Color and Space

92
Color, Aerial Perspective & Landscape Space Glenn Hirsch

Transcript of Color and Space

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Color, Aerial Perspective & Landscape Space

Glenn Hirsch

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The sky is timeless – the clouds look the same way now as they did in the ancient past

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Caspar David Friedrich

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Daniel Rabier

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Daniel Rabier

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Suzy Barnard

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Aerial perspective – things far away look duller and lighter in value compared to the foreground

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Aerial perspective – things far away look duller and lighter in value compared to the foreground

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Aerial perspective – things far away look duller and lighter in value compared to the foreground

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Gustave Guillaumet

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Aerial perspective – things far away look duller and lighter in value compared to the foreground

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Aerial perspective – things far away look duller and lighter in value compared to the foreground

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Jay Glimme

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Glenn Hirsch

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Glenn Hirsch

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Student work

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Student work

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Edward Hopper

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Robert Bechtle (watercolor)

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Robert Birmelin

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Aerial Perspective – can work in a still life too – here the apple in the back is duller in color and cooler blue-green compared to the apple in the foreground (yellow green)

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Color/Space Abstract

Glenn Hirsch

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Space can be flat. Flat patterns of shapes on a flat background.

Space can have depth. The viewer sees into a window in which the shapes “swim.”

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Francis Picabia 1913

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Francis Picabia 1913

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Francis Picabia 1913

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Arshile Gorky 1940

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Arshile Gorky 1943

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Andre Masson 1955

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Kandinsky 1940

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Avinash Chandra 1963

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Philip Guston 1959

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Robert Motherwell 1945

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3-D forms appear in a space which becomes a stage. (Graham Sutherland 1973)

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Shapes can be positive or negative.

Black against white?

White against black?

Both!

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Do you see bats or angels?

Both?

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Franz Kline, 1956

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Space ArchitecturalGlenn Hirsch

1. Window Light

2. Window View (painting within a painting)

3. Complex Spaces

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Window light

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Vincent Perez

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Elmer Bischoff

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Elmer Bischoff

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Constance Marie Charpentier

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Berthe Morisot

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Window View(a painting within a painting)

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Rogier van der Weyden

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Edward Hopper

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Edward Hopper

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After Edward Hopper by student Brian Labrie

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Claude Monet

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Balthus

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Student work (Adam Hirsch

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Complex SpacesLinear perspective

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Bruce McGaw (pastel)

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Rembrandt

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Piero Della Francesca

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Edward Hopper

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Edward Hoper

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Student work Dan Keith

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Student work

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Student work Jane Willson

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Ana Teresa Fernandez

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Ana Teresa Fernandez

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Ana Teresa Fernandez

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Student work Laura Cook

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Student work Jeri Wyrick

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Student work Servando Garcia

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Smearing, like butter on toast

Flat, minimal and smooth

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Double-Loading and SMEARING 2 COLORS TOGETHER

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Thin LINES

hard edged PATTERNS

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Press and lift, use the TENSION of the blade

SCRATCHING and scraping

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Change the PRESSURE of your hand, create thick and thin in flowing motion

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Eddie Fitzgerald

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Van Gogh

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