CMOA This Season_MayAug12

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exhibitions lectures & events activities for kids & families adult studio classes This Season May/June/July/Aug/12

Transcript of CMOA This Season_MayAug12

exhibitions lectures & events

activities for kids & families

adult studio classes

This SeasonMay/June/July/Aug/12

Natural History July 28–October 14

Natural History Forum 69July 28–October 14

Natural History brings together a wide range of contemporary art from the museum’s permanent collection to explore artists’ engagement with nature, landscape, and the built environment. Including painting, sculpture, photography, and video works, Natural History offers a non-traditional and playful presentation of relevant themes run-ning through contemporary art and directly engages with our neighbor, Carnegie Museum of Natural History.

Collectively, the artists in the exhibition explore the ways in which humans under-stand and visualize our natural environ-ment; the social and cultural meanings embedded in the tradition of landscape pho-tography and painting; the use of natural motifs for formal experimentation; environ-mentalism; and the legacy of Romanticism, as it pertains to nature and the sublime. Artists include Mel Bochner, Vija Celmins, John Divola, Fischli & Weiss, Llyn Foulkes, Rachel Harrison, Richard Hughes, Laura Owens, Ed Ruscha, Hiroshi Sugito, Paul Thek, and James Welling.

Whistler and Rebellion in the Art WorldAugust 4–December 9

James Abbott McNeill Whistler (1834–1903) was one of the most deliberately conten-tious, witty, and fiercely independent artists of his generation. Whistler rebelled against the established art world and resisted alle-giances with avant-garde movements such as Impressionism. One of the most eminent advocates of the “art for art’s sake” phi-losophy of Aestheticism, he is considered by many to be among the best printmak-ers in art history. This exhibition presents the museum’s impressive collection of Whistler’s aesthetically radical prints and drawings, revealing the evolution of his career in relation to his towering persona and place in the 19th-century art world.

Impressionism in a New Light: From Monet to StieglitzMay 12–August 26

Impressionism in a New Light: From Monet to Stieglitz features more than 150 works by many of the most important artists of the late 19th and early 20th centuries. Drawn primarily from the museum’s significant collection, the exhibition recaptures the radical nature of the Impressionist movement and explores its influences in many forms. Including beloved works by artists such as Cassatt, Cézanne, Degas, Gauguin, Van Gogh, Monet, Pissarro, Renoir, and Seurat, Impressionism in a New Light also examines the visual dialogue between Impressionism and the Pictorialist movement in photography, intermixing photographs by Demachy, Käsebier, Stieglitz, Steichen, White, and others. This exhibition investigates the complicated nature of Impressionist art, transforming our understanding of these enduringly popular works. Presented by EQT. See page 14 for the complete list of exhibition sponsors.

>> Opening Event: The Art and Music of Avant-Garde Paris presented with the Pittsburgh Symphony Orchestra Saturday, May 12 $20 ($10 Carnegie Museums and PSO members); Students free with valid university ID; Registration is required; Call 412.622.3288 or visit www.cmoa.org to register. This event is sponsored by Aetna and Mumm Napa/Pernod Ricard.

5–6:30 p.m. Carnegie Museums of Pittsburgh members and PSO members-only preview of Impressionism in a New Light

6:30–7:30 p.m. Discussion and performance in Carnegie Music Hall; General seating only

7:30–9:30 p.m. Reception with cash bar; Impressionism in a New Light galleries will be open.

Celebrate the opening of Impressionism in a New Light and the Pittsburgh Symphony Orchestra’s Paris Festival at an evening highlighting the experimental and radical aspects of Impressionism and its surrounding culture. The symphony’s music director Manfred Honeck and concertmaster Noah Bendix-Balgley will join museum curators Amanda Zehnder and Linda Benedict-Jones, along with moderator Mary Davis, professor of musicology at Case Western Reserve University, to explore the parallels of Impressionist art and music during this era of rebellion and innovation. The event culminates with Debussy’s Danse sacrée et danse profane (Dances for Harp and Strings) performed by PSO musicians Shanshan Yao, violin; Meng Wang, viola; David Premo, cello; and Gretchen Van Hoesen, harp. To learn more about the PSO’s Paris Festival: The City of Light (April 27–May 13), visit pittsburghsymphony.org/paris.

Above: Alvin Langdon Coburn, Bridge, Venice, 1908, from Camera Work, Vol. 21, 1908, Gift of the George H. Ebbs Family, 2007.51.86.10

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NEW ExhibitioNs

Opposite, top to bottom: Alfred Sisley, View of Saint-Mammès (detail), c. 1881, Purchase, 99.7; Mel Bochner, Measurement: Plant (Palm), 1969, Carnegie Mellon Art Gallery Fund, 1997.37; James Abbott McNeill Whistler, Thames Police (detail), 1859, Purchase, 13.6.2

Whistler and Rebellion in the Art WorldAugust 4–December 9

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Impressionism in a New LightMay 12–August 26

Maya Lin Through May 13

Duncan Campbell Forum 68Through July 8

Henri Matisse: The Thousand and One Nights Through July 15

Hand Made: Contemporary Craft in Ceramic, Glass, and Wood Ongoing

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UPCoMiNG ExhibitioNsWhite Cube, Green Maze: New Art LandscapesSeptember 22, 2012–January 13, 2013

Inventing the Modern World: Decorative Arts at the World’s Fairs, 1851–1939 October 13, 2012–February 24, 2013

Cory ArcangelForum 70November 3, 2012–January 27, 2013

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sCAiFE GALLERY UPDAtEFive of our Scaife galleries are temporarily closed for reinstallation—but there’s still so much to see! See page 14 for more details.

Drop-in Tours Daily guided drop-in tours are free with museum admission and meet in front of the museum store. Teachers earn Act 48 hours for all tours.

>> Beginning May 15: Impressionism in a New Light: From Monet to Stieglitz Daily, 1:30–2:30 p.m.

>> July–August: Short Takes on Modern and Contemporary Art Thursdays, 12:30–1 p.m.

Explorations in the Hall of Architecture Fridays, 12:30–1:15 p.m.

In the MomentTours for People Living with Dementia and Their Caregivers Second Tuesday of the month, 1–2 p.m. $15 per pair (one person with dementia and one caregiver) per tour; Space is limited; Register three weeks in advance by calling 412.622.3289. Visit www.cmoa.org for more details.

Tours Just for Members!Join us for a new topic on select Sundays each month. Two-week advance reservation is required. Call 412.622.3314.

>> Impressionism in a New Light: From Monet to Stieglitz May 20, 2–3 p.m.

>> Hall of Architecture Series, Part 1: Exploring Ancient Greece and Rome June 10, 2–3 p.m.

>> Hall of Architecture Series, Part 2: The Middle Ages July 8, 2–3 p.m.

>> Hall of Architecture Series, Part 3: The Early Renaissance August 12, 2–3 p.m.

Group ToursLooking for a fun and enlightening experi-ence for your group of adults or students? Schedule a tour by calling our Group Visits Office at 412.622.3289. Groups are eligible for discounts. Visit www.cmoa.org/group-tours for details.

Audio GuideA self-guided audio tour allows you to explore more than 100 works in the Scaife and Bruce galleries and the Hall of Architecture. Several entries are narrated by Art Cat specifically for kids and families. Use your own cell phone or ask for a free audio player. Note: Your typical cell phone charges will apply.

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oNGoiNG ExhibitioNs toURs

Right, top to bottom: Maya Lin, Pin River-Ohio (Allegheny & Monongahela) (detail), © Maya Lin Studio, Inc., courtesy The Pace Gallery. Photo: Tom Little; Duncan Campbell, Bernadette, 2008, Courtesy of the artist and Hotel, London; Interior view of educational building by Tatiana Bilbao in the Jardín Botánico de Culiacán, Mexico. Photo: Iwan Baan

Maya Lin Through May 13

White Cube, Green Maze: New Art Landscapes September 22, 2012–January 13, 2013

Duncan Campbell Through July 8

Lunch & Learn: Inside ViewsSelect Thursdays, 10:30 a.m.–1 p.m.Limited to 25 people; Call 412.622.3288 to register.

Led by museum staff, these gallery visits will give you an insider’s look at collections and exhibitions each month. The dialogue continues over a light lunch in the Carnegie Café unless noted otherwise. Price includes lunch.

May 17: Henri Matisse: The Thousand and One Nights$30 ($24 members) Late in his life, confined to his bed and unable to paint, Henri Matisse was still driven to create. Curator of fine arts Louise Lippincott leads this look at Matisse’s multi-panel paper cut-out The Thousand and One Nights, an exuberant and inventive approach to symbolic storytelling created when he was 81 years old.

June 14: The Art of Pictorialist Photographers $30 ($24 members) Photography had a significant impact on the way artists began to see, and record, their world in the late 19th century. Like Impressionist painters, Pictorialist photog-raphers also gathered together in loose-knit societies where they shared an interest in exquisitely crafted, unique prints that revealed new ideas about modern subjects, focus, and “finish.” Join Linda Benedict-Jones, co-curator of Impressionism in a New Light, to explore how photography was carv-ing out its new place in the art world.

July 12: Impressionism in a New Light $30 ($24 members) Join Amanda Zehnder, co-curator of the exhi-bition, to investigate the complex nature of Impressionism as a unique social and artistic scene; as a style of painting associated with certain subjects; and as a term related to optics and expression.

August 9: Oakland: Pittsburgh’s City Beautiful Movement $45 ($39 members) Jean-François Raffaëlli’s 1899 painting Schenley Park, Pittsburg, on view in the exhibition Impressionism in a New Light, coincides with the emergence of Oakland as Pittsburgh’s response to the “City Beautiful” movement. Amanda Zehnder, co-curator of the exhibition, introduces the painting and teams up with Tracy Myers, curator of architecture, to lead a tour of our City Beautiful neighborhood, includ-ing the museum, Phipps Conservatory, and Schenley Park, ending with lunch in the his-toric Schenley Park Café and Visitor Center. Transportation for the neighborhood tour is provided.

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LECtUREs & EVENts Bound Together” Book Club Select Thursdays, 6:30–7:45 p.m. Meet in the Museum of Art Lobby Free; Space is limited; Call 412.622.3288 to register.

This collaborative program of Carnegie Museum of Art and Carnegie Library of Pittsburgh presents a casual and thoughtful 15-minute gallery talk highlighting visual and literary connections, followed by book discussion in the galleries with fellow read-ers and library staff. Most books are avail-able at Carnegie Library of Pittsburgh.

May 10The Arabian Nights (related exhibition: Henri Matisse: The Thousand and One Nights)

June 14Emile Zola’s The Belly of Paris (related exhi-bition: Impressionism in a New Light)

July 12David McCullough’s The Greater Journey: Americans in Paris (related exhibition: Impressionism in a New Light)

August 9Alan Bradley’s The Sweetness at the Bottom of the Pie (related works: drawings of gar-den structures from the Heinz Architectural Center collection)

Light, Time, and Apparatus: From Pictorialism to 21st-Century Photography Saturday, June 9, 6:30–8 p.m.Galleries open until 9 p.m.Free; Reception follows

At the turn of the last century, world-renowned photographer Alfred Stieglitz was “determined that photography would be accepted as art.” He championed Pictorialism as the process that would achieve this end. Join us for an interest-ing and wide-ranging discussion in which four contemporary photographers—whose work is informed by the history of photog-raphy and its various processes—discuss their thoughts and ideas on photography’s foundational elements: Light, Time, and Apparatus. They’ll offer reflection on these influences in the creation of their work with an emphasis on control of the art during a time of commercial standardization and how this is used to counter the anonymous qual-ity of much of contemporary photography.

Presented with F295: Continued Explorations of 21st Century Photography Conference, June 7–10. To register for the full confer-ence, visit www.f295.org/2012.

Teachers: Ask about Act 48 hours when you attend museum programs. “

Alfred Stieglitz, Wet Day on the Boulevard, Paris, 1894, Courtesy of George Eastman House, International Museum of Photography and Film

Pierre-Auguste Renoir, The Garden in the Rue Cortot, Montmartre, 1876, Acquired through the generosity of Mrs. Alan M. Scaife, 65.35

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Culture Club Select Thursdays, 5:30–9 p.m. $10; Price includes museum admission and one drink ticket.

Happy hour has never been so interesting! On Thursday nights, engage in provocative conversations about art and life.

May 17: Art21 Season Six: History & Glenn LigonThis installment of Culture Club includes a free preview screening of the latest sea-son of Art21, the award-winning series of film interviews with leading contemporary artists. From 5:30 to 7 p.m., enjoy happy hour and lively gallery conversation about the museum’s painting Prisoner of Love #1 (Second Version) by African American art-ist Glenn Ligon. At 7:15 enjoy a free public screening of the Art21 episode “History” featuring Ligon. In this episode, artists play with historical events, explore and expose commonly held assumptions about historic “truth,” and create narratives based on per-sonal experiences. The museum will screen additional segments from this season of Art21 this summer; visit www.cmoa.org for details.

This event is part of Art21 Access ’12, a celebration of contemporary art and Art in the Twenty-First Century, Season Six, sponsored by Art21. Visit art21.org for more

information.

June 21: Why Does That Color Look Like That Color? Scientific theories about color, light, and human perception abounded in the 19th century and were discussed and debated by Impressionist artists. Join Amanda Zehnder, co-curator of Impressionism in a New Light, for an observation-based discus-sion, and have fun with some color-theory experiments to discover the impact of scientific thinking on Impressionist methods for representing optical experiences, move-ment, light, and colors.

July 19: Old Materials, New ArchitectureAbandoned garage doors, used tires, 72,000 carpet tiles, old shipping containers… how have these and other unconventional materials resulted in creative solutions to architectural challenges and social inequities? Works by inventive architects including Samuel Mockbee and Teddy Cruz, on view in the Heinz Architectural Center, have done just that. Find inspiration in the galleries and put your own creativity to the test as you experiment with some unusual building materials.

LECtUREs & EVENts

Childe Hassam, 14th July, Paris, Old Quarter (detail), 1889, Andrew Carnegie Fund, 07.14.29

Fête Nationale: Bastille Day Celebration! Saturday, July 14, 7–11 p.m.Carnegie Café, Museum of Art Lobby, and Fountain Entry $125 Le Palais Garnier Ticket; $250 La Tour Eiffel Ticket including reception with curators; $35 Late Night Ticket (after 8:30 p.m.);Register online at members.carnegiemuseums.org/bastille2012 or call 412.622.5772 for more details.

Carnegie Museums of Pittsburgh and The Alliance Française de Pittsburgh proudly present the 5th Annual Bastille Day Celebration—a fête populaire commemorat-ing the storming of the Bastille and French liberty. Enjoy France in Pittsburgh with a strolling supper, wine, music, dancing, a silent auction, performances by a Parisian-trained mime, hand-drawn caricatures, tours of the exhibition Impressionism in a New Light: From Monet to Stieglitz, and much more!

La Belle Époque Cabaret:An Evening in the Bohemian StyleFriday, July 27, 7:30–10 p.m.Carnegie Music Hall Foyer$25 ($20 members); Price includes one absinthe drink provided by Pernod Ricard;Seating is limited; Preregistration is required; Call 412.622.3288 to register. This event is sponsored by Pernod Absinthe/Pernod Ricard.

The cafés, cabarets, music halls, and out-door theaters of 19th-century Paris served as the crossroads for bourgeois and bohe-mian cultures. The unknown, wealthy, famous, and infamous mingled with artists, writers, musicians, and performers in well-known establishments including Le Chat Noir, Le Mirliton, Le Moulin Rouge, Café Guerbois, and later, La Nouvelle-Athènes.

Join us for an evening evoking the environ-ment of a bawdy Parisian cabaret from La Belle Époque. Members of the Pittsburgh Song Collaborative will perform period French songs (accompanied by English sub-titles or translated into English) originally sung by Yvette Guilbert, Aristide Bruant, and others. The emcee, played by Rob Frankenberry, will be your guide through musical selections, comedic monologues, and satirical skits. Projected images of art-work will help emphasize the role that café culture played for Impressionist artists. Featured performers also include Benjamin Binder, piano; Rob Frankenberry, tenor and piano; Liza Forrester, mezzo-soprano; and Joseph Gaines, tenor.

www.cmoa.org Check the website for a complete, updated schedule of classes and programs.

Culture Club Select Thursdays

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ACtiVitiEs FoR KiDs & FAMiLiEs ARt-MAKiNG FoR tEENs

Drawing the Human FigureMonday–Friday, June 18–22, 9 a.m.–12:30 p.m.Meets at Carnegie Mellon University’s Margaret Morrison Hall$140 ($126 members)

Develop your drawing skills through sketch-ing practice and refined studio composi-tions based on the human form, including a live model. Learn proportion and techniques for rendering three-dimensional forms.

Sketchbook Monday–Friday, June 25–29, 9 a.m.–12:30 p.m.Meets at Carnegie Mellon University’s Margaret Morrison Hall$140 ($126 members)

Learn to draw anything and everything. Draw quick studies and more finished com-positions on location in the museum’s gal-leries and outdoors in Oakland. All materi-als including sketchbook provided.

Architecture 101Monday–Friday, June 18–29, 9 a.m.–3 p.m.Meets at Carnegie Museum of Art$400 ($360 members)

This course introduces concepts and pro-cesses covered in first-year college archi-tecture. Learn design development and representation methods including drawing in plan and section, rendering, and model-making.

PaintingMonday–Friday, July 9–13 AND/OR July 16–20, 9 a.m.–3 p.m.Meets at Carnegie Mellon University’s Margaret Morrison Hall1 week: $220 ($200 members)2 weeks: $400 ($360 members)Register for one or both weeks.

Try painting for the first time, or take your skills to the next level, inspired by the work of the world’s greatest artists. Experience the painting process, from developing an idea to color mixing, composition, and paint application.

CeramicsMonday–Friday, July 23–27, 9 a.m.–3 p.m.Meets at Carnegie Museum of Art$260 ($240 members)

Get your hands into some wet clay and learn to create 3-D objects through hand building and wheel construction.

Architecture 102Monday–Friday, July 30–August 3, 9 a.m.–3 p.m.Meets at Carnegie Museum of Art$200 ($160 members)

This fast-paced workshop is designed to develop architectural skills, from sketches to final model, and give students one qual-ity project to put in their portfolios for col-lege admission. Some prior experience in architecture or drafting is recommended.

Performance ArtMonday–Friday, August 6–10, 10 a.m.–2 p.m.Meets at Carnegie Museum of Art$140 ($126 members)

Become a performance artist for a week and experience what it’s like to reinterpret paintings and sculptures in the museum’s collection. Work with a teaching artist and your classmates to create performances for spaces in the museum.

Thursday Night CeramicsThursdays, July 12–August 2, 5:30–7:30 p.m.Meets at Carnegie Museum of Art$90 ($81 members)

Get your hands into some wet clay and learn to create 3-D objects through hand building and wheel construction. This class is perfect for those who can’t attend our daytime ceramics class!

Call 412.622.3288 to register for the following programs. All materials are included.

High School Workshops Ages 14 and upCarnegie Museum of Art offers a variety of summer workshops and intensives for teens. If you’re looking for a fun place to improve your creative portfolio, we have a workshop to fit your schedule.ARTventures for Families

Drop-in activitiesThrough July 8: Saturdays and Sundays, 12:30–4:30 p.m.July 9–August 24: Daily, 12:30–4:30 p.m.Free with museum admission

ARTventures means intergenerational fun through looking, making, and talking in the museum’s galleries. Our friendly staff is here on Saturdays and Sundays to help you get started on gallery searches and art-making fun. Locations for these activities change periodically—this season you can explore Henri Matisse’s The Thousand and One Nights or works from Impressionism in a New Light. Check the signs in the lobby for information. Bring your family, friends, or just yourself. Drop in any time between 12:30 and 4:30 p.m.

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Celebrate Summer!Registration is still open for summer camps.Museum summer camps deliver the world! The entire museum campus is a field for discovery and creativity, where kids inves-tigate Earth, art, dance, science, and more through behind-the-scenes experiences, hands-on encounters, and exciting activities. Weeklong half- and full-day camps accom-modate children from age 4 through high school. Visit www.carnegiemnh.org/camps for details.

Gallery Play Dates for Preschoolers and AdultsAdults and kids ages 3–4 have creative gallery fun together.Tuesdays, choose 10:15–11:30 a.m. OR 12:30–1:45 p.m.$18 ($12 members) per parent and child pair, per session; Call 412.622.3288 or visit www.cmoa.org to register.

>> Color Your World June 12

>> Shape Up June 19

>> Water Lilies June 26

>> Rojo, Amarillo, Azul July 3

>> En Plein Air July 10

>> Treasure Hunt July 17

>> Little Architects July 24

>> Pattern Play July 31

>> Art Cat’s Book Club August 7

The museum’s renowned collection and exhibitions spark the imagination of kids, from toddlers to teenagers. Creative classes taught by artist educators develop artistic skills and an eye for art. All materials are included.

ScholarshipsScholarships for all children’s and adult classes are available through the generosity of the Scaife Family Foundation. Call 412.622.3288 to request an application.

ADULt stUDio CLAssEs

IMPRESSIONISM IN A NEW LIGHT: sPECiAL EVENts Painting the Passing Moment (Merriman)Thursdays, July 19 & 26 (2 sessions), 6–9 p.m.$36 ($29 members)

Learn how to capture outdoor time, light, and weather conditions in pastel sketches or on-the-spot paintings. In the first class, explore composition and color theory in demonstrations and exercises in the studio and a visit to Impressionism in a New Light. The second class takes place at Schenley Plaza next to Carnegie Museum. Please bring a bag dinner.

Dancing with Degas (Wallen)Thursdays, June 14, 21, 28, and July 5 (4 sessions), 10 a.m.–2 p.m. (8 a.m.–2 p.m., June 28)$98 ($78 members)

Experiment with the pastel techniques of French Impressionist Edgar Degas while working from live models in the museum’s art studio and one morning session with ballet dancers rehearsing at the Pittsburgh Ballet Theater dance studio. Try a variety of pastel methods, including the use of tracing paper as a base.

On-the-Spot Painting: Bridges and Rivers (Bowden)Tuesdays, July 17–August 7 (4 sessions), 10 a.m.–2 p.m.$80 ($72 members)

Learn to capture the essence of bridges using the Impressionist techniques of rapid wet-on-wet painting at a different location each week. Instruction includes a visit to Impressionism in a New Light, demonstra-tions, skill-building exercises, and critiques

sPECiAL EVENt Featured Artists: Local and GlobalSundays, May 13, June 10, July 8, and August 12, 1–3 p.m.$15 ($12 members) per session; $52 ($40 members) all four sessionsPittsburgh’s creative minds find inspiration in the museum’s collection, and so can you! Join a new conversation each month as a guest artist pairs up with a museum edu-cator to talk techniques, composition, and expressive effect. The artists guide creative exercises in drawing, modeling, and simple materials that inspire you to experiment with new ideas.

>> May 13: Don Simpson On-the-Spot Drawing

>> June 10: Elizabeth Castonguay The Female Figure in Art

>> July 8: Constance Merriman Investigating French Painting

>> August 12: Georgia Tambasis Gestures in Clay

DRAWING Whether you are new to drawing, highly skilled, or looking to build your portfolio, we have the class for you. Beginners will receive step-by-step instruction, while more advanced artists will strengthen and refine their skills. Renowned artists guide students as they learn correct techniques, experi-ment with materials, sketch in the galleries, and share insights during critiques.

bEGiNNER: I Can’t Draw (Droege)Sundays, June 3–July 1 (5 sessions), 1–4 p.m.$75 ($60 members)

iNtERMEDiAtE: Elements of Drawing (Droege)Sundays, July 15–August 12 (5 sessions), 1–4 p.m. $75 ($60 members)

>> Discount: Combine I Can’t Draw and Elements of Drawing and save: $134 ($108 members)

bEGiNNER/iNtERMEDiAtE: The Artist’s Sketchbook (Simpson)Saturdays, June 9–23 (3 sessions), 10 a.m.–1 p.m.$45 ($36 members)

iNtERMEDiAtE/ADVANCED: Life Drawing (Castonguay)Fridays, June 1–29 (5 sessions), Drawing 9:30 a.m.–noon, Critique noon–12:30 p.m. $82 ($66 members)

Open Studio: The Undraped Model (Castonguay) Fridays, June 1–29 (5 sessions), 12:45–3:45 p.m.$75 ($60 members)

>> Discount: Combine Life Drawing and Open Studio and save: $142 ($114 members)

PAINTING Explore the medium of painting in a range of classes suited to your skill level.

bEGiNNER/iNtERMEDiAtE: Acrylic Painting Fundamentals (Merriman)Thursdays, June 7–28 (4 sessions), 6–9 p.m.$66 ($54 members)

Oil Painting Fundamentals (Rorandelli)Saturdays, June 9–30 (4 sessions), 10 a.m.–1 p.m.$66 ($54 members)

iNtERMEDiAtE/ADVANCED: Still Life and Landscape in Oil (Rorandelli)Saturdays, July 21–Aug 11 (4 sessions), 10 a.m.–1 p.m.$66 ($54 members)

Color Theory Watercolor Workshop (Christopher)Wednesdays, July 11–Aug 1 (4 sessions), 10 a.m.–2 p.m. $80 ($64 members)

Color Intensive: Still Life and Figure (Castonguay)Saturdays, July 7 & 14 (2 sessions), 10 a.m.–2 p.m. $44 ($36 members)

CERAMICS Get your hands into clay and work out the stress of the week! Ceramics classes provide a combination of formal instruction with independent experimentation, whether you’re a beginner who wants to learn con-struction and glazing techniques or a more advanced ceramist interested in exploring your own aesthetic in clay.

Creating with Clay (Solomon)Saturdays, June 9–August 11 (10 sessions), 1–4 p.m.$188 ($150 members)

Call 412.622.3288 to register for the following programs. Teachers earn Act 48 hours for participation in all adult art classes.

12 13www.cmoa.org Check the website for a complete, updated schedule of classes and programs.

ScholarshipsScholarships for all children’s and adult class-es are available through the generosity of the Scaife Family Foundation. Call 412.622.3288 to request an application.

Hilaire-Germain-Edgar Degas, Dancers, Entrance on Stage (detail), c. 1898–1908, Acquired through the generosity of the Sarah Mellon Scaife Family, 66.24.1

CoME Visit!

UPCoMiNG

Scaife GalleriesFive of our 17 individual Scaife galler-ies are temporarily closed for a major reinstallation that will transform the way you experience art at our museum. While many of Carnegie Museum of Art’s most beloved works from these galleries will join Impressionism in a New Light: From Monet to Stieglitz, the galleries will be transformed to allow a fresh interpretation of the permanent collection. The reinstal-lation, opening September 14, 2012, will highlight many of the museum’s strengths, including a dazzling new presentation of its Impressionism collection and its first-ever gallery dedicated to 19th-century sculpture.

Hours through July 1Tuesday–Saturday 10 a.m.–5 p.m.

Thursday evenings until 8 p.m.

Sunday noon–5 p.m.

Hours July 2–August 27Monday–Saturday 10 a.m.–5 p.m.

Thursday evenings until 8 p.m.

Sunday noon–5 p.m.

The museum is closed July 4 and Labor Day.

AdmissionAdults $17.95

Seniors (+65) $14.95

Students with ID $11.95

Children 3–18 $11.95

Members & children under 3 Free

Admission includes Carnegie Museum of Natural History.

General Information 412.622.3131

Group Tours 412.622.3289

Membership 412.622.3314

www.cmoa.orgCheck the website for a complete, updated schedule of classes and programs.

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Class RegistrationThere are many ways to register for your favor-ite class. Classes also make the perfect gift for the novice or experienced artist in your life! Our courteous staff can register you for classes and tours, or answer any questions you may have about the contents of this brochure. Office hours are Monday–Friday, 9 a.m.– 4:30 p.m.

Phone412.622.3288, Visa/MasterCard/American Express only, $10 minimum

Website/Mail/In PersonDownload a registration form at www.cmoa.org. Send or bring completed form with full payment (check payable to “Carnegie Museum of Art” or Visa/MasterCard/American Express) to:

Carnegie Museums of Pittsburgh Program Registration 4400 Forbes Avenue Pittsburgh, PA 15213

Fax 412.622.6257, Visa/MasterCard/American Express only, must include credit card number, $10 minimum

Cancellations/Refunds/Transfers• Carnegie Museum of Art reserves the right to

cancel programs due to low enrollment one week before the program date.

• Full refund is given if canceled by Carnegie Museum of Art prior to the first class.

Multi-session classes• Full refund less $10 handling fee if withdrawal

is made with more than one week’s notice. • Withdrawals with less than a week’s notice

(but prior to the second class meeting), full refund less $10 plus a single class fee.

• No refund after the second class has met.

Single-session classes & events• No refund for classes/events $10 or under. • Full refund less $10 handling fee if withdrawal

is made with more than one week’s notice. • No refund with less than one week’s notice.

Left, top to bottom: Childe Hassam, Spring Morning, 1909, Purchase, 09.5; Christopher Dresser, designer, Minton & Co., manufacturer, Cabinet, c. 1870, Women’s Committee Acquisition Fund, 2002.2; William Merritt Chase, Tenth Street Studio (detail), c. 1880–1881, Purchase, 17.22

Impressionism in a New Light: From Monet to Stieglitz is presented by EQT, with additional generous support from the William Talbott Hillman Foundation and major sponsors DQE Communications and Duquesne Light Energy. Additional generous sponsorship support is provided by Fort Pitt Capital Group, Baierl Acura, Aetna, Macy’s, and Champagne Perrier-Jouét.

The Art and Music of Avant-Garde Paris is sponsored by Aetna and

La Belle Époque Cabaret is sponsored by

General support for the museum’s exhibition program is provided by The Heinz Endowments and Allegheny Regional Asset District. Carnegie Museum of Art receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania.

The programs of the Heinz Architectural Center are made possible by the generosity of the Drue Heinz Trust.

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