Collaborative Discovery Becky Adams, Jonathan Fortin, Lisa Potter, Eric Rabkin, Ross Smith © 2006.
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Transcript of Collaborative Discovery Becky Adams, Jonathan Fortin, Lisa Potter, Eric Rabkin, Ross Smith © 2006.
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Collaborative Discovery
Becky Adams, Jonathan Fortin, Lisa Potter, Eric Rabkin, Ross Smith
© 2006
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Prelude to Discussion
Jon Fortin
Becky Adams
Lisa Potter
Eric Rabkin
Ross Smith
Genesis
Methodology
Some Fascinating Finds
TIME Cover Research
Mag Cover Test Drive
You Witty Participation
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The GEP Hypothesis
Cultural creations evolve as do biological organisms, that is, as parts of complex
adaptive systems.
Complex Adaptive System
The whole adapts to the parts,
and the parts adapt to the whole.
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History of the GEP
• January 1998
• Founders: Eric Rabkin and Carl Simon
• Interdisciplinary
• Collaborative
Genesis
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Complex Adaptive Systems cont’d
A complex adaptive system is one in which the diverse parts adapt to the
whole and the whole adapts to the diverse parts.
Very Complex Adaptive System
Somewhat Complex Adaptive System
Simple Adaptive System
Nonadaptive System
Biosphere
Thermostat
Radio
Meat Grinder
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• It is adequately complex• It is demotic• Students like to read it• We have a sensible operational definition:
(beginning April, 1926, with Amazing)fiction that appeared in American SF magazines
• We have excellent contextual data, such as:– precise dating– wide variations in format– observable advertising content– letters to the editor– letters from the editor– Astounding’s “Analytical Laboratory”– circulation figures
Why Choose Science Fiction?
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Problems With CodingGen.1
[1] In the beginning God created the heaven and the earth.[2] And the earth was without form, and void; and darkness was upon the face of the deep. And the Spirit of God movedupon the face of the waters.[3] And God said, Let there be light: and there was light.
ALICE was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice shehad peeped into the book her sister was reading, but it had no pictures or conversations in it, "and what is the use of abook," thought Alice, "without pictures or conversation ?”
Preposition v. noun? The same third word?
World building? Works published in two parts?
Water imagery?Characters with purely internal motivation?Who talk to themselves?
How do we address theseproblems with coding?
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MethodologyBecky Adams
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Dialectical Database Design
• Traditionally, you:– Choose your output
(e.g., invoices).– Select the fields
and values you need.
– Build your database once and for all.
• But we:– Build a provisional
database.– Test plausible
fields and values.– Explore possible
outputs.– Repeat these
steps indefinitely.
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Body Count
Methodology
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Genre
• Genre Content- The element in the story that would make most readers
recognize the story as Science Fiction and without which the story might not be generally considered to be science fiction by ordinary readers.
• Genre Form- The basic form, or skeleton, on which the story is built.
Methodology
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MethodologyStability
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ICR, ICA
• Inter-Coder Reliability- Agreement between researchers on codings- Pair discussion
• Inter-Coder Accuracy- Correctly identifying and agreeing on codings- Group discussion
Methodology
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Some Fascinating FindsLisa Potter
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“The Medical Lessons of Science Fiction”
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SF Stories by Dominant ScienceUsing GEP tacfile of 12/18/00 N % of
1836% of 1094
Expected random distribution of 1,836 total unique texts
102 5.56
Expected random distribution of 1,094 science-designated unique texts
61 5.56
Unique stories, dominant science = pedagogy 6 0.33 0.55
Unique stories, dominant science = physics 171 9.31 15.63
Unique stories, dominant science = medicine (p<0.0001)
41 2.23 3.75
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Reprinted Medicine StoriesReprinted Stories, dominant science = medicine # of Reprints
“Flowers for Algernon” (Keyes, 1959) 19
“Of Mist, and Grass, and Sand” (McIntyre, 1973) 17
“The Planners” (Wilhelm, 1968) 8
“The Last Flight of Dr. Ain” (Tiptree, 1969) 7
“The Miracle of the Broom Closet” (Norbert, 1952) 2
In each story, note both the role of the doctor and the outcome.
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Fascinating Finds: The Medical Lessons of Science Fiction
WHY?
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Fascinating Finds: The Medical Lessons of Science Fiction
How have these hypotheses held up?
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Discussed in “The Exaggerated Reports of the Death of Science Fiction”
• Judith Berman, “Science Fiction Without the Future” May 2001
1. Science fiction authors are getting older.2. Science fiction is now nostalgic.3. Science fiction now portrays technology in a
negative light.
The Future of SF
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Berman Hypothesis #1
Science fiction writers are getting older.
The Future of SF
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Average Author Age at Publication (1940 – 1997)
The Future of SF
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Berman Hypothesis #2
Science fiction is now nostalgic.
The Future of SF
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Percentage of Stories Set in the Past
The Future of SF
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Berman Hypothesis #3
Science fiction now portrays technology in a negative light.
The Future of SF
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Comparison of Texts Based on Setting Time, Outcome, and Technology Content
The Future of SF
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“Bad” Outcomes and Technology
The Future of SF
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Why has the science fiction magazine declined?
The Future of SF
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The Future of SFWhere SF May Be Found…
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Magazine CoversA New Frontier for the GEP
GEP: Magazine Covers (GEPMC)
TIME Covers Project
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TIME Magazine
June 9, 2000
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Further work: TIME Magazine
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Pulp Magazine Covers
• Relationship to short fiction
• Editorial control
• “Interest grabbers”
• Same methods, new medium
Why Study Them?
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Pulp Magazine Covers
• Concrete Data: Ready to Capture- Cover information
- Setting
- Agents
• Abstract Data: A Work in Progress- Initial impressions, Optimism vs. Pessimism
- Sexism? Racism? Militarism?
The State of the Instrument
What would you investigate?
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Q&A