Color slides
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Transcript of Color slides
![Page 1: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/1.jpg)
Color
![Page 2: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/2.jpg)
Color
•Color is the visual effect that is caused by the spectral composition of the light emitted, transmitted, or reflected by objects.
![Page 3: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/3.jpg)
Color originates in light. Sunlight, as we perceive it, looks colorless.
In reality, all the colors of the spectrum are present in white light.
![Page 4: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/4.jpg)
1. All the" invisible" colors of sunlight shine on the apple.2. The surface of a red apple absorbs
all the colored light rays, except for those corresponding to red, and reflects this color to
the human eye.3. The eye receives the reflected red light and sends a message to the
brain.
![Page 5: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/5.jpg)
When light hits the surface, the
BLUE paint ABSORBS all the light EXCEPT the blue part of the
spectrum.
![Page 6: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/6.jpg)
There is no pure blue.
![Page 7: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/7.jpg)
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If colored paints were actually pure color- every time any two
“pure” colors of paint were mixed you would get black.
The bits of blue in the blue paint would absorb the red and yellow
light. The bits of yellow paint would absorb the red and blue light.
No light would escape from the paint, and you’d see a perfectly
black surface.
![Page 8: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/8.jpg)
Itten Color Wheel
![Page 9: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/9.jpg)
Color Bias Wheel
![Page 10: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/10.jpg)
How to use the color bias wheel to mix colors...
![Page 11: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/11.jpg)
What happens when you mix complementary colors?
+
+
+
![Page 12: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/12.jpg)
What happens when you mix complementary colors?
+
+
+
= a neutral grey or brown
![Page 13: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/13.jpg)
Color Bias Wheel
![Page 14: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/14.jpg)
make brightest purple
![Page 15: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/15.jpg)
make duller purple because some blue and
orange are mixed
![Page 16: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/16.jpg)
make dullest purple, because
blue is mixed with orange and red is mixed with
green.
![Page 17: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/17.jpg)
Color Bias Wheel
![Page 18: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/18.jpg)
Properties of Color
•HUE
•VALUE
•INTENSITY (or saturation)
![Page 19: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/19.jpg)
Properties of Color
•HUE - the name of the color, the part of the color spectrum that the color belongs to: Red, orange, yellow, green, blue, or violet.
![Page 20: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/20.jpg)
Itten Color Wheel
![Page 21: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/21.jpg)
Local Color
•the natural color of an object unmodified by adding light and shadow
![Page 22: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/22.jpg)
Local Color
![Page 23: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/23.jpg)
Properties of Color
•VALUE - lightness or darkness of the hue.
![Page 24: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/24.jpg)
MUNSELL VALUES
![Page 25: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/25.jpg)
“Normal” hues have different values.
![Page 26: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/26.jpg)
![Page 27: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/27.jpg)
Properties of Color
•VALUE - lightness or darkness of the hue.
•adding white produces a TINT
•adding black produces a SHADE
![Page 28: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/28.jpg)
“ “
![Page 29: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/29.jpg)
Properties of Color
•INTENSITY - the brightness of a color. Not to be confused with lightness, which is value.
•also called “chroma” or “saturation”.
![Page 30: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/30.jpg)
![Page 31: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/31.jpg)
Adding a color’s
complement will make that
color LESS INTENSE.
![Page 32: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/32.jpg)
Color Bias Wheel
![Page 33: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/33.jpg)
![Page 34: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/34.jpg)
Shadows in black and white...
![Page 35: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/35.jpg)
Shadows in black and white...
7-8
6
3
4-5
2-3
1
3
3
![Page 36: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/36.jpg)
SHADOWS of COLORS are made by adding that color’s
COMPLEMENT.
![Page 37: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/37.jpg)
![Page 38: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/38.jpg)
![Page 39: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/39.jpg)
Pink Cube Red Cube
Here, the shadowed side is more intense than the others. Only a transparent material could look like this.
![Page 40: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/40.jpg)
The cube’s SHADOWED side must be LESS
INTENSE than the cube’s brightly-lit side.
![Page 41: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/41.jpg)
“Color obtains in the light”
???
-Thomas Lovell
![Page 42: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/42.jpg)
“Color obtains in the light”
In other words:Color becomes more saturated when it’s in the
light.
-Thomas Lovell
![Page 43: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/43.jpg)
Vermeer
![Page 44: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/44.jpg)
Jacque Louis David
![Page 45: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/45.jpg)
![Page 46: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/46.jpg)
![Page 47: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/47.jpg)
Edward Hopper
![Page 48: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/48.jpg)
Sometimes painters take this a step beyond, and paint the
shadows as the complementary color itself...
![Page 49: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/49.jpg)
![Page 50: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/50.jpg)
yellow purple
![Page 51: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/51.jpg)
![Page 52: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/52.jpg)
yellow orange
purple
blue
![Page 53: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/53.jpg)
Wayne Theibau
d
![Page 54: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/54.jpg)
Sometimes color reflects from one
object onto another...
![Page 55: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/55.jpg)
Reflected color...
![Page 56: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/56.jpg)
Bonnard
![Page 57: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/57.jpg)
Bonnard
![Page 58: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/58.jpg)
SIMULTANEOUS CONTRAST
when the color’s complement is
placed next to the color, it will look more intense.
![Page 59: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/59.jpg)
![Page 60: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/60.jpg)
Bonnard
![Page 61: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/61.jpg)
Other kinds of simultaneous contrast...
![Page 62: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/62.jpg)
Other kinds of simultaneous contrast...
VALUE - a color will appear darker in value on a light ground and lighter on a
dark ground
![Page 63: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/63.jpg)
Other kinds of simultaneous contrast...
![Page 64: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/64.jpg)
Other kinds of simultaneous contrast...
INTENSITY - A color will appear more intense on a more neutral ground and
grayer on a very intense ground
![Page 65: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/65.jpg)
Other kinds of simultaneous contrast...
![Page 66: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/66.jpg)
Other kinds of simultaneous contrast...
HUE - Orange will look more orange on a field of red and more red on a field of
yellow.
![Page 67: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/67.jpg)
Josef Albers - Homage to the Square
![Page 68: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/68.jpg)
QuickTime™ and a decompressor
are needed to see this picture.
![Page 69: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/69.jpg)
Victor Vasarely
![Page 70: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/70.jpg)
Properties of Color
•HUE
•VALUE
•INTENSITY (or or saturation)
![Page 71: Color slides](https://reader033.fdocuments.in/reader033/viewer/2022052523/5552c720b4c90581158b4b68/html5/thumbnails/71.jpg)
For rest of color mixing lab, we will practice working with the color properties of
VALUE
and
INTENSITY