CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and...

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Human Computer Interaction Laboratory @jonfroehlich Assistant Professor Computer Science CMSC434 Introduction to Human-Computer Interaction Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and Applying Design Principles

Transcript of CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and...

Page 1: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Human Computer Interaction Laboratory

@jonfroehlich Assistant Professor Computer Science

CMSC434 Introduction to Human-Computer Interaction

Week 10 | Lecture 19 | Nov 5, 2013

Aesthetics and Applying Design Principles

Page 2: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Today

1. Schedule

2. Aesthetics

3. Incorporating and Applying Design

Principles: Two Examples

Page 3: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated
Page 4: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated
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Page 6: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

We’ve come to a stage when

computer technology needs to be

designed as part of everyday

culture, so that it’s beautiful and

intriguing, so that it has emotive

as well as functional qualities.

BillMoggridge Designer, Co-Founder of IDEO

[Moggridge, 2006]

Page 7: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

If we only design the function

of something, not what it also

communicates, we risk our design

being misinterpreted. Worse, we

waste an opportunity to

enhance everyday life.

BillMoggridge Designer, Co-Founder of IDEO

[Moggridge, 2006]

Page 8: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

The philosophical study of beauty and taste.

what is aesthetics?

In particular, the examination of what

makes something beautiful, sublime, ugly,

disgusting, cute, fun

[Prof. Kimiko Ryokai, Interface Aesthetics, 2008]

Page 9: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

[http://syntheticaesthetics1.wordpress.com/]

Page 10: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

[http://syntheticaesthetics1.wordpress.com/]

Page 11: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Write-down the top three most beautiful

interactive systems you have ever used.

Page 12: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Aesthetics in HCI

Page 13: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Emotional design

Page 14: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

New York Times:

“Whatever one may think of the MINI Cooper’s

dynamic attributes, which range from very good to

marginal, it is fair to say that almost no new vehicle

in recent memory has provoked more smiles.” found

in Norman Emotional Design

Page 15: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated
Page 16: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated
Page 17: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

It’s not surprising that attractive things are preferred over ugly

ones, but are they also perceived as working better?

Page 18: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

[Kurosu & Kashimura, Apparent Usability vs. Inherent Usability, CHI'95]

Page 19: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Studied different layouts of

controls for ATMS. All versions

identical in function and

number of buttons, except for

level of “attractiveness.”

[Kurosu & Kashimura, Apparent Usability vs. Inherent Usability, CHI'95]

The attractive screens

performed better!

Page 20: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

NoamTractinsky Professor at Ben-Gurion University, Israel

Suspicious!

Clearly, aesthetic preferences

are culturally dependent.

[Moreover], Japanese culture

is known for its aesthetic

tradition.

[Quote from Norman, Emotional Design, 2004]

Page 21: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

NoamTractinsky Professor at Ben-Gurion University, Israel

Noam received the ATM layouts from

Kurosu and Kashimura. Translated them

from Japanese to Hebrew, and reran a

similar experiment.

[From Norman, Emotional Design, 2004]

He replicated the Japanese findings

and, in fact, found a stronger

correlation between usability and

aesthetics

Page 22: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Follow-up Experiment!

[Ben-Bassat, Economic and Subjective Measures of the Perceived Value of Aesthetics and Usability, ACM Trans CHI’06]

Page 23: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Follow-up Experiment!

Within subject design,

varied usability and

aesthetics of a

phonebook application

[Ben-Bassat, Economic and Subjective Measures of the Perceived Value of Aesthetics and Usability, ACM Trans CHI’06]

Page 24: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

[Ben-Bassat, Economic and Subjective Measures of the Perceived Value of Aesthetics and Usability, ACM Trans CHI’06]

Experimental Design Within-subject factors

Page 25: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

[Ben-Bassat, Economic and Subjective Measures of the Perceived Value of Aesthetics and Usability, ACM Trans CHI’06]

Varying Aesthetics

“low aesthetics” system “high aesthetics” system

As determined from pilot studies

Page 26: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

The more beautiful,

the higher the

perceived usability.

More aesthetic systems

were perceived to be

slightly more usable.

[Ben-Bassat, Economic and Subjective Measures of the Perceived Value of Aesthetics and Usability, ACM Trans CHI’06]

Page 27: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Usable things appear

more beautiful.

High usability systems

were always judged as

more aesthetic.

[Ben-Bassat, Economic and Subjective Measures of the Perceived Value of Aesthetics and Usability, ACM Trans CHI’06]

Page 28: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Fast judgment on

aesthetics and

usability.

Importance of first

impressions in shaping

users’ attitudes towards

interactive systems.

[Ben-Bassat, Economic and Subjective Measures of the Perceived Value of Aesthetics and Usability, ACM Trans CHI’06]

Page 29: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

No positive aesthetics

effect on performance.

Performance with low

aesthetic systems was

slightly better than with

high aesthetic systems.

[Ben-Bassat, Economic and Subjective Measures of the Perceived Value of Aesthetics and Usability, ACM Trans CHI’06]

Page 30: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Limitations... o Only one system

o Was it “beautiful?”

o Participants: 150

engineering students

[Ben-Bassat, Economic and Subjective Measures of the Perceived Value of Aesthetics and Usability, ACM Trans CHI’06]

Page 31: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Visual attractiveness of a

web site contributed to

feelings of usefulness,

enjoyment, and ease-

of-use.

[Heijden, Factors Influencing the Usage of Websites, Information and Management 2003]

Page 32: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

[Hassenzahl, The Interplay of Beauty, Goodness, and Usability in Interactive Products, Human-Comp. Interaction, 2004]

Page 33: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

No substantial relation

between actual or

perceived usability and

beauty was found.

[Hassenzahl, The Interplay of Beauty, Goodness, and Usability in Interactive Products, Human-Comp. Interaction, 2004]

Page 34: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Interested in

learning

more about

this topic?

Page 35: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated
Page 36: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Is the following statement about iOS7 or Windows Phone?

Page 37: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

The innovation here is the fluidity of experience and

focus on the data, without using traditional user

interface conventions of windows and frames.

Industrial Designers Society of America (IDEA) Quote from Isabel Ancona, UX Consultant

Page 38: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

The innovation here is the fluidity of experience and

focus on the data, without using traditional user

interface conventions of windows and frames. Data

becomes the visual elements and controls. Simple

gestures and transitions guide the user deeper into

content. A truly elegant and unique experience.

Industrial Designers Society of America (IDEA) Quote from Isabel Ancona, UX Consultant

Page 39: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

The innovation here is the fluidity of experience and

focus on the data, without using traditional user

interface conventions of windows and frames. Data

becomes the visual elements and controls. Simple

gestures and transitions guide the user deeper into

content. A truly elegant and unique experience.

Industrial Designers Society of America (IDEA) Quote from Isabel Ancona, UX Consultant Source: http://en.wikipedia.org/wiki/Metro_(design_language)

Page 40: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

<name> is our design language… It’s modern and

clean. It’s fast and in motion. It’s about content and

typography. And it’s entirely authentic.

Albert Shum, Michael Smuga, Chad Roberts

Page 41: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

<name> is our design language… It’s modern and

clean. It’s fast and in motion. It’s about content and

typography. And it’s entirely authentic.

Albert Shum, Michael Smuga, Chad Roberts

Page 42: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Albert Shum, Michael Smuga, Chad Roberts Quote from MIX2010

Source: http://ecn.channel9.msdn.com/o9/mix/10/pptx/CL14.pptx‎

Metro is our design language… It’s modern and clean.

It’s fast and in motion. It’s about content and

typography. And it’s entirely authentic.

Page 43: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

examining design principles in the wild

WinPhone7

Page 44: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated
Page 45: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated
Page 46: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Metro

Page 47: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Zune

Page 48: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Windows Phone 7 Design Principles

Page 49: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Windows Phone 7 Design Principles

Clean, Light, Open, Fast

Celebration of Typography

Alive in Motion

Content, Not Chrome

Authentically Digital

Page 50: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Windows Phone 7 Design Principles

Clean, Light, Open, Fast

Celebration of Typography

Alive in Motion

Content, Not Chrome

Authentically Digital

Clean, Light, Open, Fast

Celebrate Typography

Alive in Motion

Content, Not Chrome

Authentically Digital

Feels Fast and Responsive

Focus on Primary Tasks

Do a Lot with Very Little

Reduction of Unnecessary Elements

Delightful Use of Whitespace

Full Bleed Canvas

Page 51: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Windows Phone 7 Design Principles

Clean, Light, Open, Fast

Celebration of Typography

Alive in Motion

Content, Not Chrome

Authentically Digital

Clean, Light, Open, Fast

Celebrate Typography

Alive in Motion

Content, Not Chrome

Authentically Digital

Type is Beautiful, Not Just Legible

Clear Information Design

Uncompromising Sensitivity to

Weight, Balance and Scale

Page 52: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Windows Phone 7 Design Principles

Clean, Light, Open, Fast

Celebration of Typography

Alive in Motion

Content, Not Chrome

Authentically Digital

Clean, Light, Open, Fast

Celebrate Typography

Alive in Motion

Content, Not Chrome

Authentically Digital

Feels Responsive and Alive

Creates a System

Gives Context to Improve Usability

Transition Between UI is as

Important as the UI Design

Adds Dimension and Depth

Page 53: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Windows Phone 7 Design Principles

Clean, Light, Open, Fast

Celebration of Typography

Alive in Motion

Content, Not Chrome

Authentically Digital

Clean, Light, Open, Fast

Celebrate Typography

Alive in Motion

Content, Not Chrome

Authentically Digital

Delight through Content Instead of

Decoration

Reduce Visuals that are Not

Content

Contents is the UI

Direct interaction with the Content

Directly

Page 54: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Windows Phone 7 Design Principles

Clean, Light, Open, Fast

Celebration of Typography

Alive in Motion

Content, Not Chrome

Authentically Digital

Clean, Light, Open, Fast

Celebrate Typography

Alive in Motion

Content, Not Chrome

Authentically Digital

Design for the Form Factor

Don’t Try to be What It’s NOT

Be Direct

Page 55: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

examining design principles in the wild

iOS7

Page 56: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Design Principles of iOS7

Page 57: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

In many ways, we’ve tried to create an interface that

is unobtrusive and deferential. One where the

design recedes and, in doing so, actually elevates

your content.

Jony Ive Quote from WWDC2013

Source: https://developer.apple.com/wwdc/videos/

Page 58: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Even the simple act of changing your wallpaper, has

a very noticeable effect on the way your iPhone

looks and feels across the entire system.

Jony Ive Quote from WWDC2013

Source: https://developer.apple.com/wwdc/videos/

Page 59: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

While iOS was completely new, it was important to

us to make it instantly familiar. We wanted to take

an experience that people know very well, and

actually add to it, to make it more useful. To make

it more enjoyable.

Jony Ive Quote from WWDC2013

Source: https://developer.apple.com/wwdc/videos/

Page 60: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated
Page 61: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

I’m not sure that I’ve seen a better communicative

artifact—across any medium—for articulating and

applying IxD principles.

Page 62: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated
Page 63: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

…redesigning all the icons and developing a grid system

allowed us to achieve a much more harmonious relationship

between individual elements. We’ve also incorporated a

whole new palette of colors.

Jony Ive Quote from WWDC2013

Source: https://developer.apple.com/wwdc/videos/

Page 64: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

…redesigning all the icons and developing a grid system

allowed us to achieve a much more harmonious relationship

between individual elements. We’ve also incorporated a

whole new palette of colors. Distinct, functional layers help

establish hierarchy and order. And the use of translucency

gives you a sense of your context. These planes combined

with new approaches to animation and motion create a

sense of depth and vitality.

Jony Ive Quote from WWDC2013

Source: https://developer.apple.com/wwdc/videos/

Page 65: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

…redesigning all the icons and developing a grid system

allowed us to achieve a much more harmonious relationship

between individual elements. We’ve also incorporated a

whole new palette of colors. Distinct, functional layers help

establish hierarchy and order. And the use of translucency

gives you a sense of your context. These planes combined

with new approaches to animation and motion create a

sense of depth and vitality.

Jony Ive Quote from WWDC2013

Source: https://developer.apple.com/wwdc/videos/

Label the design principle and the approach

Page 66: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

…redesigning all the icons and developing a grid system

allowed us to achieve a much more harmonious relationship

between individual elements. We’ve also incorporated a

whole new palette of colors. Distinct, functional layers

help establish hierarchy and order. And the use of

translucency gives you a sense of your context. These

planes combined with new approaches to animation and

motion create a sense of depth and vitality.

Jony Ive Quote from WWDC2013

Source: https://developer.apple.com/wwdc/videos/

Label the design principle and the approach

Page 67: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

…redesigning all the icons and developing a grid system

allowed us to achieve a much more harmonious relationship

between individual elements. We’ve also incorporated a

whole new palette of colors. Distinct, functional layers

help establish hierarchy and order. And the use of

translucency gives you a sense of your context. These

planes combined with new approaches to animation and

motion create a sense of depth and vitality.

Jony Ive Quote from WWDC2013

Source: https://developer.apple.com/wwdc/videos/

Label the design principle and the approach

Page 68: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

iOS7 Design Principles

Page 69: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Simplicity

Consistent, coherent design

Familiarity

Adaptive, legible typography

Unified iconography

Clarity

Deference to content

Hierarchy

Context

iOS7 Design Principles

Page 70: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated

Let’s compare

Page 71: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated
Page 72: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated
Page 73: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated
Page 74: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated
Page 75: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated
Page 76: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated
Page 77: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated
Page 78: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated
Page 79: CMSC434 Week 10 | Lecture 19 | Nov 5, 2013 Aesthetics and ...€¦ · from Japanese to Hebrew, and reran a similar experiment. [From Norman, Emotional Design, 2004] He replicated