Colors Of Fauve Paintings

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Fauve colors

description

Final project for CG11 class at Brown University. For more design work: http://www.gbaidesign.com

Transcript of Colors Of Fauve Paintings

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Fauve colors

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a presentation for CG11by Ginmann Bai

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01 The Road to Fauvism

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01 The Road to Fauvism

before Fauvism, there was

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and

01 The Road to Fauvism

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Les fauves – The Wild Beasts (French)

01 The Road to Fauvism

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…Donatello au milieu des fauves!-Louis Vauxcelles, critic

A pot of paint has been flung in the face of the public- Camille Mauclair, critic

01 The Road to Fauvism

“ ”

“ ”

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Impressionism

1863 1886

Neo-Impressionism, Pointillism

1887 1894

Fauvism

1905 1907

01 The Road to Fauvism

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02 Science of Color

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shape, texture, location

02 Science of Color

are inherent

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color is not

02 Science of Color

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subtractive mixing

* explains the colors that arise from mixing paints

02 Science of Color

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additive mixing

* explains the colors that arisefrom mixing light

02 Science of Color

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Wavelength (nm)

Nor

mal

ized

Abs

orba

nce

02 Science of Color

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03 Color Theory

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03 Color Theory

3 dimensions

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Hue

redviolet

03 Color Theory

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Saturation

vivid pale

03 Color Theory

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Brightness

black white

03 Color Theory

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color effects

03 Color Theory

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simultaneous color contrast

03 Color Theory

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color induction

03 Color Theory

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analogous colors

03 Color Theory

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04 Fauve Colors

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Instead of trying to render what I see before me, I usecolor in a completely arbitrary way to express myselfpowerfully

- Vincent Van Gogh

04 Fauve Colors

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analogous colors

simultaneous contrast

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If upon a white canvas I set down some sensations of blue, of green, of red, each new stroke diminishes the importance of the preceding ones...It is necessary that the various marks I

use be balanced so that they do not destroy each other

- Henri Matisse

04 Fauve Colors

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mixed technique

04 Fauve Colors

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Divisionist application of separated bars

Impressionist application of smaller dots

areas of flatly applied color

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A rapid rendering of a landscape represents only onemoment of its existence. I prefer, by insisting upon itsessential character, to risk losing charm in order toobtain greater stability.

- Henri Matisse

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conclusions