fine,” washow Comic Book Marketplace characterizedthe cover. We will note that the cover character,called Electro here, became Dynamo startingwith the next issue, perhaps owing to the Electrowho’s in Marvel Mystery #4 (a book included inthis same collection, by the way) which appearedthe same month. In case you’re wondering, theslight coloring error on the S in Comics appearson every copy o this issue. Bondage and hypo-dermic needle cover by Fine. Overstreet 2011VF 8.0 value = $3,154. CGC census 1/12: 2 in 8.0,none higher.

91173 Weird Comics #1 Billy Wright pegree (Fox Features Syndicate, 1940) CGC FVF 7.0 O-white to white pages. We’ve onoered this one a handul o times in colleible condition. This is a superhero comic despappearances, and a airly early one, pre-datithe rst appearances o Green Lantern aCaptain America. It was also the rst comto have the word weird in the title, whichsignicant because that word would later considered a big sales booster. George Tus

bondage cover. Overstreet 2011 FN 6.0 value$1,458; VF 8.0 value = $3,550. CGC census 1/12in 7.0, 2 higher.

91174 Wonderworld Comics #4 Billy Wrigpedigree (Fox, 1939) CGC FN/VF 7.0 Owhite to white pages. A superbly rendered LFine cover that more collectors would numbamong their avorites i they had only seen

This is just the th dierent copy we’ve oerin ten years. I you’ve never seen the issue in peson, we should note that what might appear be blotching or staining around the orange stburst is actually an unusual cloud eect in tcover art. Overstreet 2011 FN 6.0 value = $99VF 8.0 value = $2,317. CGC census 1/12: 1 in 71 higher.




B illy W right ColleCtioQuAlity

91175 Hit Comics #1 Billy Wright pedigree(Quality, 1940) CGC VF- 7.5 O-white to whitepages. Lou Fine cover eaturing the Red Bee. Thisbook has actually been changing hands a bitunder Guide lately, which makes or a great buy-ing opportunity given the Fine art. Overstreet2011 VF 8.0 value = $5,920. CGC census 1/12: 1 in7.5, 2 higher.

91176 Hit Comics #2 BillyWright pedigree(Quality, 1940)CGC FN+ 6.5 O-white to whitepages. This is justthe third dierent

copy o this book we’ve ever oered! And CGChas certied just our copies, unusual or a book in this value range. Demand is certainly there,thanks to the cover artistry o Lou Fine. Notehow the logo is integrated into the cover action,unusual or a comic this early. Overstreet 2011 FN6.0 value = $870; VF 8.0 value = $1,856. CGC cen-sus 1/12: 1 in 6.5, 1 higher.

91177 Hit Comics #3 BillyWright pedigree(Quality, 1940)CGC VF+ 8.5 Whitepages. Not just theh i g h e s t - g r a d e dcopy, this is the onlyone graded above6.5 and one o justthree graded above3.0! The solid red

cover background is just too prone to showingcolor breaks, and note that the back cover hasthe same background! The page quality o thiscopy is ideal as well. Lou Fine drew the covereaturing Hercules. Overstreet 2011 VF 8.0 value= $1,759; VF/NM 9.0 value = $3,030. CGC census1/12: 1 in 8.5, none higher.

91178 Hit Comics #4 Billy Wright pedigree(Quality, 1940) CGC NM 9.4 O-white to whitepages. The only copy graded above 5.5 to date!Lou Fine’s spectacular cover combines his usualdetailed linework with a vertigo-inducing eect.Very seldom will you see the rst six issues o thisseries oered together as they are here. All haveFine covers, and note that each o the rst veshowcases a dierent character. Here, it’s Neonthe Unknown. Overstreet 2011 NM- 9.2 value =$3,700. CGC census 1/12: 1 in 9.4, none higher.

91179 Hit Comics #5 Billy Wright ped(Quality, 1940) CGC VF 8.0 O-white to wpages. The classic Lou Fine cover is enougmake this a desirable lot, but we should notethis book seldom comes up or sale in any g— this is just the ourth copy we’ve oered iyears. Given the book’s black cover, it’s nothing that higher-graded copies will ever su

This underwater cover is ranked by many amFine’s very best, and you can see why. Overs2011 VF 8.0 value = $5,132. CGC census 1/128.0, none higher.

91180 Hit Comics #6 Billy Wright pedi-gree (Quality, 1940) CGC VF+ 8.5 O-whiteto white pages. Just the th copy we’veever oered, and the best o the bunch! LouFine cover art. Overstreet 2011 VF 8.0 value =$1,280; VF/NM 9.0 value = $2,190. CGC cen-sus 1/12: 1 in 8.5, 1 higher.

91181 Hit Comics #11 Billy Wright pgree (Quality, 1941) CGC VF- 7.5 Wpages. A Lou Fine cover (classic accordiOverstreet) that we’ve only oered a hao times in our ten years o comic auctGood gosh, do those polar bears look m

That’s Hercules going shirtless in the snodeeat them. Overstreet 2011 VF 8.0 va$1,446. CGC census 1/12: 1 in 7.5, 2 hi




91182 Military Comics #1 Billy Wright pedi-gree (Quality, 1941) CGC VF+ 8.5 White pages. It’s the origin and rst appearance o Blackhawk,and this is one o the best copies you’ll ever see— in act, only the Mile High and Rockord copieshave been graded higher to date. Just 12 blue-label copies have been certied by CGC to date,unusual or such a high-value issue. Will Eisnercover art. Overstreet 2011 VF 8.0 value = $4,146;VF/NM 9.0 value = $7,323. CGC census 1/12: 2 in8.5, 2 higher.

91183 Military Comics #2 Billy Wright pedi-gree (Quality, 1941) CGC VF/NM 9.0 O-white

to white pages. New uniorm with yellow circleand hawk’s head or Blackhawk. Artists includeWill Eisner, Bob Powell, Jack Cole, and FredGuardineer. Overstreet 2011 VF/NM 9.0 value =$1,907; NM- 9.2 value = $2,700. CGC census 1/12:4 in 9.0, none higher.

91184 Military Comics #3 Billy Wright pedi-gree (Quality, 1941) CGC NM 9.4 White pages. Only the Mile High copy has been graded higher.

This early Blackhawk story has the origin and rstappearance o Chop-Chop. Chuck Cuidera cover.Overstreet 2011 NM- 9.2 value = $2,400. CGCcensus 1/12: 1 in 9.4, 1 higher.

91185 National Comics #1 Billy Wright pedi-gree (Quality, 1940) CGC FN/VF 7.0 O-whitepages. Only the Denver (8.0) and Mile High (7.5)copies have been graded higher, and CGC has

certied just nine unrestored copies in total.Overstreet called the cover art “Lou Fine at hisvery best,” and the eatured character, Uncle Sam,made his rst appearance here.

While Sam is obviously James MontgomeryFlagg’s “I Want You” poster come to lie, Steranko’sHistory o Comics noted that his costumematches that o Frank Godwin’s cover illustra-tion or the January 19, 1935 Liberty Magazine.When in this debut story, young Buddy asks thehero whose Uncle he is, he replies, “Everyone’sUncle — every American boy is my nephew!”Uncle Sam was one o the rst patriotic superhe-roes to come along — only the Shield precedeshim, and Captain America wouldn’t hit news-stands or another eight months. Overstreet

2011 FN 6.0 value = $1,623; VF 8.0 value = $3,950.CGC census 1/12: 1 in 7.0, 2 higher.

91186 National Comics #2 Billy Wright pegree (Quality, 1940) CGC VF- 7.5 White pageCGC has only graded three copies o this issuand this is just the third dierent copy we’ve evsold. Lou Fine Uncle Sam cover. Overstreet 20VF 8.0 value = $1,568. CGC census 1/12: 1 in 71 higher.

91187 National Comics #3 Billy Wright pegree (Quality, 1940) CGC VF+ 8.5 O-white white pages. We hope the amazing eye appeo this copy comes across on the scan. The cors look antastic, and there’s no marking o akind on the book. This is one o only two copigraded above 6.5 by CGC to date. Lou Fine UncSam cover. Also, check our online listing to sthe slam-bang back cover (just as pretty as tront) plugging the debut o the Ray in SmaComics #14, a book also available in this BWright catalog. Overstreet 2011 VF 8.0 value$1,044; VF/NM 9.0 value = $1,735. CGC cens1/12: 1 in 8.5, 1 higher.





91188 National Comics #4 Billy Wright pedi-gree (Quality, 1940) CGC NM 9.4 White pages.

The great Lou Fine drew this cover eaturingUncle Sam. Only the Mile High copy has beengraded higher than this one. Overstreet 2011NM- 9.2 value = $2,100. CGC census 1/12: 1 in 9.4,1 higher.

91189 National Comics #5 Billy Wright pedi-gree (Quality, 1940) CGC VF 8.0 White pages. First Quicksilver. Origin o Uncle Sam. Bondageand skull cover by Lou Fine. Overstreet 2011 VF8.0 value = $992. CGC census 1/12: 2 in 8.0, 2higher.

91190 National Comics #11 Billy Wrightpedigree (Quality, 1941) CGC VF+ 8.5 Whitepages. Lou Fine cover eaturing Uncle Sam.Overstreet 2011 VF 8.0 value = $826; VF/NM9.0 value = $1,413. CGC census 1/12: 2 in 8.5, 1higher.

91191 Police Comics #1 Billy Wright pedi-gree (Quality, 1941) CGC VF 8.0 White pages.

The Mile High and Windy City copies are the onlyones graded higher to date. And while someminor issues at the corners o the book kept thisone out o NM territory, the eye appeal o thisbook is very strong. We think this book is a bitunderrated lately, considering it has the originand rst appearance o Plastic Man, one o thegreat Golden Age characters. It’s also got the rstappearance o Phantom Lady, an awully collect-ible character in her own right! Firebrand is themain cover eature, drawn by Gill Fox. Overstreet2011 VF 8.0 value = $5,920. CGC census 1/12: 1 in

8.0, 2 higher.

91192 Smash Comics #14 Billy Wright pedi-gree (Quality, 1940) CGC VF+ 8.5 White pages. One o just three copies graded above 6.0 byCGC to date. First appearance o the Ray. Gill Foxcover. Overstreet 2011 VF 8.0 value = $2,010; VF/NM 9.0 value = $3,505. CGC census 1/12: 1 in 8.5,1 higher.

91193 Smash Comics #22 Billy Wright pgree (Quality, 1941) CGC NM- 9.2 White pa

This is the only copy graded above 8.0 byto date! Bozo the robot is the cover eaturemaking his rst appearance is the Jester, awho dons a jester outt to ght crime. Overs2011 NM- 9.2 value = $1,350. CGC census 1/in 9.2, none higher.

91194 Smash Comics #24 Billy Wpedigree (Quality, 1941) CGC NM+ 9.6 Wpages. The only copy graded above 7.0 byto date. Just the third dierent copy we’veoered. Bozo the Robot cover. Overstreet NM- 9.2 value = $1,035. CGC census 1/12: 1 inone higher.




91195 Smash Comics #25 Billy Wright pedi-gree (Quality, 1941) CGC NM 9.4 White pages. Origin and rst appearance o Wildre. Also ea-tures appearances by Bozo the Robot, The Jester,and The Ray. Overstreet 2011 NM- 9.2 value =$1,165. CGC census 1/12: 2 in 9.4, none higher.

91196 Uncle Sam Quarterly #1 Billy Wrightpedigree (Quality, 1941) CGC VF+ 8.5 Whitepages. Lou Fine and Will Eisner cover. Overstreet2011 VF 8.0 value = $2,639; VF/NM 9.0 value =$4,620. CGC census 1/12: 4 in 8.5, 1 higher.

other golDen Age

91197 America’s Greatest Comics #6 BillyWright pedigree (Fawcett, 1943) CGC NM- 9.2O-white to white pages. Square bound booksare traditionally tough to nd in high grade. Notethat the Crowley Copy that ranks above this onthe census (9.4) has a large stamp on the cover,while this has no cover markings. I you picked upBatman #15 to see that hero working a machinegun, you should add this Captain Marvel outing

to your collection! C. C. Beck cover art. Overstreet2011 NM- 9.2 value = $1,035. CGC census 1/12: 1in 9.2, 1 higher.

91198 Blue Bolt #1 Billy Wright pedigree(Novelty Press, 1940) CGC VF- 7.5 White pages. Cover art by the late Joe Simon. Overstreet 2011VF 8.0 value = $2,240. CGC census 1/12: 1 in 7.5,5 higher.

91199 Captain Battle Comics #1 Billy Wrightpedigree (New Friday, 1941) CGC VF/NM 9.0O-white to white pages. Hooded cultistscover. Overstreet 2011 VF/NM 9.0 value = $1,586;NM- 9.2 value = $2,250. CGC census 1/12: 1 in 9.0,2 higher.

91200 Catman Comics #1 Billy Wright pegree (Holyoke, 1941) CGC FN/VF 7.0 O-whto white pages. Charles Quinlan cover aart. Overstreet 2011 FN 6.0 value = $1,233; 8.0 value = $2,877. CGC census 1/12: 3 in 7.0higher.

91201 Crash Comics #1 Billy Wright pedgree (Tem Publishing Co., 1940) CGC VF+ 8O-white to white pages. Once thought be the rst-ever Simon and Kirby team-up, thissue’s “Solar Legion” story is now generally creited to Jack Kirby alone (he was still using tpseudonym “Jack Curtiss” here). But this issretains the distinction o being the rst combook published by Holyoke (still called “TePublishing” here ater owner Frank TemersoOverstreet 2011 VF 8.0 value = $2,282; VF/NM 9value = $3,991. CGC census 1/12: 2 in 8.5, nohigher.

91202 Cyclone Comics #1 Billy Wright pegree (Bilbara, 1940) CGC NM 9.4 White pageAny June 1940 comic is going to be a tough in strict 9.4! This series ran or ve issues and wthe only one to appear under the Bilbara namOverstreet 2011 NM- 9.2 value = $1,400. CGcensus 1/12: 1 in 9.4, 2 higher.





91203 Daredevil Comics #1 Daredevil Battles Hitler - Billy Wright pedigree (Lev Gleason, 1941) CGC NM 9.4. O-White to White pages. Othe most memorable covers o the Golden Age in anyone’s book. It was Bob Wood and Charles Biro who retouched Hitler’s ace into a silly expressionbook was both a superhero and supervillain team-up: Silver Streak and Daredevil joined orces, while the brownshirted ellow mentioned in the titlethe Claw on his side. A bit overshadowed is the act that Daredevil rom Silver Streak Comics got his own book here (called Daredevil Comics roon). Heroes breaking out into their own series seemed to catch Billy Wright’s attention — by our count, 12 o the rst 23 such comics are representehis collection. Overstreet 2011 NM- 9.2 value = $23,500. CGC census 1/12: 6 in 9.4, none higher.




91204 Daredevil Comics #2 Billy Wrightpedigree (Lev Gleason, 1941) CGC VF+ 8.5O-white to white pages. This is the ollowupto Daredevil Battles Hitler which was ofcially#1 o this series. “At last the comic magazine thatdared to do it” screams the blurb. We’re still notsure what “it” is, but we like the slogan. CharlesBiro is the cover artist. Overstreet 2011 VF 8.0value = $2,317; VF/NM 9.0 value = $4,059. CGCcensus 1/12: 1 in 8.5, none higher.

91205 Doc Savage Comics #1 Billy Wright

pedigree (Street & Smith, 1940) CGC VF 8.0O-white to white pages. The pulp VIP whoreportedly inspired Superman nally got hisown book in May o 1940. Overstreet 2011 VF8.0 value = $3,628. CGC census 1/12: 1 in 8.0, 3higher.

91206 Fight Comics #1 Billy Wright pedi-gree (Fiction House, 1940) CGC FN+ 6.5O-white pages. Overstreet credits the coverart to Lou Fine. Overstreet 2011 FN 6.0 value =$1,029; VF 8.0 value = $2,400. CGC census 1/12: 4in 6.5, 5 higher.

91207 Future Comics #1 Billy Wright pedi-gree (David McKay Publications, 1940) CGCVF 8.0 O-white to white pages. The rst origino the Phantom in comics — yes, that Phantom— makes this a notable book. The Lone Rangeralso appears, the science ction cover notwith-standing. Overstreet 2011 VF 8.0 value = $1,920.CGC census 1/12: 2 in 8.0, none higher.

91208 Green Hornet Comics #3 Billy Wrightpedigree (Holyoke, 1941) CGC VF+ 8.5 O-white to white pages. Bert Whitman cover.

Overstreet 2011 VF 8.0 value = $1,030; VF/NM9.0 value = $1,765. CGC census 1/12: 1 in 8.5, 2higher.

91209 Jackpot Comics #1 Billy Wright pedi-gree (MLJ, 1941) CGC FN/VF 7.0 O-white towhite pages. This title brought together themost popular heroes rom MLJ’s other books,namely Steel Sterling (rom Zip Comics), Mr.Justice (Blue Ribbon Comics), the Black Hood(Top-Notch Comics), and Sergeant Boyle(Pep Comics). The cover art is by Charles Biro.Overstreet 2011 FN 6.0 value = $978; VF 8.0 value= $2,282. CGC census 1/12: 2 in 7.0, 3 higher.

91210 Jungle Comics #1 Billy Wrpedigree (Fiction House, 1940) CGC VF 8.0 Owhite to white pages. This long-running tiwas started o in grand ashion with the serionly Lou Fine cover! This was the only jungseries on the stands at the time, but it would rinto lots and lots o competition just a ew yeain the uture. The issue’s got the origin and appearance o Kaanga and Wambi the JungBoy, both o whom later headlined their owseries. Overstreet 2011 VF 8.0 value = $3,47

CGC census 1/12: 2 in 8.0, 3 higher.

91211 Nickel Comics #1 Billy Wright pedgree (Fawcett, 1940) CGC FN+ 6.5 Whipages. The rst appearance o Bulletman, athe rst appearance o an original concept:comic with hal the content, at hal the pricappearing twice as oten! Note that the ull ruo this title is oered in this catalog. Overstre2011 FN 6.0 value = $1,113; VF 8.0 value = $2,60CGC census 1/12: 2 in 6.5, 9 higher.

91212 Nickel Comics #2 Billy Wright pedgree (Fawcett, 1940) CGC VF/NM 9.0 Whipages. This one appeared a scant two weeks at#1. Bulletman’s second appearance was all in coor a ... nickel! Jack Binder cover art. Overstre2011 VF/NM 9.0 value = $1,287; NM- 9.2 value$1,825. CGC census 1/12: 2 in 9.0, 1 higher.





91213 Our Flag Comics#1 Billy Wrightpedigree (Ace,1941) CGC NM- 9.2White pages. TheUnknown Soldierled a host o patri-otic characters in

this short-lived title. Though one copy(the Mile High) hasbeen graded higher,this is a tough book to nd in high gradeotherwise, owing tothe black cover. By the way, note the Nazi zom-bie on the cover! Overstreet 2011 NM- 9.2 value= $4,000. CGC census 1/12: 1 in 9.2, 1 higher.

91214 Pep Comics #7

Billy Wright pedi-gree (MLJ, 1940)CGC NM- 9.2 O-white to whitepages. CGC hascertied just sixunrestored copieso this issue, andonly two in gradeshigher than 8.0.Hal a year beoreCaptain Americacame on the scene,the Shield was

ghting or the USA, and as you can see Timelydid not have a monopoly on these scenes o hooded cultists and girls in bondage. Longtime

pro Irv Novick is the cover artist. Check out ouronline listing to see the back cover ad eaturingthe Dionne quintuplets! Overstreet 2011 NM- 9.2value = $2,000. CGC census 1/12: 2 in 9.2, nonehigher.

91215 Pep Comics #8 BillyWright pedigree(MLJ, 1940) CGCNM- 9.2 O-whiteto white pages.

The only copygraded above 8.5by CGC to date. See

America’s rst patri-otic hero, the Shield,taking on someancient Egyptians...these guys playor Cheops! Thesescenes o a maidenthreatened by a branding iron would not gounnoticed by would-be censors in years to come.Irv Novick is the cover artist. Overstreet 2011NM- 9.2 value = $2,000. CGC census 1/12: 1 in 9.2,none higher.

91216 Planet Comics #1 Billy Wright pedi-gree (Fiction House, 1940) CGC FN/VF 7.0O-white pages. A cover by greats Lou Fine andWill Eisner kicked o the best sci- series o theGolden Age. The most valuable Fiction Housecomic book, and one o Overstreet’s Top 100Golden Age books. Overstreet 2011 FN 6.0 value= $3,825; VF 8.0 value = $9,500. CGC census 1/12:4 in 7.0, 9 higher.

91217 Planet Comics #3 Billy Wright pedi-gree (Fiction House, 1940) CGC VF+ 8.5O-white to white pages. A antastic Will Eisnercover leads o this wonderul issue. An earlyissue o Fiction House’s agship science ction

comic series, which was a companion to the pulptitle o the same name. Overstreet 2011 VF 8.0value = $2,121; VF/NM 9.0 value = $3,711. CGCcensus 1/12: 2 in 8.5, 2 higher.

91218 Shield-Wizard Comics #1 Billy Wpedigree (MLJ, 1940) CGC NM- 9.2 O-wto white pages. In the summer o 1940 taa comic book character rom an anthologyand giving him his own series was still a maneuver (DC and Fox were the only publiwho had yet attempted it) so MLJ hedged itsslightly with this two-character showcase oShield (rom Pep Comics) and the Wizard Top-Notch). Overstreet 2011 NM- 9.2 val$9,500. CGC census 1/12: 2 in 9.2, 1 higher.

91219 Silver Streak Comics #3 Billy Wpedigree (Lev Gleason, 1940) CGC FN+O-white to white pages. One o just

unrestored copies CGC has certied! “SStreak, Speed Ace” made his rst appearin this issue, drawn by Jack Cole. How is itthe title character rst appeared in #3 o hisbook? It’s because the series’ name tied intoneat metallic eect used on the early coverscover has the most silver o any o them, pera reason why more copies haven’t survivedecent condition. The Buck Rogers-like LHale is the cover character. Overstreet 2016.0 value = $993; VF 8.0 value = $2,317. CGCsus 1/12: 1 in 6.5, 1 higher.




9 1 2 2 0 S l a m -Bang Comics #1Billy Wright pedi-gree (Fawcett,1940) CGC VF+ 8.5O-white to whitepages. One monthater hitting news-

stands with Whiz #1, Fawcett broughtout this book whichties Master #1 asthe publisher’ssecond title. Therewere no costumed

mystery men in this series, which is perhaps whyit only lasted seven issues, but all o the issueshave neat action covers. Note that this copy istied with the Mile High at the top o CGC’s cen-sus. Overstreet 2011 VF 8.0 value = $1,363; VF/NM 9.0 value = $2,332. CGC census 1/12: 2 in 8.5,none higher.

9 1 2 2 1 Spe cia l

Edition Comics#1 Billy Wrightpedigree (Fawcett,1940) CGC FN/VF 7.0 O-whitepages. This is therst book devotedentirely to CaptainMarvel. C. C. Beck cover and inte-rior art. Overstreet2011 FN 6.0 value =$2,352; VF 8.0 value= $5,723. CGC cen-sus 1/12: 6 in 7.0, 11higher.

91222 StartlingComics #1 BillyWright pedi-gree (BetterP u b l i c a t i o n s ,1940) CGC VF+ 8.5White pages. Thiswas a superherobook beore sciencection took over,and Captain Futurewas the cover star.Note that he pre-dates almost all o the other “captains”in comics, and also

pre-dates the likes o Green Lantern and WonderWoman. Kin Platt cover art. Overstreet 2011 VF8.0 value = $1,856; VF/NM 9.0 value = $3,178.CGC census 1/12: 2 in 8.5, 3 higher.

91223 Whiz Comics #3 (#2) Billy Wrightpedigree (Fawcett, 1940) CGC FN/VF 7.0 Whitepages. Many don’t realize how difcult this issueis to nd in high grade. The only higher-gradedcopy is just a 7.5! This is the second appearanceo Captain Marvel, the runaway hit character whowent on to outsell Superman. C. C. Beck coverand art. Overstreet 2011 FN 6.0 value = $1,458;VF 8.0 value = $3,550. CGC census 1/12: 1 in 7.0,1 higher.

91224 Wings Comics #1 Billy Wright pedi-gree (Fiction House, 1940) CGC VF+ 8.5O-white to white pages. Grey tone cover. Firstissue o a series that ran or 14 years. Overstreet

2011 VF 8.0 value = $1,734; VF/NM 9.0 value= $2,967. CGC census 1/12: 7 in 8.5, 2 higher.

9 1 2 2 5 W i n g sComics #2 BillyWright pedigree(Fiction House,1940) CGC NM-9.2 O-whiteto white pages.

Take a close look

at the cover insetand note the verycreepy skull and theunusual black andwhite eect! GeneFawcette cover art.Overstreet 2011NM- 9.2 value = $1,550. CGC census 1/12: 2 in 9none higher.

9 1 2 2 6 W i n gComics #3 BiWright pedigr(Fiction Hous1940) CGC NM- 9O-white to whi

pages. We hadseen this issue a grade above VFN beore! GeFawcette covOverstreet 20NM- 9.2 value $1,060. CGC cens1/12: 1 in 9.2, nohigher.

91227 Zip Comics #2 BillyWright pedigree(MLJ, 1940) CGCVF+ 8.5 O-white

pages. This is thebest copy we’veever oered o abook that’s interest-ing in a couple o respects. The March1940 cover dateputs it early in thesuperhero era (theHour-Man debutedin Adventure #48the same month. Also, while Steel Sterling wthe rst hero to be called “The Man o Steehis cover outing here does have similarities Action #1. Overstreet 2011 VF 8.0 value = $1,65VF/NM 9.0 value = $2,826. CGC census 1/12: 18.5, 2 higher.

enD oF Billy Wright SeCtion

SeSSion one ContinueS With lot #91228

in our mAin CAtAlog



Session Three, Auction #7054 | Friday, February 24, 2012 | 3:00PM CT


93001 Action Comics #25 BillyWright pedigree (DC, 1940) CGCVG/FN 5.0 White pages. This pres-ents very nicely or the grade, witha 1.75” spine split the only deectvisible. Superman cover by WayneBoring. Overstreet 2011 VG 4.0value = $846; FN 6.0 value = $1,269.CGC census 1/12: 2 in 5.0, 8 higher.

93002 Adventure Comics #45Billy Wright pedigree (DC, 1939)CGC GD 2.0 O-white to whitepages. Fred Guardineer cover. CreigFlessel Sandman story. CGC notes,“Cover detached.” Overstreet 2011GD 2.0 value = $354. CGC census1/12: 1 in 2.0, 8 higher.

.93003 Adventure Comics #49Billy Wright pedigree (DC, 1940)CGC FN- 5.5 O-white to whitepages. Second appearance o Hourman. Sheldon Moldo cover.Overstreet 2011 FN 6.0 value =$870. CGC census 1/12: 1 in 5.5, 8higher.

93004 Adventure Comics Billy Wright pedigree (DC, 1CGC VG/FN 5.0 O-whitewhite pages. Bernard Baily cOverstreet 2011 VG 4.0 valu$580; FN 6.0 value = $870. CGCsus 1/12: 2 in 5.0, 5 higher.

SPECIAL INTERNET BIDDING FEATURE

Online proxy bidding ends at HA.com two hours prior to the opening of the live auction. Check the TiRemaining on individual lots for details. After Internet proxy bidding closes, live bidding will take place throuHeritage LiveTM, our bidding software that lets you bid live during the actual auction. Your secret maximuwill compete against those bids, and win all ties. To maximize your chances of winning, enter realistic secmaximum bids before live bidding begins. (Important note: Due to software and Internet latency, bids placthrough Live Internet Bidding may not register in time and those bidders could lose lots they would otherwhave won, so be sure to place your proxy bids in advance.)

FRIDAY, FebRuARY 24, 2012 3:00PM CT DAllAs

HeRITAGe AuCTIONs INTRODuCes THe

Signature Auction # 7054 | lots 93001 - 93091Heritage Live!™, Internet, Fax, and Mail Only Session

A 19.5% Buyer's Premium ($14 minimum) Will Be Added To All LotsTo view full descriptions, enlargeable images and bid online, visit HA.com/7054





93005 Adventure Comics #56Billy Wright pedigree (DC, 1940)CGC FN/VF 7.0 Of-white to whitepages. Hour Man cover by BernardBaily. Overstreet 2011 FN 6.0 value= $774; VF 8.0 value = $1,651. CGCcensus 1/12: 2 in 7.0, 6 higher.

93006 Amazing-Man Comics #6Billy Wright pedigree (Centaur,1939) CGC VG+ 4.5 Of-white towhite pages. Second issue o thetitle. Bill Everett cover. Overstreet2011 VG 4.0 value = $686. CGC cen-sus 1/12: 1 in 4.5, 3 higher.

93007 Amazing Mystery FunniesV1#1 Billy Wright pedigree (Centaur,1938) CGC VG+ 4.5 Of-whitepages. The rst published comicbook work o Bill Everett. Just theourth copy we’ve ever ofered.Everett cover. Overstreet 2011 VG4.0 value = $754. CGC census 1/12:1 in 4.5, 4 higher.

93008 Amazing Mystery FunniesV2#4 Billy Wright pedigree (Centaur,1939) CGC FN+ 6.5 Of-white towhite pages. First copy Heritagehas ever ofered. Overstreet 2011FN 6.0 value = $252; VF 8.0 value= $538. CGC census 1/12: 1 in 6.5,none higher.

93009 Army and Navy Comics#1 Billy Wright pedigree (Street& Smith, 1941) CGC VF+ 8.5 Whitepages. The best copy we’ve oferedo what is an afordable book giventhe 5/41 cover date! Featuring thebizarre cover blurb, “Hitler and

Private Rook shoot craps or theworld — and an onion!” Overstreet2011 VF 8.0 value = $321; VF/NM 9.0value = $546. CGC census 1/12: 1 in8.5, 2 higher.

93010 Big Shot Comics #2 BillyWright pedigree (Columbia,1940) CGC VF 8.0 White pages. Charlie Chan cover appearance.Overstreet 2011 VF 8.0 value = $576.CGC census 1/12: 2 in 8.0, nonehigher.

93011 Big Shot Comics #3 BillyWright pedigree (Columbia,1940) CGC VF- 7.5 White pages. Ogden Whitney cover eaturingCharlie Chan. Overstreet 2011 VF 8.0value = $518. CGC census 1/12: 1 in7.5, 2 higher.

93012 Big Shot Comics #5 BillyWright pedigree (Columbia,1940) CGC NM- 9.2 Of-white towhite pages. Joe Palooka shark cover. Overstreet 2011 NM- 9.2value = $900. CGC census 1/12: 1 in9.2, none higher.

93013 Big Shot Comics #6 BillyWright pedigree (Columbia, 1940)CGC NM- 9.2 Of-white to whitepages. The only copy graded above7.0. Charlie Chan, Skyman, and JoePalooka appearances. Overstreet2011 NM- 9.2 value = $700. CGCcensus 1/12: 1 in 9.2, none higher.

93014 Blue Beetle #4 BiWright pedigree (Fox FeaturSyndicate, 1940) CGC VF/NM 9Of-white to white pages. Tonly copy graded above 7.5 CGC to date. Overstreet 2011 VNM 9.0 value = $902; NM- 9.2 val= $1,275. CGC census 1/12: 1 in 9none higher.

93015 Captain Marvel Advenures #20 Billy Wright pedigr(Fawcett, 1943) CGC VF/NM 9White pages. Believe it or not, tJanuary 1943 issue is one o tmost recent books in the collectio

C. C. Beck cover. Overstreet 2011 VNM 9.0 value = $777; NM- 9.2 val= $1,100. CGC census 1/12: 2 in 9none higher.

93016 Crack Comics #12 BiWright pedigree (Quality, 194CGC VF- 7.5 White pages. One three copies CGC has graded. BlaCondor cover. Overstreet 2011 8.0 value = $514. CGC census 1/12 in 7.5, none higher.





93017 Crack Comics #14 BillyWright pedigree (Quality, 1941)CGC VF+ 8.5 O-white to whitepages. The only copy graded above4.5 by CGC to date. Black Condorcover. Overstreet 2011 VF 8.0 value= $514; VF/NM 9.0 value = $887.CGC census 1/12: 1 in 8.5, 1 higher.

93018 Daring Mystery Comics#1 Billy Wright pedigree (Timely,1940) CGC FR/GD 1.5 O-whiteto white pages. Bondage coverby Alex Schomburg. Third issueever published by Timely (tied withMarvel Mystery #3). CGC notes,“5 pieces o tape on interior cover.”Overstreet 2011 GD 2.0 value =$1,950. CGC census 1/12: 1 in 1.5, 12higher.

93019 Exciting Comics #1 BillyWright pedigree (Nedor, 1940)CGC FN 6.0 O-white to whitepages. Early robot cover. Overstreet2011 FN 6.0 value = $1,260. CGCcensus 1/12: 1 in 6.0, 6 higher.

93020 Exciting Comics #2 BillyWright pedigree (Nedor, 1940)CGC VF- 7.5 Cream to o-whitepages. Overstreet 2011 VF 8.0 value= $1,114. CGC census 1/12: 1 in 7.5,3 higher.

93021 Fantastic Comics #12Billy Wright pedigree (Fox, 1940)CGC VF- 7.5 O-white to whitepages. The only copy graded above4.0 by CGC to date! Cover eaturesSamson and his sidekick David.Overstreet 2011 VF 8.0 value = $502.CGC census 1/12: 1 in 7.5, nonehigher.

93022 Fantoman #3 Billy Wrightpedigree (Centaur, 1940) CGCQualifed VF/NM 9.0 O-whiteto white pages. For comparison’ssake, just three blue-label copieshave been certied: two 6.5s andone 8.0. CGC notes, “Cover detachedrom top staple.” Overstreet 2011VF/NM 9.0 value = $936; NM- 9.2value = $1,325.

93023 Feature Books #4 Dick Tracy - Billy Wright pedigree(David McKay Publications,1937) CGC FN- 5.5 Cream to o-white pages. These were printedon low-quality paper, and “creamto o-white pages” might be thebest page quality that exists or thebook. Overstreet 2011 FN 6.0 value= $405. CGC census 1/12: 2 in 5.5, 1higher.

93024 Feature Books #6 Dick Tracy - Billy Wright pedigree(David McKay Publications, 1937)CGC FN/VF 7.0 Cream to o-whitepages. Overstreet 2011 FN 6.0value = $291; VF 8.0 value = $621.CGC census 1/12: 1 in 7.0, 1 higher.

93025 Feature Books #9 Dick Tracy - Billy Wright pedigree

(David McKay Publications, 1938)CGC FN 6.0 Cream to o-whitepages. Tracy’s ourth and lastFeature Book. Overstreet 2011 FN6.0 value = $291. CGC census 1/12:1 in 6.0, none higher.

93026 Feature Comics #38Wright pedigree (Quality, 1CGC VF/NM 9.0 O-white to wpages. One o just two cgraded above 4.5 to date! Dollcover. Overstreet 2011 VF/NMvalue = $574; NM- 9.2 value = $CGC census 1/12: 1 in 9.0, 1 hi

93027 Feature Comics #44Wright pedigree (Quality, 1CGC VF+ 8.5 White pages.the ourth copy we’ve ever oDoll Man cover. Overstreet 2018.0 value = $334; VF/NM 9.0 v

= $567. CGC census 1/12: 1 innone higher.

93028 Fight Comics #3 Wright pedigree (Fiction Ho1940) CGC VF 8.0 O-whitwhite pages. The going ratthis book seems a bargain givestriking Will Eisner cover art, anan issue we’ve only oered a hul o times in 10 years. Overs2011 VF 8.0 value = $718. CGCsus 1/12: 2 in 8.0, 1 higher.




93029 Funny Pages V1#11Billy Wright pedigree (ComicsMagazine, 1937) CGC VG 4.0White pages. Featuring the Clock (the rst masked comic hero). Thirdcopy we’ve ever oered. Baseballcover by J. A. Patterson. Overstreet2011 VG 4.0 value = $206. CGC cen-sus 1/12: 1 in 4.0, 3 higher.

93030 Funny Pages V2#6 BillyWright pedigree (Centaur, 1938)CGC FN+ 6.5 Cream to o-whitepages. Tied or the honor o rstCentaur comic book. Bob Woodcover art. Overstreet 2011 FN 6.0

value = $285; VF 8.0 value = $603.CGC census 1/12: 1 in 6.5, 1 higher.

93031 Funny Pages V2#7 BillyWright pedigree (Centaur, 1938)CGC VG+ 4.5 O-white pages. Oneo two copies CGC has certied. BobWood cover. Overstreet 2011 VG 4.0value = $146. CGC census 1/12: 1 in4.5, 1 higher.

93032 Funny Pages V2#11 BillyWright pedigree (Centaur, 1938)CGC FN+ 6.5 O-white to whitepages. Second appearance o theArrow. Football cover. Overstreet2011 FN 6.0 value = $387; VF 8.0value = $826. CGC census 1/12: 1 in6.5, 3 higher.

93033 Funny Picture StoriesV2#10 Billy Wright pedigree(Centaur, 1938) CGC VF- 7.5 O-white pages. One o two copiesCGC has certied. Overstreet 2011VF 8.0 value = $334. CGC census1/12: 1 in 7.5, none higher.

93034 Heroic Comics #1 BillyWright pedigree (Eastern Color,1940) CGC FN/VF 7.0 O-white

to white pages. Bill Everett cover.Overstreet 2011 FN 6.0 value = $600;VF 8.0 value = $1,280. CGC census1/12: 2 in 7.0, 3 higher.

93035 Hyper Mystery Comics#1 Billy Wright pedigree (HyperPublications, 1940) CGC FN+6.5 O-white to white pages. Overstreet 2011 FN 6.0 value = $618;VF 8.0 value = $1,318. CGC census1/12: 2 in 6.5, 5 higher.

93036 Keen Detective Funnies#9 Billy Wright pedigree (Centaur,1938) CGC FN- 5.5 O-whiteto white pages. Second issue o the series. Second copy Heritagehas ever oered. Featuring theClock (rst masked comic hero).Overstreet 2011 FN 6.0 value =

$276. CGC census 1/12: 1 in 5.5,none higher.

93037 Keen Detective FunniesV2#9 Billy Wright pedigree(Centaur, 1939) CGC VF- 7.5 O-white to white pages. MaskedMarvel cover by Ben Thompson.CGC hasn’t assigned a grade higherthan 8.0 or the issue. Overstreet2011 VF 8.0 value = $528. CGC cen-sus 1/12: 1 in 7.5, 3 higher.

93038 Keen Detective FunniV2#10 Billy Wright pedigr(Centaur, 1939) CGC FN+ 6.5 Owhite to white pages. Just tthird dierent copy we have evoered. Masked Marvel cover Ben Thompson. Overstreet 20FN 6.0 value = $246; VF 8.0 value$528. CGC census 1/12: 2 in 6.5higher.

93039 Keen Detective Funni#11 Billy Wright pedigr(Centaur, 1938) CGC FN- 5.5 Owhite pages. First copy Heritahas ever oered. Martin Filcho

cover art. Overstreet 2011 FN 6value = $252. CGC census 1/12: 15.5, none higher.

93040 Liberty Scouts Com#2 (#1) Billy Wright pedigr(Centaur, 1941) CGC VF 8.0 Owhite to white pages. Just tourth copy we have ever oereFirst appearance o Man o War wlater had his own book. Overstre2011 VF 8.0 value = $826. CGC cesus 1/12: 2 in 8.0, 1 higher.





93041 Little Giant DetectiveFunnies #1 Billy Wright pedigree(Centaur, 1938) CGC VF 8.0 Whitepages. Only copy CGC has certied.A Gerber “8.” Second copy we haveever ofered. Overstreet 2011 VF 8.0value = $742. CGC census 1/12: 1 in8.0, none higher.

93042 Little Giant MovieFunnies #1 Billy Wright pedi-gree (Centaur, 1938) CGC FN/VF7.0 Of-white to white pages. AGerber “8.” The only copy CGC hascertied. Measures 6.75” x 4.5” andhas 132 pages. Overstreet 2011

FN 6.0 value = $348; VF 8.0 value =$742. CGC census 1/12: 1 in 7.0, 1higher.

93043 More Fun Comics #13Billy Wright pedigree (DC, 1936)CGC VG/FN 5.0 Cream to of-whitepages. One o the rst 100 comicsever published. From DC’s rst-everseries, which began as New FunComics. Also known as V2#1.Overstreet doesn’t list values orgrades above VF. Overstreet 2011VG 4.0 value = $850; FN 6.0 value =$1,275. CGC census 1/12: 2 in 5.0, 1higher.

93044 More Fun Comics #24Billy Wright pedigree (DC, 1937)CGC FN 6.0 Of-white pages. Vincent Sullivan cover. Dr. Occultstory by Jerry Siegel and JoeShuster. Overstreet 2011 FN 6.0value = $828. CGC census 1/12: 1 in6.0, 2 higher.

93045 More Fun Comics #25Billy Wright pedigree (DC, 1937)CGC FN/VF 7.0 Of-white pages. Football cover by Vin Sullivan.Overstreet 2011 FN 6.0 value = $828;VF 8.0 value = $1,518. CGC census1/12: 3 in 7.0, 1 higher.

93046 More Fun Comics #31Billy Wright pedigree (DC, 1938)CGC VG 4.0 Of-white pages. First unrestored copy we haveever ofered. One o three unre-stored copies CGC has certied.Published a month beore Action #1 and contains an ad or that book.Creig Flessel cover with a RobinsonCrusoe theme. CGC notes, “4 pieceso tape on interior cover.” Overstreet2011 VG 4.0 value = $530. CGC cen-sus 1/12: 1 in 4.0, 2 higher.

93047 More Fun Comics #33Billy Wright pedigree (DC, 1938)CGC FN+ 6.5 Of-white pages. Oneo three copies graded above PR.Published one month ater Action #1. Vin Sullivan cover. A Gerber “7”.Overstreet 2011 FN 6.0 value = $750;VF 8.0 value = $1,375. CGC census1/12: 1 in 6.5, 1 higher.

93048 More Fun Comics #45Billy Wright pedigree (DC, 1939)CGC FN+ 6.5 Of-white to whitepages. This is just the third copyo the issue that Heritage has everofered, and one o just two copies

that CGC has certied. Overstreet2011 FN 6.0 value = $636; VF 8.0value = $1,166. CGC census 1/12: 1in 6.5, 1 higher.

93049 Mystery Men Comics #2Billy Wright pedigree (Fox, 1939)CGC FN- 5.5 Of-white to whitepages. Lou Fine cover art. Tied orthe second robot cover in com-ics. Overstreet 2011 FN 6.0 value =$1,029. CGC census 1/12: 2 in 5.5, 4higher. 105237

93050 Mystery Men Co#6 Billy Wright pedigree 1940) CGC VG- 3.5 Of-whitwhite pages. George Tuska cOverstreet 2011 VG 4.0 valu$464. CGC census 1/12: 4 in 3higher.

93051 Mystic Comics #2 Wright pedigree (Timely, 1CGC VG 4.0 Of-white to wpages. First copy we’ve oferesix years. Bondage cover by Schomburg. Overstreet 2011 Vvalue = $1,028. CGC census 1/in 4.0, 6 higher.

93052 National Comics #6 Wright pedigree (Quality, 1CGC VF 8.0 Of-white to wpages. Lou Fine cover eatUncle Sam. Overstreet 2011 Vvalue = $826. CGC census 1/128.0, 1 higher.




93053 New Adventure Comics#18 Billy Wright pedigree (DC,1937) CGC VG 4.0 O-whitepages. A Gerber “8.” Creig Flesselcover. Overstreet 2011 VG 4.0 value= $720. CGC census 1/12: 2 in 4.0, 3higher.

93054 New Adventure Comics#19 Billy Wright pedigree (DC,1937) CGC FN 6.0 O-white pages. Creig Flessel cover. Overstreet 2011FN 6.0 value = $1,080. CGC census1/12: 1 in 6.0, 4 higher.

93055 New Adventure Comics#21 Billy Wright pedigree (DC,1937) CGC GD 2.0 O-whitepages. Aka V2#9. Creig Flesselcover. CGC notes, “6 pieces o tapeon interior cover.” Overstreet 2011GD 2.0 value = $320. CGC census1/12: 2 in 2.0, 3 higher.

93056 New Adventure Comics#25 Billy Wright pedigree (DC,1938) CGC VG- 3.5 O-whitepages. The rst copy Heritage hasever oered. Creig Flessel cover.CGC notes, “Tape on entire spine o interior cover.” Overstreet 2011 VG4.0 value = $540. CGC census 1/12:1 in 3.5, 3 higher.

93057 Nickel Comics #4 BillyWright pedigree (Fawcett,1940) CGC NM- 9.2 White pages. Underwater cover eaturingBulletman. Overstreet 2011 NM- 9.2value = $1,050. CGC census 1/12: 1

in 9.2, 3 higher.

93058 Nickel Comics #5 BillyWright pedigree (Fawcett, 1940)CGC VF 8.0 O-white to whitepages. Bondage cover eaturingBulletman, drawn by C. C. Beck.Overstreet 2011 VF 8.0 value = $426.CGC census 1/12: 1 in 8.0, 2 higher.

93059 Nickel Comics #6 BillyWright pedigree (Fawcett, 1940)CGC VF 8.0 O-white to whitepages. Bulletman cover by C. C.Beck. Overstreet 2011 VF 8.0 value= $426. CGC census 1/12: 1 in 8.0, 4higher.

93060 Nickel Comics #7 BillyWright pedigree (Fawcett, 1940)CGC VF 8.0 White pages. C. C. Beck Bulletman cover. Overstreet 2011 VF8.0 value = $426. CGC census 1/12: 1in 8.0, 1 higher.

93061 Nickel Comics #8 BillyWright pedigree (Fawcett, 1940)CGC VF+ 8.5 White pages. Lastissue o the title. World’s Fair coverby C. C. Beck. Both Overstreet andGerber list this book as “scarce.”Overstreet 2011 VF 8.0 value = $565;VF/NM 9.0 value = $970. CGC census1/12: 2 in 8.5, 2 higher.

93062 Pep Comics #2 BiWright pedigree (MLJ, 194CGC FN/VF 7.0 O-white to whipages. Irv Novick cover. Secoappearance o the Shield. Overstre2011 FN 6.0 value = $813; VF 8value = $1,734. CGC census 1/12in 7.0, none higher.

93063 Pep Comics #5 BiWright pedigree (MLJ, 1940) CGFN+ 6.5 O-white pages. Oo three copies CGC has certieUnderwater cover by Irv Novick, eturing the Shield. Overstreet 20FN 6.0 value = $483; VF 8.0 value

$1,030. CGC census 1/12: 1 in 6.5higher.

93064 Prize Comics #1 BiWright pedigree (Prize, 194CGC FN+ 6.5 O-white to whpages. First comic by this publishOverstreet 2011 FN 6.0 value = $83VF 8.0 value = $1,759. CGC cens1/12: 3 in 6.5, 2 higher.





93065 Prize Comics #2 BillyWright pedigree (Prize, 1940)CGC FN 6.0 O-white to whitepages. Third copy we have everoered. First appearance o theBlack Owl. Overstreet 2011 FN 6.0value = $369. CGC census 1/12: 2 in6.0, 1 higher.

93066 Rex Dexter o Mars#1 Billy Wright pedigree (FoxFeatures Syndicate, 1940) CGCVF- 7.5 Cream to o-white pages. Only issue o the title. Dick Brieercover and art. Overstreet 2011 VF8.0 value = $1,280. CGC census 1/12:

1 in 7.5, 1 higher.

93067 Rocket Comics #1Billy Wright pedigree (HillmanPublications, 1940) CGC FN+6.5 O-white to white pages. Overstreet 2011 FN 6.0 value = $795;VF 8.0 value = $1,694. CGC census1/12: 2 in 6.5, 3 higher.

93068 Science Comics #3 BillyWright pedigree (Fox, 1940) CGCFN- 5.5 O-white to white pages. Classic Dynamo cover by Lou Fine.Overstreet 2011 FN 6.0 value =$570. CGC census 1/12: 2 in 5.5, 4higher.

93069 Shadow Comics #2 BillyWright pedigree (Street & Smith,1940) CGC FN+ 6.5 O-white towhite pages. Painted cover. DocSavage story. Overstreet 2011 FN6.0 value = $639; VF 8.0 value =$1,363. CGC census 1/12: 1 in 6.5, 3higher.

93070 Silver Streak Comics#2 Billy Wright pedigree (LevGleason, 1940) CGC FN- 5.5 O-

white pages. The Claw cover by JoeSimon. Overstreet 2011 FN 6.0 value= $1,167. CGC census 1/12: 1 in 5.5,4 higher.

93071 Silver Streak Comics#4 Billy Wright pedigree (LevGleason, 1940) CGC VF- 7.5O-white pages. Metallic silverlogo. Just the th dierent copywe’ve ever sold. Jack Binder cover.Overstreet 2011 VF 8.0 value =$1,075. CGC census 1/12: 2 in 7.5, 1higher.

93072 Skyman #1 Billy Wrightpedigree (Columbia, 1941) CGCVF/NM 9.0 O-white to whitepages. Origin o Skyman. OgdenWhitney cover. Overstreet 2011VF/NM 9.0 value = $1,378; NM- 9.2

value = $1,950. CGC census 1/12: 2in 9.0, none higher.

93073 Smash Comics #3 BillyWright pedigree (Quality, 1939)CGC FN+ 6.5 O-white to whitepages. Very early robot cover(10/39). Overstreet 2011 FN 6.0value = $207; VF 8.0 value = $442.CGC census 1/12: 2 in 6.5, 1 higher.

93074 Smash Comics #15 Wright pedigree (Quality, 1CGC VF 8.0 O-white to wpages. Lou Fine and Bob PoweOverstreet 2011 VF 8.0 value = $CGC census 1/12: 2 in 8.0, 1 hi

93075 Smash Comics #16 Wright pedigree (Quality, 1CGC VF+ 8.5 White pages. Gicover. Overstreet 2011 VF 8.0 v= $787; VF/NM 9.0 value = $1CGC census 1/12: 1 in 8.5, 1 hi

93076 Smash Comics #23 Wright pedigree (Quality, 1CGC NM- 9.2 O-white to wpages. One o two copies grabove 6.5 by CGC. Gill Fox ceaturing the Ray. Overstreet NM- 9.2 value = $1,035. CGC ce1/12: 1 in 9.2, 1 higher.




93077 Sparkler Comics (frstseries) #1 Jim Hardy - Billy Wrightpedigree (United FeaturesSyndicate, 1940) CGC VF/NM 9.0O-white to white pages. Onlycopy graded above 7.0. Reprints theJim Hardy comic strip. Overstreet2011 VF/NM 9.0 value = $2,450; NM-9.2 value = $3,450. CGC census 1/12:1 in 9.0, none higher.

93078 Sparkler Comics (frstseries) #2 Billy Wright pedigree(United Features Syndicate,1940) CGC NM 9.4 White pages. Only copy CGC has certied. First

high-grade copy we’ve ever seen.Reprinted the 1930s newspaperstrip. Overstreet 2011 NM- 9.2 value= $1,135. CGC census 1/12: 1 in 9.4,none higher.

93079 Speed Comics #7 BillyWright pedigree (Harvey, 1940)CGC VF 8.0 O-white to whitepages. The only copy graded above2.0 by CGC to date. Other than acoverless copy, this is the rst copyHeritage has ever oered! Shock Gibson cover. Overstreet 2011 VF8.0 value = $315. CGC census 1/12:1 in 8.0, none higher.

93080 Speed Comics #13 BillyWright pedigree (Harvey, 1941)CGC VF+ 8.5 White pages. Firstappearance o Captain Freedom andthe Young Deenders. Overstreet2011 VF 8.0 value = $390; VF/NM 9.0value = $670. CGC census 1/12: 2 in8.5, none higher.

93081 Star Comics V1#2 BillyWright pedigree (Harry ‘A’ Chesler,1937) CGC GD/VG 3.0 O-whitepages. The only copy CGC has cer-tied. A Gerber “8.” Just the secondcopy we’ve ever oered. Great Dick Ryan cover and art! Overstreet 2011GD 2.0 value = $103; VG 4.0 value

= $206. CGC census 1/12: 1 in 3.0,none higher.

93082 Star Comics V1#6 BillyWright pedigree (Harry ‘A’ Chesler,1937) CGC GD/VG 3.0 O-white towhite pages. The only copy CGChas certied to date, and the rstcopy Heritage has ever oered.Have a look at our scan, you’ll besurprised by the eye appeal giventhe grade. Charles Biro cover art.CGC notes, “7 pieces o tape on inte-rior cover.” Overstreet 2011 GD 2.0value = $87; VG 4.0 value = $174.CGC census 1/12: 1 in 3.0, nonehigher.

93083 Star Comics #11 BillyWright pedigree (Centaur, 1938)CGC VG/FN 5.0 O-white to whitepages. The only copy CGC hasgraded. A Gerber “9” issue (“veryrare”) as well as a Gerber “whitespace.” The rst published comicbook art by Jack Cole. Overstreet2011 VG 4.0 value = $146; FN 6.0value = $219. CGC census 1/12: 1 in5.0, none higher.

93084 Star Comics #12 BillyWright pedigree (Centaur, 1938)CGC FN 6.0 O-white to whitepages. The only copy CGC has

graded. Little Nemo appearance.Overstreet 2011 FN 6.0 value = $174.CGC census 1/12: 1 in 6.0, none higher.

93085 Star Ranger #4 BillyWright pedigree (Harry “A”Chesler, 1937) CGC VG 4.0 O-white to white pages. First copyHeritage has ever oered. Only copyCGC has certied. Overstreet 2011VG 4.0 value = $168. CGC census1/12: 1 in 4.0, none higher.

93086 Star Ranger #5 Billy Wrigpedigree (Harry “A” Chesler, 193CGC VG+ 4.5 O-white to whpages. Fred Schwab 4th o July fcover. Overstreet 2011 VG 4.0 val= $168. CGC census 1/12: 1 in 4.5higher.

93087 Star Ranger #6 BiWright pedigree (Harry “Chesler, 1937) CGC FN 6.0 Owhite to white pages. First cowe’ve ever oered and the oncopy CGC has certied. Fred Schwcover. Overstreet 2011 FN 6.0 val= $252. CGC census 1/12: 1 in 6none higher.





93088 Star Ranger #7 BillyWright pedigree (Harry “A”Chesler, 1937) CGC FN 6.0 O-white pages. The only copy CGChas certied to date. A Gerber “7.”Overstreet 2011 FN 6.0 value =$183. CGC census 1/12: 1 in 6.0,none higher.

93089 Star Ranger #12 BillyWright pedigree (Centaur, 1938)CGC FN/VF 7.0 O-white pages. One o only two copies CGC hascertied. Last issue. From Centaur’sthird month o publishing. Jack Colecover. Overstreet 2011 FN 6.0 value= $198; VF 8.0 value = $419. CGCcensus 1/12: 1 in 7.0, none higher.

93090 Whiz Comics #4 BillyWright pedigree (Fawcett, 1940)CGC Qualifed VF+ 8.5 O-whiteto white pages. We’ve neverofered a high-grade blue-labelcopy o this issue, so we think thisone’s worth a look. Captain Marvelcover by C. C. Beck. CGC notes,“Coupon missing rom last page,afects story. (1 piece o tape on lastpage.) Incomplete.” Overstreet 2011VF 8.0 value = $1,950; VF/NM 9.0value = $3,375.

93091 Zip Comics #3 Wright pedigree (MLJ, 1CGC FN+ 6.5 O-white to wpages. Just the third copy wever ofered. One o three CGCcertied. Charles Biro robot ceaturing Steel Sterling. Overs2011 FN 6.0 value = $678; Vvalue = $1,446. CGC census 1/in 6.5, 1 higher.

end of Billy Wright SeCtion

SeSSion three ContinueS With lot 93092

in the Main Catalog



Terms and Conditions o AuctionAuctioneer and Auction:1. Tis Auction is presented by Heritage Auctions, a d/b/a/ o Heritage Auctioneers & Galleries, Inc.,

or Heritage Auctions, Inc., or Heritage Numismatic Auctions, Inc., or Heritage Vintage SportsAuctions, Inc., or Currency Auctions o America, Inc., as identied with the applicable licensinginormation on the title page o the catalog or on the HA.com Internet site (the “Auctioneer”). TeAuction is conducted under these erms and Conditions o Auction and applicable state and locallaw. Announcements and corrections rom the podium and those made through the erms andConditions o Auctions appearing on the Internet at HA.com supersede those in the printed catalog.

Buyer’s Premium:2. All bids are subject to a Buyer’s Premium which is in addition to t he placed successul bid:• Fieen percent (15%) on Arms & Armor, Currency, US Coin, and World & Ancient Coin Auctions

lots; except that the World and Ancient Coin Auctions 3003 & 3018 shall have a Buyer’s Premiumof 19.5%;

• Nineteen and one-half percent (19.5%) on Americana & Political, Civil War & Militaria, Comic,Manuscript, Movie Poster, Space Exploration, Sports Collectibles, Texana, Wine, and GalleryAuction (sealed bid auctions o mostly bulk numismatic material) lots;

• For all other categories not listed above, twenty-ve percent (25%) on the rst $50,000 (minimum$14), twenty percent (20%) of any amount between $50,000 and $1,000,000, and twelve percent(12%) of any amount over $1,000,000.

Auction Venues:3. e following Auctions are conducted solely on the Internet: Heritage Weekly Internet Auctions

(Coin, Currency, Comics, Rare Books, Jewelry & Watches, Guitars & Musical Instruments, andVintage Movie Posters); Heritage Monthly Internet Auctions (Sports, World Coins and Rare Wine).Signature® Auctions and Grand Format Auctions accept bids from the Internet, telephone, fax, ormail rst, followed by a oor bidding session; HeritageLive! and real- time telephone bidding areavailable to registered clients during these auctions.

Bidders:4. Any person participating or registering for the Auction agrees to be bound by and accepts these

erms and Conditions o Auction (“Bidder(s)”).5. All Bidders must meet Auctioneer’s qualications to bid. Any Bidder who is not a client in good

standing of the Auctioneer may be disqualied at Auctioneer’s sole option and will not be awardedlots. Such determination may be made by Auctioneer in its sole and unlimited discretion, at any timeprior to, during, or even aer the close of the Auction. Auctioneer reserves the right to exclude anyperson rom the auction.

6. I an entity places a bid, then the person executing the bid on behal o the entity agrees to personallyguarantee payment or any successul bid.

Credit:7. In order to place bids, Bidders who have not established credit with the Auctioneer must eitherfurnish satisfactory credit information (including two collectibles-related business references) orsupply valid credit card information along with a social security number, well in advance of theAuction. Bids placed through our Interactive Internet program will only be accepted from pre-registered Bidders. Bidders who are not members o HA.com or afliates should preregister at least48 hours before the start of the rst session (exclusive of holidays or weekends) to allow adequatetime to contact reerences. Credit will be granted at the discretion o Auctioneer. AdditionallyBidders who have not previously established credit or who wish to bid in excess of their establishedcredit history may be required to provide their social security number or the l ast four digits thereof so a credit check may be perormed prior to Auctioneer’s acceptance o a bid. Check writingprivileges and immediate delivery of merchandise may also be determined by pre-approval of creditbased on a combination of criteria: HA.com history, related industry references, bank verication,a credit bureau report and/or a personal gu arantee for a corporate or partnership entity in advanceof the auction venue.

Bidding Options:8. Bids in Signature® Auctions or Grand Format Auctions may be placed as set forth in the printed

catalog section entitled “Choose your bidding method.” For auctions held solely on the Internet, seethe alternatives on HA.com. Review at HA.com/common/howtobid.php.

9. Presentment of Bids: Non-Internet bids (including but not limited to podium, fax, phone and mailbids) are treated similar to oor bids in that they must be on-increment or at a half increment (called

a cut bid). Any podium, ax, phone, or mail bids that do not conorm to a ull or hal incrementwill be rounded up or down to the nearest full or half increment and this revised amount will beconsidered your high bid.

10. Auctioneer’s Execution of Certain Bids. Auctioneer cannot be responsible for your errors inbidding, so carefully check that every bid is entered correctly. When identical mail or FAX bids aresubmitted, preference is given to the rst received. To ensure the greatest accuracy, your writtenbids should be entered on the standard printed bid sheet and be received at Auctioneer’s placeo business at least two business days beore the Auction start. Auctioneer is not responsible orexecuting mail bids or FAX bids received on or aer the day the rst lot is sold, nor Internet bidssubmitted aer the published closing time; nor is Auctioneer responsible for proper execution of bids submitted by telephone, mail, FAX, e-mail, Internet, or in person once the Auction begins. Bidsplaced electronically via the internet may not be withdrawn until your written request is receivedand acknowledged by Auctioneer (FAX: 214-443-8425); such requests must state the reason, andmay constitute grounds for withdrawal of bidding privileges. Lots won by mail Bidders will not bedelivered at the Auction unless prearranged.

11. Caveat as to Bid Increments. Bid increments (over the current bid level) determine the lowestamount you may bid on a particular lot. Bids greater than one increment over the current bid can beany whole dollar amount. It is possible under several circumstances for winning bids to be betweenincrements, sometimes only $1 above the previous increment. Please see: “How can I lose by lessthan an increment?” on our website. Bids will be accepted in whole dollar amounts only. No “buy”or “unlimited” bids will be accepted.

e following chart governs current bidding increments.Current Bid .....................Bid Increment Current Bid .......................Bid Increment <$10 .................................... $1 $20,000 - $29,999 ................. $2,000$10 - $29 ............................. $2 $30,000 - $49,999 ................. $2,500$30 - $49 ............................. $3 $50,000 - $99,999 ................. $5,000$50 - $99 ............................. $5 $100,000 - $199,999 ............. $10,000$100 - $199 ......................... $10 $200,000 - $299,999 ............. $20,000$200 - $299 ......................... $20 $300,000 - $499,999 ............. $25,000$300 - $499 ......................... $25 $500,000 - $999,999 ............. $50,000$500 - $999 ......................... $50 $1,000,000 - $1,999,999 .......$100,000$1,000 - $1,999 ................... $100 $2,000,000 - $2,999,999 .......$200,000$2,000 - $2,999 ................... $200 $3,000,000 - $4,999,999 .......$250,000$3,000 - $4,999 ................... $250 $5,000,000 - $9,999,999 .......$500,000$5,000 - $9,999 ................... $500 >$10,000,000 ........................ $1,000,000$10,000 - $19,999 ............... $1,000

12. If Auctioneer calls for a full increment, a bidder may request Auctioneer to accept a bid at half of the increment (“Cut Bid”) only once per lot. Aer oering a Cut Bid, bidders may continueto participate only at full increments. O-increment bids may be accepted by the Auctioneer atSignature® Auctions and Grand Format Auctions. If the Auctioneer solicits bids other than theexpected increment, these bids will not be considered Cut Bids.

Conducting the Auction:13. Notice of the consignor’s liberty to place bids on his lots in the Auction is hereby made in accord

with Article 2 of the Texas Business and Commercial Code. A “Minimum Bid” is an amount bwhich the lot will not sell. THE CONSIGNOR OF PROPERTY MAY PLACE WRITTEN ”MiniBids” ON HIS LOTS IN ADVANCE OF THE AUCTION; ON SUCH LOTS, IF THE HAMMER PDOES NOT MEET THE “Minimum Bid”, THE CONSIGNOR MAY PAY A REDUCED COMMISON THOSE LOTS. ”Minimum Bids” are generally posted online several days prior to the Aucclosing. For any successful bid placed by a consignor on his Property on the Auction oor, or bmeans during the live session, or aer the ”Minimum Bid” for an Auction have been posted, wrequire the consignor to pay full Buyer’s Premium and Seller’s Commissions on such lot.

14. e highest qualied Bidder recognized by the Auctioneer shall be the Buyer. In the event of a tithe earliest bid received or recognized wins. In the event of any dispute between any Bidders Auction, Auctioneer may at his sole discretion reoer the lot. Auctioneer’s decision and declarof the winning Bidder shall be nal and binding upon all Bidders. Bids properly oered, wheby oor Bidder or other means of bidding, may on occasion be missed or go unrecognized; incases, the Auctioneer may declare the recognized bid accepted as the winning bid, regardlewhether a competing bid m ay have been higher.

15. Auctioneer reserves the right to refuse to honor any bid or to limit t he amount of any bid, in itdiscretion. A bid is considered not m ade in “Good Faith” when made by an insolvent or irresponperson, a person under the age o eighteen, or is not supported by satisactory credit, collectreerences, or otherwise. Regardless o the disclosure o his identity, any bid by a consignor oagent on a lot consigned by him is deemed to be made in “Good Faith.” Any person apparappearing on the OFAC list is not eligible to bid.

16. Nominal Bids. Te Auctioneer in its sole discretion may reject nominal bids, small opening bidvery nominal advances. If a lot bearing estimates fails to open for 40–60% of the low estimateAuctioneer may pass the item or may place a protective bid on behalf of the consignor.

17. Lots bearing bidding estimates shall open at Auctioneer’s discretion (approximately 50%-60the low estimate). In the event that no bid meets or exceeds that opening amount, the lot shallas unsold.

18. All items are to be purchased per lot as numerically indicated and no lots will be broken. Auctioreserves the right to withdraw, prior to the close, any lots from the Auction.

19. Auctioneer reserves the right to rescind the sale in the event of nonpayment, breach of a warrdisputed ownership, auctioneer’s clerical error or omission in exercising bids and reserves, oany other reason and in Auctioneer’s sole discretion. In cases o nonpayment, Auctioneer’s eleto void a s ale does not relieve the Bidder from their obligation to pay Auctioneer its fees (sellerbuyer’s premium) and any other damages or expenses pertaining to the lot.

20. Auctioneer occasionally experiences Internet and/or Server service outages, and Auctioperiodically schedules system downtime or maintenance and other purposes, during wBidders cannot participate or place bids. I such outages occur, we may at our discretion exbidding or the Auction. Bidders unable to place their Bids through the Internet are directecontact Client Services at 1-800-872-6467.

21. Te Auctioneer, its afliates, or their employees consign items to be sold in the Auction, andbid on those lots or any other lots. Auctioneer or aliates expressly reserve the right to m odifsuch bids at any time prior to the hammer based upon data made known to the Auctioneer oaliates. e Auctioneer may extend advances, guarantees, or loans to certain consignors.

22. e Auctioneer has the right to sell certain unsold items aer the close of the Auction. Suchshall be considered sold during the Auction and all these erms and Conditions shall apply tosales including but not limited to the Buyer’s Premium, return rights, and disclaimers.

Payment:23. All sales are strictly for cash in United States dollars (including U.S. currency, bank wire, cas

checks, travelers checks, eChecks, and bank money orders, and are subject to all reporequirements). All deliveries are subject to good funds; funds being received in Auctioneer’s accbefore delivery of the Purchases; and all payments are subject to a clearing period. Auctioreserves the right to determine if a check constitutes “good funds”: checks drawn on a U.S. bansubject to a ten business day hold, and thirty days when drawn on an international bank. Cwith pre-arranged credit status may receive immediate credit for payments via eCheck, personcorporate checks. All others will be subject to a hold of 5 days, or more, for the funds to clear

to releasing merchandise. (re. &C item 7 Credit or additional inormation.) Payments camade 24-48 hours post auction from the My Orders page of the HA.com website.24. Payment is due upon closing of the Auction session, or upon presentment of an invoice. Auctio

reserves the right to void an invoice if payment in full is not received within 7 days aer the clothe Auction. In cases of nonpayment, Auctioneer’s election to void a s ale does not relieve the Brom their obligation to pay Auctioneer its ees (seller’s and buyer’s premium) on the lot andother damages pertaining to the lot.

25. Lots delivered to you, or your representative in the States of Texas, California, New York, or ostates where the Auction may be held, are subject to all applicable state and local taxes, unappropriate permits are on le with Auctioneer. (Note: Coins are only subject to sales taCalifornia on invoices under $1500 and in Texas on invoices under $1000. Check the Webat: http://coins.ha.com/c/ref/sales-tax.zx for more details.) Bidder agrees to pay Auctioneeactual amount of tax due in the event that sales tax is not properly collected due to: 1) an expinaccurate, inappropriate tax certicate or declaration, 2) an incorrect interpretation oapplicable statute, 3) or any other reason. e appropriate form or certicate must be on le averied by Auctioneer ve days prior to Auction or tax must be paid; only if such form or certiis received by Auctioneer within 4 days aer the Auction can a refund of tax paid be made.from dierent Auctions may not be aggregated for sales tax purposes.

26. In the event that a Bidder’s payment is dishonored upon presentment(s), Bidder shall pamaximum statutory processing fee set by applicable state law. If you attempt to pay via eCand your nancial institution denies this transer rom your bank account, or the payment ca

be completed using the selected unding source, you agree to complete payment using your ccard on le.27. If any Auction invoice submitted by Auctioneer is not paid in full when due, the unpaid balanc

bear interest at the highest rate permitted by law from the date of invoice until paid. Any invoicpaid when due will bear a three percent (3%) late fee on the invoice amount or three percent (3any installment that is past due. If the Auctioneer refers any invoice to an attorney for collectionbuyer agrees to pay attorney’s ees, court costs, and other collection costs incurred by AuctionAuctioneer assigns collection to its in-house legal sta, such attorney’s time expended on the mshall be compensated at a rate comparable to the hourly rate o independent attorneys.

28. In the event a successful Bidder fails to pay any amounts due, Auctioneer reserves the right tothe lot(s) securing the invoice to any underbidders in the Auction that the lot(s) appeared, subsequent private or public sale, or relist the lot(s) in a future auction conducted by Auctionedefaulting Bidder agrees to pay for the reasonable costs of resale (including a 10% seller’s commii consigned to an auction conducted by Auctioneer). Te deaulting Bidder is liable to padierence between his total original invoice for the lot(s), plus any applicable interest, and thproceeds for the lot(s) if sold at private sale or the subsequent hammer price of the lot(s) less theseller’s commissions, i sold at an Auctioneer’s auction.



Terms and Conditions o Auction29.Auctioneer reserves the right to require payment in full in good funds before delivery of the

merchandise.30. Auctioneer shall have a lien against the merchandise purchased by the buyer to secure payment of

the Auction invoice. Auctioneer is further granted a lien and the right to retain possession of anyother property o the buyer then held by the Auctioneer or its afliates to secure payment o anyAuction invoice or any other amounts due the Auctioneer or aliates from the buyer. With respect tothese lien rights, Auctioneer shall have all the rights of a secu red creditor under Article 9 of the TexasUniform Commercial Code, including but not limited to the right of sale. In addition, with respect topayment of the Auction invoice(s), the buyer waives any and all rig hts of oset he might otherwisehave against the Auctioneer and the consignor of the merchandise included on the invoice. If aBidder owes Auctioneer or its aliates on any account, Auctioneer and its aliates shall have theright to oset such unpaid account by any credit balance due Bidder, and it may secure by possessorylien any unpaid amount by any o the Bidder’s property in their possession.

31. Title shall not pass to the successful Bidder until all invoices are paid in full. It is the responsibilityof the buyer to provide adequate insurance coverage for the items once they have been delivered to acommon carrier or third-party shipper.

Delivery; Shipping; and Handling Charges:32. Buyer is liable for shipping and handling. Please refer to Auctioneer’s website www.HA.com/

common/shipping.php or the latest charges or call Auctioneer. Auctioneer is unable to combinepurchases rom other auctions or afliates into one package or shipping purposes. Lots won will beshipped in a commercially reasonable time aer payment in good funds for the merchandise and theshipping fees is received or credit extended, except when third-party shipment occurs.

33. Successful international Bidders shall provide written shipping instructions, including speciedcustoms declarations, to the Auctioneer for any lots to be delivered outside of the United States.NOTE: Declaration value shall be the item’(s) hammer price together with its buyer’s premium andAuctioneer shall use the correct harmonized code for the lot. Domestic Buyers on lots designated forthird-party shipment must designate the common carrier, accept risk of loss, and prepay shippingcosts.

34. All shipping charges will be borne by the successful Bidder. On all domestic shipments, any risk of loss during shipment will be borne by Heritage until the shipping carrier’s conrmation of deliveryto the address of record in Auctioneer’s le (carrier’s conrmation is conclusive to prove deliveryto Bidder; i the client has a Signature release on le with the carrier, the package is considereddelivered without Signature) or delivery by Heritage to Bidder’s selected third-party shipper. Onall oreign shipments, any risk o loss during shipment will be borne by the Bidder ollowingAuctioneer’s delivery to the Bidder’s designated common carrier or third-party shipper.

35. Due to the nature of some items sold, it shall be the responsibility for the successful Bidder to arrangepick-up and shipping through third-parties; as to such items Auctioneer shall have no liability.Failure to pick-up or arrange shipping in a timely fashion (within ten days) shall subject Lots tostorage and moving charges, including a $100 administration fee plus $10 daily storage for largeritems and $5.00 daily for smaller items (storage fee per item) aer 35 days. In the event the Lot isnot removed within ninety days, the Lot may be oered for sale to recover any past due storage ormoving fees, including a 10% Seller’s Commission.

36. e laws of various countries regulate the import or export of certain plant and animal properties,including (but not limited to) items made of (or including) ivory, whalebone, turtle shell, coral,crocodile, or other wildlife. Transport of such lots may require special l icenses for export, import, orboth. Bidder is responsible or: 1) obtaining all inormation on such restricted items or both exportand import; 2) obtaining all such licenses and/or permits. Delay or ailure to obtain any such licenseor permit does not relieve the buyer of timely compliance with standard payment terms. For furtherinformation, please contact Ron Brackemyre at 800- 872-6467 ext. 1312.

37. Any request for shipping verication for undelivered packages must be made within 30 days of shipment by Auctioneer.

Cataloging, Warranties and Disclaimers:38. NO WARRANTY, WHETHER EXPRESSED OR IMPLIED, IS MADE WITH RESPECT TO ANY

DESCRIPTION CONTAINED IN THIS AUCTION OR ANY SECOND OPINE. Any description of theitems or second opine contained in this Auction is or the sole purpose o identiying the items orthose Bidders who do not have the opportunity to view the lots prior to bidding, and no descriptiono items has been made part o the basis o the bargain or has created any express warranty that thegoods would conform to any description made by Auctioneer. Color variations can be expected inany electronic or printed imaging, and are not grounds for the return of any lot. NOTE: Auctioneer,in specied auction venues, for example, Fine Art, may have express written warranties and you arereerred to those specic terms and conditions. .

39. Auctioneer is selling only such right or title to the items being sold as Auctioneer may have byvirtue of consignment agreements on the date of auction and disclaims any warranty of title tothe Property. Auctioneer disclaims any warranty o merchantability or tness or any particularpurposes. All images, descriptions, sales data, and archival records are the exclusive property of Auctioneer, and may be used by Auctioneer for advertising, promotion, archival records, and anyother uses deemed appropriate.

40. Translations of foreign language documents may be provided as a convenience to interested parties.Auctioneer makes no representation as to the accuracy o those translations and will not be heldresponsible or errors in bidding arising rom inaccuracies in translation.

41. Auctioneer disclaims all liability for damages, consequential or otherwise, arising out of or inconnection with the sale o any Property by Auctioneer to Bidder. No third party may rely on anybenet o these erms and Conditions and any rights, i any, established hereunder are personal tothe Bidder and may not be assigned. Any statement made by the Auctioneer is an opinion and doesnot constitute a warranty or representation. No employee o Auctioneer may alter these erms andConditions, and, unless signed by a principal of Auctioneer, any such alteration is null and void.

42. Auctioneer shall not be liable for breakage of glass or damage to frames (patent or latent); such defects,in any event, shall not be a basis for any claim for return or reduction in purchase price.

Release:43. In consideration of participation in the Auction and the placing of a bid, Bidder expressly releases

Auctioneer, its ocers, directors and employees, its aliates, and its outside experts that providesecond opines, from any and all claims, cause of action, chose of action, whether at law or equity orany arbitration or mediation rights existing under the rules o any proessional society or afliationbased upon the assigned description, or a derivative theory, breach of warranty express or implied,representation or other matter set orth within these erms and Conditions o Auction or otherwise.In the event of a claim, Bidder agrees that such rights and privileges conferred therein are strictlyconstrued as specically declared herein; e.g., authenticity, typographical error, etc. and are theexclusive remedy. Bidder, by non-compliance to these express terms of a granted remedy, shall waiveany claim against Auctioneer.

44. Notice: Some Property sold by Auctioneer are inherently dangerous e.g. rearms, cannons, andsmall items that may be swallowed or ingested or may have latent defects all of which may causeharm to a person. Purchaser accepts all risk o loss or damage rom its purchase o these items andAuctioneer disclaims any liability whether under contract or tort or damages and losses, direct orinconsequential, and expressly disclaims any warranty as to safety or usage of any lot sold.

Dispute Resolution and Arbitration Provision:45. By placing a bid or otherwise participating in the auction, Bidder accepts these Terms and Conditions

of Auction, and specically agrees to the dispute resolution provided herein. Consumer disputesshall be resolved through court litigation which has an exclusive Dallas, Texas venue clause and

jury waiver. Non-consumer dispute shall be determined in binding arbitration which arbitrationreplaces the right to go to court, including the right to a jury trial.

46. Auctioneer in no event shall be responsible for consequential damages, incidental compensatory damages, or any other damages arising or claimed to be arising rom the aany lot. In the event that Auctioneer cannot deliver the lot or subsequently it is established thlacks title, or other transer or condition issue is claimed, in such cases the sole remedy shall bto rescission o sale and reund o the amount paid by Bidder; in no case shall Auctioneer’s mliability exceed the high bid on that lot, which bid shall be deemed for all purposes the value Aer one year has elapsed, Auctioneer’s maximum liability shall be limited to any commissees Auctioneer earned on that lot.

47. In the event of an attribution error, Auctioneer may at its sole discretion, correct the the Internet, or, if discovered at a later date, to refund the buyer’s purchase price withouobligation.

48. Dispute Resolution for Consumers and Non-Consumers: Any claim, dispute, or contrconnection with, relating to and /or arising out o the Auction, participation in the Auctioof lots, damages of claims to lots, descriptions, condition reports, provenance, estimates, rewarranty rights, any interpretation of these Terms and Conditions, any alleged verbal mo

o these erms and Conditions and/or any purported settlement whether asserted in contunder Federal or State statute or regulation shall or any other matter: a) if presented by a cbe exclusively heard by, and the parties consent to, exclusive in personam jurisdiction in District Courts of Dallas County, Texas. THE PARTIES EXPRESSLY WAIVE ANY RIGHT TBY JURY. Any appeals shall be solely pursued in the appellate courts of the State of Texasany claimant other than a consumer, the claim shall be presented in condential binding arbefore a single arbitrator, that the parties may agree upon, selected from the JAMS list arbitrators. e case is not to be administrated by JAMS; however, if the parties cannot an arbitrator, then JAMS shall appoint the arbitrator and it shall be conducted under JAMTe locale shall be Dallas exas. Te arbitrator’s award may be enorced in any court o c

jurisdiction. Any party on any claim involving the purchase or sale of numismatic or relamay elect arbitration through binding PNG arbitration. Any claim must be brought withiyear of the alleged breach, default or misrepresentation or the claim is waived. is agreemany claims shall be determined and construed under Texas law. e prevailing party (pis awarded substantial and material relie on its claim or deense) may be awarded its reattorneys’ ees and costs.

49. No claims of any kind can be considered aer the settlements have been made with the coAny dispute aer the settlement date is strictly between the Bidder and consignorinvolvement or responsibility of the Auctioneer.

50. In consideration of their participation in or application for the Auction, a person or entitythe successul Bidder, a Bidder, a purchaser and/or other Auction participant or registran

that all disputes in any way relating to, arising under, connected with, or incidental to theand Conditions and purchases, or deault in payment thereo, shall be arbitrated pursuaarbitration provision. In the event that any matter including actions to compel arbitration,the agreement, actions in aid or arbitration or otherwise needs to be litigated, such shall be exclusively in the Courts of the State of Texas, in Dallas County, Texas, and if nthe corresponding appellate courts. For such actions, the successful Bidder, purchaser, oparticipant also expressly submits himsel to the personal jurisdiction o the State o exas

51. ese Terms & Conditions provide specic remedies for occurrences in the auction andprocess. Where such remedies are aorded, they shall be interpreted strictly. Bidder agreeclaim shall utilize such remedies; Bidder making a claim in excess of those remedies prothese Terms and Conditions agrees that in no case whatsoever shall Auctioneer’s maximumexceed the high bid on that lot, which bid shall be deemed for all purposes the value of the

Miscellaneous:52. Agreements between Bidders and consignors to eectuate a non-sale of an item at Auctio

bidding on a consigned item to enter into a private sale agreement for said item, or to uAuctioneer’s Auction to obtain sales for non-selling consigned items subsequent to the are strictly prohibited. If a subsequent sale of a previously consigned item occurs in viothis provision, Auctioneer reserves the right to charge Bidder the applicable Buyer’s Premconsignor a Seller’s Commission as determined for each auction venue and by the termseller’s agreement.

53. Acceptance of these Terms and Conditions qualies Bidder as a client who has consen

contacted by Heritage in the future. In conformity with “do-not-call” regulations promuthe Federal or State regulatory agencies, participation by the Bidder is armative consentcontacted at the phone number shown in his application and this consent shall remain in eit is revoked in writing. Heritage may from time to time contact Bidder concerning sale, purcauction opportunities available through Heritage and its aliates and subsidiaries.

54. Rules of Construction: Auctioneer presents properties in a number of collectible elds, anspecic venues have promulgated supplemental Terms and Conditions. Nothing hereinconstrued to waive the general Terms and Conditions of Auction by these additional rules be construed to give force and eect to the rules in their entirety.

State Notices:Notice as to an Auction in California. Auctioneer has in compliance with Title 2.95 of the CCivil Code as amended October 11, 1993 Sec. 1812.600, posted with the California Secretary obonds for it and its employees, and the auction is being conducted in compliance with Sec. 23Commercial Code and Sec. 535 of the Penal Code.

Notice as to an Auction in New York City. ese Terms and Conditions of Sale are designed toto the applicable sections of the New York City Department of Consumer Aairs Rules and Reas Amended. Tis sale is a Public Auction Sale conducted by Heritage Auctioneers & Galle# 41513036. e New York City licensed auctioneers are: Sam Foose, #095260; Kathleen #0762165; Nicholas Dawes, #1304724; Ed Beardsley, #1183220; Scott Peterson, #1306933; And#1320558, who will conduct the Sale on behalf of itself and Heritage Numismatic Auctions,Coins) and Currency Auctions o America, Inc. (or currency). All lots are subject to: the con

rights to bid thereon in accord with these Terms and Conditions of Sale, consignor’s option tadvances on their consignments, and Auctioneer, in its sole discretion, may oer limited nancing to registered bidders, in accord with Auctioneer’s internal credit standards. A rbidder may inquire whether a lot is subject to an advance or a reserve. Auctioneer has made advarious consignors in this sale. On lots bearing an estimate, the term refers to a value range plaitem by the Auctioneer in its sole opinion but the nal price is determined by the bidders.

Notice as to an Auction in Texas. In compliance with TDLR rule 67. 100(c)(1), notice is herebythat this auction is covered by a Recovery Fund administered by the Texas Department of Land Regulation, P.O. Box 12157, Austin, Texas 78711 (512) 463-6599. Any complaints may beto the same address.

Notice as to an Auction in Ohio: Auction rm and Auctioneer are licensed by the Dept. o Agand either the licensee is bonded in favor of the state or an aggrieved person may initiate a claimthe auction recovery fund created in Section 4707.25 of the Revised Code as a result of the actions, whichever is applicable.

Rev. 1-



Terms and Conditions o Auction

New York State Auctions OnlyNotice as to an Auction in New York City. ese Terms and Conditions of Sale are designedto conform to the applicable sections of the New York City Department of Consumer Aairs

Rules and Regulations as Amended. Tis sale is a Public Auction Sale conducted by HeritageAuctioneers & Galleries, Inc. # 41513036. e New York City licensed auctioneers are: SamFoose, #095260; Kathleen Guzman, #0762165; Nicholas Dawes, #1304724; Ed Beardsley,#1183220; Scott Peterson, #1306933; Andrea Voss, #1320558, who will conduct the Sale onbehal o itsel and Heritage Numismatic Auctions, Inc. (or Coins) and Currency Auctions o America, Inc. (or currency). All lots are subject to: the consignor’s rights to bid thereon inaccord with these Terms and Conditions of Sale, consignor’s option to receive advances on theirconsignments, and Auctioneer, in its sole discretion, may oer limited extended nancing toregistered bidders, in accord with Auctioneer’s internal credit standards. A registered biddermay inquire whether a lot is subject to an advance or a reserve. Auctioneer has made advancesto various consignors in this sale. On lots bearing an estimate, the term refers to a value rangeplaced on an item by the Auctioneer in its sole opinion but the nal price is determined by thebidders. Rev 10-10-11

Additional erms & Conditions:

COMICS & COMIC ART AUCTIONS

COMICS & COMIC ART TERM A: Signature® Auctions are not on approval. No certied materialmay be returned because of possible dierences of opinion with respect to the g rade oered byany third-party organization, dealer, or service. No guarantee of grade is oered for uncertiedProperty sold and subsequently submitted to a third-party grading service. ere are absolutelyno exceptions to this policy. Under extremely limited circumstances, (e.g. gross cataloging error)a purchaser, who did not bid from the oor, may request Auctioneer to evaluate voiding a sale;such request must be made in writing detailing the alleged gross error, and submission of the lotto the Auctioneer must be pre-approved by the Auctioneer. A bidder must notify the appropriatedepartment head (check the inside front cover of the catalog or our website for a listing of department heads) in writing of such request within three (3) days of the non-oor bidder’sreceipt of the lot. Any lot that is to be evaluated must be in our oces within 30 days aer

Auction. Grading does not qualify for this evaluation process nor do such complaints constitutea basis to challenge the authenticity of a lot. AFTER THAT 30-DAY PERIOD, NO LOTS MAY BERETURNED FOR REASONS OTHER THAN AUTHENTICITY. Lots returned must be housedintact in the original holder. No lots purchased by oor Bidders may be returned (including thoseBidders acting as agents or others). Late remittance or purchases may be considered just causeto revoke all return privileges.

COMICS & COMIC ART TERM B: Auctions conducted solely on the Internet have a THREE (3)DAY RETURN POLICY: Lots paid for within seven days of the Auction closing are sold with athree (3) day return privilege. You may return lots under the following conditions: Within threedays of receipt of the lot, you must rst notify Auctioneer by contacting Client Service by phone(1-800-872-6467) or e-mail ([email protected]), and immediately mail the lot(s) fully insured tothe attention of Returns, Heritage, 3500 Maple Avenue, 17th Floor, Dallas TX 75219-3941. Lotsmust be housed intact in their original holder and condition. You are responsible for the insured,safe delivery of any lots. A non-negotiable return fee of 5% of the purchase price ($10 per lotminimum) will be deducted rom the reund or each returned lot or billed directly. Postageand handling fees are not refunded. Aer the three-day period (from receipt), no items may bereturned for any reason. Late remittance for purchases revokes all Return-Restock privileges.

COMICS & COMIC ART TERM C: Bidders who have inspected the lots prior to the auction will not

be granted any return privileges.

COMICS & COMIC ART TERM D: Comic books sold referencing a third-party grading service aresold “as is” without any express or implied warranty. Certain warranties may be available fromthe grading services and the Bidder is referred to them for further details: Comics GuarantyCorporation (CGC), P.O. Box 4738, Sarasota, FL 34230.

COMICS & COMIC ART TERM E: Bidders who intend to challenge authenticity or provenance of alot must notify Auctioneer in writing within thirty (30) days of the Auction’s conclusion. In theevent Auctioneer cannot deliver the lot or subsequently it is established that the lot lacks title,provenance, authenticity, or other transfer or condition issue is claimed, Auctioneer’s liabilityshall be limited to rescission o sale and reund o purchase price; in no case shall Auctioneer’smaximum liability exceed the high bid on that lot, which bid shall be deemed or all purposes thevalue of the lot. Aer one year has elapsed, Auctioneer’s maximum liability shall be limited to anycommissions and ees Auctioneer earned on that lot.

COMICS & COMIC ART TERM F: All comics are guaranteed genuine, but are not guaranteed as tograde, since grading is a matter o opinion, an art and not a science, and thereore the opinionrendered by the Auctioneer or any third party grading service may not agree with the opinion of others (including trained experts), and the same expert may not grade the same item with the

same grade at two dierent times.

COMICS & COMIC ART TERM G: Since we cannot examine encapsulated comics, they are sold “ais” without our grading opinion, and may not be returned or any reason. Auctioneer shall not liable for any patent or latent defect or controversy pertaining to or arising from any encapsulacollectible. In any such instance, purchaser’s remedy, if any, shall be solely against the serv icecertiying the collectible.

COMICS & COMIC ART TERM H: Due to changing g rading standards over time, dieringinterpretations, and to possible mishandling of items by subsequent owners, Auctioneer reservthe right to grade items dierently than shown on certicates from any grading service thataccompany the items. Auctioneer also reserves the right to grade items dierently than the grashown in the prior catalog should such items be reconsigned to any uture auction.

COMICS & COMIC ART TERM I: Although consensus grading is employed by most gradingservices, it should be noted as aforesaid that grading is not an exact science. In fact, it is entirel

possible that if a lot is broken out of a plastic holder and resubmitted to another grading servicor even to the same service, the lot could come back with a dierent grade assigned.

COMICS & COMIC ART TERM J: Certication does not guarantee protection against the normalrisks associated with potentially volatile markets. e degree of liquidity for certied collectiblwill vary according to general market conditions and the particular lot involved. For some lotsthere may be no active market at all at certain points in time.

For wiring instructions call the Credit department at 1-800-872-6467or e-mail: [email protected]

Rev. 8-30



Free catalog and The Collector’s Handbook ($65 value) for new clients.

Please submit auction invoices of $1000 + in this category, from

any source. Include your contact information and mail to Heritage,

fax 214-409-1425, email [email protected], or call 866-835-3243.

For more details, go to HA.com/FCO.

Grey SmithDco, Vn

mov Pos

214-409-1367

GS@hA

Aa l Sa les Exceed $800 M l l o | 700,000+ Ol e B dder -Members

3 5 0 0 M a p l e A v e e | D a l l a s , T e x a s 7 5 2 1 9 | 8 0 0 - 8 7 2 - 6 4 6 7

DALLAS | NEW YORK | BEVERLY HILLS | SAN FRANCISCO | PARIS | GENEVA2 TX Auctioneer licenses: Samuel Foose 11727; Robert Korver 13754; Scott Peterson 13256. • This auction is subject to a 19.5% buyers premium.

The Three Stooges Three Lttle Beers(Colmba, 1935).

Oe Sheet (27” X 41”).reAlizeD $59,750

HA.com/7043*83070

The Devl s a Woma (Paramot, 193Oe Sheet (27” X 41”) Stle B.

reAlizeD $26,290HA.com/7043*83185

The Most DagerosGame (RKO, 1932). HalfSheet (22” X 28”).reAlizeD $31,070HA.com/7043*83393

Aa Chrste (MGM, 1930).Oe Sheet (27” X 41”).

reAlizeD $38,837HA.com/7043*83187

V I N T A G E M O V I E P O S T E R SMARch 23-24, 2012 | DAllAS | lIVE & ONlINEcONSIGNMENT DEADlINE JANuARy 31, 2012

CONSIGNNOW

See whAt heritAGe AuctionS cAn Do for you

Consigning your vintage movie posters to Heritage Auctions can be a rewarding

experience. Our record-breaking successes over the past year illustrate what ou

nearly 700,000 online bidder-members can do or you, the consignor.

Take a look at the examples on this page and see or yoursel why we realize mo

money or our movie poster consignors than all other auction frms combined! T

no chances. Consign to Heritage Auctions today and see why we’re the most tru

name in the collectibles business.

Our top prices realized make us the world lead



I l l u S T R A T I O N A R T A u c T I O NMARch 1, 2012 | BEVERly hIllS | lIVE & ONlINE

DALLAS | NEW YORK | BEVERLY HILLS | SAN FRANcIScO | PARIS | GENEVA

For a free aution atalog in any ategory, plus a opy of The Collector's Handbook (ombined value$65), visit HA.om/cATM23632 or all 866-835-3243 and referene ode cATM23632.

Gil elVGren"I Hope the Boys Don't Draw the Straws Tonight",Brown and Bigelow calendaillustration, 1946Oil on anvas30 x 24 in.Signed lower leftesa: $50,000 - $75,00HA.om/5090-28010

Annual Sales Exeed $800 Mill ion | 700,000+ Online Bidder-Members

3500 Maple Avenue | Dallas, Texas 75219 | 800-872-6467 | HA.om/FineArt

TX & NY Auctioneer license: Samuel Foose 11727 & 0952360. Heritage Auction Galleries CA Bond #RSB2004175; CA Auctioneer Bond: Carolyn Mani #RSB2005661 • Buyer’s Premium 12 - 25%, see Ha.com for detils.

Inqiries:TODD hIGNITE800-872-6467 ext. [email protected]

Visit hA.om/509

The World's Third Largest Auction Hou



Derek GradyVP, Sports

Auctions

[email protected]

ext. 1975

Chris IvyDir. of Sports

Auctions

[email protected]

ext. 1319

Mark JordanConsignment

Director

[email protected]

ext. 1187

Jonathan ScheierConsignment

Director

[email protected]

ext. 1314

Lee IskowitzConsignment

Director

[email protected]

ext. 1601

Mike GutierrezConsignment

Director

[email protected]

ext. 1183

Peter CalderonConsignment

Director

[email protected]

ext. 1789

Chris NeratConsignment

Director

[email protected]

ext. 1615

TX Auctioneer licenses: Samuel Foose 11727; Robert Korver 13754; Andrea Voss 16406. This auction is subject to a 19.5% buyer’s premium.

S P O R T S c O l l E c T I B l E S A u c T I O N

S P R I N G 2 0 1 2 | D A l l A S | l I V E & O N l I N E

Aal Sales Exceed $800 Mllo | 700,000+ Ole Bdder-Members

3500 Maple Avenue | Dallas, Texas 75219 | 800-872-6467 | HA.com/Sports

DALLAS | NEW YORK | BEVERLY HILLS | SAN FRANCISCO | PARIS | GENEVA

Interest Free Cash advanCes avaIlable

rss Ags 2011 Pa ng A,ag the lou GehriG collection:

ConsIgnments

Wanted!

1909T204

Ramly Walter JohnsonPSA EX-MT 6

SOLD FOR: $29,875

1888 N403 Yum YumTobacco Roger Connor,

Redemption BackSGC 60 EX 5

SOLD FOR: $23,900

1911 D304 BrunnersButter Krust Ty CobbPSA EX 5 - A Newly

Discovered Example!SOLD FOR: $33,460

1928 Lou GehrigNew York Yankee

World ChampionsWristwatch

SOLD FOR: $155

1908Denton T.

“Cy” YoungGame Worn

Boston Red Sox UniormSOLD FOR: $657,250

1937Robert T.

“Bobby” Jones’Personal Augusta

Green JacketSOLD FOR: $310,700

1934Lou Gehrig

Tour o JapanGame Worn

UniormSOLD FOR: $507,875

1926New York Yankees

Team Signed Baseballrom The Lou Gehrig

Collection--FinestExample Known

SOLD FOR: $131,450

1934Lou Gehrig

Tour o JapanGame Worn Cap

SOLD FOR: $95,600

1927 New York Yankees Infeld

SignedPhotograph

rom TheLou GehrigCollectionPSA-Mint 9

SOLD FOR: $26,290

f aag ad The Collector's Handbook ($65 va) s. Please submit auction invoices o $1,000+ in this category, rom any source. Include your contactinormation and mail to Heritage, ax 214-409-1425, email [email protected], or call 866-835-3243. For more details, go to HA.com/FCO.



U LT I M AT E E LV I S A U C T I O N

TUE SDAY, AUGUST 14 , 20 12

Elvis Presley - Triple EP 45RcA SPD-23 (1956)Sd f: $3,883

HA.om/616*21673

Elvis Presley’s customGold-Framed SunglassesSd f: $21,510HA.om/7026*46054

Elvis Presley’s SignedDraft cardSd f: $26,290HA.om/7022*46910

Ultimate elvis aUctionTuESDAy, AuGuST 14, 2012 | MEMPHiS, TEnnESSEE | PEABODy HOTEL

A U C T I O N S

HA.comAnnual Sales Exceed $800 Million | 700,000+ Online Bidder-Members

3500 Maple Avenue | Dal las, Texas 75219 | 800.872.6467 | HA.com

TX Autioneer lienses: Samuel Foose 11727 & 0952360. Heritage Aution Galleries cA Bond #RSB2004175;cA Autioneer Bond: carolyn Mani #RSB2005661. Buyer’s premium 12-25%. See HA.om for details.

For a free aution atalog in any ategory, plus a opof The Collector's Handbook (ombined value $65),visit HA.om/cATL23632 or all 866-835-3243 andreferene ode cATL23632.

DALLAS | NEW YORK | BEVERLY HILLS | SAN FRANcIScO | PARIS | GENEVA

csg evs maba da b ag Spass b.J Sconsignment Diretor214.409.1328800.872.6467 ext. [email protected]

Ga Sconsignment Diretor214.409.1585800.872.6467 ext. [email protected]

THE THIRD LARGEST AUCTION HOUSE IN THE WORLD

Elvis Presley - “That’s All Right/Blue

Moon of Kentuky” 45 Sun 209 (1954)Sd f: $6,572HA.om/616*43083



comics and comic art auctionFEBruarY 22-24, 2012 | nEW YorK | LiVE & onLinE

Special GueSt on lot ViewinG Day

tueSDay, February 21

FleTcheR-SinclAiR MAnSion • 2 eAST 79Th STReeT • new YoRK, nY 10075

F rank Miller

3500 mapl Avnu | Dallas, txas 75219 | 214-528-3500 | 800-872-6467 | hA.c

Annual Sals excd $800 millin | 700,000+ onlin Biddr-mbrs

DALLAS | nEW yORK | BEVERLy HiLLS | SAn FRAnCiSCO | PARiS | GEnEVA

TX & ny Actoeer lcese: Samel Foose 11727 & 0952360. Hertage Acto Galleres CA Bod #RSB2004175; CA Actoeer Bod: Carol Ma #RSB2005661. Ths acto s sbject to a 19.5% ber’s premm.

f aag ad t c’s hadbk ($65 va) s. Please submit auction invoices o $1,000+ in this category, rom any source.Include your contact inormation and mail to Heritage, ax 214-409-1425, email [email protected], or call 866-835-3243. For more details, go to HA.com/



Department SpeialistsFor the extensions below, please dial 800.872.6467

Comics & Comic Art HA.com/Comics

Ed Jaster, Ext. 1288 • [email protected]

Lon Allen, Ext. 1261 • [email protected]

Barry Sandoval, Ext. 1377 • [email protected]

Todd Hignite, Ext. 1790 • [email protected]

Fine Art American, Western & European ArtHA.com/FineArt


Marianne Berardi, Ph.D., Ext. 1506 • [email protected]

Ariana Hartsock, Ext. 1283 • [email protected]

Kirsty Buchanan, Ext. 1741 • [email protected]

Deborah Solon, Ext. 1843 • [email protected]

Caliornia ArtHA.com/FineArt

Alissa Ford, Ext. 1926 • [email protected]


Decorative Arts & DesignHA.com/Decorative

Tim Rigdon, Ext. 1119 • [email protected]

Karen Rigdon, Ext. 1723 • [email protected]

Nicholas Dawes, Ext. 1605 • [email protected]

Carolyn Mani, Ext. 1677 • [email protected]

Illustration Art

HA.com/Illustration



Lalique & Art GlassHA.com/Design


Modern & Contemporary ArtHA.com/Modern

Frank Hettig, Ext. 1157 • [email protected]

Silver & VertuHA.com/Silver



Texas ArtHA.com/TexasArt

Atlee Phillips, Ext. 1786 • [email protected]

PhotographsHA.com/ArtPhotography


Rachel Peart, Ext. 1625 • [email protected]

Handbags & Luxury Accessories HA.com/Luxury

Matt Rubinger, Ext. 1419 • [email protected]

Historical

American Indian ArtHA.com/AmericanIndian

Delia Sullivan, Ext. 1343 • [email protected]

Americana & PoliticalHA.com/Historical

Tom Slater, Ext. 1441 • [email protected]

John Hickey, Ext. 1264 • [email protected]

Michael Riley, Ext. 1467 • [email protected]

Don Ackerman, Ext. 1736 • [email protected]

Arms & ArmorHA.com/Arms

Greg Martin, Ext. 1883 • [email protected]

Jemison Beshears, Ext. 1886 • [email protected]

Cliff Chappell, Ext. 1887 • [email protected]

Roger Lake, Ext. 1884 • [email protected]

David Carde, Ext. 1881 • [email protected]

Civil War & MilitariaHA.com/CivilWar

Dennis Lowe, Ext. 1182 • [email protected]

Historical ManuscriptsHA.com/Manuscripts

Sandra Palomino, Ext. 1107 • [email protected]

Rare BooksHA.com/Books

James Gannon, Ext. 1609 • [email protected]

Joe Fay, Ext. 1544 • [email protected]

Space ExplorationHA.com/Space



TexanaHA.com/Historical


Jewelry HA.com/Jewelry

Jill Burgum, Ext. 1697 • [email protected]

Peggy Gottlieb, Ext. 1847 • [email protected]

Movie Posters HA.com/MoviePosters

Grey Smith, Ext. 1367 • [email protected]

Bruce Carteron, Ext. 1551 • [email protected]



Music & Entertainment MemorabiliaHA.com/Entertainment

Margaret Barrett, Ext. 1912 • [email protected]

Kristen Painter, Ext. 1149 • [email protected]


Garry Shrum, Ext. 1585 • [email protected]

Vintage Guitars & Musical InstrumentsHA.com/Guitar

Mike Gutierrez, Ext. 1183 • [email protected]

Isaiah Evans, Ext. 1201 • [email protected]

Natural History HA.com/NaturalHistory

David Herskowitz, Ext. 1610 • [email protected]

Numismatics Coins – United StatesHA.com/Coins

David Mayield, Ext. 1277 • [email protected]

Jessica Aylmer, Ext. 1706 • [email protected] Callender, Ext. 1415 • [email protected]

Chris Dykstra, Ext. 1380 • [email protected]

Sam Foose, Ext. 1227 • [email protected]

Jim Jelinski, Ext. 1257 • [email protected]

Bob Marino, Ext. 1374 • [email protected]

Mike Sadler, Ext. 1332 • [email protected]

Beau Streicher, Ext. 1645 • [email protected]

Rare CurrencyHA.com/Currency

Len Glazer, Ext. 1390 • [email protected] Mincho, Ext. 1327 • [email protected]

Dustin Johnston, Ext. 1302 • [email protected]

Michael Moczalla, Ext. 1481 • [email protected]

Jason Friedman, Ext. 1582 • [email protected]

Brad Ciociola, Ext. 1752 • [email protected]

World & Ancient CoinsHA.com/WorldCoins

Cristiano Bierrenbach, Ext. 1661 • [email protected]

Warren Tucker, Ext. 1287 • [email protected]

David Michaels, Ext. 1606 • [email protected]

Scott Cordry, Ext. 1369 • [email protected]

Sports Collectibles HA.com/Sports

Chris Ivy, Ext. 1319 • [email protected]

Peter Calderon, Ext. 1789 • [email protected]

Derek Grady, Ext. 1975 • [email protected]


Lee Iskowitz, Ext. 1601 • [email protected]

Mark Jordan, Ext. 1187 • [email protected]

Chris Nerat, Ext. 1615 • [email protected]

Jonathan Scheier, Ext. 1314 • [email protected]

Servies

Loations

Timepieces HA.com/Timepieces

Jim Wol , Ext. 1659 • [email protected]

Wine HA.com/Wine

Frank Martell, Ext. 1753 • [email protected]

Poppy Davis, Ext. 1559 • [email protected]

Appraisal ServicesHA.com/Appraisals

Meredith Meuwly, Ext. 1631• [email protected]

Corporate & Institutional Collections/VenturesKarl Chiao, Ext. 1958 • [email protected]

Credit DepartmentMarti Korver, Ext. 1248 • [email protected] Thomas, Ext. 1241 • [email protected]

Media & Public RelationsNoah Fleisher, Ext. 1143 • [email protected]

Trusts & EstatesHA.com/Estates

Mark Prendergast, Ext. 1632 • [email protected] Chiao, Ext. 1958 • [email protected] Mani, Ext. 1677 • [email protected]

Dallas (World Headquarters)214.528.3500 • 800.872.6467 3500 Maple Ave.

Dallas, TX 75219Beverly Hills310.492.86009478 W. Olympic Blvd.Beverly Hills, CA 90212

San Francisco800.872.6467478 Jackson StreetSan Francisco, CA 94111

New York212.486.3500445 Park AvenueNew York, NY 10022

DALLAS | NEW YORK | SAN FRANCISCOBEVERLY HILLS | PARIS | GENEVA

Corporate OicersR. Steven Ivy, Co-ChairmanJames L. Halperin, Co-ChairmanGregory J. Rohan, PresidentPaul Minshull, Chief Operating OfficerTodd Imho, Executive Vice PresidentKathleen Guzman, Managing Director-New York



HA.com/Consign • Consignment Hotline 800-872-6467 • All dates and auctions subject to change after press time. Go to HA.com for updates.

Auctioneers: Samuel Foose: TX 11727; CA Bond #RSB2004178; FL AU3244; GA AUNR3029; IL 441001482; NC 8373; OH 2006000048; MA 03015; PA AU005443; TN 6093; WI 2230-052; NYC 0952360; Denver 1021450; Phoenix 07006332. Robert Korver: TX 13754; CA Bond #RSB2004179; FL AU2916; GA AUNR003023; IL 44100103014; NC 8363; OH 2006000049 ; TN 6439; WI 2412-52; Phoenix 07102049; NYC 1096338; Denver 1021446. Teia Baber: TX 16624; CA Bond #RSB2005 525. Ed Beardsley: TX Associate 16632; NYC 1183220. N icholas Dawes: NYC 1304724. Marsha Dixey: TX 16493. Chris Dykstra: TX 16601; FL AU4069; WI 2566-052; TN 6463; IL 4CA #RSB2005738. Jeff Engelken: CA B ond #RSB2004180. Alissa Ford: CA Bond #RSB2005920. NYC 1094963. Shaunda Fry: TX 16448; FL AU3915; WI 2577 -52; CA Bond #RSB2005396. Kathleen Guzman: NYC 0762165. Stewart Huckaby: TX 16590. Cindy Isennock, participating auctioneer: Baltimore Auctioneer license #AU10. Mani: CA Bond #RSB2005661; B ob Merrill: TX 13408; MA 03022; WI 2557-052; FL AU4043; IL 44 1001683; CA Bond #RSB2004177. Cori Mikeals: TX 16582; CA #RSB2005645. Scott Peterson: TX 13256; NYC 1306933; IL 441001659; WI 2431-052; CA Bond #RSB2005395. Tim Rigdon: TX 16519. Michael J. Sadler: TX 16129; FL AU441001478; MA 03021; TN 6487; WI 2581-052; N YC 1304630; CA Bond #RSB2005412. Eric Thomas: TX 16421; PA AU005574; TN 6515. Andrea Voss: TX 16406; FL AU4034; MA 03019; WI 2576-052; CA Bond #RSB2004676; NYC #1320558. Jacob Walker: TX 16413; FL AU4031; WI 2567-052; IL 4 41001677; CA Bond #RSB2005394

- -

U p c o m

i n g A u c

t i o n s

HERITAGE WEEKLY INTERNET COIN AUCTIONS • Begin and end every Sunday & Tuesday o each week at 10 PM CT.HERITAGE MONTHLY INTERNET WORLD COIN AUCTIONS • Begin and end the frst Tuesday o each month at 10 PM CT.HERITAGE THURSDAY MODERN COIN AUCTIONS • Begin and end every Thursday at 10 pm CT.HERITAGE TUESDAY INTERNET CURRENCY AUCTIONS • Begin and end every Tuesday at 10 PM CT.HERITAGE WEEKLY INTERNET COMICS AUCTIONS • Begin and end every Sunday at 10 PM CT.HERITAGE WEEKLY INTERNET MOVIE POSTER AUCTIONS • Begin and end every Sunday at 10 PM CT.HERITAGE WEEKLY INTERNET SPORTS AUCTIONS • Begin and end every Sunday at 10 PM CT, with extended bidding available.HERITAGE WEEKLY INTERNET WATCH & JEWELRY AUCTIONS • Begin and end every Tuesday at 10 PM CT.HERITAGE WEEKLY INTERNET VINTAGE GUITAR & MUSICAL INSTRUMENT AUCTIONS • Begin and end every Thursday at 10 PM CT.HERITAGE WEEKLY INTERNET RARE BOOKS & AUTOGRAPHS AUCTIONS • Begin and end every Thursday at 10 PM CT.HERITAGE MONTHLY INTERNET WINE AUCTIONS • Begin and end the second Thursday of each month at 10 PM CT, with extended bidding available.

U.S. Rare Coin Auctions Location Auction Dates Consignment Deadline

U.S. Rare Coins New York March 8-9, 2012 Closed

U.S. Rare Coins Schaumburg, IL April 18-21, 2012 March 9, 2012

U.S. Rare Coins Long Beach May 30-June 2, 2012 March 9, 2012

World & Ancient Coin Auctions Location Auction Dates Consignment Deadline

Judean Coin Auction New York March 8-9, 2012 Closed

CICF Ancient Coins Chicago April 25, 2012 March 6, 2012

CICF World Coins Chicago April 26-28, 2012 March 6, 2012

Rare Currency Auctions Location Auction Dates Consignment Deadline

CSNS Chicago April 18-23, 2012 March 2, 2012

Currency Dallas October 18-20, 2012 September 1, 2012

Fine & Decorative Arts Auctions Location Auction Dates Consignment DeadlineIllustration Art Beverly Hills March 1-2, 2012 Closed

California Art Beverly Hills March 20, 2012 Closed

Fine Silver & Vertu Dallas April 11, 2012 February 7, 2012

Photographs New York May 1, 2012 February 28, 2012

Texas Art Dallas May 5, 2012 March 3, 2012

Art of the American West Dallas May 5, 2012 March 3, 2012

American Indian Art Dallas May 5, 2012 March 3, 2012

American & European Art Dallas May 15, 2012 March 13, 2012

Modern & Contemporary Art Dallas May 22, 2012 March 20, 2012

The Boss Star Collection Dallas May 23, 2012 Closed

Illustration Art Beverly Hills June 6, 2012 April 4, 2012

Decorative Arts Dallas June 14, 2012 April 7, 2012

20th Century Design Dallas June 13, 2012 April 11, 2012

The Estate Auction Dallas September 10, 2012 July 8, 2012

California Art Beverly Hills October 9, 2012 August 2, 2012 Jewelry, Timepieces & Luxury Accessory Auctions Location Auction Dates Consignment Deadline

Handbags & Luxury Accessories New York April 29, 2012 February 27, 2012

Fine Jewelry New York April 30, 2012 February 27, 2012

Watches & Fine Timepieces New York May 21, 2012 March 20, 2012

Vintage Movie Posters Auctions Location Auction Dates Consignment Deadline

Vintage Movie Posters Dallas March 23-24, 2012 January 31, 2012

Vintage Movie Posters Beverly Hills July 25, 2012 June 2, 2012

Comics Auctions Location Auction Dates Consignment Deadline

Comics & Original Comic Art Dallas February 22-23, 2012 Closed

Comics & Original Comic Art Dallas May 17-18, 2012 April 3, 2012

Music & Entertainment Memorabilia Auctions Location Auction Dates Consignment Deadline

Music, Celebrity & Hollywood Memorabilia Dallas March 31, 2012 February 7, 2012

Vintage Guitars & Musical Instruments Dallas April 19-22, 2012 February 27, 2012

Historical Grand Format Auctions Location Auction Dates Consignment Deadline

Texana Houston March 3, 2012 ClosedHistorical Manuscripts New York April 11, 2012 February 19, 2012

Rare Books & Autographs New York April 11, 2012 February 19, 2012

Arms & Armor Dallas April 30, 2012 March 9, 2012

NRA Firearms for Freedom Dallas May 1, 2012 March 12, 2012

Americana & Political Dallas May 12, 2012 March 21, 2012

Space Exploration Dallas May 12, 2012 March 21, 2012

Militaria Dallas June 9, 2012 April 18, 2012

Legends of the West Dallas June 10, 2012 April 19, 2012

Vintage Sports Collectibles Auctions Location Auction Dates Consignment Deadline

Vintage Sports Collectibles Dallas April 26-27, 2012 March 5, 2012

Natural History Auctions Location Auction Dates Consignment Deadline

Natural History New York May 20, 2012 February 11, 2012

Fine & Rare Wine Location Auction Dates Consignment Deadline

Fine & Rare Wine Beverly Hills March 30-31, 2012 February 26, 2012

Fine & Rare Wine Beverly Hills June 8-9, 2012 April 26, 2012

1-18-20



© 2012 Heritage Auctioneers & Gallerie

PRICE • $50



IN THIS GREAT, COLLECTOR’S ITEM CATALOG, YOU WILL SEE:

VINTAGE COMICSORIGINAL

COMIC ARTAND OTHER

STARTLING SURpRISES!

february 22-24, 2012 | new york

comics & comic art



Front Cover Lot 91490

Inside Front Cover Lot 92293

Inside Back Cover Lot 91661

Back Cover Lots 92202, 92203, 92249, 92379, 91640, 92234, 92052, 92331, 91431, 91306, 91491, 91546, 91482, 91366



2

Heritage Signature® Auction #7054

LIVE AUCTION Signature® Floor Sessions 1-2(Floor, Telephone, HERITAGE Live!,™ Internet, Fax, and Mail)

Ukrainian Institute of America at theFletcher Sinclair Mansion2 E. 79th Street • New York, NY 10075

Session 1Wednesday, February 22 • 12:00 PM ET • Lots 91001–91677

Lots 91001-91227 - The Billy Wright Collection(see separate catalog)

Lots 91228-91677 - Golden Age Comics, DC Ashcan Collection,

Silver Age and Bronze Age Comics, Bound Volumes, Magazines,

Underground Comix, Pulps, and Memorabilia

Session 2Thursday, February 23 • 12:00 PM ET • Lots 92001–92397Original Art, Production Art, Classics Illustrated Art, Underground Art,

Animation Art

HERITAGE Live!,™ Internet, Fax, & Mail only Session

Session 3

Friday, February 24 • 3:00 PM CT (4:00 PM ET) Lots 93001-93785

Lots 93001-93091 – The Billy Wright Collection(see separate catalog)

Lots 93092-93785 – Golden Age Comics, Silver Age and Bronze

Age Comics, Bound Volumes, Magazines, Underground Comix, Pulps,

Memorabilia, Original Art A-Z, Production Art, Underground Art, and

Animation Art.

LOT SETTLEMENT AND PICK-UPAvailable immediately following sessions 1 and 2 or9:00 AM – 12:00 PM ET, Friday, February 24th.After 12:00 PM on the 24th all lots will be transported backto our Dallas Headquarters and shipped from there.

Extended Payment Terms available. Email: [email protected]

Lots are sold at an approximate rate of 100 lots per hour, but itis not uncommon to sell 75 lots or 125 lots in any given hour.

This auction is subject to a 19.5% Buyer’s Premium.

Heritage Auctioneers & Galleries, Inc.: NYC #41513036 and NYC Second HandDealers License #1364739. NYC Auctioneer licenses: Samuel Foose 0952360;Robert Korver 1096338; Kathleen Guzman 0762165; Michael J. Sadler 1304630;Scott Peterson 1306933; Andrea Voss 1320558. Nicholas Dawes 1304724; EdBeardsley 1183220.

LOT VIEWINGUkrainian Institute of America at theFletcher Sinclair Mansion2 E. 79th Street • New York, NY 10075

Monday, February 20 • 12:00 PM – 6:00 PM ETTuesday, February 21 • 10:00 AM – 6:00 PM ETWednesday, February 22 • 10:00 AM – 6:00 PM ETThursday, February 23 • 9:00 AM – 2:00 PM ET

View lots & auction results online at HA.com/7054

BIDDING METHODS:

Bidding Bid live on your computer or mobile, anywhere in theworld, during the Auction using our HERITAGE Live!™program at HA.com/Live

Live Floor Bidding Bid in person during the oor sessions.

Live Telephone Bidding (oor sessions only)

Phone bidding must be arranged on or beforeTuesday, February 21, by 12:00 PM CT.Client Service: 866-835-3243.

Internet Bidding

Internet absentee bidding ends at 10:00 PM CT the evening before each session. HA.com/7054

Fax Bidding Fax bids must be received on or before Tuesday,February 21, by 12:00 PM CT. Fax: 214-409-1425

Mail Bidding Mail bids must be received on or beforeTuesday, February 21.

Phone: 214.528.3500 • 800.872.6467Fax: 214.409.1425

Direct Client Service Line: 866.835.3243Email: [email protected]

This Auction is presented and cataloged by Heritage Auctions

© 2012 Heritage Auctioneers & Galleries, Inc.

Comics & Comic Art February 22-24, 2012 | New York



3500 Maple Avenue • Dallas, Texas 75219

Phone 214-528-3500 • 800-872-6467 HA.com/Comics

Consignment Directors: Lon Allen, Steve Borock, Todd Hignite, Ed Jaster, Barry Sandoval, David

Tosh, Jim Steele, Jerry Stephan, and Aaron White.

Cataloged by: Gary Dowell, Greg Holman, Don Mangus, Barry Sandoval, Mark Stokes, Jim Steele,

David Tosh, Simon Sanchez, and Jeff Smith.

Steve IvyCEOCo-Chairman of the Board

Jim HalperinCo-Chairman of the Board

Paul MinshullChief Operating Officer

Todd Imhof Executive Vice President

Greg Rohan

President

Lon AllenManaging Director of Comics & Comic Art

Barry SandovalDirector, Operations

Steve BorockConsignment Director

Comics Specialists

Ed JasterSr. Vice President

Todd Hignite Vice President



Dear Fellow Collector,

I’d like to begin by thanking you for your support in 2011. Heritage sold $26 million worth of

comics and comic art on behalf of our consignors, beating our own previous record!

This is our 45th Signature Auction and we think it might be our biggest and best ever. Mere hy

you say? Well, we’re starting it off with one of the best Golden Age collections we’ve ever seen

(see separate catalog, The Billy Wright Collection), but on top of that we have 1,500 more lots

go, from 195 more consignors. Of course, it’s not about the quantity but the quality – ip throu

this book and I think you’ll be a believer!

If you can make it to New York to participate in person, I encourage you to do so. A couple of

bonus events on lot viewing day, Tuesday the 21st:

• Frank Miller will be there in person! Come by to meet him and to see the art from his persona

collection that he has consigned to the auction.

• Also, Heritage’s own Steve Borock, former president of CGC, will be there to advise collector

If you’d like to have some of your best books checked for restoration or reviewed for potenti

upgrades, this is a perfect opportunity.

Can’t make it, you say? Well, remember that as always, you can also bid by telephone, fax, prio

Internet bids, live Internet bids at HA.com/live (including from your smartphone) and U.S. mail.

Best wishes

Barry Sandoval

Director of Operations, Comics



comics and comic art auctionFEBruarY 22-24, 2012 | nEW YorK | LiVE & onLinE

Special GueSt on lot ViewinG Day

tueSDay, February 21

Fletcher-Sinclair ManSion • 2 eaSt 79th Street • new York, nY 10075

F rank Miller

3500 Maple Avenue | Dallas, Texas 75219 | 214-528-3500 | 800-872-6467 | HA.com

Annual Sales Exceed $800 Million | 700,000+ Online Bidder-Members

Dallas | New York | BeverlY Hills | saN FraNcisco | Paris | GeNeva

TX & NY autionee liene: smuel Fooe 11727 & 0952360. Heitge aution Glleie ca Bond #rsB2004175; ca autionee Bond: colyn Mni #rsB2005661. Thi ution i ubjet to 19.5% buye’ pemium. 23

Free catalog and The Collector’s Handbook ($65 value) for new clients. Please submit auction invoices of $1,000+ in this category, from any source.Include your contact information and mail to Heritage, fax 214-409-1425, email [email protected], or call 866-835-3243. For more details, go to HA.com/FCO



TABLE OF CONTENTS

Session OneBilly Wright Collection (separate catalog)

Golden Age Comics........................................................................................................................................... 7

DC Ashcans .................................................................................................................... 44

Silver Age and Bronze Age Comics............................................................................ 48

Bound Volumes ............................................................................................................. 85

Magazines ....................................................................................................................... 89

Underground Comics .................................................................................................. 90

Pulps................................................................................................................................. 91

Memorabilia .................................................................................................................. 95

Session TwoOriginal Art ..................................................................................................................... 99

Production Art ............................................................................................................. 214

Classics Illustrated Art ................................................................................................ 214

Underground Art ......................................................................................................... 218

Animation Art ............................................................................................................... 228

Session ThreeBilly Wright Collection (separate catalog)

Golden Age Comics .................................................................................................... 233

Silver Age and Bronze Age Comics.......................................................................... 248

Bound Volumes ........................................................................................................... 263

Magazines ..................................................................................................................... 263

Pulps............................................................................................................................... 264

Memorabilia ................................................................................................................. 269

Original Art ................................................................................................................... 272

Underground Art ......................................................................................................... 296

Production Art ............................................................................................................. 296

Animation Art ............................................................................................................... 296




Golden AGe ComiCs

91228 Action Comics #35(DC, 1941) CGC VF+8.5 White pages. Wayne Boring, whommany collectorsknow as the quint-essential Supermanartist, began drawingthe Man o Steel orcreators Jerry Siegeland Joe Shuster inthe very early days

o the Superman’sappearances in thistitle, but really cameinto his own in thelate 1940s. Fromthat point throughthe 1950s, Boringwas the primarySuperman artist orDC. His cover art isshown o here onone o the nicestcopies o issue #35to have survivedthe past sixty years. A book that has been selling above Guide lately.Overstreet 2011 VF 8.0 value = $1,613; VF/NM 9.0 value = $2,757. CGCcensus 1/12: 4 in 8.5, 2 higher.

91229 Action Comics #38(DC, 1941) CGCNM- 9.2 O-whiteto white pages. It’shard to believe thissharp, clean, andcolorul comic didn’toriginate rom one o the major pedigreecollections — CGCmust agree, as thiscopy is the currentking o their censuschart. Supermancover and art by FredRay, with GeorgePapp, Bernard Baily,Stan Kaye, andSheldon Moldo story art. Overstreet2011 NM- 9.2 value= $3,900. CGC census1/12: 1 in 9.2, nonehigher.

91230 Action Comics #44 (DC, 1942)CGC VF/NM 9.0 Cream to o-white pages. Superman battles the Nazis on this Fred Raycover. Also in this issue, Mr. America learnsthe identity o Fat Man. The interior art wasby Ray and Bernard Baily. Overstreet 2011VF/NM 9.0 value = $2,259; NM- 9.2 value =$3,200. CGC census 1/12: 1 in 9.0, 1 higher.

9 1 2 3 1 A c tComics #55 High pedigree 1942) CGC NM+White pages. Tthe rst copy w

oered in a gabove 5.5! Supecover by Burnley. Overs2011 NM- 9.2 = $2,500. CGC ce1/12: 1 in 9.6, higher.

91232 Action Comics #70 (DC, 1944)CGC VF/NM 9.0 White pages. Here’s a li’lnugget or you — not an early, early issueo the amed title, but one you’ll have a hardtime uncovering a copy nearly this nice. It’sa beauty, inside and out! Jack Burnley cover,with Mort Meskin and Bernard Baily story art.Overstreet 2011 VF/NM 9.0 value = $1,413;NM- 9.2 value = $2,000. CGC census 1/12: 2in 9.0, 2 higher.

SESSION ONE

Floor, Telephone, Heritage Live!™, Internet, Fax, and Mail Signature® Auction # 7054Wednesday, February 22, 2012 | 12:00PM ET | Dallas | Lots 91228 - 91677

A 19.5% Buyer's Premium ($14 minimum) Will Be Added To All Lots





91233 Action Comics #81 Mile High pedi-gree (DC, 1945) CGC NM/MT 9.8 White pages. Just our other copies have scored grades aboveVF 8.0 to date, but then, as usual, the Mile Highcopy is in a league o its own! New Year’s cover byWayne Boring. Mort Meskin art. Overstreet 2011NM- 9.2 value = $1,500. CGC census 1/12: 1 in 9.8,none higher.

91234 Action Comics #91 (DC, 1945) CGC VF8.0 White pages. Jack Burnley Superman cover.Mort Meskin Vigilante story art. Overstreet 2011VF 8.0 value = $514. CGC census 1/12: 1 in 8.0, 2higher.

91235 Action Comics #92 Mile High pedi-gree (DC, 1946) CGC NM 9.4 O-white towhite pages. Here’s yet another stunning EdgarChurch/Mile High comic we’ve “dug up” oryou! Jack Burnley and Stan Kaye provided the“Superman at Work” cover, while Fred Ray, JohnSikela, and Mort Meskin handle the story artinside. As you might expect rom the pedigree,this copy is CGC’s current census champ, and bya long shot, too — the next highest copy ranks amere 7.5. Overstreet 2011 NM- 9.2 value = $1,250.CGC census 1/12: 1 in 9.4, none higher.

91236 Action Comics #94 (DC, 1946) CGCNM 9.4 O-white to white pages. Supermancomes through yet again, on the cover o thisvery attractive comic. Jack Burnley did the coverart; Mort Meskin is among the interior artists.Overstreet 2011 NM- 9.2 value = $1,250. CGCcensus 1/12: 2 in 9.4, 1 higher.

91237 Action Comics #99 (DC, 1946) CGCNM 9.4 O-white to white pages. This issue’slighthearted cover was drawn by Wayne Boringas opposed to regular Action cover artist JohnDaly. This was also the rst “small logo” issue. Aantastic copy, second-highest on the CGC cen-sus or the issue. Overstreet 2011 NM- 9.2 value =$1,250. CGC census 1/12: 1 in 9.4, 1 higher.

91238 Action Comics #102 Mile High pedgree (DC, 1946) CGC NM+ 9.6 White pages. Thissue’s Mr. Mxyztplk cover never looked bettthanks to a sparkling white Mile High sheen! Ia beautiully centered copy, too. Wayne Boriand Stan Kaye are among the artists or this issuOverstreet 2011 NM- 9.2 value = $1,150. CGcensus 1/12: 1 in 9.6, none higher.

91239 Action Comics #108 Mile High pedgree (DC, 1947) CGC NM+ 9.6 O-white page“Classic molten metal cover” says Overstreet. Anas you can imagine, the dark cover colors are nconducive to a high-grade book. This amazicopy shows why the Mile High collection hthe reputation it does! Jack Burnley cover aOverstreet 2011 NM- 9.2 value = $1,250. CGcensus 1/12: 2 in 9.6, none higher.




91240 Action Comics #113 Ohio pedigree (DC, 1947) CGC NM- 9.2O-white pages. It’s one o only two copies o #113 to earn a gradehigher than VF 8.0 to date. Wayne Boring cover. Overstreet 2011 NM- 9.2value = $1,150. CGC census 1/12: 1 in 9.2, 1 higher.

91241 Adventure Comics #51 (DC, 1940) CGC NM- 9.2 White pages. Gorgeous copy accentuates the Sandman cover art o early Golden Agemaster Creig Flessel, who also contributed story art, as did Bernard Baily.

This non-pedigreed copy ranks behind only the Mile High and Nova Scotiacopies in CGC’s latest census. Overstreet 2011 NM- 9.2 value = $6,400. CGCcensus 1/12: 1 in 9.2, 2 higher.

91242 Adventure Comics #56 (DC, 1940) CGC NM 9.4 O-whiwhite pages. It’s hard to believe that this NM copy isn’t rom the coold Edgar Church or one o the other top pedigrees, because the BerBaily cover looks as resh as the day it was bought o the newsstandoes the page quality. This looker is currently tied with the Mile High or the top spot on CGC’s census. Overstreet 2011 NM- 9.2 value = $4CGC census 1/12: 2 in 9.4, none higher.

91243 Adventure Comics #60 (DC, 1941) CGC NM 9.4 O-whiwhite pages. Like most issues rom the early years o the Goldeno comics, copies VF 8.0 and nicer are at a premium, and this copy Nicolas Cage’s collection is topped by only Edgar Church’s copy, acing to CGC’s latest census. The great Sandman cover is by Creig FleBernard Baily and Howard Purcell contributed interior art. CGC n“From the Collection o Nicolas Cage.” Overstreet 2011 NM- 9.2 va$6,400. CGC census 1/12: 1 in 9.4, 1 higher.




91244 Adventure Comics #74 Rockordpedigree (DC, 1942) CGC VF/NM 9.0 Cream too-white pages. Simon and Kirby not only drewthis issue’s Sandman cover and story, they werealso responsible or the Manhunter eature (thatversion’s second appearance). Conusingly, thehero was named Rick Nelson in the previous issuebut renamed Paul Kirk here, even though he hadnothing to do with the “Paul Kirk, Manhunter”who had appeared in this title previously! At anyrate, S&K weren’t the only top creators involvedhere — Jack Burnley drew a Starman story andBernard Baily drew an Hourman yarn. There’s

also a Shining Knight story drawn by LouisCazeneuve. Overstreet 2011 VF/NM 9.0 value =$2,121; NM- 9.2 value = $3,000. CGC census 1/12:1 in 9.0, 2 higher.

91245 Adventure Comics #77 Mile Highpedigree (DC, 1942) CGC NM/MT 9.8 Whitepages. As close to a perect copy as you couldever hope to nd. Sandman cover by Joe Simonand Jack Kirby. CGC notes, “From the collectiono Nicolas Cage.” Overstreet 2011 NM- 9.2 value= $3,000. CGC census 1/12: 1 in 9.8, none higher.

91246 Adventure Comics #83 Rockordpedigree (DC, 1943) CGC NM 9.4 O-whiteto white pages. On this cover, Sandman battlesit out against a thug who, holding a Tommygun, hatchet, and machete in clear violation o the Marquess o Queensbury rules. A beauti-ul example rom the Rockord collection thatpresents sharp and bright, and is certainly oneo the best copies in existence. Plus, CGC notesthat this issue is “From the collection o NicolasCage.” Overstreet 2011 NM- 9.2 value = $1,900.CGC census 1/12: 1 in 9.4, 1 higher.

91247 Adventure Comics #86 (DC, 1943)CGC VF/NM 9.0 O-white pages. This GoldenAge issue o the title that spanned almost vedecades not only has a Sandman story by Simonand Kirby, but also adventures o the ShiningKnight, Starman, and Manhunter. A stunningcopy with bright, deep colors on the cover.Overstreet 2011 VF/NM 9.0 value = $1,344; NM-9.2 value = $1,900. CGC census 1/12: 1 in 9.0, 3higher.

91248 Adventure Comics #88 (DC, 1943)CGC NM 9.4 O-white pages. It’s hard to topa Jack Kirby wartime cover, especially when iteatures the Sandman and his sidekick Sandystalking an ill-ated Nazi. Kirby and his requentpartner Joe Simon contributed interior artwork or this issue. Overstreet 2011 NM- 9.2 value =$1,850. CGC census 1/12: 1 in 9.4, 1 higher.

91249 Adventure Comics #94 (DC, 194CGC NM+ 9.6 O-white to white pages.antastic Simon and Kirby cover and its ulthigh grade make this book a real winner. TSandman and Sandy are eatured. Overstre2011 NM- 9.2 value = $1,500. CGC census 1/12in 9.6, 1 higher.

91250 Adventure Comics #96 (DC, 194CGC NM 9.4 O-white to white pages. In thissue, the Sandman and Sandy are joined Genius Jones, Starman, and the Shining Knig

The cover and art are by Joe Simon and JaKirby, created during their classic run on the titOverstreet 2011 NM- 9.2 value = $1,500. CGcensus 1/12: 3 in 9.4, 1 higher.

91251 Adventure Comics #107 (DC, 194CGC NM 9.4 O-white pages. Stan Kaye’s covspotlights the title’s newest star, Superboy; otheatures include Green Arrow, Aquaman, JohnQuick, and the Shining Knight. This super-swecopy holds the top spot in CGC’s current censuOverstreet 2011 NM- 9.2 value = $1,200. CGcensus 1/12: 1 in 9.4, none higher.




91252 Adventure Comics #116 Ohio pedi-gree (DC, 1947) CGC NM 9.4 White pages.

This sharp-looking pedigreed comic sports anice Jack Burnley Superboy cover. John Sikela,George Papp, Chuck Winter, and George Roussosart. Overstreet 2011 NM- 9.2 value = $1,075. CGCcensus 1/12: 2 in 9.4, none higher.

91253 Adventure Comics #125 (DC, 1948)CGC NM- 9.2 O-white to white pages. Superboy saves the day again, in this cute StanKaye cover. George Roussos, George Papp,John Daly, Chuck Winter, and Mort Meskin art.Overstreet 2011 NM- 9.2 value = $975. CGC cen-sus 1/12: 1 in 9.2, none higher.

91254 Adventure Comics #127 (DC, 1948)CGC NM+ 9.6 O-white pages. Superboy deliv-ers some “super service” in this George Roussosand Stan Kaye cover. George Papp, Mort Meskin,and John Daly art. Origin o the Shining Knightretold. Overstreet 2011 NM- 9.2 value = $985.CGC census 1/12: 1 in 9.6, none higher.

91255 Adventure Comics #141 (DC, 1949)CGC NM 9.4 O-white pages. Superboy loseshis powers in this issue, which eatures GeorgePapp and Charles Sultan art. An absolutely beau-tiul copy, which is currently unsurpassed in theCGC’s census. Overstreet 2011 NM- 9.2 value= $825. CGC census 1/12: 1 in 9.4, none higher.

91256 All-American Comics #30 (DC, 1941)CGC VF/NM 9.0 Cream to o-white pages. Green Lantern gets the cover eature on this earlyGolden Age comic. The condition o this book istruly spectacular, and is largely ree o deects.

The corners are sharp, and the colors are bright.CGC has yet to certiy a copy with a higher grade.Overstreet 2011 VF/NM 9.0 value = $2,259; NM-9.2 value = $3,200. CGC census 1/12: 2 in 9.0,none higher.

91257 All-American Comics #52 (DC, 1943)CGC NM- 9.2 White pages. This superb copyo the Green Lantern vehicle title earned a ullgrade better than the next nicest copy that CGChas evaluated to date. Pretty impressive stu ora non-pedigree book. You just might be able tonab this one or a song. A jaunty tune rom the‘40s would be appropriate. Overstreet 2011 NM-9.2 value = $1,700. CGC census 1/12: 1 in 9.2,none higher.

91258 All-American Comics #70 (DC, 1CGC NM 9.4 White pages. You might suthat Green Lantern used his magical powerto preserve the condition o this Goldengem, currently at the top o CGC’s survey. Reinman provides the cover and the intGL tale; Joe Kubert illustrates the SargonSorcerer adventure; and Mutt and Je, Dr. Nite, and Hop Harrigan are on hand to Overstreet 2011 NM- 9.2 value = $1,450. census 1/12: 1 in 9.4, none higher.

91259 All-American Comics #75 Big Apedigree (DC, 1946) CGC NM+ 9.6 Wpages. The title’s notorious or the deartcopies in this grade. Sure enough, this ionly copy o #75 with a CGC certication a

VF/NM 9.0, one o only three nicer than VFand one o only seven copies nicer than V5.0! Thank you, Big Apple! Paul Reinman cwith story art by Martin Nodell and E. E. HIbOverstreet 2011 NM- 9.2 value = $1,150. census 1/12: 1 in 9.6, none higher.




91260 All Star Comics #6 (DC, 1941) CGC VF/NM 9.0 White pages. This key issue has Johnny

Thunder joining the JSA, and Flash becomingan honorary member. E. E. Hibbard cover, withHibbard, Bernard Baily, and Sheldon Moldo story art. Overstreet 2011 VF/NM 9.0 value =$3,343; NM- 9.2 value = $4,750. CGC census 1/12:4 in 9.0, 6 higher.

91261 All Star Comics #12 Rockord pedi-gree (DC, 1942) CGC NM 9.4 O-white towhite pages. Wonder Woman becomes the JSASecretary because she was uniquely qualied —or because...? Never mind that potentially volatilediscussion, ocus on the grade o this beauty! It’sunsurpassed in CGC’s census, with only the MileHigh copy earning as high a grade to date. Jack Burnley cover, with Burnley, Sheldon Moldo,

and Bernard Baily story art. Overstreet 2011 NM-9.2 value = $4,300. CGC census 1/12: 2 in 9.4,none higher.

91262 All Star Comics #19 Rockord pedi-gree (DC, 1943) CGC NM+ 9.6 Of-white to whitepages. The black background o this cover meantthat relatively ew would make it to the 21st centuryin high grade! To date, CGC has awarded gradeshigher than FN+ 6.5 on just three occasions, withthis lovely tying or top honors. Simon and Kirby,Sheldon Moldo, and Bernard Baily provided thestory art. Overstreet 2011 NM- 9.2 value = $3,300.CGC census 1/12: 2 in 9.6, none higher.

91263 All Star Comics #29 Big Apple pedi-gree (DC, 1946) CGC NM+ 9.6 White pages. An immaculate copy! In act we have seen com-ics called 9.8 that don’t look as nice as this — weencourage you to scrutinize our scan. The JusticeSociety o America is eatured as always. By theway, CGC credits Martin Nodell with the coverart, but it’s actually the similarly named MartinNaydel. Overstreet 2011 NM- 9.2 value = $1,950.CGC census 1/12: 2 in 9.6, none higher.

91264 All Star Comics #33 (DC, 1947) CGNM 9.4 O-white pages. Solomon Grundy the rightening brute rom Slaughter Swam— menaced Green Lantern in the ‘40s, the SupFriends on TV in the ‘70s, and Innity Inc. in t‘80s, and he’s still going strong today. Surprisinghe disappeared or quite a while ater his 194heyday. This issue eatured Grundy’s last GoldAge appearance, and he gives the Justice Socieall they can handle on his way out, in a boolength eature with dierent artists drawidierent chapters (an All-Star tradition). JKubert is the most notable artist, and we shoualso note that Green Lantern’s streetwise pDoiby Dickles guest stars. With the exception the JSA’s rst ew appearances, this is the mo

sought-ater issue o the title’s run, and you juwon’t nd a better copy — this is amongst thighest-graded copy o the issue that CGC hcertied to date. Overstreet 2011 NM- 9.2 val= $6,200. CGC census 1/12: 3 in 9.4, none high

91265 All Star Comics #52 (DC, 1950) CGVF/NM 9.0 Cream to o-white pages. One the toughest issues o this title’s run, and thisthe only high-grade copy we’ve ever handleArthur Peddy cover eaturing Wonder WomaHawkman, Green Lantern, and the AtoOverstreet 2011 VF/NM 9.0 value = $1,287; N9.2 value = $1,825. CGC census 1/12: 1 in 9.0higher.




91266 The Amazing Willie Mays #nnFile Copy (Famous Funnies, 1954) CGCNM- 9.2 O-white pages. This is one o thehighest-graded copies certied by CGC as o this writing. The cover illustration o the “SayHey Kid” is by Ed Moritz. Overstreet 2011 NM-9.2 value = $1,250. CGC census 1/12: 1 in 9.2, 2higher.

91267 America’s Best Comics #9 MileHigh pedigree (Nedor Publications, 1944)CGC NM+ 9.6 O-white to white pages. AlexSchomburg cover. Fighting Yank series begins.Appearances by Black Terror, Doc Strange, andthe Ghost. This handsome Mile High copy cur-rently sits at the top o the CGC data or thisissue. Overstreet 2011 NM- 9.2 value = $1,000.CGC census 1/12: 1 in 9.6, none higher.

91268 America’s Best Comics #10 MileHigh pedigree (Nedor Publications, 1944)CGC NM 9.4 O-white pages. You just can’tbeat Alex Schomburg’s classic cover, especiallywhen it’s on a antastic Mile High copy that iscurrently the highest-graded one certied byCGC to date. Overstreet 2011 NM- 9.2 value =$735. CGC census 1/12: 1 in 9.4, none higher.

91270 Archie Comics #1 (Archie, 1942) CGC VG- 3.5 Cream to of-white pages. Every copy obook we’ve ever auctioned has sold or more than the Overstreet value, and we expect that trecontinue here — people are realizing what a tough book this is, and demand is high. This issue is coered by Overstreet to be the frst teen comic. Archie’s previous appearances were in Pep and Jacwhich also had adventure eatures, and he hadn’t been the sole cover eature o a comic previouslyissue established the Archie-Veronica relationship, presenting a revised retelling o their frst encou

This book also has the very frst appearance o Mrs. Andrews, Archie’s mother. This is one o Oversttop fty Golden Age books, and we continue to recommend that you go ater it whenever oereany grade. Overstreet 2011 VG 4.0 value = $8,400. CGC census 1/12: 2 in 3.5, 9 higher.

91269 America’s Greatest Comics #8 Mile High pedigree (Fawcett, 1943) CGC NM+ 9.6white to white pages. Spy Smasher/Captain Midnight crossover. Captain Marvel Jr. and GoArrow appearances. Last issue o the series. C. C. Beck cover and art. Overstreet 2011 NM- 9.2 val$1,035. CGC census 1/12: 1 in 9.6, none higher.




91271 Archie Comics #1 (Archie, 1942) CGC FR 1.0 O-white towhite pages. Recent Heritage results have shown how strong thedemand or this book is! Mrs. Andrews makes her rst appearance in herson’s eponymous title (one still going strong 70 years later). Overstreetlists this issue as “scarce”. The cover and art are by Bob Montana. CGCnotes, “Tape on interior cover and interior.” Overstreet 2011 GD 2.0 value =$4,200. CGC census 1/12: 1 in 1.0, 20 higher.

91272 Batman #1 (DC, 1940) CGC Apparent VG- 3.5 Extensive (P)Cream to o-white pages. The classic rst issue starring the DynamicDuo, eaturing art by Bob Kane and Jerry Robinson, stories by Bill Finger,and the legendary rst appearances o the Joker and the Cat (Catwoman).Sometimes a Purple Label copy can be the way to go, as in the case o this nicely restored copy, which skillully maintains the integrity o a once-damaged comic, saving the collector some serious cash. I the Dark Knightis your hero, you just gotta have a copy! CGC notes, “Restoration includes:color touch, pieces added, tear seals, reinorced.” Overstreet 2011 GD 2.0value = $14,000; VG 4.0 value = $28,000.

91273 Batman #1 (DC, 1940) CGC Apparent FR 1.0 Extensive (Cream to o-white pages. This is one o the most signicant comicsall time thanks to the rst appearances o Joker and Catwoman (called tCat here), a retelling o Batman’s origin, the amous Dynamic Duo covby Bob Kane and Jerry Robinson, and a host o other reasons; no wondit’s the sixth most valuable Golden Age comic book o all, according Overstreet. CGC notes, “Restoration includes: color touch, pieces addetear seals, cleaned, re-glossed. (Back cover is a color copy.) IncompletOverstreet 2011 GD 2.0 value = $14,000.

91274 Batman #5 (DC, 1941) CGC VF- 7.5 O-white pages. Fiappearance o the Batmobile with its bat-head ront. Cover by Bob KanOverstreet 2011 VF 8.0 value = $4,350. CGC census 1/12: 10 in 7.5, higher.




91275 Batman #20 (DC, 1943) CGC NM- 9.2 O-white pages. Batman’s celebrated means o transportation, the Batmobile, makes it’svery rst cover appearance (with Robin behind the wheel), courtesy o artist Dick Sprang. Inside, the Joker is eatured in one tale, with Bob Kaneand Jack Burnley handling story art. But the real story here is the eye-popping condition o this CGC-certied copy, topped by only one otherin the current census report or issue #20. Overstreet 2011 NM- 9.2 value= $4,500. CGC census 1/12: 3 in 9.2, 1 higher.

91276 Batman #21 (DC, 1944) CGC NM+ 9.6 O-white to whitepages. Yet another “highest-graded” copy, one where the color virtuallyleaps o the cover. The issue has a Penguin appearance, with cover andinterior art by Dick Sprang. Overstreet 2011 NM- 9.2 value = $2,500. CGCcensus 1/12: 1 in 9.6, none higher.

91277 Batman #28 (DC, 1945) CGC NM+ 9.6 White pages. The Jmakes an appearance in this issue, which eatures Jerry Robinson arta cover by Jack Burnley that is so well-preserved it looks resh rompresses. This copy ties with one other or the top spot on CGC’s cucensus. Overstreet 2011 NM- 9.2 value = $2,500. CGC census 1/12: 2 inone higher.

91278 Batman #32 (DC, 1945) CGCNM 9.0 O-white to white pages. Oo Robin retold. Joker, D’Artagnan, and

Three Musketeers appearances. Dick Spcover and art. Jerry Robinson art. Overs2011 VF/NM 9.0 value = $1,344; NMvalue = $1,900. CGC census 1/12: 4 in 9higher.

91279 The Black Terror #1 (NedorPublications, 1942) CGC FN+ 6.5 O-whitepages. There’s a lot going on in this rstissue’s WWII-era cover, including an enemyplane dropping a bomb at a height o only aew eet and ring on a crowd — good thing

the Black Terror and his sidekick Tim are onthe scene! From the “Pinnacle Hill Collection”best known or producing the million-dollarcopy o Detective #27. Overstreet 2011 FN6.0 value = $942; VF 8.0 value = $2,198. CGCcensus 1/12: 3 in 6.5, 4 higher.




91280 Blonde Phantom #16 (Timely, 1947)CGC NM+ 9.6 O-white to white pages. Captain America was Timely’s most prominentsuperhero, so it is amazing that they actuallyslipped a Cap story in this issue without so muchas a cover blurb. This book also showcases thegenius o Harvey Kurtzman in a “Hey Look” page.As o this writing, this is the highest-graded copycertied by CGC. Overstreet 2011 NM- 9.2 value= $2,000. CGC census 1/12: 1 in 9.6, none higher.

91281 Boy Commandos #2 (DC, 1943) CGCNM 9.4 O-white to white pages. The boysare giving ol’ Adol the bum’s rush on this WorldWar II cover. This early issue o the title is LibertyBelle’s last appearance beore moving to Star

Spangled Comics. The cover by Joe Simon andJack Kirby was merely a warm-up or more o their great work on the interiors. Overstreet 2011NM- 9.2 value = $3,700. CGC census 1/12: 2 in 9.4,none higher.

91282 Boy Commandos #9 (DC, 1944) CGCNM 9.4 Cream to o-white pages. Simon andKirby departed rom their usual kinetic actionand produced a classic war cover o poweruldramatic impact. Overstreet 2011 NM- 9.2 value= $800. CGC census 1/12: 1 in 9.4, none higher.

91283 Bulletman #8 Pennsylvania pedi-gree (Fawcett, 1942) CGC NM+ 9.6 O-whiteto white pages. A smashing cover ronts thispedigree Bat-book which eatures Dave Bergart. Overstreet 2011 NM- 9.2 value = $1,250. CGCcensus 1/12: 1 in 9.6, none higher.

91284 Captain Aero Comics #26 Mile Higpedigree (Holyoke Publications, 1946) CGVF- 7.5 White pages. This last issue o this tiboasts one o our avorite L. B. Cole covers, a clasic Sci-Fi scene eaturing great-looking rockeplanets, and space men. This scarce issue is oo The Photo-Journal Guide to Comic Boo“white spaces,” one o the very ew comics thErnie Gerber couldn’t nd to photograph. RuPalais and Carmine Inantino art. The comdisplays typical Edgar Church ultra-deep covcolors and a sharp overall appearance; ona small stain on the back cover keeps it romhigher grade. Overstreet 2011 VF 8.0 value$826. CGC census 9/11: 3 in 7.5, 1 higher. Frothe Chuck Rozanski Collection.




91285 Captain America Comics #1 (Timely, 1941) CGC FN 6.0 O-white to white pages. Given the high prices or the other major keys in reyears, this might be the time to grab unrestored copies o these books beore prices get even crazier. I you try and nd something not to like on this cyou’ll be looking or a long time — it’s a rock-solid mid-grade book that stands up to scrutiny. This is the rst appearance o Captain America and Buby Joe Simon and Jack Kirby. It’s also got the rst appearance o the Red Skull and o course the amous cover co-starring the evil Hitler. Overstreet 2FN 6.0 value = $30,000. CGC census 1/12: 7 in 6.0, 19 higher.




91286 Captain America Comics #1 (Timely, 1941) CGC Apparent VF-7.5 Moderate (P) Cream to o-white pages. One o the most amouscomic covers o all combines with the origin and rst appearance o thetitle character to make this #7 in Overstreet’s ranking o the 100 mostvaluable comic books (and behind only Marvel Comics #1 in the Timelydepartment). There’s no villain quite as evil as Adol Hitler, o course, but inthe ctional department you can’t get much more endish than the RedSkull, who also debuts. And don’t orget Cap’s loyal sidekick Bucky Barneswho also appears inside. Creative geniuses Joe Simon and Jack Kirbydrew the origin story, while the cover is a solo eort by Kirby. CGC notes,“Restoration includes: color touch, pieces added, tear seals, cleaned, rein-orced.” Overstreet 2011 GD 2.0 value = $10,000; VG 4.0 value = $20,000;FN 6.0 value = $30,000; VF 8.0 value = $70,000.

91287 Captain America Comics #2 (Timely, 1941) CGC VF- 7Cream to o-white pages. We have yet to oer an unrestored copy nicthan this one! The issue is one o Overstreet’s Top 50 Golden Age bookand the cover has great appeal — it’s similar to the cover o #1 and a clasic in its own right! Joe Simon is credited with the cover art. While spoiliHitler’s plans or world domination, Cap debuts his round shield which still wields to this day. Overstreet 2011 VF 8.0 value = $13,690. CGC cens1/12: 5 in 7.5, 9 higher.




91288 Captain America Comics #5 (Timely,1941) CGC VF- 7.5 Cream to o-white pages. Jack Kirby was strangely adept at portrayingscenes o grotesque Nazi characters committingvile acts o torture in dens, dungeons, pits, caves,and the like. Here “King” Kirby pencils and SydShores inks a morbidly enticing cover that’s pureWWII Timely. Hey, is that the Red Skull in the cen-ter o the big prize wheel? Feast your eyes uponthis amazing copy. Overstreet 2011 VF 8.0 value =$6,315. CGC census 1/12: 3 in 7.5, 7 higher.

91289 Captain America Comics #54 (Timely,1946) CGC VF- 7.5 O-white pages. Human

Torch story. Alex Schomburg bondage cover.Carmine Inantino, Mike Sekowsky, and Al Avisonart. Overstreet 2011 VF 8.0 value = $1,114. CGC


91290 Captain America Comics #65 DavisCrippen (“D” Copy) pedigree (Timely, 1948)CGC NM- 9.2 Cream to o-white pages. Theonly copy graded above 8.5 by CGC to date.From the interesting period near the end o theseries’ run when the covers crossed over to othergenres. Syd Shores cover. Overstreet 2011 NM-9.2 value = $3,100. CGC census 1/12: 1 in 9.2,none higher.

91291 Captain Marvel Adventures #nn (#1)(Fawcett, 1941) CGC FR/GD 1.5 Cream to o-white pages. A book that’s all but nonexistentin high grade because o the poor cover stock.

Captain Marvel vs. Dr. Sivana in a story by JoeSimon. C. C. Beck cover. Jack Kirby art. CGC notes,“Cover detached. One piece o tape on cover.One tape stain on cover.” Overstreet 2011 GD2.0 value = $3,000. CGC census 1/12: 1 in 1.5, 9higher.

91292 Captain Marvel Adventures #38 MileHigh pedigree (Fawcett, 1944) CGC NM+ 9.6O-white to white pages. The historic EdgarChurch collection produced some o the nicestGolden Age comics to ever surace, and this stun-ning copy is certainly proo. C. C. Beck providedcover and story art in the issue, which has Mr.Mind making an appearance. Overstreet 2011NM- 9.2 value = $700. CGC census 1/12: 1 in 9.6,none higher.

91293 Cheerios Premiums #Y1 DoDuck’s Atom Bomb (Walt Disney Product1947) CGC NM/MT 9.8 White pages. “DoDuck’s Atom Bomb” a story that Disney bathe reprinting o or many years. Huey, Deand Louie appear. Carl Buettner cover. Carl art. Overstreet 2011 NM- 9.2 value = $1,175.census 1/12: 2 in 9.8, none higher.

91294 Classic Comics #1 The TMusketeers - First Edition (Elliott, 1941) VF- 7.5 O-white pages. This is the best we’ve ever oered o the Original Editionissue is a Gerber “7”, and it seems that the wstrip along the spine is the downall o macopy. Not so with this pedigree specimen, ever. Overstreet 2011 VF 8.0 value = $3,314.





91295 Classic Comics #3 The Count o Monte Cristo — Mile High pedigree (ElliottPublishing, 1942) CGC VF 8.0 O-white towhite pages. The distinctive penciled Mile Highcode graces this copy o the original edition.Overstreet 2011 VF 8.0 value = $947. CGC census1/12: 2 in 8.0, none higher.

91296 Classic Comics #8 Arabian Nights -First Edition (Gilberton, 1943) CGC NM/MT 9.8O-white to white pages. Lillian Chestney pro-vided one o the most distinctive covers in thisamous series or this issue and also contributedinterior art. It’s a super-tough issue to nd in highgrades - CGC has certied just three copies o therst edition nicer than VF 8.0 to date and only thisremarkable beauty in a grade nicer than NM- 9.2!

One o a kind? Quite possibly! Overstreet 2011NM- 9.2 value = $2,325. CGC census 1/12: 1 in 9.8,none higher.

91297 Classic Comics #14 Westward Ho! -First Edition (Gilberton, 1943) CGC NM- 9.2O-white pages. This is quite possibly the rar-est o all the Classic Comics /Classics Illustratedissues, the only one to be noted as a Gerber “8”.

Timely Golden Age artist Allen Simon contrib-uted the cover and interior art or this early issue.It’s hard to believe this copy’s not rom one o theamed pedigrees - it sits alone atop CGC’s latestcensus. Only three rst edition copies have gar-nered grades nicer than FN+ 6.5! Overstreet 2011NM- 9.2 value = $2,900. CGC census 1/12: 1 in 9.2,none higher.

91298 The Comics #1 (Dell, 1937) CGCVF+ 8.5 Cream to o-white pages. The newmedium o “comic books” was really taking o,

so Dell ollowed up Popular Comics and TheFunnies with this third anthology series reprint-ing popular newspaper strips o the day. Tom Mixmade his rst comic book appearance here, andWash Tubbs and Myra North both begin lengthyruns. Overstreet 2011 VF 8.0 value = $1,197; VF/NM 9.0 value = $2,049. CGC census 1/12: 3 in 8.5,1 higher.

91299 Crime Does Not Pay #24 (LGleason, 1942) CGC VG- 3.5 O-white page

This third issue o the title is the second mvaluable crime comic according to OverstreRated “scarce” by Overstreet and a “7” by Gerbit eatures the origin and rst appearance Mr. Crime. While violent covers like this one Charles Biro would become a common sightew years later, this one’s especially notable cosidering the 1942 publication date. Overstre2011 VG 4.0 value = $600. CGC census 1/12: 13.5, 14 higher.

91300 Crypt o Terror #17 Gaines File pedgree 10/10 (EC, 1950) CGC NM 9.4 O-whitewhite pages. The rst New Trend EC comic issto hit the newsstands, this is one o Overstree

Top Ten Horror Books. It’s also the rst issue o tseries. Johnny Craig cover. Overstreet 2011 N9.2 value = $5,200. CGC census 1/12: 3 in 9.4higher.




91301 Daredevil Comics #11(Lev Gleason, 1942) CGC FN6.0 Cream to o-white pages. Electrocution and hanging panels.Classic bondage and torture coverby Charles Biro. Biro, Bob Montana,and Dick Brieer art. Overstreet 2011FN 6.0 value = $900. CGC census1/12: 1 in 6.0, 5 higher.

91302 Daredevil Comics #22Mile High pedigree (Lev Gleason,1944) CGC VF/NM 9.0 O-whitepages. Charles Biro cover art. Clawbackup story. Overstreet 2011 VF/NM 9.0 value = $461; NM- 9.2 value= $650. CGC census 1/12: 2 in 9.0,none higher.

91303 Daredevil Comics #39Mile High pedigree (Lev Gleason,1946) CGC NM 9.4 White pages. Daredevil goes ater an “evil clown”on this dynamic Charles Biro cover.It’s another Mile High keeper, look-ing as resh as the day Edgar Churchpaid his dime and took it home!Overstreet 2011 NM- 9.2 value =$460. CGC census 1/12: 1 in 9.4,none higher.

91304 Daredevil Comics Mile High pedigree (Lev Glea1947) CGC NM 9.4 O-wpages. With his identity reveDaredevil nds trouble waor him, in this Charles Biro cAnother super-sharp copy the collection o Edgar ChOverstreet 2011 NM- 9.2 val$360. CGC census 1/12: 1 innone higher.




91305 Detective Comics #27 (DC, 1939) CGC GD 2.0 O-white pages. Awe-inspiring in any grade, and CGC has certied just 24 “Universal” labcopies to date. The issue was published a year ater Action #1, but the two issues are neck and neck or the title o “Most Revered Comic Issue Ever” — athe value keeps climbing every year. Just check our archives! For those o you who just landed, it’s the rst appearance o Batman and o CommissionGordon, and the beginning o an historical run that’s continued to this day in comics, TV, movies, and other media. Co-creator Bob Kane did the covand contributed story art, as did Joe Shuster and Fred Guardineer. CGC notes, “2 pieces o tape on interior spine o cover.” Overstreet 2011 GD 2.0 value$80,000. CGC census 1/12: 1 in 2.0, 21 higher.




91306 Detective Comics #33 (DC, 1939) CGC VF 8.0 O-white to white pages. The Caped Crusader’s ourth cover appearance has him strapon a gun, a rare sight or the character who would rather use his wits, gadgets, and sts to bring in the bad guys. This exceptional issue also eaturesrst-ever origin o the Batman, in a two-page introduction that would be reprinted many times over the years. You can see why this is currently #1Overstreet’s list o the top 100 comic books! This solid VF copy displays beautiully, with vivid cover colors and an overall sharp, well-centered appearBob Kane cover and art. Overstreet 2011 VF 8.0 value = $42,000. CGC census 1/12: 1 in 8.0, 3 higher.




91307 Detective Comics #36 (DC, 1940) CGCGD/VG 3.0 Cream pages. We hadn’t oered ablue-label copy o this book since we sold theDavis Crippen “D” copies some six years ago.

This early Batman appearance also has the originand rst appearance o Doctor Hugo Strange,whom Overstreet calls Batman’s rst major vil-lain. Followers o Bat-rsts will be interestedto note that in the story itsel, Batman dons hisdistinctive nned gloves or the rst time. CGCnotes, “Tape along entire spine. Tape on 1stwrap.” Overstreet 2011 GD 2.0 value = $1,200; VG4.0 value = $2,400. CGC census 1/12: 2 in 3.0, 11

higher.

91308 Detective Comics #37 (DC, 1940)CGC GD/VG 3.0 O-white to white pages. Last solo Batman story in Detective. Bob Kanecover. Overstreet 2011 GD 2.0 value = $1,000; VG4.0 value = $2,000. CGC census 1/12: 2 in 3.0, 13higher.

91309 Detective Comics #37 (DC, 1940) CGCApparent VF- 7.5 Moderate (P) Cream to o-white pages. Last solo Batman story in Detective.Bob Kane cover. CGC notes, “Restorationincludes: color touch, pieces added, tear seals,cover cleaned, reinorced.” Overstreet 2011 GD2.0 value = $1,000; VG 4.0 value = $2,000; FN 6.0value = $3,000; VF 8.0 value = $7,600.

91310 Detective Comics #56 Twilightpedigree (DC, 1941) CGC VF+ 8.5 Cream to o-white pages. Hal page ad or Star SpangledComics #1. Bob Kane cover. Kane and JerryRobinson art. A very nice copy, with just a hint o wear along the dark spine. Overstreet 2011 VF 8.0value = $1,402; VF/NM 9.0 value = $2,401. CGCcensus 1/12: 1 in 8.5, 4 higher.

91311 Detective Comics #57 (DC, 1941) CGCNM- 9.2 O-white to white pages. This antasticearly Detective is a joy to behold. It’s not a pedi-gree comic but has the same deep, vivid colorsand sharp appearance o any “name” book. Thecover by Bob Kane is “smashing” to say the least.Overstreet 2011 NM- 9.2 value = $3,100. CGCcensus 1/12: 1 in 9.2, 1 higher.

91312 Detective Comics #64 (DC, 1942) CGFN/VF 7.0 O-white to white pages. Joe Simand Jack Kirby introduced their most amous Dcreation, the Boy Commandos, in this importaissue. Jerry Robinson provided the cover art, anwith Bob Kane, the Joker story inside. Overstre2011 FN 6.0 value = $1,200; VF 8.0 value = $2,80CGC census 1/12: 1 in 7.0, 4 higher. From the BNovack, Jr. Estate Collection.

91313 Detective Comics #74 San Francispedigree (DC, 1943) CGC NM+ 9.6 Whipages. The only copy graded above 9.2 anone o just two graded above 7.5! This is the

Tweedledum and Tweedledee cover and sto The cover art eaturing Batman and Robin is the late great Jerry Robinson. Overstreet 20

NM- 9.2 value = $2,300. CGC census 1/12: 1 in 9none higher.




91314 Detective Comics #75 San Franciscopedigree (DC, 1943) CGC NM+ 9.6 Whitepages. This wartime comic has the BoyCommandos in action, drawn by the best artis-tic team around, Simon and Kirby. As or Batmanand Robin, they take on the Robber Baron, a vil-lain who commits robberies at high altitudes.

The issue’s cover is by Jerry Robinson; the interiorart on the Batman story is by Jack Burnley. Thisstunning pedigreed copy is currently at the topo the CGC census or the issue. Overstreet 2011NM- 9.2 value = $2,300. CGC census 1/12: 1 in 9.6,none higher.

91315 Detective Comics #75 (DC, 1943) CGCVF+ 8.5 White pages. This wartime comic hasthe Boy Commandos in action, drawn by the

best artistic team around, Simon and Kirby. Asor Batman and Robin, they take on the RobberBaron, a villain who commits robberies at highaltitudes. The issue’s cover is by Jerry Robinson;the interior art on the Batman story is by Jack Burnley. Overstreet 2011 VF 8.0 value = $947; VF/NM 9.0 value = $1,624. CGC census 1/12: 4 in 8.5,1 higher.

91316 Detective Comics #89 Rockordpedigree (DC, 1944) CGC NM+ 9.6 O-whiteto white pages. Another highest-graded pedi-greed Bat-book! Acclaimed Bat-artist Dick Sprangdrew this issue’s cover, which eatures the secondappearance o the swashbuckling lawbreaker

The Cavalier o Crime. On a sadder note, it alsoeatures the very last Crimson Avenger storyo the Golden Age. The Boy Commandos alsoappear. Overstreet 2011 NM- 9.2 value = $1,650.CGC census 1/12: 1 in 9.6, none higher.

91317 Detective Comics #103 Rockordpedigree (DC, 1945) CGC NM+ 9.6 O-whiteto white pages. This issue’s intriguing “Sphinx”cover by Dick Sprang was showcased in thegroundbreaking book about comics, All In Color

or a Dime. Story art by George Roussos, Jack Burnley, and Charles Paris. A beautiul pedigreecopy, which includes a certicate o authentic-ity. Overstreet 2011 NM- 9.2 value = $1,225. CGCcensus 1/12: 2 in 9.6, none higher.

91318 Detective Comics #111 Twipedigree (DC, 1946) CGC NM+ 9.6 Creao-white pages. Batman gets down to busin this Win Mortimer cover. Mortimer, GeRoussos and Curt Swan story art. Includes aticate o authenticity rom Twilight BookGame Emporium. Overstreet 2011 NM- 9.2 v= $1,225. CGC census 1/12: 3 in 9.6, none hi

91319 Detective Comics #115 Big Apedigree (DC, 1946) CGC NM+ 9.6 Wpages. Taking a close look at this copyremove any doubt about the 9.6 grade! Bacover by Win Mortimer. Overstreet 2011 NMvalue = $1,225. CGC census 1/12: 3 in 9.6, higher.




91320 Detective Comics #121 Mile Highpedigree (DC, 1947) CGC NM+ 9.6 O-whiteto white pages. Batman and Robin nd a some-what unusual way to ght crime on this Jack Burnley cover. Curt Swan provided art on the BoyCommandos story, and Edgar Church providedthis can’t-miss copy, as part o his original MileHigh collection. Overstreet 2011 NM- 9.2 value =$1,175. CGC census 1/12: 1 in 9.6, none higher.

91321 Detective Comics #152 Twilightpedigree (DC, 1949) CGC VF/NM 9.0 Creamto o-white pages. Vicki Vale is eatured on thisJim Mooney cover. Last installment o the long-running Slam Bradley eature. Bob Kane, CharlesParis, Howard Sherman, and Carmine Inantino

art. CGC notes, “Light tanning edges interiorront and back cover.” Overstreet 2011 VF/NM 9.0value = $777; NM- 9.2 value = $1,100. CGC census1/12: 1 in 9.0, none higher.

91322 Detective Comics #170 Mile Highpedigree (DC, 1951) CGC NM+ 9.6 Whitepages. By ar the best copy o the issue we’veever oered. DC superhero books rom this pre-Silver Age era can be tricky to nd in any grade,so why not go right to the best? Batman coverby Win Mortimer. Overstreet 2011 NM- 9.2 value= $1,050. CGC census 1/12: 1 in 9.6, none higher.

91323 Detective Comics #176 Spokane ped-igree (DC, 1951) CGC NM+ 9.6 White pages. Batman cover by Win Mortimer. Overstreet 2011NM- 9.2 value = $1,050. CGC census 1/12: 1 in 9.6,none higher.

91324 Detective Comics #197 Double Cover(DC, 1953) CGC NM- 9.2 O-white pages. Batman and Robin cover by Win Mortimer. Pow-Wow Smith and Robotman backup stories. Dick Sprang, Charles Paris, and Joe Certa interior art.CGC notes, “First cover 8.5, interior cover 9.2.”Overstreet 2011 NM- 9.2 value = $1,000. CGCcensus 1/12: 1 in 9.2, none higher.

91325 Detective Comics #225 (DC, 195CGC FN/VF 7.0 Cream to o-white pageAlthough Showcase #4 is generally credited wkicking o the Silver Age, this issue eaturing torigin and rst appearance o J’onn J’onzz, prceded it by nearly one ull year and can arguabclaim to be the rst Silver Age comic. It’s a tougnd in high grade — CGC has certied just twcopies nicer than VF 8.0 to date. For consistensake, we include any comic issued beore 1956our Golden Age section, in case you were wodering! Win Mortimer did the cover, and anothlongtime Batman artist, Sheldon Moldo co

tributed story art. Overstreet 2011 FN 6.0 val= $1,230; VF 8.0 value = $3,700. CGC census 1/110 in 7.0, 11 higher.

91326 Eerie #1 (Avon, 1947) CGC NM- 9O-white pages. The rst all-horror comic, this a book we didn’t think we’d ever see in thgrade! A remarkable copy. While moonlight teror scenes like this issue’s bondage cover woube standard are rom about 1950 on, this issdid it rst. Interestingly, Joe Kubert was amonthe contributors to the book. Overstreet 20NM- 9.2 value = $8,500. CGC census 1/12: 2 9.2, none higher. From the Al Dellinges Collectio




91327 Exciting Comics #9 (Nedor, 1941)CGC FN- 5.5 O-white pages. The best copywe’ve ever oered o a really tough book, therst appearance o the Black Terror! The charac-ter, who later starred in his own book, benetedrom one o the most striking costumes o theGolden Age. One o Overstreet’s Top 100 GoldenAge books. Bondage cover by Elmer Wexler.Overstreet 2011 FN 6.0 value = $2,916. CGC cen-sus 1/12: 1 in 5.5, 4 higher.

91328 Famous Funnies: A Carnival o Comics #nn (Eastern Color, 1933) CGC FN- 5.5Cream pages. It would be years beore ActionComics #1 would usher in the Golden Age o Comics in 1938. That’s what makes this 1933giveaway, packaged by legendary publisher M. C.Gaines, so signicant; virtually every comic book ever published came ater this one. In act, onlyone came beore this milestone book. Overstreetconsiders this book to be “very rare” and Gerber’sPhoto-Journal gives it an 8 or “rare.” CGC notes,“7 small puzzles lled in with pencil.” Overstreet2011 FN 6.0 value = $1,623. CGC census 1/12: 7 in5.5, 11 higher.

91329 Famous Funnies #1 (Eastern Color,1934) CGC VG 4.0 O-white pages. This was therst issue o the rst comic book series sold to thegeneral public through newsstand distribution.It would run or more than twenty years. Likeall early comic books, this contained comic stripreprints, eaturing Mutt and Je , Tailspin Tommy ,and Joe Palooka. This comic is currently ranked inthe top 100 o Overstreet’s list o the most valu-able Golden Age comics; the only reason it’s notmuch higher is that while most comics have NM-prices listed in the Guide, no NM- copy o this isknown to exist. To date, only a handul o copieshave received higher grades than this one. Theissue is a Gerber “9” or “Very Rare,” so we wouldn’t

advise waiting or another one to come along!Overstreet 2011 VG 4.0 value = $6,200. CGC cen-sus 1/12: 4 in 4.0, 7 higher.

91330 Fight Comics #31 (Fiction House,1944) CGC FN 6.0 Cream to o-white pages. Don’t let the modest Overstreet value ool you,as this tends to sell well over Guide. A beheadingwith a machete is pretty powerul stu to appearon this Joe Doolin cover, cited as a classic byOverstreet. Overstreet 2011 FN 6.0 value = $348.CGC census 1/12: 2 in 6.0, 9 higher.

91331 Fighting Yank #11 (NPublications, 1945) CGC NM 9.4 O-wpages. Alex Schomburg gives comic reanother masterpiece with this bondage ceaturing a gorgeous blonde about to becued by the Fighting Yank. In the backgrothere are some hooded villains that lookthey could have come right o the covSuspense Comics #3. Overstreet notes thaissue has an appearance o the Oracle. To this is the highest CGC-graded copy o this Overstreet 2011 NM- 9.2 value = $825. CGCsus 1/12: 1 in 9.4, none higher.

91332 Flash Comics #5 Nova Scotia pgree (DC, 1940) CGC VF/NM 9.0 O-whiwhite pages. This pedigree copy is surpasse

only one other in CGC’s current census. The DC superhero vehicle has Sheldon Moldo cart, with story art by Moldo, E. E. HibbertHarry Lampert. Overstreet 2011 VF/NM 9.0 v= $4,339; NM- 9.2 value = $6,200. CGC ce1/12: 3 in 9.0, 1 higher.




91333 Flash Comics #24 Mile High pedigree (DC, 1941) CGC NM 9.4White pages. E. E. Hibbard’s kooky “Spider-Man rom Mars” cover is one o our avorites, and it never looked as good as it does on this choice EdgarChurch copy. It’s interesting to note the “Let’s Go! U. S. A.” logo in the bot-tom let corner, as this December, 1941-dated issue actually hit the standsbeore the bombing o Pearl Harbor! Sheldon Moldo and Harry Lampertprovided story art. Overstreet 2011 NM- 9.2 value = $3,750. CGC census1/12: 1 in 9.4, none higher.

91334 Flash Comics #86 (DC, 1947) CGC VF- 7.5 White pages. It’s therst appearance o the Black Canary! That longtime DC regular debuts inthe Johnny Thunder eature, and when we rst see her she’s persuadinga lovestruck Johnny to steal or her! It’s let in doubt whether she’s a vil-lainess or a heroine, as the people she steals rom are shown to be crooksthemselves. The issue also boasts a Hawkman story with Joe Kubert artand cover art by Lee Elias. Overstreet 2011 VF 8.0 value = $1,950. CGC cen-sus 1/12: 3 in 7.5, 2 higher. From the Al Dellinges Collection.

91335 Four Color #159 Donald Du(Dell, 1947) CGC VF/NM 9.0 O-whito white pages. Donald and his nephewHuey, Dewey, and Louie have a run-in wthe “Ghost o the Grotto” by Carl Barks (stoand art). Carl Von Buettner contributed tcover. Overstreet 2011 VF/NM 9.0 value$1,529; NM- 9.2 value = $2,300. CGC cens

1/12: 5 in 9.0, 4 higher.

91336 Four Color #178 Donald Duck (Dell, 1947) CGC VF/NM 9.0 Cream to o-white pages. This issue eatures the story“Christmas on Bear Mountain,” but is morenotable or containing the rst appearanceo Uncle Scrooge McDuck. With this and hissubsequent appearances, Uncle Scroogewas on his way to becoming a worldwidephenomenon. Not only did Carl Barks’ cre-ation become wildly popular in the US, but

he also soon acquired a huge internationalollowing that continues to this day through-out Europe and other ar-ung regions o the globe. Overstreet 2011 VF/NM 9.0 value= $2,056; NM- 9.2 value = $3,100. CGC census1/12: 7 in 9.0, 5 higher.

91337 Four Color #386 Uncle Scroog(Dell, 1952) CGC VF/NM 9.0 O-white white pages. Featuring the story “Only Poor Old Man” by Carl Barks, this would bthe very rst cover appearance o UncScrooge. This was also the rst o three staring appearances in the Four Color title the miserly duck. Donald, Huey, Dewey, aLouie appear as well, to help ease the o

duck into stardom. The cover and interart are by quintessential “Duck Man” CBarks. Considered to be the the rst issue the Uncle Scrooge series. Overstreet 20VF/NM 9.0 value = $3,310; NM- 9.2 value$5,000. CGC census 1/12: 13 in 9.0, 11 high

91338 Gunfghter #14 Mile High pedi-gree (EC, 1950) CGC NM+ 9.6 O-whiteto white pages. Johnny Craig bondagecover. Last issue o the series beore thetitle changed to Haunt o Fear. Craig, WallyWood, and Graham Ingels art. Overstreet2011 NM- 9.2 value = $575. CGC census 1/12:2 in 9.6, none higher.




91339 The Human Torch #5 (Timely, 1941)CGC FN/VF 7.0 Cream to o-white pages. Human Torch versus Sub-Mariner battles rarelydisappointed, and the scene drawn by AlexSchomburg here certainly doesn’t — check outNamor’s awesome vehicle! Note that this is thesecond o two issue #5s. Overstreet 2011 FN 6.0value = $1,866; VF 8.0 value = $4,541. CGC census1/12: 5 in 7.0, 6 higher.

91340 Jackie Robinson #nn Crowley Copypedigree (Fawcett, 1950) CGC VF/NM 9.0Cream to o-white pages. The man who brokebaseball’s color barrier got his own comic here.

This is the only copy graded above 7.5 by CGC aso this writing. Overstreet 2011 VF/NM 9.0 value= $1,061; NM- 9.2 value = $1,500. CGC census1/12: 1 in 9.0, none higher.

91341 Jackie Robinson #4 Crowley Copypedigree (Fawcett, 1950) CGC NM/MT 9.8 O-white pages. An iconic photographic imageo Jackie Robinson, sliding into home plate,ronts this impeccable copy rom the CrowleyCollection. This book is simply in amazing condi-tion or being more than 60 years old. Overstreet2011 NM- 9.2 value = $700. CGC census 1/12: 2 in9.8, none higher.

91342 Jackpot Comics #1 (MLJ, 1941) CGCVF- 7.5 O-white to white pages. This titlebrought together the most popular heroesrom MLJ’s other books, namely Steel Sterling(rom Zip Comics), Mr. Justice (Blue RibbonComics), the Black Hood (Top-Notch Comics),and Sergeant Boyle (Pep Comics). The coverart is by Charles Biro, who also drew the SteelSterling story inside the book. Overstreet 2011VF 8.0 value = $2,282. CGC census 1/12: 1 in 7.5,2 higher.

91343 March o Comics #41 Donald Duck -File Copy (K. K. Publications Inc., 1949) CGCNM- 9.2 O-white to white pages. DonaldDuck in “Race to the South Seas.” Uncle Scroogeappearance. Walt Kelly cover. Carl Barks story andart. Overstreet 2011 NM- 9.2 value = $5,200. CGCcensus 1/12: 2 in 9.2, 1 higher.

91344 Marvel Mystery Comics #2 (Timely,1939) CGC Apparent VG- 3.5 Moderate (P) O-white to white pages. Second appearance o the Human Torch. Claire Moe cover eaturing theoriginal Angel. CGC notes, “Restoration includes:tear seals, spine splits sealed, cleaned, rein-orced.” Overstreet 2011 GD 2.0 value = $3,200;VG 4.0 value = $6,400.

91345 Marvel Mystery Comics #5 (Tim1940) CGC GD+ 2.5 Brittle pages. GerbeOverstreet both rate this issue as “scarce”, ancover by Alex Schomburg is considered a sic. Contents include the Human Torch byBurgos, the Angel by Paul Gustavson, andSub-Mariner by Bill Everett. Overstreet 2012.0 value = $2,700. CGC census 1/12: 1 in 2higher.

91346 Marvel Mystery Comics #9 (Tim1940) CGC VG 4.0 Cream to o-white pa

Timely/Atlas/Marvel has always been epic battles, but the Human Torch and Mariner’s tussles in the day took the cake!such matchup began in this issue and tookissues to complete! It’s the most valuable

in the illustrious run, outside o #1 (whentitle was just Marvel Comics), and there’s reason — an Overstreet “scarce” and Gerbea classic Alex Schomburg cover, and the broyal between two superheroes, plus storby Bill Everett, Carl Burgos, and Paul GustaCGC notes, “1 piece o tape on interior coOverstreet 2011 VG 4.0 value = $8,400. CGCsus 1/12: 1 in 4.0, 14 higher.




91347 Marvel Mystery Comics 132-Page Issue with Variant Interior (Timely, 1943) CGC FN+ 6.5 Cream to o-white page

At the top o many Timely collectors’ wish lists is this super-rarity rom 1943. CGC has certied just ve copies to date, with thbeing the highest-graded copy so ar (the others top out at VG+ 4.5). The back cover o this copy is remarkable — naturally a bla

surace is eminently smudgeable and every other copy we’ve seen has clearly shown how many hands have handled it — no suc

problem here! In general, this copy has survived as well as one could ever hope or a comic this thick.

We have previously oered two uncertied copies o the issue: one in 2006 in VG+ that realized $28,680; and another uncertie

copy in 4.0 in 2007. This is a giant 132-page square bound, with blank inside covers. The interior eatures Captain America Comi

#22 and Marvel Mystery Comics #41 in their entirety. According to Overstreet and CGC, these contents represent a varian

though every copy that has passed through our hands has the contents mentioned above. Alex Schomburg’s cover is just anoth

reason to covet this one. Overstreet does not yet list values or the “variant” copies. CGC census 1/12: 1 in 6.5, none higher. CG

census 1/12: 1 in 6.5, none higher. CGC census 1/12: 1 in 6.5, none higher. CGC census 1/12: 1 in 6.5, none higher. CGC census 1/1

1 in 6.5, none higher.




91348 Mickey Mouse Magazine #1 (K. K. Publications/ WesternPublishing Co., 1935) Condition: VF+. Easily the best copy we’ve everseen o this key issue, one o Overstreet’s Top 100 Golden Age books. Itwas only a matter o time ater the smash success o Steamboat Willie thatits animated star, Mickey Mouse, would be crowding the newsstands withhis own magazine. And with this rst issue, chock ull o colorul imageso Mickey, Donald, and all the gang, the Mickey Mouse Magazine reallystarted with a bang. Eventually, it would “devolve” down to comic book size, and even be replaced with Walt Disney’s Comics and Stories, but at

rst, this gigantic 10.25” x 13.25” publication was in every well-read kid’scollection. This clean copy has survived the years ar better than most,with supple pages, and only minor cover wear. Overstreet 2011 VF 8.0value = $9,200; VF/NM 9.0 value = $19,000.

91349 Military Comics #24 San Francisco pedigree (Quality, 1943)CGC NM+ 9.6 O-white to white pages. One terric cover by AlexKotzky; and the San Francisco collection oers an unbelievably lovelycopy that’s alone at the top o CGC’s current census or the issue. I youcan nd a blemish on this book, we have a needle in a haystack contestyou might be interested in. The Blackhawk ghting team ound successin multiple wars, skirmishes, comic book titles, and publishers, encom-passing our ull decades and part o another. Pretty impressive or anon-Superman, non-Batman hero. Overstreet 2011 NM- 9.2 value = $700.CGC census 1/12: 1 in 9.6, none higher.

91350 More Fun Comics #70 (DC, 1941) CGC NM- 9.2 O-whiwhite pages. The lineup o characters in this issue includes Doctor(Howard Sherman art), the Spectre (by Bernard Baily), and the Radio S(written by Jerry Siegel and drawn by Fred Ray). Also o note is theinstallment o the Lance Larkin backup eature. The cover is by SherOnly one other copy has been graded higher by CGC to date. Overs2011 NM- 9.2 value = $4,500. CGC census 1/12: 1 in 9.2, 1 higher.

91351 Namora #1 (Timely, 1948) CGC VF- 7.5 O-white to wpages. Sub-Mariner backup story. Ken Bald cover. Bill Everett storyart. Syd Shores art. Overstreet 2011 VF 8.0 value = $1,759. CGC ce1/12: 2 in 7.5, 7 higher.




91352 New Fun Comics #1 (DC, 1935)

Condition: Apparent VG-. This is the rstDC comic book, and it’s currently #37 inOverstreet’s ranking o the most valuable com-ics, which is even more impressive consideringthat Overstreet doesn’t list a NM- or even a VF/NM value or the issue (the VG value is higherthan the likes o Adventure #40). Once you’vedecided you can aord one, you need to ndone — no easy task or a book ranked amongthe 50 rarest Golden Age comics by Comic Book Marketplace.

A very signicant issue in comic book history,this is “the prototype o the modern comic inthat it eatured an anthology ormat o continu-ing characters and original rather than reprintedmaterial,” as Overstreet once put it. The rst-evertabloid-sized comic, it measures 10.5” x 15” (andis too large to be encapsulated by CGC). It starteda series which became More Fun Comics.

The restoration includes color touch, a tapedspine, and small pieces o tape on a number o interior pages. This copy has some penciled num-bers on the back cover and a horizontal creasethrough the book rom being olded in hal.

Since this issue’s got lots o coupons and a num-ber o cut-out eatures meant or kids to use theirscissors on, there can’t be many other completecopies in existence o this rarity.

Overstreet 2011 VG 4.0 value = $14,858.

91353 New Fun Comics #6 (DC, 1935)Condition: Apparent GD. This was named oneo the 50 rarest Golden Age books by Overstreetor good reason! We haven’t seen a copy in sixyears. This is just the sixth comic issue DC pub-lished, period (they hadn’t yet added a secondtitle), and it’s notable or being the rst install-ment o Siegel and Shuster’s Dr. Occult, a stripthat would eventually introduce the amousSuperman prototype in More Fun #14. This copyhas brittle page edges. Amateur restorationincludes: color touch, pieces added, tear seals.Overstreet 2011 GD 2.0 value = $3,500.

91354 Prize Comics #7 (Prize, 1940) CGC

Apparent FN 6.0 Slight (A) O-white pages. Overstreet calls this one “scarce” and we haveonly oered two dierent copies in ten years(this one and the Mile High). This issue has therst appearances o Frankenstein and the GreenLama, both o whom later had their own series.

The Black Owl is the cover eature. This one is alsosought ater by Simon and Kirby completists, asthat duo contributed to the issue. CGC notes,“Restoration includes: small amount o glue onspine o cover at staples.” Overstreet 2011 GD 2.0value = $232; VG 4.0 value = $464; FN 6.0 value =$696.

91355 Red Raven Comics #1 (Timely, 194CGC Apparent VF- 7.5 Slight (P) Cream o-white pages. One o Overstreet’s top 1Golden Age books, this marked the rst time tname “Jack Kirby” was signed to a comic (the aist, whose real name was Jacob Kurtzberg, hpreviously used other pseudonyms). This w

just Timely’s ourth title, trailing only Marv(Mystery), Daring Mystery, and Mystic... athere never was a second issue o Red RaveMost surviving copies o this book have restration o some kind. When Heritage previousoered this copy in 2002, it was certied 8

and as a Kansas City pedigree copy; CGC choto drop the “Kansas City” certication when tbook was re-submitted. A very tough TimeCover art by Kirby. Overstreet 2011 GD 2.0 val= $1,250; VG 4.0 value = $2,500; FN 6.0 value$3,750; VF 8.0 value = $9,400.

91356 Red Ryder Victory Patrol #n(Dell, 1943) CGC VF+ 8.5 Cream to o-whipages. Langendor Bread promotional comManuactured with three-page wraparoucover membership kit. CGC notes, “Membershkit 3.5.” Overstreet 2011 VF 8.0 value = $1,242; VNM 9.0 value = $2,121.




91357 Sensation Comics #1 (DC, 1942) CGCApparent VF 8.0 Extensive (P) O-white towhite pages. The Amazon princess had madeher initial appearance a month beore in AllStar Comics #8, with the origin continued inthis issue. The title was obviously created toshowcase Wonder Woman, and she starred in itor 10 years, even while she was starring in herown title, which was launched a ew monthsater this. Included here was also the origin andrst appearance o Wildcat, Mr. Terric, and theGay Ghost. H. G. Peter cover, with Peter, SheldonMoldo, Irwin Hasen, and Howard Purcell story

art. CGC notes, “Restoration includes: colortouch, pieces added, tear seals, cover cleaned,interior lightened, reinorced.” Overstreet 2011GD 2.0 value = $2,950; VG 4.0 value = $5,900; FN6.0 value = $8,850; VF 8.0 value = $22,000.

91358 Shield-Wizard Comics #11 Rockordpedigree (MLJ, 1943) CGC NM- 9.2 O-whiteto white pages. A sensational cover by Irv Novick is shown impeccably on this near-perect copy.MLJ/Archie Publications would soon abandonsuperheroes to concentrate on humor-themedbooks, but there was no indication here that theShield was on his way out. A brilliant copy roma high-grade pedigree. Overstreet 2011 NM-9.2 value = $1,550. CGC census 1/12: 1 in 9.2, 1higher.

91359 The Spirit #21 Mile High pedigree(Quality, 1950) CGC NM 9.4 White pages. Thepenultimate Quality issue, with a Will Eisner“P’Gell” cover that’s tough to beat. Three EisnerSpirit reprints make up the interior as well,making this one o the most desirable issues o the run. Add to that the luster that only EdgarChurch’s personal copy can bring, and you’vegot yoursel one heckuva comic book, buddy!Overstreet 2011 NM- 9.2 value = $700. CGC cen-sus 9/11: 1 in 9.4, none higher. From the Chuck Rozanski Collection.

91360 The Spirit (weekly newspaper insert)8/3/52 (Will Eisner, 1952) CGC NM+ 9.6 O-white to white pages. This issue is considered“Rare” by Overstreet. Yes, that’s Wally Wood art,on one o the Moon stories just two months romthe end o the run. Overstreet 2011 NM- 9.2 value= $575. CGC census 1/12: 1 in 9.6, none higher.

91361 Star Ranger #5 (Centaur, 1937) VF 8.0 Light tan to o-white pages.Schwab 4th o July ag cover. Fred Guardart. Overstreet 2011 VF 8.0 value = $538. census 1/12: 1 in 8.0, none higher.

91362 Star Spangled Comics #9 (DC, 1CGC NM 9.4 White pages. Jack Kirby andSimon were really coming into their own aduring this time period. This book is 70 yearand is in straight Near Mint, with snow wpages. A book o this vintage in this cond

just does not come along every day, and tthe highest-graded o just a handul o cocertied by CGC to date. The Newsboy Leand the Guardian get the cover appearanceing care o a standard Kirby criminal. Overs2011 NM- 9.2 value = $2,600. CGC census 1/in 9.4, none higher.




91363 Star Spangled Comics #14 Rockordpedigree (DC, 1942) CGC NM- 9.2 O-whitepages. “The Meanest Man on Earth” cover, ea-turing the Newsboy Legion and the Guardianby Joe Simon and Jack Kirby. Star Spangled Kid,Robotman, and the Tarantula also appear. Abeautiul pedigreed comic with a near-awlessblack-background cover. Overstreet 2011 NM-9.2 value = $1,900. CGC census 1/12: 1 in 9.2, 1higher.

91364 Star Spangled Comics #17 Mile Highpedigree - Double Cover (DC, 1943) CGC NM+9.6 White pages. A book in this condition, romthe Edgar Church collection, and with whitepages and antastic cover colors... under normalcircumstances, those actors alone would make

this a dream comic. But on top o all that, this hasthat rare (and sought-ater) binding quirk knownas the double cover. And we haven’t even gottento the act that the best artist duo around, Simonand Kirby, drew a Newsboy Legion story in thebook. Simon & Kirby also drew the cover scene,as beleaguered superguy the Guardian onceagain has his hands ull with the ever-pugnaciousnewsboys. CGC notes, “rst cover 9.0, interiorcover 9.6.” As o this writing, only one copy o thisissue has been graded higher by CGC. Overstreet2011 NM- 9.2 value = $1,900. CGC census 1/12: 2in 9.6, 1 higher.

91365 Star Spangled Comics #21 Rockordpedigree (DC, 1943) CGC NM 9.4 O-whitepages. The Newsboy Legion go to sea in thispatriotic cover, credited to Joe Simon and Jack Kirby. Star-Spangled Kid, Liberty Belle, andRobotman round out the issue. Another prettycopy rom the Rockord pedigree, this one beingthe top book on CGC’s current census report.Overstreet 2011 NM- 9.2 value = $1,600. CGCcensus 1/12: 1 in 9.4, none higher.

91366 Star Spangled Comics #26 SanFrancisco pedigree (DC, 1943) CGC NM/MT9.8 White pages. I there’s one pedigree thatrivals the legendary Mile High collection in qual-ity, it’s this one. The grade and page quality heresay it all! Joe Simon and Jack Kirby cover and art.

Overstreet 2011 NM- 9.2 value = $1,600. CGCcensus 1/12: 1 in 9.8, none higher.

91367 Star Spangled Comics #26 Rockopedigree (DC, 1943) CGC VF/NM 9.0 O-whto white pages. This sharp, pedigree book etures a tense tableau on the cover, by the greteam o Joe Simon and Jack Kirby. The Guardiand the Newsboy Legion were really hitting thstride at this point in this series’ run. Bright aglossy, this Golden Age classic won’t disappoiOverstreet 2011 VF/NM 9.0 value = $1,130; N9.2 value = $1,600. CGC census 1/12: 2 in 9.0higher.

91368 Star Spangled Comics #27 “D” Copedigree (DC, 1943) CGC NM 9.4 O-whpages. Jack Kirby “turns on the heat” with thNewsboy Legion “reman” cover, which is signas Simon and Kirby. This “D” Copy examplethe current census champ at CGC, and looextremely resh. Overstreet 2011 NM- 9.2 val= $1,600. CGC census 1/12: 2 in 9.4, none high

91369 Star Spangled Comics #30 SFrancisco pedigree (DC, 1944) CGC NM+ 9White pages. Jack Kirby and Arturo Cazeneuare credited with this Simon and Kirby-signcover, which has the Guardian literally poppio the page! A superb copy rom the Tom ReSan Francisco collection, and CGC’s current cesus topper. Overstreet 2011 NM- 9.2 value = $95CGC census 1/12: 1 in 9.6, none higher.




91370 Star Spangled Comics#55 Big Apple pedigree (DC, 1946)CGC NM/MT 9.8 White pages. Thismight literally be the nicest copy o any Golden Age book we’ve everlaid eyes on. Look at our enlarge-able scan online, and you can alsond the 9.8 Mile High in our onlinearchives — you’ll nd tiny things tonitpick on that book i you’re ultra-critical, but we dare you to nd onehere. Simon and Kirby’s NewsboyLegion is eatured. Overstreet 2011

NM- 9.2 value = $675. CGC census1/12: 2 in 9.8, none higher.

91371 Star Spangled Comics#65 (DC, 1947) CGC VF/NM 9.0 O-white to white pages. Robin beginsa run with a cover appearance by WinMortimer. Mortimer art. Overstreet2011 VF/NM 9.0 value = $1,937; NM-9.2 value = $2,750. CGC census 1/12:1 in 9.0, 3 higher.

91372 Star Spangled Comics#73 Rockord pedigree (DC, 1947)CGC NM 9.4 O-white pages. Robincover by Win Mortimer. Overstreet2011 NM- 9.2 value = $1,000. CGCcensus 1/12: 2 in 9.4, 1 higher.

91373 Star Spangled Comics#74 Rockord pedigreed (DC,1947) CGC NM 9.4 O-white pages. Robin vs. the Clock, as eatured onthis cover by Jim Mooney. Art byMooney, Jimmy Thompson, WinMortimer, and Fred Ray. Overstreet2011 NM- 9.2 value = $965. CGC cen-sus 1/12: 1 in 9.4, 1 higher.

91374 Strange Adventures #1(DC, 1950) CGC VF+ 8.5 Whitepages. Distinctive premiere issue’scover eatured an adaptation o

Destination Moon, with a photocover. There’s also the beginning o an adaptation o Edmond Hamilton’s“Chris KL-99” that would continuethrough issue #3, and the rst DarwinJones. Curt Swan, Howard Sherman,and Jim Mooney were among theinterior artists. Overstreet 2011 VF8.0 value = $1,916; VF/NM 9.0 value= $3,908. CGC census 1/12: 8 in 8.5, 6higher.

91375 Superboy #1 (DC, 1949) CGC VF/NM 9.0 O-white to wpages. A thirty-year run began here or this enduring series w

remained in publication even through those difcult pre-Silverdays when superheroes were largely out o ashion. In the early o this title, there were no super-powered villains (young Lex Luetc.) and Superboy wasn’t whisked o to the uture to join the Leo Super-Heroes every three hours. Instead, less ashy (but well-ten) tales were the order o the day, usually with a subtle morayoung readers. The Boy o Steel’s debut issue eatures a Wayne Bocover and John Sikela art. This is a nice, bright copy, with a vivid yebackground that really shows o the red and blue o Superman’stume. Only one other copy has been certied higher by CGC to Overstreet 2011 VF/NM 9.0 value = $11,158; NM- 9.2 value = $16CGC census 1/12: 3 in 9.0, 1 higher.

91376 Superboy #13 (DC, 1951) CGC NM- 9.2 O-white to wpages. Boy, what a super book! John Sikela cover and art. Curt art. Overstreet 2011 NM- 9.2 value = $1,275. CGC census 1/12: 2 innone higher.




91377 Superman #1 (DC, 1939) CGC Apparent VF- 7.5 Extensive (P) O-white to white pages. This much sought-ater key is currently ranked on Overstreet’s list o the most valuable Golden Age books. Yet in terms o signicance, you could argue that only Action Comics #1 is more importantthe history o the medium. That’s because Superman #1 represents the rst time that a character created or comic books was given his own series, attime when the medium eatured anthology series, strip reprints, etc.

The cover by Joe Shuster is a amous image, and the back cover pin-up is the rst one in the history o comics! O course, kids couldn’t resist cutting thout to hang it up, that’s why this book, despite a documented print run o one million copies, is so difcult to nd intact.

It’s worth noting that unrestored copies with comparable eye appeal are all but unheard-o: among unrestored copies certied to date, only two mator exceed this numerical grade. This proessionally restored specimen is one to show o not only to other hobbyists, but to everyone who appreciatethe signicance o the character in American popular culture.

CGC notes, “Restoration includes: color touch, pieces added, tear seals, cleaned, re-glossed.” Overstreet 2011 GD 2.0 value = $33,333; VG 4.0 value $66,667; FN 6.0 value = $100,000; VF 8.0 value = $240,000.




91378 Superman #2 (DC, 1939) CGC GD/VG 3.0 Cream to o-white pages. Even mod-est grades o the early issues o this title drawplenty o attention, and very ew have been cer-tied with high grades. The cover and art by JoeShuster and Paul Cassidy, with a story by JerrySiegel. Contains a ull-page ad or the 1939 NewYork’s World Fair edition. CGC notes, “Spine com-pletely split and re-attached with tape on interiorcover. Piece out o 22nd page, slightly aectsstory.” Overstreet 2011 GD 2.0 value = $2,133; VG4.0 value = $4,266. CGC census 1/12: 5 in 3.0, 41higher.

91379 Superman #3 (DC, 1940) CGC VG-3.5 White pages. The rst “white pages” copywe have oered. Joe Shuster cover and art.Overstreet 2011 VG 4.0 value = $2,400. CGC cen-sus 1/12: 6 in 3.5, 46 higher.

91380 Superman #6 (DC, 1940) CGC FN/VF7.0 White pages. Features the rst splash pageto appear in a Superman comic. Text story byGardner Fox. Joe Shuster cover. Jerry Siegel story.Jack Burnley art. CGC notes, “‘Joe Shuster’ writtenon cover in pen. ‘Jerry Siegel’ and ‘Joe Shuster’written on rst page in pen.” Overstreet 2011 FN6.0 value = $1,233; VF 8.0 value = $2,877. CGCcensus 1/12: 7 in 7.0, 5 higher.

91381 Superman #7 (DC, 1940) CGC VF 8.0O-white to white pages.This issue has the rstappearance o Daily Planet editor Perry White,though his rst name would not be revealeduntil issue #10 (and don’t call him Chie). JoeShuster and Wayne Boring contributed art to theissue. Overstreet 2011 VF 8.0 value = $2,877. CGCcensus 1/12: 3 in 8.0, 5 higher.

91382 Superman #8 (DC, 1941) CGC VF-7.5 O-white to white pages. A nice-lookingcopy o one o the rst ten issues o Supermanis always a good nd! Fred Ray provided coverart, while Joe Shuster and Wayne Boring handlestory art. A ull page ad or All Star Comics #3 iseatured. Overstreet 2011 VF 8.0 value = $2,600.CGC census 1/12: 6 in 7.5, 17 higher.

91383 Superman #23 (DC, 1943) CGCNM 9.0 O-white to white pages. Everyin agreement — Jack Burnley’s cover is a “sic”. Superman co-creators Jerry Siegel andShuster contributed to this issue, which shup in grades this high less requently thanmight think. Overstreet 2011 VF/NM 9.0 val$2,259; NM- 9.2 value = $3,200. CGC census 1 in 9.0, 2 higher.

91384 Superman #26 (DC, 1944) CGC 9.2 O-white to white pages. Well, i itJose Goebbels getting what’s coming to hithis great cover by Jack Burnley. This is thecopy o the issue we’ve ever seen, and i youmiss that statement as mere (ahem) propagacheck out our jumbo-size scan online! Overs2011 NM- 9.2 value = $4,200. CGC census 1/in 9.2, none higher.




91385 Superman #27 (DC, 1944) CGC NM9.4 White pages. I high-grade Golden Age com-ics isn’t your thing, you’ve come to the wrongauction! Toyman appearance. Wayne Boringcover. Overstreet 2011 NM- 9.2 value = $2,250.CGC census 1/12: 1 in 9.4, 1 higher.

91386 Superman #29 (DC, 1944) CGC VF/NM 9.0 Cream to o-white pages. Patrioticcover by Wayne Boring. Overstreet 2011 VF/NM9.0 value = $1,586; NM- 9.2 value = $2,250. CGCcensus 1/12: 7 in 9.0, 3 higher.

91387 Superman #30 (DC, 1944) CGC VF+8.5 O-white to white pages. This special issueeatures the origin and rst appearance o peren-nial nuisance Mr. Mxyztplk (later known as Mr.Mxyzptlk — much easier to pronounce). Jack Burnley provided the cover illustration, whicheatures both the Man o Steel and his civiliancounterpart alongside Lois Lane. Ira Yarbrough,Ed Dobrotka, and Henry Boltino art is eaturedinside. Overstreet 2011 VF 8.0 value = $1,759; VF/NM 9.0 value = $3,030. CGC census 1/12: 3 in 8.5,8 higher.

91388 Superman #35 Big Apple pedigree(DC, 1945) CGC NM 9.4 O-white to whitepages. Perhaps your only chance to see Supeswith a handlebar mustache, as Jack Burnley por-

trays a dashing Lois Lane and Superman romthe turn o the century on this issue’s cover. IraYarbrough and Ed Dobrotka contributed theinterior art. A beautiul copy. Overstreet 2011NM- 9.2 value = $1,900. CGC census 1/12: 1 in 9.4,1 higher.

91389 Superman #36 (DC, 1945) CGC N9.2 White pages. Mr. Mxyztplk appearance. LLane cover by Wayne Boring. Ira Yarbrough aOverstreet 2011 NM- 9.2 value = $1,900. CGcensus 1/12: 2 in 9.2, none higher.

91390 Superman #40 (DC, 1946) CGC N9.4 White pages. White is the word! Astonishiwhite background cover and snow-white pagmark this copy. The issue has Mr. Mxyztplk aSusie appearances, and a Wayne Boring covOverstreet 2011 NM- 9.2 value = $1,900. CGcensus 1/12: 1 in 9.4, 2 higher.




91391 Superman #45 (DC, 1947) CGC NM9.4 O-white pages. Lois Lane appears asSuperwoman. Cover by Jack Burnley, with artby John Sikela. This is the highest-graded copycertied by CGC to date. Overstreet 2011 NM- 9.2value = $1,550. CGC census 1/12: 1 in 9.4, nonehigher.

91392 Superman #46 (DC, 1947) CGC NM+9.6 O-white to white pages. I you think thisgrade’s unheard o or the time, you’re not ar o!It’s certainly the only copy o this issue to garner aCGC grade so loty. First mention o Superboy inthis title (in ashback). Mr. Mxyztplk appearance.Wayne Boring cover. Overstreet 2011 NM- 9.2value = $1,550. CGC census 1/12: 1 in 9.6, nonehigher.

91393 Superman’s Pal Jimmy Olsen #1 (DC,1954) CGC FN- 5.5 O-white pages. Curt Swanand Ray Burnley cover and art. Overstreet 2011FN 6.0 value = $1,620. CGC census 1/12: 2 in 5.5,5 higher.

91394 Survey #nn (Marvel, 1948) CGC VG4.0 O-white to white pages. We’ve seenexactly one copy o this ever, namely this samecopy which we auctioned eight years ago. Aimedat advertisers, this pamphlet was devoted to theresults o a survey showing that the comics o the Marvel Comic Group (sic) were kids’ avor-ites. Note the Harvey Kurtzman art! CGC notes,“From the collection o Dave Berg.” Not listedin Overstreet. CGC census 1/12: 1 in 4.0, nonehigher. CGC census 1/12: 1 in 4.0, none higher.CGC census 1/12: 1 in 4.0, none higher. CGC cen-sus 1/12: 1 in 4.0, none higher. CGC census 1/12:1 in 4.0, none higher.

91395 Tomahawk #1 Windy City pedigree(DC, 1950) CGC VF+ 8.5 Cream to o-whitepages. This is one o the our nicest copies yetcertied o this issue — it’s rom a superb col-lection o #1 issues which was assembled bya Pennsylvania mailman but is known as the“Windy City” collection (...it’s a long story). Thetitle lasted an amazing 22 years, thanks in nosmall part to superb art by Fred Ray. Overstreet2011 VF 8.0 value = $1,158; VF/NM 9.0 value =$1,979. CGC census 1/12: 1 in 8.5, 3 higher.

91396 Top-Notch Comics #7 (MLJ, 1CGC NM- 9.2 O-white to white pageunderstand why it’s a big deal that therShield crossover in the Wizard story, note thawas cover-dated just one month ater MaMystery #9, considered the rst crossover ihistory o comics! Edd Ashe cover. Overs2011 NM- 9.2 value = $2,100. CGC census 1/in 9.2, 1 higher.

91397 USA Comics #15 (Timely, 1945) NM 9.4 O-white to white pages. One o DCrippen’s ne specimens barely misses out ahighest-graded copy o this Timely issue. Schomburg cover. Overstreet 2011 NM- 9.2 v= $2,300. CGC census 1/12: 2 in 9.4, 1 hig




91398 Walt Disney’s Comics and Stories#1 (Dell, 1940) CGC VG/FN 5.0 Slightly brittlepages. Currently #40 on Overstreet’s list o themost valuable comic books. And though CGChas certied 51 unrestored copies to date, youcan see below ew have received higher gradesthan this one. It’s the rst issue o the rst regu-larly published Disney comic series, a series thatremains the bestselling comic book series o alltime. Overstreet 2011 VG 4.0 value = $4,500; FN6.0 value = $6,750. CGC census 1/12: 5 in 5.0, 7higher.

91399 Walt Disney’s Comics and Stories #1(Dell, 1940) CGC GD+ 2.5 O-white pages. Highly sought ater in any grade, this is the rstissue o the rst regularly published Disney

comic book and the best-selling comic series o all time. Hank Porter is credited with the cover,eaturing Donald Duck. CGC notes, “One smallpiece o tape on cover. Four small pieces o tapeon interior cover.” Overstreet 2011 GD 2.0 value= $2,250. CGC census 1/12: 3 in 2.5, 32 higher.

91400 Walt Disney’s Comics and Stories#26 (Dell, 1942) CGC NM 9.4 White pages. CarlBuettner ootball cover. Overstreet 2011 NM- 9.2value = $1,550. CGC census 1/12: 1 in 9.4, nonehigher.

91401 Weird Fantasy #17 (#5) Gaines Filepedigree 5/9 (EC, 1951) CGC NM 9.4 O-whiteto white pages. Check out the Al Feldstein cover— it’s right there with the best space scenes o L. B. Cole. Overstreet 2011 NM- 9.2 value = $950.CGC census 1/12: 6 in 9.4, 3 higher.

91402 Wings Comics #53 Davis Crippen (“D”Copy) pedigree (Fiction House, 1945) CGC NM9.4 O-white pages. One o our avorites o the

many sensational covers or this title is given the“D” Copy treatment, and the result is spectacular— CGC’s highest-graded copy to date. The dog-ght over New York City cover is by Art Saa. Onthe interior, you can nd story art by Saa, MattBaker, and Lee Elias. Overstreet 2011 NM- 9.2value = $375. CGC census 1/12: 1 in 9.4, nonehigher.

91403 Wings Comics #54 Mile High pedgree (Fiction House, 1945) CGC NM+ 9O-white to white pages. This gorgeous MHigh copy looks newsstand resh, with a brigand glossy cover by Art Saa. The art inside is Saa and Matt Baker. Overstreet 2011 NM- 9value = $375. CGC census 1/12: 1 in 9.6, nohigher.

91404 Wings Comics #56 Mile High pedigr(Fiction House, 1945) CGC NM 9.4 O-whpages. Matt Baker, Jack Keller, Lee Elias, ABlum, and Howard Larsen art. Overstreet 20NM- 9.2 value = $375. CGC census 1/12: 1 in 9none higher.

91405 Wings Comics #57 Mile High pedgree (Fiction House, 1945) CGC NM 9O-white to white pages. Another blazibattle cover by Art Saa graces this issue, whthe interior sports the classic stylings o MBaker and Lee Elias, among others. This copy twith one other or the top spot on CGC’s censuOverstreet 2011 NM- 9.2 value = $375. CGC cesus 1/12: 2 in 9.4, none higher.




91406 Wings Comics #59 Mile High pedi-gree (Fiction House, 1945) CGC NM+ 9.6O-white to white pages. Lee Elias cover andart. Matt Baker art. Overstreet 2011 NM- 9.2 value= $375. CGC census 1/12: 1 in 9.6, none higher.

91407 Wings Comics #60 Mile High pedi-gree (Fiction House, 1945) CGC NM- 9.2 Whitepages. Last appearance o the Skull Squad. LeeElias cover and art. Matt Baker art. Overstreet2011 NM- 9.2 value = $375. CGC census 1/12: 1 in9.2, none higher.

91408 Wings Comics #66 Mile High pedi-gree (Fiction House, 1946) CGC NM/MT 9.8

O-white to white pages. Stories eaturing theGhost Patrol began with this issue, but the realdraw is the mind-blowing condition o this MileHigh copy, currently (and not surprisingly) thehighest-graded copy o this issue certied byCGC to date. The cover is by Lee Elias, and the artinside is by Elias and Matt Baker. Overstreet 2011NM- 9.2 value = $340. CGC census 1/12: 1 in 9.8,none higher.

91409 Wings Comics #67 Mile High pedi-gree (Fiction House, 1946) CGC NM 9.4 Whitepages. Cover by Lee Elias. Art by Elias and AlexBlum. Overstreet 2011 NM- 9.2 value = $340. CGCcensus 1/12: 1 in 9.4, 1 higher.

91410 Wings Comics #69 Mile High pedigree(Fiction House, 1946) CGC NM+ 9.6 O-whiteto white pages. For this issue Lee Elias providedthe cover and also contributed story art, alongwith A. C. Hollingsworth and Fran Hopper. Wings must have been a great read because high-gradecopies are rare, and this Edgar Church pedi-gree copy is the highest-certied copy to date.Overstreet 2011 NM- 9.2 value = $340. CGC cen-sus 1/12: 1 in 9.6, none higher.

91411 Wings Comics #89 Lost Valley pedi-gree (Fiction House, 1948) CGC VF/NM 9.0O-white pages. Classic bondage cover byBob Lubbers. Art by Lubbers and George Evans.Overstreet 2011 VF/NM 9.0 value = $237; NM- 9.2value = $330. CGC census 1/12: 1 in 9.0, nonehigher.

91412 Wings Comics #102 Mile High pgree (Fiction House, 1949) CGC NM+ 9.6 Wpages. Artists include Maurice Whitman, Lubbers, and George Evans. This pedigreed is the highest-graded copy certied by CGdate. Overstreet 2011 NM- 9.2 value = $240.census 1/12: 2 in 9.6, none higher.

91413 Women Outlaws #1 Mile High pgree (Fox Features Syndicate, 1948) CGC8.5 White pages. Used in Seduction oInnocent with the notation, “Giving chian image o American womanhood.” Overs2011 VF 8.0 value = $488; VF/NM 9.0 val

$807. CGC census 1/12: 1 in 8.5, 1 higher.

91414 World’s Best Comics #1 Signe Jerry Robinson (DC, 1941) CGC SignSeries/Apparent VF 8.0 Slight (P) O-wto white pages. Only issue o the title, wchanged to World’s Finest Comics with #2. Appearances include Batman, Superthe Crimson Avenger, Johnny Thunder, The Young Dr. Davis, Zatara, Lando, Man o Mand Red, White and Blue. Superman, Batand Robin covers begin. Fred Ray cover. notes, “Signed by Jerry Robinson on 7/2Restoration includes: small amount o touch, cover re-glossed, cover re-attacOverstreet 2011 GD 2.0 value = $1,475; VGvalue = $2,950; FN 6.0 value = $4,425; Vvalue = $10,400.




91415 World’s Finest Comics #8 (DC, 1942)CGC NM- 9.2 O-white to white pages. Jack Burnley cover eaturing Superman and Batman.Overstreet 2011 NM- 9.2 value = $2,650. CGCcensus 1/12: 1 in 9.2, 1 higher.

91416 World’s Finest Comics #13 (DC, 1944)CGC VF/NM 9.0 Cream to o-white pages. Superman, Batman, and Robin are eatured onthis war-time paper drive cover. Jerry Robinsoncover art. Also contains a Boy Commandos storyby Joe Simon and Jack Kirby. Overstreet 2011 VF/NM 9.0 value = $1,482; NM- 9.2 value = $2,100.CGC census 1/12: 3 in 9.0, 2 higher.

91417 World’s Finest Comics #16 (DC, 1944)

CGC VF/NM 9.0 Cream to o-white pages. ThisJack Burnley cover has us wondering why Supesdidn’t just y the Dynamic Duo up to the top o the mountain. The square bound giant, whichis difcult to locate in high grade, showcasesthe adventures o the Star Spangled Kid, Zatara,Green Arrow, the Boy Commandos, and more.Jerry Robinson interior art. Overstreet 2011 VF/NM 9.0 value = $1,482; NM- 9.2 value = $2,100.CGC census 1/12: 2 in 9.0, none higher.

91418 World’s Finest Comics #17 (DC,1945) CGC VF/NM 9.0 White pages. Last card-board cover issue. Jack Burnley cover eaturingSuperman and Batman. Overstreet 2011 VF/NM9.0 value = $1,482; NM- 9.2 value = $2,100. CGCcensus 1/12: 3 in 9.0, 1 higher.

91419 World’s Finest Comics #18 (DC, 1945)CGC VF/NM 9.0 O-white to white pages. First paper cover issue. Jack Burnley cover ea-turing Superman and Batman. Dick Sprang art.Overstreet 2011 VF/NM 9.0 value = $1,366; NM-9.2 value = $1,925. CGC census 1/12: 1 in 9.0, 2higher.

91420 World’s Finest Comics #19 (DC, 1945)

CGC VF/NM 9.0 O-white to white pages. Dick Sprang cover eaturing Batman and Superman.Overstreet 2011 VF/NM 9.0 value = $1,413; NM-9.2 value = $2,000. CGC census 1/12: 2 in 9.0, 2higher.

91421 World’s Finest Comics #20 (DC, 194CGC VF/NM 9.0 O-white to white pages. JaBurnley and Charles Paris give us a light-heartcover, with Joe Simon, John Daly, and WMortimer art or the Green Arrow, Zatara, BCommandos, and Johnny Everyman eatur

There’s also an ad or Tootsie Rolls that eatuCaptain Tootsie as drawn by C. C. Beck and PeCostanza. Squarebound issues like this are vetough in high grade. As o this writing, this is thighest grade the CGC has awarded this issuOverstreet 2011 VF/NM 9.0 value = $1,413; N9.2 value = $2,000. CGC census 1/12: 1 in 9

none higher.

91422 World’s Finest Comics #28 Toledpedigree (DC, 1947) CGC NM 9.4 O-whto white pages. This one’s got it all: a great JaBurnley cover, Superman battling Lex Luthor one o the stories, and Batman, Green Arroand the Boy Commandos starring in tales their own. This beautiul copy has everythiyou could want in a square bound Golden Acomic. Also, ootball ans will love the back covad that tells the story o the inamous mistake Caliornia’s Roy “Wrong-Way” Riegels. Overstre2011 NM- 9.2 value = $1,325. CGC census 1/12in 9.4, none higher.




91423 World’s Finest Comics #29 (DC, 1947)CGC NM+ 9.6 White pages. An astonishingcopy! To see a 9.6 copy o a square bound book isimpressive even or a SIlver Age issue, and reallysomething special or Golden Age. Supermanand Batman cover. Overstreet 2011 NM- 9.2 value= $1,325. CGC census 1/12: 1 in 9.6, none higher.

91424 World’s Finest Comics #41 (DC, 1949)CGC NM 9.4 White pages. Superman, Batman,and Robin cover by Win Mortimer. Last BoyCommandos in this title. Carmine Inantino andJoe Kubert art. Highest-graded copy certiedby CGC to date. Overstreet 2011 NM- 9.2 value= $975. CGC census 1/12: 1 in 9.4, none higher.

91425 World’s Finest Comics #55 (DC, 1951)CGC NM- 9.2 O-white to white pages. Theonly copy graded above 8.5, and one o twograded above 6.0. Superman and Batman cover.Overstreet 2011 NM- 9.2 value = $1,025. CGCcensus 1/12: 1 in 9.2, none higher.

91426 Yogi Berra Baseball Hero #nn CrowleyCopy pedigree (Fawcett, 1951) CGC NM 9.4O-white pages. Photo cover. Back cover photopin-up. Kurt Schaenberger art. Adapts the biog-raphy o the amous Yankees catcher. Overstreetconsiders this book “scarce.” This is the rst copyo this book that we have ever oered. Overstreet2011 NM- 9.2 value = $1,100. CGC census 1/12: 2in 9.4, none higher.

91427 Young Allies Comics #4 (Timely,1942) CGC NM 9.4 O-white to white pages. A great-looking copy o a classic-cover issue.Red Skull cover by Al Gabriele. Overstreet 2011NM- 9.2 value = $8,500. CGC census 1/12: 1 in 9.4,none higher.

9 1 4 2 8 Y o u n gAllies Comics #13(Timely, 1944)CGC NM- 9.2 O-white pages. Schomburg and hisdevices! His skel-etal meanies havetwo o the Alliesin “The Stretcher”,prompting Buckyand Toro into switand violent action.Overstreet 2011NM- 9.2 value =$1,550. CGC census1/12: 1 in 9.2, 1 higher.

9 1 4 2 9 Y oAllies ComicsDavis Crip(“D” Copy) pgree (Tim1945) CGC NMCream to o-wpages. LongMarvel maiSol Brodsky is ited with the cart. Overstreet NM- 9.2 valu$2,000. CGC sus 1/12: 1 in 9higher.

91430 Young Allies Comics #16 (Tim1945) CGC NM+ 9.6 O-white to white pa

The last war cover or the title is quintessAlex Schomburg, and that’s a good thing!this copy — it’s not rom one o the prestigpedigrees, but it’s the nest known copy. art’s provided by Vince Alascia, Charles Nichand Mike Sekowsky. Overstreet 2011 NMvalue = $2,000. CGC census 1/12: 1 in 9.6, higher.




DC AshCAn EDitions A Brie History o AshcansBack in the early days of comics publishing, the most common procedure to secure a trademark for a potentially valuable title was to create an ashcaedition of the proposed comic book (not to be confused with the modern-day term which commonly refers to mass-produced promotional bookletsThough the specific origins of the word are unknown, ashcan was a publishing term used to describe a dummy or prototype copy. Over the years somhave confused ashcans with efforts to secure copyright protection rather than trademarks. In simplistic terms, a copyright protects the original expressiof an idea, but not the actual idea, while a trademark addresses a title or logo.

By using ashcans to secure trademarks, the publishers saved money and – more importantly – time. Instead of going through the lengthy task of writinand drawing, as well as the long arduous production process (color separations, engraving and printing), companies would simply create the title’s log

affix it to a piece of existing cover art, and then shoot a Velox of it. (A Velox is a positive photographic print typically used by newspapers as a pre-preproof, which accounts for ashcan covers being black and white rather than color.) After the cover was created, it was trimmed to comic-book size anthen stapled to the interior of a previously published book, or sometimes just some loose story pages. The ashcan was now complete. For all practicpurposes it had the appearance of a legitimate comic book – and since the U.S. Patent & Trademark Office (USPTO) apparently accepted them as authencomic books for trademark registration, no higher authority in the country existed to dispute this claim. Nor, apparently, did anyone ever seek to try.

During 1937 – 1944, especially, some of the most important and famous titles in American comic book history were seemingly registered and protecteusing an ashcan copy (such as Superman Comics, Wonder Woman and Flash Comics). So too were some titles most collectors have never heard of to thday including Mystery Trail , Superman/Superhombre and Red, White & Blue Comics. Since so few were created, we as collectors can only marvel at the feexamples that still exist today (usually only two to six copies were made and one would be provided to the USPTO). These comic book first editions apop culture artifacts of the highest order and the rarest of collectibles.

Questions Regarding Ashcans

But was an ashcan actually a legitimate vehicle for securing trademark protection for a title? All evidence suggests that the publishers of the day thougso. However, until U.S. law was changed in the 1980s (so as to more closely reflect international practice) in order to trademark a title a publisher had

first “use” the title in order to secure his mark. Simple registration would not legally suffice. This meant, as a matter of law, that the sought-after-tithad to actually be placed into market use before submission. (Evidence does exist from the 1950s that DC once mailed an ashcan copy out-of-state anrequested it be returned under the apparent premise that this could arguably constitute the title entering the stream of commerce.) Yet it is clear ththis was never the case for the majority of known ashcans as many of the titles were never placed into use even once, whether before or after the ashcancreation. Instead it appears publishers labored under the mistaken impression that the first to the door of the USPTO was the winner. Had they knowotherwise, comic history today might well be different for some of the hobby’s better known characters!

Many early publishers used ashcans – but not all of them. DC and Fawcett were the largest publishers to use this method of registration and most ashcathat exist today are from these two companies. A very limited number of ashcans from smaller companies have found their way into the hobby but nashcans have ever been identified that were created by such mainstream publishers of the day as T imely, Centaur, Fox, MLJ, Dell, or Fiction House. Wthis appears to be the case remains a complete mystery.

Regrettably, very little historical evidence exists to answer the many questions that surround the creation and use of ashcans. Those who utilized thconcept have generally passed on, and the only publisher to have created ashcans and still be in existence today, DC, has no institutional memory beyonpossessing select copies within their vault. Sadly, apparently the USPTO purged its files and whatever they might have contained, in the late 1970s.

The text above previously appeared in The Overstreet Comic Book Price Guide #38 ©2008,and is reprinted by permission of the authors Gary Colabuono and Mark Zaid a

Gemstone Publishing, Inc. Overstreet® is a Registered Trademark of Gemstone Publishing, Inc.

Values o Ashcans

All of the ashcans offered in this section are listed in the current Overstreet Comic Book Price Guide, however the Guide does not list values for these asdoes for newsstand comic books. However, the most notable prior Heritage sales of ashcans are as follows:

Superman Comics Ashcan (DC): VF/NM $37,375 October 14, 2005

Thrill Comics #1 Ashcan (Fawcett): VF/NM $20,315 May 22, 2008

Action Comics Ashcan (DC) VF/NM $17,825 December 7, 2002

Wonder Woman Ashcan (DC) VF+ $17,250 March 16, 2002

Heritage has auctioned approximately 20 ashcans previously. All results are available in our online Auction Results Archives at HA.com.

About This Collection

Our consignor Gary Colabuono was first exposed to ashcans in October 1985, when a collector acting as an agent for former DC president Sol Harrisobrought six of them to a Chicago Minicon. Colabuono was intrigued and purchased them on the spot. This “love at first sight” encounter would senColabuono on a 20-year mission to learn all he could about ashcans – and to find more of them.

Most collectors will recall the full-page ads that Colabuono ran in the annual Overstreet Guide for 15 years looking to buy authentic Golden Age ashcan“In all those years I never acquired a single ashcan from any of those ads,” he says. I got many calls from people who had common black-and-white comiand even some rare books that weren’t listed in the Guide, but never a real ashcan. To me it’s proof of their rarity,” he said.

Notes on the Lot Descriptions

The information on which ashcans exist in the DC Vault come from Colabuono’s own research from when he was granted access to the vault by Paul Levof DC. Colabuono was one of the last “civilians” to be allowed such access. Of course, it is fair to assume that items in the DC vault will never be for sale.

Also, all ashcans offered in this section were purchased from former DC president Sol Harrison by Gary Colabuono unless otherwise noted in the text.




dC AshCAns

91431 Action Funnies Ashcan Edition (DC, 1937/38) Condition:VF+. It’s purported that early DC executive Harry Doneneld had ourashcans created to protect the most important title in comic book his-tory: Action Comics, Action Funnies, Double Action Comics, and TripleAction Comics. No copies o Triple Action have ever suraced but thereare three copies o the Action Comics ashcan known to exist. Variouscopies o Double Action are in collector hands, and three copies o theAction Funnies ashcan are known to exist. According to our consignor,this is the second-nest copy o the three. Comic Book Marketplace named this ashcan the th-rarest Golden Age comic back in 1992.

Unlike some ashcans, the cover art was not taken rom a previously pub-lished comic but is art that was later used as the cover to Action Comics #3. Interior is Detective Comics #10. A tip o the lower let corner o the back cover has broken o, otherwise we would have assigned thisa higher grade! Overstreet does not list a value but notes, “The Mallette/Brown copy in VG+ condition sold or $15,000 in 2005.”

The signicance o Action #1 is well-documented elsewhere in this cata-log. In view o that, and the prices that book commands, we recommendtaking a strong look at this related — and much scarcer — item.

91432 All-American Men o War Ashcan (DC, 1952) Condition: Here’s one or the “Big Five” DC War collector who thinks he has ething. This is the only copy o this title known to exist, with none iDC vault. The August-September 1952 cover date is the same o thepublished issue o the title (#127), which in turn tied the rst issuOur Army At War and Star-Spangled War Stories or the honor orst war book. Our consignor notes that this book was purchased Sparkle City Comics at the 1986 San Diego Comic Con, that is, it’so the ew oered here whose provenance does not trace directly to Sol Harrison o DC. Cover: All Star Western #58. Interior: Mr. DiAttorney #21. No prior sales known. Overstreet does not list a v

9 1 4 3 3 A n iAntics AsEdition (DC, 1Condition: FN

The newsstandtion o this sbegan a month this ashcan wasated, and ranthree years. Th

the only comcopy o this can known to (though see on a cover beDC only made ashcans o humor titles. BeAnimal Athere exists a FFolks ashcan in

DC vault and ve copies o Real Screen Funnies. Yes, that’s SimonKirby’s Newsboy Legion on the cover, with art taken rom the covStar Spangled Comics #49. The interior is rom Boy CommandosNo prior known sales. Overstreet notes, “A cover sold or $1,139 in 2




91434 Boy Commandos Comics #1 Ashcan Edition (DC, 1942)Condition: FN-. There are two versions o the Boy Commandos Comics ashcan: one with no number listed on the cover, o which ve copies areknown to exist, and the numbered version (#1) oered here, which is aunique copy! The cover art here is the splash page o Detective Comics #68, the kid group’s th issue o that series. Unusually or an ashcan, theinterior here is actually appropriate to the title: it’s the Boy Commandosyarn “Escape to Disaster” rom Detective Comics #67. The group’s series(with the word “Comics” being dropped rom the nal title) debutedWinter 1942. No prior sales.

91435 Commandos Ashcan Edition (DC, 1942) Condition: VF. Apparently DC didn’t want any conusion in the marketplace when theydecided to give the Boy Commandos their own title, so they created thisashcan to help protect their interests. 1940s Supergirl and Superwoman ashcans are known to exist as well, created or the same reason! The strat-egy obviously had its desired eect, as the “Commandos” name wasn’tseen in a comic title until the Atlas/Marvel era.

The cover art is rom the newsstand edition o Boy Commandos #1, datedWinter 1942/43 and thus on sale at the time this ashcan was created. Theinterior is actually a Boy Commandos tale rom Detective Comics #70.

Two copies are known to exist, both owned by the consignor. No priorsales.

91436 Girls’ Love Stories Ashcan Edition (DC, 1949) Condition: FVF. DC’s rst oray into the romance genre was protected by this ashca

perhaps the most urgently needed o the bunch: Michelle Nolan hnoted that the our romance books published at the end o 1948 becam125 at the end o 1949! And thus nearly every conceivable variation oromance or love had been used within months. This is the only known Dromance ashcan, and the present copy is the only copy known to exiwith none in the DC vault. Cover: Buzzy #25. Interior: A Date with Ju#10. No prior sales. No Overstreet value listed.

91437 Headline Comics Ashcan Edition (DC, 1942) Condition: FYou’ll recognize the cover art rom the key More Fun Comics #73, whiintroduced Green Arrow and Aquaman to the world! Two copies o thoutstanding ashcan exist, this copy and one in the DC vault. The interiorrom Star Spangled Comics #2. No prior sales. A two-inch tear in the rocover is the one deect that prevented this attractive copy rom gradihigher.

O course, DC never used the title Headline, though another rm dabout a year later. So what was DC’s intention when they produced thWe speculate that it was either a working title or Sensation Comor Leading Comics, both o which debuted around that same timLeading Comics might be slightly more likely given that it eatured tStar-Spangled Kid and Green Arrow.




9 1 4 3 8 H e r e ’ sHowie Ashcan (DC,1951) Condition:FN. DC’s only knownteen humor ashcan.Only two copies o this ashcan exist,this copy and onethat will reside in theDC archives orever.Cover: Buzzy #37.Interior: Buzzy #42.No prior sales.

9 1 4 3 9 Le a dingComics AshcanEdition (DC, 1942)Condition: FN+. Thisis the only copy o this ashcan knownto exist. The coverart is rom DetectiveComics #57, and theinterior rom StarSpangled Comics #2. No prior sales.Note to Batman ans:Bob Kane’s coverart is reproduced

better here than onthe printed ‘Tec 57!While the letteringin “Leading” looksunusual, it is indeedthe logo used or therst eight issues o that title.

91440 Our MenAt War AshcanEdition (DC, 1952)Condition: FN/VF.

This has the samecover date as the All-American Men o War ashcan oeredin this same section.It’s possible that Our

Men At War wasthe original workingtitle or Our ArmyAt War. Or perhapsthe plan to con-vert All-AmericanWestern to All-American Men o War was hatched ata late date, with thenew war book origi-nally planned as astand-alone #1. Thedecision to moveaway rom a westernormat is a bit curi-ous since this genre

was still in its heydayin 1952! Whatever the case, the connection with these two amous war titles is obvious.

Two copies exist o this ashcan — this one and one in the DC vault. CAll Star Western #60. Interior: Detective Comics #181. No prior recorded.

91441 Real Screen Funnies Ashcan1945) Condition: FN/VF. The rst apance o the Fox and Crow was on this ascover, and it’s the only ashcan created the same cover art as the newsstand iIt’s also the only DC ashcan to not spblack and white cover. The interior is Detective Comics #92. Five copies

known to exist. Overstreet notes, “A sold in 2008 or $3,000.”

91442 Star Spangled War Stories Ashcan Edition(DC, 1952) Condition: VG-. This DC Big Five war title ash-can was created simultaneously with All-American Meno War and Our Men at War in the summer o 1952. Theconsignor purchased this copy rom Sparkle City Comicsat the 1986 San Diego Comic Con (i.e. it is one o two inthis section whose provenance does not trace back toSol Harrison o DC). Cover: Western Comics #28. Interior:Western Comics #13. This is the only copy known to existo this outstanding and important ashcan, with none inthe DC vault. No prior sales. Cover detached. No valuelisted in Overstreet.




silver AGe And Bronze AGe ComiCs

91443 Amazing Fantasy #15 (Marvel, 1962) CGC FN/VF 7.0 Cream to o-white pages. It long ago passed Showcase #4 and Fantastic Four #1the most sought-ater Silver Age comic book, and despite its relative “youth”, it ranks roughly at the lower edge o the top ten most valuable Golden Agcomics. Without anare, Spider-Man burst onto the scene in this one-shot issue, which continued the numbering rom Amazing Adult Fantasy. This otry-out issue resulted in Spidey getting his own title seven months later. The issue also occasioned the rst appearances o Uncle Ben and Aunt May. JacKirby and Steve Ditko collaborated on the amous cover, with Ditko providing the interior art or the Spider-Man story and backup eatures. Overstre2011 FN 6.0 value = $14,000; VF 8.0 value = $42,000. CGC census 1/12: 40 in 7.0, 62 higher.




91444 The Amazing Spider-Man #1 Twin Cities pedigree (Marvel, 1963) CGC NM- 9.2 O-white to white pages. Neither this pedigree collenor this issue would seem to require an introduction! But or completeness’ sake we’ll note that this is the rst issue o the most collected title in comFirst appearances o John Jameson, J. Jonah Jameson, and the Chameleon. Jack Kirby and Steve Ditko cover. Ditko art. Overstreet 2011 NM- 9.2 val$54,000. CGC census 1/12: 9 in 9.2, 10 higher.




91445 The Amazing Spider-Man #1 (Marvel, 1963) CGC ApparentFN+ 6.5 O-white to white pages. Spider-Man’s origin is retold. FirstFantastic Four crossover. First appearances o John Jameson, J. JonahJameson, and the Chameleon. Jack Kirby and Steve Ditko cover. Ditko art.CGC notes, “Top & Bottom Edge O Cover Trimmed.” Overstreet 2011 GD2.0 value = $1,667; VG 4.0 value = $3,334; FN 6.0 value = $5,000.

91446 The Amazing Spider-Man #1 Golden Record Reprint Signedby Stan Lee (Marvel, 1966) CGC Signature Series NM+ 9.6 Whitepages. This stunning copy reprints the landmark Amazing Spider-Man#1 (record not included), with the added bonus o being signed on theront cover by Stan “The Man” Lee himsel. CGC notes, “Signed by Stan Leeon 5/21/11. (Reprint.)” Overstreet 2011 NM- 9.2 value = $375. CGC censusor Signature Series 1/12: 1 in 9.6, None higher.

91447 The Amazing Spider-Man (Marvel, 1964) CGC VF/NM 9.0 O-whito white pages. The origin and rst appeance o long-standing nemesis Electro. SteDitko cover and art. Overstreet 2011 VF/N9.0 value = $2,056; NM- 9.2 value = $3,10CGC census 1/12: 35 in 9.0, 53 higher.

91448 The Amazing Spider-Man #11 Circle 8 pedigree (Marv1964) CGC NM 9.4 O-white to white pages. This comic eatures tsecond appearance o Spider-Man’s nemesis Doctor Octopus, with SteDitko and Jack Kirby art. As or condition, this copy has the general peretion we usually see in 9.6 to 9.8 copies. A ew tiny spine stresses that barebreak color are the only things keeping this pedigree copy rom thohigher grades. Overstreet 2011 NM- 9.2 value = $2,500. CGC census 1/18 in 9.4, 5 higher.




91449 The Amazing Spider-Man #18(Marvel, 1964) CGC NM/MT 9.8 O-whiteto white pages. We’ve never seen this book change hands in this grade beore, nor have weseen a copy to match this one. The dark upperand lower right corners look perect here. Firstappearance o Ned Leeds. Steve Ditko cover andart. Overstreet 2011 NM- 9.2 value = $1,225. CGCcensus 1/12: 3 in 9.8, none higher.

91450 The Amazing Spider-Man #19(Marvel, 1964) CGC NM+ 9.6 O-white towhite pages. The Sandman and the Enorcersappearances. First appearance o MacDonaldGargan. Human Torch crossover. Steve Ditkocover and art. A truly stunning copy! Overstreet2011 NM- 9.2 value = $900. CGC census 1/12: 28

in 9.6, 6 higher.

91451 The Amazing Spider-Man #23(Marvel, 1965) CGC NM 9.4 O-white pages. Green Goblin cover and story, his third appear-ance. Steve Ditko cover and art. Contains aSpider-Man pin-up. Overstreet 2011 NM- 9.2value = $1,175. CGC census 1/12: 7 in 9.4, 5higher.

91452 The Amazing Spider-Man #24(Marvel, 1965) CGC NM+ 9.6 O-white towhite pages. Unlike Spider-Man, you’re not hal-lucinating — this is a 9.6 copy, the best we’ve everoered. Steve Ditko cover and art. Overstreet2011 NM- 9.2 value = $825. CGC census 1/12: 9 in9.6, 1 higher.

91453 The Amazing Spider-Man (Marvel, 1965) CGC NM+ 9.6 Of-white to wpages. Startling cover colors corroboratehigh ranking o this brilliant copy in CGC’s cucensus. And this is a key issue to boot, withfrst appearance o Mary Jane Watson (aceshown), the frst appearance o Proessor SpeSmythe and the Spider-Slayer. Steve Ditko cand art. Overstreet 2011 NM- 9.2 value = $CGC census 1/12: 9 in 9.6, 3 higher.

91454 The Amazing Spider-Man (Marvel, 1965) CGC NM+ 9.6 O-white paSee how perect the dark blue background on this stunning copy! Also take a good lothe perect spine, though doing so is sure toyou on the copy you have at home. Steve cover and art. Overstreet 2011 NM- 9.2 va$925. CGC census 1/12: 7 in 9.6, 2 higher.




91455 The Amazing Spider-Man #30 Circle8 pedigree (Marvel, 1965) CGC NM+ 9.6 O-white to white pages. Spider-Man battles theCat Burglar (his rst appearance). Steve Ditkostory, cover, and art. Another beauty rom theCircle 8 collection. Overstreet 2011 NM- 9.2 value= $625. CGC census 1/12: 12 in 9.6, 6 higher.

91456 The Amazing Spider-Man #31(Marvel, 1965) CGC NM 9.4 O-white pages.

This issue had the rst appearances o threewell-known supporting characters in the Spider-Man saga, namely Harry Osborn, Gwen Stacy,and Proessor Warren. OK, everybody who didn’tgo on to become a supervillain or die a tragicdeath, raise your hand! Anyone? Well, there’ll besome hand-raising when this copy comes up orbidding, it’s one o the best we’ve ever oered.Overstreet 2011 NM- 9.2 value = $725. CGC cen-sus 1/12: 18 in 9.4, 13 higher.

91457 The Amazing Spider-Man #33 TwinCities pedigree (Marvel, 1966) CGC NM/MT 9.8White pages. Simply one o the great momentsin Marvel history was the incredible sequencewith Spidey trapped under a ton o debris andin dire straits. And we daresay you’ll never nda better copy o that classic issue than the TwinCities copy oered right here. Steve Ditko coverand art. Overstreet 2011 NM- 9.2 value = $500.CGC census 1/12: 20 in 9.8, none higher.

91458 The Amazing Spider-Man #40(Marvel, 1966) CGC NM+ 9.6 White pages. A great copy o a great issue eaturing a GreenGoblin cover story plus John Romita Sr.’s secondcover and interior art or the title. The GreenGoblin’s origin is revealed in this key issue. Onlyone issue currently has a higher grade in CGC’scurrent census. Overstreet 2011 NM- 9.2 value =$900. CGC census 1/12: 11 in 9.6, 3 higher.

91459 The Amazing Spider-Man #4(Marvel, 1966) CGC NM+ 9.6 O-white white pages. Mary Jane Watson’s ace showor the rst time in a cameo appearance on tlast page. Second appearance o Rhino. FogNelson cameo. John Romita Sr. cover and aOverstreet 2011 NM- 9.2 value = $450. CGC cesus 1/12: 17 in 9.6, 4 higher.

91460 The Amazing Spider-Man #(Marvel, 1967) CGC NM- 9.2 White pages. Trst appearance o the Kingpin, and Spider-Maorigin is retold. Johnny Carson and Ed McMahomake cameo appearances. John Romita Sr. covand art. Overstreet 2011 NM- 9.2 value = $1,50CGC census 1/12: 57 in 9.2, 45 higher.

91461 The Amazing Spider-Man #(Marvel, 1968) CGC NM/MT 9.8 O-whipages. Spider-Man versus the Brainwasher (wturns out to be the Kingpin). First cover appeaance o Mary Jane Watson. John Romita Sr. covand lay-outs. Overstreet 2011 NM- 9.2 value$275. CGC census 1/12: 20 in 9.8, none high




91462 The Amazing Spider-Man #64(Marvel, 1968) CGC NM/MT 9.8 White pages. Spider-Man versus the Vulture. John Romita Sr.cover and art. Don Heck art. Overstreet 2011NM- 9.2 value = $185. CGC census 1/12: 43 in 9.8,none higher.

91463 The Amazing Spider-Man #81(Marvel, 1970) CGC NM/MT 9.8 White pages. Origin and rst appearance o the Kangaroo(Frank Oliver). John Romita Sr. and John Buscemacover and art. Jim Mooney art. Overstreet 2011NM- 9.2 value = $150. CGC census 1/12: 15 in 9.8,none higher.

91464 The Amazing Spider-Man #83(Marvel, 1970) CGC NM/MT 9.8 O-white towhite pages. A strong copy that will stand upto scrutiny. Here, the Schemer makes his rstappearance, and right o the bat he’s challeng-ing the Kingpin’s dominance o the local mobs.Doing that usually gives you a lie expectancy o about three hours, but does the Schemer havesome senses-stunning secret? Don’t crack outthis copy to nd out, please, it’s just too nice.John Romita Sr. cover. Overstreet 2011 NM- 9.2value = $150. CGC census 1/12: 8 in 9.8, nonehigher.

91465 The Amazing Spider-Man #98(Marvel, 1971) CGC NM/MT 9.8 White pages. Green Goblin appearance. Drug story notapproved by Comics Code Authority. Gil Kanecover and art. Overstreet 2011 NM- 9.2 value =$200. CGC census 1/12: 24 in 9.8, none higher.

91466 The Amazing Spider-Man #112(Marvel, 1972) CGC NM/MT 9.8 O-white towhite pages. John Romita Sr. cover and art.Doctor Octopus cameo. Overstreet 2011 NM- 9.2value = $105. CGC census 1/12: 16 in 9.8, nonehigher.

91467 The Amazing Spider-Man #119

(Marvel, 1973) CGC NM/MT 9.8 White pages. Spider-Man battles the Hulk. John Romita Sr.cover and art. Note that unlike other early 1970sissues o this title, #119 was not reprinted inMarvel Tales. Overstreet 2011 NM- 9.2 value =$160. CGC census 1/12: 32 in 9.8, none higher.

91468 The Amazing Spider-Man (Marvel, 1973) CGC NM/MT 9.8 White paDeath o Gwen Stacy. Spider-Man battlesGreen Goblin. John Romita Sr. cover. Interioby Gil Kane and Romita. A superb copy o aSpidey ish. Overstreet 2011 NM- 9.2 value = CGC census 1/12: 24 in 9.8, none higher.

91469 The Amazing Spider-Man (Marvel, 1973) CGC NM/MT 9.8 White paDeath o the Green Goblin. John Romita Sr. cInterior art by Romita and Gil Kane. Crisp, scorners on this one. Don’t run with this cyou could put you eye out! Overstreet NM- 9.2 value = $435. CGC census 1/12: 35 innone higher.

91470 The Amazing Spider-Man (Marvel, 1974) CGC NM/MT 9.8 White paSecond ull appearance o Frank Castle aka Punisher”! Origin o the Tarantula. John RoSr. cover. Overstreet 2011 NM- 9.2 value = $CGC census 1/12: 14 in 9.8, 1 higher.




91471 The Amazing Spider-Man Annual#1 Signed by Stan Lee (Marvel, 1964) CGCSignature Series VF/NM 9.0 O-white to whitepages. It’s the rst group appearance o theSinister Six, and an early X-Men appearance aswell. Steve Ditko cover. CGC notes, “Signed byStan Lee on 10/10/10.” Overstreet 2011 VF/NM9.0 value = $1,495; NM- 9.2 value = $2,250. CGCcensus or Signature Series 1/12: 1 in 9.0, nonehigher.

91472 The Avengers #1 (Marvel, 1963)CGC FN/VF 7.0 O-white to white pages. Theorigin and rst appearance o Marvel’s super-hero dream-team happened right here, andwith a movie starring the Avengers mere weeksaway, we hesitate to guess what upward eect

the lm will have on the value o this key issue.Loki, the Teen Brigade, and the Fantastic Four allmake appearances as well. The cover is by Jack Kirby, with interior art by Kirby and Dick Ayers.Overstreet 2011 FN 6.0 value = $1,600; VF 8.0value = $5,000. CGC census 1/12: 68 in 7.0, 117higher.

91473 The Avengers #4 (Marvel, 1964) CGCVF/NM 9.0 O-white pages. An underappre-ciated book that has shot up in value in recentyears — likely due to last summer’s CaptainAmerica movie and this summer’s upcomingAvengers lm. Cap returned to active duty in thiskey issue, making his rst Silver Age appearanceand joining the Avengers. His Timely colleaguethe Sub-Mariner also makes an appearance. Thecover and art are by the inimitable Jack Kirby.Overstreet 2011 VF/NM 9.0 value = $3,445; NM-9.2 value = $5,200. CGC census 1/12: 43 in 9.0, 78higher.

91474 The Avengers #4 (Marvel, 1964) CGCVF 8.0 O-white to white pages. The rst SilverAge appearance o Captain America, who joins

the Avengers, plus an appearance by the Sub-Mariner. Cover and art by Jack Kirby. Overstreet2011 VF 8.0 value = $1,689. CGC census 1/12: 77in 8.0, 176 higher.

91475 The Avengers #11 Signed by StLee (Marvel, 1964) CGC Signature Series NM9.6 White pages. Kang sics a “Spider-Man robon the Avengers, but the time-traveling badddoesn’t reckon with the real Spider-Man crashithe party! It’s one o the Webhead’s earlier croover appearances. The issue has a Jack Kirby covand Don Heck interior art. CGC notes, “Signed Stan Lee on 12/10/11.” Overstreet 2011 NM- 9value = $825. CGC census or Signature Ser1/12: 1 in 9.6, none higher.

91476 The Avengers Annual #2 Signed Stan Lee and Roy Thomas (Marvel, 1968) CGSignature Series NM+ 9.6 O-white to whpages. This latter day Silver Age issue sportsnity John Buscema Marvel superheroes gcover, and inside is the rst appearance o tScarlet Centurion. But what really makes this cospecial is the insanely good condition topped oby the signatures o Lee and Thomas on the rocover. CGC notes, “Signed by Stan Lee on 1/22/and Roy Thomas on 3/26/11.” Overstreet 20NM- 9.2 value = $115. CGC census or SignatuSeries 1/12: 1 in 9.6, none higher.




91477 Batman #145 (DC, 1962) CGC NM 9.4 O-white to whitepages. Joker cover and story. Check out the red-headed Robin on theSheldon Moldo cover. Overstreet 2011 NM- 9.2 value = $560. CGC census1/12: 2 in 9.4, 1 higher.

91478 Batman #199 (DC, 1968) CGC NM/MT 9.8 O-white to whitepages. Carmine Inantino and Murphy Anderson cover. Sheldon Moldo art. Overstreet 2011 NM- 9.2 value = $150. CGC census 1/12: 2 in 9.8, nonehigher.

91479 Batman #214 Twin Cities pedigree (DC, 1969) CGC NM/MT9.8 White pages. Irv Novick cover. Overstreet 2011 NM- 9.2 value = $85.CGC census 1/12: 2 in 9.8, none higher. From the Gary Dahlberg Collection.

91480 Batman #227 (DC, 1970) CGC NM/MT 9.8 O-white to wpages. In many ways, the early years o the Bronze Age were like aGolden Age o comics. Collectors were increasingly aware o those old 1930s and ‘40s comics that had come beore, and current artists paying proper respect to the older style, while at the same time adtheir own unique vision. Case in point is this Neal Adams classic chomage to Detective Comics #31, eaturing a phantom-like Batmanering over the action below. This stunning 9.8 copy belongs in any secollection o comics rom this much-loved period. CGC notes this isscontaining hanging panels; Irv Novick, Dick Giordano, and Mike Esphandled the story art, including a Robin solo adventure. Overstreet NM- 9.2 value = $250. CGC census 1/12: 4 in 9.8, none higher.

91481 Cerebus The Aardvark #1 Signed by Dave Sim (AardvVanaheim, 1977) CGC Signature Series VF/NM 9.0 White pagesrst appearance o Cerebus the Aardvark, and the rst comic book lished by Aardvark-Vanaheim. Story, cover, and art by Dave Sim.notes, “Signed by Dave Sim on 5/19/09”. Overstreet 2011 VF/NM 9.0 v= $796; NM- 9.2 value = $1,200. CGC census or Signature Series 1/129.0, 6 higher.




91482 Daredevil #1 Curator pedigree (Marvel, 1964) CGC NM+ 9.6 White pages. This is just the second 9.6 Heritage has ever oered, and the to carry the “white pages” certication. It’s the origin and rst appearance o Daredevil (Matt Murdock) and the rst appearances o Karen Page and FogNelson. Jack Kirby and Bill Everett cover art. Top-grade copies o Marvel keys are on everyone’s want list, so we expect strong interest to say the leaOverstreet 2011 NM- 9.2 value = $8,200. CGC census 1/12: 11 in 9.6, 2 higher.

reAd ABout the CurAtor PediGree on PAGe 56




91483 Daredevil #4 (Marvel, 1964) CGC NM9.4 O-white pages. The origin and rst appear-ance o the Purple Man is eatured in this issue,with cover by Jack Kirby and art Joe Orlando.Overstreet 2011 NM- 9.2 value = $800. CGC cen-sus 1/12: 20 in 9.4, 11 higher.

91484 Detective Comics #255 (DC, 1958)CGC NM- 9.2 Cream to o-white pages. Kidsin 1958 were too young to have read the GoldenAge yarn when Batman and Robin aced a robotdinosaur (and kept the evidence or their trophyroom), so the olks at DC cooked up another suchstory. Sheldon Moldo cover art. Overstreet 2011

NM- 9.2 value = $560. CGC census 1/12: 1 in 9.2,1 higher.

91485 Detective Comics #359 (DC, 1967)CGC NM- 9.2 White pages. First appearanceand origin o Batgirl (Barbara Gordon) and therst Silver Age Killer Moth appearance. CarmineInantino and Murphy Anderson cover and art.Overstreet 2011 NM- 9.2 value = $525. CGC cen-sus 1/12: 10 in 9.2, 22 higher.

91486 80 Page Giant #6 Superman (DC,1965) CGC NM+ 9.6 O-white to white pages. All Superman issue. Curt Swan cover. Overstreet2011 NM- 9.2 value = $295. CGC census 1/12: 2 in9.6, 1 higher.

91487 Fantastic Four #1 (Marvel, 1961) CGCFN- 5.5 White pages. This is where it all startedor Marvel as we know it today, with the originand rst appearance o Marvel’s rst superheroteam, the Fantastic Four. It also marks the originand rst appearance o the villainous (thoughmisunderstood) Mole Man. Writer Stan Lee andartist Jack Kirby were behind this one. The issueranks #2 on Overstreet’s Top 20 Silver Age ComicBooks, and this attractive mid-grade copy is ele-vated by its white pages and equally nice cover.

Overstreet 2011 FN 6.0 value = $7,500. CGC cen-sus 1/12: 27 in 5.5, 119 higher.

91488 Fantastic Four #1 (Marvel, 1CGC Apparent VF/NM 9.0 Slight (A) O-wpages. Origin and rst appearance oFantastic Four, Marvel’s rst superhero tOrigin and rst appearance o Mole Man. Kirby cover and art. CGC notes, “Restorincludes: small amount o color touch on csmall amount o glue on spine o cover. (Topbottom edge trimmed.)” Overstreet 20112.0 value = $2,500; VG 4.0 value = $5,000; Fvalue = $7,500; VF 8.0 value = $24,000; VF/Nvalue = $52,000.




91489 Fantastic Four #2 Curator pedigree(Marvel, 1962) CGC NM 9.4 O-white to whitepages. This is the best copy we’ve ever oered o issue #2, one o Overstreet ’s top 20 Silver Age books.

The super-clean ront cover will make a believer outo you! The yellow background really glows, and the

light-blue “oor,” which tends to be smudged anddiscolored on the average copy o this book, looksantastic.

This is just the second superhero issue Marvel everpublished (tied with Tales to Astonish #27), andthe second and last FF to have a 10¢ cover price. Ithas the rst appearance o the Skrulls, and o course

just the second appearance o the Fantastic Four,whose costumes hadn’t even been created yet. Incase you didn’t know, it’s a production o writer StanLee and artist Jack Kirby. Overstreet 2011 NM- 9.2value = $11,000. CGC census 1/12: 6 in 9.4, 3 higher.

About the CurAtor pedigree ComiCs

The Curator comics are considered to be among the most desirable Silver Age pedigree books.

The Curator collection originated with a boy in Minnesota whose ather worked at a grocery store. The boy

purchased two copies o every comic that interested him, and to preserve one copy o each or long-term

storage, he would wrap it in material readily available to him, namely butcher paper. In the early 1980s the

collection was sold to a local dealer. Our consignor got a look at the books in 1983. The price stickers were very

aggressive prices or the time, but given the incredible quality o the books our consignor quickly struck a deal

to purchase as many Fantastic Fours as he could aford and has kept them in storage ever since.

Heritage is delighted to ofer a collection o Curator copies highlighted by the amazing run o Fantastic Four!




91490 Fantastic Four #3 Curator pedigree (Marvel, 1962) CGC NM- 9.2 O-white to white pages. We had never oered a 9.0 copy o thisbeore, never mind a 9.2! Check out the airy blue background and compare the book to whatever smudgy grayish copy you have lying around, and ywant to go ater this upgrade.

While this book doesn’t sell cheap in any grade, you could argue that the values should be higher, as #3 introduces the signature look o these key cacters. The rst couple o issues looked more like a monster mag than a superhero book — intentionally so, as Marvel hadn’t published any costuadventurers in a while. But here, not only did the FF don their signature costumes, the issue has the rst appearance o the Baxter Building, the FantCar, and the Pogo Plane. Jack Kirby drew the glorious cover.

Overstreet 2011 NM- 9.2 value = $9,200. CGC census 1/12: 4 in 9.2, 3 higher.




91491 Fantastic Four #4 Curator pedigree (Marvel, 1962) CGC NM+ 9.6 White pages. This may well be the most desirable book in this amazirun. It’s certainly the rst 9.6 we have ever oered. We’ve never seen the yellow background o this book look this appealing, and beore dismissing thas mere hype, have a look at the 80 other copies in our online archives to see what we mean!

It’s the rst Silver Age appearance o the Sub-Mariner, in a story most every comic reader will remember, with the Human Torch burning o the beard omysterious derelict to reveal the ace o Namor. Jack Kirby drew the story, as well as the cover... complete with the Thing wearing his short-lived bootieA milestone issue, and a memorable copy. Overstreet 2011 NM- 9.2 value = $10,000. CGC census 1/12: 4 in 9.6, none higher.




91492 Fantastic Four #4 (Marvel, 1962) CGC VF 8.0 O-whitepages. This key issue eatures the rst Silver Age appearance o the leg-endary Sub-Mariner (betcha didn’t know Subby’s ull name was “NamorMcKenzie“)! Having languished in limbo or many years, Subby’s returnto the world o comics made a huge splash with older ans and intro-duced him to a whole new generation o comic readers. Jack Kirby andSol Brodsky provided the cover and interior art. Overstreet 2011 VF 8.0value = $3,213. CGC census 1/12: 16 in 8.0, 44 higher.




91493 Fantastic Four #5 Curator pedigree (Marvel, 1962) CGC NM 9.4 White pages. Easily the best copy we’ve ever oered o the rst appearano Doctor Doom, one o the all-time great comic book villains. This is a book that’s tough to come by in any grade above 8.5, and the main reason is tbluish-grey color scheme that Marvel used to love but present-day collectors are rustrated by! This issue also has large blocks o solid color — try ndina copy on which the gray strip at ar right isn’t marred by a smudge, there are ew such copies out there. Jack Kirby cover art. Overstreet 2011 NM- 9value = $14,000. CGC census 1/12: 8 in 9.4, 1 higher.




91494 Fantastic Four #5 (Marvel, 1962) CGC VF+ 8.5 O-white towhite pages. The origin and rst appearance o Doctor Doom in this issuemakes it the second most valuable in the entire run. And to add to thedemand, it’s a tough book to nd in high grade, considering CGC’s currentcensus numbers or the book. Stan Lee (writer) and Jack Kirby (artist) attheir very best! Overstreet 2011 VF 8.0 value = $4,700; VF/NM 9.0 value =$9,350. CGC census 1/12: 13 in 8.5, 26 higher.

91495 Fantastic Four #6 Curator pedigree (Marvel, 1962) CGC NM-9.2 White pages. We hadn’t had the privilege to oer this issue in a gradebetter than 8.5 beore, and this copy’s just as clean and bright as therest o the run oered here. The rst-ever villain team-up at Marvel, thispaired the Sub-Mariner and Dr. Doom, an idea so good you could makea whole series o it (which Marvel eventually did, Supervillain Team-Up).

This issue was also the second appearance o Doom and just the secondSilver Age appearance o Subby. Jack Kirby and Dick Ayers cover andart. Overstreet 2011 NM- 9.2 value = $5,300. CGC census 1/12: 9 in 9.2, 3higher.

91496 Fantastic Four #9 (Marvel, 1962) CGC NM 9.4 O-whitwhite pages. The Sub-Mariner makes his third Silver Age appearanthis early FF issue. Jack Kirby provided the cover and interior art nOverstreet 2011 NM- 9.2 value = $3,600. CGC census 1/12: 12 in 9higher.




91497 Fantastic Four #10 Curator pedigree (Marvel, 1963) CGC NM+ 9.6 White pages. The best copy we’ve ever oered o this early Doctor Dooappearance. It’s also one o ew copies we’ve seen certied “white pages” in any grade. Stan Lee and Jack Kirby appear as characters on the cover and the story. Kirby cover and art. Overstreet 2011 NM- 9.2 value = $3,600. CGC census 1/12: 4 in 9.6, 1 higher.




91498 Fantastic Four #11 Curator pedigree(Marvel, 1963) CGC VF/NM 9.0 White pages. Features the origin and rst appearance o theImpossible Man, and the rst Marvel Universeappearance o newspaper strip character WillieLumpkin. Jack Kirby cover and art. Overstreet2011 VF/NM 9.0 value = $2,325; NM- 9.2 value= $3,500. CGC census 1/12: 9 in 9.0, 11 higher.




91499 Fantastic Four #12 Curator pedigree (Marvel, 1963) CGC NM+ 9.6 White pages. The act that the NM 9.4 copy oered in our last auctioetched $20,315 shows how strong the demand or this book has become. We can certainly understand why: it’s the rst meeting between the FantasFour and the Hulk. It’s also the Hulk’s rst cross-over and ties with Amazing Spider-Man #1 as the rst Marvel crossover o all. Jack Kirby cover and a

The spine o this copy looks antastic, and the gray cover shows no smudging anywhere. Overstreet 2011 NM- 9.2 value = $10,000. CGC census 1/12: 39.6, none higher.




91500 Fantastic Four #12 (Marvel, 1963)CGC VF 8.0 Cream to o-white pages. It wastruly the battle o the titans when the Hulk took on the Fantastic Four, and more specically theFF’s strongman, the Thing. It’s their rst meeting,and one that ties with The Amazing Spider-Man#1 or the rst Marvel crossover, both involvingthe Fantastic Four. The epic conrontation makesthis issue the th most valuable issue in theentire run, and we’ve only oered a small hand-ul o nicer copies to date. Jack Kirby cover andart. Overstreet 2011 VF 8.0 value = $3,213. CGCcensus 1/12: 32 in 8.0, 61 higher.

91501 Fantastic Four #13 Curator pedigree(Marvel, 1963) CGC NM 9.4 White pages. Therst appearances o the Watcher and the Red

Ghost and his Super-Apes. Jack Kirby cover. Kirbyand Steve Ditko art. Contains ull-page ads orTales o Suspense #39 and Amazing Spider-Man #1. Overstreet 2011 NM- 9.2 value = $2,100.CGC census 1/12: 3 in 9.4, 4 higher.

91502 Fantastic Four #14 Curator pedigree(Marvel, 1963) CGC NM+ 9.6 White pages. TheFantastic Four take on both the Sub-Mariner and thePuppet Master (his second appearance). Features abondage cover and interior art by Jack Kirby andSteve Ditko. This mind-blowing copy is a as pristineas the day it came o the presses. Overstreet 2011NM- 9.2 value = $1,300. CGC census 1/12: 6 in 9.6, 3higher.

91503 Fantastic Four #15 Curator pedigree(Marvel, 1963) CGC NM/MT 9.8 White pages. An astounding copy o this early FF issue, eatur-ing the frst appearances o the Thinker (aka theMad Thinker) and his Awesome Android. Jack Kirbycover and art. This insanely beautiul copy boastsbeautiul color and gloss on the cover, plus whitepages inside. It ties with one other or the top spoton the CGC census. Overstreet 2011 NM- 9.2 value= $1,300. CGC census 1/12: 2 in 9.8, none higher.

91504 Fantastic Four #15 (Marvel, 1CGC NM 9.4 O-white to white pages.Mad Thinker makes his rst appearance, as his Awesome Android. Jack Kirby cover andOverstreet 2011 NM- 9.2 value = $1,300. census 1/12: 3 in 9.4, 6 higher.

91505 Fantastic Four #16 (Marvel, 1CGC NM 9.4 O-white to white pages. Thvs. Doctor Doom. The Ant-Man makes hiscrossover appearance, with a cameo appearrom the Wasp. Cover by Jack Kirby, art by and Dick Ayers. Overstreet 2011 NM- 9.2 va$1,600. CGC census 1/12: 12 in 9.4, 3 higher.




91506 Fantastic Four #17 Curator pedigree(Marvel, 1963) CGC NM+ 9.6 White pages. Fantastic Four take on their deadliest oe, DoctorDoom, once again in this issue. President John F.Kennedy and Nikita Khrushchev also appear, asdoes Ant-Man (in a cameo). The cover and art areby Jack Kirby. Overstreet 2011 NM- 9.2 value =$1,200. CGC census 1/12: 4 in 9.6, 1 higher.

91507 Fantastic Four #18 Curator pedigree(Marvel, 1963) CGC NM 9.4 White pages. Thisbeaut eatures the origin and rst appearance o the Super-Skrull, and it also contains a ull pagead or Avengers #1. A tricky book to nd in highgrades, this pedigreed copy has white pages andnice, deep colors on the cover. The cover and artare, o course, by Jack Kirby. Overstreet 2011 NM-9.2 value = $1,700. CGC census 1/12: 3 in 9.4, 2higher.

91508 Fantastic Four #19 Curator pedigree(Marvel, 1963) CGC NM+ 9.6 White pages. Thisissue marks the frst appearance o Rama-Tut,who would later be retconned as the precursor o two long-running Marvel megavillains: Kang theConqueror and the time manipulating Immortus.For that, we’ll let slide the act that “pharaoh” ismisspelled on the cover. The letters page has aletter rom Steve Gerber, and the issue also con-tains a ull-page ad or X-Men #1. Cover and art byJack Kirby cover. Overstreet 2011 NM- 9.2 value =$1,300. CGC census 1/12: 5 in 9.6, 1 higher.

91509 Fantastic Four #20 Curator pedi-gree (Marvel, 1963) CGC NM+ 9.6 O-whiteto white pages. One o the Marvel Universe’smost powerul villains, the Molecule Man, madehis rst appearance in this issue. The cover andinterior art are by Jack Kirby. Overstreet 2011NM- 9.2 value = $1,400. CGC census 1/12: 6 in 9.6,1 higher.

91510 Fantastic Four #21 Curator pedigr(Marvel, 1963) CGC NM+ 9.6 White pages. Wthis issue, Stan Lee and Jack Kirby introduced tHate Monger, who at the end o the comic wrevealed to be... well, let’s just say he was a vebad man with a very ugly moustache. Theralso a pre-S.H.I.E.L.D. appearance by Nick Fu

The cover and art are by Kirby. Overstreet 20NM- 9.2 value = $1,150. CGC census 1/12: 6 in 94 higher.




91511 Fantastic Four #22 Curator pedigree (Marvel, 1964) CGCNM/MT 9.8 White pages. Given CGC’s high standards, a 9.8 o any earlyFantastic Four is an eyebrow-raiser indeed, and a look at our scan will tellyou why the book got that grade. Jack Kirby cover and art. Overstreet2011 NM- 9.2 value = $750. CGC census 1/12: 2 in 9.8, none higher.

91512 Fantastic Four #22 (Marvel, 1964) CGC NM 9.4 O-white towhite pages. The Fantastic Four battle the Mole Man. The Invisible Girl’spowers are increased. Jack Kirby cover and art. Overstreet 2011 NM- 9.2value = $750. CGC census 1/12: 14 in 9.4, 7 higher.

91513 Fantastic Four #23 Curator pedigree (Marvel, 1964) NM- 9.2 White pages. Doctor Doom appearance. Jack Kirby coverart. Overstreet 2011 NM- 9.2 value = $750. CGC census 1/12: 13 in 9.higher.

91514 Fantastic Four #24 Curator pedigree (Marvel, 1964) NM+ 9.6 White pages. Cover and art by Jack Kirby and George RouOverstreet 2011 NM- 9.2 value = $700. CGC census 1/12: 11 in 9higher.

91515 Fantastic Four #25 Curator pedigree (Marvel, 1964) NM+ 9.6 O-white to white pages. This one is chock ull o excitemthe Hulk battles the Thing or the rst time, the Avengers make a caappearance, and Captain America appears or just the second timelowing his Silver Age revival. The classic cover and art are by Jack KOverstreet 2011 NM- 9.2 value = $1,600. CGC census 1/12: 5 in 9higher.




91516 Fantastic Four #26 Curator pedigree(Marvel, 1964) CGC NM 9.4 White pages. Theconclusion o the rst Hulk versus Thing battlerages throughout this issue, as only Jack Kirbycan portray it! The Avengers make only theirourth crossover appearance here; they haveunnished business with the Hulk as well, in astory that takes place beore Avengers #5. A look at the Kirby cover will tell you that this is anotherone o those white-cover books that are toughto nd in grade. Overstreet 2011 NM- 9.2 value= $1,600. CGC census 1/12: 18 in 9.4, 9 higher.

91517 Fantastic Four #28 Curator pedi-gree (Marvel, 1964) CGC NM 9.4 White pages. Contains an early X-Men crossover and has thesame release date as X-Men #6. The Mad Thinker,Awesome Android, and Puppet Master appear-ances. Jack Kirby cover and art. Overstreet 2011NM- 9.2 value = $1,250. CGC census 1/12: 19 in9.4, 5 higher.

91518 Fantastic Four #29 Curator pedigree(Marvel, 1964) CGC NM+ 9.6 White pages. TheFantastic Four once again battle the Red Ghostand his Super-Apes. The Watcher also appears.

The cover and art are by Jack Kirby. Overstreet2011 NM- 9.2 value = $600. CGC census 1/12: 7 in9.6, none higher.

91519 Fantastic Four #30 Curator pedigree(Marvel, 1964) CGC NM+ 9.6 White pages. Features the rst appearance o the evil alche-mist Diablo. Jack Kirby cover and art. Overstreet2011 NM- 9.2 value = $600. CGC census 1/12: 6 in9.6, 1 higher.

91520 Fantastic Four #31 Curator pedigr(Marvel, 1964) CGC NM/MT 9.8 White page

The Avengers make an early crossover appeance as the FF once again battles th Mole MaAlso appearing is Dr. Franklin Storm, ather Johnny and Sue. The cover is by Jack Kirby. Nonly is this 50-year-old copy almost perect appearance, it’s at the top o the CGC’s censdata or this issue. Overstreet 2011 NM- 9.2 val= $475. CGC census 1/12: 1 in 9.8, none high

91521 Fantastic Four #31 (Marvel, 196CGC NM+ 9.6 White pages. Early Avengecrossover. Mole Man appearance. First appeance o Dr. Franklin Storm. Jack Kirby cover aart. Overstreet 2011 NM- 9.2 value = $475. CG





91522 Fantastic Four #32 Curator pedigree(Marvel, 1964) CGC NM/MT 9.8 White pages.

This issue eatures the death o Dr. Franklin Storm(ather o the Human Torch and the Invisible Girl),and the FF’s battle with the Super-Skrull (operat-ing in disguise as The Invincible Man). Jack Kirbydrew the interior action as well as the cover.Overstreet 2011 NM- 9.2 value = $475. CGC cen-sus 1/12: 2 in 9.8, none higher.

91523 FantasticFour #33 Curatorpedigree (Marvel,1964) CGC NM9.4 White pages.

First appear-ance o Attuma.S u b - M a r i n e rappearance. Partialphoto cover. Jack Kirby cover and art.Overstreet 2011NM- 9.2 value =$475. CGC census1/12: 16 in 9.4, 11higher.

91524 FantasticFour #35 Curatorpedigree (Marvel,1965) CGC NM+

9.6 White pages. First appearanceo Dragon Man.Second appear-ance o Diablo.Reed Richardsproposes to SueStorm. Cameos byProessor X, ScottSummers, andPeter Parker. Jack Kirby cover and art.Overstreet 2011 NM- 9.2 value = $475. CGC cen-sus 1/12: 14 in 9.6, 3 higher.

91525 Fantastic Four #38 Curator pedigree(Marvel, 1965) CGC NM+ 9.6 White pages. Jack Kirby cover and art. Frightul Four appearance.Paste-Pot Pete becomes the Trapster. Overstreet2011 NM- 9.2 value = $475. CGC census 1/12: 6 in9.6, 2 higher.

91526 Fantastic Four #39 Curator pedi-gree (Marvel, 1965) CGC NM 9.4 White pages. Daredevil and Doctor Doom appearances.Jack Kirby and Wally Wood cover and art. Frank Giacoia art. Overstreet 2011 NM- 9.2 value =$475. CGC census 1/12: 14 in 9.4, 9 higher.

91527 Fantastic Four #40 Curator pedi-gree (Marvel, 1965) CGC NM 9.4 White pages.

Early Daredevil crossover. Doctor Doom appear-ance. Jack Kirby cover and art. Vince Colletta art.Overstreet 2011 NM- 9.2 value = $475. CGC cen-sus 1/12: 5 in 9.4, 7 higher.

91528 Fantastic Four #41 Curator pedi(Marvel, 1965) CGC NM/MT 9.8 White paJack Kirby cover and art. Overstreet 2011 9.2 value = $300. CGC census 1/12: 5 in 9.8, nhigher.

91529 Fantastic Four #43 Curator pedi(Marvel, 1965) CGC NM+ 9.6 White paFrightul Four appearance. Dr. Doom caJack Kirby cover and art. Overstreet 2011 NMvalue = $300. CGC census 1/12: 7 in 9.6, 1 hi




91530 Fantastic Four #45 Curator pedigree (Marvel, 1965) CGC NM/MT 9.8 White pages. For sheer eye appeal we’ve never seen a copy o #45to match this one, so it’s no surprise that the CGC grade ollowed suit. Thisis the rst appearance o the Inhumans (Black Bolt, Crystal, Karnak, Triton,and Lockjaw). It’s worth noting that a rumor o an “Inhumans” moviebeing in development suraced a ew months back. While no sure thing,the chance o breakout potential or this book is certainly an intriguingplus. Jack Kirby cover and art. Overstreet 2011 NM- 9.2 value = $550. CGCcensus 1/12: 3 in 9.8, none higher.

91531 Fantastic Four #47 Curator pedigree (Marvel, 1966) CGC NM/MT 9.8 White pages. The Inhumans saga continues. Dragon Man appear-ance. Jack Kirby cover and art. Overstreet 2011 NM- 9.2 value = $300. CGCcensus 1/12: 2 in 9.8, none higher.

91532 Fantastic Four #48 Curator pedigree (Marvel, 1966) CGNM+ 9.6 White pages. The senses-shattering rst appearances o tSilver Surer and Galactus in an issue that had a massive impact on tMarvel universe. The Inhumans and the Watcher also appear. Covand art by Jack Kirby. This stunning copy is virtually awless, with shacorners and white pages. Overstreet 2011 NM- 9.2 value = $1,500. CGcensus 1/12: 69 in 9.6, 24 higher.




91533 Fantastic Four #50 Curator pedigree (Marvel, 1966) CGCNM+ 9.6 White pages. The dark brown cover gives deects nowhere tohide, which is why so ew copies have attained this grade. Issue #50 isthe third installment o the now-amous “Galactus trilogy.” In addition tothat planet-eater and his herald the Silver Surer, this issue has the rstappearance o Wyatt Wingoot, who became a recurring character in theseries. Jack Kirby cover and art. Overstreet 2011 NM- 9.2 value = $1,000.CGC census 1/12: 6 in 9.6, 1 higher.

91534 Fantastic Four #52 Curator pedigree (Marvel, 1966) CGCMT 9.8 White pages. The rst appearance o the Black Panther mathe rst time in the modern era that a black superhero appeared in coIn addition to the sociological signicance, rom a comic-book standpthis was a memorable character and memorable story. Also, on this the last thing you want to see is the color white, as that would mean sstresses, creases and the like! Luckily this book is nearly awless, ancertainly the best copy we’ve ever come across. Jack Kirby cover andOverstreet 2011 NM- 9.2 value = $685. CGC census 1/12: 2 in 9.8, nhigher.

91535 Fantastic Four #53 Curator pedigree (Marvel, 1966) NM+ 9.6 White pages. Origin and second appearance o the Panther. First appearance and origin o Klaw (Ulysses Klaw). Jack cover and art. Overstreet 2011 NM- 9.2 value = $375. CGC census 1/1in 9.6, none higher.




91536 Fantastic Four #54 Curator pedigree(Marvel, 1966) CGC NM/MT 9.8 White pages. First appearance o the Evil Eye. Black Pantherappearance. Inhumans cameo. Jack Kirby coverand art. Overstreet 2011 NM- 9.2 value = $240.CGC census 1/12: 5 in 9.8, none higher.

91537 Fantastic Four #55 Curator pedigree(Marvel, 1966) CGC NM 9.4 O-white to whitepages. The Silver Surer battles the Thing. Fourthappearance o the Silver Surer. Lockjaw cameo.Jack Kirby cover and art. Overstreet 2011 NM-9.2 value = $425. CGC census 1/12: 34 in 9.4, 18higher.

91538 Fantastic Four #62 Curator pedigree(Marvel, 1967) CGC NM/MT 9.8 White pages. Another stunner rom the Curator collection!

The rst appearance o Blastaar, and Inhumansand Sandman appearances are only enhancedby Jack Kirby’s cover and interior art. Overstreet2011 NM- 9.2 value = $150. CGC census 1/12: 3 in9.8, none higher.

91539 Fantastic Four #67 Curator pedigree(Marvel, 1967) CGC NM/MT 9.8 White pages. Origin and rst appearance o Him (later knownas Warlock). Jack Kirby cover and art. Overstreet2011 NM- 9.2 value = $240. CGC census 1/12: 8 in9.8, none higher.

91540 Fantastic Four #69 Curator pedigree(Marvel, 1967) CGC NM/MT 9.8 White pages. Mad Thinker appearance. Jack Kirby and JoeSinnott cover and art. Overstreet 2011 NM- 9.2value = $150. CGC census 1/12: 4 in 9.8, nonehigher.

91541 Fantastic Four #72 Curator pedigr(Marvel, 1968) CGC NM+ 9.6 White pageSilver Surer and Watcher appearances. Jack Kircover and art. Overstreet 2011 NM- 9.2 value$240. CGC census 1/12: 18 in 9.6, 4 higher.

91542 Fantastic Four #73 Curator pedigr(Marvel, 1968) CGC NM/MT 9.8 White pagessuper-high-grade book orm the stellar Curatcollection! Daredevil, Spider-Man, Thor, aDoctor Doom appearances. Jack Kirby covand art. Story continued rom Daredevil #3Overstreet 2011 NM- 9.2 value = $220. CGC cesus 1/12: 9 in 9.8, none higher.




91543 Fantastic Four #82 (Marvel, 1969) CGC NM/MT 9.8 O-whitepages. What’s antastic about this particular book is that there are nohigher graded copies (it’s tied with our other books), according to CGC’slatest ino. Inhumans appearance. Jack Kirby cover and art. Overstreet2011 NM- 9.2 value = $95. CGC census 1/12: 7 in 9.8, none higher.

91544 Fantastic Four #92 Curator pedigree (Marvel, 1969) CGC NM/MT 9.8 White pages. The Thing, having been kidnapped by the Skrulls,is orced to ght in their arena. Jack Kirby cover and art. Overstreet 2011NM- 9.2 value = $85. CGC census 1/12: 10 in 9.8, none higher.

91545 Fantastic Four #112 (Marvel, 1971) CGC NM+ 9.6 O-whitepages. The classic Hulk vs. Thing battle, a black cover key issue. J. JonahJameson makes a cameo appearance in this book eaturing a JohnBuscema cover and interior art. Overstreet 2011 NM- 9.2 value = $325.CGC census 1/12: 15 in 9.6, 5 higher.

91546 The Flash #105 (DC, 1959) CGC NM- 9.2 Cream to o-wpages. A stellar copy o the rst issue o the Silver Age Flash, issueda popular tryout series in Showcase. Numbering continues romGolden Age issue o Flash Comics. The origin o Flash is retold, as iorigin and rst appearance o the Mirror Master. Carmine Inantino cand art. Overstreet 2011 NM- 9.2 value = $18,000. CGC census 1/129.2, 2 higher.

91547 The Flash #123 (DC, 1961) CGC VF 8.0 O-white paClassic cover by Carmine Inantino and Murphy Anderson, classic stoGardner Fox. It was Silver Age DC at its nest — tying in their Goldensuperheroes to the then-current Silver Agers in the “Flash o Two Wostory. Firsts abound: rst appearance o the Golden Age Flash in the SAge and rst mention o another Earth where the DC Golden Age helive. Inantino story art. Overstreet 2011 VF 8.0 value = $1,295. CGC ce1/12: 14 in 8.0, 21 higher.




91548 The Flash #136 (DC, 1963) CGC NM+9.6 White pages. Carmine Inantino and MurphyAnderson cover art, Inantino story art. MirrorMaster appearance. First appearance o DexterMiles. Overstreet 2011 NM- 9.2 value = $325. CGCcensus 1/12: 5 in 9.6, none higher.

91549 Giant-Size X-Men #1 (Marvel, 1975)CGC NM/MT 9.8 White pages. A superb copyo arguably the most important Bronze Agecomic book, eaturing the rst appearance o the new X-Men (Nightcrawler, Storm, Colossus,and Thunderbird). Second ull appearance o Wolverine. Gil Kane cover. Dave Cockrum art.Overstreet 2011 NM- 9.2 value = $1,300. CGCcensus 1/12: 69 in 9.8, none higher.

91550 The Green Hornet #2 Boston pedi-gree (Gold Key, 1967) CGC NM+ 9.6 O-whiteto white pages. Photo cover eaturing Bruce Leeand Van Williams. Dan Spiegle art. Overstreet2011 NM- 9.2 value = $225. CGC census 1/12: 4 in9.6, none higher.

91551 The Green Hornet #3 Boston pedi-gree (Gold Key, 1967) CGC NM/MT 9.8 Whitepages. Van Williams and Bruce Lee photo cover.Green Hornet and Kato back cover pin-up. DanSpiegle art. This is the highest-graded copy o this issue certied by CGC to date. Overstreet2011 NM- 9.2 value = $225. CGC census 1/12: 1 in9.8, none higher.

91552 Hawkman #5 Western Penn pedigree(DC, 1965) CGC NM/MT 9.8 White pages. Notonly do you get one o the best covers in theentire history o comics, you also get to own oneo the highest-graded copies o this issue (at thetime o this writing) and one o the nicest pedi-grees ever ound. The bold yellow and purplecolors seem to jump o the page and lend to thegreatness o this issue. Overstreet 2011 NM- 9.2value = $300. CGC census 1/12: 2 in 9.8, nonehigher.

91553 The Incredible Hulk #1 (Marv1962) CGC FN+ 6.5 White pages. Dr. BruBanner, pelted by gamma rays, turns into tHulk. Overstreet calls this book one o the most valuable o the Silver Age. The rst appeance o one o the most amous characters all o comics, and drawn by Jack Kirby to boAlmost two-thirds o the #1s that have be“slabbed” to date have graded out lower ththis one, and many o those ranked above it CGC’s census are restored copies. In other wordthis one is harder to nd in the top grades thmost books o the era, making this mid-gracopy with white pages a very attractive bOverstreet 2011 FN 6.0 value = $5,100; VF 8value = $20,000. CGC census 1/12: 34 in 6.5,

higher.

91554 The Incredible Hulk #4 (Marv1962) CGC VF- 7.5 O-white pages. This issucontains two eature-length stories, includingbrie retelling o the Hulk’s origin. All presentby Jack Kirby and Dick Ayers. These early Huissues are certainly a tough nd in grade, so coies like this oering tend to get snapped up vequickly indeed. Overstreet 2011 VF 8.0 value$1,426. CGC census 1/12: 26 in 7.5, 62 high




91555 The Incredible Hulk #6 (Marvel, 1963)CGC VF/NM 9.0 White pages. The last issue o the original Hulk series. First appearances o the

Teen Brigade and the Metal Master. Cover and artby Steve Ditko. Overstreet 2011 VF/NM 9.0 value= $3,112; NM- 9.2 value = $4,700. CGC census1/12: 8 in 9.0, 11 higher.

91556 The Incredible Hulk #162 (Marvel,1973) CGC NM/MT 9.8 O-white to whitepages. First appearance o Wendigo. Beastappearance. Herb Trimpe cover and art.Overstreet 2011 NM- 9.2 value = $115. CGC cen-sus 1/12: 4 in 9.8, none higher.

91557 Journey Into Mystery #83 Golden

Record Reprint (Without Record) Signed byStan Lee (Marvel, 1966) CGC NM+ 9.6 O-white pages. Reprints the rst appearance o

Thor. Cover and art by Jack Kirby. Record notincluded. CGC notes, “Signed by Stan Lee on1/22/11.” Overstreet 2011 NM- 9.2 value = $350.CGC census or Signature Series 1/12: 4 in 9.6, 3higher.

91558 Journey Into Mystery #96 (Marvel,1963) CGC NM+ 9.6 Cream to o-white pages.

Thor takes on Merlin in this issue, which has a Jack Kirby cover and Joe Sinnott interior art. PresidentKennedy and his daughter Caroline make cameoappearances. This being a book with Mystery inthe title, it’s appropriate that there are two eeriebackup eatures with art by Steve Ditko and PaulReinman respectively. Overstreet 2011 NM- 9.2value = $975. CGC census 1/12: 7 in 9.6, 2 higher.

91559 Journey Into Mystery #109 (Marvel,1964) CGC NM 9.4 O-white to white pages. With an early Magneto and the Brotherhood o Evil Mutants appearance (and the rst Magnetocrossover), this issue sports a memorable Jack Kirby cover and interior art. Overstreet 2011 NM-9.2 value = $1,100. CGC census 1/12: 8 in 9.4, 2higher.

91560 Journey Into Mystery #111 (Marvel,1964) CGC NM+ 9.6 White pages. Jack Kirbydelivers an ethereal, other-worldly cover and thisbook delivers an other-worldly high-grade! ALoki pin-up and appearances by Cobra and Mr.Hyde ll the interior. Overstreet 2011 NM- 9.2value = $400. CGC census 1/12: 10 in 9.6, nonehigher.

91561 Journey Into Mystery #112 (Ma1965) CGC NM 9.4 O-white to white paClassic Hulk vs. Thor battle. The “Tales o Asgbackup story eatures the origin o Loki.Avengers and the Sub-Mariner make apances. Jack Kirby cover and art. Overstreet NM- 9.2 value = $1,400. CGC census 1/12: 9.4, 8 higher.

91562 Night Nurse #1 (Marvel, 1972) NM/MT 9.8 White pages. First appearo Linda Carter. Win Mortimer cover andOverstreet 2011 NM- 9.2 value = $225. CGCsus 1/12: 2 in 9.8, none higher.




91563 Our Army at War #81 (DC, 1959) CGCVF+ 8.5 Cream to o-white pages. “Sgt. Rockyo Easy Company” was the eature story o thisissue, but his prowess showed through and inthe very next issue he was reerred to simply as“Sgt. Rock.” This is the last o the Rock prototypes,and as so, a very desirable issue. Fantastic deepcolor and luster, kept rom Near Mint status onlyby some light wear on the spine. All in all, a greatcopy o a key war comic. Jerry Grandenetti cover.Ross Andru, Russ Heath, and Joe Kubert art.Overstreet 2011 VF 8.0 value = $2,336; VF/NM 9.0value = $4,768. CGC census 1/12: 3 in 8.5, nonehigher.

91564 Our Army at War #83 (DC, 1959) CGCVG 4.0 Cream to o-white pages. The recent

sale o an 8.0 copy or $16,730 showed that thebidding public agrees that this is the rst “true”Sgt. Rock appearance! Jerry Grandenetti coverart. Overstreet 2011 VG 4.0 value = $460. CGCcensus 1/12: 8 in 4.0, 27 higher. From the KeithMarlow Collection.

91565 Phantom #1 Boston pedigree (GoldKey, 1962) CGC NM+ 9.6 O-white pages. Painted/skull cover by George Wilson. The origino the Phantom is revealed. Overstreet 2011 NM-9.2 value = $350. CGC census 1/12: 2 in 9.6, nonehigher.

91566 Phantom #2 Pacifc Coast pedigree(Gold Key, 1963) CGC NM+ 9.6 White pages. King, Queen, and Jack backup stories begin inthis issue. Painted cover. Overstreet 2011 NM-9.2 value = $160. CGC census 1/12: 1 in 9.6, nonehigher.

91567 Phantom #3 Pacifc Coast pedigree(Gold Key, 1963) CGC NM/MT 9.8 O-white to

white pages. Painted cover by George Wilson.Jack Sparling and Bill Ligante art. Overstreet2011 NM- 9.2 value = $135. CGC census 1/12: 1 in9.8, none higher.

91568 Sgt. Fury and His HowliCommandos #1 Signed by Stan Lee and DiAyers (Marvel, 1963) CGC Signature Series F6.0 O-white to white pages. A nice “YelloLabel” signed comic, eaturing the rst appeance o Sgt. Nick Fury and the Howlers (“DuDum” Dugan, Gabriel Jones, “Rebel” Ralston, IzCohen, Dino Minelli, “Happy Sam” Sawyer, aJunior Juniper). Jack Kirby and Dick Ayers covCGC notes, “Signed by Dick Ayers on 2/7/and Stan Lee on 7/22/10.” Overstreet 2011 6.0 value = $666. CGC census 1/12: 12 in 6.0, higher.

91569 Sgt. Fury and His HowliCommandos #5 (Marvel, 1964) CGC NM 9O-white to white pages. First appearance Baron Strucker. Jack Kirby cover and interior aGeorge Roussos art. Overstreet 2011 NM- 9value = $600. CGC census 1/12: 3 in 9.4, 3 high

91570 Showcase #11 Challengers o tUnknown (DC, 1957) CGC VF/NM 9.0 O-whpages. Third appearance o the Challengers the Unknown, with cover and art by Jack KirbOverstreet 2011 VF/NM 9.0 value = $2,487; N9.2 value = $3,750. CGC census 1/12: 2 in 9.0higher.




91571 Showcase#34 The Atom -Curator pedigree(DC, 1961) CGCVF/NM 9.0 Whitepages. Another keySilver Age DC book that’s tricky to ndin high grade. Theissue has the origin

and rst appear-ance o the SilverAge version o theAtom, with coverand interior art

by Gil Kane and Murphy Anderson. Overstreet2011 VF/NM 9.0 value = $1,989; NM- 9.2 value =$3,000. CGC census 1/12: 5 in 9.0, 4 higher.

91572 Showcase#35 The Atom -Curator pedigree(DC, 1961) CGCNM- 9.2 Whitepages. Secondappearance o the

Silver Age Atom. GilKane and MurphyAnderson coverand interior art.Overstreet 2011NM- 9.2 value =$1,400. CGC cen-sus 1/12: 3 in 9.2, 5higher.

91573 Showcase #36 The Atom Curatorpedigree (DC, 1962) CGC NM+ 9.6 O-white towhite pages. The third Silver Age appearance o the Atom. Heritage sold the other 9.6 copy, theWestern Penn, previously, and we’ll note that thisone has a slight edge in page quality, with theWestern Penn checking in at o-white. Gil Kaneand Murphy Anderson cover and art. Overstreet2011 NM- 9.2 value = $1,050. CGC census 1/12: 2in 9.6, none higher.

91574 The Silver Surer #8 (Marvel, 1969)CGC NM+ 9.6 White pages. Flying Dutchman’srst appearance. Mephisto appearance. Firstmonthly issue. First 15¢ issue. John Buscemaand Marie Severin cover. Buscema art. Overstreet2011 NM- 9.2 value = $185. CGC census 1/12: 17in 9.6, 5 higher.

91575 Star Trek #1 Back Cover Variant -Twin Cities pedigree (Gold Key, 1967) CGCNM+ 9.6 White pages. The very rst Star Trek comic. Leonard Nimoy, William Shatner, andGeorge Takei photo cover. Note that Overstreetno longer calls the photo back cover (which thiscopy has) a variant, and we’re airly certain thatno other version exists. Overstreet 2011 NM- 9.2value = $1,300. CGC census 1/12: 3 in 9.6, nonehigher. From the Gary Dahlberg Collection.

91576 Strange Tales #101 (Marvel, 1CGC NM- 9.2 White pages. Isn’t it nice tothis one in high grade or a change? It’s thesolo story ever or the Human Torch (the JoStorm incarnation anyway). We recall one cguru making the point “i the cover said HuTorch #1, what would this be worth?” and bethe book to be a bit o a sleeper even today.Kirby cover. Overstreet 2011 NM- 9.2 val$3,000. CGC census 1/12: 5 in 9.2, 4 higher.

91577 Strange Tales #104 (Marvel, 1963)NM+ 9.6 White pages. Paste-Pot Pete orevegive you the frst appearance o the cult villathe 1960s, at least there are some here at HerHQ who would designate him as such. The issalso one o the earliest Human Torch solo stWe had never seen this book in 9.4 beore, nmind 9.6. Have a look at the perect top edgeyou’ll be a believer! Jack Kirby cover art. Overs2011 NM- 9.2 value = $800. CGC census 1/129.6, none higher.




91578 StrangeTales #113(Marvel, 1963) CGCNM+ 9.6 O-whiteto white pages. Simply astoundingcolors burst orthrom the Jack Kirbycover, heralding therst appearance o the Plantman. Thisis early Silver AgeMarvel at its best,and this copy is thebest CGC has seenso ar o issue #113.

Overstreet 2011 NM- 9.2 value = $400. CGC cen-sus 1/12: 3 in 9.6, none higher.

91579 Strange Tales #114 (Marvel, 1963)CGC NM+ 9.6 O-white to white pages. Acrobat disguised as Captain America (rstCap appearance since 1954). First appearanceVictoria Bentley. Third appearance Dr. Strange— begins series. Jack Kirby, Steve Ditko, and Dick Ayers art. Overstreet 2011 NM- 9.2 value = $950.CGC census 1/12: 8 in 9.6, 3 higher.

91580 The Sub-Mariner #34 TwinCities pedigree

(Marvel, 1971)CGC NM/MT 9.8White pages. Anultra-high-gradecopy o the pre-lude to the rstDeenders story.Hulk and SilverSurer appearances.Sal Buscema coverand art. Jim Mooneyart. Overstreet 2011NM- 9.2 value =$140. CGC census 1/12: 3 in 9.8, none higher.From the Gary Dahlberg Collection.

91581 Superman #209 Pacifc Coast pedi-gree (DC, 1968) CGC NM/MT 9.8 White pages.

The dark background colors make this issuea tricky one to nd in high grade, much lessthis near perect grade. Ross Andru and MikeEsposito collaborate on the cover. Curt Swanprovides story art. Overstreet 2011 NM- 9.2 value= $90. CGC census 1/12: 2 in 9.8, none higher.

91582 Superman’s Girlriend Lois Lane #70Twin Cities pedigree (DC, 1966) CGC NM+ 9.6O-white to white pages. There’s a reason why#70 is the most valuable Lois Lane comic exceptor the rst ten issues. It has the rst Silver Ageappearance o Catwoman, it’s got a Penguinappearance, Batman and Robin drop in or a visit,and o course “Lois Lane’s Boy Friend,” Superman,is on hand as well. Catwoman certainly startedo her Silver Age career in style, getting into acatfght with Lois on the cover! Both that sceneand the interior art are by Kurt Schaenberger.

This copy is currently tied or the highest gradethat CGC has assigned or this issue. Overstreet2011 NM- 9.2 value = $500. CGC census 1/12:10 in 9.6, none higher. From the Gary DahlbergCollection.

91583 Superman’s Girlriend Lois La#74 Double Cover - Twin Cities pedigree (D1967) CGC NM/MT 9.8 O-white to whpages. The similarly spectacular Savannah pegree copy o this book that we oered backMay o last year sold or more than $5,000, we expect very spirited bidding on this doubcover beauty, which eatures the rst appearano Bizarro Flash and a Justice League o Amercameo. Kurt Schaenberger provided the covand interior art. Overstreet 2011 NM- 9.2 value$90. CGC census 1/12: 2 in 9.8, none higher. Frothe Gary Dahlberg Collection.

91584 Tales o Suspense #39 (Marvel, 196CGC VF- 7.5 O-white pages. The rst appeance and origin o Iron Man is one o the top tSilver Age books, and should get more popuwith each passing year since another moviedue in theaters in a matter o weeks. Jack Kircover. Overstreet 2011 VF 8.0 value = $8,100. CGcensus 1/12: 43 in 7.5, 98 higher.




91585 Tales o Suspense #39 (Marvel, 1963)CGC FN- 5.5 O-white pages. First appearanceand origin o Iron Man. Jack Kirby and Don Heck cover. Overstreet 2011 FN 6.0 value = $2,700.CGC census 1/12: 42 in 5.5, 257 higher.

91586 Tales o Suspense #44 (Marvel, 1963)CGC NM- 9.2 O-white to white pages. EarlyIron Man appearance. Jack Kirby cover withinterior art by Steve Ditko. Overstreet 2011 NM-9.2 value = $1,800. CGC census 1/12: 2 in 9.2, 7higher.

91587 Tales o Suspense #48 (Marvel, 1963)CGC NM 9.4 O-white to white pages. This keyissue nds Iron Man de-clunkiying his armor or

a sleeker re-design that become his signaturelook. There’s also the rst appearance o MisterDoll, with Jack Kirby providing the cover andSteve Ditko contributing interior art. Overstreet2011 NM- 9.2 value = $1,550. CGC census 1/12:17 in 9.4, 6 higher.

91588 Tales o Suspense #50 (Marvel,1964) CGC NM+ 9.6 O-white to white pages. Features the rst appearance o the Mandarin,with a cover by Jack Kirby and art by Don Heck.Overstreet 2011 NM- 9.2 value = $900. CGC cen-sus 1/12: 6 in 9.6, 2 higher.

91589 Tales o Suspense #57 (Marvel, 1964)CGC VF/NM 9.0 O-white pages. Origin andrst appearance o Hawkeye. Don Heck coverand art. Watcher backup eature with LarryLieber art. Overstreet 2011 VF/NM 9.0 value =$650; NM- 9.2 value = $975. CGC census 1/12: 28in 9.0, 36 higher.

91590 Tales o Suspense #58 Signed Joe Simon and Stan Lee (Marvel, 1964)Signature Series Apparent VF/NM 9.0 S(P) Cream to o-white pages. Captain Ambattles Iron Man. Second appearance o Krthe Hunter. Overstreet has deemed this Kirby cover to be a “classic.” Last installme“Tales o the Watcher” backup eature intitle (George Tuska art). CGC notes, “SigneJoe Simon on 6/19/11 and Stan Lee on 6/2Restoration includes: small amount o touch on cover.” Overstreet 2011 GD 2.0 va$41; VG 4.0 value = $82; FN 6.0 value = $12

8.0 value = $328; VF/NM 9.0 value = $664.

91591 Tales o Suspense #59 (Marvel, 1CGC NM/MT 9.8 O-white to white pages

Man and Captain America double eatures bwith this issue, marking Cap’s rst solo since the 1950s. Jarvis the butler makes hisappearance as well. Overstreet cites Jack Kcover as a “classic”. The interior art is by and Don Heck. Overstreet 2011 NM- 9.2 va$1,000. CGC census 1/12: 7 in 9.8, none hi




9 1 5 9 2 T a l e so Suspense #69(Marvel, 1965) CGCNM+ 9.6 O-whiteto white pages. Origin and rstappearance o the

Titanium Man (BorisBullski). Jack Kirby,Dick Ayers, and DonHeck art. Overstreet2011 NM- 9.2 value= $175. CGC census1/12: 5 in 9.6, nonehigher.

9 1 5 9 3 T a l e sto Astonish #37(Marvel, 1962)CGC NM 9.4 Whitepages. Cover byJack Kirby cover,with art by Kirby(on the Ant-Manstory), Don Heck,and Steve Ditko.Overstreet 2011NM- 9.2 value =$1,150. CGC cen-sus 1/12: 4 in 9.4, 3higher.

91594 Tales to Astonish #39 (Marvel, 1963)CGC NM+ 9.6 White pages. The best copy we’veever oered o this Ant-Man mag. Here, Dr. Pymtakes on the Scarlet Beetle, not to be conusedwith Marvel’s Scarlet Scarab! Jack Kirby cover.Overstreet 2011 NM- 9.2 value = $1,150. CGCcensus 1/12: 4 in 9.6, 2 higher.

91595 Tales to Astonish #50 (Marvel, 1963)CGC NM/MT 9.8 O-white to white pages. A“dead-mint” copy o this Giant Man and Waspissue. The villain making his rst appearance isthe Human Top, whose name was later changedto Whirlwind (perhaps Julie Schwarz at DC hadraised an eyebrow over a “Top” character). Jack Kirby cover and art. Overstreet 2011 NM- 9.2value = $375. CGC census 1/12: 3 in 9.8, nonehigher.

91596 Teenage Mutant Ninja Turtles #1(Mirage Studios, 1984) CGC NM- 9.2 Whitepages. Probably the most valuable 1980s comicissue, and one that should hold its value giventhe demand and scarcity — just 3,000 copies

were printed. Origin and rst appearance o the Teenage Mutant Ninja Turtles, Splinter, andShredder. Wraparound cover by Kevin Eastman.Overstreet does not list a value or the book, butnote that another 9.2 copy with white pagessold or $3,107 at Heritage (natch!) in Februaryo 2011. CGC census 1/12: 5 in 9.2, 10 higher.Overstreet 2011 NM- 9.2 value = $20. CGC census1/12: 5 in 9.2, 15 higher.

91597 Wonder

Woman #144Savannah pedi-gree (DC, 1964)CGC NM+ 9.6 O-white to whitepages. Wonder-ouscopy stands aloneatop CGC’s census.Wonder Girl is ea-tured on the coverand interior story, with art by Ross Andru andMike Esposito. Bird-Boy makes his rst appear-ance, much to Mer-Boy’s chagrin. Overstreet2011 NM- 9.2 value = $225. CGC census 1/12: 1 in9.6, none higher.

91598 Wonder Woman #147 Savannah peigree (DC, 1964) CGC NM/MT 9.8 White pageNo other copy’s gotten past NM 9.4 to date, this pedigreed copy aords some serious braging rights to the winning bidder! Ross Andand Mike Esposito cover and art. Overstreet 20NM- 9.2 value = $225. CGC census 1/12: 1 in 9none higher.

91599 Wonder Woman #149 Savannah peigree (DC, 1964) CGC NM+ 9.6 White pageOne o the most colorul covers in the entire rhas been preserved superbly in this pedigrecollection. Ross Andru and Mike Esposito covand art. Overstreet 2011 NM- 9.2 value = $22CGC census 1/12: 2 in 9.6, none higher.

91600 World’s Finest Comics #198 TwCities pedigree (DC, 1970) CGC NM/MT 9White pages. Third Superman vs. Flash racJohnny Quick backup story. Carmine Inantiand Murphy Anderson cover. Dick Dillin and JGiella art. Overstreet 2011 NM- 9.2 value = $16CGC census 1/12: 2 in 9.8, none higher. From tGary Dahlberg Collection.




91601 X-Men #1 (Marvel, 1963) CGC VF+ 8.5 O-white pages. Originand rst appearance o the X-Men (the Angel, the Beast, Cyclops, Iceman,and Marvel Girl). First appearances o Proessor X and Magneto. Jack Kirbycover and art. Overstreet 2011 VF 8.0 value = $8,000; VF/NM 9.0 value =$19,000. CGC census 1/12: 39 in 8.5, 41 higher.

91602 X-Men #1 (Marvel, 1963) CGC VF 8.0 O-white pages. Looor a solid copy o one o the most popular comics o the Silver Age? no urther! Featuring the origin and rst appearance o the X-MenAngel, the Beast, Cyclops, Iceman, and Marvel Girl), plus the rst appances o Proessor X and Magneto. Jack Kirby cover and art. Overs2011 VF 8.0 value = $8,000. CGC census 1/12: 41 in 8.0, 80 higher.




91603 X-Men #2 (Marvel, 1963) CGC NM+ 9.6 O-white pages. We have rarely gotten our mitts on a 9.6 copy o this one, and we’re thrilled to othis copy! This is the second appearance o the X-Men, with cover art by Jack Kirby. First appearance o the Vanisher. Overstreet 2011 NM- 9.2 value$4,200. CGC census 1/12: 4 in 9.6, 2 higher.




91604 X-Men #4 (Marvel, 1964) CGC NM+ 9.6 White pages. Look atthe top and right edges o this one and we think you’ll be signing up tobid. This issue has the rst appearances o Quicksilver, Scarlet Witch, Toad,Mastermind, and the Brotherhood o Evil Mutants, as well as the secondappearance o Magneto. You could also make the argument that it’s Jack Kirby’s best X-Men cover. Overstreet 2011 NM- 9.2 value = $2,500. CGCcensus 1/12: 5 in 9.6, 2 higher.

91605 X-Men Annual #2 (Marvel, 1971) CGC NM/MT 9.8 O-whiteto white pages. Marie Severin cover. A super-high-grade copy! Overstreet2011 NM- 9.2 value = $120. CGC census 1/12: 3 in 9.8, none higher.

Bound volumes

91606 The Avengers #1-80 Bound Volumes (Marvel, 1963Gorgeous copies o issues #1-80 that have been trimmed and bounda set o our hardcover volumes. Highlights include the rst appearo the Avengers, the revival o Captain America, and the rst appearao Baron Zemo, Kang, Immortus, Wonder Man, Swordsman, Vision,Guardian, Grim Reaper, Red Wol, and the Invaders. Art by Jack KirbyHeck, John Buscema, Gene Colan, Barry Smith, and others. The bare in excellent condition with antastic cover and page quality, minwear, glossy covers, and supple white to o-white pages. Overstreet VG 4.0 value or group = $3,518.

91607 Flash Comics Bound Volume (DC, 1941). Copies o FComics #17, 18, 19, 22, and 23 that have been trimmed and bound isotcover volume. The Sheldon Moldo covers are stunning, with acpacked images o Hawkman and the Flash. There is a slight separaalong the spine to the ront cover o #17; otherwise, the comics avery nice condition with bright covers, supple cream to o-white ptanning to the inside covers, and mild wear. Overstreet VG 4.0 valugroup = $2,235.




91608 Gene Autry Comics #1-72 Bound Volumes (Dell, 1946-53). Anice run o Western Publishing le copies o Gene Autry #1-72 that havebeen trimmed and bound into a set o six hardcover volumes. Most are52-page issues. The comics are in very nice condition with bright covers,supple pages, very mild wear, and some instances o tanning to the edgesand cover interiors. Overstreet 2011 VG 4.0 value or comics = $1,250.

91609 Green Lantern #1-12 Bound Volume (DC, 1941-44). AlanScott, the original Green Lantern, lands his own series as well as twonew arch nemeses in this volume. Contents include issues #1 (originretold, classic cover), 2 (rst book-length story), 3 (classic war cover), 4(Green Lantern and Doiby Dickles join the Army), 5, 6, 7 (robot cover), 8(Hop Harrigan back-up stories begin, classic cover), 9, 10 (origin and rstappearance o Vandal Savage), 11, and 12 (origin and rst appearanceo the Gambler), trimmed and securely bound into a hardcover volume.Artists include Howard Purcell, Martin Nodell, Sheldon Mayer, and PaulReinman. The comics are in great condition, with gorgeous, glossy covers,o-white to tan pages, mild wear, and binding that is still tight and secure.Overstreet 2011 VG 4.0 value or group = $13,028.

91610 Looney Tunes and Merrie Melodies Comics #1-12 BounVolume (Dell, 1941-42). A selection o le copies o issues #1-12 th

have been trimmed and bound into a hardcover volume. Highlighinclude the rst comic book appearances o Bugs Bunny, Day DucPorky Pig, Elmer Fudd, Kandi and the Cave Kids, and more. Other higlights include the rst unny animal superhero story in issue #5, a paintcover on #9, a ag cover on #10, and art by Walt Kelly. The comics are very nice condition with mild to moderate wear and tanning, and somsoiling to the top edges o the pages; the binding is in nice condition wheavy bumping and raying to the corners and moderate wear and tearthe spine, but binding is otherwise secure. Overstreet 2011 VG 4.0 valor comics = $3,882.

91611 Roy Rogers Comics #1-72 Bound Volumes (Dell, 1948-53Western Publishing le copies o Roy Rogers #1-72 that have betrimmed and bound into a set o six hardcover volumes. The contents the rst volume (issues #1-12) have separated rom the binding, causithe ront cover o issue #1 to separate slightly; otherwise, the comics ain very nice condition with bright covers, supple pages, and some tanninand wear. Overstreet VG 4.0 value or group = $1,465.




91612 Superman #1-12 Bound Volume (DC, 1939-41). A copy o the iconic issue #1 leads o this superb bound volume, eaturing the rst 12 iso the series which is still going strong some seven decades later.

The classic cover to #11, which was used on a U.S. postage stamp, is just one o the many other highlights contained here, in a volume that extends Summer 1939 to September 1941. The book has a red binding with the title printed in gold on the spine. And as always with bound volumes, the comwere slightly trimmed on three sides as part o the binding process.

The back cover o each issue was removed as part o the binding process; otherwise, each issue is complete. The cover o issue #1 shows one large arepaper loss to the top right corner and a smaller one near the spine, and there are a ew pages rom #6 that have pulled loose rom the contents; otherthe comics are in overall very nice condition with surprisingly little wear and bright glossy covers that exhibit some mild to moderate tanning; the pare supple with overall mild to moderate tanning and no signs o chipping along the edges.

Acquiring a run o all 12 o these issues in similar condition would cost well into six gures and take a air amount o time as well. Each o the issues involume is a prized rarity, making this antastic collection a dream item or Super-ans. Overstreet 2010 VG 4.0 value or comics = $73,628.




91613 Superman #14-25 Bound Volume(DC, 1942-43). A eye-popping set o issues #14-25 o Superman’s eponymous solo title, trimmed

and bound into a hardcover volume. Highlightsinclude Lois Lane’s second cover appearance (in#16) and several great wartime covers by FredRay and Jack Burnley. Most eature heavy tan-ning to the inside covers, a ew have tape repairs,and the ront cover to #14 is a little loose; other-wise, the comics are in nice condition with brightcovers, mild to moderate wear, and supple pageswith very little tanning. Overstreet 2011 VG 4.0value or comics = $5,832.

91614 Superman #26-43 Bound Volume(DC, 1944-46). A great set o copies o Superman #26-43 that have been trimmedand bound into a hardcover volume. Highlightsinclude the origin and rst appearance o Mr.Mxyzptlk, an Overstreet “classic” war cover onissue #26, the rst “Lois Lane Girl Reporter” sto-ries, and an A-bomb story in issue #38 that wasdelayed by government censorship. The comicsare in nice condition with bright covers, supplepages, mild to moderate tanning to the insidecovers and most pages, and some instances o wear and oxing. Overstreet 2011 VG 4.0 value orcomics = $5,916.

91615 Thrilling Comics #12-39 Bound

Volumes (Better Publications, 1941-43). A verynice run o le copies o Thrilling #12-39 thathave been trimmed and bound into a set o threehardcover volumes. Contents include the originand rst appearance o the American Crusaderand some classic covers by Alex Schomburg. Thecomics are in nice condition with glossy covers,mild wear, moderate tanning to the pages andinterior covers, and some instances o aking.Overstreet 2011 VG 4.0 value or comics = $3,056.

91616 Wonder Woman #1-12 BouVolume (DC, 1942-45). The earliest issues Wonder Woman are tricky to nd in general, a

a bound volume o the rst ew years’ wortha truly breath-taking nd. Highlights include nonly the origin o Wonder Woman, but also trst appearances o some o her most endurioes. Included are copies o issues #1 (coveand art by H. G. Peter begin), 2 (origin and appearance o Mars), 3, 4, 5 (rst appearanceDr. Psycho), 6 (rst appearance o Cheetah), 7,9, 10 (classic “Invasion From Saturn” sci-i cove11, and 12 that have been trimmed and bouinto a hardcover volume. The books are in woderul condition with bright, glossy covers asupple pages, with only moderate tanning awear. Please note that the cover o issue #1 ha three-inch tear, and the ront cover o #2 hascu with color loss (visible on our scan onlin

The hardcover shows some mild edge and c

ner wear and scufng. The ront hinge has beproessionally repaired. The binding is tight asecure. Overstreet 2011 VG 4.0 value or group$9,756.

91617 Zip Comics #14-17 Bound Volum(MLJ, 1941). Copies o Zip Comics #14-17 thhave been trimmed and bound into a sotcovvolume. Contents include classic covers Charles Biro eaturing Steel Sterling rescuidamsels rom some rather gruesome ates. Theare pieces missing rom the back cover o #1otherwise, comics are in very nice condition wbright covers, supple cream to o-white pagtanning to the inside covers, and mild weOverstreet VG 4.0 value or group = $1,050.




mAGAzines

91618 Playboy #1 Newsstand Edition (HMH Publishing, 1953) CGC NM 9.4 White pages. The M

Monroe cover and nude post inside ensured Hugh Hener’s edgling magazine would get noticed - hedidn’t know by how many, and how great the distribution would become within just a ew years. Frprinting o just over 50,000 copies or this rst issue, Playboy’s print run reached 5 million within 15 ye

This is easily the nest copy o the highly collectible debut issue o Playboy that we’ve ever had the optunity to oer, ar surpassing the CGC VF+ 8.5 copy we oered in 2009, which previously held the Herrecord and sold or over $10,000. It’s stunning, rom its incredibly snow-white covers to its pristine wpages. All that white paper tends to show even minute wear and the slightest o smudges, so the condo this oering is all the more astonishing.

Nearly 60 years ater the issue was published, it’s sae to say there simply aren’t many copies that can command a Near Mint certication. To datehas awarded the NM 9.4 grade to just two other copies o the Newsstand Edition, and a higher grade has yet to be certied. Go to HA.com/7054closeup view!

See: Video Lot Description




underGround ComiCs

91619 Lenny o Laredo #1 First Printing File Copy (SunburyProductions, 1965) Condition: NM-. Joel Beck’s unny take o onLawrence o Arabia eatures the story o Beat comic Lenny Bruce. Beck was one o the rst generation o cartoonists in the sixties’ Undergroundmovement, which began in college newspapers and humor magazines.Lenny o Laredo is considered one o the “grandather” Undergrounds,along with Jack Jackson’s God Nose and Foolbert Sturgeon’s Adventureso Jesus, all o which predated Robert Crumb’sZap Comics #1. This incred-ibly resh copy comes to us courtesy o Beck’s original publisher, who hascareully guarded this treasure or all these years, until nally consentingto allow its sale through Heritage. Underground ans and collectors, grabthis chance now — this one belongs in the vault! Fogel’s UndergroundComix Price Guide NM 9.4 value = $5,000.

91620 Weirdo Robert Crumb Signed

Group (Last Gasp, 1981-93). Robert Crumbwas the motivating orce behind this popu-lar Underground/Alternative anthology,and served as editor or the rst nine issues,as well as cover artist and art contributorthroughout its twenty-eight issue run. Here’sa group o sixteen issues, each and every onesigned on the ront cover by Mister Crumbhimsel. The issues include #1 (third print-ing), #2 (second printing), 3-7, 9-12, 14, 16,18, 27, and 28 (last issue). Condition rangesrom VG/FN to VF, with most copies in FN.Grab yoursel a little “strange magic” with thisstack o signed Weirdos!

91621 Zap Comix #0 (Apex Novelties,

1967) CGC NM+ 9.6 O-white to whitepages. This should have been RobertCrumb’s rst solo comic book, but it almostdidn’t get published at all! When Crumbcompleted the art, he handed it o to some-one he knew to have it published, and that’sthe last he ever saw o it! Luckily, ater pub-lishing a dierent comic as Zap Comix #1,photocopies o this issue turned up, whichCrumb re-inked and had published, hencethe #0. Fogel’s Underground Comix PriceGuide FN 6.0 value = $600; NM 9.4 value =$1,000. CGC census 1/12: 4 in 9.6, 3 higher.

91622 Zap Comix #1 First Printing - Plymell (Apex Novelties, 196CGC NM 9.4 Cream to o-white pages. Here it is, Underground ans the Big Kahuna o ‘em all. While there are a ew other Undergrounds thcan claim to have come beore, this classic comic book is the one thnot only kick-started the entire Underground Comix scene, but laid toundation or the Independent movement that ollowed. And sure, thewere thousands o copies printed over the years, but it’s that very rst, “by the seat o your pants” pressing that everyone wants. O the scant 5,0or so copies printed in San Francisco in February, 1968 (the Novemb1967 date on the inside ront cover was when R. Crumb actually nishthe art work) on a ramshackle pre-WWII printing press, a good many welost or damaged in a re, and most o the copies sold were simply read pieces. Not this super-sweet Near Mint copy! Robert Crumb stories, covand art. Fogel’s Underground Comix Price Guide Supplement NM- 9value = $10,000.

91623 Zap Comix #1 First Printing -Plymell (Apex Novelties, 1967) CGC VG 4.0Cream to o-white pages. You say you’rean Underground Comix collector and youdon’t have a copy o the most importantUnderground ever? Shame on you! Notto worry, though — your pals at Heritagehave a very acceptable VG copy waiting oryou! Robert Crumb stories, cover, and art.Fogel’s Underground Comix Price GuideSupplement GD 2.0 value = $1,600; FN 6.0value = $4,800. CGC census 1/12: 3 in 4.0, 50higher.




PulPs

91624 Amazing Stories Annual #1 (Zi-Davis, 1927) Condition: FN-. Bedsheet ormatwith incredible Frank R. Paul cover art o JohnCarter and a Martian. Mr. Paul also provides sev-eral interior illustrations. Edgar Rice Burroughs’classic story “The Master Mind o Mars” is com-plete and original to this issue. This is one o thenicest copies o this pulp that we’ve oered atauction to date, with complete covers and spine,and supple cream pages. Two small pieces o tape on the spine. Bookery’s Guide to Pulps FNvalue = $1,300.

91625 Fire Fighters V1#2 (MagazinePublishers Inc., 1929) Condition: VG+. Secondo only three issues, listed as “rare” by Bookery’s.

Cover by Walter Baumhoer o Doc Savage ame.Complete covers and spine, tan but supple pageswith some signs o mild brittleness. Bookery’sGuide to Pulps VG value = $600.

91626 G-8 and His Battle Aces V1#1(Popular, 1933) Condition: FN-.“The Bat Stael”by Robert J. Hogan. Debut issue. Complete cover,complete and unaded spine, supple pages withmild tanning and no apparent brittleness. Sometrimming to the cover edges. Bookery’s Guide toPulps FN value = $750.

91627 The Lone Ranger Magazine #1(Trojan Publishing, 1937) Condition: FN-. Astunning copy o the very scarce rst issue o the short-lived title — the Lone Ranger’s onlyventure into the pulps. Cover by “Kidd”. Bright,complete covers and spine, supple o-whitepages with some browning along the edges. Theront cover has been trimmed. Bookery’s Guideto Pulps FN value = $900.

91628 The Lone Ranger Magazine #2 (TrojanPublishing, 1937) Condition: FN-. Cover by H.J. Ward. Bookery’s lists as “scarce”. Bright, com-plete covers and spine, supple o-white pageswith some browning along the edges. Very lightamount o trimming to the covers. Bookery’s

Guide to Pulps FN value = $600.

91629 The Lone Ranger Magazine #3(Trojan Publishing, 1937) Condition: FN-. Cover by H. J. Ward. Bookery’s lists as “scarce”.Bright, complete covers and spine, supple o-white pages with some browning along theedges. Very small tear to top right corner sealedwith tape on cover interior. Trimmed. Bookery’sGuide to Pulps FN value = $600.

91630 The Lone Ranger Magazine #4 (TrPublishing, 1937) Condition: FN-. Cover byWard. Bookery’s lists as “scarce”. Bright, comcovers and spine, supple o-white pages some browning along the edges. Trimmed atop edge. Bookery’s Guide to Pulps FN val$600.

91631 The Lone Ranger Magazine(Trojan Publishing, 1937) Condition: Cover by H. J. Ward. Bookery’s lists as “scaBright, complete covers and spine, supplewhite pages. Trimmed along top edge. BookGuide to Pulps FN value = $600.

91632 The Lone Ranger Magazine #6 (TrPublishing, 1937) Condition: FN-. Cover J. Ward. Bookery’s lists as “scarce”. Bright,

plete covers and spine, supple o-white pwith some browning along the edges. TrimBookery’s Guide to Pulps FN value = $600.




91633 The Lone Ranger Magazine #7 (TrojanPublishing, 1937) Condition: FN-. Cover by H.J. Ward. Bookery’s lists as “scarce”. Bright, com-plete covers and spine, supple o-white pageswith some browning along the edges. Trimmed.Bookery’s Guide to Pulps FN value = $600.

91634 The Lone Ranger Magazine #8(Trojan Publishing, 1937) Condition: FN-. Final issue, and last pulp appearance o the LoneRanger. Cover by H. J. Ward. Bookery’s lists as“scarce”. Bright, complete covers and spine, sup-ple o-white pages with some browning alongthe edges. Trimmed. Bookery’s Guide to Pulps FNvalue = $600.

91635 Assorted Detective Pulps Group(Various, 1937-42) Condition: Average FN-. Includes Dan Turner - Hollywood Detective#1 (1942, rst appearance o Dan Turner),

September 1938 Detective Yarns (second issue,scarce), and December 1937 Popular Detective (second issue, classic cover by Rudolph Belarski).Bright, complete covers and spines, supple creamto o-white pages. Some trimming. ApproximateBookery’s Guide to Pulps value or group = $525.

91636 New Story Magazine V7#5 (Street& Smith, 1914) Condition: VG+. Features partthree o “The Outlaw o Torn” by Edgar RiceBurroughs, and part our o “Allan and the HolyFlower” by H. Rider Haggard. N. C. Wyeth cover.Complete, bright covers and spine, cream pages,trimmed along top edge. Bookery’s Guide toPulps VG value = $500.

91637 Operator #5 - April 1934 (Popular,1934) Condition: VG/FN. Debut issue o thepopular title, eaturing the rst appearance o Jimmy Christopher. Classic cover by JeromeRozen, with interior illustrations by RudolphBelarski. Small piece out o lower right corner o ront cover; otherwise, covers and spine are com-plete and bright, and the pages are supple ando-white. Bookery’s Guide to Pulps VG value =

$400; FN value = $800.

91638 Operator #5 Group (Popular, 1935)Condition: Average FN-. Includes the February,March, May (classic guillotine cover), June, andJuly 1935 issues. All have bright, complete coversand spines and supple, mostly o-white pages.All are trimmed. Approximate Bookery’s Guide toPulps value or group = $800.

91639 Operator #5 Purple Invasion Grou(Popular, 1936-37) Condition: FN-. Otreerred to as the War and Peace o pulps, tPurple Invasion storyline ran through a whoping 13 issues o the title. The epic saw unnamed European nation (based on NGermany) conquering the United States, spaing an insurgency led by the titular pulp heIncluded here are the June, August, October, aDecember 1936 and January, February, Mar(2 copies), May, July 1937 issues — nine instaments o the saga. Complete covers and spinsupple pages that are mostly o-white, instanc

o mild to moderate ading to the spines, asome trimming. Approximate Bookery’s GuidePulps value or group = $1,500.

91640 Saucy Movie Tales - April 19(Movie Digest, 1936) Condition: FN-. Clasbondage cover by Norman Saunders. Conten

include a story by William Bogart, who substuted or Lester Dent on a several issues o DSavage. Complete and unaded covers aspine, supple pages that are o-white with sombrowning along the edges. Trimmed. Bookerlists as “rare”. Bookery’s Guide to Pulps FN val= $1,500.




91641 Secret Agent X V1#1 (Ace, 1934)Condition: FN-. A beautiul copy o the debutissue o the title, eaturing the rst appearanceo the titular secret agent/master o disguise.Complete covers and spine, and supple o-whitepages. Top edge trimmed. Overstreet 2011 FN 6.0value = $600.

91642 Shadow V1#3 (Street & Smith, 1931)Condition: VG. A scarce copy o the third issueo the quintessential hero pulp. This was the rstto eature one o Jerome Rozen’s brilliant covers,which was also the rst to eature the Shadow(albeit in silhouette). The story, “The ShadowLaughs”, was the rst to mention the Shadow’stwin automatic pistols, and eatured the rstappearance o Vic Marquette. Complete covers

and spine, and supple o-white to cream pages. Tape along bottom quarter o spine, tanning tocover interiors, some soiling to rst ew pages.Bookery’s Guide to Pulps VG value = $1,500.

91643 Shadow V1#6 (Street & Smith, 1932)Condition: VG-. George Rozen’s rst cover orthe title eatures the rst appearance o theShadow’s ace set against a silver background.Complete covers and spine, supple cream pages.

Tape along the spine. Bookery’s Guide to PulpsVG value = $1,000.

91644 Shadow #1-6 Bound Volume ormthe Library o Walter Gibson. (Street & Smith,1931-32). These are rare copies o the rst sixissues o The Shadow that have been trimmedand bound into a hardcover volume that oncegraced the personal library o series authorWalter Gibson. Contents include the rst appear-ances o Lamont Cranston, Harry Vincent, andJoe Cordona, and covers by Jerome and GeorgeRozen. The ront cover o issue #1 and back covero #6 have separated rom the contents; other-wise, the pulps are in nice condition with bright,glossy covers and supple pages that are largelyo-white with heavy tanning and light akingalong the edges. Bookery’s Guide to Pulps GDvalue or group = $5,700.

91645 Shadow February-July ‘32 BoundVolume rom the Library o Walter Gibson(Street & Smith, 1932). Copies o the February-July 1932 issues o The Shadow that havebeen trimmed and bound into a hardcover vol-ume rom the personal library o author WalterGibson. Covers by George Rozen. The pulps are in

nice condition with bright covers, mild wear, andcream to o-white pages with some tanning andlight aking along the edges. Bookery’s Guide toPulps GD value or group = $1,120.

91646 Shadow Bound Volumes romLibrary o Walter Gibson (Street & Sm1932-33). Copies o the August 1932-Feb1933 issues o The Shadow that have trimmed and bound into a pair o hardcvolumes rom the personal library o aWalter Gibson. Classic covers by George R

The pulps are in nice condition with brighters, mild wear, and cream to o-white pagessome tanning and chipping along the edgecorners. Bookery’s Guide to Pulps GD valugroup = $1,450.

91647 Shadow March-November ‘33 BoVolumes rom the Library o Walter Gi(Street & Smith, 1933). Copies o the MNovember 1933 issues o The Shadowhave been trimmed and bound into a set ohardcover volumes rom the personal libraauthor Walter Gibson. Covers by George Ro

The pulps are in nice condition with bright

ers, mild wear, and cream to o-white pwith some tanning and aking along the eBookery’s Guide to Pulps GD value or gro$1,330.

91648 Shadow Bound Volumes romLibrary o Walter Gibson (Street & Sm1934-35). Copies o the March 1-Decembe1934 and January 1-February 15, 1935 io The Shadow that have been trimmedbound into a set o our hardcover volumes the personal library o author Walter GibCovers by George Rozen. The pulps are incondition with bright covers, mild wear,cream to o-white pages with some tanningaking along the edges. Bookery’s Guide to PGD value or group = $1,370.




91649 ShadowBound Volumesrom the Libraryo Walter Gibson(Street & Smith,1934-38). Copieso the September1, 1934-February15, 1935 andS e p t e m b e r

1-November 15,1938 issues o thedenitive hero pulp,

trimmed and bound into a set o three hardcovervolumes, each with series author Walter Gibson’sname embossed on the spines. The pulps are innice condition with glossy covers, supple pageswith browning edges, mild wear, and some pro-nounced aking to the top right corners o theDecember ‘34-January ‘35 issues. ApproximateBookery’s Guide to Pulps GD value or group =$790.

91650 ShadowBound Volumesrom the Library

o Walter Gibson(Street & Smith,1935-36). Copieso the March1-December 15,1935 and January1-February 15,1936 issues o TheShadow that havebeen trimmed and bound into a set o ourhardcover volumes rom the personal library o author Walter Gibson. Covers by George Rozen.

The pulps are in nice condition with bright cov-ers, mild wear, and cream to o-white pageswith some tanning and aking along the edges.Bookery’s Guide to Pulps GD value or group =$1,350.

91651 ShadowBound Volumesrom the Libraryo Walter Gibson(Street & Smith,1936-37). Copieso the March1-December 15,1936 and January1-February 15,1937 issues o TheShadow that havebeen trimmed andbound into a set o our hardcover vol-

umes rom the personal library o author WalterGibson. Contents include the rst appearance o the Voodoo Master. Covers by George Rozen. Thevolume containing the December ‘36-February‘37 issues shows heavy chipping along the pageedges; otherwise, the pulps are in nice condi-tion with bright covers, mild wear, and cream too-white pages with some tanning and akingalong the edges. Bookery’s Guide to Pulps GDvalue or group = $870.

91652 ShadowBound Volumes(Street & Smith,1937-38). Copieso the March 1,1937-February 15,1938 issues thathave been trimmedand bound into a seto our hardcover

volumes. Includedis the November15, 1937 issue eaturing the rst appearance o recurring heroine Myra Reldon. The pulps are innice condition with glossy covers, supple pageswith browning edges, mild wear, and someaking to the edges and corners. ApproximateBookery’s Guide to Pulps GD value or group =$855.

91653 ShadowBound Volumesrom the Libraryo Walter Gibson(Street & Smith,1938-40). Copies

o the June 1,1938-February 15,1939 and June 1,1939-February 15,1940 issues o TheShadow that havebeen trimmed andbound into a seto six hardcovervolumes rom the personal library o authorWalter Gibson. The contents include the rst twoappearances o recurring archnemesis ShiwanKhan, as well as “The Golden Vulture”, written byDoc Savage author Lester Dent and updatedby Gibson. Covers by George Rozen. The con-tents o the September-November 1938 volumehave separate rom the hardcover; otherwise,

the pulps are in nice condition with bright cov-ers, mild wear, and cream to o-white pageswith some tanning and aking along the edges.Bookery’s Guide to Pulps GD value or group =$1,000.

91654 ShadowBound Volumesrom the Libraryo Walter Gibson(Street & Smith,1940-42). Copieso the March 1,1940-August 1942issues o TheShadow that have

been trimmed andbound into a seto ten hardcovervolumes rom the

personal library o author Walter Gibson, withcovers by George Rozen and others. Contentsinclude the third and ourth appearances o Shiwan Khan, the series 10th anniversary issue,and the rst pulp appearance o Margo Lane. Thepulps are in nice condition with bright covers,mild wear, and cream to o-white pages. Thereis some tanning and aking along the edges,primarily to the 1942 issues. Bookery’s Guide toPulps GD value or group = $1,235.

91655 The Spider - August 1936 (Popula1936) Condition: FN-. Complete glossy covecomplete, unaded spine; supple white to owhite pages. Three very small tear seals with velight color touch to ront cover near spine, cotouch to small tear at bottom edge, and somtrimming; otherwise, FN or better. BookerGuide to Pulps FN value = $300.

91656 The Spider - July 1936 (Popul1936) Condition: FN-. Complete glossy covecomplete, unaded spine; supple cream to owhite pages with some instances o chippinSome trimming. Bookery’s Guide to Pulps value = $300.

91657 Strange Tales V1#1 (Clayton, 193Condition: FN-. Debut issue o the short-livrival to Weird Tales. Includes the classic tale “TReturn o the Sorcerer” By Clark Ashton Smi

Cover by Hans Wesso. Bright, complete, aunaded covers and spine, plus supple o-whpages. Overstreet 2011 FN 6.0 value = $70




9 1 6 5 8 W e i r dTales - October1933 (PopularFiction, 1933)Condition: VG. Theclassic “Bat Lady”cover by MargaretBrundage andthe early Conanstory “The Pool o

the Black One” byRobert E. Howardmake this a keyissue. Complete

cover and spine, the latter o which shows onlyvery light ading. Supple pages. Some soiling tothe cover. Bookery’s Guide to Pulps VG value =$500.

91659 Weird Tales - Robert E. Howard Group(Popular Fiction, 1928-30) Condition: AverageVG+. Includes the issues o August 1928 (“RedShadows” by Howard — the rst appearance o Solomon Kane, and “The Vengeance o Nitocris”,the rst published story by Tennessee Williams)and November 1930 (includes Howard’s “Kings o the Night”, eaturing Kull o Atlantis and Bran Mak Morn). Contents also include H. P. Lovecrat, Clark Ashton Smith, and Seabury Quinn. Covers by C. C.

Sen. Both have some restoration and color touchto the spines, complete covers, and trimmededges. The 1928 issue has light tan pages withsome chipping. Approximate Bookery’s Guide toPulps value or group = $700.

Look For Many More

Pulps in ession three!

91660 Weird Tales “Red Nails” Group(Popular Fiction, 1936) Condition: AverageFN-. Includes the July, August, and October1936 issues, eaturing all three installments o the Conan tale “Red Nails”. Covers by MargaretBrundage and J. Allen St. John. Additional con-tent by Clark Ashton Smith, Paul Ernst, C. L.Moore, and Robert Bloch. Bright, complete cov-ers, supple pages, and complete spines with verymild ading. Approximate Bookery’s Guide toPulps value or group = $350.

91661 Zeppelin Stories V1#3 (RamerReviews, Inc., 1929) Condition: VG+. Abeautiul copy o one o the rarest and mostsought-ater pulps in existence, eaturing theclassic cover story “The Gorilla o the Gas Bags” byGil Brewer.” Exceedingly difcult to nd and listedas “very rare” by Bookery’s, this is the rst copy o this issue — or any issue o the title — we’ve hadthe opportunity to oer. The covers and spineare complete and unaded, with what appears tobe a very minor amount o regluing perormedon the head and tail o the spine. The pagesare tan with some browning and early signs o brittleness to the edges, but are still supple. Thebottom edges o the cover seem to have beentrimmed. A beautiul copy with only the minorrestoration work and page quality preventing itrom grading higher. Bookery’s Guide to Pulps VGvalue = $2,500.

memorABiliA

91662 Big Little Book #717 Mickey M(Whitman, 1933) Condition: Apparent VGhistoric rst Mickey Mouse Big Little Book . on spine; amateur color touch on lower edspine. Overstreet 2011 GD 2.0 value = $396.0 value = $980.

91663 Popeye, Thimble Theater StarringBig Book #4063 (Whitman, 1935) CondiFN+. This second-printing copy, with theballoon” cover, is considered scarcer thanrst. Segar cover and art. Nice cover with minor wear. Overstreet 2011 FN 6.0 value = $

91664 Uncle Scrooge the Lemonade Signed by Carl Barks (Whitman, 1Condition: Apparent VF+. The rst timeBarks received published credit or his DisneAter years o drawing the Disney ducks wita byline, the Disney company nally acknedged the “Good Duck Artist” -- Carl Barksco-artist (with Norm McGary) on this smalldren’s story book, The Lemonade King.

copy o that hard-to-nd book was signeBarks, dated January 16, 1972, on the rst p

The book is remarkably nice condition, espeor an item that was designed or young chil

There is a very small area along the outer edge o the ront cover that has a small break; this area was long-ago touched up lightly, using a blue marker. Otherwise, the appears unused. Overstreet 2011 VF 8.0 va$262; VF/NM 9.0 value = $524. From the PerCollection o Malcolm Willits.




91665 Carl Barks A Lithographic Suite of Preliminary Paintings Portolio #13/500 (Another Rainbow, 1986). This portolio contains acollection o ten prints o preliminary concepts and idea sketches paintedin mixed media by Carl Barks during the years 1982-86. Each is printedin the traditional our-color lithographic screened process on ne paper.

The prints are reproduced the same size as the original art (#9 has beenslightly reduced rom the original size), and each has been initialed byBarks. Does not include a COA. Includes a Wanderer o Wonderlands lim-ited edition print (#2278/5000), with tape on the reverse; otherwise it is inGood condition.

91666 Carl Barks Trespassers Will Be Ventilated LithographProgressive Proo Set #1 o 5 (Another Rainbow, 1987). GlitteringGoldie and her bear, Blackjack, lay claim to Uncle Scrooge’s diggingsin this un image, which was painted by Carl Barks (as CB OIL 134), andinspired by the second solo Uncle Scrooge comic (Four Color #456, “Back

to the Klondike”). Another Rainbow wasted no time turning it into a beau-tiul lithograph, and this boxed set (one o ve identically numbered sets)contains all 21 progressive proos, one or each color and combinationo colors as used in the printing process. The prints are all in Excellentcondition; the clamshell box has tape and some minor storage wear. Acerticate o authenticity is included.

91667 Carl Barks First National Bank o Cibola Limited EditionLithograph Progressive Proo Group (Another Rainbow, 1987). Thetenth Carl Barks lithograph produced by Another Rainbow is based onthe story in Uncle Scrooge #7, rom the 1987 painting noted as as CB OIL133. This is one o ve identically numbered sets o progressive proos,consisting o 21 sequentially numbered prints -- one or each color andcombination o colors. The prints have an image area o approximately20” x 16”, and are housed in a gold-tone clamshell case. Each print is inExcellent condition, with some clear tape on the box. Included is a certi-cate o authenticity.

91668 Carl Barks Holiday in Duckburg Lithograph Progressive ProBox Set #1 o 5 (Another Rainbow, 1989). This joyul scene, based Barks’ 1989 painting numbered CB OIL 137, is described on the AnothRainbow site as “the happiest oil painting ever done by the Old DuMan!” Everyone seems to be having a swell time, even the Beagle Bowho are seen o in the distance, stealing a chicken! This is one o only identically numbered boxed Progressive Proo sets, eaturing twenty-ninumbered proos, one or each stage o the our-color printing proce

The prints are all in Excellent condition; the clamshell case has remnano tape, and a ew minor dings. Included is a certicate o authentici

91669 Carl Barks Return to Plain Awul Lithograph ProgressiProo Set #1 o 5 (Another Rainbow, 1989). The “Square Egg” stooriginally published as Four Color #223 “Lost in the Andes” is generaconsidered by Carl Barks ans and scholars as the Good Duck Artist’s materpiece, the best o his long Donald Duck adventure stories. It was tinspiration or a wonderul painting, Return to Plain Awul , aka CB OIL 13which was used or this print. The litho print utilized 22 colors, and tmassive set o numbered progressive printer’s proos eatures no less th53 separate pieces, one or each color and combination o colors. TProgressive Proos were limited to only ve sets, all numbered “1 o 5”. the prints are in Excellent condition; the clamshell box has some old taminor glue residue, plus a light bit o wear. The set includes a certicao authenticity.




91670 Carl Barks Rich Find at Inventory Time Remarked SerigraphPrint Publisher’s Proo 1/15 (Disney Art Editions, 1994). The UncleScrooge painting “Rich Find at Inventory Time” was one o the largest andmost detailed Carl Barks ever did, measuring 34” x 28”. It’s a wonderulimage that was recreated as a 75-color serigraph; this print is one o 15

publisher’s proos done as part o the remarqued edition. Featuring hand-done color separations on special acid-ree paper measuring 41” x 34.5”,this is a rich nd indeed or any ans o the Disney Ducks and the art o Carl Barks, especially with the extra hand-drawn art o Scrooge, suppliedby Mr. Barks in the bottom margin. Included is the original promotionalolder. Regular editions originally sold or $1,750 and usually go or over$2,000 now. Dig up a ew spare coins rom your money vault and bid!

91671 Barks Treasury Gold Limited Edition with Signed Certifcate320/1000 (Applewood Books, 1997). A limited edition super-deluxebound gallery, showcasing tipped-in reproductions o orty color pen-cil sketches done by Barks in his 96th year, housed in green velvet-linedclamshell case padded with shredded sheets o City o Duckburg cur-rency. A complete currency note is included in the book, signed “To Steve”by Barks; he also inscribed the title page. The book has a gold-embosseddust jacket, and includes a Certicate o Authenticity signed by Barks. Asa bonus, a group o eleven axes rom the Carl Barks Studio, giving Carl’sprices on selected pages, is included. In Excellent condition, other thanthe clamshell case top separating rom the rest o the case, which couldbe easily repaired.

91672 Batman on Gargoyle Limited Edition Statue 3128/5555 Graphitti, 1992). Wonderully detailed limited edition cold cast porcpiece by master sculptor Randy Bowen, measuring approximately 1tall, on a base measuring 3.25” x 5.5”. One o the ew DC pieces by Boand one o his earliest works. No box. A bit dusty rom display, but owise in Excellent condition. Not listed in Hake’s, but considered one omost desirable o the Batman statues, commonly selling online or $2From the Ben Novack, Jr. Estate Collection.

91673 Captain Marvel, Jr. Figure Corp., 1946). Elvis Presley’s avorite cbook character as a 5” plastic gurinExcellent condition. Hake’s Pop CuMemorabilia Price Guide NM value = $1




91674 Mary Marvel Figure (Kerr Co.,1946). Plastic 5” gure o the Fawcett Comicscharacter. Excellent condition. Hake’s PopCulture Memorabilia Price Guide NM value =$1,500.

91675 Disneykins Git Box Set (Marx, 1960s). The gang’s all here —although in a very tiny size — in this collection o 34 miniature plasticDisney characters. Two o the gures, Mickey Mouse and Monty, havecome loose rom their glued positions, and are turned sideways, and thebox has a slight bit o wear, including a torn area on the let edge; leavingthe set in overall FN+ condition. See these incredible gures up close atHA.com/7054. Hake’s Price Guide to Disney Collectibles FN value = $450.

91676 Kellogg’s Pep Pin Complete Set (Kellogg’s, 1945-47). Kellogintroduced small lithographed tin pinback buttons as premiums oerin boxes o Pep Cereal in 1943, beginning with military insignia sets.1945, they began several series o Comic Character buttons. Each set cosisted o 18 buttons, or a total o ve sets. Common with each set was t

Superman button; all other buttons eatured dierent comic strip charaters, like Little Orphan Annie, Felix the Cat, the Phantom, and a ew truodd supporting characters like Uncle Bim (rom The Gumps) and DenDimwit (rom Winnie Winkle). This impressive collection has all ve secomplete (including Superman in all ve sets) or a total o 90 buttoplus a rare 1947 Canadian 5” x 3” paper advertisement sheet. The overcondition or the buttons is VF to NM; the ad sheet is VF with some minpaper tanning on each edge. Hake’s Pop Culture Memorabilia Price Guilists a complete 86 button set (with only one Superman) with a NM valo $2,000, and the ad sheet with a NM value o $300.

91677 Superman Serial Card and Animation Art Group (Columb1948-50). A set o our ramed lobby cards, each with a small animatigure (in gray tones) over the card. When Columbia lmed these twserials (Superman in 1948; Atom Man vs. Superman in 1950), they used amation to portray the Man o Steel ying. Included is one scene card roSuperman (Chapter 1: Superman Comes to Earth); and three rom AtoMan vs. Superman: a title card or Chapter 14: Rocket o Vengeance, atwo identical scene cards or Chapter 15: Superman Saves the Univer

The cards are all in Excellent condition, attractively matted and ram

with the animation cels, all o which eature a tiny image o Supermying solo and holding Lois Lane. A very unusual group, sure to appeal comic ans, movie poster collectors, and animation art lovers alike!From the Estate o John McLaughlin.

end of session one



Session Two, Auction #7054 | Thursday, February 23, 2012 | 12:00PM ET

Original art

92001 Neal Adams and Frank Giacoia Green Lantern #78 Page 7Original Art (DC, 1970). Neal Adams is considered by many to be the art-ist who, along with writer Denny O’Neil, began the Bronze Age o comics.

The realistic approach to the art and emotive quality o the gures wereperect or O’Neil’s social commentary that has made their run on the Green Lantern/Green Arrow series one o the most respected in comichistory. This is a wonderul example o the dark line and moody atmo-

sphere that greatly added to the psychological reality o the characters. This Bronze Age beauty has an image area o 10” x 15”, and aside romoverall paper aging, the art is in Very Good condition. The piece is signedin its bottom margin by Adams.

92002 Dan Adkins Dracula and Man-Thing IllustrationOriginal Art (undated). TheLord o the Undead, Dracula,and the muck monsterknown as Man-Thing appeartogether in this illustrationby Dan Adkins. The work has

an image area o 10.75” x 15”and it is in Excellent condi-tion. Signed and inscribedby the artist at the top right.

92003 Murphy Anderson Strange Adventures #236 Cover OriArt (DC, 1972). DC ans take note, this is only the second “pure” MuAnderson vintage cover Heritage has oered to date. Although this is designated as #234 on the cover art, it was actually used on issue #Murphy Anderson is one o the most respected Silver and Bronze Agists. Here he recreates, in stunning ashion, the eye-catching cover or the 1955 Ed Herron sci- classic, “The Human Fishbowl.” This piecan image area o 10” x 15”, and aside rom some aged paste-on elemthe art is in Excellent condition. Signed by Murphy Anderson at the ulet, and DC editor Julius Schwartz at the lower right.

SESSION TwO

Floor, Telephone, Heritage Live!™, Internet, Fax,and Mail Signature® Auction # 7054

Thursday, February 23, 2012 | 12:00PM ET | New York | Lots 92001 - 92392






92004 Murphy Anderson Archie Comics #1 Cover Re-CreationOriginal Art (undated). “The Mirth o a Nation.” This splendid re-creationo the cover to Bob Montana’s landmark 1942 issue has an approximateimage area o 15.5” x 21”, and the art is in Excellent condition.

92005 Murphy Anderson Strange Adventures #153 Atomic KnightsPage 15 Original Art (DC, 1963). Atomic Knight Gardner Grayle andMarene Herald star enjoy a romantic moment in this Silver Age sci-spectacular rom the John Broome yarn, “Danger in Detroit.” The AtomicKnights are a cult classic series among ans o DC editor Julie Schwartz’sscience ction titles, and this is the only the second page we have oeredto date. Who knows when we’ll oer another? This hal-page has an imagearea o 13” x 12”, and the art is in Excellent condition.

92006 Jim Aparo The Phantom #32 “The Pharaoh Phantom” PaOriginal Art Group (Charlton, 1969). Jim Aparo’s art is absolutely manicent in pages 1-20 o this yarn rom the twilight o the Silver Age. Peanote, the last our pages o the story are missing rom this lot. Each pago this beautiully drawn thriller has an image area o 10” x 15”, and the aaverages Excellent condition. See all the pages at HA.com!

92007 Jim Aparo Aquaman #40 Chapter Title Page 17 Original A(DC, 1968). In this chapter opener to “Sorcerers o the Sea,” the Sea Kinmakes room to ace o against a monstrous creature. Jim Aparo had pa

his dues at Charlton Comics beore ollowing editor Dick Giordano ovto DC — Aquaman was one o his rst assignments at the company, aAparo proved he could handle action and excitement with the best them in this, his debut at DC. This action sequence is absolutely stunninwith three ast-paced panels that thrillingly convey Aquaman’s battle wthe beast. The image area o this Silver Age spectacular is 10” x 15”, and tart is in Excellent condition.




92008 Al Avison Witches Tales #1 Complete8-Page Story “The Monster o Mad Mountain”Original Art (Harvey, 1951). Truly a scarceopportunity, oered here is a complete yelp-yarnrom the rst issue o Harvey’s inamous WitchesTales. Each page o this “monster-piece” has animage area o approximately 12” x 18,” and theyaverage Excellent condition.

92009 Dick Ayers and Rich Ayers Hulk vs.The Four-Armed Terror Specialty IllustrationOriginal Art (undated). This gamma rayed-grabber eaturing the Hulk, who seems to havethe upper hand on his oe rom DC (the Four-Armed Terror rom Superman’s Pal JimmyOlsen #137), has an image area o 12.5” x 17”. Thisspecialty piece eaturing the Jack Kirby charac-ters has been matted and ramed to an overallsize o 18.5” x 23”. The art is in Excellent condition.Signed by both artists at the lower right.

92010 Dick Ayers and Rich Ayers Fantastic Four #4 Sub-Mariner Cover Re-CreationOriginal Art (undated). Father and son have

teamed to conjure up this incredible re-creationo the Jack Kirby and Dick Ayers cover or thestory “The Coming o the Sub-Mariner.” Renderedin ink, marker, and paint, the piece is beautiullydetailed and immaculate. This cover scene has animage area o 12.5” x 18”, and it has been mattedand ramed to an overall size o 18” x 24.5”. The artis in Excellent condition. Signed by both artists inthe lower margin.

92011 Dick Ayers and Rich Ayers Sgt. Fury #40 Cover Re-Creation Original Art (undated). Wah-hooo! Darlin’ Dick Ayers and his son, Rollickin’Rich, produced this explosive painting o Sgt.Fury and His Howling Commandos rom the clas-sic yarn “That France Might be Free.” Rendered inmixed media, this piece is beautiully detailedand immaculate, with brilliant colors. No matterthe medium or the subject, Dick Ayers is a raretalent and this is a cover that will charm any Sgt.Fury an. This pulse-pounding show-stopper hasan image area o 12.5” x 18”, and it has been mat-ted and ramed to an overall size o 18” x 24.5”.

The art is in Excellent condition. Signed by bothartists in the lower margin.

92012 Dick Ayers and Rich Ayers X-MeCover Re-Creation Original Art (undaMarvel legend Dick Ayers, along with hisRich, has re-created the cover o one o the

memorable Silver Age comics o the Marve— X-Men #1 — the X-Men vs. Magneto. Adid a superb job o capturing the appeMarvel mainstay, Jack Kirby. This mixed mpiece has an image area o 12.5” x 18”, and ibeen matted and ramed to an overall size ox 24.5”. The art is in Excellent condition. Signeboth artists in the lower margin.




92013 Carl Barks Donald Duck Flying Dutchman Painting Original Art (1972). The Flying Dutchman #1 (#23-72) marked the very rst time thasplash panel rom a comic story was used as the subject o a Carl Barks painting. In a 1972 letter to Don Ault, Barks stated that “it is a subject that stands oits own merits as a seascape.” In Uncle Scrooge #25, Barks had eatured the ghostly galleon in the opening splash panel, and again on the page 11 splapanel where the Duck amily spots the Dutchman sailing up in the sky. The dark clouds behind the red sails make this rst version the spookiest o ththree versions Barks painted, matching the eerie tone o this ghostly adventure. Carl Barks truly enjoyed drawing ships; Barks historian Geo Blum poinout that he had started his comic book career by drawing all the nautical pages or “Pirate Gold” (Four Color #9, 1942), and drawing stormy seascapes wCarl’s motivation or doing his classic “Horse-Radish” story in Uncle Scrooge #3.

This version o the Flying Dutchman painting is so rare most Barks ans have never seen it! It wasn’t included in the 1981 book, The Fine Art o DonaDuck . Barks did a second version that was sold in 1991 ater being held by the amily as a retirement “nest egg”, and a third and nal version was sold b

Heritage in 2002 or a whopping $80,500.

Flying Dutchman #1 is painted in oils on Masonite with an image area o 18” x 24”, and is ramed in gold wood which makes the yellowish lightning bolstand out. Other than a thin, non-obtrusive 9” contact scratch than runs rom the rame down past the back o the ship, it’s in Excellent condition. It’strue maritime masterpiece as only Barks could deliver. Don’t let your opportunity to get it sail away!




92014 Carl Barks An Astronomical Predicament Oil Painting Original Art (1990). The way-out sixties ound Uncle Scrooge and Donald takingin the space race. This oil painting on masonite, numbered by ans as CB OIL 138, is based on the yarn “Island in the Sky” rom Uncle Scrooge #29 (1and shows Uncle Scrooge, Donald, Huey, Dewey, and Louie as they are conronted by the hungry inhabitants o a barren asteroid. The image area omasterwork measures 19” x 25.5”, and it’s been ramed to an overall size o 24.5” x 31”. This piece is in Excellent condition.




92015 Carl Barks Menace From the Grotto Painting Original Art (1975). Carl Barks based his 110th Disney oil painting (known as CB OIL 110 anby the Barks code 75-20) on the cover o Four Color #159’s classic “Ghost o the Grotto” Donald Duck adventure. One can almost eel the chill in the saair as the old conquistador climbs aboard the Duck’s boat in the misty evening! Wonderul detail and color! The oil on board painting has an image aremeasuring approximately 12” x 16”, and is beautiully ramed and matted to an overall size o 20” x 24”. Featured in The Fine Art o Walt Disney’s DonaDuck by Carl Barks. In Excellent condition.




92016 Carl Barks ReturnPlain Awul Preliminary Pain(#P-10) Original Art (c. 19Carl Barks returns to the ground o his amous squarestory, “Lost in the Andes” (nally published in Four C#223), in his painting, RetuPlain Awul . This preliminary sk(Code #P-10) was one o severcolor developmental oil skeon masonite created by Barkthis iconic painting. The art himage area o 14.75” x 11.75”it is in Excellent condition. Siand inscribed by Barks at the l

let.

92017 Carl Barks Return toPlain Awul Preliminary Painting(#P-10B) Original Art (c. 1989). Carl Barks reprises the Duck amily ’sadventure to the mysterious SouthAmerican location known as PlainAwul, in his beautiul paintingReturn to Plain Awul . This paintingwas created as a ollow-up to hisamous tale, “Lost in the Andes”(originally published in Four Color #223), and was released along withDonald Duck Adventures #12,which included Don Rosa’s sequel

tale, “Return to Plain Awul.” Thispreliminary sketch (Code #P-10B)was one o several ull color devel-opmental oil sketches on masonitecreated by Barks or this painting.

The art has an image area o 14.75”x 11.75” and it is in Excellent condi-tion. Signed and inscribed by Barksat the lower let.




92018 Carl Barks Trail o the Forty Thieves Preliminary PaintingSketch (#P-7) Original Art (c. 1980). Carl Barks created this idea sketchor a painting tentatively titled Trail o the Forty Thieves which, unortu-nately, he later abandoned. A typed note attached to the back reads: “Asubject begun in an eort to put the ducks in the mysterious Arabiandesert. Somehow the mirage o ancient Baghdad never quite becamethe diaphanous, shimmering illusion I wanted to portray.” This prelimi-nary sketch (Code #P-7) was one o several ull color developmental oilsketches made by Barks (this is painted on masonite). The art has animage area o 10” x 12.5” and it is in Excellent condition. Signed by Barksat the lower right.

92019 Carl Barks Trail o the Forty Thieves Preliminary PaintiSketch (#P-7-A) Original Art (c. 1980). Here’s another version o tstudy Barks created or a painting which was to be named Trail o tForty Thieves, and later abandoned when he was dissatised with the wthe “shimmering illusion” o ancient Baghdad came out. We think he dpretty well with this version! This preliminary sketch (Code #P-7-A) wone o several ull color developmental oil sketches made by Barks (tis painted on canvas mounted to masonite). The art has an image aro 10” x 12.5” and it is in Excellent condition. Signed by Barks at the lowright.

92020 C. C. Beck The Marvel Family, Friends, and Foes PaintingOriginal Art (1978). The World’s Mightiest Mortals — Captain Marvel,Captain Marvel Jr., and Mary Marvel — pose or a splendid portrait, alongwith their riends and oes, courtesy o the best-known o all the Fawcettartists, C. C. Beck. How many can you name? In case you’re stumped, thislot comes with a photocopy o a letter rom Beck, spelling them all out.It’s a great image o one o the most-loved superhero “amilies” o all time,done in gouache and ink. The image area is approximately 22” x 17”, andis matted and ramed to an overall size o 25” x 20”. The art is in Excellentcondition. From the Estate o John McLaughlin.

92021 C. C. Beck Shazam! Captain Marvel DC House Ad PreliminaOriginal Art (DC, 1972). In the 1940s, the biggest-selling superhero combook eatured not Superman, but the original Captain Marvel. Created artist/writer C. C. Beck, the “Big Red Cheese” eventually ell victim to a lasuit brought on by rival publishers National Periodical Publications (Dwho quietly put the beloved character to rest. For ans o the Golden Ao Comics, Captain Marvel was sorely missed, and his return by DC in 19was welcome news. This tracing paper pencil sketch o Captain Marvel wBeck’s rst “ocial” version o the character in about 17 years, and was tpreliminary version o the art used to herald the good Captain’s return, seen in DC house ads. The sketch has an image area o approximately 4”7.25”, is in Excellent condition, and is quite detailed. A tearsheet o the nal is included, plus a signed letter rom Beck, and a color copy o a photo ro1975. A certicate o authenticity is included. This is truly a historic sketchone o the best-known and most-beloved comic superheroes!




92022 Luis Bermejo Creepy #76 Complete 8-Page Story “EdgarAllen Poe’s The Imp o the Perverse” Original Art (Warren, 1976). Thisspine-tingling Bronze Age chiller is sure to please any art an o Warren’s“Spanish Invasion.” Each gorgeous mixed greytone media page or the

“Divine Edgar’s” yarn has an approximate image area o 10.5” x 15”, andthe condition o the art averages Excellent. See all the pages at HA.com!

92023 Blondie Count Cookie in Too! Big Little Book #1430 CoverOriginal Art (Whitman, 1947). Mixed media on illustration board. Thework has been ramed and matted to an image area o 15” x 15.5”. InExcellent condition.

92024 Donald Duck Gets Fed Up Big Little Book Cover Origina(Whitman, 1940). Donald Duck does what he’s amous or — loosecool — on this incredibly animated Big Little Book (#1462) cover illu

tion. I you’re a an o the Disney Duck clan, this is a can’t-miss pieceon illustration board, with an image area measuring approximately x 14”, and matted and ramed to an overall size o 19” x 19”. In Excecondition. From the Estate o John McLaughlin.

92025 Big Little Book Donald Duck in Volcano Valley #1457 COriginal Art (Whitman, 1949). Erupting volcanoes have never lo

more colorul! Here’s a great 1949 Big Little Book ront cover and sshowcasing that perennial Walt Disney avorite, Donald Duck . Rendin mixed media, it measures approximately 15.5” x 16” overall. This pis missing its original “Better Little Book” paste-up stat at the loweotherwise, it is in Excellent condition.




92026 Simon Bisley 2000 AD #688 Cover Original Art (Fleetway, 1990). Slaine delivers mayhem, in this orceul illustration by Simon BisleRendered in acrylic on heavy illustration paper, the art measures 18” x 12”. In Excellent condition.




92027 Simon Bisley 2000 AD Program #693 “Slaine: The HoGod Book III” Page 20 Original Art (Fleetway, 1990). The enormpopular Slaine, takes the situation in hand, in this head-chopping by Brit sensation Simon Bisley. Continuing the epic Celtic saga, “Sl

The Horned God,” author Pat Mills and artist Simon Bisley bring to lianother blood-splattering page in this classic tale o sword and sor

The image area measures 12.5” x 16”, and the art is in Excellent cond

92028 Simon Bisley Death Dealer Painting Original Art (1994). Frank Frazetta’s horned-helmeted warrior, weary rom bloody battle, aces morehorror along the corridor, in this bold Simon Bisley masterwork. Painted inacrylics on heavy paper, this devastating Biz original measures 11.5” x 16.5”.In Excellent condition. Signed by the artist at the lower right.




92029 Simon Bisley Jason vs. Leatherace #3 Cover Original Art(Topps, 1995). Horror heavyweight Jason Vorhees, a.k.a. the MongloidMarauder, raises unholy hell in this vivid painted cover by Simon Bisley.

The art measures 16.5” x 23.15”, and aside rom some light wear along theextreme edges, it is in Excellent condition.

92030 Simon Bisley Blue-Cowled Figure with Crossbow IllustrationOriginal Art (1995). This powerul painted piece was rendered in acrylicon heavy paper. The art measures 9.5” x 12” and it is in Excellent condition.Signed by the artist at the upper let.

92031 Simon Bisley Saint George with the Head o the DragoIllustration Original Art (2000). “St. George inspire us with the spleo ery dragons.” Fantasy maestro Simon Bisley captures a triumphaSaint George standing on the head o his vanquished oe, in this luxuous graphite illustration. Rendered on heavy paper, measuring 15” x 2the work is in Excellent condition. Signed by the artist at the extreme leedge.

92032 Simon Bisley Illustrations From the Bible: A Work in Progre“Abraham Preparing to Sacrice Isaac” Illustration Original Art (1999

The story o Bisley’s interest in religious art begins a ew years earlier whAlex Acevado, o Alexander Gallery, challenged him to put his consideable skill to work illustrating religious stories. Bisley was so inspired

the challenge that he produced a large body o religious themed imageas well as several Roman and Medieval art pieces. Fortunately, KevEastman elt that the drawings deserved to be seen by the public at largand so had a large selection o them published by Heavy Metal magaziin “Illustrations From the Bible: A Work in Progress.” This dramatic pencil paper drawing has an overall size o 11.75” x 14”, and the art is in Excellecondition.




92033 Simon Bisley Illustrations From the Bible: A Work in Progress “The Sun Was Darkened and the Earth Quaked” Illustration OriginalArt (1999). Simon Bisley, or the Biz, has been assaulting ans with hislarger than lie art since debuting on the ABC Warriors and Slaine story-lines or 2000 AD magazine in 1988 and 1989 respectively. His work onLobo and Batman vs. Judge Dredd catapulted him to worldwide ame.

In 2004, Heavy Metal published a critically acclaimed collection o Bisley’sreligious drawings and paintings entitled “Illustrations From the Bible: AWork in Progress.” This sublime pencil on paper drawing has an overall sizeo 11.75” x 16”, and the art is in Excellent condition.

92034 Brian Bolland Comicon 77 Illustration Original Art (1977). The Cowled Crusader sheds many a tear when he detects the creasedupper right corner o his previously Near Mint copy o Detective Comics#27 — he should never have let Robin borrow it. Fortunately, as BruceWayne, he is already a billionaire. Seriously though, any Bat-an wouldlove to own this whimsical work by the always in-demand Brian Bolland.

This wonderul piece has an overall size o 12.5” x 9.25”, and the art is inExcellent condition.

92035 Brian Bolland Get 2000 A. D. Beore It Gets You Slain Mand DC Superhero Ad Illustration Original Art (undated). Whilgure o a locked and loaded Judge Dredd perched on his motorcycpasted-on stat (taken rom a Mike McMahon image), the rest o this scal ad is all original art as detailed by an-avorite Brian Bolland. AmDredd’s amous victims are Spider-Man, Superman, Red Sonja, the FBatman, the Green Lantern, Wonder Woman, the Thing, the Hulkmore. The image area o this modern “murder-piece” measures 11.5”

There is some overall paper aging and the piece has been glued to lapiece o support paper and the glue is coming loose; otherwise, the

in Very Good condition.

92036 Dick Brieer Frankenstein #7 Cover Recreation Origina(1980).Perhaps best known or his work on the Golden Age FrankensDick Brieer drew all 33 issues, both straight horror and slapstick comversions. His was a unique and versatile talent. This whimsical oil onvas board painting, painted in the year o Brieer’s death, has an imsize o approximately 19” x 23”, and it has been matted and ramed t

overall size o 24.5” x 28.5”. The art is in Excellent condition. Signed byBrieer at the lower right. From the Estate o John McLaughlin.




92037 Rich Buckler and Dan Adkins Astonishing Tales #13 SplashPage 1 Original Art (Marvel, 1972). No man should be ashamed tocry out in unaccustomed ear when he looks on the loathsome ace o death! Ka-Zar aces the muck encrusted monstrosity Man-Thing, in thispage rom “Man-Thing!” The art has an image area o 11” x 15” and it is inExcellent condition.

92038 Rich Buckler and Joe Sinnott Giant-Size Super-Stars #1 Hulk Splash Page 1 Original Art (Marvel, 1974). Nothing shouts out MarvelBronze Age more clearly than this eye-popping opener o the rst andonly issue o this Giant-Size title, co-starring the Incredible Hulk and theFantastic Four. This bombastic blockbuster has an image area o 10” x 14”,and aside rom a ew production process stains and a pasted-on captionat the lower right, it is in Excellent condition. Signed in the upper marginby Buckler.

92039 Rich Buckler and Joe Sinnott Giant-Size Super-Stars #1 Huvs. Thing Splash Page 26 Original Art (Marvel, 1974). The Marvheavyweights are battling again as the Fantastic Four watch the evlovin, blue-eyed Thing uncork a vicious let on the Hulk. Joe Sinnott wat the peak o his powers or this issue — his control o the brush wois breathtaking. This Bronze Age brawler has an image area o 10” x 15Aside rom a ew production process stains, it is in Excellent conditioSigned in the upper margin by Buckler.

92040 John Coleman Burroughs John Carter o Mars Sunday ComStrip #66 Original Art dated 3-7-43 (United Feature Syndicate, 1943John Carter and Deja Thoris cross the orsaken waste o the Martian desein search o her ather’s kingdom, when they are set upon by Barsoomiaheadhunters, in this vibrant Sunday. This Sunday has an image area o 2x 18”, and the piece is in Very Good condition. Signed by the artist in tbottom o the sixth panel. The gures in panel 1, 4, and seven are photstats, not original art.




92041 John Buscema and John Verpoorten Amazing Adventures #4Black Widow/Inhumans Cover Original Art (Marvel, 1971). The Black Widow and the Inhumans are the ocus o this block-bustin’ cover pen-

ciled by John Buscema with John Verpoorten inks. The art has an imagearea o 10” x 15”, and it includes the original logo and masthead paste-up type. Aside rom some production process stains, this piece is in VeryGood condition.

92042 John Buscema and Tom Palmer The Avengers #97 PagOriginal Art (Marvel, 1972). Three powerul heroes o the FabForties, Captain America, Sub-Mariner and the Patriot, spring orwardaction against Kree invaders, in this page rom “Godhood’s End!” Thhas an image are o 10” x 15”. Aside rom some tape residue in the uand lower edges, and some light yellowing to the Zipatone, the workVery Good condition.

92043 John Buscema and Jim Mooney Thor #216 Splash PaOriginal Art (Marvel, 1973). With his beloved Lady Si embedded wthe scarlet crystal o the God-Jewel Xorr, how canst the son o Odinprotect her rom his own liege? This stunning rst splash page to the“Where Chaos Rules!” has an image area o 10” x 15”. There is lighting and glue staining along the edges; otherwise the art is in Very Gcondition.




92044 John Buscema and Dave Cockrum The Avengers #124 Page15 Original Art (Marvel, 1974). Dashing Dave Cockrum added theperect Bronze Age nish to this action-packed page or “Beware the Star-Stalker.” The line-up includes Vision, Thor, Mantis, and Libra, o the Zodiac,as well as the macabre menace, Star-Stalker. This cosmic thriller has an

approximate image area o 10” x 15”. The last panel is tipped-in and tapedon the back; otherwise. the art is in Very Good condition.

92045 John Buscema and Bob McLeod Thor #278 Cover OriginalArt (Marvel, 1978). The Thunder God humbled — by a roughneck whoclaims to be the real Thor! This bold cover pretty much describes itsel,and why not, when it’s been created by two o the most talented artiststo ever to sta the bullpen — John Buscema on pencils, and Bob McLeodmanning the ink brush. This spectacular cover pulses with energy as theMighty Thor stumbles beore the awe-inspiring power o this two-wayAsgardian onslaught. Buscema’s power-packed pencils are augmentedby McLeod’s supple, precise linework, to create a cover image that can’tbe topped. This thriller has an image area o 9.75” x 15”. Aside rom someoverall paper aging, this piece is in Very Good condition.

92046 John Buscema Conan Portolio Plate Three IllustratioOriginal Art (SQ Productions, 1980). More Hyperborian hand-to-hacombat conronts the savage rom Cimmeria in this splendid illustratioby “Big John” Buscema or his limited edition portolio. The art has image area o 11” x 14” and it is in Excellent condition.

92047 John Buscema Marvel Comics Super Special #21 Conan tBarbarian Splash Page 1 Original Art (Marvel, 1982). A true colletor’s item, this is surely Buscema at his nest, worthy o a place in evethe most discriminating collection. Based on the movie starring ArnoSchwarzenegger, this story was later printed as the Conan the BarbariaMovie Special #1 & 2. Fully penciled and inked by the late, great JohBuscema, this splash is the work o a master, drawing the character most enjoyed. This page has an image area o approximately 15” x 13.and it is in Excellent condition.




92048 John Buscema, Bob Wiacek, and Dan Green Kull theConqueror #1 Splash Page 25 Original Art (Marvel, 1983). Her poweris unchallenged! She is Iraina the Tigress, soon to be empress o all the

Thurian continent and conqueror o the known world! This savage splashpage rom the tale, “Eye o the Tigress,” has an image area o 10” x 15”. In

Excellent condition.

92049 John Buscema and Bill Sienkiewicz Galactus the Devourer #6 Page 30 Original Art (Marvel, 2000). The ultimate battle betweenmaster and herald rolls inexorably orward in this page rom “The Deatho Galactus.” The art has an image area o 10” x 15” and it is in Excellentcondition. Signed by John Buscema at the upper right.

92050 John Byrne Unpublished New X-Men Splash Page OriArt (Marvel, 1976). Mr. Byrne commented, “That’s the splash page unnished (and thus unpublished) Wolverine story I started or myamusement (i.e., on spec) beore I was assigned to the X-Men’s own think it got as ar as one more (unnished) page.” As such, this sensatpiece is the earliest X-Men art by Byrne we’ve oered to date. It himage area o 10” x 13”. Aside rom some slight overall paper wear, this in Excellent condition.

92051 John Byrne and Mike Esposito Marvel Team-Up #54 SpMan, Hulk, and Woodgod Splash Page 1 Original Art (Marvel, 1John Byrne was on the verge o comic super-stardom when he penthis issue, which appeared around the same time he took over the X-Spidey, the Hulk, and Woodgod together in a seventies splash by B— ace it, tiger, you just hit the jackpot. As an added “art bonus,” the o the page eatures cool pencil sketches o Rog-2000, Spider-ManDr. Doom. This super-suspenseul splash or “Spider in the Middle” himage area o 10” x 13.5”, and aside rom a horizontal crease 2/3 o therom the top o the image, and a ew production process stains, the in Very Good condition.




92052 John Byrne and Terry Austin X-Men #112 Page 4 Featuring Magneto Original Art (Marvel, 1978). Many ans consider this awesomMagneto story arc the point where John Byrne’s legendary run really kicked into high gear. The Byrne/Austin artwork on this page is just jaw-droppingbeautiul. The master super-villain is in every panel, and both the old and new X-Men are both represented here, with Beast and his ellow veteraCyclops and Phoenix joining a very eisty Wolverine. This was just Byrne’s th issue o the title (he still hadn’t done any o the covers to this point). AByrne put it on his website, “I remember mostly that (#112-113) were the issues in which things really elt like they were starting to click — that it begato eel like my book, rather than a Cockrum book on which I was just doing a prolonged series o ll-ins.” This Bronze Age blockbuster rom “Magne

Triumphant” has an image area o 10”x 15”, and the art is in Excellent condition. Signed in the upper right margin by Terry Austin.




92053 John Byrne and Terry Austin The X-Men #134 Wolverine, Nightcrawler, and Storm Page 7 Original Art (Marvel, 1980). One o thebest X-Men sequences was their showdown with the Hellre Club, who at rst had the mutants on the ropes to say the least. But Wolverine led a roucomeback, and here you see Sebastian Shaw in deeat as well as Harry Leland. The latter’s look was inspired by Orson Welles’ The Third Man charHarry Lime, and you see the resemblance to Welles here! Austin’s inking, superb on the printed page, is even more striking when you hold the art in yhands. This awesome page has an image area o 10” x 15”, and the art is in Excellent condition. The page was signed by Byrne in its second panel.




92054 John Byrne and Joe Rubinstein Captain America #252 Page14 Original Art (Marvel, 1980). While Cap aids Batroc, Mr. Hyde is inun-dated with a high-pressure o liqueed natural gas, in this page rom“Cold Fire!” The art is 10” x 15” and, aside rom some paper tanning andlight soiling, it is in Very Good condition. Signed by Joe Rubinstein at thelower right.

92055 John Byrne andKyle Baker Avengers

Annual #14 Splash Page 35Original Art (Marvel, 1985). Captain America, Starox,Captain Marvel (MonicaRambeau), Black Knight,

Hercules, Wasp, Mr. Fantastic,Invisible Woman, Human

Torch, and She-Hulk — thegang’s all here in this “BradyBunch”-styled portrait splashrom “Fith Column.” KyleBaker’s inks give the pencilsa crisp edge and he reallybrings out Byrne’s best. ThisMarvel masterwork has animage area o 10” x 15”. Asiderom clipped corners andirregular margins (all outsidethe image area), the art is inVery Good condition.

92056 Milton Cani Terry and the Pirates Daily Comic Strip OriginalArt dated 8-3-35 (Chicago Tribune, 1935). In the history o comic stripart, Terry and the Pirates stands among the best. The eature was a mas-terpiece o storytelling wedded with crisp, exciting artwork. For manyreaders, Milton Cani perected the adventure strip. This episode eaturestwo o the main stars o the early years, Normandie Drake and Terry Lee.

This strip, titled “That Woman’s Here Again” has an image area o 20” x 5.5”,and the art is in Excellent condition.

92057 Milton Cani Miss Lace and Steve Canyon TV Show PromotiIllustration Original Art (1958). Miss Lace vamps the boys in the L. A.F. A. to watch the new Steve Canyon TV show, in this sexy illustration Milton Cani. An art or type element has come o o the lower let the 10” x 13” design, leaving behind a glue stain. Matted and ramed an overall size o 15” x 18”, the art is otherwise in Very Good conditioSigned by Milton Cani at the lower right. From the Estate

John McLaughlin.

92058 Nick Cardy The Brave and the Bold #103 Batman and t

Metal Men Cover Original Art (DC, 1972). Tina leads a revolt o tMetal Men as Gold, Iron, and Mercury try to orce the Gotham Guardito hit the kill switch or all o mankind. The line work is terse yet sensitivand Nick Cardy pencils and inks an emotional scenario that crackles wtension. This is truly the vision o a seasoned comics master at work. ThBronze Age blockbuster has an image area o 10” x 15”, and the art is Excellent condition.




92059 Ernie Chan and Fred Carrillo Unpublished Swamp Thing #25Page Original Art Group (DC, 1976). The abrupt cancellation o the orig-inal Swamp Thing run let many plot threads dangling, and a blurb at theend o issue #24 promised a meeting between Swampy and Hawkman inthe next issue, a conrontation which never materialized once the axe hadallen. Drawn but never published, the pages oered here, pages 9-14 and16-17, are rom that all-but-legendary twenty-th issue, and eature vir-tually non-stop action pitting Swamp Thing against the Winged Wonder.Roughly hal the story is included, and the pages are in Very Good condi-tion, with minor corner dings and overall wear. The image area or eachpage measures 10” x 15”. See all the pages at HA. com!

92060 Ernie Chan SaSword o Conan #35 PagOriginal Art (Marvel, 19

The astounding artistErnie Chan is showcased in

page rom “Black Tears.” pulse-pounding page haimage area measuring 1015”, and it’s in Excellent cotion. Signed by Ernie Chathe rst panel.

92061 Howard Chaykin

Marvel Preview #2 DominicFortune Page63 Original Art(Marvel, 1975).

The ast anddeadly brigandor hire, DominicFortune, makesa death-deyingappearance hang-gliding into asheer cli, in thispage rom “ThePower BrokerResolution.” Notethat the grey tones

here were madewith a marker, thisis not Cratint! Thegrey tone art hasan image area o 14” x 20” and it isin Excellent condi-tion. Inscribed and signed by Chaykin in the lower right margin.

92062 Howard ChaykinWonder Woman Gallery Pin-Up

Page Original Art (DC, 1996). The an-avorite creator o American Flagg and Black Kiss presents his vibrant vision o theAmazon Ace in this stunning pin-up. A hand colored color guideand a copy o the comic book are also included with this lovelylot. The art and the color guideare each in Excellent condition.




92063 Dave Cockrum and Bob McLeod Marvel Fanare #3 Wraparound Cover Original Art (Marvel, 1982). In pursuit o Sauron, the X-Men croover to the Savage Land, and do battle with the Mutates. “Into the Land o Death” is a classic Claremont/Cockrum concoction, and this eye-bendinwraparound cover is so gorgeous it might just give you vertigo. There are two rough areas where UPC labels were previously attached to the artwo

which have been removed and some corrections made, and there are a ew very light grease stains o the sort commonly associated with the Marvproduction oces o this era, but overall the piece is in Very Good condition with a clean, crisp appearance. The overall image area measures 15” x 19.5Considered the quintessential X-Men artist to a generation and beyond, Dave Cockrum X-covers are becoming increasingly rare at public auction, so dolet this opportunity pass you by.




92064 Gene Colan and Frank Giacoia Captain America #129 CoverOriginal Art (Marvel, 1970). One o the denitive action artists to evergrace the comics industry, “Gentleman” Gene Colan does it again with thisawe-inspiring cover rom 1970 eaturing “The Vengeance o the Red Skull.”I you’re wondering where the Skull is, he’s in the helicopter. With earnestinking by Marvel alum Frank Giacoia, this page swings into action at arantic pace. Highly realistic renderings o a helicopter, kidnapped auto-mobile, and Captain America doing what he does best... does it get anybetter than this? Overall size is 11.5” x 17” with an image area o 10” x 15”.

The Captain America logo stat and masthead are still attached. Exceptor some yellowing in the center and miscellaneous white out scatteredthroughout the page, the art is in Very Good condition. Signed by GeneColan at the bottom right. Action lovers — this one’s or you!

92065 Gene Colan and Tom Palmer Tomb o Dracula #2 Frank DrakeSplash Page 1 Original Art (Marvel, 1972). With this moody splash pageby Genial Gene Colan, the Bronze Age saga o the Tomb o Dracula seriesbegins its second issue. The art or this drama-drenched splash has animage area o 10” x 13.5”. Aside rom the usual scattered small productionstains common to Bronze Age art, and a one-inch tear at the center-rightborder, the art is in Very Good condition.

92066 Gene Colan and Tom Palmer Kid Colt Outlaw #223 COriginal Art (Marvel, 1978). Hold on to your hats, Kid Colt ans — ‘cthe Kid is caught in a three-man brawl in this cover scene or “RevRides the Range,” drawn by the Bronze Age art team-supreme o

Colan and Tom Palmer. This cover has an image area o 9.75” x 15”. Arom a ew pasted-on word balloons, captions, and some taped-onelements, the cover is in Very Good condition. Signed by Colan inlower right margin. Aw-haw — be sure to take your best shot at thistin’ hollerin’ Marvel masterwork!

92067 Gene Colan Daredevil #25 Penciled Leap-Frog CRe-Creation Original Art (2000). In this issue, in a moment o panprotect his secret identity, Matt Murdock tells Foggy Nelson and K

Page that DD is really his twin brother. Oh, and Leap-Frog hops into as well. Celebrated as one o the Man Without Fear’s best artists, GColan has reprised the landmark, rst cover appearance o DaredevilLeap-Frog, and he has captured all the vitality and charm o the or1967 cover in this re-creation. Drawn in pencil, this piece has an ovsize o 11” x 17”, and the art is in Excellent condition.




92068 Reed Crandall Piracy #2 Cover Original Art (EC, 1954EC master artist Reed Crandall pays homage to Howard Pyle’s amopirate painting with his pen and ink version o a no-holds-barred knght or the cover to EC’s New Trend comic Piracy #2. Artist Ange

Torres has oten said that he and Al Williamson oten reerred Howard Pyle and N. C. Wyeth’s masterul illustrations or inspiratioand Torres later praised this particular piece as a “magnicent job —looked like a woodcut.” Note the incredible detail Crandall put inthe costumes and background. Also take notice o the ship anchorin the background, a perect touch. EC artwork is always highly prizeand this piece, the rst Piracy cover we have oered to date, will be

treasured addition to any collection. The cover art measures appromately 13.5 “ x 19.75”. The Piracy logo, and sidebar ship scene were-created as a careully color-matched replacement, and the mascene has been attached to a piece o support paper; otherwise, tpiece is in Very Good condition.




92069 Jack Davis and Harvey Kurtzman Unpublished Hexaexagon Game Illustration Original Art Group (c. 1957). Sight gags, paradoxesvisual games have always been a part o Mad-man Harvey Kurtzman’s humor. Slated or Hugh Hener’s never-published Trump #3, the “Exaltawould have been Kurtzman’s most elaborate visual game ever. As described in Joey Anu’s in-depth Winter 2005 eature article or Comic Art #7,mechanics o the game were based on game master Martin Gardner’s column or the December 1956 issue o Scientic American.” There was onecial dierence though. Kurtzman’s version eatured hilarious “mix and match,” sexy Jack Davis illustrations rather than mere geometric patterns. Inclhere are the three “main” ramed hexagonal Davis nished illustrations that the game was built around, each with an approximate image area o 7.5”Also included are a combination o Davis’ original art (including our more unramed nished pieces: the woman in bikini; two drawings o various bitems; and the drawing o the cars circling with tissue overlay), another Davis preliminary (the woman in bikini old-out), two working mock-up moor the game done in Kurtzman’s hand (the blue and yellow old-outs), and eight pieces o production art and stats, or a total o 15 “auxiliary pieces,” with an overall size o 8” x 11”. This artwork or an incredibly ambitious project oers a ascinating an unparalleled view into Kurtzman’s post- Mad wFor more inormation on how the game actually worked, please consult Mr. Anu’s Comic Art article — we can’t get past the gorgeous Jack DavisHarvey Kurtzman art. The art averages Excellent condition.




92070 Jack Davis Haunt of Fear #13 Complete 7-Page Story “Wolf Bait” Original Art (EC, 1952). Attention ghoul-lunatic lovers, the peerlessportraits o the Crypt-Keeper in this chiller are all-original art, and not stats.EC orever changed the level o quality expected rom the horror comicgenre — its shocking stories set a new standard or the “twist ending.” Though the sta o EC writers used every variation conceivable, they werealways well written, with art that conveyed the story in the boldest waypossible. This yelp-yarn eatures art by Jack Davis at the height o his careerat EC. The crisp ink work and attention to detail that Davis put into everypanel contrasted nicely with his signature cartoony style, perect or theinsanely hysterical aces o his ill-ated characters. Each page o this classichas an image area o 13” x 18”, and they average Excellent condition.

92071 Jack Davis A Talerom the Crypt:Class Trip CryptKeeper CoverIllustration Orig-inal Art (RandomHouse, 1997). During a classtrip to his ather’s

Comy ConFactory, Kevin’snasty classmateswill get a nastysurprise and amu c h- t o o - c l o seencounter withthe cons. Jack Davis was one o E.C.’s leading tal-ents, bringing hishumorous touchto even the mostgruesome stories.Legions o anscovet the work o this artist who produced a huge volume o work in the areas o suspenshorror and humor. This pen and ink and watercolor illustration eaturE.C.’s right master, the Crypt Keeper, giving the kids a tour o Comy CoCo., with Davis’ wry wit intact. This piece has an image area o 11.25” x 1and the art is in Excellent condition.

92072 Jack Davis PoliticIllustration Original A(1968). Includes caricatuo Richard Nixon, RonaReagan, George Romnand Nelson RockeellRendered in ink and crayon heavy board, the art han image area o 12.5” x 1Aside rom some light paptanning and soiling, the is in Very Good conditio

92073 Dick Tracy Monthly #103Painted Cover OriginalArt (Harvey, 1956). “Hand over that mink coat, chum.”Rainbow Reilly is not to betrifed with. Dick Tracy is theultimate crime-stopper. Thisboldly painted cover o thehawk-nosed crime-stopperhas an image area o 11” x11”, and it has been mattedand ramed to an overall sizeo 17.5” x 18.5”. The art is inExcellent condition. From theEstate o John McLaughlin.




92074 Steve Ditko The Amazing Spider-Man #22 Circus o Crime Battle Page 12 Original Art (Marvel, 1965). Ater their big heist, the Ring-Matroupe is now operating solo, and every panel o this thriller is brimming with the inimitable Spider-Man action that has made Steve Ditko a legeComicdom, and the wondrous wall-crawler amous worldwide. Here’s to “Sturdy” Steve Ditko, who polished up another show-stopping Silver Age mapiece, in this peerless page rom the Stan Lee story, “The Clown and His Masters o Menace.” The image area o this page is 12.5” x 18.5”, and the condis Excellent.




92075 Steve Ditko Amazing Spider-Man #37 Spider-Man Web-Swinging Page 3 Original Art (Marvel, 1966). Wallopin’ web-spinners, how matimes have we all seen that iconic web-swinging Spidey pose in panel seven? It’s nothing less than “ultra-iconic.” Sturdy Steve Ditko was nearing the eno his amed ASM run — one that stands the test o time as perhaps the greatest streak o consecutive issues, ever. We know that many Ditko collectohave been biding their time or a prize Spidey page — well, wait no more, True Believers, as this is it. Such a perect example o Ditko’s pacing, characteization, and artistic mastery is extremely rare, and this beauty rom “Once Upon a Time There Was a Robot” has been locked away in a single collection odecades. This matchless Marvel masterwork has an image area o 12.5” x 18”, and it is in Excellent condition.




92076 Steve Ditko Graphic Illusions #1 Mr. A “You Are Nothing to Fear” Back Cover Illustration Original Art (Robert Gustaveson, 1971)battle between good and evil makes no compromises. Steve Ditko’s unique philosophical hero has infuenced scores o ans and proessionals alikestands as one o his greatest creations. This piece which originally appeared as the back cover o the anzine Graphic Illusions #1, Summer, 1971, hoverall size o 13.5” x 17”, and the art is in Very Good condition.




92077 Steve Ditko Tales to Astonish #29 “The Last Laugh” SplashPage 1 Original Art (Marvel, 1962). This dramatic splash is one o themost striking Sturdy Steve Ditko pre-hero images we’ve seen yet. In thisironic yarn, a vicious practical joker gets his comeuppance in the aterlie,and “he who laughs last, laughs best.” Here is early Silver Age Marvel an-tasy at its nest. This Marvel masterwork has an overall size o 13” x 21”,and this toothy splash has been proessionally cleaned to present itsel almost as brightly as the day it was created.

92078 Steve Ditko and Willie Blyberg Hall o Fame Featuring tT.H.U.N.D.E.R. Agents #2 NoMan Cover Original Art (JC ProductionArchie Comic Group, 1983). T.H.U.N.D.E.R.’s ultimate super-spy, NoMauses his powerul android body and invisibility cloak to get the drop onband o baddies in this Modern Age masterwork, drawn by comic legenSteve Ditko. This cover, which also appeared as a pin-up in Omni Com#3 has an image area that measures 10” x 15”, and the art is in Excellecondition. A Ditko/T.H.U.N.D.E.R. Agents an would be hard-pressed nd a more antastic NoMan page than this thriller!

92079 Luis Dominguez Ghosts #88 Cover Original Art (DC, 198What a way to spend your honeymoon — with the ghostly “Harem Hell.” We see marriage counseling in this young man’s uture. This LuDominguez shocker has an image area o 10” x 15”, and it includes toriginal logo and masthead paste-up copy. The art is in Very Good condtion.




92080 Luis Dominguez Weird Western Tales #18 Jonah Hex CoverOriginal Art (DC, 1973). What evil lurks within? Whoever the oe, JonahHex is a hard man to beat. Luis Dominguez is a true master at creatingdetailed and dramatic covers. Please note, this spine-tingling cover scenewas “fipped” photographically or the printed cover. This thriller-chiller or

“The Hoax” has an image area o 10” x 15”. Aside rom a missing price statand some overall paper aging, the art is in Very Good condition.

92081 Mort Drucker Mad #70 Illustration Original Art Group1962). Set o six illustrations by Mort Drucker or the eature, “RouteRendered in ink on duo tone paper, ve o the illustrations have an imarea o approximately 17” x 22.5” and one has an image area o 8.5” xIn Very Good condition. Includes our 8.5” x 11” black and white photoies o the printed pages in Good condition. See more images at HA.

92082 Kevin Eastman Teenage Mutant Ninja Turtles #1 Hand-Drawn Color Separation Plate Original Art (Mirage, 1984). Here isKevin Eastman’s original hand-drawn red plate or the cover o the his-toric rst issue o Teenage Mutant Ninja Turtles. Rendered in markerand crayon on vellum, the art has an image area o 8” x 10.5” and it is inExcellent condition.

Check out our March 1-2, 2012Illustration Art Auction

at HA.com/5090




92083 Will Eisner The Spirit #2 Cover Original Art (Harvey, 1967). The rst revival o The Spirit ater it ceased syndication in 1952 was Harvey Comshort-lived 1966 series — only two issues were published, both eaturing brand new cover art by creator and all-time comic great Will Eisner. This is tcover to #2, which is an absolutely outstanding vintage image eaturing the Spirit, a sexy Ellen, a ully hand-drawn architectural logo, nasty villains, aEisner’s bold trademark signature. Just a great composition on a classic Spirit cover that has never been oered on the open market. This antastic covillustration has an overall size o 9” x 14”. The word balloons are paste-ons, and the piece has been trimmed closely to it’s let border; otherwise, the artin Excellent condition. A copy o the comic book is included with this lot.




92084 Lee Elias Chamber o Chills #18 Cover Original Art Group(Harvey, 1953). “ Just take a little o the Adam’s apple, please! “ Workingrom Warren Kremer’s gruesome cover concepts, Lee Elias created thepre-Code Harvey horror classic. This hair-raising masterwork has an image

area o 10” x 15”. Aside rom some overall paper aging, and a title logoreplacement, it is in Very Good condition. Not or the aint o heart!

92085 Lee Elias Warront #21 Cover Original Art(Harvey, 1955). Thiswar-torn cover eatures a vig-orous use o the bold brushinking technique that addsdrama to the heroic imageo an inantryman risking lieand limb to rescue his allen buddy during an all-out “riendly re” attack.

The energy o execution and textures displayed in these war-weary g-ures is expressive and direct. The image area o the art is 10” x 14.5”. TheHarvey logo and Comics Code Authority stamp stats are missing; other-wise the art is in Very Good condition.

92086 George Evans Haunt o Fear #19 Complete 7-Page S“Lover, Come Hack to Me” Original Art (EC, 1953). “Lover, Come to Me” is an exquisite example o George Evan’s detailed dratsship and razor-sharp inking — we dey you to nd a spine-tinglercan top this yelp-yarn. The splash page kicks things o in grand EC with a moody rain-soaked montage complete with a photostat poo the Vault-Keeper. Ater that, panel ater panel o gorgeous “goodart is accented with masterully lit, macabre moments that makeast-paced chiller one o the nest shockers that Evans ever drew. pulse-pounding page has an image area o 13” x 18”, and aside rom spasted-on lettering corrections and an aged title logo stat, the artExcellent condition.




92087 George Evans and Harvey Kurtzman Frontline Combat #11Complete 6-Page Story “Lubery” Original Art (EC, 1953). For manyans, Harvey Kurtzman’s nest works are his legendary war stories —his search or hard-hitting realism revolutionized the genre. Kurtzmanput so much time, care, and eort into his research, his income suereddue to the meticulous production demands. To make matters worse, hishealth suered during this period due to a bout o jaundice. As a result,Kurtzman’s war stories, rst-rate masterpieces o comic book storytelling,

are limited in number. As or George Evans, he was an expert who lovedto draw WWI dogghts. Each page rom this biopic about American AceRaoul Lubery has an image area o 13” x 18”, and the art is in Excellentcondition.

92088 George Evans and Harvey Kurtzman Two-Fisted Tales #Complete 7-Page Story “Guynemer” Original Art (EC, 1953). As all trEC an-addicts know, among Harvey Kurtzman’s best works are his harhitting war stories — his unfinchingly truthul approach combined wa riveting “you are there” point o view revolutionized the genre. GeorEvans’ nely detailed, moody art is at an all-time peak or this pre-Codyarn about World War I French Ace Georges Guynemer, the “cover story”the issue, and one o his best in the war genre. Each thrilling page o thrst-rate masterwork has an image area o 13” x 18”, and aside rom a escattered stains, the art is in Excellent condition.




92089 George Evans Two-Fisted Tales #40 Complete 7-Page Story“Flaming Cofns” Original Art (EC, 1954). Any yarn involving the aerialdogghts o WWI was a dream assignment that played to George Evans’artistic strengths and passions. This tale, written and drawn by the EC leg-end, captured the sense o mortal danger that inused the fying corps o World War I. Each superb page rom the cover story or this issue has animage area o 13” x 18”, and the art is in Excellent condition.

92090 George Evans Two-Fisted Tales #41 Complete 7-Page S“Yellow” Original Art (EC, 1955). It’s courage under re with a twthe killer skies o World War I, superbly illustrated by Golden Age gGeorge Evans. Evans had a realistic cartooning style and his keen ation to detail and accuracy gave his stories a gripping verisimilitudethriller showcases him at the top o his orm. Each page has an imageo 13” x 18”, and aside rom a ew small stains and pasted-on wordloons and captions, these pages average Excellent condition. This yaa must-have or any EC war collector.




92091 George EvansCreepy #8 “Death Plane”Title Page 1 Original Art(Warren, 1966). Larrie Ivie’screepy war story gets theblood-chilling Warren treat-ment in this superb title pagerom the Silver Age. George

Evans’ mixed media greytoneart on this early Creepy pageis simply antastic. This pagehas an image area o 12.5” x17”, and aide rom missing astat o Uncle Creepy at theupper let, it is in Very Goodcondition.

92092 Steve Fastner and Rich Larson Marvel Super-Hero Portolios

Poster Illustration Original Art (SQP, 1980). Fan-avorite antasy illus-trators Steve Fastner and Rich Larson deliver this dynamic illustration o three o Marvel’s most popular characters — Captain America, Hulk, andSpider-Man. Mixed media on heavy illustration paper measuring 30” x 20”.In Excellent condition.

92093 Virgil Finlay Weird Tales May 1952 Cover PencilPreliminary Cover StudyOriginal Art (WildsidePress 1952). “Love aair witha emale demon — The Lamiain the Penthouse.” The cre-

ative process o the masterantasy artist is revealed inthis detailed, signed crayonon vellum study or thecover o Thorp McClosky’sstory, one o Finlay’s greatestknown covers. This wonder-ul piece has an image areao 6.75” x 8.5”, and is inExcellent condition. A copyo the magazine is includedwith this lot.

92094 Four Color #529 Little Beaver Cover Original Art (Dell, 195Red Ryder’s li’l buddy, Little Beaver, tries to slam the door on danger in tthrilling scene rom the ties. This cover has an image area that measur11” x 15”, and it has been matted to an overall size o 17” x 21”. The art isExcellent condition. From the Estate o John McLaughlin.

92095 Gill Fox Feature Comics #61 Lala Palooza Cover Original A(Quality Comics, 1942). Lala Palooza and Vincent bring a smile to tgrim realities o World War II in this animated Gill Fox laugher. An all-stline-up o Feature Comics’ players are spotlighted along the top alet borders. Notable characters answering the roll call include SamMickey Finn, Doll Man, and Gill Fox’s own unorgettable creation, PoisoIvy. When Editor Ed Cronin let Quality Comics to jump ship to anothcompany, Gill Fox was promoted to editor and he drew many o the coers in oce or the Quality titles. The cover art was routinely drawn atsmaller size than the interior pages. Fox explained why, “We had a lot shields and titles, so it was dierent than the interior pages. The covewere made smaller or speed. That made them easier to color which wdid by codes.” The image area o the cover is 8.5” x 11.5”. Aside rom som

slight paper aging and a bit o glue staining on the title logo, the art is Very Good condition. Signed by Fox at the lower let.




92096 Ramona Fradon Metamorpho #2 Cover Re-Creation Original Art (undated). From the wacky, wonderul way-out era o the swinging sixties o DC comes Ramon Fradon’s “Fab Freak o 1,000One Changes” in this splendid re-creation o her 1965 cover scene. Metamorpho the Element Man w“normal, green-blooded, all-American reak,” and he goes to every length to protect his luscious gaSapphire. The image area o this piece is 10.5” x 15.25”, and the art is in Excellent condition. Fradon signat the lower let.

92097 Frank Frazetta Ace McCoy Daily Comic Strip Original Art dated 1-23-53 (McNaught Synd1953). Here is one o the rst strips to bear the name Ace McCoy ater its change rom Johnny Comet . Thisperiod was typied by an increased emphasis on humor, moving away rom the action and adventure that m

the strip’s early days. With an image area measuring approximately 17” x 4.5”, the strip is in Excellent cond

92098 Kelly Freas TheMaelstrom’s Eye Book CoverOriginal Art (Wizards o theCoast, 1992). The third book in the Clockmaster Cycle(in the overall Spelljammerseries), The Maelstrom’sEye showcased this superbsword-and-science coverby Kelly Freas. Coloruland vibrant, this scene ea-tures a battle royal atop a

skybound ship. Painted inacrylic on board, this piecehas an image area o 11” x13.5”, and it has been mat-ted and ramed to an overallsize o 16” x 20.5”. The art is inExcellent condition.

92099 Ron Frenz and Joe Sinnott Thor #405Annihilus Cover OriginalArt (Marvel, 1989). Thor

aces the Negative Zonesavagery o Annihilus, inthis epic cover illustrationor “Odin Must Die,” penciledby Ron Frenz and inked byMarvel legend, Joe Sinnott.

The art has an image areao 10” x 15”, and includes theoriginal logo and mastheadpaste-up art. In Excellentcondition.

92100 The FrogmenCover Original Art (1964). “A deadly ch

The monsters o the — or Doctor Vogar’s inmachine!” From the o that toothy shark,Frogmen would do wetackle the crazy mac

The image area oaction-packed painted c

measures approximately12”, and the piece has matted and ramed toverall size o 17” x 20.5”art is in Excellent condA copy o the comic boincluded in this lot.




92101 Dave Gibbons Watchmen #4 “Watchmaker” Doctor Manhattan Raises His City on Mars Pages 26 and 27 Original Art (DC, 1986). Whmore can be written about the Watchmen that hasn’t already been duly noted in the past 26 years? For many, the Watchmen mini-series representedtranscendent work o genius that showed how a comic book narrative could be constructed, as well as a revolutionary take on a post Cold War world thno longer worships superheroes. Watchmen was a turning point in comics history, one o only a handul o stories that shattered the limits o what thmedium could achieve. Visionary co-creator Alan Moore used the series to deconstruct the traditional superhero mythos in a nihilistic way, never sebeore, in a way that made the lm Apocalypse Now look like a picnic.

This awesome double page-spread eatures the watershed moment when the blue, god-like Doctor Manhattan designs and raises a magnicent jeeled city on Mars, crated with an interlocking Swiss watch-like perection. It’s an ordered, rational world so airless, so cold — there’s little room let the uncertainty and chaos o either human emotion or biological lie. Both beautiul and terriying, it sublimely symbolizes the extreme alienation o thormer scientist, Dr. Jonathan Osterman, now that he has become the ultimately evolved rational being, born o scientic method — beyond good, evand morality — Doctor Manhattan.

Quality character pages rom Watchmen are scarcely oered in the marketplace and anyone who has seen the cult movie will treasure these scenwhich were so impressive on the silver screen. Such an iconic sequence, containing poetic scenes with many subtexts, is a major grail or anyone lookior the perect Watchmen example.

These pages have a combined image area o 21” x 16”. Panel one o page 26 is a photostat; otherwise, they are in Excellent condition. Each museumquality page has been signed by artist Dave Gibbons and writer Alan Moore in their lower margins.




92102 Dave Gibbons Watchmen #5 Rorschach Dons His Mask Page 18 Original Art (DC, 1987). “This relentless world: there is only one response—” One o the key players in the Watchmen saga, Rorschach discusses his origins with the prison psychiatrist in this classic fashback sequence. This gsel-contained and symmetrically designed (not to mention hair-raising) page by writer Alan Moore and ace artist Dave Gibbons eatures the ultimvigilante suiting up or battle.

Inspired by Steve Ditko’s philosophical heroes The Question and Mr. A, Alan Moore took Ditko’s concepts to their mind-bending end point. As Mrelated, “Steve Ditko’s Question/Mr. A, Rorschach is a kind o logical extension o that character but I’m sure it’s not one that Steve Ditko himsel ever iined, in act I did hear that someone was interviewing Steve Ditko and asked him whether he’d seen Watchmen and this character in it called Rorscand he said ‘Oh yes, I know that, he’s the one who’s like Mr. A, except Rorschach is insane.’”

Insane or not, Rorschach is undoubtedly the most popular character in the renowned miniseries, playing a pivotal role in the story that marked a turpoint in comic book history, and here is one o the nest Rorschach pages yet oered in the marketplace. Watchmen ans, “Sometimes the night is gous...” This masterpiece o mayhem has an image area o approximately 10” x 15.75”, and aside rom a light band o paper aging around the bordersart is in Excellent condition.

Check out our March 1-2, 2012Illustration Art Auction

at HA.com/5090




92103 Sam Glanzman Our Army at War #227 Complete 4-Page U.S.S.Stevens Story “Death of a Ship” Original Art (DC, 1971). The U.S.S.Stevens was awarded nine battle stars or her service during World War II.Comic book legend Sam Glanzman served aboard the Stevens rom 1941-1945, and recounted his years aboard her in a superb series o short storiesor the DC war comics. This thriller, one o the most poignant HeritageAuctions has yet oered, is based around the grim necessity o the USAhaving to sink one o its own ships. Each page has an image area o 10” x 15”,

and rom some aged photostats, the art is in Excellent condition.

92104 Sam Glanzman Our Army at War #265 Complete 4-PaU.S.S. Stevens Story “Rocco’s Roost” Original Art (DC, 1974). Whunder enemy re, J. Rocco, Stevens Watertender rst class, dramaticachanges his role rom a surly pest into heroic man o action. Each pago this unorgettable yarn has an image area o 10” x 15”, and aside roa missing U. S. S. Stevens logo on the rst page, tape residue stains in tmargins, and a glue stain on the last page, the art averages Very Goocondition.

92105 Floyd Gottredson Mickey Mouse Daily Comic Strip Original Art dated 3-11-35 (King Features Syndicate, 1935). The Daily War Drupressroom seethes with activity as Mickey and his riends (including Gooy precursor Dippy), prepare to get his rst edition out, in this bustling daily Floyd Gottredson. The image area measures 26.5” x 5.75”, and aside rom some light overall wear, the condition o the art is Very Good. Inscribed to Jo

Tracy (Spencer Tracy’s son) by the artist along the upper edge.

92106 Floyd Gottredson Mickey Mouse and the Bat Bandit PaintingOriginal Art (1982). Floyd Gottredson is celebrated as the primary creatoro the Mickey Mouse daily newspaper strip — his rst daily debuted on May5, 1930. In this thrilling painting, based on the Mickey Mouse and the BatBandit Big Little Book (1935), Mickey ventures out West to vacation at his

Uncle Mortimer ’s ranch. They come to a countryside terrorized by a black-cladvillain known as “The Bat-Bandit.” it takes all o Mickey’s ingenuity to provethat the notorious thie is none other than Dan Julio, a trusted neighbor andhead o the cattlemen’s association. This exceptional piece was reproducedon page 29 o The Malcolm Willits Collection o Mickey Mouse Paintingsby Floyd Gottredson and it has an approximate image area o 21” x 15”. Theart has been matted to an overall size o 26.5” x 20.5”, and is in Excellent condi-tion. Gottredson signed the painting at the center-let.




92107 Mike Grell The Warlord #18 Cover Original Art (DC, 1979). The last survivors o a billions-o-years-old civilization swoop down upon Travis and Tara in deadly fying sleds in this cover or the eighteenth issueo The Warlord. Tremendous cover art by creator/writer/artist Mike Grell.

The art has an image area o 10” x 15” and it includes the original logo,masthead paste-up copy. In Excellent condition. Signed by the artist atthe lower right.

92108 Tony Harris The Shade #3 Jay Garrick Golden Age FlashCover Painting Original Art (DC, 1997). “When lightning strikes” withJay Garrick, rich color and texture are the hallmarks o Tony Harris’ acrylicpainting on heavy illustration board. The Shade was reinvented in 1994as a morally ambiguous Victorian era immortal who gained the ability tomanipulate shadows and his immortality rom an unexplained mysticalevent. In 2009, the Shade was ranked as 89th “Greatest Villain o All Time”by the entertainment website IGN. The cover art has an image area o 11”x 16.5”, and it has been matted to an overall size o 16.5” x 21.5”. The pieceis in Excellent condition.

92109 Russ Heath Showcase #27 First Appearance o the Sea DSplash Page 1 Original Art (DC, 1960). The DC house ads boldlyclaimed, “Shake hands with a shark. Jitterbug with a mermaid, Wrestoctopus. That’s not all you’ll nd yoursel doing when you skin divethe silent underwater world o terror and treasure with National Conewest death-deying band - Sea Devils. The Sea Devils dive into the DSix or the rst time in the August issue o Showcase.” How many chado you get to win the watershed splash page or the rst appearancesterling Silver Age DC super team? Well, here’s your chance, as the womost daring skin-divers discover the richest treasure in Davy Jones’ loguarded by the Golden Monster. This superb splash has an image ar13” x 13.5”, and aside rom the top o the page being neatly cut o, this in Very Good condition.

92110 Russ Heath and Harvey Kurtzman Frontline Combat #1 “Page 3 Original Art (EC, 1951). Few comic book artists could matchHeath’s unparalleled artistry at illustrating war yarns. Heath was nor his verisimilitude. His stu was always right on during the EC yHarvey Kurtzman’s layouts and story pacing are evident in the desigeach panel. Kurtzman also strayed rom the usual EC procedure bying the pages hand-lettered, rather than using the abled “Leroy lettesystem. The image area o the page is 13” x 18”, and the art is in Excecondition. Be sure to bid on this dynamite page!




92111 Jaime Hernandez Love and Rockets Mechanics #1 Page 3Original Art (Fantagraphics, 1985). Hopey and Joey have a staple ghtin this abulous page rom the classic Mechanics arc that launched theseries, the nal page o the story “Hey Hopey.” The artwork is in Very Goodcondition with some very minor creasing near the top, and the imagearea measures 10” x 15”.

92112 Jaime Hernandez Love and Rockets #12 Page 6 Original Art(Fantagraphics, 1985). Rocky and Rhoda meet up with Needra on thetitle splash page or “Rocky’s Birthday Surprise,” the twelth issue o JaimeHernandez’s landmark series. With his clean, graphic style and aultless

composition, JH is one o the most infuential artists o the eighties. Thepage has an image area o 10” x 13”, and the art is in Excellent condition.

92113 Jaime HernanLove and Rockets #Page 19 Original A(Fantagraphics, 198From the story “Locas 8:AM” (story page 3), Maggtakes a walk to the liqustore, only to nd her onemesis Big Boobs Blanchatting up her pal Speed

Jaime Hernandez’s exquislinework breathes vibralie into this tale o lie Caliornia. The image armeasures 10” x 13”, and tart is in Excellent conditio

92114 Jaime HernandezLove and Rockets #19Page 3 Original Art(Fantagraphics, 1987).

Terry and Hopey encounter

young Maggie, but thingsdon’t go as Terry planned inthis outstanding page romthe story “Locas: The Secretso Lie and Death.” The clas-sic sixth panel, in which Terrydemonstrates her rustra-tion, was used in numerousads by Fantagraphics. Theimage area measures 10” x13” and the art is in Excellentcondition.

92115 Jaime Hernandez Love and Rockets #20 Page 6 Original A(Fantagraphics, 1987). Maggie cops a daytime buzz, much to Izzy’s dmay in this superb page rom the story “The Return o Ray D.” Althourightly lauded or his character work and emotionally charged art, tpage proves that Hernandez is equally adept at technical concerns suas perspective and architecture. The art is in Excellent condition with image area measuring 10” x 13”.




92116 George Herriman Krazy Kat Sunday Comic Strip Original Art dated 4-2-22 (King Features Syndicate, 1922). The radio craze has thold o Coconino County and the whole community o George Herriman’s colorul characters listens in on Ignatz’s order or a new brick rom Kollin KAnd so, the eternal unrequited love triangle between Krazy Kat, Ignatz Mouse, and Osa Pupp continues in this uproarious Sunday rom the twe

This classic and character-rich episode has the added bonus o coming directly rom the Herriman Estate — one o only a handul o Sundays that especially selected as great examples o the artist’s cartooning genius, and thus held back rom ever being on the market. It has an image area o 21.5”, and the art is in Excellent condition.




92117 George Herriman Krazy Kat Sunday Comic Strip OriginalArt (King Features Syndicate, undated). Considered by many to bethe greatest cartoonist o the twentieth century, George Herriman wasadmired in his day by such literary luminaries as e. e. cummings, WilliamRandolph Hearst, and Gilbert Seldes. This classic love-triangle Sunday,complete with knocks to the noggin, has all the hallmarked antasy ele-ments, making it right at home with the best examples o Herriman’sunique art. This piece has an image area o 19” x 22”, and it has beenmatted and ramed to an overall size o 28” x 31”. The art is in Excellentcondition.

92118 George Herriman Krazy Kat and Ignatz Specialty IllustrationOriginal Art (c. 1936). This lyrical George Herriman specialty illustra-tion o his amed cat and mouse characters was signed and inscribed,“To Elmer Bramon rom ole man Herriman.” This gem o a drawing hasan overall size o 6” x 8”, and aside rom a small fake o black ink out o the center o the upper edge, the art is in Very Good condition. A mini-masterwork.

92119 Bryan Hitch What I (...Wolverine Had Remained a Captive Alpha Flight?)#59 Cover Original Art (Marvel, 1995). Hey, bub, it loolike Wolverine has sliced and diced the X-Men as Alpha Flight raises tMaple Lea fag in victory. This Bryan Hitch blockbuster has an image aro 10” x 15”, and the art is in Excellent condition.

92120 Burne Hogarth and Dan Barry Tarzan Daily Comic Str#2601 Original Art (United Feature Syndicate, 1947). Dan Barry’s ston Tarzan was short, but sweet. He drew strip numbers #2509-2982 1947-48). This daily rom “Tarzan at the Earth’s Core” has an image area 18.5” x 5”. Aside rom glue stains in the captions, the art is in Very Gocondition.




92121 Carmine Inantino and Murphy Anderson Mystery in Space #83 Cover Original Art (DC, 1963). When’s the last time you’ve seen suclassic twice-up DC Silver Age masterwork in the market? This is one o the nest we’ve had the pleasure to oer, and it has all the sci- elements make the period so beloved or Adam Strange collectors. This DC treasure has an image area o 12.5” x 18.5”. The central image o the main gures opiece is original art, and that has been attached to a careully color-matched backing board. All the edges and type elements are re-creation extensor replacements, to present the piece in its twice-up glory; otherwise, the art is in Excellent condition.




92122 Carmine Inantino and Dan Green The Avengers #203 CoverOriginal Art (Marvel, 1981). In the sewers beneath the city streets, theBeast and Wonder Man ace the unending menace o the Crawlers in thiscover illustration, which includes its original logo, masthead and titlepaste-up type. The art has an image area o 10” x 15” and it is in Excellentcondition.

92123 Graham Ingels Saddle Justice #5 “Colorado Rose” CoverOriginal Art (EC, 1949). Oered here is one o the real head-turningpieces in the auction. Graham Ingels, renowned or his later horror work as “Ghastly,” proves himsel a master o both the Western and “good girl”genres. The buxom bandit in this cover certainly qualies it as a “goodgirl” or “headlight” piece. This early EC masterwork has an image area o 13.5” x 19.5”. The masthead and title logo is a careully color-matchedreplacement piece, a small horizontal piece o pasted-on paper has beenremoved to reveal more o the drawing, and there is some white-out inthe lower margin; otherwise, the art is in Very Good condition.

92124 Graham Ingels Crime SuspenStories #10 “Friend to ‘Our BoyPage 5 Original Art (EC, 1952). The suspense builds, almost unbearabin this shadow-cloaked page rom the “Ghastly” horror-helping, “Friend‘Our Boys.’” This hair-raising masterwork has an image area o 13” x 18”, athe art is in Excellent condition.

92125 Graham Ingels Haunt o Fear #19 “Sucker Bait” PageOriginal Art (EC, 1953). The masterul storytelling o Graham Ingelsshowcased at its best in this suspenseul page rom issue #19. This paghas an image area o 13.5” x 18”, and aside rom a three-inch tear at thlower let (closed with tape on the back), the art is in Very Good conditio




92126 Al Jaee Mad #429 “Mad Fold-In” Back Cover Original Art(DC, 2003). “What nasty oreigner is wreaking havoc on American lives?”Answer: Simon Cowell! A nicely detailed later-day Fold-In rom that Mad-

man himsel, Al Jaee. The art is rendered in mixed media, with an imagearea o approximately 17” x 15”, and is matted and Plexiglas ramed to anoverall 26.25” x 32.25”. This piece has an image area o and is in condition.

92127 Kirk Jarvinen and John Beatty What I (...Spider-MParents Destroyed His Family?)#61 Cover Original Art (Marvel, 1In this wild and wooly yarn, robots impersonating Spider-Man’s parame him or murder. Aunt May Parker, Mary Jane Watson, J. JJameson, Vulture, Chameleon, Captain America, and Human Torcmake or a star-studded cover. This shocker has an image area o 115’, and aside rom some light staining at the top, this cover is in Excecondition.

92128 Je Jones Spasm Complete 3-Page Story “The Bridge” Original Art (Last Gasp, 1973). It’s rare to nd a complete Je Jones story that cashowcased as one magnicent piece. The Spasm eature “The Bridge” is a sensitively delineated, and beautiully composed yarn. Jones’ evocative ttold through his graceul ink drawings. Each page has an image area o 6” x 9”, and they have been matted and ramed together to an overall size ox 16.5”. This masterwork is in Excellent condition, and Jones has signed the last page at the lower right with his monogram.




92129 Kelley Jones and George Pratt Sandman #26 Page 8 OriginalArt (DC, 1991). In return or the key to Hell, Lord Odin hopes to bribe theDream King with items and ino he’s been chasing or untold time, in thispage rom Part Five o the ‘’Season o Mists’’ storyline. The art has an imagearea o 10” x 15”, and it is in Excellent condition.

92130 Kelley Jones and George Pratt Sandman #26 Page 17Original Art (DC, 1991). Kilderkin’s oer o the dream essences o thenewly dead alls fat with the Sultan o Sleep, in this page rom Part Five o the ‘’Season o Mists’’ storyline. The art has an image area o 10” x 15”, andit is in Excellent condition. Signed by George Pratt at the bottom.

92131 Kelley Jones and Dick Giordano Sandman #27 PageOriginal Art (DC, 1991). The decision concerning Hell’s new ownershipabout to be announced in this page rom Part Six o the ‘’Season o Misstoryline. The art has an image area o 10” x 15”. Aside rom some ligsoiling along the let edge and in the indicia paste-up copy area at tbottom, the work is in Very Good condition.

92132 Kelley Jones and Dick Giordano Sandman #27 PageOriginal Art (DC, 1991). The air is tense as the Dream Realm lls wcandidates vying or ownership o Hell, in this page rom Chapter Sixthe ‘’Season o Mists’’ storyline. The art has an image area o 9” x 14”, andis in Excellent condition.




92133 Kelley Jones and Dick Giordano Sandman #27 Page 3 Original Art (DC, 1991). The crowd gath-ers or news o Hell’s new ownership in this page romChapter Six o the ‘’Season o Mists’’ storyline. The arthas an image area o 9” x 14”, and it is in Excellent con-dition.

92134 Kelley Jones and Dick Giordano Sandman #27 SplashPage 4 and 5 Original Art (DC, 1991). The vexing question o the sovereignty o Hell is nally settled, with everyone gathered,in this ornate, double page spread/title page or ‘’Season o Mists’’Chapter Six. The art has an approximate image area o 20” x 14”,

and it is in Excellent condition.

92135 Dan Jurgens and Bob Layton Captain America #39 COriginal Art (Marvel, 2001). The Shield-Slinger takes on A.I.M. inslam-bang cover penciled by Dan Jurgens and inked by Bob Laytonart has an image area o 10” x 15” and it is in Excellent condition.

92136 Bob Kane Batman and Robin Daily Comic Strip Originadated 3-27-44 (McClure Syndicate, 1944). Batman and Robin dailie

scarce and sought-ater, especially early strips rom the war years. In1944 example (which we believe to have been inked by Charles Pnumbered #127, the Dynamic Duo’s arch-nemesis, the Joker, planescape using only a ew everyday items. How will he do it? Never ethis lot also includes a copy o Batman: the Dailies 1943-44, so youread how he does it! This strip has an image area that measures appmately 21.25” x 6.25” overall. The art is in overall Very Good condition,some glue staining along the bottom edge.

92137 Bob Kane BatmanPainting Original Art(undated). Here’s a rarepainted canvas by the leg-endary Bob Kane o hisworld-amous creation —the Batman. This rare anddesirable piece, painted inwatercolor on paper, has animage area o 13.5” x 19.5”,and it has been matted andramed to an overall sizeo 21.5” x 27.5”. The art is inVery Good condition andKane signed it at the lowerright. From the Estate o JohnMcLaughlin.

Check out HA.com/7054 For enlargeable Images

and to bid online!




92138 Gil Kane and Murphy Anderson Showcase #35 The AtomPage 14 Original Art (DC, 1961). Nothing shouts “Silver Age DC” quitelike a superhero page drawn by the talented team o Gil Kane and MurphyAnderson. Add plotting and editing by Julius Schwartz and scriptingby Gardner Fox, and this page eatures the complete DC comic book “A-team.” This streamlined page rom the Atom’s second appearance, “TheDooms From Beyond”, eaturing the Mighty Mite in every panel has animage area o 13” x 18”. The art is in Excellent condition.

92139 Gil Kane and Sid Greene Green Lantern #61 Silver andGolden Age Green Lantern Page 17 Original Art (DC, 1968). Both theSilver and Golden Age Green Lanterns take the limelight in this antasticpage rom “Thoroughly Modern Mayhem.” A Silver Age team-supreme o editor Julius Schwartz, writer Mike Friedrich, penciler Gil Kane, and inkerSid Greene brought new lie to the superhero genre with their stream-lined and wholesome updates o the Golden Age DC legends. Like GreenLantern’s Silver Age alter ego, test pilot Hal Jordan, his creators demon-strated they too truly had “the right stu.” This page has an image areao 10” x 15”, and aside rom some overall paper aging, and some toucheso white-out, the art is in Very Good condition. With both o the EmeraldGladiators appearing in every panel, you’d be hard pressed to nd a bet-ter late Silver Age example than this gem. As a bonus, Golden Age GreenLantern creator Marty Nodell signed this page in its lower border.

92140 Gil Kane and Bill Everett Sub-Mariner #58 Cover Original A(Marvel, 1973). Come on in Namor, the dying’s ne” — with that irresiible invitation, a mysterious red-skinned woman, Tamara, is on a missio vengeance in “Hands Across the Water, Hands Across the Skies.” Twtitans o comic art teamed to create this Bronze Age Marvel masterwoand what could be ner than a Subby piece delineated by his legendacreator, Bill Everett? This sensational show-stopper has an image area

10” x 15” and it includes the original logo and masthead art. Aside rosome scattered stains, the art is in Very Good condition.




92141 Gil Kane and Dick Giordano Marvel Premiere #15First Appearanceo Iron Fist Page3 Original Art(Marvel, 1974). Iron Fist “opens acan o whup butt”in this powerulpage rom thehand o the mas-ter o action, Gil

Kane. Kane hadan almost 60 yearcareer in com-ics and is much admired as one o the most cogent thinkers and criticalobservers o the state o comic art. Embellishing Kane’s pencils is Dick Giordano, a ne artist in his own right and more than able to bring outthe power o Kane’s pencils. This hard-hitting page rom the origin andrst appearance story, “The Fury o Iron Fist,” has an image area o 10”x15”. Aside rom a careully taped in art correction in the second panel tier,some production process stains, and light overall paper aging, the art is inVery Good condition.

92142 Gil Kane and TomPalmer The Tombo Dracula #25Cover OriginalArt (Marvel,1974). “Fangs orthe memories.” I

this blood-chillingTomb o Draculacover looks simi-lar but somehowdierent to othercovers in theseries, there’s aplausible explana-tion. Usual inker

Tom Palmer contributes, but the penciler is Gil Kane, who takes a rare turnwith this series that Gene Colan dominated or all but a ew issues in therun. Kane shows his dark side with this exciting illustration o Dracula andhis prey in a classic showdown. This Marvel “monster-work” has an imagearea o 10” x 15”. Includes the original Tomb o Dracula logo and indiciaat the top o the page. Aside rom some overall paper aging, the art is inVery Good condition.

92143 Gil Kane and Dan Adkins Doctor Strange #9 DDormammu Cover Original Art (Marvel, 1975). “From the molten o Earth itsel, there strikes the dread Dormammu — and this time not Doctor Strange can stop him.” Dormammu makes a ery entrance indazzling delineation penciled by Gil Kane and inked by Dan Adkins.Bronze Age blazer has an image area o 10” x 15” and includes all the onal logo and masthead paste-up art. Aside rom some production prostains, the art is in Very Good condition.

92144 Gil Kane, Al Milgrom, and John Romita Thor #237 COriginal Art (Marvel, 1975). The Rock Troll, Ulik, and Thor take theitle to the streets o New York, in this stupendous cover rom the BrAge. The art has an image area o 10” x 15” and it includes its orilogo and masthead paste-up copy (several word balloons are missIn Excellent condition. Signed by John Romita at the lower right.




92145 Gil Kane and TomPalmer Tomb o Dracula#57 Cover Original Art (Marvel, 1977). This beau-tiul Bronze Age cover wasdone in a “lightbox” ash-ion. Gil Kane’s pencils wereplaced on a lightbox and

Tom Palmer inked over themon a separate sheet. So, whileKane’s pencils are not on theart, his hand is certainly inevidence. Mr. Palmer haswritten us here at Heritageto veriy, “This is a lightboxedcover but it’s also the originalthat saw print. I believe it’sone done by Gil Kane, notGene Colan, I had to pushthe blacks and renderingwith Gil’s stu, he normallyworked in a linear style andnot as darkly rendered asGene. I can’t say the weighto the paper is a good indicator in all the light boxed covers, I rememberMarvel supplying cover paper at times, but I started usually a one-ply bris-tol Strathmore because you could see more over the light box. Probably

did more with thinner paper but not all.” This highly dramatic composi-tion eaturing a skewed perspective is exceptionally clean and white-outis used only to add a brush eect. The image area measures 10” x 15”. Theheader is a replacement photocopy; otherwise, the art is in Very Goodcondition.

92146 Sam Kieth and Mike Dringenberg Sandman #2 Page 4Original Art (DC, 1989). Sandman awakens in the House o Mystery andis greeted by his host, Abel, in this page rom “Imperect Hosts (Master o Dreams Part 2).” The art has an image area o 12” x 16” and it is in Excellentcondition.

92147 Frank King Gasoline Alley Daily Comic Strip Original Adated 6-18-24 (Chicago Tribune, 1924). Walt Wallet and the gang aeatured in every panel o this hilarious Frank King daily titled “Oh, BHave a Heart.” This strip has an image area o 20” x 5.75”, and aside ropaper aging, and light soiling, the art is in Very Good condition.

92148 Jack Kirby Black Cat Mystery #57 Cover Original Art (Harve1956). The unbridled imagination o Jack Kirby is spotlighted in this copelling Code-approved “cover hook.” This piece has an image area o 1x 18”. The title logo stat is a replacement, and a strip o color-match

paper was added below the lower border; otherwise, the art is in VeGood condition.




92149 Jack Kirby and Dick Ayers Strange Tales #84 “This Is Magneto”Page 6 Original Art (Marvel, 1961). As most True Believers know, manyo the concepts used or the world-amous Marvel super heroes gestatedin the pages o the abulous “pre-hero” monster stories. This “prototype”Magneto has the name and powers o the most amous o the X-Men vil-lains, who made his debut two years later. This pre-hero thriller has animage area o 12.5” x 18.5”, and the art is in Excellent condition.

92150 Jack Kirby and Dick Ayers Strange Tales #99 Splash Page“The Day Beore Doomsday” Original Art (Marvel, 1962). The meremention o Kirby and Ayers in the same breath evokes images o diredrama and curious happenings in the pages o some pre-hero comicbook. Here is oered a classic pre-hero splash o the Cold War nightmareo “pushing the button” to a doomsday machine. The allure o this periodis compelling and is highly sought-ater by acionados o this genre. Theart, which measures 12” x 18”, is in Excellent condition, and is signed twiceby Kirby and Ayers and once by Stan Lee.

92151 Jack Kirby and Dick Ayers Fantastic Four #16 “The MWorld o Dr. Doom” Page 13 Original Art (Marvel, 1963). This mMarvel milestone spotlights the very moment that Doctor Doom shthe FF even smaller than the minuscule size they’d already attaineenter the Micro-World where Doom now rules. It just doesn’t get any

ter than this early FF page rom the House o Ideas. This museum-w“King” Kirby masterwork has an image area o 12.5” x 18.5”, and the arExcellent condition. Kirby signed this page in pencil at the lower ceright.




92152 Jack Kirby and Dick Ayers Fantastic Four #20 Watcher Page 4Original Art (Marvel, 1963). I apologize or my drastic methods, but I had

to nd a way to bring the Fantastic Four to me. A menace is loose in the gal-axy. One which only you may deeat.” With this importunate ice-breaker,the Watcher makes his spectacular second appearance in this Silver Ageshow-stopper rom the yarn, “The Mysterious Molecule Man.” Writer StanLee sets the mood or this cosmic reunion, while Jack Kirby and Dick Ayerspooled their tremendous artistic talents to create another masterpiece orMarveldom. The art measures 12.5” x 18.5” and is in Excellent condition.

The page is signed by the team-supreme o Lee, Kirby, and Ayers in itslower margin. Don’t miss this opportunity to win a peerless piece o earlyMarvel history.

92153 Jack Kirby and Joe Sinnott Fantastic Four #56, MedusMaximus, Klaw, and the Invisible Girl Page 6 Original Art (Marv1966). Most Marvelites agree — Jack Kirby and Joe Sinnott remain tmost revered team ever to draw the Fantastic Four, and or good reasohaving captured the attention o Silver Age andom with their introdution o such incredible “supporting characters” as the Inhumans. Thbeautiully detailed page eatures Medusa, and that threat to the crowo the Inhumans, the would-be ruler “mad” Maximus — it’s a truly supepage or any Inhumans ans. Meanwhile Klaw, The Murderous MasterSound is about to unleash a “sonic thrust” on the unsuspecting InvisibGirl. This Silver Age spectacular has an image area o 12.5” x 18.5”, and tart is in Excellent condition. This page includes its original “Watch MarvSuper-Heroes on TV” advertising caption.




92154 Jack Kirby and Joe Sinnott Fantastic Four #76 Page 13Original Art (Marvel, 1968). Something tell us the Psycho-Man’sIndestructible is about to learn the meaning o clobberin’ time! JoeSinnott’s inks took Jack Kirby’s pencils to their highest heights o gloryin the sixties. This page rom “Stranded in Sub-Atomica” eaturing MisterFantastic, the Human Torch, and the Thing has an image area o 10” x 15”.

Aside rom some production process stains (mainly on the back o thepage), the art is in Excellent condition.

92155 Jack Kirby and Joe Sinnott Fantastic Four #88 Splash PaOriginal Art (Marvel, 1969). The Fantastic Four and Crystal are deout in the lasted “King” Kirby ashions or this splendid group portrthe stars o “The World’ Greatest Comic Magazine.” Joe Sinnott addmatchless inks to this top-drawer scene rom the yarn, “A House TWas.” This page has an image area o 10” x 15”. Aside rom closely trimmargins and overall paper aging, the art is In Excellent condition.

92156 Jack Kirby and Joe Sinnott Fantastic Four #88 Splash 7 Original Art (Marvel, 1969). Ater their episode in Latveria, threunite with baby Franklin and Alicia. Reed, Sue, Ben, Johnny, and Crare ready or some rest, relaxation, and house-hunting. Following ator’s tip, the Invisible Girl leads the team to a contemporary house locin a secluded orest. Seems like a strange place or a modern house. owns this house? None other than the Mole Man. This page has an imarea o 10” x 15”. This piece has been glued to its mat board, aside a torn o upper right corner (outside the image area), some producprocess stains, and some light overall paper aging, the art is in Very Gcondition.




92157 Jack Kirby and Joe Sinnott Fantastic Four #88 MisterFantastic Page 15 Original Art (Marvel, 1969). This exhilarating pagerom “A House There Was” hails rom the sunset o the Silver Age period o Jack Kirby’s career at Marvel. With shape-shiting scenes o Mr. Fantasticin action, and a cameo by the Invisible Girl, this show-stopper is sure tomake a treasured addition to any Kirby enthusiast’s collection. This pagehas an image area o 10” x 15”, and aside rom a torn o upper let corner(outside the image area), and some light overall paper aging, the art isin Excellent condition. Inscribed and signed in the last panel, “To Jerry, agreat guy — Jack Kirby.”

92158 Jack Kirby and Joe Sinnott Fantastic Four #89 Mole ManPage 12 Original Art (Marvel, 1969). Some villains never give up — suchis the case with the malevolent Mole Man who returns in this hard-hittingpage rom “The Madness o the Mole Man.” The subterranean super-villainattempts to corner the FF in his high-tech house and pick them o oneby one. Joe Sinnott’s burnished Silver Age inks over Jack Kirby’s power-packed pencils were at their best or this our-panel page showcasing thewhole team. This Marvel classic has an image area o 10” x 15”, and the artis In Excellent condition.

92159 Jack Kirby and Joe Sinnott Fantastic Four #94 Page 2 OriginArt (Marvel, 1970). Ben Grimm, the Thing, shows his sentimental sidethese heartwarming amily scenes o the Fantastic Four. As always, JSinnott’s razor sharp inks are superb. This page has an image area o 1015”, and the art is in Excellent condition.

92160 Jack Kirby and Don Heck Tales To Astonish #44 Ant Man Page Original Art (Marvel, 1963). Socialite Janet Van Dyne becomes the Wain this classic Jack Kirby origin page, which shows her becoming smalland using her wings or the rst time. This page has an image area o 12x 18.5”, and the art is in Excellent condition.




92161 Jack Kirby and Paul Reinman X-Men #1 Page 7 Original Art (Marvel, 1963). From the hallowed halls o the House o Ideas comes thitoric masterpiece o X-Men art — rom the story that astonished comic ans everywhere — the rst appearance, and origin o what eventually grebecome the world’s most exciting superhero team. With this glorious premiere, created by two o the most titanic talents in all o comicdom, StanMan” Lee and Jack “King” Kirby, the world o comic books and popular culture took a mighty leap into the Marvel Age. The Angel, the Beast, CycIceman, and Proessor X’s uncanny mutant powers are showcased in these rowdy and boisterous scenes, as the teen superheroes line up and are ato meet and greet their newest and cutest member, Jean Grey, the Marvel Girl. Admirers o comics as a orm o graphic art — prepare to have your sknocked o by this Marvel milestone, as it eatures classic Kirby action all the way, and is nothing less than a stunning “snapshot” o history taken rolegendary origin tale. This Silver Age spectacular has an image area o 12.5” x 18.5”, and the art is in Excellent condition.




92162 Jack Kirby and Paul Reinman X-Men #5 First Appearanceo Magneto’s Asteroid M Page 7 Original Art (Marvel, 1964). WithProessor Xavier’s mental powers gone, the X-Men try to decide how theywill unction without his leadership, meanwhile, the Toad, Mastermind,and Quicksilver mix it up, until their no-nonsense leader Magneto arrives,with the Scarlet Witch at his side. This Jack Kirby classic rom “Trapped:One X-Man” has an image area o 12.5” x 18.5”, and the art is in Excellentcondition.

92163 Jack Kirby and Paul Reinman X-Men #5 Magneto’s ArrivPage 13 Original Art (Marvel, 1964). In the Silver Age spectacul“Trapped: One X-Man,” trying to erret out the X-Men, Magneto has t

Toad enter into an athletic event where he leaps to victory. When tcrowd turns hostile, due to the Toad’s mutant abilities, the X-Men arrion the scene to capture him. In this page, Magneto is primed to snAngel and whisk him away to Asteroid M. Later, in an attempt to trathe Toad or Angel, the X-Men arrive on Asteroid M, where they battle tBrotherhood once again. This key page rom a Marvel classic has an imaarea o 12.5” x 18”. The page has been axed to a larger piece o backiboard, and the margins were trimmed closely to the art; otherwise, the is in Excellent condition.




92164 Jack Kirby and Paul Reinman X-Men #5 Surprise Attack onAsteroid M Page 18 Original Art (Marvel, 1964). X-Men art by Jack Kirby is highly sought ater, because as we all know, the “King” only

worked on issues #1-11. Out o those issues, until now, many o the pageshave been deeply entrenched in private collections. So, here is a splendidopportunity to own a vintage page eaturing the X-Men in battle withtheir arch-rival gang, the Brotherhood o Evil Mutants. This awesomepage has an image area o 12.5” x 18”, and is in Excellent condition. Thismasterwork was signed rather discreetly in its lower margin by Stan Lee(He was no doubt still in total awe o the pulse-pounding page o pureLee-Kirby genius set beore him).

92165 Jack Kirby and Chic Stone X-Men #8 Unus the UntouchPage 20 Original Art (Marvel, 1964). This Silver Age sensation scases one o the X-Men’s most earsome oes, Unus, the Untouchrom his rst appearance and origin story. This scene marks Unus’ doall as the malevolent mutant succumbs to Hank McCoy’s ingeniouso increasing Unus’ “x-power” — his matter-repelling orce eld. Tscenes are classic “King” Kirby. The image area o this page measures x 18.5”, and the art is in Excellent condition.




92166 Jack Kirby and Chic Stone X-Men #8 The Beast Special Pin-Up Page Original Art (Marvel, 1964). Let the banners unurl, and the trumpeblare — and behold this Marvel masterwork, a precocious pin-up page o Hank McCoy, the Beast, in dazzling display o double-dexterous action. Pin-upages o this rarity, cultural importance, and graphic perection almost dey description. Suce it to say, only Jack “King” Kirby and his inker extraordinaiChick Stone, could create a quirky pin-up page o such verve and whimsy — and as a result, the Marvel Age o Heroes took another giant leap on its wato winning the hearts and minds o the comic book reading public. This awesome pin-up, hailing rom X-Men #8, is certain to be the piece de resistano any Hank McCoy or Marvel art an’s collection. This museum-worthy Marvel milestone has an image area o 12.5” x 18.5”, and the piece is in Excellecondition.




92167 Jack Kirby X-Men #9 Marvel Girl a Marvel Masterwork Pin-Up Original Art (Marvel, 1965). “No wonder they call her Marvel Girl” -- hergrail o grails, possibly the greatest, and certainly one o the largest images Jack Kirby ever drew o gorgeous Jean Grey. There is no ner Silver Age MGirl image out there — this is it. You are easting your eyes on “the King’s” original or the most beloved Marvel Girl pin-up o the early X-years. This claKirby pose is the Gold Standard or mutant emininity. The ultra-cool “Marvel Masterwork” banner at the top is stat. This iconic long-legged masterhas an image area o 12.5” x 18.5”, and the art is in Excellent condition.




92168 Jack Kirby, Werner Roth, and Dick Ayers X-Men #16 Page 20Original Art (Marvel, 1966). In order to destroy his renegade creations,the earsome Sentinels, Dr. Bolivar Trask makes the ultimate sacrice,in this Silver Age sensation. The Sentinels must number among Jack

Kirby’s most memorable character designs. The image area o this Marvelmilestone measures approximately 12.5” x 18.5”, and aside rom somescattered stains, the art is in Very Good condition. 92169 Jack Kirby and Vince Colletta Journey Into Mystery Annu

#1 Thor vs. Hercules Page 12 Original Art (Marvel, 1965). It’s anothAnnual Masterpiece in the abulous Marvel style. In this slugest o a ya

Thor and Loki come across a pair o Storm Giants attacking the gatewrom Asgard to Olympus. During the ensuing battle, the mighty Thoraccidentally transported to the abled land and nds himsel in hand-thand combat with the mighty Hercules, with neither party willing to badown. Ater a titanic battle, Zeus stops the confict and proclaims theboth worthy allies and riends, and Thor is sent back to Asgard wherupon Zeus closes the passage orever. This classic rumble rom “Wh

Titans Clash,” brought to you by the Thor team-supreme o Jack “KinKirby and Vince Colletta has an image area o 12.5” x 18.5”, and the art isExcellent condition.




92170 Jack Kirby Marvelmania Characters #1 Iron Man, Black Knight,Ulik, Doctor Doom, Rhino, and Doctor Strange Illustration Original Art(c. 1968). Let the banners wave and the trumpets blare, True Believers — orhere is a grail o grails, possibly the greatest, and certainly one o the cool-est masterworks Jack Kirby ever drew or Marvelmania, the short-lived anclub based on the Marvel characters. There is no ner Kirby line-up o Kirby-

created Marvel character merchandising art in the market — this is the oneor you. The Iron Man and Doctor Doom images were used as border imageson the back cover o the 1969 Marvelmania Club Catalog. This piece wasmost likely produced during the rst part o 1968 as the Black Knight rstappeared in Avengers #47 (December 1967); Ulik rst appeared in Thor #137 (February 1967); and Rhino rst appeared in Amazing Spider-Man #41(October 1966). As the Rhino was killed o (or the rst time) in Hulk #104(June 1968) and didn’t appear again until Hulk #124 (February 1970), it seemsvery unlikely that Kirby would have included the Rhino among the characterson this piece ater that time. In any case, this iconic Silver Age masterpiecehas an approximate image area o 12” x 12”, and the art is in Excellent condi-tion. Signed by Kirby at the lower right. An image o the printed catalog isshown here but is not included with the lot.




92171 Jack Kirby and Syd Shores Captain America #103 Page 3Original Art (Marvel, 1968). The Red Skull’s strike orce abducts SharonCarter, Agent 13, in this Silver Age spectacular rom the thriller, “TheWeakest Link.” This pulse-pounding page has an image area o 10” x 15”.Aside rom overall light paper aging, and a taped down caption at thelower right, the art is in Very Good condition.

92172 Jack Kirby and Frank Giacoia Captain America #209 ArnimZola Page 6 Original Art (Marvel, 1977). The Star-Spangled Avengerghts the good ght in nearly every panel o these action-packed scenesrom the thriller, “Arnim Zola the Bio-Fanatic.” Frank Giacoia ranks amongthe best o Jack Kirby’s many inkers, and his silky smooth brush strokeswere perect or the Bronze Age Captain America stories. This page has animage area o 10” x 15”, and aside rom a ew production process stains,the art is in Excellent condition. Signed by Kirby in the ourth panel.

92173 Jack Kirby and Mike Royer Mister Miracle #12 Page Original Art (DC, 1974). Mister Miracle, Oberon, and Big Barda lower tboom Colonel Darby, Mudgett, and Msytivac, the alien robot with mincontrolling abilities in this superb page rom the appropriately namtale, “Mystivac.” This wonderul page has an image area o 10” x 15”, andis in Excellent condition. Signed by Kirby in the nal panel.

92174 Jack Kirby and Mike Royer Justice Inc. #3 Page 6 Original A(DC, 1975). Here’s the rst Jack Kirby Justice Inc. page Heritage Auctiohas oered to date. Continuing the exploits o Kenneth Robeson’s (PaErnst) the Avenger, the team o Justice Inc. recruits a new member its ranks. All the Kirby sci- hallmarks are here in these drama-drenchscenes co-starring Richard Benson and his aides, Smitty, Josh, Rosaband Mac. This “King” Kirby blockbuster rom “The Monster Bug” has image area o 10” x 15”, and the art is in Excellent condition.




92175 Jack Kirby and Mike Royer Eternals #15 Cosmic Hulk Page 30Original Art (Marvel, 1977). The battle between Ikaris and the cosmic-powered Hulk continues. But as these two immensely powerul warriorsthreatens to topple the city around them, can even Ikaris contain the uryo the Cosmic Hulk? The “neo-Hulk” makes a galactic guest appearanceon this smashing page rom “Disaster Area.” The image area o this thrilleris 10” x 15”, and aside rom some small ink stains in a word balloon at thelower let, the art is in Excellent condition. The Hulk, by the “King?” —better put in a bid, True Believers.




92176 Jack Kirby (and Possible Studio Assistant) Silver Surer and Doctor Doom Large Pencil Sketch Original Art (undated). This stunning pieeaturing everyone’s avorite cosmic wanderer, the Silver Surer, paired with the Silver Age’s most earsome villain, Doctor Doom, was previously soldthe 9/30/1992 Sotheby’s auction, was in the collection o singer Graham Nash, and was then auctioned again by Sotheby’s on 6/5/1998.

It has recently come to light that some collectors eel Kirby may have collaborated with an unknown assistant on a group o artworks included in tSotheby’s auctions during the 1990s. While we don’t have any rm inormation regarding another hand in this drawing, based on the inormation we’read, we acknowledge the possibility that Kirby himsel may not have drawn this piece in its entirety. Though the specics o Kirby’s working process the time are unknown, what is known is that these drawings were consigned to those Sotheby’s auctions directly rom Jack Kirby and his amily.

The art is edge-to-edge on a piece o illustration board measuring approximately 14” x 17”, is signed by the artist in the lower center, and is in Excellecondition.




92177 Doug Klauba and Alex Ross Project Superpowers: Chapter Two #4 “The Flame Origin” Double-Page Spread Original Art(Dynamite Entertainment, 2009). Doug Klauba’s dramatic style, infu-enced in part by the pulp magazine and movie poster art o the 1930’sand 1940’s, has been dubbed “Heroic Deco” and has earned him acclaimrom collectors and clients around the world. The Flame associated withheroes like Black Terror, Green Lama, Fighting Yank, and Death-DeyingDevil, and all the other members o Superpowers. In a misguided attemptto save the world, Fighting Yank captured the Flame and the rest o his

superhero team in the Urn o Pandora. A uneral was held or the Flame ashis ellow heroes thought he was consumed by his own fames in a battleagainst the Japanese Army. Ater 60 years, the Fighting Yank is conrontedby the American Spirit who convinces the Yank to ree all o the heroes,including the Flame, rom the Urn. The Flame is ound in Hollywood,Caliornia ater becoming conused by his time in the urn and burningthe iconic Hollywood sign. This bold double-page spread, based on AlexRoss’ layouts, has an image area o 20” x 16”, and the art is in Excellentcondition.

92178 Doug Klauba and Alex Ross Project Superpowers: Chapter Two #5 “President Power The Futureman Origin” Double-PageSpread Original Art (Dynamite Entertainment, 2009). For the seriesProject Superpowers, creator Alex Ross selected Doug Klauba to paint aseries o two-page origin spreads o many Golden Age heroes such as the

Black Terror, the Death Deying Devil and the Green Lama, etc., workingover Ross’ layouts. During the Golden Age, Power Nelson battled evil inthe ‘uture’ o 1982. In Dynamite’s Project Superpowers Universe he hassince been elected President o the United States. This magnicent dou-ble-page spread has an image area o 20” x 16”, and the art is in Excellentcondition.

92179 Doug Klauba and Alex Ross Project Superpowers: MeeBad Guys #2 “Fighting Yank Origin” Double-Page Spread Origina(Dynamite Entertainment, 2009). An award-winning illustrator, DoKlauba has created cover artwork or books eaturing such amous acters as Zorro, Kolchak: The Night Stalker, Doc Savage, The PhantomSpiderman, among others. In the Fighting Yank’s new adventuresAmerican Spirit shows up to inorm the Yank that a rebellious anti-the Revolutionary, is the latest in a long line o Patriots to serve the He explains that though the Revolutionary’s methods are barbaric

intentions are patriotic and the Yank needs to go and conront him oown terms. This eerie double-page spread, based on Alex Ross’ layhas an image area o 20” x 16”, and the art is in Excellent condition.

92180 Doug Klauba and Alex Ross Project Superpowers: MeeBad Guys #4 “I Was the Scarab Origin” Double-Page Spread OrigArt (Dynamite Entertainment, 2009). The talented Doug Klapaintings have been included in the art annuals o Spectrum: The in Contemporary Fantastic Art and the Society o Illustrators. His ping, Mercury Jack , was exhibited in the Spectrum Show at the MuseuAmerican Illustration and another o his paintings, da Vinci’s Dreamawarded Best in Show at the 2005 World Fantasy Convention. The Scwho rst appeared in the 2008 miniseries Project Superpowers is lobased on the Golden Age Scarab. He is one o the ew original chters in the series, with most o the others being Golden Age chara

who’ve allen into the public domain. This iridescent double-page spbased on Alex Ross’ layouts, has an image area o 20” x 16”, and the arExcellent condition.




92181 Bernie Krigstein Aces High # 2 Complete 6-Page Story“Revenge” Original Art (EC, 1955). One o the most respected artistsrom the world-class EC line-up, Bernie Krigstein was a master cratsmanat the top o his orm when the psychological thriller, “Revenge,” was pub-lished. EC was under re by the newly created Comics Code Authority, andthis yarn spotlights Krigstein’s remarkable storytelling and dratsmanship.Each page has an image area that measures approximately 13” x 18”. Theword balloons and captions have been pasted-on, and a ew have comeloose; otherwise, the art is in Very Good condition. A magnicent storyrom one o comics’ greatest artists, these pages are sure to be a welcomeaddition to any EC art collection.

92182 Andy Kubert Captain America #22 Cover Original A(Marvel, 1999). The Return o Klaw... the End o the World? Andy Kubetakes it to the next level in this Vibranium-blasted cover illustration! Tart has an image area o 10” x 15” and it is in Excellent condition.

92183 Joe Kubert Showcase #86 Firehair Page 12 Original Art (D1969). Joe Kubert was the ideal artist to illustrate this ondly rememberWestern series. Firehair, a Caucasian, was raised by Native Americans awas stranded between both cultures. This Silver Age page rom “River Gold” was drawn on coquille paper and then mounted to a support pap

The piece has an image area o 10” x 15”, and aside rom some light aginthe art is in Excellent condition.




92184 Joe Kubert Tomahawk #135 Cover Original Art (DC, 1971). Few DC covers are more coveted by art collectors than those eaturingglorious greytone eects — even more so when they’re drawn by thegreat Joe Kubert. This Bronze Age blockbuster spotlighting Hawk, Son o

Tomahawk has an image area o 10” x 15”, and the art is in Excellent condi-tion.

92185 Bob Layton Iron Man #130 All-Devouring Battle Page 27Original Art (Marvel, 1980). The All-Devouring puts the hurt on IronMan in this no-holds barred, visual assault penciled and inked by BobLayton. This Modern Age masterwork rom “The Digital Devil” has a 10”x 15” image area. The art has some overall paper aging; otherwise, it is inExcellent condition. A choice Bob Layton Iron Man page.

92186 William Maher Judge Dredd Future Crime Cover Origina(Fleetway, 1990). Are you prepared to commit a Future Crime? Transand come under the terrible jurisdiction o the most eared Judge o Mega-City One... Judge Dredd! This enormous mixed-media on hboard illustration has an image area o 23” x 29” and it is in Excellent cotion. Includes a copy o Judge Dredd Future Crime.

92187 Russ Manning Studio Star Wars Daily Comic Strip OrigArt dated 6-9-80 (L. A. Times Syndicate, 1980). “Star Wars/NothinStar Wars/Give me those Star Wars/Don’t let them end...” Where’s Bill Muas Nick the Heritage Auctions Lounge Singer, when we need him?superb episode has an image area o 14” x 4.5”, and the art is in Excecondition.

92188 Russ Manning Studio Star Wars Daily Comic Strip OrigArt dated 6-13-80 (L. A. Times Syndicate, 1980). Star Wars dogscenes always command spirited collector bidding and this daily is afight example. This episode has an image area o 14” x 4.5”, and the in Excellent condition.

92189 Russ Manning Studio Star Wars Daily Comic Strip OrigArt dated 6-14-80 (L. A. Times Syndicate, 1980). This antastic, oramic “space kamikaze“ episode has an image area o 14” x 4.5”, andart is in Excellent condition.




92190 Esteban Maroto Succubus/Vampira Painting Original Art (c.1975). Painted on canvas paper. This piece has an image area o 13.5” x17.75”, and the art is in Excellent condition. Signed by Maroto at the lowerlet.

92191 Val Mayerik Eerie #97 Painted Cover Original Art (Warren,1978). Val Mayerik is an acknowledged master o painted antasy art. Hisskilled use o color and light imbue his works with a mood o mystery andtension. This painting conjures up a primordial vision set orth in Eerie #97’s theme, “Corben’s Time Travel Classics.” Very ew treasures could slakea Warren an’s desire as ully as this surreal and sexy painted cover. Theimage size is 24” x 30” in a 27” x 33” rame, and the condition o this oil onboard painting is Excellent.

92192 Winsor McCay Power Trust/Cost o Lobbying EditorCartoon Illustration Original Art (New American, 1907). 100 yealater and some things never change. Truly one o the athers o bothe American comic strip and animated cartoons, Winsor McCay wrenowned or his landmark works, Little Nemo In Slumberland and Dreao the Rarebit Fiend . In addition, McCay was a prolic editorial cartoonisthis day, possessing a ne eye and dry wit or the events o the time. Thtimeless original has an overall size o 16” x 11”. Three corners have beclipped. There is a closed three-inch tear at the upper right, some oveall paper aging and light soiling; otherwise, the art is in Good conditio

Signed by Winsor McCay at the bottom right.

great selections of silver age and bronze age comics every

week in heritage’s sunday internet comics auciton

Go to HA.com/comics




92193 Todd McFarlane Spider-Man #3 Splash Page 22 Original Art (Marvel, 1990). Spidey awakens to nd Kraven the Hunter standing beorewith hal o his head blown o and the Lizard crouching at his side, in this page rom Part Three o “Torment.” This is one o the most memorable -compositionally striking - splashes in the entire ve story arc, not to mention the very rst Spidey splash by McFarlane we’ve ever auctioned! McFarlrun represents one o the most popular in the amed web-crawler’s history, and such an incredible image is nearly impossible to track down these

The art measures 11.75” x 17.75” and it is in Excellent condition. Signed by Todd McFarlane at the lower right.




92194 Bob McLeod X-Men Danger Room Specialty CommissionIllustration Original Art (2000). The X-men are put through their peril-ous paces by Proessor X in the traumatic training ground o the “DangerRoom.” This band o marvelous mutants includes the classic Silver Ageline-up o Cyclops, Havoc, Polaris, Angel, Marvel Girl, Iceman, and theBeast. Bob McLeod’s scintillating sensation resonates with the trend-set-ting innovations o ormer X-Men artists Neal Adams and Jim Steranko.

This drawing has an overall size o 20” x 15”, and the art is in Excellentcondition.

92195 George McManus Hand Colored Bringing Up Father SundayComic Strip Original Art dated 5-21-22 (King Features Syndicate,1922). George McManus’ art is even more appealing when it’s hand col-ored. Hand colored originals such as this one were oten presented byartists to riends and ans. This beautiul piece has an overall image areao 16” x 21.5”. Aside rom being cut between panel tiers three and our,and having some edge and corner wear, and some paper aging in themargins, the art is in Very Good condition.

92196 Mighty Mouse#25 Partial Origin StoryOriginal Art (St. JohnPublishing, 1951). The rstve pages o “Who is MightyMouse,” one o the Rodent o Steel’s many dierent originstories. In this version, he’san abandoned baby let ona mouse woodchopper’sdoorstep during a ercestorm. Each page is on heavyillustration board, and has animage area o approximately12.5” x 17.5’. The pages arein old black cardboard mats,with the exception o pagethree, which has a ew smallareas o tape-pull damage.

The overall condition o thepages is Very Good, withsome minor soiling. TheMighty Mouse paper stat logo is original.

92197 Mighty Mouse FunClub Magazine #1 PageOriginal Art Group (Pines,1957). Includes pages 2-32,and 65, 67, 70-81, 84-96 o this 100-page comic book eaturing Mighty Mouse,

Tom Terric, Heckle andJeckle, Dinky Duck, andGandy Goose. Each page hasan image area o 12” x 18”,and the pages average Goodcondition (pages 2, 94, 95,and 96 have chipping andtearing into the image area).

See more o the pages atHA.com!

92198 Mike Mignolaand Carlos Garzon Cosmic Odyssey #1 Page 34Original Art (DC, 1988). Superman, Starre, and J’onnJ’onzz listen as Darkseid

explains that Metron hasunleashed the Anti-LieEquation upon the universe,in this page rom the rstissue o this our-issue series.

The art has an image area o 12” x 17.5”. In Excellent condi-tion.




92199 Frank Miller and Klaus Janson The Amazing Spider-Man Annual #15 Doctor Octopus vs. the Punisher Page #14 Original Art(Marvel, 1981). This Spidey annual has long been a an avorite, eaturingFrank Miller’s denite take on the web-crawler battling chie nemesis DocOck. This page has the mad doctor, as well as one o Miller’s all-time mostpopular villains, the Punisher, who was completely revitalized to becomea Marvel star in Miller’s DD run. This page has an image area o 10” x 15”,and the art is in Excellent condition.

92200 Frank Miller and Klaus Janson Daredevil #190 Daredevil andStone vs. The Hand Page 31 Original Art (Marvel, 1983). Wow! What wehave here is an absolutely key piece o dramatic Marvel history — Black Widow, Stone, and Daredevil battle the notorious “Hand” over the recentlyslain (or perhaps not) Elektra! These scenes eature Frank Miller break-downs with superb Klaus Janson nishes, and the piece has an image areao 10” x 15”. Aside rom a clipped upper right corner (outside the imagearea), and some yellowed Zipatone, the art is in Excellent condition.

92201 Frank Miller Ronin #1 Page 24 Original Art (DC, 1983). FMiller’s Ronin changed the direction o comics with its prestige series ormat, combined with the act that it was the rst modern eawhere DC allowed the creator to retain the rights to the character. Rhas since been celebrated as among the most important and infuestories ever published. Miller is arguably the greatest superhero wartist to work during this period, and Ronin helped launch a mneeded comics revolution — many eel that there would be no SandWatchmen, or Dark Knight, without this visionary work leading the Ronin has inspired countless creators, among them Kevin EastmanPeter Laird o Teenage Mutant Ninja Turtles ame. This atmosppage is only the second Ronin page that Heritage has oered attion, and artwork rom the amed epic is much scarcer than anythingrom the period. According to collecting lore, only pages rom theissue have let Miller’s possession (with only 47 pages available to

market). This antastic piece has been locked away in a single collecsince being purchased upon the series’ original publication, and idenition o “resh to market.” And unlike many pages rom Miller’s oeighties series, the original art and writing here are pure Frank Miller, ing this one o the most important pieces o modern original comic art Heritage has ever had the pleasure to oer. This masterwork “Ronin: Book One” has an image area o 10” x 15”. The second panehas two original art correction paste-ons; otherwise, the art is in Excecondition.




“It took me years to defne, in my own mind, Batman as less a creature o

vengeance than o vigor. This piece is one o my personal avorites. To me,

it sums the man up.”

—Frank Miller

92202 Frank Miller Absolute Dark Knight Book Cover Original Art (DC, 2006).

On its publication in 1986, Frank Miller’s The Dark Knight Returns changed the landscape o the graphic

novel irrevocably. With its dark vision o Batman’s uture and its stunning artwork, The Dark Knight

Returns set the world on re. 15 years later, Miller’s sequel, The Dark Knight Strikes Again, urther rede-

ned the boundaries o the superhero genre.

Some pieces o art stand as denitive masterworks by their creators — Joe Simon and Jack Kirby’s Captain

America, Will Eisner’s The Spirit, and Robert E. Howard and Frank Frazetta’s Conan are all examples o time-

less masterworks that have bestowed artistic immortality on the artists who created them. In much the

same way, this bone-jarring cover or The Absolute Dark Knight brings together in one iconic image the

elements that made Frank Miller’s gothic vision o the Batman such a legendary work o industry-chang-

ing artistry. The savage violence, the unparalleled use o strobe-like high-contrast graphics, the relentless

“shock and awe” attack o the Gotham Guardian’s campaign — all o these elements are perectly crys-tallized in one iconic image by the man all have hailed as a master o sequential illustration. Brilliantly

conceived and fawlessly executed, Frank Miller steers the viewer into Batman’s haunting end game, cre-

ating a no-holds-barred image that fash-reezes a moment o electriying tension between justice and

vengeance that only becomes more compelling upon each viewing. This beautiul, hauntingly iconic cover

image is all Miller pencils and inks and represents one o the greatest pieces o artwork by the artist ever to

become available at auction.

A classic work by a modern master, this masterpiece comes directly rom the artist and will be the prize

addition to any collection. This cover has an overall size o 11” x 17”, and the art is in Excellent condition.

From the Collection o Frank Miller .




“Like any hero, Batman is complex. Here we see him as a ather fgure,

instructing one o my avorite creations, dear Carrie Kelly.”

—Frank Miller

92203 Frank Miller Batman: The Dark Knight Returns (10th Anniversary Edition) Batman and

Robin Frontispiece Splash Page Original Art (DC, 1997).

Denitive is the only adequate description o this masterpiece. Time magazine ranked The Dark Knight

Returns as one o the top ten graphic novels ever created. As Alan Moore wrote about the series: “Beyondthe imagery, themes, and essential romance o Dark Knight, Miller has also managed to shape the Batman

into a true legend by introducing that element without which all true legends are incomplete and yet

which or some reason hardly seems to exist in the world depicted in the average comic book, and that

element is time — time has come to the Batman and the capstone that makes legends what they are has

nally been tted. In his engrossing story o a great man’s nal and greatest battle, Miller has managed to

create something radiant which should hopeully illuminate things or the rest o the comic book eld,

casting a new light upon the problems which ace all o us working within the industry and perhaps even

guiding us towards some resh solutions.”

Ten years ater it was released the shock waves in the industry were still peaking, and or the 10th

Anniversary Edition o the ground-breaking series, Frank Miller created this perect stand-alone image o

Batman and Robin (Carrie Kelley, the rst emale, ull-time Robin), in action, in their element cloaked in thedarkness o night — this one has everything going or it.

Frank Miller’s splash page o the Dynamic Duo shattered all existing records or a piece o comic art in one

o our previous auctions, and we a similar demand in the market or this visionary piece. This gem has been

locked away in Frank Miller’s own collection since the 10th Anniversary Edition’s publication and is the de-

nition o “resh to market.” And unlike many pages rom the series, where dierences between the original

art and the published version are evident (as a result o Miller making changes on pasteovers), no changes

were made to this artwork or publication, and the original contains no paste-ups or stats — it’s pure Miller

art, just the way it appeared in print.

In short, this is one o the most senses-shattering pieces o original comic book art Heritage has ever had

the pleasure to oer! This splash page has an overall size o 12” x 19”, and the art is in Excellent condition.

From the Collection o Frank Miller.




92204 Frank Miller and Klaus Janson Batman: The Dark Knight Returns #1 Concluding Double-

Page Spread 46 and 47 Original Art (DC, 1986). This astounding double-page spread, a real rarity in the

marketplace, spotlighting the Batman and Two Face (Harvey Dent), marks the dramatic conclusion o the

rst issue as the Dark Knight eels reveals his proound empathy with his schizoaective riend/oe and

tries to comort him as best he can. No story in the Batman mythos is more important than Frank Miller’s

The Dark Knight Returns.




Released in 1986, this story was responsible or the rejuvenation o Batman as a dark character and or the

comics industry as a whole. Many consider it the greatest Batman story ever told. When pages rom this

yarn surace, they command a premium price, as can be seen by the world-record price or any piece o

comic art, set by the splash in one o our past auctions. The spread has an approximate combined image

area o 24” x 18”. The entire image o the bat ace in panel eight o page 47 is a photostat, and the the let-

tering on both pages is done with pasted-on captions and word balloons; otherwise, the art is in Excellent

condition. Inscribed and signed by Frank Miller in the lower borders o both pages.




92205 Frank Miller and Klaus Janson Batman: The Dark Knight Returns #4 Page 7 Original Art (DC, 1986). Batman wages war on the GCPD, whRobin proves her skills at reprogramming the Bat-copter, in this action-packed page rom the nal installment o the legendary Dark Knight Returmini-series. Undoubtedly one o the most infuential comic books o the century, TDKR, along with the Watchmen, initiated a decade o dark-and-griimitators, none o which captured the raw power o the original. Dark Knight pages have been commanding impressive prices in recent months, bdemand still ar outstrips supply, and this page boasts more Batman (and Robin) than most. One o the TV screens in the nal panel is a photostat, bthe rest is all original Miller/Janson art, and in Very Good condition, with only light overall wear and a minor abrasion in the top right corner which donot aect the artwork. The image area measures 12” x 18”. This Dark Knight page probably won’t return, so don’t miss this golden opportunity to grabpiece o one o the Modern Age’s true classics.




92206 Sheldon Moldo and Joe Giella Detective Comics #352Batman Splash Page 1 Original Art (DC, 1966). A roundhouse rightrom the Masked Manhunter o Gotham City sends another baddy intoa well-deserved dreamland! From the height o Batmania, this was a hip-per, swingier Batman than either the grim vigilante o the 1940s or theSF crimeghter o the 1950s. Gone were the dinosaurs, aliens and giantprops that had been a mainstay o the character or the last decade. The“new-look” Batman was designed or a ar more sophisticated audience.Although this page is signed by Bat-creator Bob Kane, the art is actuallyby Shelly Moldo, one o the mainstays o the Golden and Silver Ages, andinker Joe Giella. In Excellent condition, this page measures approximately13.25” x 20.75”, with an image area o approximately 12” x 16”. The logois a stat, but all else is original art, with only minor evidence o whiteout;otherwise, this splash is in Excellent condition. A thrilling piece o art, rom

the swingin’ Silver Age, this is a splash page no true Bat-an will want tomiss out on.

92207 John Cullen Murphy Prince Valiant Sunday Comic #1969 Original Art dated 11-3-74 (King Features Syndicate, 1John Cullen Murphy’s command o light and shadow is showcased inthrilling three-panel episode eaturing Val’s epic battle with Karakdramatic Sunday rom the “Karak the Terrible” story arc has an overao 16.5” x 24.5”. The strip was cut between the panel tiers and they been rejoined with tape on the back o the page, and the margins been trimmed closely to the art, and there is light overall paper aotherwise, the art is in Excellent condition.

92208 John Cullen Murphy Prince Valiant Sunday Comic Original Art dated 1-21-96 (King Features Syndicate, 1996). WheFoster retired rom drawing the Prince Valiant strip in 1970, Foster pJohn Cullen Murphy to be his successor. Murphy went on to drawstrip or 34 years, nearly equaling Foster’s own reign on the eatureMurphy never tried to imitate Foster’s style; his use o a pen line rthan a brushed one gave the eature an entirely dierent eel, yet the ity o the art remained impressive. In this rousing Sunday, rom the “JaPaw” story arc, the image area o the Sunday measures approximatelx 19”. The three tiers o the strip were cut apart and later rejoinedtape on the back o the paper; otherwise, the art is in Excellent condA terric Prince Valiant Sunday by John Cullen Murphy.




92209 Don Newton and Joe Rubinstein Overstreet Comic Book Price Guide#13 Cover Featuring Superman, Wonder Woman, and Batman Original Art(1983). “The Big Three” o DC check out their top-fight rankings on the 1983OSPG Golden Age sales list. This sharp group portrait by two an-avorites has animage area o 12” x 17”, and the art is in Excellent condition. This super-spectacular“innity cover” will make a prized showpiece or any DC an.

92210 Alex Nino Eerie #87 Hunter III Page Original Art (Warren, 1977). Thisoversized page hails rom Alex Nino’s solo story “What Price Oblivion” debut orWarren Publishing. Unlike the other two Hunter series, this is a parody, told ina single story. A young boy, Max Halibut, dons the Hunter Helmet and with his

“Exterminator Dingo” goes on a quest to deeat the rog people. Along the wayhe meets a young gal, Twyla Smyla, who joins him on his quest. While battlingthe rog people he encounters his mother, who is a rog woman leader. Twyla isrevealed to be his ather — a bizarre, but unny story. This incredible showpiecehas an overall size o 16.5” x 22.5”. The word balloons are on an overlay, and the art,drawn on Cratint Doutone paper, and it is in Excellent condition.

92211 Olivia De BeradinSwank May 1977 “FemaFantasies, Dyke DiversionIllustration Original A(Swank Magazine Cor

1977). Here is an early ouwork by the modern maso erotic art. This acrylic board illustration has an imaarea o 6.25” x 13.5”, and it hbeen matted and ramed an overall size o 10” x 17”. Tart is in Excellent conditioand is signed at the lowright. A copy o the magaziis included with this lot. Fadults only.

92212 Kevin O’Neill League o Extraordinary GentlemVolume 1 “The Doctor” Bumper Cover 2 Original A(America’s Best Comics, 2000). As most Modern Era art colletors know, little art rom Volume 1 o the League has ever bemade available, so don’t miss your chance to win an incredibcover piece. Can the League recover a sample o avorite (H. Wells’ The First Men on the Moon anti-gravity metal) rom tclutches o Fu Manchu (who is not mentioned by name or tradmark reasons, but is instead identied by his pseudonym o “TDoctor”)? Or will they have nally met their master? This evoctive bumper cover scene by the an-avorite artist o Nemesis tWarlock and Marshal Law has an image area o 20” x 15”, and tart is in Excellent condition.




92213 Joe Orlando Weird Science #14 “They Shall Inherit” TitlePage 1 Original Art (EC, 1952). Joe Orlando hit his stride on this highlydetailed title page, brimming with classic EC S-F suspense. At Wally Wood’ssuggestion Joe Orlando applied or work at EC and soon he was contrib-uting to their SF, horror, and suspense titles in a style that was heavilyinfuenced by Wood. William Gaines and Al Feldstein were thrilled. Theyelt they now had “two Woods.” As Steve Duin and Mike Richardson’s book Comics Between the Panels recounts, “The rst time EC asked Orlandoto prove he could ink like his old buddy, he almost died. ‘But they liked it,’he said. ‘I was surprised. It went on rom there. I even tried to break awayrom Wally Wood.’” The image area is 13” x 18”. Panel one was drawn onCratint Duotone paper, and tipped into the page (with tape on the back),and there is a missing lettering correction; otherwise, the art is in VeryGood condition.

92214 Joe Orlando Weird Science #21 “The Ugly One” Page 6Original Art (EC, 1953). Some o the most bizarre aliens ever to appear inany EC comic populate this take on “The Ugly Duckling” airy tale. Orlandois an underrated EC artist, and this page is a prime example o his solidwork or the company. He makes the outlandish aliens believable, and is it

just us —- or do these aliens bear a striking resemblance to Saturday Night Live‘s Coneheads? Mepps. This page is exceptionally clean, with very littlepaper aging, and only one missing paste-up lettering correction. Panelour is a tipped-in art correction (taped in rom behind); otherwise, the artis in Very Good condition.

92215 Joe Orlando and Jerry Grandenetti Creepy #8 Com8-page Story “Adam Link’s Mate (Memoirs o Adam Link, PartOriginal Art (Warren, 1966). The early Warren magazines revived

long gone spine-tingling quality o the EC era and the wash tone priprocess inspired many o the artists to stretch themselves beyond theits o traditional comic book art. Seven o these moody pages each an image area o 12” x 17”, but the last page was drawn smaller, and ian image area o 10.5” x 15”. The pages average Excellent condition.

92216 Joe Orlando and Mike DeCarlo The New Teen TitansCover Original Art (DC, 1987). Cyborg leads the way as the Titansa Zandian terrorist onslaught in this incredible cover rom the seNew Teen Titans series. The art has an image area o 10” x 15” and itExcellent condition.




92217 Richard F. Outcault Buster Brown and Tige SpecialtyIllustration Original Art (undated). Vintage specialty ink drawing byRichard Outcault, titled, “Le Petit Buster Brown et Son Chien Tige a Paris .” Thedrawing is rendered in ink on a sheet o heavy illustration paper measur-ing 13.5” x 8.5”. There is paper tanning, some light water spots at the right,and several small pin holes; otherwise the art is in Very Good condition.

92218 Richard F. Outcault Hand Colored Buster Brown SundayComic Strip Panel Original Art (undated). Buster rst appeared in TheNew York Herald on May 4, 1902. Buster’s companion in mischie was hisbulldog, Tige, and the pup is said to be the rst talking pet in Americancomics. Young Mr. Brown was just as mischievous as those other Sundayhellions, The Katzenjammer Kids. Buster was created by R. F. Outcault, whooriginated The Yellow Kid , a eature oten cited as the original Americancomic strip. This hand colored panel, cut rom a Sunday episode, has anoverall size o 6.5” x 6”, and is in Very Good condition. Resolved: to put in abid on this classic eature o American comics.

92219 Paul Terry’s Comics #123 Cover Original Art (St. John, 1955 Those talking magpies, Heckle and Jeckle, are at it again in this upainted cover, one o the last o the series. The art is mixed media, anthe colors have aded somewhat over the years, but still present we

The “Cartoon Course” blurb is hand-lettered on a separate piece o papand was attached with glue; the corners are now coming loose. The “Pa

Terry” logo was also hand painted on trimmed acetate and glued on. Tart is in Good condition, with an image size is 12.5” x 18.25”, and is mated and Plexiglas ramed to an overall 20” x 26”. A copy o the comicincluded. From the Estate o John McLaughlin.

92220 Jason Pearson Portolio Divorce Plate Illustration OriginArt (Gaijin Studio,1992).This somber, sanguine scene by the an-avorartist/writer o Legion o Super-Heroes, The Dragon: Blood and GuGlobal Frequency, and his own creator-owned series, Body Bags, migmake anyone think twice beore splitting up (literally). This piece has aoverall size o 14” x 18”, and it is in Excellent condition.




92221 George Perez and Terry Austin X-Men Annual #3 Page 39Original Art (Marvel, 1979). The unbeatable team o George Perez and

Terry Austin make the most o seven exposition-lled panels eaturingthe top X-Men and Avengers, including Wolverine, Cyclops, Nightcrawler,Colossus, Thor, Iron Man, and Captain America. Perez is a master o clarityin detail, and Austin is an ultra-inker o the highest order. The image areameasures 10” x 15”. There is overall paper aging, and panels six and sevenare tipped in; otherwise, the art is in Very Good condition. A superb pagerom two master artists. Signed by both artists and writer Chris Claremontin the bottom margin.

92222 George Perez and Romeo Tanghal The New Teen Titans #25Splash Page 1 Original Art (DC, 1982). On a mission to rescue Starre onher home planet Okaara, the Titans, along with the Omega Men, nd them-selves in the midst o a bitter war between Blackre and the Vegan System,in this rst splash page rom “War!” The art has an image area o 10” x 15”and, aside rom some glue staining in the indicia section at the bottom, itis in Very Good condition. Signed by George Perez at the lower let .

92223 George Perez Wonder Woman #16 Cover Original Art 1988). High above the Boston skyline, the Maid o Might alls victim town magic lasso as she battles Silver Swan, in this scintillating covertration penciled and inked by George Perez. The image area o this cor “Bird o Paradise/Bird o Prey” measures 10” x 15” and the conditiExcellent. Includes the original logo and masthead paste-up art, ware on an acetate overlay. Signed by George Perez at the lower let.




92224 George Perez Secret Origins Annual #3 The Teen Titans CoverOriginal Art (DC, 1989). Power-packed cover by the superlative GeorgePerez eaturing most o the Titans cast, including Nightwing, Kid Flash,Wonder Girl, Aqualad, Speedy, Bumblebee, Herald, Lilith, Changeling,Robin, Terra, Jericho, Starre, Raven, Cyborg, and Kole, plus Flash, Hawk,Dove, Flamebird and Golden Eagle. The art has an image area o 10” x 15”and it includes its original logo and masthead paste-up copy. In Excellentcondition. Signed by the artist in blue pencil at the lower let.

92225 George Perez The New Teen Titans: Who is Donna Troy? TPCover Original Art (DC, 2005). One o the most popular Titans membeever, Donna Troy, is the ocus o this stellar cover illustration by legenary artist, George Perez. This spectacular piece eatures multiple imago Donna in her various incarnations, along with headshots o virtually the important New Teen Titans characters including Nightwing, WondGirl, Changeling, Speedy, Starre, Jericho, Kid Flash, and Cyborg, plWonder Woman, and Green Lantern. This is probably the most deninexample o a Perez Titans could you could ask or, with almost all o yoavorites together in a single cover. The art has an image area o 10” x 1and it is in Excellent condition. Signed by George Perez at the lower rig




92226 Jay Scott Pike Girls’ Love Stories #180 Cover Original Art (DC,1973). A kiss is not just a kiss, in this heart-wrenching cover illustrationto the nal issue o this series by Jay Scott Pike. The art has an image areao 10” x 15” and it includes its original logo and masthead paste-up copy.

There is paper tanning, glue staining, and scattered soiling; otherwise the

art is in Good condition.

92227 Keith Pollard and Bob Layton Thor Annual #8 Cover OriginalArt (Marvel, 1979). It’s a clash o the Gods between Thor and Zeus, in thiscataclysmic cover or the yarn, “Battle Over Troy.” Bronze Age covers are ahot ticket right now, and this would be a solid example or any collectorlooking to add a classic image to his portolio. This cover has an imagearea o 10” x 15”, and aside rom some light overall paper aging, the art isin Excellent condition. Signed by Layton in the lower right border.

92228 Keith Pollard Thor #311 Cover Original Art (Marvel, 1 The God o Thunder carries the biggest club o all, his enchantedhammer Mjolnir, and with it he plays peacemaker even as urban blines are drawn. This show-stopping cover or “Crisis in the Inner Cityan image area o 10” x 15”, and the art is in Excellent condition.

92229 Keith Pollard and Gene Day Thor #311 Splash Page 1 OriArt (Marvel, 1981). Having chosen Earth over the shining realm ete

Thor heads or Donald Blake’s apartment and the start o a new dthis splash/title page or “Grie More Than a God Can Bear.” The art haimage area o 10” x 15” and it is in Excellent condition.




92230 Antonio Prohias First Spy vs Spy Submissions to Mad Magazine Original Art (1960). These two landmark Spy vs Spy sequencesincluding one o Black and White continuing their confict into the ater-lie were Antonio Prohias’ earliest submissions to Mad magazine. A lettero provenance reports, “Antonio came to the 225 Laayette oce; histeenage daughter Marta spoke or him. We were taken with his Black and White spy characters. (editor Al) Feldstein explained we didn’t do‘continuing cartoon characters.’ They let graciously, whereupon we helda conclave in Feldstein’s oce; (Art Director John) Putnam said he reallyliked the work! Nick (Meglin) and Jerry (DeFuccio) rushed to the street,brought Marta and Antonio back to a stimulated sta. The rest is cartoonhistory.” This historic pieces each have an image area o 15.5” x 10.5”, andthe art is in Excellent condition. The letter o provenance is included.

92231 Joe Quesada and Jimmy Palmiotti Wizard Magazine Amalgam Pin-Up Illustration Original Art (1997). Captain America/Batman mash-up by penciler Joe Quesada and inker Jimmy Palmiotti.

The art has an image area o 10.5” x 15.5” and it is in Excellent condition.

92232 Rod Ramos and Jimmy Palmiotti What I (...Phoenix Ro Again?) #33 Cover Original Art (Marvel, 1992). Starring the X-Men athe Sentinels, this crisply inked 9.75” x 15” thriller is a powerul re-imaining o one o the most popular X-Men storylines, “The Days o FutuPast,” eaturing an homage to the classic X-Men #142 cover. The art isExcellent condition. Signed by both artists in the lower margin.

92233 Alex Raymond Secret Agent X-9 Daily Comic Strip OriginArt dated 9-15-34 (King Features Syndicate, 1934). Alex Raymondpulp magazine illustrator-infuenced drybrush inking is at its best this exciting episode rom 1934, the rst year o the eature. Raymonmay have been inspired to use this inking technique as the strip’s writDashiell Hammett, was a renowned writer or the pulp magazine, Bla

Mask . This daily has an image area o 25” x 5.5”, and the art is in Excellecondition.

Check out HA.com/7054 For enlargeable Images

and to bid online!




92234 John Romita Sr. Amazing Spider-Man Annual #3 Spider-Man vs. the Hulk and the Mighty Avengers Cover Original Art (Marvel, 19Face Front, Spider-ans — and east your eyes on the ultimate “twice-up” John Romita Sr. Spider-Man cover. It’s worth noting this was the rst othree Annual covers that Romita Sr. drew rom this era. Jazzy Johnny was already making his own colossal contribution to the sterling legacy let beby Sturdy Steve Ditko (who is represented in the two photostat images o Spidey vs. Doctor Octopus at the bottom o the page). Large-size Marvel coare rarely oered in the marketplace, let alone any rom a Silver Age Annual. With its iconic images o the Hulk and the Mighty Avengers, this cove“To Become an Avenger” is not just a knock-out — it’s nothing less than a peerless, priceless piece o Spider-Man art. Any Marvelite who snatchedAnnual o the spinner-rack has this spectacular slugest seared into his memory. For True Believers, an art showpiece doesn’t get any better than thisimage area measures 13” x 20”, and the art is in Excellent condition, with a ew scattered glue stains that have little eect on the overwhelming powthe image. Please note that all o the gures in the main page are original art. Iron Man and the Wasp were drawn on separate pieces o paper romother gures. Includes the original title logo and other production elements.




92235 John Romita Sr. and Jim Mooney Amazing Spider-Man #117 “Deadly Designs o the Disrupter” Cover Original Art (Marvel, 1973). You syou want a Spider-Man cover raught with action and intrigue? Well look no urther, True Believer. This Jazzy John Romita cover has it all, and then somSpidey takes to the streets as a political campaign turns violent in this rollicking thrill-ride o a cover, courtesy o two o Spider-Man’s best-loved artis

The image area o this Bronze Age blockbuster measures approximately 10” x 15”, and retains most o its original logo stats. The cover has a crease througits center, some scattered production process stains, and a caption box at the lower let is missing; otherwise, the art is in Very Good condition.




92236 John Romita Sr. and Joe Sinnott Fantastic Four #106 Page 2Original Art (Marvel, 1971). When Jack Kirby let Marvel’s fagship title,John Romita Sr. was handed the daunting task o taking over the “King’s”Fantastic Four art assignment. Despite Romita’s concerns over an reac-tion, sales actually went up, just as they did ater the Jazzy One took overSpider-Man when Steve Ditko let the title. As Stan Lee once said, JohnRomita has the golden touch. All the same, Romita only drew the title ora ew issues, so his FF art is rather scarce. This page rom “The Monster’sSecret” has an image area o 10” x 15”, and aside rom a ew productionprocess stains, the art is in Very Good condition.

92237 John Romita Sr. and Joe Sinnott Fantastic Four #106 Page 8Original Art (Marvel, 1971). Two o Marvel’s nest talents teamed to pro-duce this superb page rom “The Monster’s Secret.” Romita Sr. FF pagesare hard to come by so did pass up a chance to win one or your portolio.

This mind-blowing piece o Marvel mayhem has an image area o 10” x15”, and aside rom a ew production process stains, the art is in Very Goodcondition.

92238 John Romita, Jr. and Tom Palmer Star Brand #1 First Universe Cover Original Art (Marvel, 1986). Here’s your chance tothe landmark Star Brand cover to the rst issue that launched MaNew Universe. It’s a world not unlike our own. Words like paranormsuper-hero are only used in comic books and movies. That is untWhite Event. In one blinding moment the landscape o the univchanged. Welcome to the New Universe. Lie or Kenneth Conneextreme sports enthusiast, changed the night he met — the Old Ater a brie encounter and black-out, Ken awakens with a strange “bron his hand — it’s a brand that will orever change his lie. “Thereweapon in the universe more powerul than all others. No more coveared, loved, or hated thing exists. Only a ool or madman — or the man — would dare possess the Star Brand.” This piece has an imageo 9.75”, and except or some yellowed Zipatone, it is in Excellent co

tion.




92239 John Romita Sr. Moon Knight Special #1 Splash Page 41Original Art (Marvel, 1992). Legendary artist John Romita spoos hisown cover to The Amazing Spider-Man #36, in this stunning splashpage. Titled, “Horror is the Hobgoblin!,” this piece has an image area o 10”x 15”. Aside rom some very light glue staining in the upper portion, theart is in Very good condition. Signed by John Romita at the lower right.

92240 John Romita Jr. and Bob Layton Iron Man #127 Page 7Original Art (Marvel, 1979). Shady munitions mogul, Justin Hammerbarks out his orders to the Beetle, Leap-Frog, Water Wizard, and Spymasterin this battle royal penciled by John Romita Jr. and inked by Bob Layton.

This Bronze Age blockbuster rom “A Man’s Home is his Battleeld” has a10” x 15” image area. An action-packed John Romita Jr. Iron Man pagerom his rst regular comic book assignment.

92241 John Romita Jr. and Al Williamson Spider-Man #73 Page Original Art (Marvel, 1996). “In the shocking atermath o the OnslaughMarvel Universe one-shot, the criminal underworld o New York City sets oto take advantage o a hero-ree world. Can Spidey contain this criminal re

or-all beore anarchy enguls the city?” This action-packed thriller has image area o 10” x 15” and it’s in Excellent condition.




92242 Alex Ross Justice Society o America #10 Cover Original Art (DC, 2007). This somber cover graced Part One o “Thy Kingdom Come,” thestory years in the making, springing rom the mini-series Kingdom Come. Not a hoax. Not a dream. Not an imaginary story. Welcome the newest meto the Justice Society o America: the Kingdom Come Superman. Coming rom an Earth plagued by heroes-gone-extreme, how will this Superman rto an incarnation o the Justice Society he never knew? This Superman’s world needed better heroes. So does ours. This Alex Ross masterwork haimage area o 12.25” x 18.25”, and it has been matted and ramed to an overall size o 24” x 29.5”. The art is in Excellent condition.




92243 Alex Ross Astro City #20 Cover Original Art (Image, 2000). Own your own illustration by one o today’s most in-demand cover artists,Alex Ross. One o the most highly acclaimed comic books in history withover two dozen awards, Astro City is the brainchild o writer Kurt Busiek in collaboration with his creative partners Brent Anderson and Alex Ross,the three o whom create and design the heroes and world o Astro City together. Astro City tells stories o human drama in a wildly superhumanworld. Featuring a widely-varied cast o characters, including superhe-roes, super-villains, monsters, mad scientists, innocent bystanders andmore, Astro City‘s ocus is on lie in a world o the antastic, where any-thing rom rampaging monsters to alien invasions can happen at anymoment. Debuting in 1995 at Image Comics, Astro City instantly becamean award-winning an avorite. Here is the cover to the 20th issue, cour-tesy o master cratsman and co-creator, Alex Ross, eaturing Steeljack and the Conquistador locked in mortal combat. The image area measures12” x 18.5”, and the piece has been matted and ramed to an overall size o 18.5” x 24.5”. The art is in Excellent condition.

92244 Alex Ross Batman #676 Newsstand Cover Painting OriginArt (DC, 2008). “Are you ready or ‘Batman R.I.P.?’ Beginning the epic stothat will change the legend o the Dark Knight orever! Everything in GraMorrison’s groundbreaking run on Batman has been leading to this stoand nothing will ever be the same again. Who will live? Who will die? Whwill be Batman? The answers are sure to shock you in ‘Batman R.I.P.” Batmtakes to the Gotham night in this sensational Alex Ross painting, the umate tribute to the Golden Age Batman art o Bob Kane. It was used create one o the alternate covers or this issue, attesting to the enormopopularity and impact o this image on the ans who have seen it. Thsuper iconic spectral painting or “Batman R.I.P: Midnight in the HouseHurt” has an image area o 12” x 19”, and it has been matted and ramto an overall size o 19.5” x 26”. The art is in Excellent condition, and Ro

signed the piece at the lower right.

92245 San Diego Comic Con Doc Savage Illustration Original A(1970s). The George Pal Doc Savage movie was released in 1975, so tComic Con-related artwork (possibly used as the program cover, or as interior illustration) by an unidentied artist was likely produced arouthe same time. Also appearing are David Bowie (aka The Man Who FellEarth), Jason battling a living Ray Harryhausen skeleton, and the Man Steel. The piece has an image area o 8” x 10.5” and the art is in Very Gocondition, with glue stains on the reverse.




92246 Jesse Santos (attributed) The Occult Files o Dr. Spektor #1Painted Cover Original Art (Gold Key, 1973). “The grave opens - a con-demned soul returns to lead — the Cult o the Vampire.” This cover thrilleror the rst issue showcasing the adventures o Dr. Adam Spektor and hissecretary Lakota Rainfower is sure to make a prized showpiece or anyGold Key an. This painting has an image area o 11” x 15.5”, and an overallsize o 15” x 20”. The art is in Excellent condition.

92247 Norman Saunders Concrete Conquest “ Blue Bat” BatmanTrading Card #29 Illustration Original Art (Topps, 1966). The DynamicDuo are the Penguin’s “Concrete Conquest” in this Norm Saunders illustra-tion. This is the design or card #29 rom the “Blue Bat” (third) series. Theully rendered piece has an image area o 4.75” x 3.5”. There are numeroustiny scratches on the surace o the paint, and the overall condition o thepiece is Good. The card art has been attached to a larger 11” x 17” piece o backing paper.

92248 Mark Schultz Xenozoic Tales #3 Jack Tenrec and HanDundee Cover Original Art (Kitchen Sink, 1987). Reminiscent oclassic adventure strips, Mark Schultz’s Xenozoic Tales brought a unmix o horror, wonder, and adventure to glorious and violent lie.beautiully detailed artwork has an overall size o 12” x 18”. Jack Tenhand and gun at the lower let is a pasted-on original art element; owise, the art is in Excellent condition.




92249 Charles Schulz PeanutsDaily Comic Strip Original Art dated 11-28-52 (United Feature Syndicate, 1952). It’s pretty rare to nd examplesoriginal Peanuts o this early vintage, and ever more so to nd an episode where Charlie Brown actually comes out on top o a prank. Patty is the one lrowning and glaring as good ol’ Charlie Brown has the last laugh. The image area o this gem is 27” x 5”. The title logo and copyright notice are missinthe dated has been whited-out (most likely or a reprint book), and the strip, like most daily examples, has been olded down the middle, which showslittle wear along the crease; otherwise, the art is in Very Good condition.

92250 Charles Schulz Peanuts Special Comic Page or Look Magazine Original Art (United Features Syndicate, 1958). In 1958, cartoonist CharSchulz was earning $90,000 a year writing and drawing his newspaper comic strip, Peanuts. It appeared that year in 355 papers nationwide, plus anoth40 oreign papers. Look Magazine, one o the most popular publications o the day, took interest in Schulz, and spotlighted him and his cartoon crations in an article titled “A Handul o Peanuts,” which saw print in the July 22, 1958 issue. For that article, Schulz prepared this special page, which loolike a strange hybrid o Daily and Sunday strip ormats. It’s a classic look at Charlie Brown, Lucy, Linus, Snoopy, and Charlie’s tag-team tormentors, Patand Violet. This extremely rare seventeen-panel page has not been seen since the original publication, and was not included in the recent ComplePeanuts 1957 to 1958 volume. The ink on bristol page has an image area o 19.5” x 15” and is stamped with Schulz’s address on the back; there is somminor staining along the outer edges, and the images has a couple o small pencil marks, but otherwise the art is in Excellent condition.




92251 Charles Schulz Peanuts Daily Comic Strip Original Art dated 9-13-58 (United Feature Syndicate, 1958). Charles Schulz oten paid trto the barbers o the world, and their barbershop humor, since his ather made a living as one. Schroeder looks like a new man in his downtown suitie. The image area o this lighthearted episode measures approximately 27.25” X 5.5”, and aside rom the usual old between panels two and threein Excellent condition.

92252 Charles Schulz Peanuts Sunday Comic Strip Original Art dated 1-18-59 (United Feature Syndicate, 1959). What Lucy lacks in snowtossing technique, she makes up or with a good swit kick! Poor ol’ Charlie Brown — when it comes to dealing with Lucy, he just can’t win! A wondwintertime pantomime strip rom the king o the kiddie comic strips, Charles Schulz. This piece has an image size o approximately 22.5” x 15”; thercrease through the center o the bristol board and some minor smudges and marks in several panels, leaving the page in Very Good condition. Examo 1950s Sunday Peanuts pages are getting scarce, so don’t get let out in the cold without placing a bid!




92253 Charles Schulz Peanuts Daily Comic Strip Original Art dated 6-25-60 (United Feature Syndicate, 1960). As every Peanuts reader knowSnoopy is no average hound dog. According to lore, Snoopy was inspired by Charles Schulz’s childhood pet, Spike, “Snoopy’s not a real dog o course he’s an image o what people would like a dog to be. But he has his origins in Spike, my dog that I had when I was a kid. White with black spots. He was twildest and smartest dog I’ve ever encountered. Smart? Why, he had a vocabulary o at least 50 words. I mean it. I’d tell him to go down to the basemenand bring up a potato and he’d do it.” As the beloved beagle grew in popularity, so did the success o Peanuts. With panels starring Charlie Brown, LuVan Pelt, and Snoopy rom a peak period, this episode, which was oten reproduced in calendars, memorabilia, and collections, is sure to be a showpieo any Peanuts art collection. The image area o this sixties daily measures 27” x 5.5”. As usual, the paper was olded between panels two and three; othewise, the art is in Excellent condition.

92254 Charles Schulz Peanuts Daily Comic Strip Original Art dated 5-24-83 (United Features Syndicate, 1983). At last, ater 18 years, Snoopsequel! The rst episode to show the beagle’s attempt at writing the great American novel with the amous words, “It was a Dark and Stormy Nighappeared in 1965. The gag continued or years, and this is a hilarious “call back” to a classic theme o the eature. With Snoopy taking center stage in neaevery panel, this daily is a real show-stopper. Charles Schulz inscribed and signed this strip in its upper border, “For Dick with every best wish, Charles MSchulz.” The image area o this daily measures 21” x 5”. Aside rom the typical old between panels two and three, having been slightly lightstruck, ahaving been glued to a support board backing, the art is in Very Good condition. A signed 1983 letter rom “Sparky,” and a letter o provenance are alsincluded with this lot.

92255 Mike Sekowskyand Bernard Sachs JusticeLeague o America #8 Page14 Original Art (DC, 1962). Aquaman and Green Arrow

on the wrong side o thelaw? “Say it ain’t so, Joe.” Actually, they’re under themind-controlling infuenceo small-time thug PeteRicketts, who auctions theJLA’s elonious services to thehighest bidder in this action-packed page rom “For Sale— The Justice League.” There

is some minor oxing and chipping in the JLA photostat banner along thetop margin, but the page is otherwise in Excellent condition with onlyminor overall wear. The image area measures 13” x 18”. Don’t miss out onthis Silver Age classic.

92256 Mike Sekowskyand Bernard Sachs JusticeLeague o America #17“Triumph o the TornadoTyrant Part 4” Title Page

23 Original Art (DC, 1963). Batman, Aquaman, WonderWoman, Green Lantern,Flash, Superman, MartianManhunter — the wholeline-up o DC stars appearsin the rst panel o thissuper-spectacular. Superbpencils rom long-running

JLA artist Mike Sekowsky,with handsome nishes by Bernard Sachs, this page is chock ull o supheroic spectacle. The image area o this “twice-up” artwork measures 1x 18”, and the art is in Excellent condition. A sensational Silver Age parom this an-avorite series, and a bidding opportunity not to be misse




92257 John Severin and Bill Elder Prize Comics Western #93American Eagle Cover Original Art (Prize, 1952). Hoka-hey ! Cast your

eyes on this pulse-pounding American Eagle cover by soon-to-be EC art-ists John Severin and Bill Elder — American Eagle, the mightiest o theCrows, is outmanned in a deadly knie and tomahawk battle. Elder’scareul control o the line weights in his inking helps ocus the readers’attention on the Eagle, and keeps the Severin design o this melee rombecoming too conusing. Issue #85 o Prize Comics Western introduced

American Eagleas its new main eature. From then on, American Eaglewould appear on every cover and always was the lead story. John Severinhad appeared in Prize Comics Western or some time, and he becamethe lead artist until issue #113. This masterpiece is big and bold; the coverimage measures 12” x 17.5”. The title logo and the Severin and Elder sig-nature box are careully color-matched replacements, and there is a verysmall surace paper loss to the illustration board (in the lower right cor-ner, outside the image area); otherwise, the art is in Very Good condition.You’ll be hard pressed to nd a more thrilling Severin and Elder AmericanEagle cover than this one!

92258 Marie Severin and Frank Giacoia Sub-Mariner #14 Mariner vs. the Original Human Torch Cover Original Art (Ma1969). It’s a return Silver Age grudge-match o the Golden Age twhen the original Human Torch (who actually turns out to be Toro)

o against the Sub-Mariner in this show-stopping Marie Severin Mmasterwork. Who will win? This awesome piece is one o the most mrable covers rom the run and has an image area o 10” x 15”. Please nrestoration/conservation work has been done to this iconic coverpaper has been split, making the surace area thinner than the usual Bstock, and a reinorcing backing paper has been added to strengthe top image surace o the piece. Several small, thinned areas caseen only when the piece is back-lit. There is a cut line visible throthe Torch’s ace, fush with the bottom edge o the logo. The papebeen bleached or cleaned. Replacement logo and caption type stats been added to the top and bottom o the piece, and Marie Severin adher signature at the lower right, ater the comic was printed. Even sosensational cover has plenty o eye-appeal, and once it has been promatted and ramed it is sure to be a prized showpiece or any Marvean.




92259 Marie Severin Marvel Super Action #32 Cover (Avengers #71Reprise) Original Art (Marvel, 1981). The skies o Paris are lled withbattling Golden and Silver Age heroes as Mirthul Marie Severin redrawsSal Buscema sensational Avengers vs. Invaders cover scene or the thriller,“Endgame.” That yarn, set during World War II, eatured the rst appear-ance o the Invaders. Marie Severin’s name as the credited artist is notedin the lower margin. The image area o this iconic cover reprise measures9.75” x 15”, and the art is in Excellent condition. “O. K. Axis, here we come.”

92260 Marie Severin Hand Colored Haunt o Fear #18 Print #9Original Art (1972). In the early seventies, Marie Severin hand colored aseries o prints based on classic EC covers. This print o “Ghastly” GrahamIngels nightmarishly horric cover to Haunt o Fear #18 is colored inexquisite detail. At the bottom o the print the ollowing appears: “No. 95-20-72 M. Severin Ghastly.” The overall condition o the piece is Excellentand the image area measures approximately 13.5” by 19.5”. The piece hasbeen matted and ramed to an overall size o 22.5” x 27”.

92261 Bill Sienkiewicz Moon Knight #19 Arsenal Cover Original A(Marvel, 1982). This Moon Knight cover is about as iconic as you can gas a battered Marc Spector, in costume, has detailed Arsenal’s weapon scapabilities in this cover scene rom “Assault on Island Strange.” The artsigned by Sienkiewicz at the lower let. This cover has an image area 10” x 15”, and aside rom aded areas where a marker was used, it is in VeGood condition.

92262 Barry Smith Chamber o Darkness #4 Starr the Slayer PageOriginal Art (Marvel, 1970). “The Sword and the Sorcerers” was a lanmark story eaturing Starr the Slayer, and it helped convince the powethat be at Marvel to give the go-ahead or a comic based on Conan, anto let Barry Smith draw it. This piece has been matted to an overall size 14.5” x 19.75” with an image area o 10” x 15”. Aside rom some small scatered stains, some white-out used or art and lettering corrections, asome overall paper aging, the art is in Very Good condition.




92263 Barry Smith Conan the Barbarian #15 Elric Page 4 OriginalArt (Marvel, 1971). In this landmark yarn, Conan and Elric reach anuneasy truce while they ride to the sunken city known as Yagala. Oncethere they have to ace Xiombarg, Prince Gaynor the Damned, Kulan-Gath

and Terhali. When their combined power is not enough to deeat themArkyn must join the ght to help them. Barry Smith’s incredible storytell-ing was in ull fower when this issue was released, and he proved himsel to be the perect artist or Conan (and Elric). This haunting page rom“The Green Empress o Melnibone” has an image area o 10” x 15”. Asiderom some scattered production stains, the art is in Very Good condition.

92264 Barry Smith, P. Craig Russell, and Dan Adkins ConanBarbarian #21 Page 3 Original Art (Marvel, 1972). Naram-Pyr, the mander o the king’s guard takes Conan as the king’s prisoner, in this rom Roy Thomas’ adaptation o the Robert E. Howard tale, “The BStone.” The art has an image area o 10” x 15”, and aside rom tape resstaining on all our edges, the art is in Very Good condition.

92265 Paul Smith and Bob Wiacek X-Men #170 Page 1 OrigArt (Marvel, 1983). Ater weeks o fying cargo all across Alaska, Madelyne Pryor and Scott Summers discover there is more to their tionship than business. This title page rom “Dancin’ in the Dark” haimage area o 10” x 15” and it is in Very Good condition. Signed by Smith at the right.




92266 Paul Smith and Bob Wiacek X-Men #172 Page 25 Original Art(Marvel, 1983). Storm nds her powers going out o control, almost kill-ing her until Yukio propels them both into the water, in this page rom“Scarlet in Glory.” The art has an image area o 10” x 15” and, aside romsome paper tanning and light glue staining, it is in Excellent condition.

92267 Paul Smith X-Men Unlimited #7 Magneto and the Original Brotherhood o Evil Mutants Original Art (Marvel, 1994). This is the rstsplash page created by Paul Smith that Heritage has ever oered. Smithhas long been respected or his truly ne line work and incredibly crispinking. His gorgeous art on X-Men, Doctor Strange, and so many otherbooks brought him a huge ollowing o loyal ans throughout the eightiesand nineties. A caption in this heart-elt tribute to Jack Kirby reads, “ForJack, who taught us the villain makes the hero.” This splash has an imagearea o 10” x 15”, and the art is in Excellent condition.

92268 Frank Springer Toka Jungle King #6 Cover Original Art (De1966). “The three deadly choices - slavery, death, civilization. Which shalbe or the Jungle King? “ Tough choice — we suggest civilization. Indoplumbing’s not as bad as slavery or death. Frank Springer’s jungle thrilhas an overall size o 14.5” x 20.5”, and aside rom a stain around Tokhead, and some white-out in the upper right quadrant, the art is in Ve

Good condition.

92269 John Stanley Marge’s Little Lulu and Tubby ChristmPainting Original Art (1983). This colorul painting o a Christmas cov

scene captures the lighthearted charm and whimsy o John Stanley’s aavorite work on Little Lulu and Tubby or Dell comics. This piece has image area o 10.5” x 15”, and the art has been matted and ramed to aoverall size o 16.5” x 21”. This ink and watercolor painting is in Excellecondition. Signed and dated in the lower let corner. We love that decotive border, in the style o the early Four Color issues. From tEstate o John McLaughlin.




92270 Greg Staples Batman vs. Judge Dredd Painting Original Art(2006). It’s a real rumble as the Dark Knight takes on Fleetway’s ultimatelawman, with no holds barred. Internationally known artist, painter, anddesigner, Greg Staples, has contributed to 2000 AD, Green Lantern, andSwamp Thing. He also created concept and production art or Magic theGathering. This show-stopping acrylic on board painting has an imagearea o 14” x 19.25”, and the art is in Excellent condition. Signed and datedat the lower right.

92271 Jim Starlin Astonishing Tales#16 Ka-Zar Cover OriginalArt (Marvel, 1973). The ull unettered ury o Ka-Zar and Zabu theSabertooth tiger is spotlighted in this senses-shattering cover. The cen-tral image is original art, all else is made o pasted-up photostats. Marvelart director John Romita, who headed up the production team dubbed“Romita’s Raiders” may have had a hand in this piece, as he has recentlysigned the piece in a rectangle cut rom the photostats (in the lower rightcorner). This piece has an image area o 10” x 15”, and the art is in VeryGood condition.

92272 Jim Starlin and Klaus Janson Captain Marvel #33 PagOriginal Art (Marvel, 1974). With appearances by Thanos, MoondraMentor, Thor, Captain America, Vision, and Black Panther, it can’much Bronze Age better! This page rom the tale, “The God Himsel!an image area o 10” x 15”, and aside rom glue and printer’s produprocess staining, it is in Very Good condition.

92273 Jim Starlin Warlock #15 Page 17 Original Art (Marvel, 19In the tradition o Jack Kirby and Steve Ditko, Jim Starlin was a mastthe Cosmic comic book story; take or example this wonderul Wapage. Our hero explores a mind-blowing prophecy o his star-crouture with the Ancient Traveler. I you have been looking or a peexample o this popular series to add to your collection, seek no ureendi ! We have what you need! With a 10” x 15” image area, this pain Excellent condition. As an “art bonus,” the back o the page has a tigpenciled unny animal duck.




92274 Larry Stroman and Al Milgrom X-Factor #71 Cover Original Art (Marvel,1991). Get ready or the all-new, All-dierentX-Factor. It’s a new beginning, a new team, and

this time they are government unded. Havok,the brother o Cyclops, leads a team consistingo Quicksilver, Polaris, Madrox, Wolsbane, andGuido the Strong Guy in a whole new direction.

The merry piece o Marvel mayhem has an imagearea o 9.5” x 15”, and aside rom an original artpaste-on in the lower let (over the UPC box), theart is in Excellent condition.

92275 Arthur Suydam Frank Frazetta DeathDealer #4 Page 21 Original Art (Verotik,

1997). Here is a antastic page by the incompa-rable Arthur Suydam, a terric artist in his ownright, working in the tradition o the classic styleo Frank Frazetta. The detail is incredible, andthere are two eerie images o the Death Dealer.

This intricate, masterwork just screams out tobe ramed, and there are no distracting wordballoons or anything to get in the way o the art-work. In Excellent condition, has an overall size o 12” x 17.5”. A copy o the comic is included withthis lot.

92276 Curt Swan Action Comics #322 Superman Penciled Cover Re-CreationOriginal Art (1995). Curt Swan, prime SilverAge Superman artist, has created an iconic coverhook rom the hallmarked Mort Weisinger era.

Swan obviously had a ondness or the 1965cover, as there is a tremendous amount o detailin this large-size, pencil illustration based on“The Coward o Steel.” This is a denitive imageencompassing the most important character incomics history, ready or raming. This stunningre-creation o a DC classic has an overall size o 12” x 18”, and the art is in Excellent condition.Signed at the lower right. A copy o the comic isalso included with this lot.

92277 Frank Thorne Playboy Illustration

Original Art (Playboy, 2010). Caption: “Hi every-one - Wilma and I have arrived here on the beautiul Riviera...” Pen and ink with watercolor wash onStrathmore paper, mounted to heavy illustrationboard. The art has an approximate image area o 11” x 14.5” and it is in Excellent condition.

92278 Frank Thorne Moonshine McJugColor Illustration Original Art (1999). Be suto put in a bid on this page — it’s a humdingIt’s sexy, hillbilly hilarity, as usual, with the bacwoods and ree-lovin’ Moonshine McJugFrank Thorne has rendered the page in ull colin mixed-media, and the color glows on this orinal. The overall size o the page measures 11.517.5”, and the art is in Excellent condition.

92279 Frank Thorne Playboy IllustratioOriginal Art (Playboy, 2010). Caption: “NoHarry, let’s not let this spoil our honeymoon!” Pand ink with watercolor wash on Strathmopaper, mounted to heavy illustration board. Tart has an approximate image area o 11” x 14and it is in Excellent condition.




92280 Bruce Timm Harley Quinn and Joker Sketch Original ArtGroup (c. early 1990s). These two lively sketches o the Joker and hisgal-pal Harley Quinn, drawn by Harley’s co-creator Bruce Timm during theoriginal Batman: The Animated Series, were originally priced $100 each (onthe back o the pages). Each blue pencil and ink on paper sketch has anoverall size o 8.5” x 11”, and they average Excellent condition.

92281 Adrian Tomine Complete 1-Page Story “The Donger and Me”Original Art (2001). Graphic novelist Adrian Tomine’s cathartic one-pagecomic strip describes his personal eelings about actor Gedde Watanabe’sportrayal o Long Duk Dong, in the John Hughes lm, Sixteen Candles. Thisstrip was used as a tie-in to an NPR All Things Considered “In Character”segment about the character. The art has an image area o 14” x 18.5” andit is in Excellent condition.

92282 Ramon Torrents Vampirella #40 Complete 7-Page S“The Face o Death” Original Art (Warren, 1975). Although produnotes indicate this story was slated or Eerie #68, it actually appearVampirella #40. This blood-chilling Bronze Age shocker has everythWarren horror an could want. Each page has an approximate image

o 10.5” x 15”. The lettering was pasted-up on the art and the red protion overlays are included with this lot. The condition o the art averVery Good.

92283 Angelo Torres Mad #380 Complete 4-Page Story “FlushmOriginal Art (EC, 1999). The laughs are non-stop in this 4-pager Mad’s “Movie o the Geek Dept.” Angelo Torres’ caricatures o Bill Muand the cast o Rushmore are a scream. Each page has an approxiimage area o 17” x 21”, and the art is in Excellent condition.




92284 Alex Toth and Mike Peppe Intimate Love #26 Complete 10-Page Story “Lonesome or Kisses” Original Art (Standard, 1953). Alex Topractically re-invented the art o romance comics in the ties, and this beautiully detailed melodrama eatures a character, Jimmy Farr, who’s a dearinger or a Toth avorite, movie star Errol Flynn (who even makes a cameo o panel 1 on page 8). Every page o this delightul yarn, masterully inked bMike Peppe, is lled with expressive portraits and exceptional staging. Each page o this bubbly romantic comedy has an image area o 12” x 18.5”. Theare scattered stains, and some pasted-on lettering corrections; otherwise, the pages average Very Good condition. As an “art bonus” several o the baco pages have inked sketches, most likely done by Peppe.

92285 Alex Toth and Mike Peppe Popular Romance #22 Complete 10-Page Story “Blinded by Love” Original Art (Standard, 1953). This lovely ydramatic romance story showcases the hallmark touches o an Alex Toth masterwork — unusual points o view, tight ocusing on aces, dynamic masseshadow areas, and brilliant design and dratsmanship. Each page inked by the talented Mike Peppe has an image area o 12” x 18.5”. There is some scatered staining and a ew pasted on art corrections; otherwise, the pages average Very Good condition.




92286 Alex Toth DaleEvans Comics #10 SierraSmith Page 3 Original Art(DC, 1950). By the tiesIndustry legend Alex Tothhad honed his design skillsto an unparalleled abilityto draw the essentials o ascene. His points-o-viewand dramatic lighting dur-ing this phase o his careerrival any lmmaker’s story-telling. Finding Alex TothDC art rom the early tieshas always been a real chal-lenge, so any piece rom thatera that appears in the mar-ketplace should be careullyconsidered by Toth enthu-siasts. This page rom “TheCase o the Oily Worm” hasan image area o 13” x 18”.

There is overall paper aging,and white out used or an artcorrection on the girl’s ace inpanel our; otherwise, the art is in Very Good condition.

92287 Herb Trimpe and Sam Grainger Nick Fury Agent o S.H.I.E.L.D.#13 Nick Fury vs. The Super-Patriot Cover Original Art (Marvel, 1969). Jim Steranko set the pace or this title with his revolutionary “Zap Art”cover designs, and Herb Trimpe ollows suit with his own symbolic show-down between Nick Fury and the Super-Patriot, with America itsel atstake. Happy Herb Trimpe presents a dramatic point o view with one o one o man’s greatest ears — the vertiginous ear o alling. The imagearea o this Silver Age show-stopper measures 10” x 15”, and the art is inExcellent condition. Don’t yield, back S.H.I.E.L.D., with a bid on this iconiccover.

92288 Herb Trimpe Monsters on the Prowl #17 Cover Origina(Marvel, 1972). In the original yarn, Boris Petrovski is suspected o decratic tendencies so his brother Ivan demands that he build the larstrongest, most impressive statue in the world as a symbol o the pand invincibility o their government. Boris hates the totalitarian regbut builds the statue so he won’t be killed. Ater the statue is built a spship crashes outside and a crab-like creature comes out. With telepthe creature tells Boris that he must take over a larger, stronger until another spaceship can come save him. He takes over the statuIvan and other top ocials show up to see the statue, and Herb Trimthere to depict the scene in his usual inimitable style. This mighty M“monster-piece” is in Very Good condition, with an image area o 10”




92290 Garry Trudeau Doonesbury Sunday Comic Strip Original Artdated 4-30-78 (Universal Press Syndicate, 1978). Duke stars in everypanel o this ootball agent episode rom the seventies. Note the allusionto George Allen’s Redskins teams, which were known as the “Over-the-HillGang.” The image area o this highly desirable vintage Sunday strip is 21” x14”. The zip-a-tone lm is yellowed; otherwise the art is in Excellent condi-tion. This piece has been matted and ramed to overall size o 27” x 20”.

92291 Jim Valentino and Sam de la Rosa What I (... the Avengehad Fought Galactus?) #41 Cover Original Art (Marvel, 1992). This is a killer re-interpretation o Jack Kirby’s Fantastic Four #49 cover mterpiece. In this imaginary reprise, the Fantastic Four died in their spafight, and as a result, it is the Avengers who must ace Galactus. This manicent Modern Era homage has an image area o 9.5” x 15”, and the artin Excellent condition.

92289 Herb Trimpe, Ian Akin, and BrianGarvey The Transormers Universe #2

Wraparound Cover Original Art (Marvel, 1987). Here is the ront and back cover to the secondsensational issue o the guide to everything youever wanted to know about the Autobots and theDecepticons. Both pieces have an image area o 10” x 15” (the ront cover includes all its originallogo and masthead paste-up copy). In Excellentcondition.

92292 Boris Vallejo The Sphinx II Painting Original Art (1990). Boris Vallejo presents his secovision o the riddle o the Sphinx. In Greek mythology, the Sphinx sat outside o Thebes and askedriddle o all travelers who passed by. I the traveler ailed to solve the riddle, then the Sphinx killed himher. I the traveler were to answer the riddle correctly, then the Sphinx would destroy hersel. The riddwent, “What travels on our legs in the morning, on two legs at noon, and on three legs in the eveningOedipus solved the riddle, and the Sphinx destroyed hersel. This oil on paper painting is not ramed. Thpiece has an approximate overall size o 24” x 30”, and is in Excellent condition.




92293 Bill Watterson Calvin and Hobbes 1989-90 Calendar Cover Watercolor Illustration Original Art (c. 1988). Calvin and Hobbes ans, easteyes on this —it’s the real deal ! As all comic art ans know, ew pieces o original art are as scarce and sought ater as a Calvin and Hobbes original bcharacters’ creator Bill Watterson. Since Watterson is one o the ew cartoonists to shun the merchandising bonanza o a popular character and is aprivate person, his artwork is in incredibly high-demand. Only a very small handul o originals have ever come onto the market, so don’t miss oyour chance to win this gem, only the second such piece we’ve oered — an incredible, published beauty eaturing the two main characters rommost popular and ondly remembered newspaper strip since Peanuts. The image area o this ink and watercolor masterwork is 13” x 10”, and the in Excellent condition. This piece has a special provenance as it was in the collection o one o the American comic strips’ most important historians

eature writers, Rick Marschall. Inscribed and signed at the lower right, “For Rick Marschall, ‘komic konnoisseur’ Bill Watterson.”




92294 Al WilliamsonTales From theCrypt #31 “TheThing in the‘Glades” Page 7Original Art (EC,1952). Perhaps

most renownedor his star-crossedscience ction sto-ries, Al Williamsonwas also quitecapable o creat-ing an eerie moodo menace as canbe seen in thishair-raising pageor this chiller. Thispage has an imagearea o 12.5” x18.5”, and the art isin Excellent condi-tion.

92295 Al Williamson andDan Green Blade Runner #2 page 14 Original Art(Marvel, 1982). EC sciencection master Al Williamsonadapts this cult-avorite lmto the comics page. Thissuperbly detailed piece has

an image area o 12” x 18”,and the art is in Excellentcondition. Inscribed to artistBo Hampton and signed byWilliamson.

92296 Gahan Wilson Playboy Illustration Original Art

(Playboy, undated).Caption: “ ...But they always remember my name.” Youmay not remember his ace,but you will certainly remem-ber this classic Gahan Wilsonillustration! Rendered in ink with watercolor on heavypaper, the art has an imagearea o 7” x 9”. A coat o sprayvarnish has caused somelight paper tanning; other-wise the art is in Excellentcondition.

92297 Gahan WilsNational Lampoon NuComic Strip Original A(National Lampoon, 1970s). Gahan Wilsexplored the real anxieto being a kid in his playcomic strip Nuts. This sthas an image area o 10” x 1

and it is in Excellent contion.

92298 Gahan Wilson The New Yorker Illustration Original A(1994). Caption: “I’d like the Parmesan grated, i you don’t mind.” Renderin ink with wash on heavy paper, this witty Gahan Wilson cartoon illustrtion has an image area o 8” x 7.5”. In Excellent condition. Includes a tesheet clipping o the printed cartoon.

92299 Bill Woggon Overstreet Price Guide #14 Katy Keene CovOriginal Art (Overstreet, 1984). Katy Keene is on top o the world as treigning OSPG cover queen. This charming painting o the Pin-Up senstion has an image area o 12” x 18”, and the piece is in Excellent conditioInscribed and signed in the lower border.




92300 Wally Wood Weird Fantasy #11 Complete 6-Page Story “The 10th at Noon” Original Art (EC, 1952). Attention EC an-addicts, here is alook at prime Wally Wood art, when the tight, assured style that became his trademark was still in development. An eerie tale o a camera that can tograph the uture (and the horriying images it relays to the hapless protagonists) is rendered even more evocative through Wood’s use o heavy bland claustrophobic staging. While perhaps not quite as “slick” as Wood’s later EC work, this yarn has a raw power that amply demonstrates his budgenius. These electriying pages each have an image area o 13” x 18”. Several pages have individual panels rendered on Cratint Duotone paper that been pasted onto the paper. They average Very Good condition, with some scattered staining and light overall paper aging.




9 2 3 0 1 W a l l yWood Woodwork Gazette #2 “TheEnd” Title Page1 Original Art(Wood, 1978).

This magnicentpage, lled withhallmarked WallyWood antasy art,hails rom a con-troversial story ina troubled parto Wood’s career.As noted in TheWallace WoodIndex, the sec-ond section o the Woodwork Gazette #2 ea-tured “the originaland complete12-page story rstpublished in analtered, rewrittenorm in WarrenPublishing’s mag-

azine 1984 (asthe 6-page story“Quick Cut” rewrit-ten by Bill DuBay).In Gazette #1, Wood commented on Warren ‘cutting up the originals andotherwise deacing them, and hired some degenerate to rewrite them.And gave me credit or writing it!’ Wood kept stats and used them topublish the Gazette edition.” The restored story also appeared in EclipseComic’s World o Wood #2 (colored by Steve Oli). This masterwork romlate in Wood’s brilliant career has an overall size o 14.5” x 23”, and asiderom some glue stains in the captions, the art is in Very Good condition.

9 2 3 0 2 W a l l yWood Woodwork Gazette #2 “The

End” Page 2Original Art(Wood, 1978).Themerciless Horrobrains down arrowson the Peepl inthese superblydetailed back-grounds. The pagespotlights a vari-ety o pen stylesand techniquesused to create daz-zling textures andlighting eects.

The drawing alsocombines Wood’s

mastery o war,“good girl,” andantasy genresinto one cinematicsequence. Theoverall size mea-sures 14.5” x 23”.

There are a ewtouches o white-out and a ew lightglue stains in theword balloons;otherwise, the art is in Excellent condition. This is a spectacular piece o late “Woodwork,” and a shining example o why Wally Wood is hailed asone o comics’ all-time greats!

9 2 3 0 3 W a l l yWood Woodwork Gazette #2 “TheEnd” Page 4 OriginalArt (Wood, 1978). One o the mostrenowned artists toillustrate the pageso EC Comics, WallyWood’s spectacu-lar antasy scenesrank high on thewant-list o his manyan-addicts. Whetherhe was drawingincredible sciencection scenes or, as inthis page, sword andsorcery scenes takenrom myths and leg-ends, Wood alwayscame through with aprecisionist attentionto detail that ew car-toonists, i any, couldmatch. The mordantline “The Peepls’

word or ‘hero,’ by theway was the same as‘idiot’” is pure Wood.

The overall size o this page measures 14.5” x 23”. There are a ew toucho white-out and a ew light glue stains in the word balloons; otherwisthe art is in Excellent condition.

9 2 3 0 4 W a l l yWood Woodwork Gazette #2 “TheEnd” Page 5Original Art(Wood, 1978).

This jaw-droppingpage has every-thing a Wally

Wood an couldwant — he wasat the peak o hispowers or theseantastic scenes.Fellow artist RoyKrenkel’s anec-dote about WallyWood’s work schedule is typi-cal, “You’d cometo Wally’s door,and you’d real-ize Wally hadbeen up all night.

The door nally,slowly, opens, and

Wally stands therewith an absolutelyglazed look in hiseyes, totally inca-pable o ocusing.

The guy wastotally obsessed with work. Why it didn’t kill him, I’ll never know.” Whiledid nally take its toll, Wood’s hard work paid o and his work made ha legend in the comic book eld. The overall size o this page measur14.5” x 23”. There are a ew touches o white-out and a ew light glue staiin the word balloons; otherwise, the art is in Excellent condition.




92305 Wally Wood Woodwork Gazette #2 “The End” Partial Page 6Original Art (Wood, 1978). Only the top panel tier o this page is originalart — the bottom two tiers are a photocopy replacement. Science ction,

antasy, humor, and erotic art — Wally Wood could draw it all, and heshowcased his eye-popping talent or “good girl” art in these two panelso original art. The top tier has an image area o 12” x 6.5”. The letteringin the second panel is a paste-on correction; otherwise, the art is in VeryGood condition. Hooray or Wally Wood !

92306 Wally Wood Woodwork Gazette #2 “The End” Partial Page 7Original Art (Wood, 1978). Only the bottom two panel tiers o this pageare original art — the top tier is a photocopy replacement. This beauti-

ully detailed action page showcases Wally Wood’s love o the antasygenre and it appeared in one o the best sel-published sagas o its time.

The lower two tiers have an image area o 12.5” x 13”. The lettering in thesecond and third panels o the second tier are paste-on corrections, andthere is some scattered glue staining; otherwise, the art is in Very Goodcondition.

92307 Wally Wood and Jim Mooney Pussycat Page 1 Origina(Magazine Management/Marvel, c. 1965). Pussycat stumbles inchance to become a talk show host, in this rst/title page or “The Ladthe Late Show.” Wally Wood penciled in the sensuous breakdowns, wJim Mooney supplied the luscious nishing touches. The art has an imare o 10.75” x 15”, and aside rom glue staining in the last panel, it is

Good condition.

92308 Wally Wood Gangbang #2 “Stuporman Meets BluWoman” Page 4 Original Art (Nuance, 1981). Caught in fagrante deStuporman must rush to the rescue o a besieged Lowass. The only wget there in time is to “fy united.” Deeply soured by the creative and cial restrictions imposed on him by the major publishers over the yand in his mind, abused and abandoned by the ans, Wood turned thsuperhero ranchise on its ear, or this X-rated “Tijuana Bible” styled rnear the end o his career. This “mile high club” fight or Blunder Wois courtesy o an original Mad-man, Wally Wood. This page has an imarea o 10.75” x 15.5”, and the art is in Excellent condition.




92309 Bernie Wrightson House o Secrets #92 “Swamp Thing” Page3 Original Art (DC, 1971). A dark and prooundly sad Victorian tale o murder and revenge, the earliest appearance o Swamp Thing gave noreal indication that the character was bound or his own series, let aloneimmortality. And while it may be slightly less sophisticated than the work Wrightson would do on the rst ten issues o the regular Swamp Thing series, its raw power and its place in history cannot be denied. This antas-tic, landmark page has an image area o 10” x 15”, and the art is in Excellentcondition.

92310 Bernie Wrightson House o Secrets #92 “Swamp Thing” Page4 Original Art (DC, 1971). This evocative tale — just another House o Secrets gig to creators Wein and Wrightson at the time, and producedvery quickly, utilizing extensive photo reerences o Wrightson, MikeKaluta, and Louise Simonson — has a brooding quality, and is, in someways, reminiscent o the rst Karlo “Frankenstein” lm. This masterwork has an image area o 10” x 15”, and the art is in Excellent condition.

92311 Bernie Wrightson Steven King’s Creepshow Table o ContenSplash Page Colored Illustration Original Art (Signet Books, 1982“From the Masters o Terror and the Macabr e.“ This delicately colored potrait o the Creep, horror host or Creepshow, must be seen in person ully enjoy the subtle color transitions ound in this scene o storytelliterror — or a Steven King and Bernie Wrightson an, this is the umate. This show-stopping “monster-piece” was published as the TableContents Page or the graphic novel adaptation o the hit lm. This pe

period piece, done as an homage to the EC pre-Code horror comics, han image area o 14” x 21”, and the art is in Excellent condition. Signed the lower right.




92312 Bernie Wrightson Nightmare Theater #1 Painted CoverOriginal Art (Chaos! Comics, 1997). Veteran horror illustrator, BernieWrightson, delves into menacingly macabre in this blood-chilling coverscene or “One Perect Night,” published in the rst o the our-issuemini-series, Nightmare Theater. This terriying acrylic on board “monster-piece” has an image area o 11.5” x 17.5”. In Excellent condition, and signedby Bernie Wrightson at the bottom let. A copy o the comic is includedwith this lot.

92313 M. C. Wyman and Tom Palmer The Avengers #353 CoverOriginal Art (Marvel, 1992). It’s Black Knight vs. Black Knight as DaneWhitman struggles to survive against the damned soul o the originalBlack Knight, in this horric cover illustration. Penciled by W. C. Wymanand inked by Tom Palmer, this piece has an image area o 10” x 15” and itincludes its original logo and masthead paste-up copy. In Excellent condi-tion.

92314 M. C. WymanMike DeCarlo Thor Cover Original Art (Ma1994). Face ront, and your eyes on this cotransormation scene asBlake becomes Thor ben

Odin’s watchul eyes. classic Marvel scene haimage area o 10” x 15”includes the original and masthead paste-upIn Excellent condition.

92315 M. C. Wyman andMike DeCarlo Thor #485Cover Original Art (Marvel,1995). Under the infu-ence o Lorelei, Thing goeson a rampage against Thorand Lady Si, in this pulse-pounding cover penciled byM. C. Wyman and inked byMike DeCarlo. The art has animage area o 10” x 15” andit is in Excellent condition.

92316 Leinil FrancisThe X-Men #106 SpPage 1 Original (Marvel, 2000). Ater hon Wolverine an-avartist Leinil Francis Yu mon to work on Marvel’s X-Men title in 2000, wwas being written by Claremont at the time. Y

also worked on other Mtitles such as Fantastic Ultimate Wolverine Hulk , and New Avengeralso co-created High Rwith writer Scott LobdClihanger, and workeSuperman: BirthrightMark Waid, as well as SDragon with Andy DiggDC Comics. This compesplash rom the “SearchRescue” story has an imarea o 10.5” x 15.5” and iExcellent condition.




92317 Mike Zeck and John Beatty Captain America #279 SplashPage 1 Original Art (Marvel, 1983). Morning in Brooklyn Heights: a per-ect day or love... and vengeance! This splash/title page or the tale, “O Monsters and Men” has an image area o 10” x 15” and it is in Excellentcondition.

92318 Dan Zolnerowich Planet Comics #23 Ree Ryan CoverRe-Creation Original Art (undated). This electriying re-creation o theGolden Age cover to Planet Comics #23, which was originally publishedby Fiction House in 1943, reveals some titillating interplanetary tensionin the yarn, “Lizard Tyrant in the Twilight World.” The sky above glows withsanguine light, while the oreground, with its variegated mountainousterrain, has been made much more detailed. Dan Zolnerowich has signedthis Ree Ryan cosmic thriller at the lower right. The image area measures15” x 19.5”, and the piece has been matted to an overall size o 21.5” x 26”.

The art is in Excellent condition.

PrOductiOn art

92319 Harvey Kurtzman Frontline Combat #1 Cover Proo (E1951). This color cover proo was used by the printer to check this issuecolor. The image area measures approximately 7” x 10” and, aside rosome light paper tanning, the condition is Excellent. Signed by HarvKurtzman at the bottom right.

classics illustrated art

92320 Classics Illustrated Special Issue #147A Crossing the RockiPage Original Art Group (Gilberton, 1959). This 36-page group lot etures a terric splash on page 1, and two hal-splashes on pages 11 a13. Each page has an image area o 11.5” x 18”. Aside rom some miing word balloon correction paste-ups, and light scattered soiling, the

averages Very Good condition.




92321 L. B. Cole, Norman Nodel, and Others The World Around Us #4 “Railroads” Page Original Art Group (Gilberton, 1958). Includedhere are 80 pages o art, ve o which were drawn by comics legend L. B.Cole. This lot eatures splashes on pages 1, 30, 37-42 (“John Henry a SteelDriving Man,” Norman Nodel art, signed), and 73, and hal-page splasheson pages 2, 7, 29, 36, 53, 66, 74, and 75. Aside rom a ew missing or loosepasted-on lettering captions, and some aged pasted-on stats/art correc-tions, the art averages Very Good condition.

92322 Reed Crandall, George Evans, Angelo Torres, and OthersThe World Around Us #20 “Communications” Page Original Art Group(Gilberton, 1960). Included here are 68 pages o art, eight o which weredrawn by George Evans (“Talking by Telegraph,” pages 44-51). This lot ea-tures splashes on pages 1, 4, 21, 22, 60, 61, 66, 67, 70, 71, and 72. Alsoincluded are 4 non-art ller pages. The art has an approximate image areao 10.5” x 18”. Aside rom a ew missing or loose pasted-on lettering cap-tions, and some aged pasted-on stats/art corrections, the art averagesVery Good condition.

92323 Reed Crandall, George Evans, and Others The World ArUs #34 Communications Page Original Art Group (Gilberton, 1Included here are 64 pages o art, six o which were drawn by GeEvans. This lot eatures splashes on pages 1, 10, 12, 13, 16, 17-27, 3and 48. As an “art bonus” the backs o pages 6, 7, 8, 10, 11, and 16 pencil sketches on their backs. Some o the pages have vellum ovcolor indications. The art has an approximate image area o 10.5” xAside rom a ew missing or loose pasted-on lettering captions, and aged pasted-on stats/art corrections, the art averages Very Good ction.

92324 Jay Disbrow and H. V. Kihl The World Around Us #7 PiPage Original Art Group (Gilberton, 1959). This lot eatures pag(Jay Disbrow art), 15, 25-28, 33, 34, 35, 46-49, 55 (H. V. Kihl art), 56, 564, 65, and 68-71. Each page has an image area o 10.5” x 18”, and thaverages Very Good condition.




92325 George Evans and Others The World Around Us #35 “Spies”Page Original Art Group (Gilberton, 1961). Included here are 58 pages.Pages 2-7, 31-36, and 54-59 were drawn by George Evans. This lot eaturessplashes on pages 1, and 40-45, and a hal-page splash on page 54. Pleasenote that six pages o the book are missing rom this lot (the missingpages are 37, 38, 39, 46, 47, and 48). Pages 49-53 are smaller ller pages.

The art has an approximate image area o 10.5” x 18”. Aside rom a ewmissing or loose pasted-on lettering captions, and some aged pasted-onstats/art corrections, the art averages Very Good condition.

92326 Jack Kirby, Gray Morrow, George Evans and Others TheWorld Around Us #32 “For Gold and Glory” Page Original Art Group(Gilberton, 1961). Included here are 80 pages o art, ve o which weredrawn by comics legend L. B. Cole. This lot eatures splashes on pages 1,30, 37-42 (“John Henry a Steel Driving Man,” Norman Nodel art, signed),and 73, and hal-page splashes on pages 2, 7, 29, 36, 53, 66, 74, and 75. Theart has an approximate image area o 10.5” x 18”. Aside rom a ew missingor loose pasted-on lettering captions, and some aged pasted-on stats/artcorrections, the art averages Very Good condition.

92327 Gerald McCann and Others The World Around Us #10 NaPage Original Art Group (Gilberton, 1959). This 37-page group includes pages 2-10, 25-26, 31-33, 46, 49, 54, 55, 57-68, 74-80, and twhal-splashes are eatured on pages 66 and 74. Each page has an imagarea o 10.5” x 18”. Aside rom some missing word balloon correctiopaste-ups, and light scattered soiling, the art averages Very Good cond

tion.

92328 Gray Morrow, Sam Glanzman, and Others The World ArounUs #22 “Boating” Page Original Art Group (Gilberton, 1960). Includhere are 64 pages o art, eight o which were drawn by Gray Morro(“Wrecks and Rescuers”). This lot eatures splashes on pages 1, 6-14, 119, 22-25, 55, and 61. The art has an approximate image area o 10.5”18”. Aside rom a ew missing or loose pasted-on lettering captions, ansome aged pasted-on stats/art corrections, the art averages Very Gocondition.




92329 Norman Nodel Picture Progress v.3 #2 Complete “Lewisand Clark Expedition” Cover and Interior Page Original Art Group(Gilberton, 1955). Included here is the complete inside artwork or thisastounding exploring story, plus the line-drawn ront cover, the insideront cover, and the inside back cover, as well 32 pages o inside art (splashpages 1 and 24). The art has an approximate image area o 10.5” x 18”.Aside rom a ew missing or loose pasted-on lettering captions, and somepasted-on stats/art corrections, the art averages Very Good condition.

92330 George Woodbridge The World Around Us #11 “MarPage Original Art Group (Gilberton, 1959). This lot eatures page28-32 (“The Marines Have Landed” complete 5-page story), 42-46 (“Dogs” complete 5-page story), 49-56 (George Woodbridge art), 58, 663-67, 69, and 71. Each page has an image area o 10.5” x 18”, and thaverages Very Good condition.




undergrOund art

92331 Robert Crumb The People’s Comics Cover Original Art (Golden Gate Publishing, 1972). By 1972, Robert Crumb was nothing short obasket case. Burned out rom ame — the anboys, the pushy businessmen, the have-nots looking or a hand-out — it all helped turn Crumb into a witdrawn, bitter young man or a ew years. Pushing him over the edge was the Ralph Bakshi animated eature lm Fritz the Cat , a project Crumb wanted part o (the contracts were signed by his estranged rst wie ater Robert split). Still, he kept on producing comics, and even though they were somewhmore mean-spirited than his earlier work, the art kept getting better and better. Here’s a great example o his mid-1970s work, the cover to The PeoplComics. This is the inamous comic that eatured “Fritz the Cat Superstar”, the story where Robert kills o the character he had drawn since early chihood. The cover art is ink on bristol, with an image area o approximately 8.75” x 12.75”. It’s in Excellent condition.




92332 Robert Crumb R. Crumb and his Cheap Suit Serenaders Number 2 Album Cover Original Art (Blue Goose, 1976). While his legion oadore R. Crumb or his wild comic book stories and art, music has always been closer to Robert’s heart. His teenage years were largely spent chasing dobscure old Blues 78 rpm records, and he began a collection that can only be called world class today. Along the way he learned to play guitar and bhimsel, and eventually ormed a band o liked-minded record collectors and musicians who dug those old-time tunes. This brilliant cover illustragraced his band’s second LP, and Robert drew a unny set o characters o himsel and band mates Terry Zwigo (who later went on to lm the Cdocumentary and other major motion pictures), Allan Dodge, and ellow cartoonist Robert Armstrong (Mickey Rat). The mixed-medial art on illustrboard has an image area o approximately 12.25” x 12.25”, matted to an overall 15.75” x 19.75”, and is in Excellent condition.




92333 Robert Crumb and S. Clay Wilson Tryin’ Ta Git Ta LawrenceKansas Sketchbook Page Original Art (c. 1967). Pen and ink page ea-turing a stylized R. Crumb drawing o a train heading down the tracks asthe smiling sun sets. The gures on the let side o the page, plus the tinyview o the man looking out the train window, were added by Crumb’spal and Zap Comix cohort, S. Clay Wilson, himsel a ormer resident o Lawrence, Kansas. The art has an image area o approximately 7.5” x 9.77”.

The page appears to have been proessionally split rom a drawing onthe backside, with new paper seamlessly added, resulting in a piece in

Excellent condition. Early San Francisco ink sketches like this are not com-mon, and this combination by the two biggest names in UndergroundComix may well have been their rst collaboration. Very cool!

92334 Robert Crumb Cavalier “Fritz the No Good” Page 8 OriginArt (1968). Ater a night with Winston, Fritz nds himsel alone with noting to eat, smoke, or do, in this page rom the story originally serializein Cavalier magazine, and later included as part o the 1969 R. CrumbFritz the Cat oversized book. Although his pen and ink style is loose heCrumb piles on the detail and shading, elements that make his comwork so enjoyable. This piece has an image area o 9.25” x 12.25” and is Excellent condition.




92335 Robert Crumb Cavalier “Fritz the No Good” Page 11 OriginalArt (1968). “You guys musta all hated yer mothers...” Fritz attends his rstmeeting with the revolutionaries, and helps give Fuzzy’s girlriend Harrietsome rough business in this page rom the story originally serialized inCavalier magazine, and later included as part o the 1969 R. Crumb’sFritz the Cat oversized book. Crumb’s rather mean-hearted attitudetoward women was oten sited by his detractors (like ellow UG cartoonist

Trina Robbins), and this page, done during a low time in Crumb’s own rstmarriage, is evidence that the detractors were maybe on the right track.It’s still a un page with every panel packed ull o detail. This piece has animage area o 9.75” x 12”, and is in Excellent condition.

92336 Robert Crumb Cavalier “Fritz the No Good” Page 12 OriArt (1968). Ater doing the dirty with Harriet, Fritz and his subvepal Fuzzy head o by motorcycle, in this page rom the story origiserialized in Cavalier magazine, and later included as part o the 19Crumb’s Fritz the Cat oversized book, and as one o the “wallpaper ple” books in 1972, both published by Ballantine. Great stu, espethe Victorian-style house in the last panel. This piece has an approxiimage area o 9.5” x 12”, and is in Excellent condition.

92337 Robert Crumb R. Crumb’s Cheap Suit Serenaders NumbAlbum Back Cover Original Art (Blue Goose, 1976). Here’s the orproduction art to the band’s second LP back cover, done with photo pcolor lm, and Robert Crumb’s hand lettering and tiny inked portrthe group. The piece is very colorul, with an image area o approxim11.5” x 11.5” on bristol. It’s matted to an overall 18” x 20”, and in Excecondition.




92338 Robert Crumb Note Cover Original Art and Letter (1959-60). During his high school years, Robert Crumb struck up pen-pal correspon-dence with a ew comics ans who happened to run across a copy o theCrumb Brothers ‘zine, Foo, including Marty Pahls, who would go on to be alie long riend (and briefy a brother-in-law) to Robert. Crumb would writehis letters on olded 8.5” x 11” paper, and draw a cover illustration or eachone; this one has a doozy o a cover, eaturing “King o Jazz - 1930”, PaulWhiteman. Inside, there’s a 13-page letter, all hand-written in ink by Crumb,who added a sel-portrait at the end. The letter itsel is dated November8, 1959, while Crumb was still attending high school in Dover, Delaware,but the cover is dated March 17, 1960. It’s unclear i the letter was simplybegun in November and not mailed until the ollowing March, or i this is inact parts o two separate letters, but regardless, it’s a ascinating piece o Crumb history. The overall condition is Fine, and the 5.5” x 8.5” cover, drawn

in ink and pastel pencil, remains very colorul and sharp.

92339 Robert Crumb Greeting Card Preliminary Original A(American Greetings Corp., 1963). A year ater graduating high schoRobert Crumb ound his rst real job as an artist, doing separations the American Greetings Corporation in Cleveland. Within a year, he wpromoted to the company’s Hi-Brow department, designing humorocards. Here’s one o his early designs, in a small-scale preliminary drawinIt’s a “get well” card with a twist — “Here’s a ool-proo way to get out the hospital ast — set re to your bedpan.” The preliminary is olded 3” x 7”, and opens to 6” x 7”. It’s marked “Purchased Sep 12 1963” on thback, with “Tentative Approval” stamped and “Norman Miller” written green marker. Signed in ink by Crumb on the ront Overall conditionVery Good.

92340 Robert Crumb Sketch Page with Fritz the Cat OriginalArt (c. 1963). Digest-sized page o penciled aces, including both

human and humanized animals. Crumb’s most amous earlycreation, Fritz the Cat, is among the group. This page measuresapproximately 5.25” x 8”, and has been proessionally split rom abacking page, and then axed to white paper on the reverse. Inoverall Fine condition.




92341 Robert Crumb Oggie the Frog Sketch Original Art (c. 1964).

Oggie sings or his supper — or is he about to become supper, with a dabo mustard? Nice pen-and-ink sketch rom Robert’s early proessionalperiod, back when he was working at American Greetings. The sketch,which rst saw print in Don Fiene’s R. Crumb Checklist in 1981, is onthin bristol, with an image area o approximately 6.5” x 7”, and has beenglued to a larger piece o board, and matted or an overall 12” x 15”. Theart is beginning to separate rom the backing board, and could be eas-ily removed. Very Good condition, with a ew small stains, away rom theimage area.

92342 Robert Crumb Xmax Sketch Original Art (c. 1964). A shockedSanta nds himsel without arms or reindeer, in this pen and ink sketch-book drawing rom Robert Crumb. The piece is not signed, but has theunmistakable Crumb look, and was part o a stellar collection o sketch-books sold by Crumb himsel. The art has an image area o approximately6” x 8.5”. The page was proessionally separated rom the backside draw-ing, and has been axed to archival paper on the reverse. Some lightadhesive stains rom an old mounting remain; otherwise, the piece is inExcellent condition.

92343 Robert Crumb Ruth Dubin June 1964 Sketch Origina

(1964). A sketchbook page rom Robert Crumb, eaturing a pen ansketch o a young lady. The page has an image area o approximatelx 8.5”. The page has been proessionally separated rom an image oback, and has been axed to backing paper. There are a ew extreminor stains; otherwise the piece is in Excellent condition.

92344 Robert Crumb What Does It All Mean? Sketchbook Original Art (1972). A pitiul soul, naked or all the world to see, hard time understanding just what the Sly and the Family Stontune “Family Aair” is all about, in this unny, detailed sketchbook drawing. Crumb’s “Harry Krishna Junior” character co-stars, plus a nrendered jukebox. The page is marked, “Aspen Colorado March 1972is signed by Crumb. The page measures approximately 6.75” x 8.25”is matted and Plexiglas ramed to an overall 13.5” x 15”. The backsidthe rame shows a photocopy o the reverse side o the page, eata unny portrait o Crumb gleeully sketching away — this and anosketch on the back were by a dierent artist; Crumb does add six scharacter sketches to the bottom o the page.




92345 Robert Crumb Mr. Natural Weekly Comic Strip #3 OriginalArt (Village Voice, 1976). Robert Crumb introduced the term “anboy” tothe general public in this third installment o the strip done or the VillageVoice in 1976-77 (and which later appeared as part o Mr. Natural #3,published by Kitchen Sink Press). Actually, “anboy” rst appeared as anobscure, low print-run comic, and its title was suggested as a joke by car-toonist Jay Lynch, but Crumb’s use o the term caught on, especially atconventions. This particular piece eatures Mr. Natural with his own “an-boy,” named Billy Bob, who is reluctantly accepted by the old sage as asidekick. The ink on bristol strip has an image area o approximately 12.5”x 9”; there are some stains along the border areas; otherwise, the art is inExcellent condition.

92346 Robert and Aline Crumb Christmas Card Illustration OriginalArt (1979). A hand-made Christmas card rom the Crumbs to theirWinters, CA. neighbors and good riends, the Wild amily, eaturing a nicepen and ink portrait o “Bob and Aline”, each holding a cat. Art collabora-tions between Robert and his cartoonist wie Aline, who is quite popularon her own, are ull o un and rarely oered or sale. The piece is oldedinto two-sides, each measuring approximately 9” x 7”, and has colored

paper cut and glued in place or decoration. In Fine condition with oldlines.

92347 Robert Crumb Kaka For Beginners Page 156 Original A(Icon Books, 1993). This page rom David Zane Mairowitz’s book etures a witty R. Crumb illustration o guests at a cocktail party, discussiKaka. Crumb also added the hand-lettered caption under the “Jackdaart (which is a pasted-on photocopy image). Crumb’s illustration has image area o approximately 4.25” x 4.5”, on a production page measuri8.25” x 12.5”. Excellent condition.

92348 Robert Crumb Kaka or Beginners Page 167 Original A(Icon Books, 1993). Two images o Kaka’s “Karl Rossman” character roAmerika are eatured on this page, with lots o great cross-hatchindetail rom R. Crumb. The total image area or the page (including type)approximately 6” x 9.5”, and the art is in Excellent condition.




92349 Robert CrumbIvory Sot Sketchbook Page Original Art (1962). Page rom one o R. Crumb’searly sketchbooks, eatur-ing an Ivory Soap ad redoneas “99 44/100 Percent PureChicken Fat.” The page,which has appeared in com-pilation books o Crumb’s

early sketches, is drawn inpencil on lined paper, withan image area o about 6” x9”. The pages has been pro-essionally separated roman image on the reverseside, and has been axedto white paper. It appearsto be in Excellent condition.

92350 Robert Crumb

Nude on Ostrich SketchOriginal Art (c. 1963). Abuxom lady straddles anot-to-happy ostrich in thisblue ink sketchbook page.

The page is unsigned, but isdrawn in Crumb’s early style.

The image area measuresapproximately 4.5” x 6.5”. Theinks are a little aded. Thispage has been proessionallyseparated rom a reverse sideimage, and axed to back-ing paper. In Fine condition.

92351 Robert Crumb Fox and Chicken Sketchbook Page Original Art (c. 1963). A sly ox has his sights setor a chicken dinner, in thiswild early pen and ink sketchrom the Underground mas-ter artist, R. Crumb. Another“bird lady” sketch hoversabove, and the page has animage area o approximately7.5” x 9”. This page has beenproessionally separated

rom the reverse page, andaxed to archival paper. InVery Good condition.

92352 Robert Crumb and Charles Crumb Sketchbook Page OrigArt (c. 1963). A nice page o penciled doodles rom the brothers Crmost o which came rom the hand o Robert. The one gure drawolder brother Charles is easy to spot — the young boy named Jim (i

brothers’ home-made comic books), sighing as he gazes at a sleepy MFritz the Cat makes an appearance, dressed in high collar, jacket, and

The page measures approximately 5.25” x 8”, and has been proessioseparated rom the reverse side, and backed with archival paper. InGood condition with light graphite smudges.

92353 Robert Crumb Monster Greeting Card #4 Illustration OriArt (Topps, 1965). Caption: “I Love Your Beautiul Eyes,” or whichback side reply was “All Four o Them!” Mixed media on bristol boardan image area o 2.75” x 4.25”, archivally ramed to an overall approxisize o 10” x 11.75”. In Excellent condition. Signed by Crumb in ink.




92354 Robert Crumb Monster Greeting Card Preliminary OriginalArt Group (c. 1965). Four unused concept sketches or Topp’s ondlyremembered Monster Greeting Cards. Includes our penciled pieces,two ront images, and two (unrelated) backs. Each piece is graphite on

paper, with an image area o approximately 2.5” x 3.5”. All our have tapestains, but are in otherwise Excellent condition.

92355 Robert Crumb “Macro Biotic Comix” Sketch Original Art (c. 1966). From one o R. Crumb’s many sketchbooks comes this highly irrev-erent study o Jesus Christ promoting macrobiotics as a orm o weightloss. Done in the style o a comic book cover, this loose sketch was drawnreehand, using an india ink technical pen, around 1966-67. The sketch-book page has been proessionally separated rom the back page, andaxed to another piece o paper, or an overall size o 7.25” x 10”. It hasbeen restored to Excellent condition, and will make a ne addition to anycollection o Underground Comix art.

92356 Robert Crumb Shuman the Human Sketchbook Comic StrOriginal Art (c. 1970). Shuman eels pretty low is this hal-page sketcbook strip, which was later reworked as a published strip. Ink on papewith an image area o approximately 6.5” x 4.25”. The page was proessioally separated rom the reverse-side image, and reinorced with archivpaper. Excellent condition.

92357 Robert Crumb Mr. Natural’s Old Man Sketchbook StrOriginal Art (c. 1970). That wandering sage, Mr. Natural, may be occsionally disagreeable but he’s a saint compared to his hateul ather! Thhal-page, six-panel strip was later reworked or Mr. Natural #1. This piewas proessionally separated rom the reverse side, and reinorced warchival paper. Excellent condition.




92358 Robert Crumb Unpublished Whiteman Meets Bigoot Illustration Original Art (1977). This unpublished R. Crumb illustra-tion or a never-produced movie screenplay eatures Whiteman and hisBigoot “bride” as they retreat rom civilization, back into the wilds o theorest. It was to be the nal scene rom the lm, and is noted so by Crumbon the art, which was then covered by two pieces o white tape. Signed byCrumb. The art is on tracing paper, with an image area o approximately8.5” x 9”, and it is in Excellent condition.

92359 Robert Crumb Unpublished Whiteman Meets BigIllustration (1977). Robert Crumb’s classic “Whiteman Meets Bigstory (rom 1971’s Home Grown Funnies #1) inspired an acquainto Crumb, TV commercial director Boyd Jacobson, to write an oriscreenplay or a lm he wished to direct himsel. The script expanCrumb’s original story, and Jacobson persuaded Crumb to do a set oinal drawings to illustrate new sections o the script. This piece is romaborted eort, eaturing a very Crumb-like Whiteman being carried by a male Bigoot. The art is in light graphite and ink on tracing pwith an image area o approximately 8.5” x 11”. Although not signedart is in Crumb’s mid-1970s style, and was conrmed by the artist tby him in a telephone conversation with Heritage. The art is in Excecondition.




animatiOn art

92360 Bambi Illustration Original Art (Walt Disney, c. 1942). YoungBambi makes his way through the snow in this charming ink and water-color illustration, possibly done or a promotion piece, magazine article,or book illustration. The art is on illustration board, with an image area o approximately 13” x 18.75”, and is matted and Plexiglas ramed to an over-all 21” x 26.5”. The art is in Excellent condition; the rame has a ew dingsand scratches. From the Estate o John McLaughlin.

92361 Cinderella Production Cel Animation Art (Walt Disney, 1950). Cindi adjusts the ribbon in her hair in this lovely animation production cel.

The original background art is, we believe, rom this cartoon but does notmatch the cel. Both pieces are ramed together, orming an image areao approximately 9.5” x 7.75”, and the rame measures 15” x 13”. There aretwo very small pinholes along the bottom o the gure (which appearsto have been out o camera), and a small gray blemish on Cinderella’s

ace; otherwise the art is in Excellent condition. From the Estate o JohnMcLaughlin.

92362 Fantasia Production Painting Animation Art Signed by WaltDisney (Disney, 1940). This ethereal mixed media masterpiece paintingis rom the “Ave Marie” sequence o Walt Disney’s third animated eature,Fantasia. Rendered in mixed media on paper, this work has been mattedwith a Walt Disney Productions stamp. The matte has been signed andinscribed in blue pencil by Walt Disney at the right. The image area o theart has been matted to 6.6” x 6.5”, and the overall matte size is 13.5” x 14.5”.In Excellent condition. Includes its original Walt Disney Productions label.From the Estate o John McLaughlin.

92363 Fantasia “Ave Maria” Production Cel and CourvoisiBackground Animation Art (Walt Disney, 1940). The solemn scene thends Fantasia has a line o hooded monks carrying candles as they wasingle-le through the woods. It’s an emotional ending to the color spetacle that was Disney’s most ambitious animated lm, sure to send chdown the spine o those in the darkened theater audience. This handsompiece eatures a cel with the line o monks (which appear to have beecareully trimmed and glued down), set against a specially prepared orignal art background. The combined image area measures approximate12” x 8.5”, and has airly recently been proessionally matted and Plexigramed, or an overall 19.25” x 15.5”. The colors have muted somewhat anthe background has a ew old glue stains, but still displays well. Very Goocondition. From the Estate o John McLaughlin.

92364 Fantasia Concept Drawing Animation Art (Disney, 194Colorul concept drawing o the dancing thistles rom the Russian dansection o “Nutcracker Suite” sequence o Walt Disney’sFantasia. Renderin pastel on black paper, the art is ramed to an overall size o 18.5” x 1and matted to an image area o 10.5” x 8.5”. In Excellent condition.

92365 Fantasia Concept Drawing Animation Art (Disney, 194 This gorgeous concept drawing is rom the “Nutcracker Suite” sequeno Walt Disney’s third animated eature, Fantasia. Rendered in pastel black paper, the art is ramed to an overall size o 18” x 15.5”, and mattto an image area o 10.25” x 8”. In Excellent condition.




9 2 3 6 6 E l m e rPlummer Fantasia Pastel ProductionDrawing AnimationArt (Walt Disney,1940). Disney’s gor-geous masterpiece,Fantasia, has so manywonderul scenes andsequences, but just

about everyone lovethe Nutcracker Suite,in particular the danc-ing fowers. This lovely pastels on black paper production sketch eaturesthe colorul thistles, who do the Russian dance. The sketch, which couldpass as a ne example o Modern Art, has an image area o approximately10.5” x 7.75”, matted and Plexiglas ramed to an overall 18” x 15.5”, and is inExcellent condition.

92367 Fun and Fancy Free Bongo andFriend Production CelAnimation Art (WaltDisney, 1947). Bongothe bear was a trainedcircus animal who

longed to live in thewild; when he escapes, he nds himsel a cute little playmate. Bongo andhis girl cub are eatured on the two animation cels matted and ramedtogether. Bong’s image area is approximately 3.75” x 6.75”, while his girl-riend measures 2.75” x 3.5. The rame measures 21” x 12.5”. The paintshows a ew small cracks on both cels, with a ew pinholes on the girl;overall condition is Very Good. From the Estate o John McLaughlin.

92368 How to be a Sailor TitleCard Animation Art(Disney, 1944). Hereis the hand-paintedtitle card to the Gooyshort, How to be aSailor, released in 1944.

The hand-painted let-ters were renderedonto acetate which sitsabove its painted back-ground. On the reverseside, there is a “Walt”signature in green pencil within a production notes box marked “Walt’sO.K.” We believe this to be rom Mr. Disney’s own hand. Framed to an over-all size o 16.75” x 14.5” and matted to an image area o 10.5” x 8.25”. InExcellent condition.

92369 The Grasshopper and the Ant Concept Sketch Animation Art(Disney, 1934). This beautiul concept sketch o the Grasshopper romthis 1934 Silly Symphonies cartoon was rendered in colored pencil onpaper. The art has an image area o 8” x 6”. There is paper tanning, andpinholes in the corners; otherwise this work is in Good condition.

92370 Little Pig’s Picnic and Other Stories “Big Bad Wol” Illustra

Animation Art (D. C. Heath, 1939). The Wise Pig is about to deliver than apples to a hungry Big Bad Wol in this wonderul ink and paincel set o book illustrations. The combined image area measures appmately 8.5” x 4.5”, specially matted and Plexiglas ramed to an overax 13”. Also included is the tracing paper layout sketch, axed to the o the rame. Other than some minor warping o the acetate, the artExcellent condition; the layout paper and rame are in Good. FromEstate o John McLaughlin.

92371 Mickey’s Man Friday Concept Drawing Animation(Disney, 1935). Mickey meets his cannibal riend, Friday, in this oriconcept drawing by Howard Wookey. Rendered in graphite on pthe work is ramed and matted to an image area o 11” x 8”. Aside some paper tanning and wear, the art is in Very Good condition. The includes a Certicate o Authenticity.

92372 Mickey Never Fails “Mickey’s Plan” Book Illustration (Heath, 1939). A nicely matted and Plexiglas-ramed set o illustrarom the well-remembered children’s book, with animation style artplied by the Disney studio sta. Includes two cel-style illustrations,eaturing Mickey looking on as builders work on a house (image areax 9.25”), and a second, acing page illo o a rooer (6” x 2.5”), plus a rduction o the type rom that page. The custom mat adds to the charthis group. The overall size is 22” x 17.5”. The art is in Excellent condthe rame has several scus and dings, and is VG. From the Esta

John McLaughlin.

92373 Bill Morrison Mr. MagChristmas Carol Commemorative CBook Cover Original Art (Airwave Com2002). Simpsons and Disney artistMorrison, created this colorul cover wappeared on advance copies o Mr. MagChristmas Carol Commemorative CBook . The art is painted in acrylic on hboard, with an image area o 10” x 16Excellent condition.




92374 The Old Mill Illustration OriginalArt (Disney, undated). Animation-style illustra-tion eaturing the owlin an old abandonedwindmill, rom Disney’sAcademy Award-winning short, TheOld Mill . This beautiulwork was hand-inkedand hand-painted ontoacetate, and it has beenmatted to an image area o 8” x 12”. The art includes a small color guidepainted in watercolor (4” x 6” image area), which includes color notes. InExcellent condition. From the Estate o John McLaughlin.

92375 Peter Pan Production Cel and Hand-Painted BackgroundAnimation Art (Walt Disney, 1953). Wonderul hand-inked and hand-painted cel o the Indian Chie rom Disney’s masterpiece, Peter Pan. Thecel has been trimmed to the line and mounted against a hand-paintedbackground, Courvoisier -style. Framed to an image area o 9.5” x 7.5”.

There is some soiling on the cel and some paint loss at the top; otherwisethe work is in Very Good condition. From the Estate o John McLaughlin.

92376 Peter Pan Production Cel and Hand-Painted BackgroundAnimation Art (Walt Disney, 1953). This darling hand-inked and hand-painted cel eatures Michael Darling rom Disney’s animated eature, Peter Pan. The cel has been trimmed to the line and mounted against a hand-painted background, Courvoisier -style. Framed to an image area o 9.5” x7.5”. Aside rom some light paint loss at the top o the gure; the work is inVery Good condition. From the Estate o John McLaughlin.

92377 Peter Pan Production Cel and Hand-Painted BackgrounAnimation Art (Walt Disney, 1953). Michael Darling shares the scewith two o the Lost Boys, in this hand-inked and hand-painted cel Disneourteenth animated eature, Peter Pan. The cel has been trimmed to tline and mounted against a hand-painted background, Courvoisier -styFramed to an image area o 9.5” x 7.5”. There is some buckling in the c(the right gure also has a horizontal crease on his tail) with some soilin

and light paint loss at the top o the middle gure; otherwise the workin Very Good condition. From the Estate o John McLaughlin.

9 2 3 7 8 P i n o c c h i oBlue Fairy ProductionDrawing AnimationArt (Walt Disney,1940). Bewitchingoriginal productiondrawing o the BlueFairy rom Walt Disney’ssecond animated ea-ture lm, Pinocchio.Drawn in graphiteand red pencil on 12”x 10” sheet o anima-

tion paper, the pieceincludes an originalproduction stamp at the lower right. In Very Good condition.

92379 Pluto Production Cel Set-Up with Background Animation A(Disney, 1940s). Mickey’s best riend, Pluto, goes or a bubbly soak, in thhand-inked and hand-painted animation production cel set-up, whiincludes its original painted background. The art is ramed to an oversize o 18.5” x 16”, and has been matted to an image area o 12” x 9.

There is a 4” horizontal scratch in the cel at the upper let and light soilinat the top; otherwise the work is in Very Good condition.




92380 Snow White and the Seven Dwars French Premiere Banner(Disney, 1937). Gusta Tenggren created the exquisite portraits o SnowWhite and her seven small companions seen on this rare French papertheater banner. It measures a whopping 92.5” x 22”, and has been proes-sionally restored and linen backed, in Very Good condition. This is the rst

one we’ve seen like it. It’s not listed in Hake’s. I you love Snow White, thispiece is a must — Snow’s eyes will ollow you everywhere!

92381 Snow White and the Seven Dwars Limited Edition CelAnimation Original Art #HC 3/25 (Walt Disney, 1994). A panoramabackground exterior o the Dwars cottage is the setting or this incrediblybeautiul hand-panted cel set-up o Snow White and her orest riends.

This limited edition recreation was part o Disney’s hors de commerce

group o 25. The image area measures approximately 30.5” x 9.5”, and theart is matted and Plexiglas ramed to an overall 40.5” x 19”. In Excellentcondition. Includes a Disney certicate o authenticity.

92382 Snow White Limited Edition Sericel #46/275 (The WaltDisney Company, 1994). Snow White pulls the bucket up rom the welland sings the song “I’m Wishing,” in this limited edition sericel. Disneyartists, working rom the original animation drawings, have translatedthe original image to a hand-inked and hand-painted cel. That cel wasused in the production o this screen-printed sericel. The piece is ramedto an overall size o 24.5” x 20.5”, and matted to an image area o 15.5” x11.5”. In Excellent condition. Includes a Disney seal at the lower right, andCerticate o Authenticity.

92383 Snow Whiteand Dopey LimitedEdition Cel AnimationArt #130/275 (Disney,1970s). A specialpresentation cel set-up, created by anoriginal Disney artistwho worked on the1937 production, o

the an-avorite scenewhere Dopey (with theassist o another dwar) dances with Snow White. A total o 300 cowere produced, including 25 artist’s proos. The image area measapproximately 7.5” x 7”, matted and Plexiglas ramed to an overall 18”. This piece exhibits a crease through one cel, and evidence o pliting can be seen along Snow’s lower arm; however, the cel still remvery attractive and presentable, and is otherwise in Excellent cond

92384 Hank Porter Snow White and the Seven Dwars NewspStrip Preliminary Original Art (Walt Disney, 1937). Disney artist Porter was tapped to create a weekly version o Disney’s rst ull-le

animated lm, Snow White and the Seven Dwars, which ran in Suinstallments during 1937 and ‘38. Here are three penciled prelimpanels or the sequence where Snow discovers the Dwar’s cottagecharm o Porter’s art is evident in these nicely detailed drawings, wshowcase a lovely Snow White and her animal riends. The graphitpencil art has an image area o approximately 27” x 5.5”, and is mattedPlexiglas ramed to an overall 36.5” x 15”. In Excellent condition.

92385 Hank Porter Snow White and the Seven Dwars NewspStrip Preliminary Original Art (Walt Disney, 1937). Hank Porter’s npaper strip adaption o the classic rst Disney eature lm is as charmas they come. Here is a preliminary penciled version o the sequwhere the Evil Queen cooks up the poison she plans to give to Snogreat shot o the Queen in her lair, contrasted with the sweet and reDwars. The graphite on paper art has an image area o approximatex 5.5”, matted and Plexiglas ramed to an overall 36.5” x 15”. In Excecondition.

92386 Snow White and the Seven Dwars Silk Banner (RKO, 19Original rst run theater display banner, measuring approximatelyx 48”. Missing the original wooden hanging rod (replaced with wooden rod), and lightly stained. Very Good condition.




92387 Tom and Jerry Push-Button Kitty Production Cel Set-Up withBackground Original Art (MGM, 1952). The 70th Tom and Jerry one-reel animated cartoon, Push-Button Kitty , eatured Mechano, the Cat o

Tomorrow. This original hand-inked and hand-painted cel includes itsoriginal painted background. It is ramed to an overall size o 18.5” x 16.5”,and is matted to an image area o 11.5” x 9.5”. In Very Good condition.

92388 Yellow Submarine John, Paul, George, and Ringo with YellowSubmarine Production Cel Set-Up Animation Art (UA/King Features

Syndicate, 1968). Exceptional animation production cel set-up eatur-ing the Fab Four along with the Yellow Submarine. This hand-inked andhand-painted animation production cel set-up measures 23” x 11”, and itis in Very Good condition. The submarine is rendered in mixed media onpaper.

92389 Yellow Submarine Young Fred, John, Paul, and RingoProduction Cel Set-Up with Background Animation Art (UA/KingFeatures Syndicate, 1968). Time is reversing or the lads! This hand-inked and hand-painted animation production cel set-up includes itsoriginal hand-painted background. The cels measures 16” x 12.5”, and thebackground measures 17” x 12”. In Very Good condition.

92390 Yellow Submarine Paul McCartney and the Nowhere MProduction Cel Set-Up with Background Animation Art (UA/KiFeatures Syndicate, 1968). This hand-inked and hand-painted animtion production cel set-up includes its original hand-painted backgroun

The cels measures 16” x 12.5”, and the background measures 17” x 1Some wear to the extreme right o the background; otherwise the art isVery Good condition.

92391 Yellow Submarine Captain Fred and Lord Mayor ProductioCel Set-Up Original Art (UA/King Features Syndicate, 1968). Thand-inked and hand-painted animation production cel set-up rom tanimated musical antasy eature measures 16” x 13”. There is some agtape on the extreme edges, and a old in the right edge o the Fred cotherwise the art averages Very Good condition.

92392 Yellow Submarine Blue Meanies Production Cel Set-UOriginal Art (UA/King Features Syndicate, 1968). This hand-inkand hand-painted animation production cel set-up rom the animatmusical antasy eature includes partial background elements. The ameasures 16” x 13”, and is in Very Good condition.

end Of sessiOn twO




Golden AGe ComiCs (s saa By Wgh Cc Caag l 93001 - 93091)

93092 Ace Comics #1 (DavidMcKay Publications, 1937) CGCFN 6.0 Cream to o-white pages. One o the important pre-Golden

Age comic book issues, this book eatured the rst appearances o Jungle Jim (with Alex Raymondart), Krazy Kat, Blondie, and Ripley’sBelieve It Or Not. Overstreet 2011FN 6.0 value = $942. CGC census1/12: 1 in 6.0, 4 higher.

93093 Action Comics #26 (DC,1940) CGC FN 6.0 Cream to o-white pages. Superman takesmatters into his hands, in this col-orul cover by Wayne Boring. JerrySiegel, Joe Shuster, Fred Guardineer,and Bernard Baily art. Contains aquarter-page ad or Batman #1.Overstreet 2011 FN 6.0 value =$1,098. CGC census 1/12: 2 in 6.0, 10higher.

93094 Action Comics #27 (DC,1940) CGC VG 4.0 O-whitepages. Paul Cassidy cover and art.Fred Guardineer, Sheldon Moldo,

and Bernard Baily art. Overstreet2011 VG 4.0 value = $732. CGC cen-sus 1/12: 4 in 4.0, 21 higher.

93095 Action Comics #30 (DC,1940) CGC VG 4.0 Light tan to o-white pages. Fred Ray cover. CGCnotes, “small piece o tape on inte-rior cover.” Overstreet 2011 VG 4.0value = $732. CGC census 1/12: 5 in4.0, 40 higher.

93096 Action Comics #32 (DC,1941) CGC FN- 5.5 Cream to o-white pages. First Krypto Ray Gun.Fred Ray electric chair cover. Jack

Burnley, George Papp, SheldonMoldo, and Bernard Baily art.Overstreet 2011 FN 6.0 value =$774. CGC census 1/12: 1 in 5.5, 8higher.

93097 Action Comics #34 (DC,1941) CGC FN- 5.5 O-whitepages. Fred Ray cover. Jack Burnley,Sheldon Moldo, George Papp, andBernard Baily art. Overstreet 2011FN 6.0 value = $756. CGC census1/12: 6 in 5.5, 21 higher.

93098 Action Comics #35 1941) CGC VG/FN 5.0 O-wto white pages. Early Germancover by Wayne Boring. Bo

George Papp, Sheldon MoldoBernard Baily art. Overstreet VG 4.0 value = $504; FN 6.0 va$756. CGC census 1/12: 2 in 5.higher.

93099 Action Comics #47 1942) CGC VG/FN 5.0 O-wto white pages. First Luthor cFred Ray cover, with story aRay, Bernard Baily, and Mort MeOverstreet 2011 VG 4.0 valu$594; FN 6.0 value = $891. CGCsus 1/12: 2 in 5.0, 11 higher.

SESSION ThrEE

Heritage Live!™, Internet, Fax, and Mail Only SessionFriday, February 24, 2012 | 3:00PM CT | Dallas, Texas | Lots 93092 - 93785



SPECIAL INTERNET BIDDING FEATURE

Online proxy bidding ends at HA.com two hours prior to the opening of the live auction. Check the TiRemaining on individual lots for details. After Internet proxy bidding closes, live bidding will take place throuHeritage LiveTM, our bidding software that lets you bid live during the actual auction. Your secret maximuwill compete against those bids, and win all ties. To maximize your chances of winning, enter realistic secmaximum bids before live bidding begins. (Important note: Due to software and Internet latency, bids placthrough Live Internet Bidding may not register in time and those bidders could lose lots they would otherwhave won, so be sure to place your proxy bids in advance.)




93100 Action Comics #87 (DC,1945) CGC VF- 7.5 O-white towhite pages. Dummy appearance.Wayne Boring cover. Ira Yarbroughand Mort Meskin art. Overstreet2011 VF 8.0 value = $621. CGC cen-sus 1/12: 1 in 7.5, 13 higher.

93101 Air Ace V2#11 Vancouverpedigree (Street & Smith, 1945)CGC NM 9.4 White pages. CharlesPayne cover and art. Ray Evans art.Overstreet 2011 NM- 9.2 value =$200. CGC census 1/12: 1 in 9.4,none higher.

93102 All Select Comics #1(Timely, 1943) Apparent CGC VG/FN 5.0 Extensive (A) O-whitepages. “Classic” Alex Schomburgcover. Captain America, Human

Torch, and Sub-Mariner begin.Black Widow story. Don Rico art.CGC notes, “Restoration includes:color touch, pieces added, tearseals, cleaned, reinorced. All threeedges trimmed.” Overstreet 2011VG 4.0 value = $2,666; FN 6.0 value= $4,000. CGC census 1/12: 5 in 5.0,14 higher.

93103 All Star Comics #23 (DC,1944) CGC VF 8.0 O-white pages. Origin and rst appearance o thePsycho Pirate. Last Spectre andStarman stories in the title. Gerberlists this book as “uncommon.”Joe Gallagher cover and art. StanAschmeier and Sheldon Moldo art. Overstreet 2011 VF 8.0 value =$1,075. CGC census 1/12: 2 in 8.0, 3higher.

93104 All Top Comics #9 (FoxFeatures Syndicate, 1948) CGCVF- 7.5 O-white pages. PhantomLady, Blue Beetle, Jo-Jo, and Rulahappearances. Cover by Jack KamenArt by Kamen and Matt Baker.Overstreet 2011 VF 8.0 value = $965.CGC census 1/12: 3 in 7.5, 4 higher.

93105 An Earth Man on Venus#nn (Avon, 1951) CGC FN/VF 7.0O-white pages. Gene Fawcetteheadlight cover. Wally Wood art.Overstreet 2011 FN 6.0 value =$405; VF 8.0 value = $864. CGC cen-sus 1/12: 5 in 7.0, 16 higher.

93106 Baseball Heroes #nnCrowley Copy pedigree (Fawcett,1952) CGC VF/NM 9.0 Cream too-white pages. Babe Ruth andWalter Johnson photo cover. Hallo Fame issue eaturing the CharlesDexter story. Overstreet calls this a“scarce” issue. Overstreet 2011 VF/NM 9.0 value = $902; NM- 9.2 value= $1,275. CGC census 1/12: 2 in 9.0,none higher.

93107 Batman #10 (DC, 1942)CGC FN- 5.5 O-white to whitepages. Catwoman appearance in anew costume. Jerry Robinson cover.Robinson and Bob Kane interiorart. Overstreet 2011 FN 6.0 value =$1,251. CGC census 1/12: 6 in 5.5, 34higher.

93108 Batman #65 (DC,1951) CGC VF- 7.5 White pages. Catwoman cover and story. WinMortimer cover. Dick Sprang,Bob Kane, Charles Paris, and LewSchwartz art. Overstreet 2011 VF 8.0value = $718. CGC census 1/12: 1 in7.5, 7 higher.

93109 Black Magic #1 (Priz1950) CGC VF+ 8.5 O-whpages. Jack Kirby cover. Art Simon & Kirby, Mort Meskin, aBruno Premiani. Overstreet 2011 8.0 value = $947; VF/NM 9.0 value$1,624. CGC census 1/12: 2 in 8.5higher.

93110 Blood Is the Harvest #n(Catechetical Guild, 1950) CGVG/FN 5.0 O-white pages. Papcover propaganda comic. Bondagring squad cover. Atomic expsion panels. Overstreet 2011 VG 4value = $362; FN 6.0 value = $54CGC census 1/12: 5 in 5.0, 12 high

93111 Bobby Gets Hep #nMile High pedigree (FrederiS. Clarke, 1946) CGC NM/M9.8 White pages. Bell TelephoSystem promotional. Not listed Overstreet. Two Mile High copexist; the 9.0 Mile High copy soor $286 in the last Heritage aution. CGC census 1/12: 1 in 9.8, nohigher. From the Chuck RozanCollection.




93112 Boy Comics #6 (LevGleason, 1942) CGC VG/FN 5.0O-white pages. The origin o Iron Jaw. Little Dynamite storiesbegin. Cover and art by CharlesBiro. Overstreet 2011 VG 4.0 value =$628; FN 6.0 value = $942. CGC cen-sus 1/12: 2 in 5.0, 3 higher.

93113 Boy Comics #8 (LevGleason, 1943) CGC VF+ 8.5O-white pages. “Death” o IronJaw. Charles Biro cover and art.Overstreet 2011 VF 8.0 value = $659;VF/NM 9.0 value = $1,130. CGC cen-sus 1/12: 1 in 8.5, 2 higher.

93114 Boy Comics #14 CrowleyCopy pedigree (Lev Gleason,1944) CGC VF/NM 9.0 O-whiteto white pages. Iron Jaw cover byCharles Biro. Overstreet 2011 VF/NM 9.0 value = $810; NM- 9.2 value= $1,150. CGC census 1/12: 1 in 9.0,1 higher.

93115 Boy Comics #19 DavisCrippen (“D” Copy) pedigree(Lev Gleason, 1944) CGC VF+ 8.5Cream to o-white pages. CharlesBiro and Dick Wood stories, witha Biro cover. Rudy Palais and Dick Brieer art. Overstreet 2011 VF 8.0value = $334; VF/NM 9.0 value =$567. CGC census 1/12: 2 in 8.5, 3higher.

93116 Boy Comics #34 MileHigh pedigree (Lev Gleason,1947) CGC NM 9.4 O-white towhite pages. Cover by Charles Biro.Art by Dan Barry. Overstreet 2011NM- 9.2 value = $300. CGC census1/12: 1 in 9.4, none higher.

93117 Captain America Comics#4 (Timely, 1941) CGC VG- 3.5Cream to o-white pages. Theront-cover eye appeal o this book is “high grade” all the way! Whatkept this one rom grading higherwas a back-cover tear that’s abouthal the length o the book, butin the holder this presents reallywell. Alex Schomburg cover art,with Simon and Kirby interior art.Overstreet 2011 VG 4.0 value =$1,838. CGC census 1/12: 1 in 3.5, 18higher.

93118 Captain America Comics#5 (Timely, 1941) CGC FN- 5.5Cream to o-white pages. Jack Kirby and Joe Simon providedthis creepy Nazi circus “wheel o death” cover and Tuk and Hurricanebackup cap with a couple o storiesin this early ish. Overstreet 2011 FN6.0 value = $2,595. CGC census 1/12:2 in 5.5, 15 higher.

93119 Captain Fearless(Canadian series) #6 Mile Highpedigree (Publisher and dateunknown) Condition: VG. Not

a coverless comic, but one withpanels printed on the cover. Notlisted in Overstreet. From the Chuck Rozanski Collection.

93120 Captain MarvelAdventures #14 (Fawcett, 1942)CGC VF 8.0 O-white to whitepages. C. C. Beck cover and art. PeteCostanza art. Overstreet 2011 VF 8.0value = $659. CGC census 1/12: 2 in8.0, 6 higher.

93121 Captain Marvel Adtures #18 (Fawcett, 1942) CGCVF 7.0 Cream to o-white paOrigin and rst appearances o Marvel and the Marvel Family.Beck painted cover and art. Ostreet 2011 FN 6.0 value = $818.0 value = $1,734. CGC census 6 in 7.0, 7 higher.

93122 Captain MAdventures #134 Crowley Cpedigree (Fawcett, 1952) CGC9.4 O-white to white pages.Beck cover and art. Overstreet NM- 9.2 value = $360. CGC ce1/12: 1 in 9.4, none higher.

93123 Classic Comics #1 Three Musketeers - First Ed(Elliott, 1941) CGC FN- 5.5

white to white pages. First edo the rst issue o the long-runseries that soon became ClaIllustrated. Overstreet 2011 Fvalue = $1,362. CGC census 1/in 5.5, 14 higher.




93124 Classic Comics #2Ivanhoe HRN 15 - Mile High pedi-gree (Gilberton, 1943) CGC NM+9.6 White pages. Contains a biog-raphy o Sir Walter Scott. Overstreet2011 NM- 9.2 value = $260. CGCcensus 1/12: 1 in 9.6, none higher.

93125 Classic Comics #3 TheCount o Monte Cristo HRN 15- Mile High pedigree (GilbertonPublications, 1943) CGC NM9.4 O-white to white pages. Overstreet 2011 NM- 9.2 value =$260. CGC census 1/12: 1 in 9.4,none higher.

93126 Classic Comics #4 Last o the Mohicans HRN 15 - Mile Highpedigree (Gilberton, 1943) CGCNM 9.4 White pages. Ray Ramseycover and art. Overstreet 2011 NM-9.2 value = $260. CGC census 1/12: 1in 9.4, none higher.

93127 Classic Comics #6 A Taleo Two Cities - HRN 18 (Gilberton,1944) CGC VF/NM 9.0 O-whiteto white pages. Stanley Maxwellcover and art. Overstreet 2011 VF/NM 9.0 value = $182; NM- 9.2 value= $250. CGC census 1/12: 1 in 9.0,none higher.

93128 Classic Comics #8Arabian Nights HRN 17 - MileHigh pedigree (Gilberton, 1944)CGC VF- 7.5 O-white to whitepages. Cover and art by LilianChestney. Overstreet 2011 VF 8.0value = $323. CGC census 1/12: 2 in7.5, none higher.

93129 Classic Comics #10Robinson Crusoe HRN 14 - MileHigh pedigree (Gilberton, 1943)CGC VF/NM 9.0 O-white to whitepages. Version 2A with violet cover.Overstreet 2011 VF/NM 9.0 value= $278; NM- 9.2 value = $385. CGCcensus 1/12: 1 in 9.0, none higher.

93130 Classic Comics #11 DonQuixote - First Edition (Gilberton,1943) CGC VF/NM 9.0 O-white towhite pages. Don Quixote. LouisZansky cover and art. Overstreet2011 VF/NM 9.0 value = $894; NM-9.2 value = $1,250. CGC census 1/12:2 in 9.0, none higher.

93131 Classic Comics #13 Dr. Jekyll and Mr. Hyde HRN 15 - MileHigh pedigree (Gilberton, 1943)CGC NM- 9.2 O-white to whitepages. One o the earliest horror-themed comics. Overstreet 2011NM- 9.2 value = $450. CGC census1/12: 1 in 9.2, none higher.

93132 Classic Comics #15 UncleTom’s Cabin - First Edition - MileHigh pedigree (Gilberton, 1943)CGC VF/NM 9.0 O-white to whitepages. Rolland Livingston art.Overstreet 2011 VF/NM 9.0 value =$810; NM- 9.2 value = $1,150. CGCcensus 1/12: 2 in 9.0, none higher.

93136 Classic Comics #21 Famous Mysteries HRN 22 - MHigh pedigree (Gilberton, 194CGC VF+ 8.5 O-white to whpages. Features adaptations “The Sign o the Four” by Sir ArthConan Doyle, “The Murders in tRue Morgue” by Edgar Allan Poand “The Flayed Hand” by Guy Maupassant. Overstreet 2011 8.0 value = $231; VF/NM 9.0 val= $378. CGC census 1/12: 1 in 8none higher.

93137 Classics IllustratGiants: An Illustrated Librao Great Adventure Stori(Gilberton, 1949) CGC VF- 7.5 Owhite to white pages. Called “ra

by Gerber and Overstreet. Best cowe have oered to date. Overstre2011 VF 8.0 value = $965. CGcensus 1/12: 1 in 7.5, none high

93138 Classics IllustratGiants: An Illustrated Library Great Indian Stories (Gilberto1949) CGC FN 6.0 Cream to owhite pages. Overstreet designatthe issue as “rare.” Overstreet 20FN 6.0 value = $456. CGC cens1/12: 1 in 6.0, 2 higher.




93139 Clue Comics V2#2(Hillman Publications, 1947) CGCVF 8.0 Cream to o-white pages. Dan Barry classic bondagetorturewith a hot iron cover. Jack Kirby,Joe Simon, Carmine Inantino, andBernard Sachs art. Overstreet 2011VF 8.0 value = $445. CGC census1/12: 2 in 8.0, 2 higher.

93140 Crime Does Not Pay #28(Lev Gleason, 1943) CGC VF 8.0O-white pages. Cover by CharlesBiro. Overstreet 2011 VF 8.0 value= $454. CGC census 1/12: 2 in 8.0, 3higher.

93141 Crime Does Not Pay #33(Lev Gleason, 1944) CGC VF 8.0O-whit pages. Overstreet notesthis issue’s “classic Charles Biro hang-ing and hatchet cover.” Rudy Palaisand Dick Brieer art. Overstreet 2011VF 8.0 value = $576. CGC census1/12: 1 in 8.0, 6 higher.

93142 Crime Does Not Pay#38 (Lev Gleason, 1945) CGC VF/NM 9.0 O-white pages. Coverby Charles Biro. Art by Dick Brieerand Al Fagaly. Overstreet 2011 VF/NM 9.0 value = $428; NM- 9.2 value= $600. CGC census 1/12: 2 in 9.0, 1higher.

93143 Crime Does Not Pay #51(Lev Gleason, 1947) CGC VF+8.5 O-white to white pages. Charles Biro cover and art. George

Tuska and Fred Guardineer art. Firstmonthly issue. Overstreet 2011 VF8.0 value = $111; VF/NM 9.0 value= $176. CGC census 1/12: 1 in 8.5, 3higher.

93144 Daredevil Comics #18(Lev Gleason, 1943) CGC FN 6.0Cream to o-white pages. Neworigin or Daredevil. The Claw vs.the Ghost. Hitler, Tojo, Mussolini,and Mickey Mouse appear on thecover, by Charles Biro. Art by Biro,Basil Wolverton, and Dick Brieer.Overstreet 2011 FN 6.0 value =$354. CGC census 1/12: 2 in 6.0, 10higher.

93145 Daredevil Comics #30Mile High pedigree (Lev Gleason,1945) CGC VF/NM 9.0 O-white pages. Claw backup story.Charles Biro cover. Dick Brieer art.Overstreet 2011 VF/NM 9.0 value= $428; NM- 9.2 value = $600. CGCcensus 1/12: 3 in 9.0, 1 higher.

93146 Daredevil Comics #31Crowley Copy pedigree (LevGleason, 1945) CGC VF/NM 9.0Cream to o-white pages. “Death”o the Claw. Hanging cover byCharles Biro. Overstreet 2011 VF/NM 9.0 value = $884; NM- 9.2 value= $1,250. CGC census 1/12: 2 in 9.0,1 higher.

93147 Daredevil Comics #32Crowley Copy pedigree (LevGleason, 1945) CGC VF+ 8.5Cream to o-white pages. CharlesBiro cover. CGC notes, “Moderatetanning to bottom edge o interiorront and back cover.” Overstreet2011 VF 8.0 value = $194; VF/NM 9.0value = $317. CGC census 1/12: 2 in8.5, none higher.

93148 Daredevil Comics Mile High pedigree (Lev Glea1947) CGC VF- 7.5 O-whitwhite pages. Charles Biro cand art. Dan Barry and NoMaurer art. Overstreet 2011 Vvalue = $186. CGC census 1/127.5, 2 higher.

93149 Dell Giant Comics Ranger’s Western Treasury #1Copy (Dell, 1953) CGC NM+O-white pages. Painted cOrigins o the Lone Ranger, Sand Tonto. Overstreet 2011 NMvalue = $465. CGC census 1/129.6, none higher.

93150 Detective Co#44 (DC, 1940) CGC FN/VFO-white to white pages.Dynamic Duo head o intoFourth Dimension in the story tled “The Land Behind the Ltheir rst to eature a Sci-Fi thAlso, the Crimson Avenger gnew skin-tight costume. Bob and Jerry Robinson cover andOverstreet 2011 FN 6.0 valu$927; VF 8.0 value = $2,163. census 1/12: 2 in 7.0, 9 higher.the Ben Novack, Jr. Estate Colle




93151 Detective Comics #114(DC, 1946) CGC FN+ 6.5 O-whitepages. Joker cover and story. Coverby Win Mortimer. Art by Mortimer,Curt Swan, and Howard Sherman.Overstreet 2011 FN 6.0 value =$435; VF 8.0 value = $921. CGC cen-sus 1/12: 5 in 6.5, 18 higher.

93152 Detective Comics #123(DC, 1947) CGC VF+ 8.5 O-whiteto white pages. Jack Burnley cover.Ray Burnley, Howard Sherman, andCurt Swan art. Overstreet 2011 VF8.0 value = $486; VF/NM 9.0 value= $831. CGC census 1/12: 3 in 8.5, 4higher.

93153 Detective Comics #140(DC, 1948) Condition: VG. Firstappearance o the Riddler. WinMortimer cover. Overstreet 2011 VG

4.0 value = $1,082.

93154 Detective Comics #166(DC, 1950) CGC VF 8.0 O-white towhite pages. Win Mortimer coverand art. Dick Sprang, Charles Paris,and Henry Boltino. Overstreet2011 VF 8.0 value = $435. CGC cen-sus 1/12: 2 in 8.0, 1 higher.

93155 Doll Man Quarterly #1(Quality, 1941) CGC FN/VF 7.0O-white to white pages. Oneo Quality’s earliest and longest-running series started right here.Overstreet 2011 FN 6.0 value = $993;VF 8.0 value = $2,317. CGC census1/12: 3 in 7.0, 4 higher.

93156 Donald Duck’s Atom

Bomb Cheerios Premium - Signedby Carl Barks (Cheerios, 1947)Condition: VF-. Banned romreprinting by Disney. Art by Barks,signed by him on the ront cover.Overstreet 2011 VF 8.0 value = $483.

93157 Eerie #1 (Avon, 1947)CGC FN 6.0 Cream to o-whitepages. The rst all-horror comicbook. Overstreet 2011 FN 6.0 value= $1,377. CGC census 1/12: 5 in 6.0,19 higher. From the Al DellingesCollection.

93158 Exciting Comics #2(Nedor Publications, 1940) CGCFN/VF 7.0 O-white pages.

Ted Crane is the cover eature.Overstreet 2011 FN 6.0 value = $522;VF 8.0 value = $1,114. CGC census1/12: 1 in 7.0, 4 higher.

93159 Exciting Comics #3(Nedor, 1940) CGC FN/VF 7.0Cream to o-white pages. Robotcover. Overstreet 2011 FN 6.0 value= $387; VF 8.0 value = $826. CGCcensus 1/12: 2 in 7.0, none higher.

93160 Famous Funnies #2(Eastern Color, 1934) CGC VG 4.0Cream to o-white pages. TheGerber “9” or “very rare.” The sev-enth comic book ever published.Just the second copy Heritage hasever oered. Mutt and Je cover.CGC notes, “1 piece o tape on 1stpage.” Overstreet 2011 VG 4.0 value= $1,360. CGC census 1/12: 1 in 4.0,1 higher.

93161 Famous Funnies (Eastern Color, 1934) CGC VG/5.0 Light tan to o-white pageFirst comic book Christmas covRarely ound in high-grade contion, such that Overstreet does nlist values or this issue in gradabove VF. Overstreet 2011 VG 4value = $586; FN 6.0 value = $87CGC census 1/12: 2 in 5.0, 2 high

93162 Famous Funnies #(Eastern Color, 1936) CGC V8.0 White pages. “War on Crimbegins. rst true crime story appear in comics. Overstreet 20VF 8.0 value = $360. CGC cens1/12: 1 in 8.0, none higher.

93163 Famous Funnies #2(Eastern Color, 1954) CGC V8.5 O-white pages. Buck Rogecover by Frank Frazetta. Overstre2011 VF 8.0 value = $762; VF/NM 9value = $1,306. CGC census 1/12in 8.5, 26 higher.




93164 Famous Funnies #212(Eastern Color, 1954) CGC VF 8.0O-white pages. Buck Rogerscover by Frank Frazetta. Overstreet2011 VF 8.0 value = $762. CGC cen-sus 1/12: 7 in 8.0, 4 higher.

93165 Famous Funnies #214(Eastern Color, 1954) CGC FN/VF 7.0 O-white to white pages. Frank Frazetta turns in one o themost memorable Science Fictioncovers o all time or this sought-ater issue. Overstreet 2011 FN 6.0value = $357; VF 8.0 value = $762.CGC census 1/12: 3 in 7.0, 11 higher.

93166 Famous Funnies #215(Eastern Color, 1955) CGC FN+ 6.5

Cream to o-white pages. Buck Rogers cover by Frank Frazetta.Overstreet 2011 FN 6.0 value =$357; VF 8.0 value = $762. CGC cen-sus 1/12: 1 in 6.5, 10 higher.

93167 Fantastic Comics #1(Fox, 1939) CGC VG+ 4.5 Creamto o-white pages. Origin andrst appearance o Samson. LouFine cover. Alex Blum and Don Ricoart. Overstreet 2011 VG 4.0 value =$994. CGC census 1/12: 1 in 4.5, 11higher.

93168 Fantastic Comics #2(Fox, 1940) CGC Apparent VF+8.5 Moderate (P) O-whitepages. Cover by Lou Fine. CGCnotes, “Restoration includes: colortouch, piece added, tear seal, spinesplits sealed, cleaned, reinorced.”Overstreet 2011 GD 2.0 value =$265; VG 4.0 value = $530; FN 6.0value = $795; VF 8.0 value = $1,694.

93169 Fast Fiction #5 BeauGeste - Vancouver pedigree(Seaboard Pub., 1950) CGC NM9.4 White pages. Beau Geste. Greytone cover and interior art by HenryKieer. Overstreet 2011 NM- 9.2value = $240. CGC census 1/12: 1 in9.4, none higher.

93170 Four Color #30 Bambi’sChildren (Dell, 1943) CGC VF 8.0Cream to o-white pages. Bambi’sChildren. Adapted rom a story byFelix Salten. Ken Hultgren cover andart. Overstreet 2011 VF 8.0 value =$336. CGC census 1/12: 3 in 8.0, 6higher.

93171 Four Color #48 PorkyPig (Dell, 1944) CGC VF 8.0 O-white pages. Carl Barks art. BugsBunny and Elmer Fudd appearance.Overstreet 2011 VF 8.0 value = $740.CGC census 1/12: 2 in 8.0, 2 higher.

93172 Four Color #87 Fairy TaleParade - File Copy (Dell, 1945)CGC NM+ 9.6 Cream to o-white

pages. Dan Noonan cover. WaltKelly art. Overstreet 2011 NM- 9.2value = $500. CGC census 1/12: 1 in9.6, none higher.

93173 Four Color #248 MiMouse (Dell, 1949) CGC NMO-white to white pages. “MMouse and the Black Sorcerer.” Pete appearance. Overstreet NM- 9.2 value = $285. CGC ce1/12: 1 in 9.4, none higher.

93174 Green Hornet Co#47 (Harvey, 1949) CGC NMWhite pages. Final issue o theAl Avison cover and art. Kerry Dappearance. This is the higgraded copy o this issue cerby CGC to date. Overstreet NM- 9.2 value = $360. CGC ce1/12: 1 in 9.4, none higher.

93175 Gul Funny Weekly Group - Mile High pedigree

Oil Co., 1940). Includes #391 6.0 o-white to white pages)(CGC 4.0 o-white to white pa#396 (CGC 7.0 o-white pages)#398 (CGC 6.0 o-white pagerom October through Dece1940. Approximate Overstreet vor group = $97. From the CRozanski Collection.




93176 Harvey Comics Library #1Mile High pedigree (Harvey, 1952)CGC FN 6.0 White pages. Teen-AgeDope Slaves. Used in Seduction o the Innocent. Hypodermic needlecover. Overstreet 2011 FN 6.0 value= $522. CGC census 1/12: 3 in 6.0,10 higher. From the Chuck Rozanski Collection.

93177 The Human Torch #23(Timely, 1946) CGC VF- 7.5 O-white pages. A classic robot coverby Alex Schomburg graces thisissue, which also eatures a Sub-Mariner story. CGC notes, “One-inchtear on six pages.” Overstreet 2011VF 8.0 value = $1,114. CGC census1/12: 4 in 7.5, 17 higher.

93178 Jackpot Comics #1 (MLJ,1941) CGC FN- 5.5 O-white towhite pages. Charles Biro coverand interior art. Steel Sterling,Black Hood, Sergeant Boyle, andMr. Justice begin. CGC notes, “Verysmall amount o dried glue on spineo cover.” Overstreet 2011 FN 6.0value = $978. CGC census 1/12: 1 in5.5, 7 higher.

93179 Joe Louis #1 CanadianEdition (Anglo-American/Fawcett, 1950) CGC NM- 9.2 O-white to white pages. Lie story.Photo cover. Overstreet 2011 NM-9.2 value = $850. CGC census 1/12:1 in 9.2, none higher.

93180 King Comics #24 MileHigh pedigree (David McKayPublications, 1938) CGC VF- 7.5White pages. Joe Musial cover.Overstreet 2011 VF 8.0 value = $303.CGC census 1/12: 2 in 7.5, 1 higher.

93181 Little Dot #1 AustralianEdition - File Copy (Harvey, 1955)CGC VF 8.0 Light tan to o-whitepages. Published a year and a hal ater the U.S. edition. Not listed inOverstreet. CGC census 1/12: 1 in8.0, none higher.

93182 Mad #1 (EC, 1952)Apparent CGC VF 8.0 O-whiteto white pages. The historic rstissue o the rst satire comic. HarveyKurtzman story, cover, and art. WallyWood, Jack Davis, John Severin, andBill Elder art. CGC notes, “Top edgetrimmed.” Overstreet 2011 VF 8.0value = $3,336. CGC census 1/12: 5in 8.0, 20 higher.

93183 Mad #2 (EC, 1952) CGCFN/VF 7.0 Cream to o-whitepages. Tarzan o the Apes parody.Dick Tracy cameo. Cover by Jack Davis. Art by Davis, John Severin, BillElder, and Wally Wood. Overstreet2011 FN 6.0 value = $330; VF 8.0value = $880. CGC census 1/12: 14in 7.0, 38 higher.

93184 Mad #4 (EC, 1953) CGCVF 8.0 O-white to white pages. Superman, Robin Hood, and theShadow parodies. Harvey Kurtzmanstory and cover. Interior art by WallyWood, John Severin, Bill Elder, andJack Davis. Overstreet 2011 VF 8.0value = $616. CGC census 1/12: 10in 8.0, 23 higher.

93185 Mad #11 (EC, 1954) CGVF 8.0 O-white to white pageCover by Basil Wolverton. Interart by Wolverton, Wally Wood (the Flash Gordon parody), JaDavis, Harvey Kurtzman, and BElder. Overstreet 2011 VF 8.0 val= $480. CGC census 1/12: 4 in 8.0, higher.

93186 Marvel Mystery Com#19 (Timely, 1941) CGC FN+ 6Light tan to o-white pages. ASchomburg cover eaturing tHuman Torch and Toro. Overstre2011 FN 6.0 value = $927; VF 8value = $2,163. CGC census 1/12in 6.5, 9 higher.

93187 Marvel Mystery Com#36 (Timely, 1942) CGC VG+ 4Cream to o-white pages. WII-themed/Statue o Liberty covby Alex Schomburg. Art by BOksner and Al Fagaly. Text page Mickey Spillane. Overstreet 2011 V4.0 value = $568. CGC census 1/12in 4.5, 10 higher.




93188 Marvel Mystery Comics#77 (Timely, 1946) CGC FN/VF7.0 O-white to white pages. KenBald and Carmine Inantino art.Syd Shores cover. Overstreet 2011FN 6.0 value = $363; VF 8.0 value =$756. CGC census 1/12: 5 in 7.0, 5higher.

93189 Mickey Mouse Magazine#1 (K. K. Publications/WesternPublishing Co., 1935) Condition:Apparent VG/FN. Proessionalrestoration includes pieces added,color touch. Overstreet 2011 GDvalue = $1,425; VG 4.0 value =$2,850; FN 6.0 value = $4,275.

93190 Mickey Mouse #948(Whitman, 1933) Condition:Apparent VF. Color reprints o 1933-34 Sunday strips. Measuresapproximately 10” x 8.5”. Restorationincludes color touch and ront coverreinorcement. Overstreet 2011 VF

8.0 value = $1,100.

93191 Military Comics #1(Quality, 1941) CGC Apparent VF-7.5 Slight (P) O-white to whitepages. Origin and rst appearanceo Blackhawk. Miss America andDeath Patrol eatures begin. WillEisner cover. Jack Cole and BobPowell art. CGC notes, “Restorationincludes: spine split sealed to cover,cover and centerold reinorcedwith glue.” Overstreet 2011 GD 2.0value = $568; VG 4.0 value = $1,136;FN 6.0 value = $1,704; VF 8.0 value =$4,146.

93192 Military Comics #6(Quality, 1942) CGC VF+ 8.5 O-white to white pages. Secondappearance o the Sniper. Chuck Cuidera cover and art. FredGuardineer, Bob Powell, Dave Berg,and Klaus Nordling stories and art.Overstreet 2011 VF 8.0 value = $454;VF/NM 9.0 value = $777. CGC census1/12: 1 in 8.5, 2 higher.

93193 Namora #1 (Timely,1948) CGC VG/FN 5.0 O-whitepages. Sub-Mariner backup story.Ken Bald cover. Bill Everett story andart. Syd Shores art. Overstreet 2011VG 4.0 value = $554; FN 6.0 value =$831. CGC census 1/12: 3 in 5.0, 13higher.

93194 Nellie the Nurse #1(Timely/Marvel, 1945) CGC VF8.0 O-white to white pages. Overstreet 2011 VF 8.0 value = $284.CGC census 1/12: 1 in 8.0, 1 higher.

93195 Northwest Mounties#3 Mile High pedigree (St. John,1949) CGC VF+ 8.5 O-white towhite pages. Bondage cover. MattBaker art. Sky Chie and K-9 appear-ances. Overstreet 2011 VF 8.0 value= $240; VF/NM 9.0 value = $395.CGC census 1/12: 1 in 8.5, 1 higher.

93196 100 Pages o Comics#101 (Dell, 1937) CGC VF/NM9.0 O-white pages. It’s been veyears since we last oered a copy o this early Dell (which has no num-ber on the ront cover but #101on the back). The grade is an eye-opener — it’s not easy to nd DellGiants published 20 years later inthis kind o condition! The GoldenAge hadn’t even begun when thissquare bound comic was published,and even mighty Dell was onlypublishing three series (Popular,The Funnies, and The Comics) atthe time. Overstreet 2011 VF/NM9.0 value = $1,605; NM- 9.2 value =$2,275. CGC census 1/12: 1 in 9.0, 1higher.

93197 Our Gang ComicsFile Copy (Dell, 1943) CGC 9.2 White pages. Walt KellyPartial photo back cover. CGC n“From the Random House ArchOverstreet 2011 NM- 9.2 val$485. CGC census 1/12: 1 innone higher.

93198 Phantom Lady #16 Features Syndicate, 1948) VG/FN 5.0 Cream to o-wpages. Lingerie panel. Bullet ihead panel. Clara Peete bastory. Matt Baker headlight cand art. Overstreet 2011 VGvalue = $542; FN 6.0 value = CGC census 1/12: 5 in 5.0, 17 hi

93199 Picture Crimes #1 (DMcKay Publications, 1937) GD+ 2.5 Cream to o-wpages. Very rare early comic obook, similar in design and coto Detective Comics #1. Cdetached. Not listed in OversCurrently the only CGC-grcopy! CGC census 1/12: 1 innone higher.




93200 Planet Comics #5(Fiction House, 1940) CGC GD2.0 O-white pages. Lou Fine andWill Eisner cover. Bob Powell art.Considered “scarce” by Overstreet.Overstreet 2011 GD 2.0 value =$284. CGC census 1/12: 1 in 2.0, 8higher.

93201 Planet Comics #9 (FictionHouse, 1940) CGC Apparent VF8.0 Slight (P) O-white pages. CGC notes, “Restoration includes:spine split sealed to cover, tear sealto cover.” Overstreet 2011 GD 2.0value = $213; VG 4.0 value = $426;FN 6.0 value = $639; VF 8.0 value =$1,363.

93202 Planet Comics #17Rockord pedigree (Fiction House,1942) CGC VF 8.0 Cream to o-white pages. Dan Zolnerowich didmore than hal o the rst 25 coverso this groundbreaking title, settinga standard that ensured collectorswould be clamoring or these issues60 years later. Overstreet 2011 VF8.0 value = $909. CGC census 1/12:1 in 8.0, 1 higher.

93203 Plastic Man #nn (#1)(Quality, 1943) CGC FN 6.0 O-white to white pages. He stretches,shrinks, and bends!! Plastic Man isone o our avorite Jack Cole cre-ations and this ish is a must-haveor any an o Cole and Plas. Coleprovides a classic skull cover andCGC notes a Tojo appearance aswell. Overstreet 2011 FN 6.0 value =$1,269. CGC census 1/12: 2 in 6.0, 9higher.

93204 Police Comics #82 MileHigh pedigree (Quality, 1948)CGC NM 9.4 White pages. The onlycopy graded above 8.5 by CGC to

date. Plastic Man cover by Jack Cole.CGC census 1/12: 1 in 9.4, nonehigher. From the Chuck Rozanski Collection.

93205 Police Comics #101 MileHigh pedigree (Quality, 1950)CGC NM 9.4 White pages. Theonly copy graded above 7.5 byCGC to date. Plastic Man cover byJack Cole. Overstreet 2011 NM- 9.2value = $425. CGC census 1/12: 1in 9.4, none higher. From the Chuck Rozanski Collection.

93206 Prize Comics #9 SanFrancisco pedigree (Prize, 1941)CGC VF 8.0 Cream to o-whitepages. Featuring the Black Owl,the Green Lama, and Frankenstein.Artists included Simon and Kirby.Overstreet 2011 VF 8.0 value = $659.CGC census 1/12: 2 in 8.0, 3 higher.

93207 Red Seal Comics #16 BigApple pedigree (Chesler, 1946)CGC NM 9.4 White pages. George

Tuska art. Story cited in SOTI, page181. Overstreet 2011 NM- 9.2 value= $975. CGC census 1/12: 1 in 9.4,none higher.

93208 Rulah Jungle Goddess#19 (Fox Features Syndicate,

1948) CGC VF 8.0 O-white towhite pages. Jack Kamen cover.Overstreet 2011 VF 8.0 value = $442.CGC census 1/12: 3 in 8.0, 3 higher.

93209 Sheena, Queen o t Jungle #1 (Fiction House, 19CGC FN/VF 7.0 O-white pageDan Zolnerowich cover. Overstre2011 FN 6.0 value = $831; VF 8value = $1,756. CGC census 1/12in 7.0, 8 higher.

93210 Special Edition Com#1 (Fawcett, 1940) CGC VG 4Cream to o-white pages. Thisthe rst book devoted entirely Captain Marvel. C. C. Beck cover ainterior art. Overstreet 2011 VG 4value = $1,568. CGC census 1/12in 4.0, 29 higher.

93211 The Spirit #4 Mile Higpedigree (Fiction House, 195CGC VG/FN 5.0 White pages. TSpirit never looked quite as ghosas on this cool bondage cover Will Eisner and Jerry GrandeneEisner art is also eatured insidCheck the CGC census — you’ll only two unrestored certied coies o this tough-to-nd issue date. Overstreet 2011 VG 4.0 value$78; FN 6.0 value = $117. CGC cesus 9/11: 1 in 5.0, 1 higher. From tChuck Rozanski Collection.




93212 Star Spangled Comics #7(DC, 1942) CGC FN- 5.5 Slightlybrittle pages. First appearance o the Newsboy Legion. Simon andKirby cover and art. Overstreet 2011FN 6.0 value = $2,109. CGC census1/12: 2 in 5.5, 6 higher.

93213 Star Spangled Comics #8(DC, 1942) CGC FN+ 6.5 Cream too-white pages. Second appear-ance o the Newsboy Legion. Jack Kirby and Joe Simon story, cover,and art. Overstreet 2011 FN 6.0value = $717; VF 8.0 value = $1,530.CGC census 1/12: 1 in 6.5, 5 higher.

93214 Star Spangled Comics#50 Rockord pedigree (DC, 1945)

CGC NM- 9.2 O-white pages. JoeSimon and Jack Kirby cover. JoeKubert and George Roussos art.Overstreet 2011 NM- 9.2 value =$850. CGC census 1/12: 2 in 9.2, 1higher.

93215 Star Spangled Comics#122 (DC, 1951) CGC VF/NM 9.0O-white to white pages. Originand rst appearance o Ghost-Breaker, and the rst o their coverappearances. Also includes a ull-page ad or House o Secrets #1.Bill Ely cover. Jim Mooney and FredRay art. Overstreet 2011 VF/NM 9.0value = $480; NM- 9.2 value = $675.CGC census 1/12: 1 in 9.0, 2 higher.

93216 Startling Comics #1(Better Publications, 1940) CGCFN- 5.5 O-white to white pages. Origin o Captain Future, Mystico,and Wonder Man. Masked Riderbegins. Drug use story. Overstreet2011 FN 6.0 value = $870. CGC cen-sus 1/12: 1 in 5.5, 8 higher.

93217 Sub-Mariner Comics#12 (Timely, 1943) CGC FN 6.0O-white to white pages. Angelbackup story. Alex Schomburg NaziWar cover. Overstreet 2011 FN 6.0value = $678. CGC census 1/12: 2 in6.0, 5 higher.

93218 Sub-Mariner Comics #13(Timely, 1944) CGC FN+ 6.5 O-white to white pages. Classic AlexSchomburg bondage, skull, hoodedcultists, Japanese War cover...Whew! Overstreet 2011 FN 6.0value = $678; VF 8.0 value = $1,446.CGC census 1/12: 2 in 6.5, 6 higher.

93219 Sub-Mariner Comics#14 (Timely, 1944) CGC FN+ 6.5O-white to white pages. Angelbackup story. Alex Schomburgcover. Overstreet 2011 FN 6.0 value= $678; VF 8.0 value = $1,446. CGCcensus 1/12: 2 in 6.5, 8 higher.

93220 Sub-Mariner Comics#17 (Timely, 1945) CGC FN+ 6.5O-white to white pages. Angelbackup story. Alex Schomburgcover. Overstreet 2011 FN 6.0 value= $543; VF 8.0 value = $1,158. CGCcensus 1/12: 3 in 6.5, 11 higher.

93221 Sub-Mariner Comics(Timely, 1946) CGC FN/VFWhite pages. Angel story. CarInantino art. Overstreet 2011 Fvalue = $543; VF 8.0 value = $1CGC census 1/12: 2 in 7.0, 9 hi

93222 Sub-Mariner Co#21 (Timely, 1946) CGC F7.0 O-white pages. Last Abackup story. Syd Shores cBill Everett and Carmine Inaart. Overstreet 2011 FN 6.0 va$396; VF 8.0 value = $838. CGCsus 1/12: 5 in 7.0, 9 higher.

93223 Sub-Mariner Comics(Timely, 1947) CGC FN/VFO-white to white pages.appearance o Namora. Ken bondage cover and art. Syd ShBill Everett, and Allen BellmanOverstreet 2011 FN 6.0 valu$402; VF 8.0 value = $851. CGCsus 1/12: 1 in 7.0, 3 higher.




93224 Sub-Mariner Comics#28 (Timely, 1948) CGC VF-7.5 Cream to o-white pages. Blonde Phantom story. Namoracover appearance. Don Rico cover.Bill Everett story and art. MikeSekowsky art. Overstreet 2011 VF8.0 value = $838. CGC census 1/12:2 in 7.5, 2 higher.

93225 Sub-Mariner Comics#28 (Timely, 1948) CGC FN 6.0O-white pages. Blonde Phantomstory. Namora cover appearance.Don Rico cover. Bill Everett story andart. Mike Sekowsky art. Overstreet2011 FN 6.0 value = $396. CGC cen-sus 1/12: 1 in 6.0, 4 higher.

93226 Superboy #3 (DC, 1949)CGC FN+ 6.5 O-white to whitepages. Ed Dobrotka cover and art.John Sikela art. Overstreet 2011FN 6.0 value = $561; VF 8.0 value =$1,197. CGC census 1/12: 3 in 6.5, 3higher.

93227 Superman #4 (DC, 1940)CGC GD/VG 3.0 Cream to o-white pages. Second appearanceo Lex Luthor. Joe Shuster cover andart. Sheldon Moldo art. CGC notes,“Tape on entire spine o cover, threepieces on cover and three pieceson interior cover.” Overstreet 2011GD 2.0 value = $730; VG 4.0 value =$1,460. CGC census 1/12: 4 in 3.0, 54higher.

93228 Superman #5 (DC, 1940)CGC VG 4.0 Slightly brittle pages. Fourth appearance o Lex Luthor(with red hair). Joe Shuster andWayne Boring art. CGC notes, “Twopieces o tape on cover.” Overstreet2011 VG 4.0 value = $1,136. CGC


93229 Superman #9 (DC, 1941)CGC FN+ 6.5 Slightly brittlepages. Classic Fred Ray cover andart. Joe Shuster and Paul Cassidyart. Overstreet 2011 FN 6.0 value =$1,113; VF 8.0 value = $2,600. CGCcensus 1/12: 8 in 6.5, 20 higher.

93230 Superman #9 (DC, 1941)CGC VG/FN 5.0 O-white pages. Classic Fred Ray cover and art.Joe Shuster and Paul Cassidy art.Overstreet 2011 VG 4.0 value =$742; FN 6.0 value = $1,113. CGCcensus 1/12: 8 in 5.0, 35 higher.

93231 Superman #10 (DC,1941) CGC FN+ 6.5 White pages. Fith appearance o Lex Luthor, andthe rst time bald. Fred Ray cover.Wayne Boring art. Overstreet 2011FN 6.0 value = $1,113; VF 8.0 value =$2,600. CGC census 1/12: 5 in 6.5, 23higher.

93232 Superman #11 (DC,1941) CGC VG/FN 5.0 White pages. Fred Ray cover. Leo Novak art. JerrySiegel story. Overstreet 2011 VG 4.0value = $600; FN 6.0 value = $900.CGC census 1/12: 8 in 5.0, 49 higher.

93233 Superman #13 (D1941) CGC FN 6.0 White pages. LLuthor and Jimmy Olsen appeance. Fred Ray cover. Jerry Siegstory. Text story by Gardner FoJohn Sikela art. Overstreet 2011 6.0 value = $900. CGC census 1/12in 6.0, 18 higher.

93234 Superman #44 (D1947) CGC VF/NM 9.0 O-whitewhite pages. Toyman appearanWayne Boring cover. Overstre2011 VF/NM 9.0 value = $1,061; N9.2 value = $1,500. CGC census 1/11 in 9.0, 4 higher.

93235 Superman #46 (D1947) CGC VF+ 8.5 White pageFirst mention o Superboy in thtitle (in a ashback). Wayne Boricover. Jerry Siegel stories. JoSikela art. Mr. Mxyztplk appearanOverstreet 2011 VF 8.0 value = $63VF/NM 9.0 value = $1,093. CGC cesus 1/12: 3 in 8.5, 3 higher.




93236 Superman #54 (DC,1948) CGC VF+ 8.5 O-whitepages. Wayne Boring cover and art.Al Plastino art. This is currently thehighest-graded copy o this issuecertied by CGC. Overstreet 2011 VF8.0 value = $565; VF/NM 9.0 value= $970. CGC census 1/12: 1 in 8.5,none higher.

93237 Superman #68 (DC,1951) CGC VF- 7.5 O-white towhite pages. First Lex Luthor coverin the title. Win Mortimer cover.Al Plastino and Wayne Boring art.Overstreet 2011 VF 8.0 value = $553.CGC census 1/12: 3 in 7.5, 6 higher.

93238 Superman’s Pal JimmyOlsen #2 (DC, 1954) CGC FN/VF7.0 O-white to white pages. CurtSwan cover and art. Overstreet 2011FN 6.0 value = $414; VF 8.0 value =$1,173. CGC census 1/12: 2 in 7.0,none higher.

93239 Suspense Comics #8(Continental Magazines, 1945)CGC VG 4.0 O-white pages. Classic spider cover by L. B. Cole.Bob Fujitani art. Overstreet 2011 VG4.0 value = $840. CGC census 1/12: 4in 4.0, 14 higher.

93240 Texas Kid #1 (Atlas, 1951)CGC VF 8.0 O-white to whitepages. Joe Maneely cover and art.George Tuska art. Overstreet 2011VF 8.0 value = $136. CGC census1/12: 1 in 8.0, none higher.

93241 Two-Fisted Tales #21Gaines File pedigree 6/10 (EC,1951) CGC NM- 9.2 White pages. Harvey Kurtzman cover. Overstreet2011 NM- 9.2 value = $650. CGCcensus 1/12: 2 in 9.2, 5 higher.

93242 Two-Gun Kid #10(Marvel, 1949) CGC VF/NM9.0 Cream to o-white pages. Overstreet 2011 VF/NM 9.0 value= $278; NM- 9.2 value = $385. CGCcensus 1/12: 1 in 9.0, none higher.

93243 Two Gun Western #9(Marvel/Atlas, 1951) CGC NM- 9.2Cream to o-white pages. JoeManeely art. Overstreet 2011 NM-9.2 value = $240. CGC census 1/12:1 in 9.2, none higher.

93244 USA Comics #12 (Timely,1944) CGC Apparent NM 9.4 Slight(P) White pages. Fantastic, actionpacked Alex Schomburg JapaneseWar cover. CGC notes, “Restoration

includes: cover cleaned, cover &centerold reinorced.” Overstreet2011 GD 2.0 value = $226; VG 4.0value = $452; FN 6.0 value = $678;VF 8.0 value = $1,446; VF/NM 9.0value = $2,473; NM- 9.2 value =$3,500.

93245 Walt Disney’s Coand Stories #2 (Dell, 1940) GD/VG 3.0 Cream to o-wpages. Donald Duck Thanksgcover. Overstreet 2011 GD 2.0 v= $892; VG 4.0 value = $1,784.census 1/12: 2 in 3.0, 18 hi

93246 Walt Disney’s Coand Stories #29 (Dell, 1943) VF+ 8.5 O-white pages.Kelly cover. Overstreet 2011 Vvalue = $635; VF/NM 9.0 val$1,093. CGC census 1/12: 2 in higher.

93247 Weird Fantasy Gaines File pedigree 5/12 1951) CGC NM 9.4 White pa

Al Feldstein cover. Overstreet NM- 9.2 value = $825. CGC ce1/12: 1 in 9.4, 6 higher.




93248 Weird Fantasy #19Gaines File Copy 8/12 (EC, 1953)CGC NM- 9.2 White pages. Coverby Joe Orlando. Art by Orlando,Al Williamson, Roy Krenkel, Jack Kamen, John Severin, and Bill Elder.Overstreet 2011 NM- 9.2 value =$635. CGC census 1/12: 2 in 9.2, 3higher.

93249 Weird Tales o the Future#2 (Aragon, 1952) CGC GD/VG3.0 Cream to o-white pages. Classic cover and interior art by BasilWolverton. CGC notes, “Large pieceo cover re-attached with one pieceo tape.” Overstreet 2011 GD 2.0value = $168; VG 4.0 value = $336.CGC census 1/12: 1 in 3.0, 15 higher.

93250 Wings Comics #51Rockord pedigree (FictionHouse, 1944) CGC VF/NM 9.0 O-white to white pages. Alex Blumart. Overstreet 2011 VF/NM 9.0value = $270; NM- 9.2 value = $375.CGC census 1/12: 2 in 9.0, 1 higher.

93251 Wings Comics #58(Fiction House, 1945) CGC VF/NM 9.0 Cream to o-white pages. Lee Elias cover and art. Matt Bakerart. Overstreet 2011 VF/NM 9.0value = $270; NM- 9.2 value = $375.CGC census 1/12: 1 in 9.0, 1 higher.

93252 Wings Comics #62 LostValley pedigree (Fiction House,1945) CGC NM- 9.2 White pages. Lee Elias cover and art. Matt Baker,Jack Keller, and Alex Blum art.Overstreet 2011 NM- 9.2 value =$340. CGC census 1/12: 3 in 9.2, 1higher.

93253 Wings Comics #64(Fiction House, 1945) CGC NM 9.4O-white to white pages. Lee Eliascover and art. Jack Keller, Alex Blum,and Howard Larsen. Overstreet2011 NM- 9.2 value = $340. CGCcensus 1/12: 1 in 9.4, none higher.

93254 Wings Comics #65(Fiction House, 1946) CGC NM+9.6 O-white to white pages. Cover and art by Lee Elias. This is thehighest-graded copy certied byCGC to date. Overstreet 2011 NM-9.2 value = $340. CGC census 1/12:1 in 9.6, none higher.

93255 Wings Comics #70 BigApple pedigree (Fiction House,1946) CGC NM- 9.2 White pages. Part three o the origin o thePhantom Falcon, and his rstappearance in costume. CaptainWings vs. Colonel Kamikaze. LeeElias cover. Overstreet 2011 NM- 9.2value = $330. CGC census 1/12: 4 in9.2, 1 higher.

93256 Wings Comics #73 BigApple pedigree (Fiction House,1946) CGC VF/NM 9.0 Whitepages. Joe Doolin cover. JohnCelardo, Fran Hopper, Bob Lubbers,and Charles Sultan art. Overstreet2011 VF/NM 9.0 value = $237; NM-9.2 value = $330. CGC census 1/12: 2in 9.0, none higher.

93257 Wings Comics #Rockord pedigree (FictiHouse, 1946) CGC NM 9.4 Owhite to white pages. Bob Lubbecover and art. George Evans aOverstreet 2011 NM- 9.2 value$330. CGC census 1/12: 2 in 9.4higher.

93258 Wings Comics #Rockord pedigree (FictiHouse, 1946) CGC VF/NM 9O-white pages. Cover by BLubbers. Overstreet 2011 VF/NM 9value = $237; NM- 9.2 value = $33CGC census 1/12: 1 in 9.0, nohigher.

93259 Wings Comics #Rockord pedigree (FictiHouse, 1946) CGC NM 9.4 Owhite to white pages. Cover Bob Lubbers. Art by Lubbers aGeorge Evans. Overstreet 2011 N9.2 value = $330. CGC census 1/12in 9.4, none higher.




93260 Wings Comics #77(Fiction House, 1947) CGC NM 9.4Cream to o-white pages. Coverby Bob Lubbers. Art by Lubbers andHoward Larsen. Overstreet 2011NM- 9.2 value = $330. CGC census1/12: 1 in 9.4, none higher.

93261 Wonder Woman #5 (DC,1943) CGC VF- 7.5 White pages. First appearance o Dr. Psycho. H. G.Peter cover and art. Overstreet 2011VF 8.0 value = $1,318. CGC census1/12: 2 in 7.5, 7 higher.

93262 Wonder Woman #6 (DC,1943) CGC VF- 7.5 O-white towhite pages. First appearance o the Cheetah. Overstreet 2011 VF 8.0value = $992. CGC census 1/12: 2 in7.5, 2 higher.

93263 Wonder Woman #7 (DC,1943) CGC FN/VF 7.0 O-white towhite pages. H. G. Peter cover andart. Overstreet 2011 FN 6.0 value =$435; VF 8.0 value = $906. CGC cen-sus 1/12: 2 in 7.0, 3 higher.

93264 Wonder Woman #8 (DC,1944) CGC FN+ 6.5 White pages. H. G. Peter cover and art. Overstreet2011 FN 6.0 value = $465; VF 8.0value = $992. CGC census 1/12: 2 in6.5, 5 higher.

93265 Wonder Woman #9 (DC,1944) CGC VF 8.0 White pages. H.G. Peter cover and art. Overstreet2011 VF 8.0 value = $992. CGC cen-sus 1/12: 4 in 8.0, 7 higher.

93266 Wonder Woman #22(DC, 1947) CGC VF- 7.5 O-whitepages. H. G. Peter cover and art.Overstreet 2011 VF 8.0 value = $621.CGC census 1/12: 1 in 7.5, 4 higher.

93267 Wonder Woman #23 (DC,1947) CGC VF+ 8.5 White pages. H. G. Peter cover. Overstreet 2011 VF8.0 value = $586; VF/NM 9.0 value= $993. CGC census 1/12: 2 in 8.5, 4higher.

93268 Wonder Woman #31 (DC,1948) CGC VF+ 8.5 White pages. H. G. Peter cover and art. Overstreet2011 VF 8.0 value = $454; VF/NM 9.0value = $777. CGC census 1/12: 1 in8.5, none higher.

93269 World’s Finest Co#12 (DC, 1943) CGC VF+ 8.5white pages. Hitler appearJack Burnley cover. Dick SpranOverstreet 2011 VF 8.0 value = $VF/NM 9.0 value = $1,482. CGCsus 1/12: 1 in 8.5, 1 higher.

93270 World’s Finest Co#14 (DC, 1944) CGC VF 8.0white to white pages. Jack Bucover. Joe Shuster, John SikelaSherman, Jerry Robinson, WBoring, and George RoussosOverstreet 2011 VF 8.0 value = $CGC census 1/12: 2 in 8.0, 1 hi

93271 World’s Finest Co#15 (DC, 1944) CGC VF 8.0white to white pages. CoveJack Burnley. Superman, BatGreen Arrow, Boy CommandosStar Spangled Kid eatures. Inart by George Roussos, Cazeneuve, Jerry Robinson, others. Overstreet 2011 VF 8.0 v= $864. CGC census 1/12: 3 in 8higher.




93272 World’s Finest Comics#22 (DC, 1946) CGC VF+ 8.5 O-white to white pages. Cover byJack Burnley. Art by Win Mortimer.Overstreet 2011 VF 8.0 value = $565;VF/NM 9.0 value = $970. CGC census1/12: 3 in 8.5, 4 higher.

93273 World’s Finest Comics#27 (DC, 1947) CGC VF/NM 9.0O-white to white pages. Coverby Jack Burnley. Overstreet 2011 VF/NM 9.0 value = $970; NM- 9.2 value= $1,375. CGC census 1/12: 1 in 9.0,2 higher.

93274 Young Allies Comics #1(Timely, 1941) CGC ApparentFN- 5.5 Moderate (P) Cream too-white pages. Origin and rstappearance o the Young Allies(Bucky, Toro, and others). Red Skulland Hitler cover and story. CGCnotes, “Restoration includes: colortouch, spine splits sealed, tearseals, reinorced.” Overstreet 2011GD 2.0 value = $1,350; VG 4.0 value= $2,700; FN 6.0 value = $4,050.

93275 Young Love #7 (Prize,1950) CGC NM 9.4 O-whitepages. Photo cover eaturingBarbara Bates. Joe Simon and Jack Kirby art. Overstreet 2011 NM- 9.2value = $275. CGC census 1/12: 1 in9.4, none higher.

93276 Zip Comics #11 (MLJ,1941) CGC VF 8.0 O-white pages. Cover by Charles Biro. Overstreet2011 VF 8.0 value = $742. CGC cen-sus 1/12: 2 in 8.0, 1 higher.

silver AGe And Bronze AGe ComiCs

93277 Action Comics #252(DC, 1959) CGC FN+ 6.5 Cream too-white pages. The origins andrst appearances o Supergirl andMetallo. Curt Swan cover. Overstreet2011 FN 6.0 value = $633; VF 8.0value = $1,846. CGC census 1/12: 14in 6.5, 49 higher.

93278 Action Comics #330Boston pedigree (DC, 1965) CGCNM+ 9.6 O-white to white pages. Dr. Supernatural appearance. CurtSwan cover and art. Overstreet 2011NM- 9.2 value = $120. CGC census1/12: 3 in 9.6, none higher.

93279 Action Comics #342 (DC,

1966) CGC NM/MT 9.8 O-whiteto white pages. Brainiac appear-ance. Atomic explosion panel. CurtSwan cover. Wayne Boring art.Overstreet 2011 NM- 9.2 value =$95. CGC census 1/12: 2 in 9.8, nonehigher.

93280 Action Comics #4(DC, 1971) CGC NM/MT 9.8 Whpages. Neal Adams cover. CuSwan and Murphy Anderson aOverstreet 2011 NM- 9.2 value$40. CGC census 1/12: 5 in 9.8, nohigher.

93281 Action Comics #4(DC, 1972) CGC NM/MT 9.8 Whpages. Origin o the door to tFortress o Solitude. Art by NCardy cover. Curt Swan, Geor

Tuska, and Murphy AndeOverstreet 2011 NM- 9.2 value$40. CGC census 1/12: 1 in 9.8, nohigher.

93282 Adventure Comics #3Twin Cities pedigree (DC, 196CGC NM/MT 9.8 White pageDev-Em and Proty II appearancCurt Swan cover. Sheldon Moldart. Overstreet 2011 NM- 9.2 val= $170. CGC census 1/12: 1 9.8, none higher. From the GaDahlberg Collection.




93283 Adventure Comics #322Twin Cities pedigree (DC, 1964)CGC NM/MT 9.8 White pages. Proty II becomes a member o theLegion o Super-Pets. Cover swipeo issue #247. Curt Swan and GeorgeKlein cover. John Forte and SheldonMoldo art. Overstreet 2011 NM-9.2 value = $130. CGC census 1/12:2 in 9.8, none higher. From the Gary Dahlberg Collection.

93284 Adventure Comics#329 Twin Cities pedigree (DC,1965) CGC NM+ 9.6 White pages. Features Superboy and the Legiono Super-Heroes. First appearanceo the Bizarro Legionnaires. FirstLegion ight rings. Curt Swan bond-age cover. Jerry Siegel story. JimMooney art. Overstreet 2011 NM-9.2 value = $130. CGC census 1/12:5 in 9.6, none higher. From the Gary Dahlberg Collection.

93285 Adventure Comics#330 Twin Cities pedigree (DC,1965) CGC NM+ 9.6 White pages. Legion o Super-Villains appear-ance. Curt Swan cover. Jim Mooneyart. Overstreet 2011 NM- 9.2 value= $130. CGC census 1/12: 2 in 9.6,1 higher. From the Gary DahlbergCollection.

93286 Adventure Comics #340(DC, 1966) CGC NM/MT 9.8 O-white to white pages. FeaturesSuperboy and the Legion o Super-Heroes. First appearance o Computo. Lightning Lad appear-ance. Triplicate Girl Becomes DuoDamsel. Curt Swan cover and art.Jerry Siegel story. Overstreet 2011NM- 9.2 value = $130. CGC census1/12: 8 in 9.8, none higher.

93287 Adventure Comics #366Twin Cities pedigree (DC, 1968)CGC NM/MT 9.8 White pages. Original Legion headquartersdestroyed. Fatal Five appearance.Neal Adams cover. Curt Swan art.Overstreet 2011 NM- 9.2 value =$80. CGC census 1/12: 1 in 9.8, nonehigher. From the Gary DahlbergCollection.

93288 Adventure Comics #369Twin Cities pedigree (DC, 1968)CGC NM/MT 9.8 White pages. Firstappearance o Mordru. Neal Adamscover. Curt Swan and Jack Abel art.Overstreet 2011 NM- 9.2 value =$80. CGC census 1/12: 2 in 9.8, nonehigher. From the Gary DahlbergCollection.

93289 Adventure Comics #370Twin Cities pedigree (DC, 1968)CGC NM/MT 9.8 White pages. White Witch appearance. Secondappearance o Mordru. Bondagecover. Curt Swan cover and art.Overstreet 2011 NM- 9.2 value =$80. CGC census 1/12: 1 in 9.8, nonehigher. From the Gary DahlbergCollection.

93290 Adventure Comics #372Twin Cities pedigree (DC, 1968)CGC NM/MT 9.8 White pages.

Timber Wol and Chemical King jointhe Legion. Neal Adams cover. CurtSwan art. Overstreet 2011 NM- 9.2value = $85. CGC census 1/12: 1in 9.8, none higher. From the Gary Dahlberg Collection.

93291 Adventure Comics #373Twin Cities pedigree (DC, 1968)CGC NM/MT 9.8 O-white towhite pages. First appearanceo the Tornado Twins, Don andDawn Allen. Neal Adams cover. WinMortimer art. Overstreet 2011 NM-9.2 value = $75. CGC census 1/12: 3in 9.8, none higher. From the Gary Dahlberg Collection.

93292 Air Pirates Funnie(Hell Comics Group, 1971) NM+ 9.6 White pages. Herchoice copy o the comic barom uture sales and repriater a lawsuit with Disney. BLondon cover and art. Dan Ostory and art. Fogel’s UndergrComix Price Guide NM 9.4 va$100. CGC census 1/12: 13 in 9higher.

93293 Amazing Adventure(Marvel, 1961) CGC VF+ 8.5 Crto o-white pages. Origin oDroom (rst Marvel-Age superby Jack Kirby. Torr appearBack-up story eaturing SDitko art. Monster cover by KOverstreet 2011 VF 8.0 value = $VF/NM 9.0 value = $1,854. CGCsus 1/12: 5 in 8.5, 2 higher.

93294 The Amazing SpMan #5 (Marvel, 1963) CGC8.0 O-white to white pages.Doctor Doom appearance ouo the Fantastic Four. Fantasticcameo. Flash Thompson dresseas Spider-Man. Steve Ditko cand art. Overstreet 2011 VFvalue = $1,881. CGC census 1/1in 8.0, 82 higher.




93295 The Amazing Spider-Man #14 (Marvel, 1964) CGC VF8.0 O-white to white pages. One o the early Spider-Man keysis this issue which contains the rstappearance o the Green Goblin(Norman Osborn) and showcasesthe rst meeting o the Hulk andSpidey. Steve Ditko provided thesuperior cover and interior art.CGC notes, “Small stain on rst tenpages.” Overstreet 2011 VF 8.0 value= $1,488. CGC census 1/12: 89 in 8.0,219 higher.

93296 The Amazing Spider-Man #16 (Marvel, 1964) CGCVF/NM 9.0 O-white pages. Daredevil’s rst crossover, still inhis original yellow costume. SteveDitko cover and art. Overstreet 2011VF/NM 9.0 value = $1,261; NM- 9.2value = $1,900. CGC census 1/12: 41in 9.0, 81 higher.

93297 The Amazing Spider-Man #35 (Marvel, 1966) CGC NM9.4 O-white to white pages. Second appearance o the MoltenMan. Steve Ditko cover and art.Overstreet 2011 NM- 9.2 value =$500. CGC census 1/12: 26 in 9.4, 11higher.

93298 The Amazing Spider-Man #45 (Marvel, 1967) CGC NM9.4 O-white to white pages.

Third appearance o the Lizard. JohnRomita Sr. cover and art. Overstreet2011 NM- 9.2 value = $350. CGCcensus 1/12: 73 in 9.4, 63 higher.

93299 The Amazing Spider-Man #47 (Marvel, 1967) CGC NM+9.6 White pages. Kraven and Harryand Norman Osborn appearances.Green Goblin cameo. John RomitaSr. cover and art. Overstreet 2011NM- 9.2 value = $350. CGC census1/12: 35 in 9.6, 10 higher.

93300 The Amazing Spider-Man #56 Twin Cities pedigree(Marvel, 1968) CGC NM+ 9.6White pages. First appearance o Captain George Stacy. John RomitaSr. cover and art. Overstreet 2011NM- 9.2 value = $250. CGC census1/12: 36 in 9.6, 6 higher. From theGary Dahlberg Collection.

93301 The Amazing Spider-Man #57 (Marvel, 1968) CGC NM+9.6 White pages. Ka-Zar and Zabuappearances. John Romita Sr. coverand art. Overstreet 2011 NM- 9.2value = $250. CGC census 1/12: 34in 9.6, 7 higher.

93302 The Amazing Spider-Man #66 (Marvel, 1968) CGC NM+9.6 White pages. Spider-Man bat-tles Mysterio. Green Goblin cameo.Cover by John Romita Sr. Overstreet2011 NM- 9.2 value = $185. CGCcensus 1/12: 45 in 9.6, 16 higher.

93303 The Amazing Spider-Man #77 (Marvel, 1969) CGC NM+9.6 White pages. Spider-Man, the

Human Torch, and the Lizard in athree-way battle. John Romita Sr.cover. John Buscema art. Overstreet2011 NM- 9.2 value = $150. CGCcensus 1/12: 20 in 9.6, 11 higher.

93304 The Amazing SpideMan #80 (Marvel, 1970) CGC NM9.6 White pages. The Chamelecrosses paths with Spider-Man. JoRomita Sr. cover, John Busceminterior art. Overstreet 2011 NM- 9value = $150. CGC census 1/12: 189.6, 6 higher.

93305 The Amazing SpideMan #86 (Marvel, 1970) CGC NM9.6 O-white to white pageRe-intro and origin o Black Widoin new costume. Nick Fury appeance. Cover by John Romita Sr. Aby Romita Sr. and Jim MoonOverstreet 2011 NM- 9.2 value$155. CGC census 1/12: 23 in 9.6higher.

93306 The Amazing SpideMan #89 (Marvel, 1970) CGNM+ 9.6 White pages. Spidey vsus Doctor Octopus. John RomSr. cover. Romita and Gil Kane aOverstreet 2011 NM- 9.2 value$150. CGC census 1/12: 23 in 9.6higher.




93307 The Amazing Spider-Man #96 Savannah pedigree(Marvel, 1971) CGC NM+ 9.6 O-white pages. First o a three-partanti-drug story not approved bythe Comics Code Authority. GreenGoblin appearance. John RomitaSr. art. Gil Kane cover and art.Overstreet 2011 NM- 9.2 value =$200. CGC census 1/12: 21 in 9.6, 7higher.

93308 The Amazing Spider-Man #124 (Marvel, 1973) CGCNM/MT 9.8 White pages. Firstappearance o Man-Wol. JohnRomita Sr. cover. Romita and GilKane art. Overstreet 2011 NM- 9.2value = $110. CGC census 1/12: 16in 9.8, none higher.

93309 The Amazing Spider-Man #134 (Marvel, 1974) CGCNM/MT 9.8 O-white to whitepages. First appearance o

Tarantula. Punisher cameo onlast page. Harry Osborn discoversSpider-Man’s identity. John RomitaSr. cover. Overstreet 2011 NM- 9.2value = $90. CGC census 1/12: 19 in9.8, none higher.

93310 The Amazing Spider-Man #136 (Marvel, 1974) CGC NM/MT 9.8 O-white to white pages. Green Goblin cover and story. Firstappearance o Harry Osborn as theGreen Goblin. John Romita Sr. cover.Ross Andru art. Overstreet 2011NM- 9.2 value = $130. CGC census1/12: 30 in 9.8, none higher.

93311 The Amazing Spider-Man #137 (Marvel, 1974) CGC NM/MT 9.8 O-white to white pages. Green Goblin appearance (the sec-ond time Harry Osborn appearsas the Goblin). Gil Kane bondagecover. Ross Andru art. Overstreet2011 NM- 9.2 value = $95. CGCcensus 1/12: 27 in 9.8, none higher.

93312 The Amazing Spider-Man #144 (Marvel, 1975) CGCNM/MT 9.8 O-white to whitepages. Cyclone and Gwen Stacyclone appearances. Gil Kane andJohn Romita Sr. cover. Ross Andruart. Overstreet 2011 NM- 9.2 value= $50. CGC census 1/12: 12 in 9.8,none higher.

93313 The Amazing Spider-Man #145 (Marvel, 1975) CGCNM/MT 9.8 O-white to whitepages. Scorpion and Gwen Stacyclone appearances. Gil Kane cover.Ross Andru art. Overstreet 2011NM- 9.2 value = $50. CGC census1/12: 11 in 9.8, none higher.

93314 The Amazing Spider-Man #275 Group o 10 Copies(Marvel, 1986) CGC NM/MT 9.8White pages. Every copy is CGC 9.8with white pages. Overstreet NM-9.2 value or group = $250.

93315 The Amazing Spider-Man Annual #4 (Marvel, 1967)CGC NM+ 9.6 O-white to whitepages. Human Torch, Wizard,and Mysterio appearances. New41-page story. Overstreet 2011 NM-9.2 value = $285. CGC census 1/12:17 in 9.6, 2 higher.

93316 The Amazing SpMan Annual #5 (Marvel, 1CGC NM+ 9.6 O-white paFirst appearance o Peter Paparents. The Fantastic Four the Red Skull appear. John RoSr. cover. Overstreet 2011 NMvalue = $235. CGC census 1/1in 9.6, 1 higher.

93317 The Avengers #3 (Ma1964) CGC VF+ 8.5 O-wpages. The rst team-up betwthe Hulk and the Sub-MaFantastic Four, X-Men, and SpMan appearances. Jack Kirby cOverstreet 2011 VF 8.0 value = $VF/NM 9.0 value = $1,194. CGCsus 1/12: 20 in 8.5, 56 higher.

93318 The Avengers #36 Cities pedigree (Marvel, 1CGC NM+ 9.6 White pagesBlack Widow makes an appearQuicksilver and the Scarlet Wrejoin the Avengers. Don cover and art. Overstreet 20119.2 value = $130. CGC census 19 in 9.6, 4 higher.




93319 The Avengers #100(Marvel, 1972) CGC NM+ 9.6White pages. Featuring everyonewho had been an Avenger to thatpoint. The Enchantress and Aresappear. Barry Windsor-Smith coverand art. Overstreet 2011 NM- 9.2value = $165. CGC census 1/12: 44in 9.6, 16 higher.

93320 The Avengers #118Signed by Stan Lee (Marvel, 1973)CGC Signature Series NM/MT 9.8White pages. Deenders crossover.Watcher, Loki, and Dormammuappearances. Cameos o mostMarvel characters. John Romita Sr.cover art. Bob Brown art. CGC notes,“Signed by Stan Lee on 5/7/10 at theStan Lee tribute event.” Overstreet2011 NM- 9.2 value = $80. CGC cen-sus or Signature Series 1/12: 1 in9.8, none higher.

93321 Batman #177 Twin Citiespedigree (DC, 1965) CGC NM+ 9.6O-white to white pages. CarmineInantino cover. Overstreet 2011NM- 9.2 value = $210. CGC census1/12: 6 in 9.6, none higher. From theGary Dahlberg Collection.

93322 Batman #186 Twin Citiespedigree (DC, 1966) CGC NM+ 9.6O-white to white pages. Jokercover and story. Carmine Inantinoand Murphy Anderson cover.Overstreet 2011 NM- 9.2 value =$225. CGC census 1/12: 7 in 9.6,2 higher. From the Gary DahlbergCollection.

93323 Batman #192 (DC, 1967)CGC NM+ 9.6 O-white pages. Cover by Carmine Inantino andMurphy Anderson. Overstreet 2011NM- 9.2 value = $150. CGC census1/12: 8 in 9.6, 1 higher.

93324 Batman #195 Twin Citiespedigree (DC, 1967) CGC NM+ 9.6O-white to white pages. A beau-

tiul copy! Carmine Inantino andMurphy Anderson cover. Overstreet2011 NM- 9.2 value = $150. CGCcensus 1/12: 2 in 9.6, 1 higher. Fromthe Gary Dahlberg Collection.

93325 Batman #211 Twin Citiespedigree (DC, 1969) CGC NM/MT9.8 White pages. Irv Novick coverand art. Overstreet 2011 NM- 9.2value = $105. CGC census 1/12: 2in 9.8, none higher. From the Gary Dahlberg Collection.

93326 Batman #218 (DC, 1970)CGC NM+ 9.6 White pages. Giantsize issue. Murphy Anderson Cover.Overstreet 2011 NM- 9.2 value =$115. CGC census 1/12: 13 in 9.6, 2higher.

93327 Batman #251 (DC, 1973)CGC NM+ 9.6 O-white to whitepages. Classic Joker cover by NealAdams. Adams art. Joker story.Overstreet 2011 NM- 9.2 value =$120. CGC census 1/12: 39 in 9.6, 9higher.

93328 Batman #259 (DC, 197CGC NM/MT 9.8 White pageShadow cover and appearanSpecial 100 page issue. Nick Carcover. Irv Novick and Dick Giordaart. Overstreet 2011 NM- 9.2 val= $110. CGC census 1/12: 3 in 9none higher.

93329 Batman: The Killing Jo#nn Signed by Jerry Robinson (D1988) CGC GM Mint 10.0 Whpages. The Joker cripples BarbaGordon (aka Batgirl). Embosscover and interior art are by BriBolland, story by Alan Moore. Tcopy was signed by Jerry Robinsin black elt tip on the surace o tslab. Overstreet 2011 NM- 9.2 val= $20. CGC census 1/12: 12 in 10none higher.




93330 The Brave and the Bold#28 Justice League o America(DC, 1960) CGC VG/FN 5.0 O-white to white pages. The rstappearance o the Justice League o America. First appearance o Starroand Snapper Carr. Mike Sekowskyand Murphy Anderson cover andart. Overstreet 2011 VG 4.0 value =$1,250; FN 6.0 value = $1,875. CGCcensus 1/12: 32 in 5.0, 93 higher.

93331 Captain America #104Twin Cities pedigree (Marvel,1968) CGC NM/MT 9.8 Whitepages. This high-grade copy isabout as pristine as they come, withwhite pages and a snowy whitecover eaturing Cap taking on theRed Skull and his goons. Jack Kirbycover and art. Overstreet 2011 NM-9.2 value = $110. CGC census 1/12:13 in 9.8, none higher.

93332 Captain America #25Wizard World 2007 Con Edition(Marvel, 2007) CGC SignatureSeries MT 9.9 White pages. WizardWorld Los Angeles 2007 exclusive.“Death” o Steve Rogers. Variantcover by John Cassaday. CGC notes,“Signed by Joe Quesada on 4/2/07.”Not currently listed in Overstreet.CGC census 1/12: 1 in 9.9, nonehigher.

93333 Captain America Annual#1 (Marvel, 1971) CGC NM+ 9.6O-white to white pages. Origin o Captain America retold. Overstreet2011 NM- 9.2 value = $80. CGC cen-sus 1/12: 12 in 9.6, 1 higher.

93334 Daredevil #3 (Marvel,1964) CGC NM- 9.2 O-whiteto white pages. Origin and rstappearance o the Owl (LelandOwlsley). Jack Kirby cover. JoeOrlando art. Overstreet 2011 NM-9.2 value = $1,000. CGC census 1/12:25 in 9.2, 24 higher.

93335 Daredevil #6 (Marvel,1965) CGC NM 9.4 White pages. Origin and rst appearance o Mr.Fear (Zoltan Drago). Eel and Ox

appearances. Wally Wood cover andart. Overstreet 2011 NM- 9.2 value =$400. CGC census 1/12: 23 in 9.4, 11higher.

93336 Dell Giants #28 BugsBunny’s Winter Fun - File Copy(Dell, 1960) CGC NM/MT 9.8 O-white to white pages. Paintedcover. CGC notes, “From the RandomHouse Archives”. Overstreet 2011NM- 9.2 value = $180. CGC census1/12: 1 in 9.8, none higher.

93337 Dell Giants #40 WoodyWoodpecker’s Christmas Parade(Dell, 1960) CGC NM/MT 9.8O-white pages. Painted cover.Appearances by Space Mouse,Oswald, Andy Panda, and ChillyWilly. Overstreet 2011 NM- 9.2 value= $125. CGC census 1/12: 1 in 9.8,none higher.

93338 Detective Comics #236(DC, 1956) CGC VF+ 8.5 Cream too-white pages. First appearanceo the Bat-Tank. Sheldon Moldo cover. Overstreet 2011 VF 8.0 value= $302; VF/NM 9.0 value = $514.CGC census 1/12: 2 in 8.5, nonehigher.

93339 Detective Comics Twin Cities pedigree (DC, 1CGC NM+ 9.6 O-white to wpages. Batman cover by CarInantino. Overstreet 2011 NMvalue = $120. CGC census 1/in 9.6, none higher. From theDahlberg Collection.

93340 Detective Comics Pacifc Coast pedigree 1966) CGC NM+ 9.6 O-whiwhite pages. Justice LeaguAmerica appearance. BatmanRobin cover by Carmine InanOverstreet 2011 NM- 9.2 val$120. CGC census 1/12: 6 innone higher.

93341 Detective Comics

(DC, 1966) CGC NM 9.4 O-wto white pages. Second apance o Blockbuster. Joe Kcover. Carmine Inantino Overstreet 2011 NM- 9.2 val$120. CGC census 1/12: 2 in 9higher.




93342 The Double Lie o Private Strong #2 Bethlehempedigree (Archie, 1959) CGC NM9.4 Cream pages. Last issue o theshort-lived title. The Fly appearance.Art by Joe Simon, Jack Kirby, andGeorge Tuska. Overstreet 2011 NM-9.2 value = $560. CGC census 1/12: 3in 9.4, none higher.

93343 Douglas Comix #nn(Douglas Records, 1972) CGC NM9.4 O-white to white pages. Averitable who’s who o UndergroundComix artists participated in thisDouglas Communications cata-log, designed to look like a typicalUnderground. Art Spiegelmancover art. Not listed in Overstreet.Heritage sold a CGC 9.4 copy or$657 in 2011. CGC census 1/12: 3 in9.4, 1 higher.

93344 80 Page Giant #10Superboy - Twin Cities pedigree(DC, 1965) CGC NM+ 9.6 O-whiteto white pages. Giant size, squarebound issue. Reprints key Superboystories. Curt Swan cover. Overstreet2011 NM- 9.2 value = $275. CGCcensus 1/12: 3 in 9.6, 1 higher. Fromthe Gary Dahlberg Collection.

93345 Fantastic Four #1Golden Record Reprint Signedby Stan Lee (Marvel, 1966) CGCSignature Series NM 9.4 Whitepages. Golden Record Comicreprint o the rst appearance o theFantastic Four. Record not included.CGC notes, “Signed by Stan Lee on5/21/11. (Reprint).” Overstreet 2011NM- 9.2 value = $420. CGC censusor Signature Series 1/12: 1 in 9.4, 5higher.

93346 Fantastic Four #9Curator pedigree (Marvel, 1962)CGC VF- 7.5 White pages. The Sub-Mariner makes his third Silver Ageappearance in this issue. Jack Kirbycover and art. Overstreet 2011 VF8.0 value = $1,182. CGC census 1/12:23 in 7.5, 66 higher.

93347 Fantastic Four #27Curator pedigree (Marvel, 1964)CGC VF/NM 9.0 White pages. Sub-Mariner appearance. First crossoverappearance o Dr. Strange. Jack Kirby cover and art. Overstreet 2011VF/NM 9.0 value = $585; NM- 9.2value = $875. CGC census 1/12: 25in 9.0, 29 higher.

93348 Fantastic Four #30(Marvel, 1964) CGC NM 9.4 O-white pages. First appearance o Diablo. Jack Kirby cover and art.Overstreet 2011 NM- 9.2 value =$600. CGC census 1/12: 16 in 9.4, 7higher.

93349 Fantastic Four #42Curator pedigree (Marvel, 1965)CGC NM- 9.2 White pages. Jack Kirby cover and art. Overstreet 2011NM- 9.2 value = $275. CGC census1/12: 14 in 9.2, 14 higher.

93350 Fantastic Four #44Curator pedigree (Marvel, 1965)CGC NM+ 9.6 White pages. Firstappearance o Gorgon. Medusaand Dragon Man appearances. Jack Kirby cover and art. Overstreet 2011NM- 9.2 value = $300. CGC census1/12: 28 in 9.6, 8 higher.

93351 Fantastic Four #Curator pedigree (Marvel, 196CGC NM- 9.2 White pages. First appearance o Black Bolt. Inhumaand Dragon Man appearances. JaKirby cover and art. Overstreet 20NM- 9.2 value = $350. CGC cens1/12: 49 in 9.2, 58 higher.

93352 Fantastic Four #Curator pedigree (Marvel, 196CGC NM 9.4 White pages. JaKirby cover and art. Cameo appeances by the Silver Surer, the BlaPanther, and Doctor Doom. TInhumans and the Klaw also putappearances. Overstreet 2011 N9.2 value = $235. CGC census 1/121 in 9.4, 9 higher.

93353 Fantastic Four #Curator pedigree (Marvel, 196CGC NM/MT 9.8 White pageInhumans, Silver Surer, and DoctDoom appearances. Jack Kircover and art. Overstreet 2011 N9.2 value = $200. CGC census 1/132 in 9.8, none higher.




93354 Fantastic Four #63Curator pedigree (Marvel, 1967)CGC NM+ 9.6 White pages. TheFantastic Four take on Blastaar andthe Sandman. Crystal and Tritonappearances. Jack Kirby cover andart. Overstreet 2011 NM- 9.2 value =$150. CGC census 1/12: 13 in 9.6, 5higher.

93355 Fantastic Four #68Curator pedigree (Marvel, 1967)CGC NM+ 9.6 White pages. Mad

Thinker appearance. Jack Kirbycover and art. Overstreet 2011 NM-9.2 value = $150. CGC census 1/12:14 in 9.6, 5 higher.

93356 Fantastic Four #73Signed by Stan Lee and JoeSinnott (Marvel, 1968) CGCSignature Series NM+ 9.6 Whitepages. Daredevil, Spider-Man,

Thor, and Doctor Doom appear-ances. Jack Kirby cover and art.Story continued rom Daredevil #38. CGC notes, “Signed by StanLee on 1/22/11 and Joe Sinnotton 4/15/11.” Overstreet 2011 NM-9.2 value = $220. CGC census orSignature Series 1/12: 2 in 9.6, nonehigher.

93357 Fantastic Four #75Curator pedigree (Marvel, 1968)CGC NM 9.4 White pages. Galactusand the Silver Surer appear. Jack Kirby cover and art. Overstreet 2011NM- 9.2 value = $175. CGC census1/12: 33 in 9.4, 15 higher.

93358 Fantastic Four #76Curator pedigree (Marvel, 1968)CGC NM+ 9.6 White pages. SilverSurer, Galactus, and Psycho-Manappearances. Jack Kirby cover andart. Overstreet 2011 NM- 9.2 value =$185. CGC census 1/12: 20 in 9.6, 5higher.

93359 Fantastic Four #116(Marvel, 1971) CGC NM+ 9.6 Whitepages. Dr. Doom, Overmind, andStranger appearances. Overstreet2011 NM- 9.2 value = $95. CGC cen-sus 1/12: 19 in 9.6, 3 higher.

93360 Fantastic Four Annual #1Curator pedigree (Marvel, 1963)CGC VF+ 8.5 O-white to whitepages. The Sub-Mariner attacksthe human race. First appearanceso Lady Dorma and Krang. EarlySpider-Man appearance in a backupeature with Steve Ditko inks. Jack Kirby and Dick Ayers cover and art.Overstreet 2011 VF 8.0 value = $604;VF/NM 9.0 value = $1,227. CGC cen-sus 1/12: 21 in 8.5, 65 higher.

93361 Fantastic Four Annual#4 Twin Cities pedigree (Marvel,1966) CGC NM/MT 9.8 Whitepages. First Silver Age appear-ance o the Golden Age Human

Torch, who battles the Silver AgeHuman Torch. The original Torch’sorigin is retold. First appearance o Quasimodo. Jack Kirby cover andart. Also contains reprints o theHulk vs. Thing battle rom FF #25and 26. Overstreet 2011 NM- 9.2value = $250. CGC census 1/12: 3in 9.8, none higher. From the Gary Dahlberg Collection.

93362 The Flash #105 1959) CGC VG/FN 5.0 Creamo-white pages. First issue oSilver Age Flash, ater tryout sin Showcase. Numbering controm last Golden Age issue o FComics. Origin o Flash retoldeatures the origin and rst apance o Mirror Master. CarInantino cover and art. Overs2011 VG 4.0 value = $1,150; Fvalue = $1,725. CGC census 1/1in 5.0, 64 higher.

93363 The Flash #199 Cities pedigree (DC, 1970) NM/MT 9.8 White pages. JuLeague o America cameo. Gil cover and art. Overstreet 20119.2 value = $60. CGC census 1/in 9.8, none higher. From theDahlberg Collection.

93364 Flintstones on the R#nn (Dell, 1961) CGC NM 9.4 Wpages. Cardboard cover, high-ity paper, 116 pages. Photo oHanna and Joseph Barbera onlast page. Overstreet 2011 NMvalue = $150. CGC census 1/129.4, none higher.




93365 Four Color #1170 ThreeStooges - File Copy (Dell, 1961)CGC NM/MT 9.8 O-white pages. Photo cover. CGC notes, “Fromthe Random House Archives”.Overstreet 2011 NM- 9.2 value =$230. CGC census 1/12: 2 in 9.8,none higher.

93366 G-8 and His Battle Aces#1 Pacifc Coast pedigree (GoldKey, 1966) CGC NM/MT 9.8 O-white to white pages. Based on thepulp magazine hero. George Evansart. Painted cover. Back cover pin-up. Overstreet 2011 NM- 9.2 value =$55. CGC census 1/12: 2 in 9.8, nonehigher.

93367 G.I. Combat #47 (DC,1957) CGC VF 8.0 O-white pages. Jerry Grandenetti cover. Ross Andruand Russ Heath art. Overstreet 2011VF 8.0 value = $215. CGC census1/12: 1 in 8.0, none higher. From theKeith Marlow Collection.

93368 G.I. Combat #49 (DC,1957) CGC VF+ 8.5 White pages. Jerry Grandenetti cover and art.Ross Andru and Jack Abel art.Overstreet 2011 VF 8.0 value = $215;VF/NM 9.0 value = $433. CGC census1/12: 1 in 8.5, none higher. From theKeith Marlow Collection.

93369 G.I. Combat #54 (DC,1957) CGC VF 8.0 O-white towhite pages. Jerry Grandenetticover. Russ Heath, Joe Kubert,Ross Andru, and Mike Espositoart. Overstreet 2011 VF 8.0 value= $190. CGC census 1/12: 2 in 8.0,none higher. From the Keith Marlow Collection.

93370 G.I. Combat #63 (DC,

1958) CGC VF+ 8.5 Cream to o-white pages. Joe Kubert cover. RossAndru, Jack Abel, and Mort Druckerart. Overstreet 2011 VF 8.0 value =$140; VF/NM 9.0 value = $283. CGCcensus 1/12: 1 in 8.5, none higher.From the Keith Marlow Collection.

93371 G.I. Combat #102 (DC,1963) CGC NM+ 9.6 Cream to o-white pages. Jerry Grandenettigrey tone cover and art. Joe Kubertart. Overstreet 2011 NM- 9.2 value= $325. CGC census 1/12: 1 in 9.6,none higher. From the Keith Marlow Collection.

93372 G.I. Combat #107 (DC,1964) CGC NM+ 9.6 O-whitepages. Joe Kubert cover and art.Ross Andru art. Overstreet 2011NM- 9.2 value = $325. CGC census1/12: 2 in 9.6, none higher. From theKeith Marlow Collection.

93373 G.I. Combat #112 (DC,1965) CGC NM+ 9.6 Cream to o-white pages. The Haunted Tank

battles the Ghost Ace. Joe Kubertcover and art. Overstreet 2011 NM-9.2 value = $250. CGC census 1/12:1 in 9.6, none higher. From the KeithMarlow Collection.

93374 G.I. Combat #128 (D1968) CGC NM+ 9.6 O-white white pages. Russ Heath cover aart. Overstreet 2011 NM- 9.2 val= $150. CGC census 1/12: 1 in 9none higher. From the Keith MarloCollection.

93375 Girl From U.N.C.L#1 Pacifc Coast pedigree (GoKey, 1967) CGC NM+ 9.6 Owhite to white pages. StephanPowers photo covers and pin-uAl McWilliams art. Overstreet 20NM- 9.2 value = $120. CGC cens1/12: 3 in 9.6, none higher.

93376 Girl From U.N.C.L.E. Pacifc Coast pedigree (Gold Ke1967) CGC NM+ 9.6 O-white

white pages. Photo ront and bacovers eaturing Stephanie PoweOverstreet 2011 NM- 9.2 value$80. CGC census 1/12: 3 in 9.6, nohigher.




93377 Green Lantern #40 (DC,1965) CGC VF/NM 9.0 O-whiteto white pages. The origin o theDC Universe’s innite Earths. Origino the Guardians. First appearanceo Krona. The Golden Age GreenLantern guest stars in his secondSilver Age appearance. DoibyDickles also appears. Gil Kane coverand art. Overstreet 2011 VF/NM9.0 value = $763; NM- 9.2 value =$1,150. CGC census 1/12: 30 in 9.0,50 higher.

93378 Hanna-Barbera SuperTV Heroes #1 Boston pedigree(Gold Key, 1968) CGC NM+ 9.6White pages. Birdman, Herculoids,Mighty Mightor, and Young Samsonand Goliath begin. Dan Spiegle art.Overstreet 2011 NM- 9.2 value =$250. CGC census 1/12: 3 in 9.6, 1higher.

93379 Hansi, The Girl WhoLoved the Swastika #nn (SpireChristian Comics, 1976) CGC NM/MT 9.8 White pages. Al Hartleycover. This is the 39¢ edition.Overstreet 2011 NM- 9.2 value =$50. CGC census 1/12: 17 in 9.8,none higher.

93380 Harvey Hits #9 File Copy(Harvey, 1958) CGC VF+ 8.5 O-white pages. Richie Rich’s GoldenDeeds. Overstreet 2011 VF 8.0 value= $425; VF/NM 9.0 value = $838.CGC census 1/12: 3 in 8.5, 2 higher.

93381 House o Mystery #143(DC, 1964) CGC NM+ 9.6 Creamto o-white pages. J’onn J’onzz,Manhunter rom Mars stories beginin this title. Dick Dillin cover. MortMeskin art. Overstreet 2011 NM- 9.2value = $400. CGC census 1/12: 2 in9.6, none higher.

93382 I Love Lucy #20 (Dell,1958) CGC NM/MT 9.8 O-whiteto white pages. Photo cover.Highest-graded copy o this issuecertied by CGC to date. Overstreet2011 NM- 9.2 value = $185. CGCcensus 1/12: 1 in 9.8, none higher.

93383 The Incredible Hulk #102(Marvel, 1968) CGC NM+ 9.6 O-white to white pages. First issue o the (new) series. Origin o the Hulk retold. Story continued rom Talesto Astonish #101. The Warriors

Three, Odin, and Enchantress allmake appearances. Marie Severincover and art. George Tuska art.Overstreet 2011 NM- 9.2 value =$475. CGC census 1/12: 63 in 9.6, 13higher.

93384 John Carter o Mars#2 Pacifc Coast pedigree (GoldKey, 1964) CGC NM/MT 9.8 Whitepages. Highest-graded copy o the issue certied by CGC to date.Overstreet 2011 NM- 9.2 value =$60. CGC census 1/12: 1 in 9.8, nonehigher.

93385 John Steele Secret Agent#1 Pacifc Coast pedigree (GoldKey, 1964) CGC NM/MT 9.8 Whitepages. Painted cover and pin-up.Only issue o the series. Highest-graded copy certied by CGC todate. Overstreet 2011 NM- 9.2 value= $80. CGC census 1/12: 1 in 9.8,none higher.

93386 Journey Into M#88 (Marvel, 1963) CGC VFO-white to white pages. Seappearance o Loki. Jack cover, inked by Steve Ditko. story penciled by Kirby. Baeatures with Ditko and Don art. Overstreet 2011 VF 8.0 va$553. CGC census 1/12: 18 in 8higher.

93387 Journey Into M#89 (Marvel, 1963) CGC VFO-white to white pages.early Thor issue retells his oas rendered by the inimitableKirby on the cover and intSteve Ditko also contributesOverstreet 2011 VF 8.0 valu$553. CGC census 1/12: 15 in 8higher.

93388 Millie the Model (Atlas/Marvel, 1967) CGC NM9.8 White pages. Bill WilliamsStan Goldberg art. Overstreet NM- 9.2 value = $60. CGC ce1/12: 2 in 9.8, none higher.

93389 Millie the Model (Atlas/Marvel, 1967) CGC 9.6 O-white to white pagesWilliams and Stan GoldbergOverstreet 2011 NM- 9.2 val$60. CGC census 1/12: 1 in 9.6, higher.




93390 Millie the Model #150(Atlas/Marvel, 1967) CGC NM+9.6 O-white to white pages. BillWilliams and Stan Goldberg art.Overstreet 2011 NM- 9.2 value =$60. CGC census 1/12: 1 in 9.6, nonehigher.

93391 Modeling with Millie#36 (Marvel, 1964) CGC NM+ 9.6O-white to white pages. StanGoldberg cover and art. Overstreet2011 NM- 9.2 value = $65. CGC


93392 Modeling with Millie#47 (Marvel, 1966) CGC NM+ 9.6O-white to white pages. StanGoldberg cover and art. Overstreet2011 NM- 9.2 value = $65. CGCcensus 1/12: 3 in 9.6, none higher.

93393 Modeling with Millie#51 (Marvel, 1966) CGC NM+ 9.6O-white to white pages. StanGoldberg cover and art. Overstreet2011 NM- 9.2 value = $65. CGCcensus 1/12: 1 in 9.6, none higher.

93394 Modeling with Millie #53(Marvel, 1967) CGC NM+ 9.6 O-white to white pages. Bill Williamscover and art. Overstreet 2011 NM-9.2 value = $65. CGC census 1/12: 1in 9.6, none higher.

93395 Motor City Comics #1(Rip O Press, 1969) CGC NM- 9.2White pages. Best copy o the rstprinting we’ve ever seen. RobertCrumb story, cover, and art. Fogel’sUnderground Comix Price GuideNM 9.4 value = $250. CGC census1/12: 3 in 9.2, none higher.

93396 Our Army at War #94(DC, 1960) CGC VF 8.0 O-whitepages. Joe Kubert cover and art.

Jerry Grandenetti art. Overstreet2011 VF 8.0 value = $197. CGC cen-sus 1/12: 2 in 8.0, 1 higher. From theKeith Marlow Collection.

93397 Our Army at War #96 (DC,1960) CGC VF/NM 9.0 O-whiteto white pages. Jerry Grandenetticover. Joe Kubert, Mort Drucker, andRoss Andru art. Overstreet 2011 VF/NM 9.0 value = $399; NM- 9.2 value= $600. CGC census 1/12: 1 in 9.0,none higher. From the Keith Marlow Collection.

93398 Our Army at War #113Savannah pedigree (DC, 1961)CGC VF+ 8.5 Cream to o-whitepages. Joe Kubert cover and art.Jack Abel art. First appearanceo Wildman and Jackie Johnson.Overstreet 2011 VF 8.0 value = $159;

VF/NM 9.0 value = $317. CGC census1/12: 2 in 8.5, none higher. From theKeith Marlow Collection.

93399 Our Army at War #114(DC, 1962) CGC VF+ 8.5 Creamto o-white pages. Joe Kubertcover and art. Jack Abel and JerryGrandenetti art. Overstreet 2011 VF8.0 value = $140; VF/NM 9.0 value= $283. CGC census 1/12: 4 in 8.5,none higher. From the Keith Marlow Collection.

93400 Our Army at War #126(DC, 1963) CGC VF+ 8.5 O-white to white pages. Russ Heathgrey tone cover. Joe Kubert andIrv Novick art. Overstreet 2011 VF8.0 value = $131; VF/NM 9.0 value= $266. CGC census 1/12: 3 in 8.5,none higher. From the Keith Marlow Collection.

93401 Our Army at War #133(DC, 1963) CGC NM+ 9.6 O-white to white pages. Joe Kubertcover and art. Jerry Grandenettiart. Overstreet 2011 NM- 9.2 value= $300. CGC census 1/12: 1 in 9.6,none higher. From the Keith Marlow

Collection.

93402 Our Army at War #137

(DC, 1963) CGC VF/NM 9.0 Whitepages. Joe Kubert cover and art.Jack Abel art. Overstreet 2011 VF/NM 9.0 value = $200; NM- 9.2 value= $300. CGC census 1/12: 1 in 9.0,none higher. From the Keith Marlow Collection.

93403 Our Army at War #1(DC, 1964) CGC NM+ 9.6 O-whto white pages. Joe Kubert covand art. Overstreet 2011 NM- 9value = $300. CGC census 1/12in 9.6, none higher. From the KeMarlow Collection.

93404 Our Army at War #1(DC, 1965) CGC NM+ 9.6 Cream o-white pages. Joe Kubert covand art. Ross Andru art. Overstre2011 NM- 9.2 value = $300. CGcensus 1/12: 1 in 9.6, none highFrom the Keith Marlow Collectio

93405 Our Army at War #1(DC, 1965) CGC VF+ 8.5 O-whto white pages. First appearance

Enemy Ace. Joe Kubert cover aart. Black cover issue. Overstre2011 VF 8.0 value = $344; VF/NM 9value = $697. CGC census 1/12: 48.5, 5 higher. From the Keith MarloCollection.




93406 Phantom #7 PacifcCoast pedigree (Gold Key, 1964)CGC NM+ 9.6 White pages. Painted/bondage cover. Highest-graded copy certied by CGC todate. Overstreet 2011 NM- 9.2 value= $105. CGC census 1/12: 1 in 9.6,none higher.

93407 Phantom #8 Pacifc Coastpedigree (Gold Key, 1964) CGCNM+ 9.6 White pages. Paintedcover by George Wilson. Overstreet2011 NM- 9.2 value = $105. CGCcensus 1/12: 3 in 9.6, none higher.

93408 Phantom #9 PacifcCoast pedigree (Gold Key, 1964)CGC NM+ 9.6 O-white to whitepages. Painted cover by GeorgeWilson. Jack Sparling art. Highest-graded copy certied by CGC todate. Overstreet 2011 NM- 9.2 value= $105. CGC census 1/12: 1 in 9.6,none higher.

93409 Rawhide Kid #37(Marvel, 1963) CGC NM 9.4 Creamto o-white pages. Cover by Jack Kirby. Art by Dick Ayers and GeneColan. Overstreet 2011 NM- 9.2value = $155. CGC census 1/12: 1 in9.4, none higher.

93410 Rawhide Kid #40(Marvel, 1964) CGC NM+ 9.6 O-white to white pages. Jack Kirbycover. Two-Gun Kid appearance.Overstreet 2011 NM- 9.2 value =$185. CGC census 1/12: 2 in 9.6,none higher.

93411 Richie Rich #1 RiquinhoBrazilian Edition - File Copy (RioGrafca Editora, 1968) CGC VF+8.5 Cream to o-white pages. Published eight years ater the U.S.edition. Not listed in Overstreet.CGC census 1/12: 1 in 8.5, nonehigher.

93412 Scooby Doo #25 (GoldKey, 1974) CGC NM/MT 9.8 Whitepages. Highest-graded copy cer-tied to date. Overstreet 2011NM- 9.2 value = $60. CGC census1/12: 1 in 9.8, none higher.

93413 Secret Agent #1 Bostonpedigree (Gold Key, 1966) CGCNM+ 9.6 O-white to white pages. Patrick McGoohan photo cover andback cover pin-up. Overstreet 2011NM- 9.2 value = $135. CGC census1/12: 4 in 9.6, none higher.

93414 Secret Agent #2 PacifcCoast pedigree (Gold Key, 1968)CGC NM+ 9.6 O-white pages. Patrick McGoohan photo cover andback cover pin-up. Overstreet 2011NM- 9.2 value = $90. CGC census1/12: 2 in 9.6, none higher.

93415 The Shadow #1 PaCoast pedigree (Archie, 1CGC NM+ 9.6 White pages.by Jerry Siegel. Overstreet 20119.2 value = $140. CGC census 1/in 9.6, none higher.

93416 Showcase #8 The F(DC, 1957) CGC GD/VG 3.0 Crto o-white pages. Second apance o Silver Age Flash. Originrst appearance o Captain Carmine Inantino cover andCGC notes, “‘Roy Thomas Aug1961’ written on the rst pagpen.” Overstreet 2011 GD 2.0 v= $840; VG 4.0 value = $1,680.census 1/12: 12 in 3.0, 75 hi

93417 Showcase #27 Sea D(DC, 1960) CGC VF/NM 9.0 white to white pages. The oand rst appearance o Sea Dwith a superb grey tone cand interior art by Russ HOverstreet 2011 VF/NM 9.0 v= $1,328; NM- 9.2 value = $2CGC census 1/12: 2 in 9.0, 5 hi




93418 Showcase #82Nightmaster - Rocky Mountainpedigree (DC, 1969) CGC NM/MT 9.8 O-white to white pages. First appearance o Nightmaster.Joe Kubert cover. Dick Giordanoart. Overstreet 2011 NM- 9.2 value =$95. CGC census 1/12: 1 in 9.8, nonehigher.

93419 The Silver Surer #3(Marvel, 1968) CGC NM+ 9.6O-white to white pages. Firstappearance o Mephisto. Containsa Watcher backup story. JohnBuscema cover and art. Gene Colanart. Overstreet 2011 NM- 9.2 value =$400. CGC census 1/12: 23 in 9.6, 2higher.

93420 The Silver Surer #7(Marvel, 1969) CGC NM+ 9.6White pages. Early cameo o Marvel’s Frankenstein monster. Last“Tales o the Watcher” backup ea-ture. Last 25¢ issue. John Buscemacover and art. Sal Buscema art.Overstreet 2011 NM- 9.2 value =$275. CGC census 1/12: 14 in 9.6, 5higher.

93421 Snatch Comics #1 (ApexNovelties, 1968) CGC QualifedNM- 9.2 Cream to o-whitepages. Robert Crumb cover. CGCnotes, “Sticker Attached To Cover(“To Didier..Don’t Mix Water in yourWhisky. — S. Clay Wilson. April inParis.1984”) written on 4&5 page.”Fogel’s Underground Price GuideGD 2.0 value = $200; FN 6.0 value =$600; NM 9.4 value = $1,000.

93422 Spidey Super Stories #1(Marvel, 1974) CGC NM/MT 9.8O-white to white pages. JohnRomita cover. Win Mortimer andMike Esposito art. Overstreet 2011NM- 9.2 value = $65. CGC census1/12: 11 in 9.8, none higher.

93423 Star Spangled WarStories #95 (DC, 1961) CGC NM9.4 Cream to o-white pages. Dinosaur cover. Currently the high-est graded copy on the CGC census.Ross Andru and Mike Esposito coverand art. Russ Heath and Jack Abelart. Overstreet 2011 NM- 9.2 value= $400. CGC census 1/12: 1 in 9.4,none higher. From the Keith Marlow Collection.

93424 Star Trek #4 Twin Citiespedigree (Gold Key, 1969) CGCNM/MT 9.8 White pages. PhotoCover. Alberto Giolitti art. Overstreet2011 NM- 9.2 value = $300. CGCcensus 1/12: 1 in 9.8, none higher.From the Gary Dahlberg Collection.

93425 Star Trek #5 Twin Citiespedigree (Gold Key, 1969) CGCNM+ 9.6 White pages. WilliamShatner and Leonard Nimoy photocover. Alberto Giolitti art. Overstreet2011 NM- 9.2 value = $300. CGCcensus 1/12: 6 in 9.6, none higher.From the Gary Dahlberg Collection.

93426 Star Wars Group o 11CGC-Graded issues (Marvel,1978-82) CGC NM/MT 9.8. Includesissues #8-10, 13, 15, 39, 44, 57-59,and 62. All CGC 9.8, all white pagesexcept #59 (o-white to white).Overstreet 2011 NM- 9.2 value orgroup = $152.

93427 Strange Tales #1Signed by Joe Simon and StLee (Marvel, 1963) CGC SignatuSeries VF/NM 9.0 Cream to owhite pages. Acrobat disguised Captain America (rst Cap appeance since 1954). First appearanVictoria Bentley. Third appearanDr. Strange, whose series begiJack Kirby, Steve Ditko, and DAyers art. CGC notes, “Signed by JSimon on 6/19/11 and Stan Lee 6/25/11.” Overstreet 2011 VF/NM 9value = $635; NM- 9.2 value = $95CGC census or Signature Ser1/12: 1 in 9.0, 1 higher.

93428 The Sub-Mariner (Marvel, 1968) CGC NM+ 9White pages. John Buscema covand art. Overstreet 2011 NM- 9value = $450. CGC census 1/12: 1in 9.6, 30 higher.

93429 Superman #156 TwCities pedigree (DC, 1962) CGNM 9.4 O-white to white pageBatman, Legion o Super-HeroSupergirl, and Krypto appearancCurt Swan cover and art. Overstre2011 NM- 9.2 value = $260. CGcensus 1/12: 3 in 9.4, 2 higher. Frothe Gary Dahlberg Collection.




93430 Superman #181 Bostonpedigree (DC, 1965) CGC NM+ 9.6White pages. First “2965” story. CurtSwan cover and art. Overstreet 2011NM- 9.2 value = $150. CGC census1/12: 10 in 9.6, 5 higher.

93431 Superman #184 (DC,1966) CGC NM 9.4 O-whitepages. Contains Secrets o theFortress o Solitude. Curt Swancover. Al Plastino art. Overstreet2011 NM- 9.2 value = $150. CGCcensus 1/12: 11 in 9.4, 8 higher.

93432 Superman #194 (DC,1967) CGC NM 9.4 Cream too-white pages. Lex Luthorappearance. Curt Swan cover andart. Overstreet 2011 NM- 9.2 value= $150. CGC census 1/12: 5 in 9.4, 7higher.

93433 Superman Annual #6(DC, 1962) CGC NM 9.4 Whitepages. Superman Family back cover pin-up. Curt Swan art.Overstreet 2011 NM- 9.2 value =$315. CGC census 1/12: 4 in 9.4, 1higher.

93434 Superman’s GirlriendLois Lane #79 Twin Cities pedi-gree (DC, 1967) CGC NM/MT 9.8O-white to white pages. NealAdams cover. Kurt Schaenbergerart. Overstreet 2011 NM- 9.2 value =$90. CGC census 1/12: 1 in 9.8, nonehigher. From the Gary DahlbergCollection.

93435 Superman’s GirlriendLois Lane #113 Twin Cities pedi-gree (DC, 1971) CGC NM/MT 9.8White pages. Giant size issue.Contains two previously unpub-lished Golden Age Flash art. Dick Giordano cover. Joe Kubert art.Overstreet 2011 NM- 9.2 value =$95. CGC census 1/12: 2 in 9.8, nonehigher. From the Gary DahlbergCollection.

93436 Tales o the Unexpected#40 (DC, 1959) CGC VF 8.0 Creampages. Space Ranger begins. BobBrown cover and art. Jim Mooneyart. Overstreet 2011 VF 8.0 value =$884. CGC census 1/12: 2 in 8.0, 3higher.

93437 Tales to Astonish #36(Marvel, 1962) CGC VF/NM 9.0O-white to white pages. Thethird appearance o Ant-Man. Jack Kirby cover and art. Overstreet 2011VF/NM 9.0 value = $1,395; NM- 9.2value = $2,100. CGC census 1/12: 10in 9.0, 7 higher.

93438 Tales to Astonish #36Signed by Stan Lee (Marvel, 1962)CGC Signature Series VF- 7.5

White pages. The third appearanceo Ant-Man. Jack Kirby cover and art.Steve Ditko art. CGC notes, “Signedby Stan Lee on 7/24/11.” Overstreet2011 VF 8.0 value = $689. CGC cen-sus or Signature Series 1/12: 1 in7.5, 1 higher.

93439 Teen Timers #7 Mile pedigree (Graphic InormaService, 1958) CGC VF 8.0 white to white pages. This ionly copy o this issue certieCGC to date. Not currently listOverstreet. CGC census 1/12: 8.0, none higher. From the CRozanski Collection.

93440 Thor #127 RMountain pedigree SignedStan Lee (Marvel, 1966) Signature Series NM+ 9.6 Wpages. First appearance o PJack Kirby cover and art. CGC n“Signed by Stan Lee on 1/22

Overstreet 2011 NM- 9.2 val$200. CGC census or SignSeries 1/12: 1 in 9.6, none hi

93441 Uncle Scrooge #180Copy (Whitman, 1980) CGC MT 9.8 White pages. Beagle appearance. Distributed in mpacks only. Overstreet 2011 NMvalue = $120. CGC census 1/129.8, none higher.




93442 World’s Finest Comics#102 (DC, 1959) CGC NM 9.4Cream to o-white pages. Superman, Batman, and Robin coverby Curt Swan. Tommy Tomorrowstories begin. Overstreet 2011 NM-9.2 value = $285. CGC census 1/12: 2in 9.4, none higher.

93443 World’s Finest Comics#130 (DC, 1962) CGC NM 9.4 O-white to white pages. Supermanand Batman story with Jim Mooneyart. Green Arrow story with Lee Eliasart. Aquaman story with RamonaFradon art. Overstreet 2011 NM- 9.2value = $135. CGC census 1/12: 7 in9.4, 2 higher.

93444 World’s Finest Comics#136 (DC, 1963) CGC NM+ 9.6White pages. Art by Jim Mooneyand Lee Elias. Overstreet 2011 NM-9.2 value = $135. CGC census 1/12: 1in 9.6, none higher.

93445 World’s Finest Comics#141 (DC, 1964) CGC NM+ 9.6 O-white to white pages. First JimmyOlsen/Robin team-up. Text eatureannounces new direction. CurtSwan cover and art. Overstreet 2011NM- 9.2 value = $135. CGC census1/12: 5 in 9.6, none higher.

93446 World’s Finest Comics#142 Twin Cities pedigree (DC,1964) CGC NM+ 9.6 O-whiteto white pages. Origin and rstappearance o the CompositeSuperman. Curt Swan cover andart. Overstreet 2011 NM- 9.2 value= $135. CGC census 1/12: 1 in9.6, none higher. From the Gary Dahlberg Collection.

93447 World’s Finest Comics#153 Boston pedigree (DC, 1965)CGC NM+ 9.6 White pages. LexLuthor appearance. Curt Swan andSheldon Moldo art. Swan andGeorge Klein art. Overstreet 2011NM- 9.2 value = $90. CGC census1/12: 7 in 9.6, 1 higher.

93448 World’s Finest Comics#164 (DC, 1967) CGC NM+ 9.6O-white to white pages. Brainiacappearance. Curt Swan and GeorgeKlein cover and art. Overstreet 2011NM- 9.2 value = $75. CGC census1/12: 5 in 9.6, 2 higher.

93449 X-Men #1 (Marvel, 1963)CGC VG/FN 5.0 Cream to o-whitepages. Origin and rst appearanceo the X-Men (the Angel, the Beast,Cyclops, Iceman, and Marvel Girl).First appearances o Proessor Xand Magneto. Jack Kirby cover andart. Overstreet 2011 VG 4.0 value =$1,700; FN 6.0 value = $2,550. CGCcensus 1/12: 108 in 5.0, 424 higher.

93450 X-Men #28 (Marvel,1967) CGC NM+ 9.6 White pages. First appearance o the Bansheeand the Ogre. Mimic appearance.Werner Roth cover. Dick Ayers andRoth art. Beautiully bright inksand an amazingly sharp spine!Overstreet 2011 NM- 9.2 value =$420. CGC census 1/12: 16 in 9.6, 4higher.

93451 X-Men #70 (Marv1971) CGC NM+ 9.6 White pageFity-two pages. Overstreet 20NM- 9.2 value = $140. CGC cens1/12: 12 in 9.6, 1 higher.

93452 X-Men #72 (Marv1971) CGC NM+ 9.6 White pageReprints X-Men #21. Overstre2011 NM- 9.2 value = $120. CGcensus 1/12: 16 in 9.6, 2 high

93453 X-Men #73 (Marv1971) CGC NM+ 9.6 O-whto white pages. Bill Everett covOverstreet 2011 NM- 9.2 value$120. CGC census 1/12: 5 in 9none higher.




93454 X-Men #76 (Marvel,1972) CGC NM 9.4 White pages. Gil Kane cover. Overstreet 2011 NM-9.2 value = $120. CGC census 1/12: 5in 9.4, 4 higher.

93455 X-Men #78 (Marvel,1972) CGC NM/MT 9.8 O-whiteto white pages. Reprints X-Men#30. Overstreet 2011 NM- 9.2 value= $130. CGC census 1/12: 5 in 9.8,none higher.

Bound volumes

93456 Archie Comics #13-18Bound Volume (Archie, 1945-46). Issue #13 has a tear to the rontcover; otherwise, the comics are innice condition with bright covers,supple pages, and mild wear and

tanning. Overstreet 2011 VG 4.0value or group = $1,428.

93457 Dagwood #1-96 BoundVolumes (Harvey, 1950-58).

These are le copies o Dagwood #1-96 that have been trimmed andbound into a set o eight hardcovervolumes. There is signicant heavytearing to issues #2-4; otherwise,comics are in nice condition withbright covers, supple pages, mildwear, and mild to moderate tan-ning with some signs o brittleness.Overstreet 2011 VG 4.0 value orcomics = $900.

93458 Daredevil #1-112Bound Volumes (Marvel, 1964-74). Copies o the rst 112 issues,trimmed and bound into a seto seven hardcover volumes.Highlights include the origin and

rst appearance o Daredevil, therst appearance o his classic redcostume, and the rst appear-ances o Foggy Nelson, Karen Page,the Owl, the Purple Man, Stilt-Man, Gladiator, the Jester, and theExterminator. Art by Gene Colan,Jack Kirby, John Romita Sr., WallyWood, and others. The comics arein nice condition with bright cov-ers, supple pages, and mild wear.Most o the ‘60s-era issues have sig-nicant browning. Overstreet 2011VG 4.0 value or comics = $2,250.

93459 Dell Giant Comics BoundVolumes (Dell, 1950s-’60s). File copies o Dell Giants #21-36(with a duplicate o the volumecontaining #25-28), AbrahamLincoln Lie Story #1, Bugs BunnyCounty Fair #1, Bugs Bunny’sChristmas Funnies #9, BugsBunny’s Halloween Fun #3, BugsBunny Halloween Parade #2,Bugs Bunny Vacation Funnies #9,Davy Crockett King o the WildFrontier #1, Donald Duck BeachParty #5 and 6, Donald Duck FunBook #1 and 2, Marge’s Tubbyand Clubhouse Pals #1, Marge’sLulu and Tubby Halloween Fun#2 and 6, Nancy and Sluggo TravelTime #1, Silly Symphonies #9, Tomand Jerry Picnic Time #1, Tomand Jerry Summer Fun #1-4, Tomand Jerry’s Toy Fair #1, and WaltDisney Summer Fun #2 that havebeen trimmed and bound into aset o nine hardcover volumes. Thebinding on two o the volumeshas started to come loose, with-out overtly aecting the contents;otherwise, the comics are in nicecondition with glossy covers, sup-ple pages, mild wear, and mild tomoderate tanning. Overstreet 2011VG 4.0 value or comics = $1,070.

93460 Famous Funnies #205-212 Bound Volume (EasternColor, 1953-54). Copies o Famous

Funnies #205-212 that have beentrimmed and bound into a hard-cover volume. Issues #209-212eature Buck Rogers covers by Frank Frazetta. The binding has begun toseparate rom the contents, causingthe ront cover o issue #205 to sep-arate rom the book; otherwise, thecomics are in very nice conditionwith bright covers, supple pages,and some tanning, wear, and lightmoisture damage. Overstreet VG 4.0value or group = $1,900.

93461 Joe Palooka #1-98 Bound Volumes (Ha1945-56). Harvey le copie

Joe Palooka #1-98 that have trimmed and bound into a seight hardcover volumes as ence books or the Harvey edidepartment. The spines o theumes have aded, and some obinding has begun to seprom the contents, damagingin some cases causing separatithe ront covers o the ront isotherwise, the comics are incondition with glossy covers, ple pages, mild wear, and mimoderate tanning. Overstreet

VG 4.0 value or comics = $1

mAGAzines

93462 Squa Tront #6 (Weist, 1975) CGC NM 9.4 Wpages. Special Bernie Krigissue. Krigstein interview, bibliphy, cover, and art. Art Spiegetext. Not listed in Overstreet. census 1/12: 1 in 9.4, none hi

93463 Squa Tront #7 (Weist, 1977) CGC NM 9.4 Wpages. “Lucky Fights It Thro16-page comic insert with aHarvey Kurtzman. Roy KreAl Williamson, Jack Davis, BKrigstein, and Bill Elder art.listed in Overstreet. CGC ce1/12: 1 in 9.4, none higher.




93464 Squa Tront #8 (JerryWeist, 1978) CGC NM/MT 9.8White pages. 1972 EC Convention:

The Horror Panel transcripts. Jack Davis cover and art. Al Williamson,Al Feldstein, Roy Krenkel, GeorgeEvans, and Wally Wood art. Notlisted in Overstreet. CGC census1/12: 1 in 9.8, none higher.

93465 Squa Tront #9 (JerryWeist, 1983) CGC NM+ 9.6 Whitepages. Al Feldstein, Bill Elder,Harvey Kurtzman, and Bill Gainesinterviews. Johnny Craig paintedcover and art. Wally Wood and AlFeldstein art. A stunning copy. Notlisted in Overstreet. CGC census1/12: 1 in 9.6, none higher.

93466 Worst From Mad #2 (EC,1959) CGC NM 9.4 O-white towhite pages. “Meet Sta o Mad”33 1/3 rpm record is included.Overstreet 2011 NM- 9.2 value =

$580. CGC census 1/12: 2 in 9.4, 2higher.

93467 Worst From Mad #10 (EC,1967) CGC NM+ 9.6 White pages. Includes Mad Bumper Stickerbonus. Overstreet 2011 NM- 9.2value = $105. CGC census 1/12: 1 in9.6, 3 higher.

pulps

93468 Ace-High DetectiveMagazine V1#1 (PopularPublications, 1936) Condition:FN-. A copy o the August 1936debut issue o the weird menacetitle. Glossy, complete, and unadedcovers and spine, supple creampages with a ew instances o aking along the edges. Some trim-ming. Bookery’s Guide to Pulps FN

value = $350.

93469 Airplane Stories V1#4(Ramer Reviews, Inc., 1929)Condition: FN. A very nice copy o

an early issue o the title. Bedsheetormat. World War I cover byRudolph Belarski. Bookery’s listsas “rare”. Bright and complete cov-ers and spine, supple cream pages.Bookery’s Guide to Pulps FN value =$250.

93470 Astounding Stories- March 1930 (Street & Smith,1930) Condition: VG+. Third issueo the title, eaturing “Brigands o the Moon” by Ray Cummings. Coverby Hans Wesso. Comlpete coversand spines. Tape to the head andtail o spine, some tanning andslight brittleness to the page edges.Bookery’s Guide to Pulps VG value =$250.

93471 Complete Detective #1and 2 Group (Red Circle, 1938)Condition: Average FN-. Includesthe May and August 1938 issues.Classic covers by Norman Saunders.Contents include Hugh B. Cave andG. T. Fleming-Roberts. Completecovers and spine, and supple

cream pages with some instanceso aking. Trimmed. ApproximateBookery’s Guide to Pulps value orgroup = $450.

93472 Complete DetectiveGroup (Western Fiction, 1938-39) Condition: Average VG/FN. Includes the November 1938 andMay 1939 issues. Complete coversand spines. Some edge trimming.Approximate Bookery’s Guide toPulps value or group = $200.

93473 Complete Stories V41(Street & Smith, 1936) ConditioFN-. August 1936 issue, eating “The Country o the Knie” Robert E. Howard. Glossy cover wtwo small tape repairs to interiorront cover, spine complete exceor very small area o chipping the tail, and supple o-white pag

Trimmed. Bookery’s Guide to PuFN value = $200.

93474 Doc Savage - Augu1933 (Street & Smith, 193Condition: FN-. “The Red SkuCover by Walter BaumhoComplete and uncreased covcomplete and unaded spinsupple pages with mild tanniand no apparent brittleness. Sommild chipping to the cover edgBookery’s Guide to Pulps FN value$600.

93475 Doc Savage Pulp Gro(Street & Smith, 1934) ConditioAverage VG/FN. Includes tMarch, May, July, August, aSeptember 1934 issues. Coveby Walter Baumhoer. All hacomplete covers with only mincreasing, complete and unadspines, and supple pages. Sominstances o mild chipping, creing, tearing, and/or trimming the edges. Approximate BookerGuide to Pulps value or group$775.




93476 Doc Savage - July 1933(Street & Smith, 1933) Condition:FN-. “Pirate o the Pacic”. Cover byWalter Baumhoer. Complete cover,complete and unaded spine, sup-ple cream to o-white pages, andno apparent brittleness. The edgeshave been trimmed. Bookery’sGuide to Pulps FN value = $700.

93477 Doc Savage - September1933 (Street & Smith, 1933)Condition: VG/FN. “The LostOasis”. Cover by Walter Baumhoer.Complete cover, complete andunaded spine, and supple pageswith mild tanning. Interior rontcover reinorced with tape. Trimmededges. Bookery’s Guide to PulpsVG value = $250; FN value = $500.

93478 Dr. Yen Sin #3 (Popular,1936) Condition: FN-. Final issue.

Cover by Jerome Rozen. Bright andcomplete covers and spine, o-white pages. Top edge trimmed.Bookery’s Guide to Pulps FN value =$400.

93479 Eerie Mysteries V1#1(Magazine Publishers Inc., 1938)Condition: FN-. Debut issue. Coverby Norman Saunders. Glossy andcomplete covers and spine, andsupple cream to o-white pages.

Trimmed along the top. Bookery’sGuide to Pulps FN value = $250.

93480 Horror Stories #1and 2 Group (Popular, 1935)Condition: Average VG/FN. Includes the rst two issues o thetitle. Contents include Paul Ernstand Ray Cummings. Complete andunaded covers and spines, andsupple pages. Some instances o chipping and trimming to the cov-ers. Approximate Bookery’s Guideto Pulps value or group = $575.

93481 Jungle Stories #1 and 2Group (Fiction House, 1938-39)Condition: Average FN-. Includesthe Winter 1938 and Summer1939 issues, eaturing the rsttwo appearances o the junglehero Ki-Gor, one o the more suc-cessul Tarzan derivatives. Glossy,bright, and complete covers andspines, supple o-white pages,and trimming along the top edges.Approximate Bookery’s Guide toPulps value or group = $400.

93482 The Magic CarpetMagazine Group (Popular Fiction,1933) Condition: Average VG/FN. Includes the April and October1933 issues. Covers by MargaretBrundage. Contents include HughB. Cave, Seabury Quinn, H. Bedord-Jones, and others. Complete coversand spines; pages are largely supplewith some browning and signso brittleness along the edges.Approximate Bookery’s Guide toPulps value or group = $450.

93483 The Magic CarpetMagazine V3#3 (Popular Fiction,1933) Condition: FN-. Features“The Lion o Tiberius” by Robert E.Howard, plus stories by Seabury

Quinn and Paul Ernst. Cover by J.Allen St. John. Complete cover andspine, and supple light tan pages.Bookery’s Guide to Pulps FN value =$400.

93484 Marvel Tales/MarvelScience Stories #1 Group (RedCircle, 1938-39). Includes theDecember 1939 Marvel Tales (clas-sic cover - FN-) and August 1938 Marvel Science Stories (cover byNorman Saunders - VG/FN withbrowning and aking to the edgeso the pages, which are otherwiseo-white). Both are debut issues.Complete spines and covers, sup-ple pages. Trimmed. ApproximateBookery’s Guide to Pulps value orgroup = $375.

misCellAneous

93485 Assorted Spicy PGroup (Various, 1935) CondiAverage FN. Includes the Jan1937 Gay Parisienne (classic cby Enoch Bolles) and October and September 1937 BedStories. All have glossy blackwhite pages with ull-page pportraits. Gorgeous copies complete covers and spines, band glossy covers, and supple cto o-white pages. ApproxiBookery’s Guide to Pulps valu

group = $300.

93486 Uncanny StoriesDetective Aces Group (Var1941-45). Includes the April Uncanny Stories (rst and issue, cover by Alex Schominterior art by Schomburg andKirby - VG/FN) and January Ten Detective Aces (FN-). Comspines and covers, supple p

Trimmed. Approximate BooGuide to Pulps value or gro$150.




93487 Assorted DetectivePulps Group (Various, 1937-38)Condition: Average FN-. Includesthe March 1937 Star Detective (bondage cover), October 1937Thrilling Detective (bondagecover by Norman Saunders),and November 1938 DetectiveMysteries (only issue o the title).Complete covers and spines, andsupple cream to o-white pages.

Trimmed. Approximate Bookery’sGuide to Pulps value or group =$475.

93488 Mystery AdventuresMagazine Group (FictionMagazines, 1936-37) Condition:Average VG. Includes theDecember 1936 and February 1937

(has a spine split repaired with glue)issues. Covers and spins almostcomplete, supple cream to lighttan pages. Approximate Bookery’sGuide to Pulps value or group =$350.

93489 The Octopus March 1939(Popular, 1939) Condition: VG.

The only issue o the title. Completecovers and spine, supple cream too-white pages. Bookery’s Guide toPulps VG value = $375.

93490 Pete Rice Magazine V1#1(Street & Smith, 1933) Condition:FN-. Fantastic copy o the debutissue o the western pulp. Cover byDoc Savage cover artist Walter M.Baumhoer. Complete, glossy, andunaded covers and spine, and sup-ple cream pages. Bookery’s Guide toPulps FN value = $350.

93491 Pirate Stories V1#1(Adventure Publications, 1934)Condition: FN-. Debut issue o theextremely short-lived title, the rstwe’ve ever had a chance to oer.Bright and complete covers andspine, supple pages, some trim-ming to bottom edges. Cream too-white pages. Bookery’s Guide toPulps FN value = $250.

93492 Red Star Mystery Group(Frank A. Munsey Company,1940) Condition: Average VG.

First three issues o the our-issueseries. Includes the June, August(has lengthy cover tear along spinerepaired with glue), and October1940 issues, all with cover storieseaturing Don Diavolo, the ScarletWizard. Covers by H. J. Ward.Complete covers and spines, andsupple cream pages. Some trim-ming, and tanning along spines.Approximate Bookery’s Guideto Pulps value or group = $300.

93493 Romantic DetectiveGroup (Trojan Publishing, 1938). Includes the April (VG+) andAugust (H. J. Ward cover - FN-) 1938issues. Complete spines and cov-ers, supple pages. Some trimming.Approximate Bookery’s Guide toPulps value or group = $275.

93494 Saucy Movie Tales -August 1936 (Movie Digest,1936) Condition: VG/FN. A greatcopy rom a scarce title. Cover byNorman Saunders. Compete coverand spine, supple o-white pages.Some ading to the cover. Top edgestrimmed. Overstreet 2011 VG 4.0value = $400; FN 6.0 value = $800.

93495 Shadow V2#6 (Street& Smith, 1932) Condition: VG+. Silver background cover by GeorgeRozen. Complete covers and spine,with some small tape repairs to

both. Supple cream pages withsome aking along the edges. Trimmed. Bookery’s Guide to PulpsVG value = $350.

93496 Shadow V3#2 (Stre& Smith, 1932) Condition: VGCover by George Rozen. Complecovers and spine, supple creapages with some tanning and/soiling along the edges but onminor aking. Bookery’s Guide Pulps VG value = $350.

93497 Shadow V10#4 (StreetSmith, 1934) Condition: FN. Covby George Rozen. Bright, unadeand complete covers and spinand supple o-white pages. Smarea o water damage to back covBookery’s Guide to Pulps FN value$300.

93498 Shadow V11#2 (StreetSmith, 1934) Condition: FN. Covby George Rozen. Bright, unadeand complete covers and spine, asupple o-white pages. Some hanwriting in pencil on the ront covBookery’s Guide to Pulps FN value

$300.




93499 Shadow V13#3 (Street& Smith, 1935) Condition: FN. George Rozen cover. Completecovers and spine, supple o-whitepages, some handwriting in pencilon ront cover. Bookery’s Guide toPulps FN value = $250.

93500 Spicy AdventureStories Group (Culture, 1937-39) Condition: Average VG/FN. Includes the September 1937 andSeptember 1937 (white to creampages) issues. Contents includeLaurence Donovan and RobertLeslie Bellem. Complete covers andspines, supple pages. Some trim-ming to cover edges. ApproximateBookery’s Guide to Pulps value orgroup = $450.

93501 Spicy Detective StoriesGroup (Culture, 1938-42)Condition: Average VG-. Includes

the January and May 1938, August1941, and (scarce) July 1942 issues.Complete spines and covers, supplepages. Some browning and brittle-ness to the ront and back pages.Some chipping and/or soiling.

Trimmed. Approximate Bookery’sGuide to Pulps value or group =$675.

93502 Spicy Detective StoriesGroup (Culture, 1940-41)Condition: Average VG+. Includesthe April 1940 and June 1941(scarce) issues. Complete spines andcovers, supple pages. Some brown-ing and brittleness. ApproximateBookery’s Guide to Pulps value orgroup = $450.

93503 Spicy Detective StoriesGroup (Culture, 1940-42)Condition: Average VG+. Includesthe October 1940 and April 1942issues. Complete spines and cov-ers, supple pages. Some browningand brittleness to the ront andback pages. Trimmed. ApproximateBookery’s Guide to Pulps value orgroup = $450.

93504 Spicy Western StoriesGroup (Culture, 1937-41)Condition: Average VG/FN. Includes the May 1937 and March

1941 issues. Contents include sto-ries by Laurence Donovan and E.Homan Price. Complete covers andspines, supple pages. Some mildchipping to page edges, some trim-ming to cover edges. ApproximateBookery’s Guide to Pulps value orgroup = $200.

93505 The Spider - December1937 (Popular, 1937) Condition:FN-. Complete, bright covers;complete, unaded spine; suppleo-white pages. Bookery’s Guide toPulps FN value = $250.

93506 The Spider - January1940 (Popular, 1940) Condition:FN-. Classic cover by H. L. Parkhurst.Complete covers. Complete bright-red spine. Supple pages, o-whitewith some browning along thetop edges. Trimmed cover edges.Bookery’s Guide to Pulps FN value =$300.

93507 The Spider - September1939 (Popular, 1939) Condition:FN-. Classic cover. Complete glossycovers; complete, unaded spine;supple o-white pages. Trimmedalong the top. Bookery’s Guide toPulps FN value = $300.

93508 Startling MysteryMagazine Group (Fictioneers Inc.,1940) Condition: Average VG-.

Includes the February and 1940 issues — the only two oshort-lived title. Complete sand covers, supple pages. Sbrowning and chipping. TrimApproximate Bookery’s GuidPulps value or group = $250.

93509 Startling Stories Box(Standard, 1942-54) CondAverage FN-. Full long box inc45 issues o the sci- pulp titoverall very nice condition bright, glossy, and complete ers and spines and supple p

Contents include works by Ashton Smith, Edmond HamArthur C. Clark, E. E. “Doc” SRichard Matheson, and Herbert. Many have been trimApproximate Bookery’s GuidPulps value or group = $750.

93510 Strange DeteMysteries V1#1 (Popular, 1Condition: FN-. Almost-pecopy o the debut issue. Coninclude Norvell Page and Paul EBright, glossy, and complete coand spine, and white to o-wpages. Only some pencil marcontents page and trimmintop and bottom edges keep it grading FN or better. BookGuide to Pulps FN value = $




93511 Terror Tales #1 (Popular,1934) Condition: VG/FN. A copy o the September 1934 debut issue o the weird menace title, with a classiccover and works by Hugh Cave andG. T. Fleming-Roberts. Completeand unaded covers and spine, sup-ple o-white pages. The edges havebeen trimmed. Bookery’s Guide toPulps VG value = $300; FN value =$600.

93512 Thrilling Mystery Group(Standard, 1935-36) Condition:Average FN-. Includes the October1935 (rst issue, classic cover) andSeptember and November 1936issues. Complete spines and cov-ers, supple pages. Some trimming.Approximate Bookery’s Guide to

Pulps value or group = $600.

93513 Thrilling Mystery Group(Standard, 1936-37) Condition:Average VG/FN. Includes theDecember 1936 and March (eatur-ing “The Man-Eater” by AlgernonBlackwood) and June 1937 issues.Complete spines and covers, andsupple pages. Some chipping and/or soiling. Trimmed. ApproximateBookery’s Guide to Pulps value orgroup = $400.

93514 Thrilling Mystery Group(Standard, 1936). Included arethe March (FN- with cream pages),June (includes “Black Wind Blowing”by Robert E. Howard - FN- witho-white pages), and August(VG/FN with tan pages and somechipping) 1936 issues. Completecovers and spines, glossy covers,and supple pages. Some trimming.Approximate Bookery’s Guide toPulps value or group = $575.

93515 Thrilling Mystery Group(Standard, 1938-43) Condition:Average VG/FN. Includes the Mayand July 1938, September 1939,and June 1943 (Green Ghost story)

issues. Assorted horror, bond-age, and weird menace covers.Complete spines and covers, suppleo-white pages. Some trimming.Approximate Bookery’s Guide toPulps value or group = $400.

93516 Thrilling Mystery #1(Standard, 1935) Condition: VG/FN. Debut issue. Classic coverby Raael DeSoto. Complete andunaded covers and spine, suppleo-white pages. Trimmed alongbottom edge. Overstreet 2011 VG4.0 value = $175; FN 6.0 value =$350.

93517 Weird Tales April ‘27(Popular Fiction, 1927) Condition:VG. Includes “Explorers to Innitypt. 1” by Ray Cummings. Cover by C.C. Sen. Complete and unaded cov-ers and spine, tan pages with someaking. Bookery’s Guide to Pulps VGvalue = $175.

93518 Weird Tales February ‘29(Popular Fiction, 1929) Condition:VG/FN. Contents by EdmondHamilton, Paul Ernst, SeaburyQuinn, and Donald Wandrei. Coverby Hugh Rankin. Complete andunaded covers and spines, suppleo-white pages with some soil-ing along the edges. Untrimmed.Bookery’s Guide to Pulps VG value =

$125; FN value = $250.

93519 Weird Tales Group

(Popular Fiction, 1933-38)Condition: Average VG/FN. Includes the July 1933 and March1938 issues. Covers by MargaretBrundage. Contents include RobertE. Howard, Seabury Quinn, Clark Ashton Smith, H. P. Lovecrat, andothers. Complete covers and spines,supple pages. Minimal ading to thespines. Some browning and brittle-ness to the outer pages. Trimmed.Approximate Bookery’s Guide toPulps value or group = $300.

93520 Weird Tales Gro(Popular Fiction, 1935-3Condition: Average FN-. Includthe April 1935 (“Out o the Eons” H. P. Lovecrat, Margaret Brundacover) and August 1939 (“Almurpt. 3 by Robert E. Howard, VirFinlay cover). Complete covesupple pages. Complete, deep rspines. Trimmed; otherwise, in condition. Approximate BookerGuide to Pulps value or group$225.

93521 The Whisperer V1(Street & Smith, 1936) ConditioFN-. Debut issue. Complete coers, small piece missing rom tail spine, supple o-white pages, taning to cover interiors. BookerGuide to Pulps FN value = $30

93522 Wu Fang - March 19

(Popular, 1936) Condition: VFinal issue o the o-beat wemenace title. Story by Robert Hogan. Cover by Jerome RozeComplete and unaded covers aspine; tanning an a ew edge teato the pages, which show very tle brittleness. Bookery’s Guide Pulps VG value = $400.




93523 Wu Fang - November1935 (Popular, 1935) Condition:FN-. Cover by Jerome Rozen. Storyby Robert J. Hogan. Complete andunaded covers and spine, light tanbut supple pages. Bottom edgetrimmed. Bookery’s Guide to PulpsFN value = $600.

93524 Wu Fang - October 1935(Popular, 1935) Condition: FN-. Bondage cover by Jerome Rozen.Content includes Robert J. Hoganand Paul Ernst. Bright, completecovers and spine, supple o-whitepages with a mild amount o tan-ning along the bottom edges.Bookery’s Guide to Pulps FN value =$600.

memorABiliA

93525 Big Little Book #1119Betty Boop (Whitman, 1934)Condition: VF+. Betty Boop inSnow White. Hardcover edition, 240pages. Overstreet 2011 VF/NM 9.0value = $600.

93526 Big Little Book #1158Betty Boop (Whitman, 1935)Condition: VF-. Betty Boop in“Miss Gulliver’s Travels”. 288pages. Overstreet lists as “scarce”.Overstreet 2011 FN 6.0 value =$250; VF 8.0 value = $700.

93527 Batman Trojan ClipperBinoculars (Fee and Stemwedel,c. 1940s). Vintage pair o small sizebinoculars, in a worn black leathercase. The case has a painted 1.5”x 1.75” Batman and Robin image,based on the cover art to Batman#9. The art is badly aded, butappears to have been painted on bythe manuacturer, and not a 1944decal, making this one o the earli-est Batman-related products. Thebinoculars have no Batman mark-ings. In overall VG condition. Fromthe Ben Novack, Jr. Estate Collection.

93528 Batman and RobinNumbered Pencil and Paint Set(Hasbro, 1965). Rare pre-TV showitem (box eatures great die-cutBatman without the yellow ovalaround his Bat-emblem), still shrink-wrapped in original box. Completeand unused, in Excellent condition.Not listed in Hake’s. From the Ben

Novack, Jr. Estate Collection.

93529 Batman 6 Ft. CardboardStandee (DC, 1966). MurphyAnderson-designed lie-sizestandee, used to promote All StarDairies. Folded, with partially tornarea along let elbow; overall con-dition FN+. Hake’s Pop CultureMemorabilia Price Guide FN value =$225; NM value = $400.

93530 Batman All Star DairiesHomogenized Milk Sign (DC,1966). Heavy paper sign measur-ing 24” x 44”, in Excellent condition.Not listed in Hake’s, but two othersimilar signs or All Star Dairies arelisted with a NM value o $300 each.

93531 Batman and RobinCeramic Bookends (1966). Niceset o heavy bookends, each withBatman or Robin posed in ront o building and Batmobile. Each book-end stands approximately 6.5” tall.Marked with National PeriodicalPublications 1966 copyright notice.No major chips, but some minorpaint loss, particularly on Robin’s “R”emblem. Overall condition Fine. Notlisted in Hake’s. From the BenNovack, Jr. Estate Collection.

93532 Batman Bullhorn Ca

Toy (Bayshore Industries, 1Black plastic “bullhorn” with Balogo and image on card. Mireed insert mouthpiece, othecomplete and in Very Good dition. Not listed in Hake’s, bcomplete carded example recsold or $379.50 online. FromBen Novack, Jr. Estate Colle

93533 Batman and RPeriscope (Bar-Zim, 1Cardboard and plastic playperiscope with mirror viewers.was originally sold without a but this comes with custom-mPlexiglas tube holder. In Fine dition. Not listed in Hake’s.the Ben Novack, Jr. Estate Colle




93534 Batman Plastic Flicker

Ring Group (1966). Set o twelvesilver-base plastic Flicker Rings, plusa vending machine Lenticular dis-play sign (5” x 4” “Member BatmanRing Club” sign), and an uncut 1.5”x 2.75” Flicker Miniature Picturespiece with six dierent sets o scenes, showing Batman and Robin,the Riddler, the Joker, the Penguin,etc. All items are in Excellent con-dition. Rings are housed in black leatherette box. Hake’s Pop CultureMemorabilia Price Guide NM valueor each ring = $40; NM value orindividual Miniature Pictures =$18. From the Ben Novack, Jr. EstateCollection.

93535 Batman Child’s CharmBracelet and Watch Group (1966). Includes two dierent Batmanenameled metal charm braceletson original store cards, and a plasticplay Bat-Watch on a colorul blistercard. All items in Excellent condi-tion. None are listed in Hake’s. From

the Ben Novack, Jr. Estate Collection.

93536 Batman TV Capewith Badge and Mask (B & KEnterprises c. 1966). Still-sealedpackaged cape, “Charter MemberBatman & Robin Society” 3.5” pin-back button, and domino-style

mask set. Plastic wrap shows age,and paper insert has a ew minorstorage dings, but contents remainin Excellent condition. Not listedin Hake’s. From the Ben Novack, Jr.Estate Collection.

93537 Batman Batmobile SlotCar in Box (Classic Industries Inc.,1966). Original 1966 1:24 scale

“ready race” Batmobile slot car,in die-cut store box. Car appearsunused in Excellent condition; boxis in VG, with tears and tape repair.Not listed in Hake’s, but car aloneusually sells or $300 online. Fromthe Ben Novack, Jr. Estate Collection.

93538 Batman Trace-a-graphDrawing Unit and Kit (Emenee,1966). Boxed plastic electric lighttable with attached pencil box(colored pencils and sharpenerincluded) and Batman decal, plus apacket o tracing sheets. In overallFine condition, with some minorwear to the box and kit envelope.Not listed in Hake’s. From the BenNovack, Jr. Estate Collection.

93539 Batman Puppet TheatrePlayset (Ideal Toy Corp., 1966). Rare Sears-exclusive set. Includesunassembled cardboard Batman

Theatre and three plastic-headhand puppets, Batman, Robin,and the Joker (an exclusive itemavailable only with this set). Alsoincludes original instruction sheet.Some minor water damage hasaected the original shipping boxand instruction sheet, but card-board items and puppets remainin Excellent unused condition. Notlisted in Hake’s, but the Joker pup-

pet alone is oered or over $600 oneBay. From the Ben Novack, Jr. EstateCollection.

93540 Batman Play Suit BoxedSet (Berwick, 1966). British-madechild’s play suit, in original box. Boxshows considerable wear, with topmissing one side panel; suit appearsin Excellent unused condition.Not listed in Hake’s. From the BenNovack, Jr. Estate Collection.

93541 Batman ForeverBatarang Prop Signed by ValKilmer (1995). Impressive metallic-

painted resin prop, signed in silvermarker by Batman actor Val Kilmer,and housed in an elaborate woodand glass box (with a ew minorsurace scratches). A color photoprint o Kilmer signing the propaccompanies the lot. Also included:a Batman and Robin (1997) Bat-logomousepad, and a small wood/metalBatman Batarang display, stampedon back with a DC 2001 copyright,#740/1,000. All items are in Excellentcondition unless noted. From theBen Novack, Jr. Estate Collection.

93542 Batman Movie PosterAutographed Group (2005-08). Set o two one sheet (27” x 41”)original release movie posters, oneor Batman Begins with color markerautographs rom stars Christian Bale,Morgan Freeman, Ken Watanabe,Katie Holmes, Liam Neeson, GaryOldman, Michael Caine, Cillian

Murphy, Tom Wilkinson, directorChristopher Nolan, screenwriterDavid S. Goyer, and composer HansZimmer (with COA, giving detailedlistings o how and where the auto-graphs were obtained); plus one orThe Dark Knight , signed by HeathLedger, Michael Caine, MaggieGyllenhaal, Gary Oldman, andMorgan Freeman (also with COA).Both posters are double-sided inspecial rames, and are in Excellentcondition. From the Ben Novack, Jr.Estate Collection.

93543 Batman and RelatCollector Figure Group (DDirect, 2007). Group o six delu

boxed gures, including BatmaBatman Classic, Batgirl ClassBatgirl Variant (black costumSupergirl Classic, and Black CanaAll are in Excellent unopened contion. Not listed in Hake’s; individuboxed gures commonly sell onlirom $45 up to $350 apiece. Frothe Ben Novack, Jr. Estate Collectio

93544 Batman and the JokPorcelain Bust Limited EditiGroup (DC Direct, 2008). KolJukes designed these two 1:2 scacold cast porcelain busts, whieature cloth and leather costumhighlights. The Batman bust #529/900. There is a small glue staalong the lower edge o the cloand a small color chip has occurrabove Batman’s mouth; otherwiit’s in Excellent condition. The Jokis #829/1,000, and eatures a plasower and real buttons on his shand vest. Excellent condition. N

listed in Hake’s, but these are usuaoered online or $295 each. Frothe Ben Novack, Jr. Estate Collectio

93545 Batman Robin a

Batgirl Adult Costume Gro(undated). Proessionally maadult costumes or Batman (19

TV style, includes cape, shirt, panand leather boots, size unknowRobin (medium-size tee shirt alace-up cloth vest), and Batgirl (onpiece body suit, cape, gloves, asize 7 1/2 leather boots. Items, espcially both pairs o boots, appearExcellent unused condition. Frothe Ben Novack, Jr. Estate Collectio




93546 Buck Rogers RocketPistol XZ-35 (Daisy, 1935). Theso-called “Wilma’s Gun,” with black nish and cocking handle. Some

areas o light rust, but overall in FN/VF condition. Hake’s Pop CultureMemorabilia Price Guide FN value =$300

93547 Buck Rogers AtomicPistol U-238 (Daisy, 1946). Gold-nish metal toy ray gun. Flint stillproduces a spark when trigger ispulled. Some paint loss and minorrust, but no major problems. OverallFN condition. Hake’s Pop CultureMemorabilia Price Guide FN value =$350.

93548 How To Make Money ByWriting or Comics Magazinesby Robert Kanigher (CambridgeHouse, 1943) Condition: GD/VG. The earliest work on the topic— our years earlier than StanLee’s Secrets Behind the Comics.Contents include a Captain Marvelsample script and a 14-page SteelSterling comic story sample with artby Irv Novick. 92 pages.

93549 Mickey Mouse RingQuoits Boxed Game (Chad Valley,1930s). Early Disney ring-tossgame, made in England. Gameboard appears VF, but metal hookshave some rust; one rubber ring isbroken. Box is in GD. Not listed inHake’s.

93550 Mickey Mouse RecipeScrap Book and Envelope (Maier’sBread, 1930s). A orty-eight pagebooklet with areas meant or paperpicture cards (issued in loaves o bread) to be pasted in. This copyis missing 21 cards. Condition o both is FN. Hake’s Mickey MouseCollectibles Price Guide FN value orbook (without cards) = $110.

93551 Mickey Mouse BubbleGum Card Group (1930s). Groupo 63 sti cardboard trading cardsissued in packs o Mickey MouseGum during the 1930s. Most areissued rom Mickey Mouse BubbleGum Company in Philadelphia,

although two are similar cardsissued by the O-Pee-Chee Companyin Canada. Cards are numbered1 to 96, with several duplicates.Condition ranges rom Fair to VF,with many appearing mid-grade.Average Hake’s value per card (inFN) is $35; but only the Canadiancards are listed.

93552 Mickey Mouse Watch inBirthday Box (US Time/Ingersoll,c. 1950). Plastic band MickeyMouse wristwatch in original box,which eatures an image o Bongo

Bear, rom Fun and Fancy Free(1947), alongside Mickey, Donald,Pinocchio, and others. Box includes4-page instruction booklet. Thewatch is in Excellent condition: thebox has some edge wear, but is inoverall VG/FN. This particular modelis not listed in Hake’s; a similarwatch lists in Hake’s Mickey MouseCollectibles Price Guide or $650.

93553 Frank Miller TheDark Knight Limited SlipcaseHardcover Edition Signed Artist’sProo (DC/Graphitti Designs,1986). Frank Miller’s groundbreak-ing updated Batman graphic novel,in a deluxe ormat limited to 4,000copies. Signed and marked “AP” on

the inside title page. Dust jacket isprotected by library-style plasticcover. Excellent condition. Fromthe Ben Novack, Jr. Estate Collection.

93554 Overstreet Price GuideGroup o 8 (Bob Overstreet,1973-87) Condition: Average NM. Hardcover editions o #6 and 7,leather bound editions o #15 (num-bered 62 o 75) and 17 (numbered59 o 74), and sotcover editions o #3, 4, 8, and 9. Note that #4 has sub-stantial oxing on the page edges,and #6 and 7 have minor oxing.

Tight bindings with that “neverbeen opened” look! Overstreet NMvalue or group = $1,535.

93555 Peanuts by Sc

Buttons and Felt Banner (UnFeatures Syndicate, 1966).o twelve 1.75” pinback bueaturing Charlie Brown, SnoLucy, and Linus, on a pink estore display banner measapproximately 6.5” x 11”. Bais supported by wooden pin gold-painted tips and black taIn overall Very Fine conditionlisted in Hake’s. Very cool! FromBen Novack, Jr. Estate Collection

93556 Picture ProgUnopened 10-Pack (Gilbe1954-55) Condition: AveNM-. Unusual package o edtional comic books, rom the publishers o Classics Illustr

This sealed store pack co

ten issues; visible are V2#4 Star Spangled Banner”), and (“Alaska: the Great Land”). Therent Overstreet lists NM- 9.2 vor individual copies at $75 to




93557 Puck The Comic WeeklySales Pamphlet - Mile High pedi-gree (Hearst, 1934) Condition:Qualifed VF/NM. A 12-page ull-color pamphlet aimed at potentialadvertisers or the Sunday comicsection that ran in all Hearst news-papers. Part text, part illustratedwith Popeye leading a sales meet-ing. The Katzenjammer Kids, BringingUp Father , Blondie, Mickey Mouse,and more. Staples removed. Fromthe Chuck Rozanski Collection.

93558 Tijuana Bible ComixGroup (Various, 1930s-60s). Collection o “Tijuana Bibles”, thenotorious little eight-page sexcomic that was a true precursor tothe Undergrounds o the sixtiesand seventies. There are about 50

or so books, a ew dating back tothe 1930s, but the majority appear-ing to have been later-day reprints.

These are mostly based on comicstrip characters, rather than real liepersonalities, and range rom Fair(one book is completely split, withall pages loose) to VF. Not listed inFogel’s Underground Price Guide

oriGinAl Art

93559 Neal Adams AmazingSpider-Man Illustration OriginalArt (undated). This colored markeron paper sketch o your riendlyneighborhood wall-crawler by theSilver, Bronze, and Modern Age leg-end has an overall size o 11” x 13.5”,and the art is in Excellent condition.

93560 Sergio Aragones Mad Super Special #14 Complete “CatDreams” Story Original Art (EC,1974). Well, i you had his job, youmight dream o cats, too! Six ink andamberlith overlay panels on ourbristol pages measuring 9.5” x 11.5”.

In Excellent condition.

93561 Arantza Sestayo Sword Song, Volume One: Sisterhood o Steel Illustration Original Art(SQP, 2008). Powerul portrait o a woman warrior by awe-inspiringpainter, Arantza. Oil on heavy illus-tration paper with an image areao 11” x 16”. In Excellent condition.Signed by the artist at the bottomright.

93562 Al Avison Kerry Drake Detective Cases #12 CoverOriginal Art (Harvey, 1949). Meeoww — cat ght! This dramaticcover by Al Avison is a pre-Codecrime knockout. This hard-hittingscene has an image area measuringapproximately 10” x 15”. The glue onthe stats has come loose and thesmaller type elements are missing;otherwise, the art is in Very Goodcondition.

93563 Al Avison Chamber o Chills #10 Complete 4-Page Story“The Cave” Original Art (Harvey,1952). Open mouth, insert twoscientists! In the rozen wastes o Antarctica, two anthropologists dis-cover that the “giants that used towalk the Earth” are more than leg-ends. The image area measures 12”x 18”. Some edge wear, aging appar-ent and replacement art and typetreatments, but otherwise in VeryGood condition.

93564 Chris Bachalo and MaBuckingham Generation X #Page 6 Original Art (Marv1996). Stan Thomas’ rustratiwith Banshee explodes in this parom “Skin o Our Teeth.” The art han image area o 9” x 13”, and isExcellent condition.

93565 Dave Berg Mad #Illustration Original Art Grou(EC, 1959). Set o six illustratioby Dave Berg or the eature, “‘W- Don’t Walk’ Signals.” Renderedink on duo tone paper, the illusttions measure approximately 1x 13” and they average Very Gocondition. Includes three 8.5” x 1

black and white photocopies o tprinted pages in Good conditio




93566 Frank Bolle Red Mask #43 Original Cover Art (MagazineEnterprises, 1954). One o themore successul Western titles o the late Golden Age, Tim Holt changed its name to The Red Mask with this issue. With covers by Frank Bolle and interior stories by the likeso Dick Ayers and Fred Guardineer,the title lasted another severalyears, nally ending with issue #54in 1957. The cover oered here is abeauty, measuring approximately9.25” x 14” overall and in Excellentcondition.

93567 Pat Boyette Flash Gordon #14 Splash Page 1 Original Art(Charlton, 1969). Pat Boyette’s tal-ent or creating an eerie settingis showcased in this splash rom“Rancor and The Seven Shadowso Flash Gordon.” This page has animage area o 10” x 15”, and asiderom some paper aging at the right,it is in Very Good condition.

93568 Pat Boyette Flash Gordon #14 Page 2 Original Art (Charlton,1969). Pat Boyette was a mas-ter at creating awesome lookingmonsters, as can be seen in thischiller rom “Rancor and The SevenShadows o Flash Gordon.” This pagehas an image area o 10” x 15”, and itis in Excellent condition.

93569 Pat Boyette Flash Gordon #14 Page 3 Original Art (Charlton,1969). This montage rom “Rancorand The Seven Shadows o FlashGordon” is cloaked in gothic men-ace. This page has an image areao 10” x 15”, and it is in Excellentcondition.

93570 Pat Boyette Flash Gordon #14 Page 5 Original Art (Charlton,1969). Pat Boyette went all-in onthis spectacular page rom “Rancorand The Seven Shadows o FlashGordon.” Magnicent pen work.

This page has an image area o 10”x 15”, and it is in Excellent condition.

93571 Pat Boyette FlashGordon #14 Page 23 Original Art(Charlton, 1969). Pat Boyette puthis own unique horror spin on AlexRaymond’s immortal characters.

This thriller has an image area o 10”x 15”, and aside rom some overallpaper aging, it is in Very Good con-dition.

93572 Dan Brereton Ultra X-Men Card Set Painting OriginalArt (Fleer, 1994). Originally pre-sented as a triptych o cards 115,116, and 117 in Fleer’s 1994 UltraX-Men card set, this is ar and awaysome o Dan Brereton’s best work.Fully painted in acrylics on heavyart paper, this portrait o Marvel’sX-Force virtually explodes withpower and excitement. Measuring

approximately 23” x 14”, with animage area o approximately 22.75”x 11.25”, the piece is signed anddated by the artist in the lower rightcorner. A piece that truly must beseen to be ully appreciated.

93573 Dan BreretonNocturnals #2 Page 6 Origina(Malibu, 1995). The Noctuare a group o comic-book chters who lurk in the night and crime in Pacic City. This mpage rom “Black Planet: Part has an image area o 12.5” x 18it is in Excellent condition.

93574 Dan BreretonNocturnals #3 Page 9 Origina

(Malibu, 1995). The Noctuhave been eatured in the ics Nocturnals: Black PlWitching Hour, The Dark ForGunwitch: Outskirts o Dand Nocturnals: Troll Bridgeexpressive page rom “Black PlPart Three” has an image are12.5” x 18”, and it is in Excellentdition.




93575 Dan Brereton TheNocturnals #5 Page 15 Original Art(Malibu, 1995). Polychrome andStarsh co-star in this atmosphericpage rom “Black Planet: Part Five.”

This piece has an image area o 12.5”x 18”, and it is in Excellent condition.

93576 Cesar Britez Flirt! The Art o Naughty Vol. 2 IllustrationOriginal Art (SQP, 2005). Lusciousull color illustration by Cesar Britezrom SQP’s second volume o pin-ups, Flirt!, rendered in mixed media

on heavy illustration paper. The arthas an image area o 12” x 15.75”. InExcellent condition.

93577 Mark Buckingham Doctor Strange, Sorcerer Supreme #86Cover Original Art (Marvel, 1996). The menacing presence o thenearious Baron Mordo hangs overStephen Strange in this delicatelyrendered cover illustration by Mark Buckingham. The art has an imagearea o 10” x 15” and it includes thelogo and masthead art on an ace-tate overlay. In Excellent condition.Signed by the artist at the right.

93578 John Buscema andAlredo Alcala Savage Sword o Conan #7 Page 18 Original Art(Marvel, 1975). John Buscemaand Alcala made or an unbeatableart team on the Savage Sword o Conan. Buscema’s masterul guredrawing was given the perect n-ish by Filipino comics legend Alcala.

The image area o this page is 10.5”x 15”, and the art is in Excellent con-dition. Buscema signed the page inits upper margin.

93579 John Buscema and theTribe Conan the Barbarian #65Page 13 Original Art (Marvel,1976). The ancient pygmy leader,

Tezcatlipoca has plans or the beau-tiul Belit, and has Conan tossedinto the dungeon, in this page rom“Fiends o the Feathered Serpent.”

The art has an image area o 10” x15” and aside rom paper tanning, itis in Excellent condition.

93580 John Buscema and

Steve Gan Conan the Barbarian #61 Page 3 Original Art (Marvel,1976). Conan tangles with insub-ordinate Kawaku, in this page rom“On the Track o the She-Pirate!” Theart has an image area o 10” x 15”.Some tape residue along the topand bottom edges and light soilingand a crease in the art at the upperright corner (outside o the imagearea); otherwise the art is in VeryGood condition. Signed by JohnBuscema at the upper let.

93581 John Buscema and ToDeZuniga The Savage Sword Conan #58 Page 8 Original A(Marvel, 1980). In the ugitBalad’s hideaway, Conan attempto convince the Shanki prince thhe is the key to Zamboula, in tpage rom the tale, “For the Throo Zamboula.” The art has an imaarea o 10.5” x 15”. Aside rom somZipatone yellowing, the art is in VeGood condition.

93582 John Buscema Ernie Chan The Savage Swoo Conan #199 Page 19 OriginArt (Marvel, 1992). Crom’s bon

There’s ancient sorcery at handthis page rom the tale, “Treacheon Tortage.” The art has an imaarea o 10.5” x 15” and it is Excellent condition.




93583 John Byrne and AlGordon Fantastic Four #293Page 18 Original Art (Marvel,1986). When a gigantic ebonydome appears out o no where theAvengers are called to investigate.When Earth’s Mightiest Heroes ailto solve the mystery, the FantasticFour are called in. When they aresuddenly sucked into the black void beyond, that is when the trueadventure begins in this page rom

“Central City Does Not Answer.” Thiswas John Byrne’s last issue on hisincredible FF run in the eighties.

The art has an image area o 10” x15” and it is in Excellent condition.

93584 John Byrne and TomPalmer X-Men: the Hidden Years #3Marvel Girl and Magneto Page 8Original Art (Marvel, 2000). You’llhave a hard time nding a modern“retro” page that can top this onerom “On Wings o Angels” spot-lighting Marvel Girl and the ghost o Magneto. This dynamic page by twoo Marvel’s nest has an image area

o 10” x 15”, and the art is in Excellentcondition.

93585 Greg Capullo and ToddMcFarlane Spawn #39 SplashPage 9 Original Art (Image, 1995). Spawn makes a dramatic, explosiveentrance in this detailed splashrom the Image Christmas yarn,“Noel.” The art has an image area o 10” x 15.5”, and it is in Excellent con-dition.

93586 Greg Capullo, ToddMcFarlane, and Chance Wol

Spawn #64 Page 9 Original Art(Image, 1997). Spawn showsno mercy to Jason Wynn’s pri-vate security orce, in this pagerom “Checkmate.” The art has animage area o 10.5” x 15.5” and itis in Excellent condition. Includesa Certicate o Authenticity and acopy o Spawn #64.

93587 Joe Certa Witches Tales#15 Complete 7-page Story “TheWell o Mystery” Original Art(Harvey, 1952). This tale o twocollege chums, greed, and two hun-dred year old revenge, by Joe Certa,is introduced by a crone that looksamazingly similar to EC’s Old Witch.

These pages are packed with a loto detail and texture, and the storyrambles rom a college campus inEngland, to a mansion on an islandin the West Indies. Each page has a12” x 18” image area, and the art is inExcellent condition.

93588 Paul Chadwick and Jackson Guice Dazzler #41 CoverOriginal Art (Marvel, 1982).

Two modern comics an-avoritesteamed to create this eerily compel-ling cover scene or “Revelations.”

The art has an image area o 10” x15”, and the art is in Excellent condi-tion.

93589 Howard Chaykin Scor#1 Page 7 Original Art (ASeaboard Publ., 1975).These acpacked scenes hail rom the “The Death Gemini CommisHoward Chaykin’s dynamic lashow a bit o an Alex Toth infuhere. This page has an image ar10” x 15”, and aside rom an irreright margin, the art is in Excecondition. Inscribed and signeChaykin in the upper right ma

93590 Howard Chaykin Scor#1 Page 12 Original Art (ASeaboard Publ., 1975). Lladies and dirty thirties atmosphelped make this series (and itator) a an avorite. Bold designast-paced storytelling are the hallmarks o this Howard Chpage rom the romp, “The DGemini Commission.” This pagean image area o 10” x 15”, anart is in Excellent condition. Inscand signed by Chaykin in the llet margin.




93591 Christmas Coloring Book Cover Painting Original Art (c.1950s). Have yoursel a merry,merry Christmas with this jolly por-trait o Santa Claus. This colorulgouache on board painting has animage area o 11” x 15.5”, and it hasbeen matted and ramed to an over-all size o 17” x 21”. The art is in VeryGood condition. From the Estateo John McLaughlin.

93592 Bob Clarke Mad #91Illustration Original Art Group(EC, 1964). Two illustrations byBob Clarke or the eature, “WhyNot Warnings on All Packages!”Rendered in mixed media on heavy

illustration board, each illustrationhas an image area o approximately15” x 16”. In Very Good condition.

The Alred E. Neuman portrait is aphotostat paste-up.

93593 Dave Cockrum Eerie #36“Oh Brother” Title Page 3 OriginalArt (Warren, 1972). Alien crea-tures have landed and are attackingEarth! Kill them!! But are they reallyrom another planet? One o DaveCockrum’s earliest proessionalcomic book stories, “Oh, Brother!” isa cautionary tale rendered entirelyin pencil, with only the captionsand sound eects inked on theseincredible pages. The page has animage area o 12” x 17”, It has beentreated with spray-xative to pre-

serve the penciled art, and thereis some very light discolorationas a result; otherwise, the art is inExcellent condition.

93594 Gene Colan World o Fantasy #10 Complete 4-PageStory “The Last Stop” OriginalArt (Atlas, 1957). Even drawn atsmaller than usual size, this chilleris still packed with plenty o dramaand detail. Each page o this yarnhas an image area o 8.25” x 12.25”,and the art averages in Excellentcondition.

93595 Gene Colan and SteveMitchell Silverblade #3 TitleSplash Page 2 Original Art (DC,1987). A distressed damsel is con-ronted with a Creature rom theBlack Lagoon-esque monster in thiseye-catching title splash page romthe story “The Bird Who Knew TooMuch.” Legendary artist Gene “theDean” Colan is aided and abetted byinker Steve Mitchell on this obeatseries about a past-his-prime moviestar trying to recapture his past

glory. The artwork has some waterdamage in the top let corner andsome light tanning in the borders,but is overall in Very Good condi-tion. The image area measures 12” x18”.

93596 Darwyn Cooke DC: TheNew Frontier #3 Page 44 OriginalArt (DC, 2004). John Jones returnshome to nd a dark-garbed visitor...Batman, in this page rom the Eisner,Harvey, and Shuster Award-winningsix-issue comic book limited serieswritten and drawn by DarwynCooke. The art has an image area o 9” x 14”, and it is in Excellent condi-tion. Signed by Darwyn Cooke atthe lower right.

93597 Darwyn Cooke DC: TNew Frontier #3 Page 48 OriginArt (DC, 2004). Wonder Womamoment o triumph is cut short, this page rom the Eisner, Harvand Shuster Award-winning combook limited series written adrawn by Darwyn Cooke. The ahas an image area o 9” x 14”, andis in Excellent condition. Signed Darwyn Cooke at the lower rig

93598 Darwyn Cooke WondWoman Illustration Original A(undated). Eisner Award-winniartist and creator o the six-issminiseries DC: The New FrontiDarwyn Cooke, spotlights tAmazing Amazon in this “ull-ured” drawing. Marker on brispaper with an overall size o 14” x 1Aside rom a whited-out name the inscription, the art is in Excellecondition. Signed by Darwyn Cooat the upper let.




93599 Reed Crandall FlashGordon #12 Page 7 Original Art(Charlton, 1969). Flash Gordon andDr. Hans Zarkov pilot a rocket shipthrough a deadly space age dog-ght. Reed Crandall was a master o antasy art and this page showcaseshis talent or ast-paced action.Crandall brought an unsurpasseddratsmanship to the comic book eld. The image area o the page is10” x 15”, and the art is in Excellent

condition.

93600 Carl Critchlow Batman/ Judge Dredd: The Ultimate Riddle Splash Page 15 Original Art (DC,1995). Quintessential image o theGotham Guardian in a memorableGothic scenario by Carl Critchlow,rom the Batman-Judge Dreddcrossover. Painted in mixed mediaon heavy paper, the art has animage area o 10.25” x 15.25”. InExcellent condition. Includes thehand-written word balloons on aseparate vellum overlay.

93601 Carl Critchlow BatmanMaster Series Trading Card #27 Target Practice IllustrationOriginal Art (DC/Skybox, 1996). Masterul painted image o theCrime Clown by Carl Critchlow, ren-dered in mixed media on paper. Theart has an image area o 8.5” x 11.5”.In Excellent condition.

93602 E.R. Cruz House o Secrets#145 “Shark-Man” Title Page 1Original Art (DC, 1977). The titlesplash page or “The Shark-ManCometh” is rendered in sultry linesby the amazing E. R. Cruz, one o thenest o the Philippine expatriateswho joined DC in the sixties andseventies. This page has an imagearea o 10” x 15”, and the art is inVery Good condition.

93603 E. R. Cruz House o Mystery #258 “Wake Up the Dead”Title Page 1 Original Art (DC,1978). Dr. Charles Maynard mightwell be mistaken or Jack the Ripper,as he seeks to raise his dead wie byimplanting her brain into the bodyo an unwilling subject — but thatsubject turns out to be a murderess,and things do not go well. Superbartist E. R. Cruz employs an evoca-tive panel layout to heighten the

terror. The art is in Very Good condi-tion, with an image area o 10” x 15”.

93604 The Dark Crystal AlternateMovie Poster Illustration OriginalArt (Universal, 1982). “On another planet in the distant past, a Gelingembarks on a quest to fnd the miss-ing shard o a magical crystal, and sorestore order to his world.” This evoca-tive scene was created to promotethe amed antasy lm, starringthe voices o Jim Henson, KathrynMullen, Frank Oz, Dave Goelz, BrianMuehl, and Billie Whitelaw, anddirected by Jim Henson and Frank Oz. This airbrushed illustration has an

image area o 18” x 28.5”, and asiderom some small scattered stains, it isin Very Good condition.

93605 Alan Davis and MFarmer Spider-Man: The OfMovie Adaptation RadioaSpider Bite Page 3 Origina(Marvel, 2002). On May 3rd, the world went or the ultispin as the big-budget Spidermotion picture exploded amovie screens. You can re-exence all the action, all the romall the humor, and all o the exment in Marvel’s ofcial comic adaptation. This wordless momarvel has an image area o14”, and it’s in Excellent condSigned by Davis and Farmer lower margin.

93606 Gene Day Master o KFu #105 Page 21 Original(Marvel, 1981). This stunning rom “The Razor-Fist Connecco-starring Sata, has an imageo 10” x 15”, and aside rom a cliupper right corner (outsideimage area), it is in Excellent ction.




93607 David Day and Dan Day Space: 1999 Illustration OriginalArt (1986). In a letter to the Space1970 blog, artist David Day wrote o this stellar piece, “My name is DavidDay, I am the youngest brother o Gene Day. I was 16 years old whenmy brother Gene passed awayin 1982. I drew the Space: 1999piece above or Sword and StonePublications who bought the rightsrom Charlton Comics Archives. It

was not Gene that created that pic-ture. I drew it and my brother Daninked it. It was done in 1986 whenI was 20 years old.” This piece has animage area o 9.75” x 15”, and the artis in Excellent condition.

93608 Ray Dirgo The Jetsons#16 Cover Original Art (Charlton,1972).Crazy, cosmic, cover shtick byRay Dirgo. Measures 14” x 23” witha 12.5” x 19” image area. Includesoriginal logo and indicia paste-ups.In Excellent condition.

93609 Ray Dirgo HannaBarbera Parade #8 Cover OriginalArt (Charlton, 1972). Two stats o this cover are loose, but present.

This cover contains most o H-B’sbiggest stars. This page measures21.5” x 14.5”, and aside rom two artcorrection paste-ups o Fred andBarney, and Pebbles, and some lightglue staining, the art is in Very Goodcondition.

93610 Luis Dominguez Weird Mystery Tales #19 Cover OriginalArt (DC, 1975). One o the best-remembered DC horror covers o the ‘70s, this striking image by LuisDominguez manages to be bothsexy and uber-creepy. The art is inVery Good condition, with an imagearea measuring 10” x 15”.

93611 Luis Dominguez Ghosts #91 Cover Original Art (DC, 1979). It’s death to murderous ortunehunters in this eerie thriller bythe talented Luis Dominguez. Theimage area o this piece measures9.75” x 15”, and aside rom somemarker ading in spots, the art is inVery Good condition.

93612 Michael Dubisch Faithsand Pantheons “Orc Group”Illustration Original Art (Wizardso the Coast, 2001). MichaelDubisch brings the Orc pantheonto brutal lie in this atmosphericillustration, which was published onpage 149 o Faiths and Pantheons.Rendered in mixed media on heavypaper, the image area measures22.75” x 14.5”, and the piece hasbeen matted to an overall size o 27” x 19.5”. In Excellent condition.Signed by Michael Dubisch at thelower let.

93613 Hy Eisman (attributed)Katzenjammer Kids #26 CoverOriginal Art (Harvey, 1953). Asusual, the Captain is the “butt”o Hans and Fritz’s prank in thisslapstick cover. The image areameasures 7” x 10.5”, and the artincludes the original logo paste-up.Some o the type elements at thetop touting 3-D stories are miss-ing, otherwise, the condition is VeryGood.

93614 Lee Elias Planet Com#24 Page 48 Original Art (FictioHouse, 1943). This early Gale Alland the Girl Squadron page, by tlegendary Harvey and DC artist LElias, has an image area o 13” x 1Aside rom some edge and cornwear, the art is in Very Good contion.

93615 Emsh (Edward EmshwillSci-Fi Cover Preliminary OriginArt (undated). This expressive “gogirl” sci- prelim, or an unknowpublication by the Hugo award-wning artist, has an image area o 57.25”. The art is in Excellent conditio

93616 Emsh (Edward EmshwillPlanets Mean Trouble Sci-Fi CovPreliminary Original Art (undate This sci- prelim or Planets MeTrouble has an image area o 4.256”. The condition o the art is Excelle




93617 Emsh (Edward Emshwiller)“Stories by Leiber” Sci-Fi CoverPreliminary Original Art (undated). This thrilling sci- prelim or anunidentied publication eaturingstories by science ction author FritzLeiber has an image area o 4.25” x 6”. The condition o the art is Excellent.

93618 Emsh (Edward Emshwiller)Sci-Fi Cover Preliminary OriginalArt (undated). This vibrant sci-prelim or an unidentied publica-tion by the Hugo award-winner hasan image area o 5.5” x 7.25”. Thecondition o the art is Excellent.

93619 Enric (Enrique Torres-Prat) Vampirella with SkullsPainting Original Art (undated). Vampi doesn’t seem to notice thewraith-like wench hovering behindher, but she sure caught our eye,not that the bloodsucking baberom Drakulon is any slouch hersel.Enric Torres crats a lush image thatis both sinister and sensual. Theimage area measures 25.5” x 35”on unstretched canvas. Please beaware o this important condition

issue: There are consistent horizon-tal crease lines approximately everytwo inches throughout the piece(down the height o the canvas)due to its being improperly rolledat some point. It may be possible toconserve the piece; otherwise, it isin Good condition.

93620 Enric (Enrique Torres-Prat) Vampirella Gold Series - Tiger Painting Original Art (undated).

The sultry bloodsucker rom planetDrakulon poses with a erociouseline in this sublime painting bythe great Enric, part o the “gold”series denoted by the trim aroundthe edges o the painting. The artmeasures 31.5” x 48” on unstretched

canvas. Please be aware o thisimportant condition issue: Thereare consistent horizontal creaselines approximately every twoinches throughout the piece (downthe height o the canvas) due to itsbeing improperly rolled at somepoint. It may be possible to con-serve the piece; otherwise, it is inGood condition.

93621 Ric Estrada and WallyWood DC 100 Page Spectacular #5 Love Stories Page 7 OriginalArt (DC, 1971). Wally Wood’s silkysmooth inks over Ric Estrada pencilsdominate this DC love page. Thissexy page has image area o 10” x15”, and the art is in Excellent condi-tion.

93622 Ric Estrada Our Army at War #285 Complete 6-Page BobKanigher’s Gallery o War Story

“Royal Flush” Original Art (DC,1975). The Gallery o War Stories,each ranging rom our to eighthard-hitting pages, are consideredclassics o the war genre, rankingup there with Archie Goodwin’sBlazing Combat, and HarveyKurtzman’s Two-Fisted Tales and Frontline Combat yarns. RicEstrada does a masterul job o illus-trating Robert Kanigher’s dramao a sailor’s bad luck with his typi-cally bold, high-contrast approach.Each page o this mordant story hasan image area o 10” x 15”. There issome glue or tape staining on thepages; otherwise, they average Very

Good condition. Estrada signedeach page.

93623 Ric Estrada Our ArmWar #297 Complete 6-PageKanigher’s Gallery o War S“The Wild Piper” Original Art1976). Ric Estrada’s back-up stor the DC war books eatured so the most dramatic storyteo his comic book career, and 1972-1982 there was a biironic eature in DC’s war bAround 50 stories were publunder the banner, Bob KanigGallery o War , all written by DCcomics legend, Robert KaniEach page o this war-torn mawork has an image area o 10” x

There is some tape residue stain the margins; otherwise, the paverage Very Good condition. page was signed by Estrada.

93624 Ric Estrada Our ArmWar #301 Complete 6-PageKanigher’s Gallery o War S“Targets” Original Art (DC, 1

The one-time hunter bethe target in this ironic yarn. Wsome o the Gallery o War were drawn by such stellar taas Frank Thorne, Alex Toth,

Spiegle, Doug Wildey, Lee and others, it was the talenteEstrada who did the lion’s sEach page o this beautiully dEstrada eort has an image ar10” x 15”, and the pages aveVery Good condition.




93625 Ric Estrada UnknownSoldier #220 Complete 7-PageBob Kanigher’s Gallery o War Story “O Blood and Roses”Original Art (DC, 1978). DC pulledout all the stops or their mind-boggling Bronze Age series eature,Bob Kanigher’s Gallery o War . RicEstrada did his nest work withwriter Robert Kanigher on DC’s warcomics, and this haunting story isperhaps among the most power-ul o his career. Each page has an

image area o 10” x 15”. Some o thepages have tape residue stains intheir margins; otherwise, they aver-age Very Good condition. Each pagewas signed by Estrada.

93626 Al Feldstein Meet Corliss Archer Partial Page Original Art(Fox, c. 1948). This our-panel sec-tion o an original comic page is agreat example o Al Feldstein’s tal-ent or “good girl” art with pen andbrush. The thicker inked outlines o

his gures nicely ramed the nerdetail lines which comprised a strik-ing style that was perect or theemale orm as is prominently dis-played here. This awesome art hasan image area o 19” x 5.5”, and it hasbeen matted and ramed to an over-all size o 12.5” 26”. There is moderatepaper aging as well, as moderateuse o white out; otherwise, the artis in Very Good condition. From theEstate o John McLaughlin.

93627 David Finch and DannyMiki New Avengers #6 Page 12

and 13 Original Art (Marvel,2005). The Avengers stumbleupon what seems like a division o S.H.I.E.L.D. stealing Vibranium usingenslaved Wolverine look-alikes inthis double page spread rom PartSix o “Breakout!” The art has animage area o 19” x 15.5” and it is inExcellent condition.

93628 Hal Foster Prince ValiantSunday Comic Strip PreliminaryOriginal Art (1973). Here is a HalFoster original layout or the PrinceValiant #1894 strip slated or May27, 1973. This highly detailed pencilsketches is a ne item — it’s clearto see that even in his later years,Foster’s talent was still bright and

sharp. The art is drawn on three-hole punched paper measuring 8.5”x 11”, with an image area o 7” x 10”.Aside rom a piece out o the upperright corner margin, the page is inExcellent condition.

93629 Kelly Freas Mrs.Baird’s Texas Tortillas BillboardIllustration Original Art (DDBNeedham, 1995). Large, hand-painted advertising illustrationby antasy master, Kelly Freas.Rendered in mixed media on heavyillustration board, the work has animage area o 11.5” x 40”. In Excellentcondition.

93630 Kelly Freas Pulp IllustrationOriginal Art (undated). Whetheryou’ve seen his work gracing recordcovers, book jackets, or the coverso Mad Magazine, there’s no doubtthat, unless you’ve been hiding undera rock or the last hal-century, you’veseen the work o Frank Kelly Freas.Best known or a cover he painted orAnalog in 1953 (which later becamethe cover or Queen’s News o the World album), Freas’ work has also gracedsuch diverse publications as Weird

Tales, Planet Stories, Mad, and paper-back covers too numerous to count. This piece is rendered in pen and ink on textured board, measures approxi-mately 8” x 10.75” with an approximateimage area o 6” x 8.5”, is in Excellentcondition, and is signed by the artist inthe lower right corner with his mono-graph.

93631 Kelly Freas Marauderso Gor Paperback FrontispieceIllustration Original Art (DAW,1975). Ivar Forkbeard sails thebounding sea with a buxom bond-maid at the mast, in this ne KellyFreas illustration. In John Norman’spopular Gor series, mighty war-riors hold voluptuous emales inthrall, as evidenced by this kineticrendering, signed by the “Dean o

Science Fiction Artists” Freas witha stylized “k” symbol in the right-most wave orm. Rendered in penand ink on vellum, the image areameasures 6” x 7.5”. There is somepaper tanning; otherwise, the con-dition is Excellent. Includes a copyo Marauders o Gor.

93632 Ron Frenz and J

Sinnott Thor #420 CaptaAmerica Splash Page 1 OriginArt (Marvel, 1982). This issue hthe ground running, with the StSpangled Avenger hotooting to answer an Avengers AssembPriority A-1 Alert. Ron Frenz (laouts) and Joe Sinnott (nishecontinue the “King” Kirby traditiin this crisply inked Marvel mastwork. This page rom “I Death My Destiny: The Black Galaxy Saghas an image area o 10” x 14”, athe art is in Excellent condition. JSinnott signed the back o the pagand a Sinnott-signed print o tsame Cap pose is also included wthis lot.

93633 Ron Frenz and Milgrom Thunderstrike #Splash Page 1 ( AvengersHomage) Original Art (Marv1995). “Can the combined powerWar Machine, Ant-Man, She-Huand Thunderstrike deeat the sinter spells o Loki, God o Evil?” Topening splash to Avengers #1updated in this clever homage peciled by Ron Frenz and inked by Milgrom. The art has an image aro 10” x 15” and includes the originlogo and masthead paste-up art.Excellent condition.




93634 Steve Geiger and BobMcLeod Incredible Hulk #338Cover Original Art (Marvel, 1987). Mysterious alien woman, Mercy,seeks to end Bruce Banner’s painwith death, in this haunting coverimage penciled by Steve Geiger andinked by Bob McLeod. Includes theoriginal logo and masthead paste-up art, and a special eects layer,each mounted onto a separatesheet o acetate. The image area

measures 10” x 15”, and the art is inVery Good condition.

93635 Stan Goldberg Milliethe Model Annual #2 Complete4-Page Story “Toni’s Tragic Tale”Original Art (Marvel, 1963). Holdonto your hats, Stan G. ans, this loteatures pages o our pages o orig-inal art or marvelous Millie’s secondannual. Millie ran without inter-ruption rom the end o World WarII into 1972, making her one o themost durable and beloved o all o Marvel’s characters! And who bet-ter to draw Millie’s exploits than the

delightul Stan Goldberg, or “StanG.”? Even while creating his Millieartwork, Stan G. also ound the timeto color-design all those obeatMarvel superheroes and supervil-lains o the early Sixties. Each pageo this romp has an image areathat measures 12.5” x 18.5”, and thepages average Excellent condition.

93636 Jose Gonzalez PanelPage Original Art (undated). Brothel scenes are always a treat,and this one by the late JoseGonzalez is no exception. A page ullo rilled and eathered proessionalwomen and overbearing johnsmake this humongous paneledpiece sensacionalissimo ! Gonzalez’ssvelte, hal dressed harlots sashayseductively against patterned andelegant backgrounds. The art mea-sures 14.5” x 20.5” and has someslight staining around some o

the word balloon paste-ups, but isin otherwise Excellent condition.Slinky, sexy and available... bid now!

93637 Jose “Pepe” GonzalezVampirella Sketch OriginalArt (undated) Draped in sultryshadows, the undead princess o Drakulon showcases her amplecharms in this lush pencil sketchby Pepe Gonzalez. The art is in VeryGood condition, with an image areameasuring 9” x 12.75”.

93638 Till Goodan WesternRoundup #3 Complete 1-PageStory “The Terrazas Ranch”Original Art (Dell, 1953). Senor

Terrazas’ ranch was considered tobe the largest in the world, believedto cover more than six million acresand running almost a hal millionhead o cattle. This one-page storyhas an image area o 16” x 22” andis in Very Good condition. Signed bythe artist at the right.

93639 No Lot.

93640 Sid Greene Mystery In

Space #77 Star Rovers Page 8Original Art (DC, 1962). Nothingsays “Silver Age” quite like anoriginal Star Rovers page by the top-notch DC team o writer Garner Foxand artist Sid Greene. Add the plot-ting/editing o Julius Schwartz tothe mix, and this page rom “WhereWas I Born? Venus? Mars? Jupiter?” isnothing less than a DC classic. Thisdecidedly cool sci- sensation hasan image area o 13’” x 18”, and theart is in Excellent condition.

93641 Jackson Guice Da#40 Cover Original Art (Ma1985). Dazz encounters meta-powered bikers on a lostretch o Colorado highway, incover by Jackson Guice. This eatured a crossover with SWars II, and it includes its orlogo and masthead paste-up

The art has an image area o 15” and it is in Excellent cond

93642 Paul Gulacy andMilgrom Master o Kung Fu

Page 5 Original Art (Ma1974). Shang Chi stars in nevery panel o this moody rom “Attack.” This was Paul Gurst shot at the Master o KFu book, and or many Bronzereaders, because o his outstanwork, the title became a an-ite. This page has an image ar10” x 15”, and the art is in Very Gcondition. The page was signeits lower border by Gulacy and time MOKF scribe Doug Mo(though Steve Englehart wroteyarn).




93643 Paul Gulacy and PabloMarcus Master o Kung Fu #46Page 16 Original Art (Marvel,1976). The innovative storytellingstyle o Paul Gulacy is spotlighted inthese bone-jarring scenes rom thethriller, “The Spider Spell.” The arthas an image area o 10” x 15”, andaside rom a tape stain at the topand bottom center edges, and a ewtouches o white-out, the conditionis Excellent.

93644 Johnny Hart B.C. Illustration Original Art(undated). This unusual JohnnyHart gag eatures ve panels o the B. C. avorites, colored withcut-out colored lm, and arrangedvertically, rom top to bottom in asequential ashion. This unique mat-ted and ramed piece has an overall

size o 17” x 40.5”, and aside romsome slight buckling in some o thelm areas, the art is in Very Goodcondition.

93645 Johnny Hart B. C. SundayComic Strip Original Art dated10-31-65 (Field Enterprises, Inc.,

1965). Love hurts — especially back in the Stone Age days. This strip hasan image area o 19” x 13”. The stripwas cut between each panel tier(and later rejoined using tape onthe back o the art); otherwise, theart is in Very Good condition. Notethe signed inscription in panel sixthat reers to Krazy Kat cartoonistGeorge Herriman, “To Andy, ...yeah,but Herriman was sane! Best wishes- Johnny Hart.“

93646 Henery Hawk ColoringBook Cover Painting Original Art(c. 1950s). “Boy, I say boy, you’re

painting that ence all wrong, boy — you’ve got to use a roller. Nice kid, but a little short on common sense.” Thisbrightly colored gouache on board

painting o Foghorn Leghorn’sWarner Brothers Cartoon co-starhas an image area o 14” x 18”, and ithas been matted and ramed to anoverall size o 20.5” x 24.5”. The artis in Very Good condition. From theEstate o John McLaughlin.

93647 Mike Homan Ballad o Utopia #1 Complete 20-PageStory Original Art (Black Daze,1999). The Ballad o Utopia is amurder mystery, as seen throughthe eyes o Utopia deputy SamDavid, who is oten accompaniedby the mysterious and mysti-cal bounty hunter, Brigham Love.Along the way, they cross pathswith many o the odd personalitieso the town o Utopia. Artist MikeHoman has commented, “It’s avery weird and bizarre Western, andchallenges a lot o the stereotypeso the genre. To help accentuatethis moody atmosphere, I’ve addedgray wash to the original art.” Eachpage o this compelling story has anapproximate image area o 12” x 18”,and the art averages Excellent con-dition.

93648 Jim Holdaway Modesty Blaise Daily Comic Strip “The LongLever” #167 Original Art dated

(London Times Mirror, 1963). Episode #167 rom the second-ever story arc, “The Long Lever,” hasan image area o 19.5” x 5.5”. As iscommon with Modesty Blaise stripsdrawn by Holdaway, the art papersurace has been “skimmed” rom itsboard backing; otherwise, the art isin Very Good condition.

93649 Jim Holdaway Modesty Blaise Daily Comic Strip “MisterSun” #388 Original Art (LondonTimes Mirror, 1964). Episode #388rom the story arc, “Mister Sun,” hasan image area o 19.5” x 5.5”. As iscommon with Modesty Blaise stripsdrawn by Holdaway, the art papersurace has been “skimmed” rom itsboard backing. There is some cornerwear (outside the image area), andlight soiling; otherwise, the art is inVery Good condition.

93650 Jim Holdaway ModesBlaise Daily Comic Strip “ToTraitor” #765 Original A(London Times Mirror, 196Episode #765 rom the story a“Top Traitor,” has an image aro 19.5” x 5.5”. As is oten the cawith Modesty Blaise strips drawby Holdaway, the art paper surahas been “skimmed” rom its boabacking. The upper and lower mgins are closely trimmed, and theis light soiling; otherwise, the artin Excellent condition.

93651 Carmine Inantino aAlex Niňo Vampirella #59 “TBeast Is Yet to Come” Page Original Art (Warren, 1977). Dlegend Carmine Inantino aFilipino master Alex Nino teamto create a mesmerizing Warrpage, and Nino’s inking is at mind-blowing best. This page han image area o 10.5” x 15”, and tart is in Excellent condition.

93652 Carmine Inantino aAlex Niňo Vampirella #59 “T

Beast Is Yet to Come” Page Original Art (Warren, 1977).graphic innovation and supequality are what you seek in comart, look no urther, you have ouit. This Bronze Age masterwork han image area o 10.5” x 15”, and tart is in Excellent condition.




93653 Carmine Inantino andPablo Marcos What I? #17 SplashPage 35 Original Art (Marvel,1981). Here is the splash pageto Part 3 o “What I Ghost Rider,Spider-Woman, and Captain MarvelHad Remained Villains?,” penciledby Carmine Inantino and inked byPablo Marcos. The art has an imagearea o 10” x 15” and it is in Excellentcondition. Signed and inscribed byCarmine Inantino at the bottom.

93654 Jess Jodloman House o Mystery #247 Complete 7-PageStory “The Ghost o Deadman’sBreach” Original Art (DC, 1976). Sur’s up in this chilly tale o a rivalrybetween two “oam dancers” whonavigate a dangerous breachbetween stone pillars or ame andortune — until things turn murder-ous. Lush artwork by Jess Jodlomanwrings every inch o horror out o Arnold Drake’s script. The pagesare in Very Good condition withtape stains in the margins and lightoverall wear. The image area o eachpage measures 10” x 15”.

93655 Je Jones UnpublishedWitching Hour Page Original Art(DC, c. 1970). Set in ancient Rome,this unpublished Witching Hour page is a beauty. Penciled andinked by antasy artist Je Jones,it holds some gorgeous linework,with Jones’ stock use o heavyshadows, and light-handed touchwith a brush. The image area o thishal-page is 10” x 10”. The art is veryclean, and is in Excellent condition.

93656 Dan Jurgens and BobLayton Captain America #50Splash Page 1 Original Art(Marvel, 2001). The Sentinel o Liberty strikes a majestic pose inthis rst page or “Silent Night, SilentMorning.” The art has an image areao 10” x 15” and it is in Excellent con-dition. Signed by Dan Jurgens at thelower right.

93657 Gil Kane and Sid GreeneThe Atom #26 page 22 OriginalArt (DC, 1966). This classic GilKane action page rom “The Eye-Popping Perils on the Insect Bandit,”

The art has an image area o 12.5” x!8.5”,possibly unpublished, has animage area o 12” x 18”, and asiderom some overall glue staining andwhite-out, rom art corrections thathave come o the page, the art isin Good condition. For some crazy,

unknown reason Superman lendsa hand in panel two— what gives?

93658 Gil Kane and Tom SuttonGiant-Size Conan #3 Page 11Original Art (Marvel, 1975). KingConan nds an unlikely ally in thewitch woman Zelata in this GilKane/Tom Sutton page rom “To

Tarantia and the Tower.” The art hasan image area o 10” x 15” and it is inVery Good condition.

93659 Gil Kane and GePerez Jurassic Park #1 Sp

Page 28 and 29 Original(Topps Comics, 1993). The sinorganic line o Gil Kane was idsuited or this awesome dopage splash based on a scene the hit movie Jurassic Park . GePerez’s detailed inks compleKane’s pencils perectly. This tacular double-page splash haimage area o 20” x 15.5”, and this in Excellent condition.

93660 Dale Keown and RicPace Pitt #16 Splash Page 1213 Original Art (Full Bleed St1997). Over-the-top double splash eaturing the hualien hybrid Pitt in action by Keown and Richard Pace. Keis best known or his work onIncredible Hulk and Hulk: Theas well as the Hulk/Pitt cross

This art has an image area o 15.5” and it is in Excellent cond

93661 Dale Keown Pitt #3 Cover Original Art (Full BStudio, 1999). Dale Keown atop o his game in this exemillustration o his human-hybrid killing machine, Pitt. Thhas an image area o 10.5” x 16it is in Excellent condition.




93662 Woody Kimbrell LittleLulu Daily Comic Strip Original Artdated 8-4-53 (Chicago Tribune,1953). Lulu gives her local grocera nervous breakdown in this tieslaugh-riot. The image area o thisdaily, drawn on Cratint paper hasan image area o 19.5” x 6”, and the

piece has been matted and ramedto an overall size o 24.5” x 11”. Theart is in Very Good condition.From the Estate o John McLaughlin.

93663 Alexander Kostuk (asAlex Koster) Thrilling Comics #1Doc Strange Cover Preliminary Illustration Original Art Group

(Standard, 1940). This remark-able group o spectacular GoldenAge cover prelims originally hailedrom the estate o Richard Hughes.Thrilling Comics was rst pub-lished, by Standard Comics, inFebruary 1940. The series wouldenjoy a long run ending withissue #80 in April 1951. The star o Thrilling Comics was Doc Strangewho made his debut in issue #1.

The creators o Doc Strange werewriter Richard Hughes and art-ist Alexander Kostuk, who usedthe pseudonym Alex Koster. DocStrange gained his super powersby taking Alosun, which he madeby distilling the Sun’s atoms. DocStrange lasted many years appear-ing in both Thrilling Comics, but hisGolden Age reign came to end soonater the introduction o PrincessPantha. He was later revived by AlanMoore at America’s Best Comics.Each o these three mixed media onpaper pieces has an overall size o 16” x 11”, and they average Excellentcondition.

93664 Warren Kremer RichieRich Millions #24 Cover OriginalArt (Harvey, 1967). Wealth is inRichie’s blood — literally! This arthas an image area o 7” x 8”, andaside rom glue stains along all ouredges, it is in Very Good condition.

93665 Warren Kremer LittleLotta #77 Cover Original Art(Harvey, 1968). A giant loa o bread is the “yeast” o Lotta’s prob-lems, in this savory cover illustrationby Warren Kremer. The art has animage area o 7” x 8”, and aside romsome glue staining at the edges, thecondition is Very Good.

93666 Joe Kubert Tales o theGreen Berets Daily Comic StripOriginal Art (NEA, 1965). MajorBarker bears quite a resemblance toDC writer/editor Robert Kanigher.

This NEA daily, week 7, daily 3, sawprint in the 1966 Signet paperback book #D3001, Tales o the GreenBeret. The image area o the daily

measures approximately 16” x 4.5”,and the art is in Excellent condition.

93667 Joe Kubert Tales o theGreen Berets Daily Comic StripOriginal Art (NEA, 1965). By theearly sixties, Joe Kubert had estab-lished himsel as DC Comic’s bestwar artist, so it was only natural thathe was asked to draw a comic stripbased on Robin Moore’s bestselling

book, The Green Berets. This NEAdaily, week 9, daily 4, was printedin the 1966 Signet paperback book #D3001,Tales o the Green Beret.

The image area o the daily mea-sures approximately 16” x 4.5”, andthe art is in Excellent condition.

93668 Joe Kubert and RedondoStudio Tarzan #247 Page 10Original Art (DC, 1976). Diamondminers won’t die in slavery as longas Tarzan is around! Here is page10 rom “Diamond Slaves” withJoe Kubert layouts, nished by theRedondo Studios. This page has an

image area o 10” x 15” and is in VeryGood condition.

93669 Alan Kupperberg Falcon#3 Cover Original Art (Marvel,1984). Captain America’s high-ying sidekick got his own limitedseries in 1983. Here, Sam Wilsonshares cover time with his pet al-con, Redwing, courtesy o artist AlanKupperberg. The art has an imagearea measuring 9.75” x 15”. Includesthe original logo and mastheadpaste-up art on an acetate overlay.Some light aging; otherwise thecondition is Very Good.

93670 Harvey KurtzmPlayboy “Little Annie FannyMuscle Builders, Part 1” 3-PaStory Color Preliminary OriginArt Group (HMH, 1977). Thrpages o pencil and waterco

preliminaries. These are the pliminaries Kurtzman would hahanded over to Will Elder, wwould then create the ully redered pages. Each page is on papwith an image area o appromately 7” x 10”; each page is tapto a piece o thin board. Overall codition is Very Good.

93671 Larry Lieber and GeorRoussos Rawhide Kid #106 CovOriginal Art (Marvel, 1972). TRawhide Kid is stampeded “Wh

The Raiders Strike”, in this copenciled by Larry Lieber and inkby George Roussos. Includes ori

nal logo, issue number, and typaste-ups. In Very Good contion, but with some minor printegrease stains. The word balloons apaste-ons. Measures 11.5” x 17.2with a 9.5” x 15” image area. Signby Larry Lieber in the lower rigborder.




93672 August Lenox Four Color #625 Beaver Valley Page 26Original Art (Dell, 1955). A beaveramily, wild geese, Rocky Mountainbighorns, and mule deer sense thecoming o the end o autumn in thispage rom “A True Lie Adventure inBeaver Valley,” illustrated by AugustLenox. The art has an image areao 16” x 23”. Aside rom light papertanning, the work is in Excellentcondition. Includes a color photo-copy o the printed page rom FourColor #625.

93673 August Lenox Western

Roundup #11 Complete 1-PageStory “Strange Names o theWest” Original Art (Dell, 1955). Western names show remarkableimagination as well as an indi-erence to conventionalities. Thisone-page story has an image areao 16” x 22” and is in Very Good con-dition. Signed by the artist at theright.

93674 August Lenox WesternRoundup #11 Complete 1-PageStory “Blackeet” Original Art(Dell, 1955). This one-page storyexplains some o the picturesquenames o the west contributed bynative Americans. The art has animage area o 16” x 22” and is inExcellent condition.

93675 Rick Leonardi and BillAnderson The Amazing Spider-Man #253 Page 21 Original Art(Marvel, 1984). In just the second“black costume” issue, Spidey takes

on mob boss the Rose, in this pagerom “By Mysel Betrayed!” The arthas an image area o 10” x 15” and itis in Excellent condition. Signed byRick Leonardi and Bill Anderson atthe bottom.

93676 Larry Lieber and CarlHubbell The Rawhide Kid #49Splash Page 1 Original Art(Marvel, 1965). This suspense-lled splash page lives up to an oldsaying on the Marvel spread that alltrails lead to adventure. Penciled byStan Lee’s brother, Larry Lieber, andnished by ink-slinger Carl Hubbell,this page slaps leather with a greatshot o the Rawhide Kid in danger.

This splash has an image area o 12.5” x 18.5”. There is some generalaging, the let margin has beentrimmed close to its border line,and there are some cut-out logoand lettering corrections at the top;otherwise, this piece is in Very Goodcondition.

93677 Ron Lim and TerryAustin Marvel Universe Series 4Trading Cards #55-63 OriginalArt (Skybox, 1993). This eye-catching image was created as anine-up series o cards or the best-selling Marvel Universe 4 seriesrom Skybox. Featuring Spider-Man,Daredevil, and a cantankerous col-lection o baddies, including Venom,

Demogoblin, Carnage, Hobgoblin,Cardiac, Rhino, and Shock, this 17.5”x 23.5” stunner is in Excellent condi-tion, and is signed by the artists inthe lower right.

93678 Steve Lowther BComicon ‘78 Illustration OriArt (1978). A band o battlingtakes on the Avengers (and Coin this whimsical illustration doa lampoon o a Marvel comic cover. This piece has an imageo 9” x 14”, and aside rom spaper aging and wear in themargin, the art is in Very Gooddition.

93679 Bob Lubbers TaSunday Comic Strip #Original Art dated 3-2(United Features Syndi1953). Ater leaving the Tstrip in 1950, Burne Hogarth centrated his eorts on his Sco Visual Arts, teaching othe

ists the working techniques philosophies he had develoBob Lubbers took over the erom 1950-54, and this is one oew Lubbers Sunday we’ve oto date. Lubbers’ Tarzan coued Hogarth’s celebrated brandynamism. Collectors take notonly drew about 170 Sundaall. This exotic piece is exceptwith an image area o 25.5” x

There is overall paper aging, avertical crease, the entire heigthe paper, between panels onetwo; otherwise, this art is in Good condition.




93680 Little Lulu #227 CoverOriginal Art (Gold Key, 1975). When it comes to shing, Tubbyhas his priorities! This deliciouscover illustration has an image areameasuring 7” x 10”. In Very Goodcondition.

93681 Je MacNelly Shoe Sunday Comic Strip Original Artdated 1-15-84 (Tribune MediaServices Inc., 1984). Shoe should

just gure this is a par or Cosmo. This hilarious golng episode hasan image area o 21” x 14.5” andaside rom a closely trimmed uppermargin, it is in Excellent condition.

93682 Je MacNelly Shoe Sunday Comic Strip Original Artdated 12-22-91 (Tribune MediaServices Inc., 1991). From Shoe’sexperiences, what this countryneeds more than a good nickel cigaris a good place to smoke it. Thisuproarious Sunday by three-timePulitzer Prize-winning cartoonistJe MacNelly has an image area o

18.5” x 13”. In Excellent condition.

93683 Je MacNelly Shoe Sunday Comic Strip Original Artdated 4-12-92 (Tribune Media

Services Inc., 1992). SenatorBatson D. Belry counters negativecampaigning the old ashioned way— by driving right through it. Thisriotous episode has an image areao 20.5” x 14” and it is in Excellentcondition.

93684 Russ Manning Korak, Sono Tarzan #11 Page 28 Original Art(Gold Key, 1965). Korak is droppedlike a sack o stale bananas whenthe Oparians go on the attack inthis page rom the Silver Age yarn,“Invasion rom Pal-Ul-Don.” You’d behard-pressed to nd a better Korak example than this gem, drawn byone o Western Publishing’s ace art-

ists, Russ Manning. The image areao this abulous page measuresapproximately 12” x 18”, and asiderom a lettering correction in panelthree, the art is in Excellent condi-tion.

93685 Russ Manning Tarzan InSavage Pellucidar Graphic NovelPage 32 Original Art (1975). Whilehe continued to work on the Sundaystrip until 1979, Russ Manning hadenough time in his schedule toproduce our Tarzan graphic novelstories or the European market in1974-5, Tarzan in The Land ThatTime Forgot, The Pool o Time, Tarzan and the Beastmaster,and Tarzan in Savage Pellucidar.During the seventies Manningworked with William Stout, Rick Hoberg, Mike Royer, and DaveStevens in his studio. This exoticthriller has an image area o 11” x16”, and the art is in Excellent condi-tion.

93686 Russ Manning Tarzan InSavage Pellucidar Graphic NovelPage 36 Original Art (1975). In1972 Manning let the Tarzan dailycomic strip. While he continued towork on the Sunday strip until 1979,he had enough time in his sched-ule to produce our Tarzan graphicnovel stories or the European mar-ket in 1974, and two in 1975. Duringthe seventies Manning used severaltalented assistants, and also servedas a mentor to such well known art-ists as William Stout, Rick Hoberg,

Mike Royer, and Dave Stevens. Thiscrisply inked page has an imagearea o 11” x 16”, and the art is inExcellent condition.

93687 Russ Manning StudStar Wars Hans Solo Daily ComStrip Original Art dated 1-21-(L. A. Times Syndicate, 198Legendary artist and writer RuManning inspired innumerabscience ction ans and creatothroughout his career. Magnu

Robot Fighter was his very owcreation, and in it his talent blosomed — cementing his place one o the most revered gurescomics history. A ew years beohis death, Manning was commsioned by George Lucas to wrand draw the Star Wars comic strom 1979-1980. This episode han image area o 14” x 4.5”, and tart is in Excellent condition.

93688 Russ Manning Stud

Star Wars Hans Solo aChewbacca Daily Comic StrOriginal Art dated 2-19-80 (L. Times Syndicate, 1980). This thring episode eaturing Hans aChewie in a shootout scene ro“The Second Kessel Run” has image area o 14” x 4.5”. The art isExcellent condition.

93689 Russ Manning StudStar Wars Daily Comic StrOriginal Art dated 6-12-80

A. Times Syndicate, 1980). Taction-packed daily spotlightiKiros and Doum as they battle ova collision course set with Vadebattleship has an image area o 1x 4.5”. The art is in Excellent contion.




93690 Moe Marcus and RoccoMastroserio Chamber o Chills #16 Complete 6-Page Story “TheWax Man” Original Art (Harvey,1952). What age would you like toreach? 100? 200? 300? Better notset your mark too high until youread this gruesome tale o “The WaxMan!” Caleb Wainright gets a tasteo an elixir o lie, which makes himeel young, even though his bodyhas aged three hundred years. Aquick makeover at the wax museum

and voila! He looks two hundredand ty years younger. This gooeytale o maliciousness and murderis drawn by Moe Marcus, and thework certainly has a lot o style. Eachpage has a 12” x 18”, and aside romsome slight paper aging, they aver-age Very Good condition.

93691 Mighty Mouse #25 CoverOriginal Art (St. John/Pines,1951). The Mightiest o Mice savesthe day once again in this coverillustration rom 1951. The imagearea measures 11” x 15.75”. There ispaper tanning, some glue stainingand soiling; otherwise the art is inGood condition.

93692 Mighty Mouse #53 CoverOriginal Art (St. John/Pines,1954). Mighty Mouse occupies anoctopus in this tentacle-tangledcover illustration on heavy board.

The art has an image area measures13” x 18.75”. There is paper tanningand soiling; otherwise the art is inGood condition.

93693 Sheldon Moldo The Vintage Hawkman SketchOriginal Art (1993). Sheldon“Shelly” Moldo drew many o DC’smost popular heroes, including theFlash, Green Lantern, the Spectre,and Hawkman. This dramatic 14” x

17” illustration o the Golden AgeHawkman and is in Very Good con-dition.

93694 Steve Moncuse TheFish Police #9 Cover OriginalArt (Comico, 1988). Fish City isa dangerous place! This cover byseries creator, Steve Moncuse hasan image area o 11.5” x 17.5”. InExcellent condition.

93695 Steve Moncuse and Juanita Van Koppenhagen TheFish Police #21 Complete 24-PageStory Original Art (Apple Press,1990). Give us a cheer, and oceanso beer! Each page o this 24 pagetale has an image area o 10” x 15”and is in Excellent condition.

93696 Richard “Sparky” Moore(attributed) Adventures o RobinHood #2 Cover Original Art (GoldKey, 1974). Based on the Disneyeature lm, this comic book contin-uation eatured the urther exploitso Robin and his Merry Men. Crisplyrendered and perectly capturing

the animation style o the cartoon,this is an outstanding cover thatwould surely please any Disney orRobin Hood collector. The art mea-sures 10.5” x 15”, and it is in Excellentcondition.

93697 Zack Mosley Sm Jack “Wind Tunnel“ Daily CStrip Original Art Group (ChiTribune, 1939). CAVU, SJack ans — this lot eatures thrilling dailies rom the oremembered “Wind Tunnel” arc. The episodes are dated 110-31, 11-2, 11-4, 11-6, 11-7, and 11-9-39. Each strip haimage area o 21” x 6”, and they age Very Good condition.

93698 Jon J. Muth MoonshaSplash Page 8 Original

(Marvel, 1995). Jon J. Muth homage to Gustav Klimt’s Thein this delicate watercolor illution. This piece has an imageo 10” x 15”, and is in Excellentdition. Signed by the artist aupper right.




93699 Don Newton Collector’sDirectory 1976 Cover OriginalArt Cover (1976). One o the mosttalented artists to make the tran-sition rom anboy to publishedproessional, Don Newton’s careerwas also cut tragically short by hisdeath in 1984. This sublime paintedcover is a terric example o hisearly pro work, done while Newtonwas working or Charlton. The arthas an image area o 11” x 17”, and is

in Very Good condition.

93700 Jose Ortiz Vampirella #104 “Death Snare” PanthaSplash Page 1 Original Art(Warren, 1982). This mouth-water-ing splash has everything a Panthaan could want. This page has anapproximate image area o 10.5”x 15”. The lettering was pasted-upon an overlay, and the condition isExcellent.

93701 Ovi Hondru Conanthe Cruel Inside Front CoverIllustration Original Art (1996). Perhaps best known or his paintedcovers that adorned Marvel’sSavage Sword o Conan magazine,Ovi Hondru has also done work orHeavy Metal, and numerous gam-ing publications. The piece oeredhere, showing Conan at his mostbrutal and majestic, has an overallsize o 11” x 17”. This piece, painted in

watercolor on paper, is in Excellentcondition, and is signed by the artistin the lower center.

93702 Speed Comics #15Complete 12-Page Pat ParkerWar Nurse Story “The CholeraDeath Plot” Original Art (Harvey,1941). From one o the rst com-ics Harvey ever published. In thisissue Pat Parker designs a costumeand becomes War Nurse. Pat Parkercarries on as she battles the oes o Britain with the courageous slogan,“Thumbs Up, there’ll always be anEngland.” The image area o eachpage measures 8” x 12”. The titlelogo has been cut rom the rstpage, and there is light paper aging,and soiling; otherwise the art aver-ages Very Good condition.

93703 George Perez The New Teen Titans #52 Cover PreliminaryOriginal Art (DC, 1989). Whileplanet Earth is under alien attack (see Invasion #1-3 or details), the

Titans are whisked to the ar sideo the galaxy to nd answers to thesecret origin o Donna Troy. GeorgePerez drew this cover scene in a“clear line style” somewhat reminis-cent o Moebius’ art, so that JohnStracuzzi had a solid oundation to

work his magic on or the paintedcover that nally appeared on thecomic book. This innovative coverhas a 10” x 15” image area, and it isin Excellent condition.

93704 Gil Kane and GeorgePerez Jurassic Park #4 CoverOriginal Art (Topps Comics,1993). Yow — T-Rex Attack! Whenit comes to drawing deadly dino-saurs in action, ew artists can topthat renowned legend o Silver andBronze Age comics — Gil Kane.George Perez adds the perect n-ish to Kane’s renetic cover scene.

This cover has an image area o 10” x15”, and the art is in Excellent condi-tion.

93705 Fred Peters War AgainCrime #10 “Perect Murder” TiPage 1 Original Art (EC, 194Oered here is the dramatic tipage or the story “Perect MurdeFred Peters was a little-seen aist who contributed a ew war acrime stories to the EC canon, bthis moody page proves he hadgit or evocative inking and dmatic staging. A very cool pierom the dawn o one o the greest comic book companies ev

The image area measures 15” x 2and the art is in Excellent conditio

93706 Eric Powell Drawion Your Nightmares HalloweSpecial The Goon Page 1 OriginArt (Dark Horse, 2003). This tipage to the tale, “The Brothers Mueatures the Goon along with eight-armed gambler pal, Spid

The art is rendered in ink with wawith an image area o 10” x 15.5”.Excellent condition.




93707 Eric Powell The Goon #12Page 7 Original Art (Dark Horse,2005). This page rom the EisnerAward-winning series, The Goon,was rendered in ink with wash.

The art has an image area o 10” x15.5” and it is in Excellent condition.

93708 Eric Powell The Goon #12Page 20 Original Art (Dark Horse,2005). Eric Powell demonstrates

why this series has been so suc-cessul in winning multiple industryawards, in this powerul page ren-dered in ink and crayon. The art hasan image area o 10” x 15” and it is inExcellent condition. Signed by theartist at the bottom right.

93709 Howard Purcell SeaDevils #16 Page 9 Original Art(DC, 1964). Howard Purcell had theunenviable job o ollowing RussHeath on Sea Devils, but rising tothe challenge, he turned in a superb

job. This page hails rom “Sentinelo the Golden Head,” and it show-cases all our o the Sea Devils teammembers in action as they encoun-ter mythological creatures — a seachimera, and a cast idol head o the

Blisspotamia goddess, Tyla-Ta. All ina day’s work or the Sea Devils. Theimage area o this page measuresapproximately 13” x 18”, and asiderom a piece out o the upper rightcorner, the art is in Very Good condi-tion.

93710 Paul Reinman SensationComics #83 Sargon Page 5Original Art (DC, 1948). GoldenAge Sargon the Sorcerer originalsare harder to catch to than a doveying out o a magician’s hat. Theyare scarcely, i ever, oered in themarketplace. In act, this is oneo only two known to exist. Paul

Reinman’s Golden Age art, with itsdramatic angles and deeply shad-owed gures, inspired the “newwave” o young comic books artistswho went directly rom their NewYork City art high schools into theindustry in the late orties. Alex Tothin particular enjoyed Reinman’sapproach. Sargon the Sorcererworks his marvelous magic in page5 rom “The Man From Nowhere.”

This page has an image area o 13” x18”, and the art is in Excellent condi-tion.

93711 Pierce Rice and ArturoCazeneuve (attributed) Pocket Comics #1 Complete 12-Page

Zebra Story “John DoyleConvicted o Murder” OriginalArt (Harvey, 1941). From the rst-ever Harvey comic. There’s plentyo ast action in these 12 pages,as the Zebra pledges to avengemiscarriages o justice. Bewareevil-doers this man has traded hisprison stripes or Zebra stripes. Eachpage has an image area o 8” x 12.5”.Some light paper aging; otherwise,the condition o these Golden Agepages is Very Good.

93712 Pierce Rice (attributed)Pocket Comics #1 Complete12-Page Story “Origin o BritishAgent 99” Original Art (Harvey,1941). From the rst-ever Harveycomic. Allan Douglas, amousscreen star, uses his knowledge o disguise and languages to ght orreedom as British Agent 99! Each

glorious Golden Age page has an8” x 12.5” image area. Some paperaging and light water damage toseveral o the pages; otherwise, thecondition o the pages average VeryGood.

93713 Jack Rickard#90 Complete 2-Page S“Mad ‘Celebrity-FeaMerchandising Gimmicks”

1964). As Beatlemania sAmerica in 1964, sales o “BWigs” went through the Naturally, Mad takes this ad aurther, asking why not akeDouglas chins, Barbara Strenoses, David Janssen ears, Burt Lancaster teeth? Intereto see Kirk Douglas eatured astar o One Flew Over the Coo Nest ; it’s easy to orget he starreBroadway in the play, years bJack Nicholson was eatured i1970 movie version. The art is iand gray wash on illustration bmeasuring approximately 1819.25” and 19” x 22.5” In Exce

condition. A set o photocopages rom the magazine articincluded.

93714 Marshall RoMadame Xanadu #1 PageOriginal Art (DC, 1981). DC’sattempt at marketing comics cically to ans and collectorsMadame Xanadu #1, which tained the 25-page tale, “Danc

Two Demons,” by Steve Engand Marshall Rogers. This pagethat story has an image area ox 15” and it is in Excellent cond




93715 John Romita Jr. andAlredo Alcala Dazzler #2 Page28 Original Art (Marvel, 1981). A plethora o super heroes gatherto watch Dazzler’s audition in thispage rom “Where Demons Fear toDwell!” The art has an image area o 10” x 15” and, aside rom paper tan-ning and glue staining, it is in VeryGood condition.

93716 Budd Root Cavewoman

on Crocodile Illustration OriginalArt (2001). Famous or his amply-endowed (and scarcely dressed)emale gures, artist Budd Roothere showcases his most amouscreation, the pouty-lipped prehis-toric princess Cavewoman, whomodels her trunk junk while strad-dling a carnivorous crocodile. Talk about charms to soothe the savagebeast. This ink-and-wash monster-piece has an overall size o 11” x 17”,and is in Excellent condition.

93717 Joe RubinsteinCaptain America #249 MachinesmithCover Re-Creation Original Art(undated). Marvel inking legendJoe Rubinstein (who inked theoriginal 1980 cover) re-creates theaction-packed scene that very wellmay have been the best imageo John Byrne’s brie but ondlyremembered run on this title. TheMachinesmith is the one sending

Thing and Spider-Man robots toattack Cap here. As noted when

Heritage Auctions sold the originalcover or nearly $18,000 — when itcame to drawing metal and machin-ery, perhaps only Jack Kirby was theequal o Byrne and Rubinstein, andnot even “The King” would put in asmuch intricate detail as is seen here.

That still holds true in this reprise. The image area o this awesome re-creation is 10” x 15.5”, and the art isin Excellent condition. Signed at thelower let, “Rubinstein ater B. + R.”

93718 Art Saa and Nick CardyTeen Titans #42 Page 11 OriginalArt (DC, 1972). Deep in the Yucatan

jungle, Wonder Girl slips away rom

the Titans to help break an ancientcurse, in this page rom “Slaves o the Emperor Bug.” The art has animage area o 10” x 15”, and asiderom some light paper tanning andtape stain residue, it is in Very Goodcondition.

93719 Harry Sahle All-New Short Story Comics #1 Complete6-Page Story “Steve Case, CrimeRover: Poison Pen Murder”Original Art (Harvey, 1943). Thisslam-bang story eatures the rstappearance o Steve Case. Eachpage has an image area o 13” x 18”,and they average Excellent condi-tion.

93720 Ernie Schroeder GreenHornet #24 Complete 10-Page

Spirit o ‘76 Story “Isle o theMonster Ape” Original Art(Harvey, 1945). The Spirit o ‘76 and

Tubby battle the menace o an over-sized ape in this 10-page thriller. It’shigh-voltage action as drawn bythe late Golden Age great, ErnieSchroeder. Each page has an imagearea that measures 12.5” x 18”, andthe aside rom missing its title logo,the story title logo, the art is in VeryGood condition.

93721 Tom Scioli Galactus Terminus Illustration OriginArt (2005). It’s a clash o the titaas Jack Kirby’s Galactus slugs out with John Byrne’s Terminus this world-shattering donnybrobrought to you by the an-avorartist o Image Comics’ Godlan

This pulse-pounding piece has overall size o 11.5” x 18”, and the ais in Excellent condition.

93722 John Severin Crack#128 Complete 5-Page Sto“Police Lady” Original Art (Maj

Magazines, 1975). John Sevesends up the TV show o Poliwoman starring Angie Dickensin this irty ve-page romp. Ink Cratint duotone paper. Each pahas an approximate image area 12” x 16” and is in Very Good condtion.




93723 John SeverinCracked #137 Complete 5-Page Story“Beach Blanket Party” OriginalArt (Major Magazines, 1976).

This un-lled ve-pager by JohnSeverin eatures a parody o aAnnette Funicello and FrankieAvalon beach party lm with songsand resh-aced teens surng anddancing and — “King Surer!” Who’sthat guy in the white shorts andleather jacket? The Fonz! Somehowwe knew he’d show up. Nothing isunnier than the Fonz’s ace whenhe yells “tidal wave.” Rendered in

ink on Cratint paper, each swing-ing page has an approximate imagearea o 13” x 16”. In Very Good condi-tion.

93724 John SeverinCracked #156 Complete 6-Page Story“Three’s Crummier” Original Art(Major Magazines, 1978). Thissix-pager by John Severin pokesgood un at the seventies hit tele-vision program, Three’s Company .John Ritter, Suzanne Somers, JoyceDeWitt, Norman Fell, James Garner,Hugh Hener, Farrah Fawcett Majors,and Lee Majors all get the uproari-ous Severin caricature treatment.Rendered in ink on Cratint paper,each hilarious page has an approxi-mate image area o 13” x 16”. In VeryGood condition.

93725 Marie Severin and Johnny CraigSub-Mariner #23Page 16 Original Art (Marvel,1970). The two EC legends work their own brand Marvel magic inthis sensational Bronze Age pagerom “The Coming o Orca.” Theart has an image area o 10” x 15”and aside rom some productionprocess stains, is in Very Good con-dition. Signed by Marie Severin atthe bottom right.

93726 Bill Sienkiewicz Elektra: Assassin Ink and WatercolorCommissioned IllustrationOriginal Art (2011). In 1986, Frank Miller teamed with Bill Sienkiewiczto create the experimental andultraviolent mini-series, Elektra:Assassin. Sienkiewicz’s unetteredillustration technique took Miller’stale to dizzying heights o innova-tive storytelling. This watercolor andink sketch measures 11” x 17” and itis in Excellent condition. Signed bySienkiewicz at the lower let.

93727 Bill Sienkiewicz Batman Ink and Watercolor CommissionedIllustration Original Art (2011).

This energetic ink and watercolorsketch o the Gotham Guardian hasan overall size o 11” x 17”, and theart is in Excellent condition. Signedat the lower right.

93728 Dave Sim Steve GerberMemorial Illustration Original Art(c. 2008). Howard the Duck eelsthe bite o a chill wind at his back as a Will Eisner-like logo blows byto commemorate the sad passing

o Howard’s creator, Steve Gerber. This melancholic piece has an over-all size o 8.5” x 11”, and the art is inExcellent condition.

93729 No Lot.

93730 Jack Sparling FightingFronts #5 Complete 7-Page Story“The Bullet” Original Art (Harvey,1953). A Korean War soldier acesthe superstitious dread o a “bulletwith his name on it”, and despitethe eorts o his buddy, the old sawcomes true. Each page has an imagearea o 12” x 18”, and the art is inExcellent condition.

93731 Greg Staples Mthe Gathering Duskworker

Illustration Original Art (Wizo the Coast, 2003). At the seo each sun, this creature emeto clean Mirrodin’s oor o the carrion. Rendered in mixed mon heavy paper, this illustratioGreg Staples has an image ar10” x 7” and it is in Excellent ction.

93732 Greg Staples MagicGathering Rusting GolemIllustration Original Art (Wizo the Coast, 2000). An enormmetal humanoid aggressdeends the doorway behindrom Rebel soldiers, in this mmedia illustration by Greg Sta

The art has an image area o6.25” and it is in Excellent condIncludes Staples’ Artist AssignSheet attached to the back, wcontains details o the illustra

93733 Ken Steacy SpiderOriginal Art Illustration (1

The inimitable Ken Steacy his brush to the wall-crawlethis gorgeous illo (possibly a page spread) rom an unidenSpider-Man project. The artbeen proessionally matted t

image area o 18” x 11”, and Excellent condition.




93734 Strange Story Complete10-Page Story “Introducing theDevil” Original Art (Harvey, c.1946). This spectacular pre-Codehorror yarn, either rom the rst(and only) issue o Strange Story,or unpublished, is jam-packed withsupernatural action. Every panel ispure terror, with plenty o evil crea-tures. Don’t be a raidy-cat, bid now.Each page, drawn on heavy boards,measures 15” x 20”, and aside romheavy edge and corner wear, the artaverages Good condition.

93735 Tom Sutton Eerie #29

“The Vorpal Sword” Page 3Original Art (Warren, 1970). TomSutton displays his ormidableartistic talent or the spooky in thisdetailed sword and sorcery thriller.

This “monster-piece” has an imagearea o 10.5” x 15”, and the art is inExcellent condition.

93736 Tom Sutton Eerie #29“The Vorpal Sword” Page 4Original Art (Warren, 1970). Anarcane romance is the ocus o thispage. This Warren classic has animage area o 10.5” x 15”, and the artis in Excellent condition.

93737 Tom Sutton Eerie #29“The Vorpal Sword” Page 5Original Art (Warren, 1970).Warren mainstay Tom Sutton wasa master o the sword and sorcerygenre. This spine-tingler has animage area o 10.5” x 15”, and itscondition is Excellent.

93738 Tom Sutton Eerie #29“The Vorpal Sword” Page 6Original Art (Warren, 1970).

Things are looking grim or ourhero, Eric, in this page. This Warrenspell-binder has an image area o 10.5” x 15”, and the art is in Excellentcondition.

93739 Tom Sutton Eerie #29“The Vorpal Sword” Page 7Original Art (Warren, 1970). Andhere’s the payo — the twist end-ing o this yarn. This Warren classichas an image area o 10.5” x 15”. Astat o Cousin Eerie is missing atthe lower right: otherwise, he artis in Excellent condition. Signed byWarren publisher Jim Warren at thelower right.

Imageat HA.com

93740 Tom Sutton (asDementia) Bondage Obsession #2 Plate 87 Original Art (Eros Comix,1994). This illustration was ren-dered in mixed media on vellum,

and mounted to another sheet o paper. The art has an image area o 12” x 8” and, aside rom some vellumyellowing, it is in Very Good condi-tion. Signed by the artist at thelower right.

93741 Tom Sutton (asDementia) Splash Page 35 Original Art Original Art (ErosComix, undated). This illustration,titled, “Inspiration,” was renderedin ink on vellum, and mounted toanother sheet o paper. The art hasan image area o 9” x 11.75” and,aside rom light soiling and someslight buckling to the vellum, it is inVery Good condition.

93742 Tom Sutton (asDementia) Eros Comix Splash

Page 30 Original Art (Eros Comix,undated). Rendered in ink andgraphite on vellum, and mountedto another sheet o paper, thisDementia masterpiece has animage area o 10” x 15”. Some yel-lowing to the vellum; otherwise theart is in Excellent condition.

Imageat HA.com

93743 Tom Sutton (Dementia) Bondage ObsessiVolume 2 Plate 70 Original A(Eros Comix, 1997). Pleasure meedelicious pain, in this Demen

delineation (dated 1994). Renderin graphite on heavy illustratipaper, the art has an image area 18” x 12”. Some damage along tlet edge; otherwise the art is in VeGood condition.

Imageat HA.com

93744 Tom Sutton (Dementia) Erotic IllustratiOriginal Art (Eros Comix, 199

Dementia gives Bill Ward a tip the hat in this mixed media illusttion. The art has an image area ox 11.5” and it is in Very Good codition. Signed by the artist at tlower right.

93745 Arthur Suydam Eco Futurepast “Mudwogs” PaOriginal Art (Continuity Comic. 1984). This atmospheric, mixemedia “Mudwogs” page hails roan unidentied issue o Echo Futurepast and it showcases tdark, macabre vision that becamthe hallmark o the series. This beatiully painted piece has an oversize o 10.5” x 10.5”, and the art isVery Good condition.




93746 Arthur SuydamMudwogs Page 3 Original Art(Continuity Comics, c. 1984). Feelbloated? — Maybe a Mudwog hascaptured you. Here’s some wildand wacky stu by the supremelytalented Arthur Suydam. Thismixed-media on board page has animage area o 10” x 13.25” and theart is in Excellent condition.

93747 Frank Thorne Star Spangled Comics #117 CoverRecreation Original Art (MightyNib, 2011). Frank Thorne ollowedFred Ray on the late sixties runo the action-adventure series,Tomahawk . Here he recreatesFred Ray’s original cover to StarSpangled Comics #117. The artis rendered in ink with watercolorand has an image area measuring10” x 14.75”. In Excellent condition.

93748 Angelo Torres Mad #399X-Men Parady Original Art Group(EC, 2000). Eight illustrationsby Angelo Torres or the eature,“$-Men.” Rendered in ink with wash,each illustration has an image areao approximately 16” x 19” and onthey are in Excellent condition.

93749 Tim Truman Grateul Dead Almanac Vol. 7 #2 Complete1-Page Grateul Dead Story “Helpon the Way” Original Art (2000). Dead Head Tim Truman adapts thewell-known Dead song in this gor-geous painted page. The art has animage area o 11” x 18” and it is inExcellent condition. Signed by theartist in the second panel at theright.

93750 Tim Truman Grateul

Dead Almanac Vol. 8 #1 Complete1-Page Grateul Dead Story“Resurrection Rag” Original Art(2000). Proessional illustrator Tim

Truman adapts the Robert Huntersong, “Resurrection Rag,” in thismixed media page. The art has animage area o 9.75” x 15.5” and it isin Excellent condition. Signed bythe artist in the rst panel at theright.

93751 Warren Tuts Casey Ruggles Daily Comic StripOriginal Art Group (UnitedFeature Syndicate, 1951). Theremarkable drawing talent o Warren Tuts is showcased in theseve Casey Ruggles dailies eaturing“Old Ancient,” a hilarious lampoono Hopalong Cassidy. These sevenepisodes drawn on Cratint paper,are dated 3-9, 3-14, 3-15, 3-16, 3-23,3-24, and 3-29-51. Each daily has anapproximate image area o 18.25” x5”, and aside they averages Excellentcondition.

93752 George Tuska AdventuresInto Darkness #6 6-Page OriginalArt Group (Standard, 1952). Thishorric hotel story by George Tuskatells the blood-chilling tale o a pairo citizens trapped at a “corpse con-vention.” Unortunately this lot ismissing the nal pay-o page orthe story; it only includes pages 1-6o the yarn. Each eerie page has animage area o 12” x 18”. Page 1 hasa glue stain let behind by a miss-ing panel art change; otherwise, thepages average Very Good condition.

93753 George Tuska and Esposito (as Joe Gaudioso)Man #38 Splash Page 1 OriArt (Marvel, 1971). The GoAvenger shows signs weaknesshis arm in a sling, and the hare already taunting, in this extional splash page rom “WhenJonah.” The art has an image ar10” x 15” and aside rom a glue at the top o the page, it is in Good condition.

93754 Harry Tuthill The BuFamily Hand Colored SuComic Strip Original Art d

4-19-25 (McNaught Syndi1925). The art or this Sunday t“Anyhow George Did His Best,been hand-painted in watercand has an approximate imageo 21.5” x 27.5”. There is some saging apparent overall and wear; otherwise, the work is inGood condition.




93755 Harry Tuthill The BungleFamily Hand Colored SundayComic Strip Original Art dated7-5-25 (McNaught Syndicate,1925). The art or this Sunday titled,“An Exciting Evening,” has beenhand-painted in watercolor, and hasan approximate image area o 21.5”x 27.5”. There is some slight agingapparent overall and edge wear;otherwise, the work is in Very Goodcondition.

93756 Harry Tuthill The BungleFamily Hand Colored SundayComic Strip Original Art dated7-12-25 (McNaught Syndicate,1925). The art or this Sunday titled,“A Rough Pacist,” has been hand-

painted in watercolor, and has anapproximate image area o 21.5”x 27.5”. There is some slight agingapparent overall and edge wear;otherwise, the work is in Very Goodcondition.

93757 Harry Tuthill The BungleFamily Hand Colored SundayComic Strip Original Art dated7-19-25 (McNaught Syndicate,1925). The art or this Sunday titled,“They Make Friends So Easily,” hasbeen hand-painted in watercolor,and has an approximate image areao 21.5” x 27.5”. There is some slightaging apparent overall and edgewear; otherwise, the work is in VeryGood condition.

93758 Harry Tuthill The BungleFamily Hand Colored SundayComic Strip Original Art dated4-21-29 (McNaught Syndicate,1929). The art or this Sunday titled,“Children,” has been hand-paintedin watercolor, and has an approxi-mate image area o 21.5” x 27.5”.

There is some slight aging apparentoverall and edge wear; otherwise,the work is in Very Good condition.

93759 Harry Tuthill The BungleFamily Hand Colored SundayComic Strip Original Art dated5-5-29 (McNaught Syndicate,1929). The art or this Sunday titled,

“A Problem and Solution in One,” hasbeen hand-painted in watercolor,and has an approximate image areao 21.5” x 27.5”. There is some slightaging apparent overall and edgewear; otherwise, the work is in VeryGood condition.

93760 William Van Horn Duck Tales #5 Complete 5-Page Story“Seeing the Blight” Original Art(Gladstone, 1988). Adventuresomeve page tale eaturing LaunchpadMcQuack, Huey, Dewey and Louie,Gyro Gearloose, and Gyro’s Helper.Script and art by William Van Horn.Each page has an image area o 14”x 21” and been signed by the art-ist along the lower right edge. InExcellent condition.

93761 Ethan Van Sciver andPrentis Rollins Green Lantern:Rebirth #3 Kilowog Page 2Original Art (DC, 2005). Ganthet,the empathetic Guardian o theGalaxy, and Green Lanterns KyleRayner and Kilowog are showcasedin this beautiully detailed EthanVan Sciver page rom the yarn,“Yellow.” Appearances by GreenArrow and Spectre. This rst-rateModern Era piece has an image areao 10.5” x 15.75”, and the art is inExcellent condition.

93762 W. T. Vinson WhamGiant Comics #1 Cover PreliminaOriginal Art (Wham-O, 1967). Taction-packed preliminary or tondly remember one-shot was drawby the veteran cartoonist or Hot RCartoons, National Lampoon, WeMagazine, Rolling Stone, ScientiAmerican, Playboy, and many othmagazines, W. T. Vinson. This mixmedia piece was drawn on velluwhich then was taped to a backiboard. There is heavy wear and pap

aging; and a long tear through tlower let corner; otherwise, it is in Fcondition. From the Estate o JoMcLaughlin.

93763 Mike Vosburg and SteLeialoha Marvel Team-Up #Spider-Man and Satana SplaPage 1 Original Art (Marv1979). There are two womin Stephen Strange’s SanctuSanctorum, his disciple Clea and tDevil’s daughter, Satana, in this tipage to the tale, “Last Rites.” The ahas an image area o 10” x 15” anaside rom some light soiling, itin Very Good condition. Signed

Mike Vosburg at the lower rig




93764 Bill Ward HumoramaCartoon Illustration OriginalArt (Humorama, 1970). Caption:“Good gracious, the boss has mis-

placed his glasses again.” This mixedmedia on paper illustration has anoverall size o 13.75” x 20”, and theart is in Excellent condition.

93765 Bill Ward HumoramaCartoon Illustration Original Art(Humorama, 1970). Caption: “I gotta idea what let’s do, Lucy May,let’s make a little hay while the sunshines.” This mixed media on paperillustration has an overall size o 13”

x 19”, and the art is in Excellent con-dition.

93766 Bill Ward HumoramaCartoon Illustration Original Art(Humorama, 1972). Caption: “I’mgetting of, Joe, there can’t be any sight that’ll top this one.” This mixedmedia on paper illustration has anoverall size o 14” x 19.5”, and the artis in Excellent condition.

93767 Bill Wenzel Barrel o Fun “Moon Tan Lotion” CoverIllustration Original Art (AlmatPublishing, Spring 1963). This loteatures a watercolor on board car-toon illustration by the renownedmen’s magazine cartoonist. Thispiece has an approximate imagearea o 13” x 16.5”, and it is inExcellent condition.

93768 Bert Whitman (attrib-uted) Nyoka, the Jungle Girl #52“The Lost Gold” 6-Page Part IIIStory Original Art (Fawcett, 1951).

It’s jungle girl action as you like it.Each page, with plenty o interest-ing editorial notes in the borders,has an approximate image area o 13” x 18”, and the art averages VeryGood condition.

93769 Ogden WhitneyHerbie #15 Page 4 Original Art(American Comics Group, 1966).

These obeat torture scenes rom“Herby Goes Nap-Happy” have animage area o 12” x 18”. The art is inExcellent condition.

93770 Ogden Whitney Herbie#15 Page 5 Original Art (AmericanComics Group, 1966). This out-rageous page rom “Herby GoesNap-Happy” has an image area o 12” x 18”, and the art is in Excellentcondition.

93771 Whiz Comics #120Complete 7-Page Story “GoldenArrow and the HeadlessHorseman” Original Art (Fawcett,1950). In the days o the Old West,ruthless thieves would take whatthey saw when they wanted it —except when Golden Arrow, theRobin Hood o the Old West, was onthe scene! In this dusty sagebrushsaga, a seemingly supernaturalmenace is on the prowl. Each pagehas an image area o 13” x 18”, andtheir condition averages Very Good.

93772 Al Williamson Secret Agent Corrigan Daily OriginalArt dated 4-10-67 (King FeaturesSyndicate, 1967). Here’s a primeSecret Agent Corrigan daily by AlWilliamson rom 1967. The imagearea measures 16” x 4.75”. This art isin Excellent condition.

93773 George WoodbrMad #69 Illustration OriArt Group (EC, 1962). Set o illustrations by George Woodbor the eature, “Less ViolenShows.” Rendered in ink and on illustration board, two oillustrations have an image ar17” x 17” and one has an imageo 18” x 22”. In Very Good condIncludes three 8.5” x 11” blackwhite photocopies o the prpages in Good condition.

93774 Mike Zeck Cap America and Spider-Man SkOriginal Art (c. 1980s). CapSpidey star in this dynamic sby the an-avorite artist. The ov

size is 11” x 14”, and aside rom saded marker lines, the art is inGood condition. Signed by Zethe lower let.




underGround Art

93775 Dan O’Neill Mickey Mouse MLF Sketch Original Art(1979). Marker and colored pencilsketch on paper, with an image areao approximately 9.5” x 12.5”. Someminor tanning rom light exposureand very light soiling; VG condition.

93776 Larry Welz Cherry #15“F*** Censorship” Pin-Up OriginalArt (Kitchen Sink, 1973).

Cherry is a trussed-up Lady Liberty,in artist Larry Welz’s stand againstcensorship pin-up illustration. Theart was also used as a Legal Deenseposter, and is ink on bristol, withan amberlith overlay. Image size isapproximately 8” x 9”; in Excellentcondition.

93777 S. Clay Wilson Complete1-Page Story “A Tale o Nothing”Original Art (1961). An early “neline” one-pager by that comix enant terrible, S. Clay Wilson, eaturing oneo Wilson’s all-time avorite subjectmatters, pirates. This rare page isin Good condition, with extensivewater damage and a small piecemissing rom the bottom edge o the 8.5” x 11” paper. It’s signed S. C.Wilson and dated “Feb. 6 1961” onthe backside.

produCtion Art

93778 Marie Severin FrontlineCombat #15 Cover Color GuideProduction Piece (Russ Cochran,1977). For Russ Cochran’s deluxereprinting o the entire run o Frontline Combat, he employedthe services o original EC color-ist Marie Severin, who managedto “bump-up” the colors o theoriginal covers; this is one o herhand-colored stats designed or use

by the printer, who then recreatedit in traditional our-color methods.

This is or Wally Wood’s’ classic warillustration, which graced issue #15.Watercolor on stat paper measuringapproximately 8.75” x 13”, and it’s inExcellent condition.

AnimAtion Art

93779 The Flintstones Story-board Original Art Group(Hanna-Barbera, 1965). Barney ismistaken or the long lost Prince o Rockabia, in The Flintstones episode,“Royal Rubble,” which aired on Dec,10, 1965. Here is a complete set o storyboards or this episode — 45sheets each measuring 12.5” x 10”,stapled together at the top. In VeryGood condition.

93780 The Grasshopper and the Ant Concept Sketch Animation Art(Disney, 1934). Full color conceptsketch rom this Silly Symphonies cartoon, eaturing the Grasshopper.Rendered in colored pencil onpaper, the piece has an image areao 11.5” x 4”. There is paper tanning,a vertical old near the center, somepaper chipping on the right edge,and pinholes in the upper let andright corners; otherwise this work isin Good condition.

93781 Jiminy Cricket Production Cel Animation Art(Disney, c. 1959). Hand-inked andhand-painted animation produc-tion cel eaturing Jiminy Cricket. Theart has been matted to an imagearea o 6.25” x 9.25”. Some paint hasadhered to the backing board; oth-

erwise the art is in Good condition.

93782 Harvey KurtzmanSesame Street “Boat” PreliminaryAnimation Artwork Original Art

(1973). Harvey Kurtzman teamedwith Phil Kimmelman and Associatesto produce three segments orSesame Street . This sketch has anold skipper ordering numbers intohis small boat. It’s pure Kurtzman,drawn on tracing paper in black andblue markers, with white-out. Imagearea is approximately 11” x 7”, and issigned at the bottom. In addition, arst day issue envelope signed byKurtzman, Will Elder (who provideda small Little Annie Fanny sketch),and Hugh Hener is included. InExcellent condition.

93783 Ludwig von DraAnimation Production C

Animation Art (Disney, c. 197Hand-painted cel eaturing Ludwvon Drake. Matted to an image aro 8.25” x 6.25”. Some paint crackiand paint loss; otherwise the art isGood condition.

93784 Snow White and the SevDwars Courvoisier Print (Disne1937). Titled, “Tired Bunnies,” toriginal Courvoisier print measur15” x 13” and it includes its originenvelope. Some light paper taning, light soiling and buckling aedge wear; otherwise the print isGood condition. The envelope isGood condition.

93785 101 Dalmatians Perdand Pongo Production DrawiOriginal Art Group (Walt Disne1961). Perdita and Pongo are etured in this set o seven originproduction drawings rom Disneseventeenth animated eatuRendered in blue and red penand graphite, each drawing mesures 15.5” x 12.5”, and they avera

Very Good condition. Note: sevedrawings have loose drawings the reverse.

end of AuCtion



Terms and Conditions o AuctionAuctioneer and Auction:1. Tis Auction is presented by Heritage Auctions, a d/b/a/ o Heritage Auctioneers & Galleries, Inc.,

or Heritage Auctions, Inc., or Heritage Numismatic Auctions, Inc., or Heritage Vintage SportsAuctions, Inc., or Currency Auctions o America, Inc., as identied with the applicable licensinginormation on the title page o the catalog or on the HA.com Internet site (the “Auctioneer”). TeAuction is conducted under these erms and Conditions o Auction and applicable state and locallaw. Announcements and corrections rom the podium and those made through the erms andConditions o Auctions appearing on the Internet at HA.com supersede those in the printed catalog.

Buyer’s Premium:2. All bids are subject to a Buyer’s Premium which is in addition to the placed successul bid:• Fieen percent (15%) on Arms & Armor, Currency, US Coin, and World & Ancient Coin Auctions

lots; except that the World and Ancient Coin Auctions 3003 & 3018 shall have a Buyer’s Premiumof 19.5%;

• Nineteen and one-half percent (19.5%) on Americana & Political, Civil War & Militaria, Comic,Manuscript, Movie Poster, Space Exploration, Sports Collectibles, Texana, Wine, and GalleryAuction (sealed bid auctions o mostly bulk numismatic material) lots;

• For all other categories not listed above, twenty-ve percent (25%) on the rst $50,000 (minimum$14), twenty percent (20%) of any amount between $50,000 and $1,000,000, and twelve percent(12%) of any amount over $1,000,000.

Auction Venues:3. e following Auctions are conducted solely on the Internet: Heritage Weekly Internet Auctions

(Coin, Currency, Comics, Rare Books, Jewelry & Watches, Guitars & Musical Instruments, andVintage Movie Posters); Heritage Monthly Internet Auctions (Sports, World Coins and Rare Wine).Signature® Auctions and Grand Format Auctions accept bids from the Internet, telephone, fax, ormail rst, followed by a oor bidding session; HeritageLive! and real- time telephone bidding areavailable to registered clients during these auctions.

Bidders:4. Any person participating or registering for the Auction agrees to be bound by and accepts these

erms and Conditions o Auction (“Bidder(s)”).5. All Bidders must meet Auctioneer’s qualications to bid. Any Bidder who is not a client in good

standing of the Auctioneer may be disqualied at Auctioneer’s sole option and w ill not be awardedlots. Such determination may be made by Auctioneer in its sole and unlimited discretion, at any timeprior to, during, or even aer the close of the Auction. Auctioneer reserves the right to exclude anyperson rom the auction.

6. I an entity places a bid, then the person executing the bid on behal o the entity agrees to personallyguarantee payment or any successul bid.

Credit:7. In order to place bids, Bidders who have not established credit with the Auctioneer must eitherfurnish satisfactory credit information (including two collectibles-related business references) orsupply valid credit card information along with a social security number, well in advance of theAuction. Bids placed through our Interactive Internet program will only be accepted from pre-registered Bidders. Bidders who are not members o HA.com or afliates should preregister at least48 hours before the start of the rst session (exclusive of holidays or weekends) to allow adequatetime to contact reerences. Credit will be granted at the discretion o Auctioneer. AdditionallyBidders who have not previously established credit or who wish to bid in excess of their establishedcredit history may be required to provide their social security number or the la st four digits thereof so a credit check may be perormed prior to Auctioneer’s acceptance o a bid. Check writingprivileges and immediate delivery of merchandise may also be determined by pre-approval of creditbased on a combination of criteria: HA.com history, related industry references, bank verication,a credit bureau report and/or a personal gu arantee for a corporate or partnership entity in advanceof the auction venue.

Bidding Options:8. Bids in Signature® Auctions or Grand Format Auctions may be placed as set forth in the printed

catalog section entitled “Choose your bidding method.” For auctions held solely on the Internet, seethe alternatives on HA.com. Review at HA.com/common/howtobid.php.

9. Presentment of Bids: Non-Internet bids (including but not limited to podium, fax, phone and mailbids) are treated similar to oor bids in that they must be on-increment or at a half increment (called

a cut bid). Any podium, ax, phone, or mail bids that do not conorm to a ull or hal incrementwill be rounded up or down to the nearest full or half increment and this revised amount will beconsidered your high bid.

10. Auctioneer’s Execution of Certain Bids. Auctioneer cannot be responsible for your errors inbidding, so carefully check that every bid is entered correctly. When identical mail or FAX bids aresubmitted, preference is given to the rst received. To ensure the greatest accuracy, your writtenbids should be entered on the standard printed bid sheet and be received at Auctioneer’s placeo business at least two business days beore the Auction start. Auctioneer is not responsible orexecuting mail bids or FAX bids received on or aer the day the rst lot is sold, nor Internet bidssubmitted aer the published closing time; nor is Auctioneer responsible for proper execution of bids submitted by telephone, mail, FAX, e-mail, Internet, or in person once the Auction begins. Bidsplaced electronically via the internet may not be withdrawn until your written request is receivedand acknowledged by Auctioneer (FAX: 214-443-8425); such requests must state the reason, andmay constitute grounds for withdrawal of bidding privileges. Lots won by mail Bidders will not bedelivered at the Auction unless prearranged.

11. Caveat as to Bid Increments. Bid increments (over the current bid level) determine the lowestamount you may bid on a particular lot. Bids greater than one increment over the current bid can beany whole dollar amount. It is possible under several circumstances for winning bids to be betweenincrements, sometimes only $1 above the previous increment. Please see: “How can I lose by lessthan an increment?” on our website. Bids will be a ccepted in whole dollar amounts only. No “buy”or “unlimited” bids will be accepted.

e following chart governs current bidding increments.Current Bid .....................Bid Increment Current Bid .......................Bid Increment <$10 .................................... $1 $20,000 - $29,999 ................. $2,000$10 - $29 ............................. $2 $30,000 - $49,999 ................. $2,500$30 - $49 ............................. $3 $50,000 - $99,999 ................. $5,000$50 - $99 ............................. $5 $100,000 - $199,999 ............. $10,000$100 - $199 ......................... $10 $200,000 - $299,999 ............. $20,000$200 - $299 ......................... $20 $300,000 - $499,999 ............. $25,000$300 - $499 ......................... $25 $500,000 - $999,999 ............. $50,000$500 - $999 ......................... $50 $1,000,000 - $1,999,999 ....... $100,000$1,000 - $1,999 ................... $100 $2,000,000 - $2,999,999 ....... $200,000$2,000 - $2,999 ................... $200 $3,000,000 - $4,999,999 ....... $250,000$3,000 - $4,999 ................... $250 $5,000,000 - $9,999,999 ....... $500,000$5,000 - $9,999 ................... $500 >$10,000,000 ........................ $1,000,000$10,000 - $19,999 ............... $1,000

12. If Auctioneer calls for a full increment, a bidder may request Auctioneer to accept a bid at half of the increment (“Cut Bid”) only once per lot. Aer oering a Cut Bid, bidders may continueto participate only at full increments. O-increment bids may be accepted by the Auctioneer atSignature® Auctions and Grand Format Auctions. If the Auctioneer solicits bids other than theexpected increment, these bids will not be considered Cut Bids.

Conducting the Auction:13. Notice of the consignor’s liberty to place bids on his lots in the Auction is hereby made in acc

with Article 2 of the Texas Business and Commercial Code. A “Minimum Bid” is an amouwhich the lot will not sell. THE CONSIGNOR OF PROPERTY MAY PLACE WRITTEN ”MBids” ON HIS LOTS IN ADVANCE OF THE AUCTION; ON SUCH LOTS, IF THE HAMMEDOES NOT MEET THE “Minimum Bid”, THE CONSIGNOR MAY PAY A REDUCED COMMON THOSE LOTS. ”Minimum Bids” are generally posted online several days prior to the closing. For any successful bid placed by a consignor on his Property on the Auction oor, omeans during the live session, or aer the ”Minimum Bid” for an Auction have been postedrequire the consignor to pay full Buyer’s Premium and Seller’s Commissions on such lot.

14. e highest qualied Bidder recognized by the Auctioneer shall be the Buyer. In the event ofthe earliest bid received or recognized wins. In the event of any dispute between any BiddAuction, Auctioneer may at his sole discretion reoer the lot. Auctioneer’s decision and deof the winning Bidder shall be nal and binding upon all Bidders. Bids properly oered, by oor Bidder or other means of bidding, may on occasion be missed or go unrecognizedcases, the Auctioneer may declare the recognized bid accepted as the winning bid, regawhether a competing bid may have been higher.

15. Auctioneer reserves the right to refuse to honor any bid or to limit the amount of any bid, idiscretion. A bid is considered not m ade in “Good Faith” when made by an insolvent or irresperson, a person under the age o eighteen, or is not supported by satisactory credit, colreerences, or otherwise. Regardless o the disclosure o his identity, any bid by a consignagent on a lot consigned by him is deemed to be made in “Good Faith.” Any person apappearing on the OFAC list is not eligible to bid.

16. Nominal Bids. Te Auctioneer in its sole discretion may reject nominal bids, small openingvery nominal advances. If a lot bearing estimates fails to open for 40–60% of the low estimAuctioneer may pass the item or may place a protective bid on behalf of the consignor.

17. Lots bearing bidding estimates shall open at Auctioneer’s discretion (approximately 50%the low estimate). In the event that no bid meets or exceeds that opening amount, the lot sas unsold.

18. All items are to be purchased per lot as numerically indicated and no lots will be broken. Aureserves the right to withdraw, prior to the close, any lots from the Auction.

19. Auctioneer reserves the right to rescind the sale in the event of nonpayment, breach of a wdisputed ownership, auctioneer’s clerical error or omission in exercising bids and reserveany other reason and in Auctioneer’s sole discretion. In cases o nonpayment, Auctioneer’sto void a sa le does not relieve the Bidder from their obligation to pay Auctioneer its fees (sebuyer’s premium) and any other damages or expenses pertaining to the lot.

20. Auctioneer occasionally experiences Internet and/or Server service outages, and Auperiodically schedules system downtime or maintenance and other purposes, durinBidders cannot participate or place bids. I such outages occur, we may at our discretiobidding or the Auction. Bidders unable to place their Bids through the Internet are dircontact Client Services at 1-800-872-6467.

21. Te Auctioneer, its afliates, or their employees consign items to be sold in the Auction, bid on those lots or any other lots. Auctioneer or aliates expressly reserve the right to mosuch bids at any time prior to the hammer based upon data made known to the Auctionealiates. e Auctioneer may extend advances, guarantees, or loans to certain consignors

22. e Auctioneer has the right to sell certain unsold items aer the close of the Auction. Sshall be considered sold during the Auction and all these erms and Conditions shall applysales including but not limited to the Buyer’s Premium, return rights, and disclaimers.

Payment:23. All sales are strictly for cash in United States dollars (including U.S. currency, bank wire

checks, travelers checks, eChecks, and bank money orders, and are subject to all rrequirements). All deliveries are subject to good funds; funds being received in Auctioneer’sbefore delivery of the Purchases; and all payments are subject to a clearing period. Aureserves the right to determine if a check constitutes “good funds”: checks drawn on a U.S.subject to a ten business day hold, and thirty days when drawn on an international bankwith pre-arranged credit status may receive immediate credit for payments via eCheck, pecorporate checks. All others will be subject to a hold of 5 days, or more, for the funds to cl

to releasing merchandise. (re. &C item 7 Credit or additional inormation.) Paymentmade 24-48 hours post auction from the My Orders page of the HA.com website.24. Payment is due upon closing of the Auction session, or upon presentment of an invoice. Au

reserves the right to void an invoice if payment in full is not received within 7 days aer thethe Auction. In cases of nonpayment, Auctioneer’s election to void a sale does not relieve throm their obligation to pay Auctioneer its ees (seller’s and buyer’s premium) on the lot other damages pertaining to the lot.

25. Lots delivered to you, or your representative in the States of Texas, California, New York,states where the Auction may be held, are subject to all applicable state and local taxesappropriate permits are on le with Auctioneer. (Note: Coins are only subject to saleCalifornia on invoices under $1500 and in Texas on invoices under $1000. Check the Wat: http://coins.ha.com/c/ref/sales-tax.zx for more details.) Bidder agrees to pay Auctioactual amount of tax due in the event that sales tax is not properly collected due to: 1) an inaccurate, inappropriate tax certicate or declaration, 2) an incorrect interpretationapplicable statute, 3) or any other reason. e appropriate form or certicate must be on veried by Auctioneer ve days prior to Auction or tax must be paid; only if such form or cis received by Auctioneer within 4 days aer the Auction can a refund of tax paid be mafrom dierent Auctions may not be aggregated for sales tax purposes.

26. In the event that a Bidder’s payment is dishonored upon presentment(s), Bidder shallmaximum statutory processing fee set by applicable state law. If you attempt to pay viaand your nancial institution denies this transer rom your bank account, or the paymen

be completed using the selected unding source, you agree to complete payment using yocard on le.27. If any Auction invoice submitted by Auctioneer is not paid in full when due, the unpaid bal

bear interest at the highest rate permitted by law from the date of invoice until paid. Any invpaid when due will bear a three percent (3%) late fee on the invoice amount or three percenany installment that is past due. If the Auctioneer refers any invoice to an attorney for collecbuyer agrees to pay attorney’s ees, court costs, and other collection costs incurred by AuctAuctioneer assigns collection to its in-house legal sta, such attorney’s time expended on thshall be compensated at a rate comparable to the hourly rate o independent attorneys.

28. In the event a successful Bidder fails to pay any amounts due, Auctioneer reserves the righthe lot(s) securing the invoice to any underbidders in the Auction that the lot(s) appearesubsequent private or public sale, or relist the lot(s) in a future auction conducted by Auctidefaulting Bidder agrees to pay for the reasonable costs of resale (including a 10% seller’s comi consigned to an auction conducted by Auctioneer). Te deaulting Bidder is liable todierence between his total original invoice for the lot(s), plus any applicable interest, andproceeds for the lot(s) if sold at private sale or the subsequent hammer price of the lot(s) lessseller’s commissions, i sold at an Auctioneer’s auction.



Terms and Conditions o Auction29.Auctioneer reserves the right to require payment in full in good funds before delivery of the

merchandise.30. Auctioneer shall have a lien against the merchandise purchased by the buyer to secure payment of

the Auction invoice. Auctioneer is further granted a lien and the right to retain possession of anyother property o the buyer then held by the Auctioneer or its afliates to secure payment o anyAuction invoice or any other amounts due the Auctioneer or aliates from the buyer. With respect tothese lien rights, Auctioneer shall have all the rights of a secu red creditor under Article 9 of the TexasUniform Commercial Code, including but not limited to the right of sale. In addition, with respect topayment of the Auction invoice(s), the buyer waives any and all rig hts of oset he might otherwisehave against the Auctioneer and the consignor of the merchandise included on the invoice. If aBidder owes Auctioneer or its aliates on any account, Auctioneer and its aliates shall have theright to oset such unpaid account by any credit balance due Bidder, and it may secure by possessorylien any unpaid amount by any o the Bidder’s property in their possession.

31. Title shall not pass to the successful Bidder until all invoices are paid in full. It is the responsibilityof the buyer to provide adequate insurance coverage for the items once they have been delivered to acommon carrier or third-party shipper.

Delivery; Shipping; and Handling Charges:32. Buyer is liable for shipping and handling. Please refer to Auctioneer’s website www.HA.com/

common/shipping.php or the latest charges or call Auctioneer. Auctioneer is unable to combinepurchases rom other auctions or afliates into one package or shipping purposes. Lots won will beshipped in a commercially reasonable time aer payment in good funds for the merchandise and theshipping fees is received or credit extended, except when third-party shipment occurs.

33. Successful international Bidders shall provide written shipping instructions, including speciedcustoms declarations, to the Auctioneer for any lots to be delivered outside of the United States.NOTE: Declaration value shall be the item’(s) hammer price together with its buyer’s premium andAuctioneer shall use the correct harmonized code for the lot. Domestic Buyers on lots designated forthird-party shipment must designate the common carrier, accept risk of loss, and prepay shippingcosts.

34. All shipping charges will be borne by the successful Bidder. On all domestic shipments, any risk of loss during shipment will be borne by Heritage until the shipping carrier’s conrmation of deliveryto the address of record in Auctioneer’s le (carrier’s conrmation is conclusive to prove deliveryto Bidder; i the client has a Signature release on le with the carrier, the package is considereddelivered without Signature) or delivery by Heritage to Bidder’s selected third-party shipper. Onall oreign shipments, any risk o loss during shipment will be borne by the Bidder ollowingAuctioneer’s delivery to the Bidder’s designated common carrier or third-party shipper.

35. Due to the nature of s ome items sold, it shall be the responsibility for the successful Bidder to arrangepick-up and shipping through third-parties; as to such items Auctioneer shall have no liability.Failure to pick-up or arrange shipping in a timely fashion (within ten days) shall subject Lots tostorage and moving charges, including a $100 administration fee plus $10 daily storage for largeritems and $5.00 daily for smaller items (storage fee per item) aer 35 days. In the event the Lot isnot removed within ninety days, the Lot may be oered for sale to recover any past due storage ormoving fees, including a 10% Seller’s Commission.

36. e laws of various countries regulate the import or export of certain plant and animal properties,including (but not limited to) items made of (or including) ivory, whalebone, turtle shell, coral,crocodile, or other wildlife. Transport of such lots may require special licenses for export, import, orboth. Bidder is responsible or: 1) obtaining all inormation on such restricted items or both exportand import; 2) obtaining all such licenses and/or permits. Delay or ailure to obtain any such licenseor permit does not relieve the buyer of timely compliance with standard payment terms. For furtherinformation, please contact Ron Brackemyre at 800- 872-6467 ext. 1312.

37. Any request for shipping verication for undelivered packages must be made within 30 days of shipment by Auctioneer.

Cataloging, Warranties and Disclaimers:38. NO WARRANTY, WHETHER EXPRESSED OR IMPLIED, IS MADE WITH RESPECT TO ANY

DESCRIPTION CONTAINED IN THIS AUCTION OR ANY SECOND OPINE. Any description of theitems or second opine contained in this Auction is or the sole purpose o identiying the items orthose Bidders who do not have the opportunity to view the lots prior to bidding, and no descriptiono items has been made part o the basis o the bargain or has created any express warranty that thegoods would conform to any description made by Auctioneer. Color variations can be expected inany electronic or printed imaging, and are not grounds for the return of any lot. NOTE: Auctioneer,in specied auction venues, for example, Fine Art, may have express written warranties and you arereerred to those specic terms and conditions. .

39. Auctioneer is selling only such right or title to the items being sold as Auctioneer may have byvirtue of consignment agreements on the date of auction and disclaims any warranty of title tothe Property. Auctioneer disclaims any warranty o merchantability or tness or any particularpurposes. All images, descriptions, sales data, and archival records are the exclusive property of Auctioneer, and may be used by Auctioneer for advertising, promotion, archival records, and anyother uses deemed appropriate.

40. Translations of foreign language documents m ay be provided as a convenience to interested parties.Auctioneer makes no representation as to the accuracy o those translations and will not be heldresponsible or errors in bidding arising rom inaccuracies in translation.

41. Auctioneer disclaims all liability for damages, consequential or otherwise, arising out of or inconnection with the sale o any Property by Auctioneer to Bidder. No third party may rely on anybenet o these erms and Conditions and any rights, i any, established hereunder are personal tothe Bidder and may not be assigned. Any statement made by the Auctioneer is an opinion and doesnot constitute a warranty or representation. No employee o Auctioneer may a lter these erms andConditions, and, unless signed by a principal of Auctioneer, any such alteration is null and void.

42. Auctioneer shall not be liable for breakage of glass or damage to frames (patent or latent); such defects,in any event, shall not be a basis for any claim for return or reduction in purchase price.

Release:43. In consideration of participation in the Auction and the placing of a bid, Bidder expressly releases

Auctioneer, its ocers, directors and employees, its aliates, and its outside experts that providesecond opines, from any and all claims, cause of action, chose of action, whether at law or equity orany arbitration or mediation rights existing under the rules o any proessional society or afliationbased upon the assigned description, or a derivative theory, breach of warranty express or implied,representation or other m atter set orth within these erms and Conditions o Auction or otherwise.In the event of a claim, Bidder agrees that such rights and privileges conferred therein are strictlyconstrued as specically declared herein; e.g., authenticity, typographical error, etc. and are theexclusive remedy. Bidder, by non-compliance to these express terms of a granted remedy, shall waiveany claim against Auctioneer.

44. Notice: Some Property sold by Auctioneer are inherently dangerous e.g. rearms, cannons, andsmall items that may be swallowed or ingested or may have latent defects all of which may causeharm to a person. Purchaser accepts all risk o loss or damage rom its purchase o these items andAuctioneer disclaims any liability whether under contract or tort or damages and losses, direct orinconsequential, and expressly disclaims any warranty as to safety or usage of any lot sold.

Dispute Resolution and Arbitration Provision:45. By placing a bid or otherwise participating in the auction, Bidder accepts these Terms and Conditions

of Auction, and specically agrees to the dispute resolution provided herein. Consumer disputesshall be resolved through court litigation which has an exclusive Dallas, Texas venue clause and

jury waiver. Non-consumer dispute shall be determined in binding arbitration which arbitrationreplaces the right to go to court, including the right to a jury trial.

46. Auctioneer in no event shall be responsible for consequential damages, incidental damcompensatory damages, or any other damages arising or claimed to be arising rom the auctany lot. In the event that Auctioneer cannot deliver the lot or subsequently it is established that tlacks title, or other transer or condition issue is claimed, in such cases the sole remedy shall be lito rescission o sale and reund o the amount paid by Bidder; in no case shall Auctioneer’s maxliability exceed the high bid on that lot, which bid shall be deemed for all purposes the value of thAer one year has elapsed, Auctioneer’s maximum liability shall be limited to any commissionees Auctioneer earned on that lot.

47. In the event of an attribution error, Auctioneer may at its sole discretion, correct the errthe Internet, or, if discovered at a later date, to refund the buyer’s purchase price without fuobligation.

48. Dispute Resolution for Consumers and Non-Consumers: Any claim, dispute, or controveconnection with, relating to and /or arising out o the Auction, par ticipation in the Auction, of lots, damages of claims to lots, descriptions, condition reports, provenance, estimates, returwarranty rights, any interpretation of these Terms and Conditions, any alleged verbal modic

o these erms and Conditions and/or any purported settlement whether asserted in contractunder Federal or State statute or regulation shall or any other matter: a) if presented by a consbe exclusively heard by, and the parties consent to, exclusive in personam jurisdiction in theDistrict Courts of Dallas County, Texas. THE PARTIES EXPRESSLY WAIVE ANY RIGHT TO TBY JURY. Any appeals shall be solely pursued in the appellate courts of the State of Texas; orany claimant other than a consumer, the claim shal l be presented in condential binding arbitbefore a single arbitrator, that the parties may agree upon, selected from the JAMS list of Tarbitrators. e case is not to be administrated by JAMS; however, if the parties cannot agran arbitrator, then JAMS shall appoint the arbitrator and it shall be conducted under JAMS Te locale shall be Dallas exas. Te arbitrator’s award may be enorced in any court o comp

jurisdiction. Any party on any claim involving the purchase or sale of numismatic or related may elect arbitration through binding PNG arbitration. Any claim must be brought within oyear of the alleged breach, default or misrepresentation or the claim is waived. is ag reemenany claims shall be determined and construed under Texas law. e prevailing party (partis awarded substantial and material relie on its claim or deense) may be awarded its reasoattorneys’ ees and costs.

49. No claims of any kind can be considered aer the settlements have been made with the consiAny dispute aer the settlement date is strictly between the Bidder and consignor winvolvement or responsibility of the Auctioneer.

50. In consideration of their participation in or application for the Auction, a person or entity (whthe successul Bidder, a Bidder, a purchaser and/or other Auction participant or registrant) a

that all disputes in any way relating to, arising under, connected with, or incidental to these and Conditions and purchases, or deault in payment thereo, shall be arbitrated pursuant tarbitration provision. In the event that any matter including actions to compel arbitration, conthe agreement, actions in aid or arbitration or otherwise needs to be litigated, such litigshall be exclusively in the Courts of the State of Texas, in Dallas County, Texas, and if necethe corresponding appellate courts. For such actions, the successful Bidder, purchaser, or Auparticipant also expressly submits himsel to the personal jurisdiction o the State o exas.

51. ese Terms & Conditions provide specic remedies for occurrences in the auction and deprocess. Where such remedies are aorded, they shall be interpreted strictly. Bidder agrees thclaim shall utilize such remedies; Bidder making a claim in excess of those remedies providthese Terms and Conditions agrees that in no case whatsoever shal l Auctioneer’s maximum liaexceed the high bid on that lot, which bid shall be deemed for all purposes the value of the lot

Miscellaneous:52. Agreements between Bidders and consignors to eectuate a non-sale of an item at Auction, i

bidding on a consigned item to enter into a private sale agreement for said item, or to utilizAuctioneer’s Auction to obtain sales for non-selling consigned items subsequent to the Auare strictly prohibited. If a subsequent sale of a previously consigned item occurs in violatithis provision, Auctioneer reserves the right to charge Bidder the applicable Buyer’s Premiumconsignor a Seller’s Commission as determined for each auction venue and by the terms seller’s agreement.

53. Acceptance of these Terms and Conditions qualies Bidder as a client who has consented

contacted by Heritage in the future. In conformity with “do-not-call” regulations promulgatthe Federal or State regulatory agencies, participation by the Bidder is armative consent to contacted at the phone number shown in his application and this consent shall remain in eectit is revoked in writing. Heritage may from time to time contact Bidder concerning sale, purchasauction opportunities available through Heritage and its aliates and subsidiaries.

54. Rules of Construction: Auctioneer presents properties in a number of collec tible elds, and asspecic venues have promulgated supplemental Terms and Conditions. Nothing herein shconstrued to waive the general Terms and Conditions of Auction by these additional ru les andbe construed to give force and eect to the rules in their entirety.

State Notices:Notice as to an Auction in California. Auctioneer has in compliance with Title 2.95 of the CalifCivil Code as amended October 11, 1993 Sec. 1812.600, posted with the California Secretary of Stbonds for it and its employees, and the auction is being conducted in compliance with Sec. 2338 Commercial Code and Sec. 535 of the Penal Code.

Notice as to an Auction in New York City. ese Terms and Conditions of Sale are designed to conto the applicable sections of the New York City Department of Consumer Aairs Rules and Regulas Amended. Tis sale is a Public Auction Sale conducted by Heritage Auctioneers & Galleries# 41513036. e New York City licensed auctioneers are: Sam Foose, #095260; Kathleen Guz#0762165; Nicholas Dawes, #1304724; Ed Beardsley, #1183220; Scott Peterson, #1306933; Andrea#1320558, who will conduct the Sale on behalf of itself and Heritage Numismatic Auctions, IncCoins) and Currency Auctions o America, Inc. (or currency). All lots are subject to: the consig

rights to bid thereon in accord with these Terms and Conditions of Sale, consignor’s option to radvances on their consignments, and Auctioneer, in its sole discretion, may oer limited extnancing to registered bidders, in accord with Auctioneer’s internal credit standards. A regibidder may inquire whether a lot is subject to an advance or a reserve. Auctioneer has made advanvarious consignors in this sale. On lots bearing an estimate, the term refers to a value range placeditem by the Auctioneer in its sole opinion but the nal price is determined by the bidders.

Notice as to an Auction in Texas. In compliance with TDLR rule 67.100(c)(1), notice is hereby prothat this auction is covered by a Recovery Fund administered by the Texas Department of Liceand Regulation, P.O. Box 12157, Austin, Texas 78711 (512) 463-6599. Any complaints may be dirto the same address.

Notice as to an Auction in Ohio: Auction rm and Auctioneer are licensed by the Dept. o Agricuand either the licensee is bonded in favor of the state or an aggrieved person may initiate a claim athe auction recovery fund created in Section 4707.25 of the Revised Code as a result of the liceactions, whichever is applicable.

Rev. 1-18-1



Terms and Conditions o Auction

New York State Auctions OnlyNotice as to an Auction in New York City. ese Terms and Conditions of Sale are designedto conform to the applicable sections of the New York City Department of Consumer Aairs

Rules and Regulations as Amended. Tis sale is a Public Auction Sale conducted by HeritageAuctioneers & Galleries, Inc. # 41513036. e New York City licensed auctioneers are: SamFoose, #095260; Kathleen Guzman, #0762165; Nicholas Dawes, #1304724; Ed Beardsley,#1183220; Scott Peterson, #1306933; Andrea Voss, #1320558, who will conduct the Sale onbehal o itsel and Heritage Numismatic Auctions, Inc. (or Coins) and Currency Auctions o America, Inc. (or currency). All lots are subject to: the consignor’s rights to bid thereon inaccord with these Terms and Conditions of Sale, consignor’s option to receive advances on theirconsignments, and Auctioneer, in its sole discretion, may oer limited extended nancing toregistered bidders, in accord with Auctioneer’s internal credit standards. A registered biddermay inquire whether a lot is subject to an advance or a reserve. Auctioneer has made advancesto various consignors in this sale. On lots bearing an estimate, the term refers to a value rangeplaced on an item by the Auctioneer in its sole opinion but the nal price is determined by thebidders. Rev 10-10-11

Additional erms & Conditions:

COMICS & COMIC ART AUCTIONS

COMICS & COMIC ART TERM A: Signature® Auctions are not on approval. No certied materialmay be returned because of p ossible dierences of opinion with respect to the grade oered byany third-party organization, dealer, or service. No guarantee of grade is oered for uncertiedProperty sold and subsequently submitted to a third-party grading service. ere are absolutelyno exceptions to this policy. Under extremely limited circumstances, (e.g. gross cataloging error)a purchaser, who did not bid from the oor, may request Auctioneer to evaluate voiding a sale;such request must be made in writing detailing the alleged gross error, and submission of the lotto the Auctioneer must be pre-approved by the Auctioneer. A bidder must notify the appropriatedepartment head (check the inside front cover of the catalog or our website for a listing of department heads) in writing of such request within three (3) days of the non-oor bidder’sreceipt of the lot. Any lot that is to be evaluated must be in our oces within 30 days aer

Auction. Grading does not qualify for this evaluation process nor do such complaints constitutea basis to challenge the authenticity of a lot. AFTER THAT 30-DAY PERIOD, NO LOTS MAY BERETURNED FOR REASONS OTHER THAN AUTHENTICITY. Lots returned must be housedintact in the original holder. No lots purchased by oor Bidders may be returned (including thoseBidders acting as agents or others). Late remittance or purchases may be considered just causeto revoke all return privileges.

COMICS & COMIC ART TERM B: Auctions conducted solely on the Internet have a THREE (3)DAY RETURN POLICY: Lots paid for within seven days of the Auction closing are sold with athree (3) day return privilege. You may return lots under the following conditions: Within threedays of receipt of the lot, you must rst notify Auctioneer by contacting Client Service by phone(1-800-872-6467) or e-mail ([email protected]), and immediately mail the lot(s) fully insured tothe attention of Returns, Heritage, 3500 Maple Avenue, 17th Floor, Dallas TX 75219-3941. Lotsmust be housed intact in their original holder and condition. You are responsible for the insured,safe delivery of any lots. A non-negotiable return fee of 5% of the purchase price ($10 per lotminimum) will be deducted rom the reund or each returned lot or billed directly. Postageand handling fees are not refunded. Aer the three-day period (from receipt), no items may bereturned for any reason. Late remittance for purchases revokes all Return-Restock privileges.

COMICS & COMIC ART TERM C: Bidders who have inspected the lots prior to the auction will not

be granted any return privileges.

COMICS & COMIC ART TERM D: Comic books sold referencing a third-party grading service aresold “as is” without any express or implied warranty. Certain warranties may be available fromthe grading services and the Bidder is referred to them for further details: Comics GuarantyCorporation (CGC), P.O. Box 4738, Sarasota, FL 34230.

COMICS & COMIC ART TERM E: Bidders who intend to challenge authenticity or provenance of alot must notify Auctioneer in writing within thirty (30) days of the Auction’s conclusion. In theevent Auctioneer cannot deliver the lot or subsequently it is established that the lot lacks title,provenance, authenticity, or other transfer or condition issue is claimed, Auctioneer’s liabilityshall be limited to rescission o sale and reund o purchase price; in no case shall Auctioneer’smaximum liability exceed the high bid on that lot, which bid shall be deemed or all purposes thevalue of the lot. Aer one year has elapsed, Auctioneer’s maximum liability shall be limited to anycommissions and ees Auctioneer earned on that lot.

COMICS & COMIC ART TERM F: All comics are guaranteed genuine, but are not guaranteed as tograde, since grading is a matter o opinion, an art and not a science, and thereore the opinionrendered by the Auctioneer or any third party grading service may not agree with the opinion of others (including trained experts), and the same expert may not grade the same item with the

same grade at two dierent times.

COMICS & COMIC ART TERM G: Since we cannot examine encapsulated comics, they are solis” without our grading opinion, and may not be returned or any reason. Auctioneer shall liable for any patent or latent defect or controversy pertaining to or arising from any encapcollectible. In any such instance, purchaser’s remedy, if any, shall be solely against the servicertiying the collectible.

COMICS & COMIC ART TERM H: Due to changing grading standards over time, dieringinterpretations, and to possible mishandling of items by subsequent owners, Auctioneer rethe right to grade items dierently than shown on certicates from any grading service thaaccompany the items. Auctioneer also reserves the right to grade items dierently than theshown in the prior catalog should such items be reconsigned to any uture auction.

COMICS & COMIC ART TERM I: Although consensus grading is employed by most gradingservices, it should be noted as aforesaid that grading is not an exact science. In fact, it is ent

possible that if a lot is broken out of a plastic holder and resubmitted to another grading seror even to the same service, the lot could come back with a dierent grade assigned.

COMICS & COMIC ART TERM J: Certication does not guarantee protection against the normrisks associated with potentially volatile markets. e degree of liquidity for certied collecwill vary according to general market conditions and the particular lot involved. For some lthere may be no active market at all at certain points in time.

For wiring instructions call the Credit department at 1-800-872-6467or e-mail: [email protected]

Rev. 8



To onsn yor os or o artto a Hertae aton, ontat

BARRY SANDOVAL800.872.6467, Ext. 1377

[email protected]

February 22-23, 2012 • NeW yOrK • LIVe & ONLINe

COmICs & COmIC art auCtION

3500 Maple Avenue | Dallas, Texas 75219 | 800-872-6467 | HA.com


NYC Actnr cnss: Sam Fs 0952360; Rbrt Krvr 1096338; Katn Gzman 0762165. Ts actn s sbjct t a 19.5% byr’s prmm.


Free catalog and The Collector’s Handbook ($65 value) for new clients.Please submit auction invoices of $1,000+ in this category, from any source. Include your

contact information and mail to Heritage, fax 214-409-1425, email [email protected],or call 866-835-3243. For more details, go to HA.com/FCO.

21579

“ T he r e sul t s o t hi s f nal auc t i o n o my c o l l e c t i o

w e r e abo ut 50 % hi g he r t han I e x p e c t e d . W hat i mp r e sse d me t he mo st w as t he c o nst ant

at t e nt i o n t o p r o mo t i ng t he hi st o r y o t he p ai nt i ng

W he n I r e ad t he w r i t e -up s I r e al i z e d y o u and y o u

st a k ne w a l o t mo r e abo ut t he p ai nt i ng s t han I d

and I had t he m o r 30 y e ar s. T hat r e al l y g av e t he

auc t i o n so me t hi ng e x t r a, and i t w as hand l e d w i t h

e x t r e me p r o e ssi o nal i sm. Al so , I o w n 7 0 r ad i o st at i o ns and hav e o w ne d mo r e

t han 20 0 st at i o ns, al l o w hi c h hav e w e bsi t e s. I am

j e al o us and c o v e t o us o t he j o b y o u d o w i t h y o ur

w e bsi t e . I t ’ s so r i e nd l y and c o mp r e he nsi v e – i t ’ s a

w o r k o ar t . I t ’ s a sup e r i o r p r o d uc t t hat mak e s t he

e nd p r o d uc t o buy i ng and se l l i ng e asi e r and mo r e

p r o d uc t i v e .

I n g e ne r al , e v e r y o ne I d e al t w i t h w as v e r y

busi ne ssl i k e and p r o e ssi o nal .” K e r by C o n e r

Cngratatns (and r sncr tanks) tKrby Cnr n tta actn sas

$3.97 llon r s cmc art cctn!

Car Barks, The Sport of Tycoons14” x 18”Sold or $262,900Nv. 16, 2011



To onsn yor os or o artto a Hertae aton, ontat

LON ALLEN800.872.6467, ext. 1261

[email protected]

CoNGRATulATioNS To The GARY DAhlBeRG eSTATe

$2,000,000 SOLD iN HERiTAgE AucTiONS!

COmICs & COmIC art auCtION



hrtag Nmsmatc Actns, inc.: CA Bnd #RSB2004175; CA Actnr Bnds: Sam Fs #RSB2004178. Ts actns ar sbjct t a 19.5% byr’s prmm.


Tr’s st mr t cm rm t Gary Dabrg Cctn –

vw t atst stngs at HA.o

Free catalog and The Collector’s Handbook ($65 value) for new clients.Please submit auction invoices of $1,000+ in this category, from anysource. Include your contact information and mail to Heritage, fax

214-409-1425, email [email protected], or call 866-835-3243.For more details, go to HA.com/FCO.

20593

Mr. Barry SandovalHeritage AuctionsDallas, Texas

Dear Barry,

I wanted to thank you and your colleagues or everything that Heritage has donemarketing and auctioning the comic book collection o my late brother-in-law GaryDahlberg.

When Gary passed away, the amily knew very little about vintage comic

collecting. We knew Gary’s collection was valuable but had no idea how valuable.We discussed the collection with several o the leaders in the comic book collectingindustry beore selecting Heritage to represent us.

We were all thrilled to see Gary’s collection eatured in a special catalog withphotographs and his personal biography, as well as in all o the printed mailers andbrochures you put out beore the Signature Auctions. With your cooperation andinvolvement, the collection was covered in many magazine and newspaper articles,making the ront page o the Minneapolis Star Tribune. It was also shown on TV news.Heritage committed to using its considerable resourses in marketing this collection.You sure came through.

I was present at the frst auction which eatured extremely competitive bidding, andsaw the frst 400 comics sell or well over $1 million. Sales at this point are close to$2 million and still going s trong.

I strongly eel that Heritage made sure that Gary’s collection was prepared andpresented in the most proftable way. In doing this, Gary’s name and collection hasbecome well known to every serious collector in the country. I don’t think anyone could

have done a better job.I have talked to many people in your company over the last several months.

Everyone I talked to was very patient with me and took the time to make sure all o my questions were completely answered. The entire amily is impressed with yourexpertise and proessionalism throughout the process. We all are extremely glad thatwe chose Heritage to represent us.

Sincerely,

Tom Madison

August 28, 2011

SOLDfOR$77,675

SOLDfOR

$65,725



Order Your Collectible Auction Catalog,Keepsake DVD, & Magazine Today!

Call 866-835-3243 or visit HA.com/JohnWayne

THE PERSONAL PROPERTY OF JOHN WAYNE

300-PAGE SPECIAL LIMITED EDITION

ILLUSTRATED AUCTION CATALOG

Full-Color Photographs

Descriptions or Over 700 Lots

More than 300 Pages

SOFTCOVER AUCTION CATALOG—$50 LIMITED LIBRARY EDITION SIGNED BY ETHAN WAYNEHARDCOVER AUCTION CATALOG—$125

THE PERSONAL PROPERTY OF JOHN WAYNE

KEEPSAKE COLLECTOR’S DVD

Family Members Ethan, Patrick, Marisa and Pilar Wayne

Refect on Wayne’s Lie and Career

Highlights rom the Historic Auction

Family Home Movies and Rarely Seen Photos

KEEPSAKECOLLECTOR’S DVD— $19.95

THE PERSONAL PROPERTYOF JOHN WAYNE

auction made history.

Now you can own specialLimited Edition mementos to

commemorate this amazing event.

22

A portion o the proceedsrom the sales o the

library edition catalogsand all profts rom the sale o the DVD will

beneft the John WayneCancer Foundation.

intelligent collector

intelligent collec

tor

Ethan

WaynE on growing upwith a legend

28

pull-out poster: tHe DuKe's Most CHerIsHeD MoVIe posters 51

Also:

Ben Franklin

David Crockett

Lou Gehrig

The Beatles

Steve Ditko

Ray Bradbury

Marcus Junius Brutus

Frank Frazetta

Family opens vault

to collectors and fans of

JOhn WaynECostumes, props, hats,scripts, personal itemshead to auction

True Grit, Hondo,Sands of Iwo Jima,Liberty Valance,The Searchers

24

Summer/fall 2011 No.14 $9.95

heritageMagazine.com

h e r i ta g e M a g a z i N e f o r t h e

STILLAVAILABLE!

A limited number of the Summer/Fall2011 edition of The Intelligent Collector is still available, featuring an interview

with John Wayne’s son Ethan and selecthighlights from the historic auction.

Only $15 or FREE withpurchase of

Catalog or DVD!

OCTOBER6-7, 2011 | LOSANGELESAuCTiONLiVE&ONLiNE

ThE pERSONAL pROpERTyOf JOhN WAyNE



Heritage Charity AuctionsMaking your charity auction easier and more successul

hrtag Actns wd k t p wrty carts sav tm and rsrcs w rasng mmny, gdw and awarnss. W ar rng r srvcs t apprvd carts and tr dt gv back and t mt nw rnds, nt t prft rm t ndavr ts. Trr a pw b dnatd t carts sctd by r mpys.

Ca tday t fnd t w t prssnas at hrtag Carty Actns can sarpn pantrpc rts and p y rac yr ndrasng gas.


3500 Maple Avenue | Dallas, Texas 75219 | 800.872.6467 | HA.com

For a free auction catalog in any category, plus a copy of The Collector's Handbook (combined value $65), visit HA.com/CATA23355 or call 866-835-3243 and

reference code CATA23355.


Da Cy GassSold For: $13,145, Nov. 2011Benefting The PhoenixHouse

2004 Arn Nss Vctry

Vgas, Atgrapd byNASCAR gnd Ky PttySold For: $9,500, Oct. 2011Benefting Texas Scottish RiteHospital or Children

Damnd, Gd Nckac,Back, Starr & FrstSold For: $7,767, May 2007Benefting Academy Awardwinner Meryl Streep’s charityo choice, Equality Now

2009 hideki Matsui WrldSeries Gam Sx hm RnBasbaSold For: $23,900, April 2010Benefting Friends o theChildren o Haiti

Spr Bw XlV Db St

Sold For: $160,000, Feb. 2010Benefting Big Brothers BigSisters

Cwby lgndsPkr FantasySold For: $30,000, May 2010Benefting Pat & EmmittSmith Charities

1909-11 T206 Swt Capra

hns Wagnr SGCAtntc - A NwyDscvrd examp!Sold For: $262,900, Nov. 2010Benefting School Sisters o Notre Dame

emmtt Smt ha Fantasy TrpSold For: $22,000, MBenefting Pat & EmSmith Charities

Fa Fasn Wk F

Wt Tna Crag,“T Bag Snb”Sold For: $42,500, MBenefting Pat & EmSmith Charities

TX Auctioneer licenses: Samuel Foose 11727; Robert Korver 13754; Andrea Voss 16406.

Fr mr nrmatn, cJr C

800.872.6467 xJrC@hA



Free catalog and The Collector’s Handbook ($65 value) for new clients.

Please submit auction invoices of $1000 + in this category, from

any source. Include your contact information and mail to Heritage,

fax 214-409-1425, email [email protected], or call 866-835-3243.

For more details, go to HA.com/FCO.

gREY SmiTHDrector, Vnta

move Posters

214-409-1367

[email protected]

Anna Sa s excd $800 M n | 700,000+ on n B ddr -Mmbrs

3 5 0 0 M a p A v n | D a a s , T x a s 7 5 2 1 9 | 8 0 0 - 8 7 2 - 6 4 6 7


2330 TX Auctioneer licenses: Samuel Foose 11727; Robert Korver 13754; Scott Peterson 13256. • This auction is subject to a 19.5% buyers premium.

T Tr Stgs n Tr ltt Brs(Cmba, 1935).

on St (27” X 41”).REALizED $59,750

hA.cm/7043*83070

T Dv s a Wman (Paramnt, 1935).on St (27” X 41”) Sty B.

REALizED $26,290hA.cm/7043*83185

T Mst DangrsGam (RKo, 1932). haSt (22” X 28”).REALizED $31,070hA.cm/7043*83393

Anna Crst (MGM, 1930).on St (27” X 41”).

REALizED $38,837hA.cm/7043*83187

V I N t a G e m O V I e P O s t e r smarCh 23-24, 2012 | DaLLas | LIVe & ONLINeCONsIGNmeNt DeaDLINe JaNuary 31, 2012

CONSIGNNOW

SEE wHAT HERiTAgE AucTiONS cAN DO fOR YOu

Cnsigning yur vintage mvie psters t heritage Auctins can be a rewarding

experience. our recrd-breaking successes ver te past year illustrate wat ur nearly

700,000 nline bidder-members can d r yu, te cnsignr.

Take a lk at te examples n tis page and see r yursel wy we realize mre mn

r ur mvie pster cnsignrs tan all ter auctin frms cmbined! Take n cance

Cnsign t heritage Auctins tday and see wy we’re te mst trusted name in te

cllectibles business.

our tp prices realized make us te world leader!



I L L u s t r a t I O N a r t a u C t I O N marCh 1, 2012 | beVerLy hILLs | LIVe & ONLINe


For a free auction catalog in any category, plus a copy of The Collector's Handbook (combined value$65), visit HA.com/CATM23355 or call 866-835-3243 and reference code CATM23355.

giL ELVgREN"I Hope the Boys Don't Draw the Straws TonightBrown and Bigelow Caleillustration, 1946Oil on canvas30 x 24 in.Signed lower leftEstate: $50,000 - $75HA.com/5090-28010

Annual Sales Exceed $800 Mill ion | 700,000+ Online Bidder-Members

3500 Maple Avenue | Dallas, Texas 75219 | 800-872-6467 | HA.com/FineArt

TX & NY Auctioneer license: Samuel Foose 11727 & 0952360. Heritage Auction Galleries CA Bond #RSB2004175; CA Auctioneer Bond: Carolyn Mani #RSB2005661 • Buyer’s Premium 12 - 25%, see Ha.com for detils.

Inqii:tODD hIGNIte800-872-6467 x. [email protected]

Vii ha.co/5

The World's Third Largest Auction H



3500 Map Avn | Daas, Txas 75219 | 800-872-6467 | hA.cm

Anna Sas excd $800 Mn | 700,000+ onn Bddr-Mmbrs


For a ree auction catalog in any category, plus a copy o The Collector's Handbook (combined value $65), visit HA.com/CATA23355 or call 866-835-3243 and reerence code CATA23355.

TX & NY Auctioneer license: Samuel Foose 11727 & 0952360. Buyer’s Premium 12-25%, see HA.com for details.

or Wrd ladng Natra hstry Actns atr a wd varty Msm Qaty Spcmns rm arnd t wrd, sc as ts xtrmy rar

Sabr-Ttd Tgr Sk rm t Ranc la Bra Frmatn n Carna.

Frm Dnsars t Mtrts t extc Gms and Mnras,pas vst hA.cm/Natrahstry r tr actn nrmatn.

NaturaL hIstOry auCtION may 20, 2012 | LIVe & ONLINe



Derek GradyVP, Sports

Auctions

[email protected]

ext. 1975

Chris IvyDir. of Sports

Auctions

[email protected]

ext. 1319

Mark JordanConsignment

Director

[email protected]

ext. 1187

Jonathan ScheierConsignment

Director

[email protected]

ext. 1314

Lee IskowitzConsignment

Director

[email protected]

ext. 1601

Mike GutierrezConsignment

Director

[email protected]

ext. 1183

Peter CalderonConsignment

Director

[email protected]

ext. 1789

Chris NeratConsignment

Director

[email protected]

ext. 1615

TX Auctineer licenses: Samuel Fse 11727; Rbert Krver 13754; Andrea Vss 16406. Tis auctin is subject t a 19.5% buyer’s premium.

s P O r t s C O L L e C t I b L e s a u C t I O N

s P r I N G 2 0 1 2 | D a L L a s | L I V e & O N L I N e

Anna Sas excd $800 Mn | 700,000+ onn Bddr-Mmbrs

3500 Maple Avenue | Dallas, Texas 75219 | 800-872-6467 | hA.cm/Sprts

DALLAS | NEW YORK | BEVERLY HILLS | SAN F RANCISCO | PARIS | GENEVA

Interest Free Cash advanCes avaIlable

Reslts ro or Ast 2011 Platn Nht Aton,eatrn THE LOu gEHRig cOLLEcTiON:

ConsIgnments

Wanted!

1909T204

Ramly Walter JohnsonPSA EX-MT 6

SOLD FOR: $29,875

1888 N403 Yum YumTobacco Roger Connor,

Redemption BackSGC 60 EX 5

SOLD FOR: $23,900

1911 D304 BrunnersButter Krust Ty CobbPSA EX 5 - A Newly

Discovered Example!SOLD FOR: $33,460

1928 Lou Gehrig’New York Yankee

World ChampionshWristwatch

SOLD FOR: $155,

1908Denton T.

“Cy” YoungGame Worn

Boston Red Sox UniormSOLD FOR: $657,250

1937Robert T.

“Bobby” Jones’Personal Augusta

Green JacketSOLD FOR: $310,700

1934Lou Gehrig

Tour o JapanGame Worn

UniormSOLD FOR: $507,875

1926New York Yankees

Team Signed Baseballrom The Lou Gehrig

Collection--FinestExample Known

SOLD FOR: $131,450

1934Lou Gehrig

Tour o JapanGame Worn Cap

SOLD FOR: $95,600

1927 New York Yankees Infeld

SignedPhotograph

rom TheLou GehrigCollectionPSA-Mint 9

SOLD FOR: $26,290

free atalo and The Collector's Handbook ($65 vale) or ne lents. Please submit auction invoices o $1,000+ in this category, rom any source. Include your contactinormation and mail to Heritage, ax 214-409-1425, email [email protected], or call 866-835-3243. For more details, go to HA.com/FCO.



2011 April InauguralSignature® Wine AuctionApril 2, 2011Pre-Auction Estimate: $1.54MRealized: $1.65M

89% sold

2011 May Single-Owner CellarSignature® Wine AuctionMay 6, 2011Pre-Auction Estimate: $2.87MRealized: $3.61M

97% sold

2011 June Beverly HillsSignature® Wine AuctionJune 16, 2011Pre-Auction Estimate: $2.26MRealized: $2.54M

96% sold

I N

I N

T I

N

|

T

Y ,

T

,

|

L Y

I L L

SATURDAY, SEPTEMBER 24, 2011 | BEVERLY HILLS

2011 HeritageAuctioneers& Galleries,Inc.

ICE

FINE & RARE WINE

Featuring selectionsfrom the cellar ofCandy Spelling

2011 September Beverly HillsSignature® Wine AuctionSeptember 24, 2011Pre-Auction Estimate: $1.2MRealized: $1.36M

93% sold

2011 December Beverly HillsSignature® Wine AuctionDecember 1, 2011Pre-Auction Estimate: $1.96MRealized: $2.07M

93% sold

Why Heritage is your Best Consignment Choice• Consignors pay NO consignment or insurance fees• Cash advances on qualifying consignments• Full, on-time payments to every consignor since 1976• Salesrooms in Beverly Hills, Dallas and New York and a strong

presence in the Hong Kong wine market

• An average of 30,000 unique visitors to our website daily – by farthe highest web trafc o any auction house

• A database of more than 650,000 collectors

• Average sell-through rate of at least 94%

• Unrivaled nancial stability and long-term continuity of management

• Complimentary consolidated shipping available in most major market

There’s a new standard in wine auctionsFine and Rare Wines, with a ocus on Blue-Chip Bordeaux, Classic Burgundies,Cult Caliornia and fne selections rom Italy, The Rhone and the New World

Inquiries:Frank Martell310-492-8616 • 800-872-6467, ext. 1753 • [email protected]

For a free auction catalog in any category, plus a copy of The Collector's

Handbook (combined value $65), visit HA.com/CATF23355 or call 866-835-3243 and reference code CATF23355.

TX & NY Auctioneer license: Samuel Foose 11727 & 0952360. Heritage Auction Galleries CA Bond #RSB2004175; CA Auctioneer Bond: Carolyn Mani #RSB2005661. These auctions are subject to a 19.5% buyer’s premium. 23365






U LT I M AT E E LV I S A U C T I O N

TUE SDAY, AUGUST 14 , 201 2

Elvis Presley - Triple EP 45RCA SPD-23 (1956)Sold for: $3,883

HA.com/616*21673

Elvis Presley’s CustomGold-Framed SunglassesSold for: $21,510HA.com/7026*46054

Elvis Presley’s SignedDraft CardSold for: $26,290HA.com/7022*46910

Ultimate elvis aUctionTueSDAY, AuGuST 14, 2012 | MeMPhiS, TeNNeSSee | PeABoDY hoTel

A U C T I O N S

HA.c

Annual Sales Exceed $800 Mill ion | 700,000+ Online Bidder-Members

3500 Maple Avenue | Dal las, Texas 75219 | 800.872.6467 | HA.com

TX Auctioneer licenses: Samuel Foose 11727 & 0952360. Heritage Auction Galleries CA Bond #RSB2004175;

CA Auctioneer Bond: Carolyn Mani #RSB2005661. Buyer’s premium 12-25%. See HA.com for details.

For a free auction catalog in any category, plusof The Collector's Handbook (combined value visit HA.com/CATL23355 or call 866-835-3243

reference code CATL23355.


consn yor Elvs meorabla today by alln one o or Spealsts belo.

J SteeleConsignment Director214.409.1328800.872.6467 ext. [email protected]

garry ShrConsignment Director214.409.1585800.872.6467 ext. [email protected]

THE THIRD LARGEST AUCTION HOUSE IN THE WO

Elvis Presley - “That’s All Right/Blue

Moon of Kentucky” 45 Sun 209 (1954)Sold for: $6,572HA.com/616*43083



Department SpecialistsFor the extensions below, please dial 800.872.6467

Comics & Comic Art HA.com/Comics


Lon Allen, Ext. 1261 • [email protected]

Barry Sandoval, Ext. 1377 • [email protected]


Fine Art American, Western & European ArtHA.com/FineArt


Marianne Berardi, Ph.D., Ext. 1506 • [email protected]

Ariana Hartsock, Ext. 1283 • [email protected]

Kirsty Buchanan, Ext. 1741 • [email protected]


Caliornia ArtHA.com/FineArt

Alissa Ford, Ext. 1926 • [email protected]


Decorative Arts & DesignHA.com/Decorative




Carolyn Mani, Ext. 1677 • [email protected]

Illustration ArtHA.com/Illustration



Lalique & Art GlassHA.com/Design


Modern & Contemporary ArtHA.com/Modern

Frank Hettig, Ext. 1157 • [email protected]

Silver & VertuHA.com/Silver



Texas ArtHA.com/TexasArt

Atlee Phillips, Ext. 1786 • [email protected]

PhotographsHA.com/ArtPhotography


Rachel Peart, Ext. 1625 • [email protected]

Handbags & Luxury Accessories HA.com/Luxury

Matt Rubinger, Ext. 1419 • [email protected]

Historical

American Indian ArtHA.com/AmericanIndian

Delia Sullivan, Ext. 1343 • [email protected]

Americana & PoliticalHA.com/Historical

Tom Slater, Ext. 1441 • [email protected]



Don Ackerman, Ext. 1736 • [email protected]

Arms & ArmorHA.com/Arms

Greg Martin, Ext. 1883 • [email protected]

Jemison Beshears, Ext. 1886 • [email protected]

Cliff Chappell, Ext. 1887 • [email protected]

Roger Lake, Ext. 1884 • [email protected]

David Carde, Ext. 1881 • [email protected]

Civil War & MilitariaHA.com/CivilWar

Dennis Lowe, Ext. 1182 • [email protected]

Historical Manuscripts

HA.com/ManuscriptsSandra Palomino, Ext. 1107 • [email protected]

Rare BooksHA.com/Books

James Gannon, Ext. 1609 • [email protected]

Joe Fay, Ext. 1544 • [email protected]

Space ExplorationHA.com/Space



TexanaHA.com/Historical


Jewelry HA.com/Jewelry

Jill Burgum, Ext. 1697 • [email protected]

Peggy Gottlieb, Ext. 1847 • [email protected]

Movie Posters HA.com/MoviePosters

Grey Smith, Ext. 1367 • [email protected] Carteron, Ext. 1551 • [email protected]



Music & Entertainment MemorabiliaHA.com/Entertainment

Margaret Barrett, Ext. 1912 • [email protected]

Kristen Painter, Ext. 1149 • [email protected]


Garry Shrum, Ext. 1585 • [email protected]

Vintage Guitars & Musical InstrumentsHA.com/Guitar


Isaiah Evans, Ext. 1201 • [email protected]

Natural History HA.com/NaturalHistory

David Herskowitz, Ext. 1610 • [email protected]

Numismatics Coins – United StatesHA.com/Coins

David Mayield, Ext. 1277 • [email protected]

Jessica Aylmer, Ext. 1706 • [email protected] Callender, Ext. 1415 • [email protected]

Chris Dykstra, Ext. 1380 • [email protected]

Sam Foose, Ext. 1227 • [email protected]

Jim Jelinski, Ext. 1257 • [email protected]

Bob Marino, Ext. 1374 • [email protected]

Mike Sadler, Ext. 1332 • [email protected]

Beau Streicher, Ext. 1645 • [email protected]

Rare CurrencyHA.com/Currency

Len Glazer, Ext. 1390 • [email protected] Mincho, Ext. 1327 • [email protected]

Dustin Johnston, Ext. 1302 • [email protected]

Michael Moczalla, Ext. 1481 • [email protected]

Jason Friedman, Ext. 1582 • [email protected]

Brad Ciociola, Ext. 1752 • [email protected]

World & Ancient CoinsHA.com/WorldCoins

Cristiano Bierrenbach, Ext. 1661 • [email protected]

Warren Tucker, Ext. 1287 • [email protected]

David Michaels, Ext. 1606 • [email protected]

Scott Cordry, Ext. 1369 • [email protected]

Sports Collectibles HA.com/Sports

Chris Ivy, Ext. 1319 • [email protected]

Peter Calderon, Ext. 1789 • [email protected]

Derek Grady, Ext. 1975 • [email protected]


Lee Iskowitz, Ext. 1601 • [email protected]

Mark Jordan, Ext. 1187 • [email protected]

Chris Nerat, Ext. 1615 • [email protected]

Jonathan Scheier, Ext. 1314 • [email protected]

Services

Locations

Timepieces HA.com/Timepieces

Jim Wol , Ext. 1659 • [email protected]

Wine HA.com/Wine

Frank Martell, Ext. 1753 • [email protected]

Poppy Davis, Ext. 1559 • [email protected]

Appraisal ServicesHA.com/Appraisals

Meredith Meuwly, Ext. 1631• [email protected]

Corporate & Institutional Collections/VenturesKarl Chiao, Ext. 1958 • [email protected]

Credit DepartmentMarti Korver, Ext. 1248 • [email protected] Thomas, Ext. 1241 • [email protected]

Media & Public RelationsNoah Fleisher, Ext. 1143 • [email protected]

Trusts & EstatesHA.com/Estates

Mark Prendergast, Ext. 1632 • [email protected] Chiao, Ext. 1958 • [email protected] Mani, Ext. 1677 • [email protected]

Dallas (World Headquarters)214.528.3500 • 800.872.6467 3500 Maple Ave.

Dallas, TX 75219Beverly Hills310.492.86009478 W. Olympic Blvd.Beverly Hills, CA 90212

San Francisco800.872.6467478 Jackson StreetSan Francisco, CA 94111

New York212.486.3500445 Park AvenueNew York, NY 10022

DALLAS | NEW YORK | SAN FRANCISCOBEVERLY HILLS | PARIS | GENEVA

Corporate OicersR. Steven Ivy, Co-ChairmanJames L. Halperin, Co-ChairmanGregory J. Rohan, PresidentPaul Minshull, Chief Operating OfficerTodd Imho, Executive Vice PresidentKathleen Guzman, Managing Director-New York



HA.com/Consign • Consignment Hotline 800-872-6467 • All dates and auctions subject to change after press time. Go to HA.com for updates.

Auctioneers: Samuel Foose: TX 11727; CA Bond #RSB2004178; FL AU3244; GA AUNR3029; IL 441001482; NC 8373; OH 2 006000048; MA 03015; PA AU005443; TN 6093; WI 2230-052; NYC 0952360; Denver 1021450; Phoenix 07006332. Robert Korver: TX 1 3754; CA Bond #RSB2004179; FL AU2916; GA AUNR003023; IL 4410003014; NC 8363; OH 2006000049; TN 6439; WI 2412-52; Phoenix 07102049; NYC 1096338; Denver 1021446. Teia Baber: TX 16624; CA Bond #RSB20055 25. Ed Beardsley: TX Associate 16632; NYC 1183220. N icholas Dawes: NYC 1304724. Marsha Dixey: TX 16493. Chris Dykstra: TX 16601; FL AU4069; WI 2566-052; TN 6463; IL CA #RSB2005738. Jeff Engelken: CA B ond #RSB2004180. Alissa Ford: CA Bond # RSB2005920. NYC 1094963. Shaunda Fry: TX 16448; FL AU3915; WI 2577-52 ; CA Bond #RSB2005396. Kathleen Guzman: NYC 0762165. Stewart Huckaby: TX 16590. Cindy Isennock, participating auctioneer: Baltimore Auctioneer license #AU10.Mani: CA Bond #RSB2005661; B ob Merrill: TX 13408; MA 03022; WI 2557-052; FL AU4043; IL 44 1001683; CA Bond #RSB2004177. Cori Mikeals: TX 16582; CA #RSB2005645. Scott Peterson: TX 13256; NYC 1306933; IL 441001659; WI 2431-052; CA Bond #RSB2005395. Tim Rigdon: TX 16519. Michael J. Sadler: TX 16129; FL AU441001478; MA 03021; TN 6487; WI 2581-052; N YC 1304630; CA Bond #RSB2005412. Eric Thomas: TX 16421; PA AU005574; TN 6515. Andrea Voss: TX 16406; FL AU4034; MA 03019; WI 2576-052; CA Bond #RSB2004676; NYC #1320558. Jacob Walker: TX 16413; FL AU4031; WI 2567-052; IL 4 41001677; CA Bond #RSB200539

- -

U p c o m

i n g A u c

t i o n s

HERITAGE WEEKLY INTERNET COIN AUCTIONS • Begin and end every Sunday & Tuesday o each week at 10 PM CT.HERITAGE MONTHLY INTERNET WORLD COIN AUCTIONS • Begin and end the frst Tuesday o each month at 10 PM CT.HERITAGE THURSDAY MODERN COIN AUCTIONS • Begin and end every Thursday at 10 pm CT.HERITAGE TUESDAY INTERNET CURRENCY AUCTIONS • Begin and end every Tuesday at 10 PM CT.HERITAGE WEEKLY INTERNET COMICS AUCTIONS • Begin and end every Sunday at 10 PM CT.HERITAGE WEEKLY INTERNET MOVIE POSTER AUCTIONS • Begin and end every Sunday at 10 PM CT.HERITAGE WEEKLY INTERNET SPORTS AUCTIONS • Begin and end every Sunday at 10 PM CT, with extended bidding available.HERITAGE WEEKLY INTERNET WATCH & JEWELRY AUCTIONS • Begin and end every Tuesday at 10 PM CT.HERITAGE WEEKLY INTERNET VINTAGE GUITAR & MUSICAL INSTRUMENT AUCTIONS • Begin and end every Thursday at 10 PM CT.HERITAGE WEEKLY INTERNET RARE BOOKS & AUTOGRAPHS AUCTIONS • Begin and end every Thursday at 10 PM CT.HERITAGE MONTHLY INTERNET WINE AUCTIONS • Begin and end the second Thursday of each month at 10 PM CT, with extended bidding available.

U.S. Rare Coin Auctions Location Auction Dates Consignment Deadline

U.S. Rare Coins New York March 8-9, 2012 Closed

U.S. Rare Coins Schaumburg, IL April 18-21, 2012 March 9, 2012

U.S. Rare Coins Long Beach May 30-June 2, 2012 March 9, 2012

World & Ancient Coin Auctions Location Auction Dates Consignment Deadline

Judean Coin Auction New York March 8-9, 2012 Closed

CICF Ancient Coins Chicago April 25, 2012 March 6, 2012

CICF World Coins Chicago April 26-28, 2012 March 6, 2012

Rare Currency Auctions Location Auction Dates Consignment Deadline

CSNS Chicago April 18-23, 2012 March 2, 2012

Currency Dallas October 18-20, 2012 September 1, 2012

Fine & Decorative Arts Auctions Location Auction Dates Consignment DeadlineIllustration Art Beverly Hills March 1-2, 2012 Closed

California Art Beverly Hills March 20, 2012 Closed

Fine Silver & Vertu Dallas April 11, 2012 February 7, 2012

Photographs New York May 1, 2012 February 28, 2012

Texas Art Dallas May 5, 2012 March 3, 2012

Art of the American West Dallas May 5, 2012 March 3, 2012

American Indian Art Dallas May 5, 2012 March 3, 2012

American & European Art Dallas May 15, 2012 March 13, 2012

Modern & Contemporary Art Dallas May 22, 2012 March 20, 2012

The Boss Star Collection Dallas May 23, 2012 Closed

Illustration Art Beverly Hills June 6, 2012 April 4, 2012

Decorative Arts Dallas June 14, 2012 April 7, 2012

20th Century Design Dallas June 13, 2012 April 11, 2012

The Estate Auction Dallas September 10, 2012 July 8, 2012

California Art Beverly Hills October 9, 2012 August 2, 2012 Jewelry, Timepieces & Luxury Accessory Auctions Location Auction Dates Consignment Deadline

Handbags & Luxury Accessories New York April 29, 2012 February 27, 2012

Fine Jewelry New York April 30, 2012 February 27, 2012

Watches & Fine Timepieces New York May 21, 2012 March 20, 2012

Vintage Movie Posters Auctions Location Auction Dates Consignment Deadline

Vintage Movie Posters Dallas March 23-24, 2012 January 31, 2012

Vintage Movie Posters Beverly Hills July 25, 2012 June 2, 2012

Comics Auctions Location Auction Dates Consignment Deadline

Comics & Original Comic Art Dallas February 22-23, 2012 Closed

Comics & Original Comic Art Dallas May 17-18, 2012 April 3, 2012

Music & Entertainment Memorabilia Auctions Location Auction Dates Consignment Deadline

Music, Celebrity & Hollywood Memorabilia Dallas March 31, 2012 February 7, 2012

Vintage Guitars & Musical Instruments Dallas April 19-22, 2012 February 27, 2012

Historical Grand Format Auctions Location Auction Dates Consignment Deadline

Texana Houston March 3, 2012 ClosedHistorical Manuscripts New York April 11, 2012 February 19, 2012

Rare Books & Autographs New York April 11, 2012 February 19, 2012

Arms & Armor Dallas April 30, 2012 March 9, 2012

NRA Firearms for Freedom Dallas May 1, 2012 March 12, 2012

Americana & Political Dallas May 12, 2012 March 21, 2012

Space Exploration Dallas May 12, 2012 March 21, 2012

Militaria Dallas June 9, 2012 April 18, 2012

Legends of the West Dallas June 10, 2012 April 19, 2012

Vintage Sports Collectibles Auctions Location Auction Dates Consignment Deadline

Vintage Sports Collectibles Dallas April 26-27, 2012 March 5, 2012

Natural History Auctions Location Auction Dates Consignment Deadline

Natural History New York May 20, 2012 February 11, 2012

Fine & Rare Wine Location Auction Dates Consignment Deadline

Fine & Rare Wine Beverly Hills March 30-31, 2012 February 26, 2012

Fine & Rare Wine Beverly Hills June 8-9, 2012 April 26, 2012

1-18-20



PRICE • $50

Comics7054_catalogpdf

Documents

Transcript of Comics7054_catalogpdf