Claude Chabrol's Aesthetics of Opacity · Claude Chabrol's Aesthetics of Opacity Catherine...

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Claude Chabrol's Aesthetics of OpacityCatherine Dousteyssier-Khoze

OriginatorsCatherine Dousteyssier-Khoze, Reader in French, Durham University.

December 2017Hb •978 0 7486 9260 6 •£75.00 BIC: JFC, JFD, JFDT

DescriptionClaude Chabrol's cinema is generally associated with a specific type of psychological thriller, one set in the French provinces and fascinated with murder, incest, fragmented families, unstable spaces and inscrutable female characters. But Chabrol's films are both deceptively accessible and deeply reflexive, and in this innovative reappraisal of his filmography Catherine Dousteyssier-Khoze explores the Chabrol who was influenced by Balzac, Magritte and Stanley Kubrick. Bringing to the fore Chabrol’s ‘aesthetic of opacity’, the book deconstructs the apparent clarity and comfort of his chosen genre, encouraging the viewer to reflect on the relationship between illusion and reality, and the status of the film image itself.

The first critical appraisal of Chabrol's œuvre as a whole (from 1958 to 2009)

224 pp. 234 x 156 mm (Royal 8vo) 10 B/W illustrations

Film Studies

Key Features• Uncovers new influences on Chabrol, including Balzac, Magritte and Kubrick• Offers original insights into Chabrol’s most famous film, Le Boucher • Analyses some of Chabrol’s latest, little studied films (La Fleur du mal, La

Demoiselle d’honneur, La Fille coupée en deux and Bellamy)• Engages with Foucault’s concept of heterotopia and Deleuze's ‘crystal-image’• Surveys Chabrol’s influence and legacy on the contemporary French thriller

Readership Scholars and advanced students in Film Studies, especially those focusing on French cinema, the New Wave and Film Genre.

Alternative Formats:Eb (PDF) • 978 0 7486 9261 3 • £75.00EB (epub) • 978 0 7486 9262 0 • £75.00


Film Studies

Who’s in the Money?The Great Depression Musicals and Hollywood’s New DealHarvey G. Cohen

The authorHarvey G. Cohen, Senior Lecturer in the Department of Culture, Media & Creative Industries, King’s College London.

December 2017Pb • 978 1 4744 2941 2 • £19.99 BIC: APFA, APFN, APFX, HBJK

DescriptionHarry and Jack Warner were among the most important advocates and fundraisers of President Franklin Roosevelt during his 1932 presidential campaign. They supported his New Deal legislation in their film marketing during 1933, and themes and plot points from their successful series of Great Depression Musicals from that year (42nd Street, Gold Diggers of 1933, Footlight Parade) resonated deeply with Roosevelt’s policies and philosophies. But while the Warners posed as exemplars of the New Deal in real life and in their movies, they were attempting to reverse Roosevelt’s policies within their studio and their industry. Using dozens of newly unearthed primary sources, this book examines the bitter and little known struggle in Hollywood and Washington D.C. during 1933 to create a National Recovery Administration (NRA) code of practice for the motion picture industry.

Explores the connections and tensions between Warner Bros. and the Roosevelt administration during 1933

240 pp. 234 x 156 mm (Royal 8vo)10 B/W illustrations

Readership Students and scholars in Hollywood Cinema and Film History.

Academic Trade

Key Features• Contains extensive primary research on the creation of the NRA’s motion

picture code, including many new insights about the process• Gives students of U.S. history a new and entertaining way to examine the

legacy of the Great Depression, the Hollywood studio system and President Roosevelt’s New Deal program

• Extensive analysis of the historical significance of the Warner Bros.’ Great Depression Musicals

• Entertaining stories and insights about Hollywood and U.S. government figures whose names have echoed through decades of American culture and history

• Demonstrates how the Warners’ aggressive attempts to solidify their industry in 1933 ironically set the stage for the eventual downfall of the Hollywood studio system in the years after World War II

Alternative Formats:Hb • 978 1 4744 2940 5• £80.00Eb (PDF) • 978 1 2942 9 • £80.00EB (epub) • 978 1 4744 2943 6• £19.99


The Making and Unmaking of Francoist Kitsch CinemaFrom Raza to Pan's Labyrinth Alejandro Yarza

OriginatorsAlejandro Yarza, Associate Professor in the Spanish and Portuguese Department, Georgetown University.

December 2017Hb •978 0 7486 9924 7 •£75.00 BIC: APFA, APFB, APFN

DescriptionIn fascist Spain, Francoism – like German and Italian fascism – produced its own particular brand of kitsch. Deploying religious and historical iconography drawn from Spain’s centuries-long struggle against Islam, Francoist ideologues created a kitsch interpretation of Spain’s historical past designed to replace more complex and nuanced accounts, where religious and historical iconography combined with kitsch aesthetics to project a picturesque, clichéd image of Spain. The ultimate goal of this vast production of Francoist kitsch was to produce a submissive subject who, by identifying with Francoist aesthetics, would identify with state ideology.

This book engages with the making and unmaking of Francoist kitsch aesthetics through the analysis of Spanish cinema. It examines five highly influential Francoist films produced from 1938 until 1964 and three later films by critically acclaimed directors Luis Buñuel, Guillermo del Toro, and Alex de la Iglesia that attempt to undermine Francoist aesthetics by re-imagining its visual and narrative clichés.

Examines Francoist and Post-Francoist Spanish cinema through the lens of kitsch aesthetics

320 pp. 234 x 156 (Royal 8vo) mm40 B/W illustrations

Film Studies

Key Features• A comprehensive analysis of totalitarian kitsch aesthetics and Spanish

fascism • An exploration of the links between cinema and politics in Franco and Post-

Franco Spain• In-depth film analysis of several Spanish films anchored in historical contexts• Close analysis of films by critically acclaimed directors Luis Buñuel, Alex de la

Iglesia and Guillermo del Toro

Readership Advanced students and scholars in Spanish Cinema, Film and Politics and Film Theory.

Alternative Formats:Eb (PDF) • 978 0 7486 9923 0• £75.00EB (epub) • 978 0 7486 2042 6 • £75.00


The Press in the Middle East and North Africa, 1850-1950Politics, Social History and Culture Edited by Anthony Gorman and Didier Monciaud

Edited byAnthony Gorman, Senior Lecturer in Islamic and Middle Eastern Studies at the University of Edinburgh.

Didier Monciaud, Independent Researcher.

December 2017Hb •978 1 4744 3061 6 •£80.00 BIC: 1FBL, 1FBP, 1FBQ, 1FBS, 1FBX, HBLW

DescriptionThe press is central to our understanding of the development of free speech, civil society, political life and cultural expression. This volume presents twelve detailed studies dealing with cases drawn from the Middle East and North Africa in the period before independence (c.1850-1950). Framed by an authoritative introduction these explore the emergence of this important medium, its practitioners and its function as a forum and agent in political, social and cultural life in the Middle East. In taking up this focus, the collection argues that the press is both a vector and an agent of history that facilitates entrée into the complex process of political, social and cultural transformation that the region was undergoing during this critical period.

Explores the political, social and cultural dimensions of the press in the Middle East in the pre-independence era

288 pp. 234 x 156 mm (Royal 8vo) 4 B/W illustrations

Islamic & Middle Eastern Studies

Key Features• Twelve innovative case studies based on archival research cover the

Ottoman Empire, Palestine, Egypt, Tunisia, Iraq, Syria, Lebanon and Morocco• Explores social, political and cultural aspects of the press from the Ottoman

Empire and the post-Ottoman Arab world including North Africa in the period before 1950

• An authoritative introduction reviews the state of the field of the press and media in Middle Eastern studies and place these contributions in context

• Gives a profile of the practitioners of journalism from political activists and amateurs to the emergence of the professional journalist in the Middle East

Readership MA level students, researchers and academics in Middle Eastern Studies.




Language & Linguistics Language & Linguistics

Analysing Syntax through TextsOld, Middle and Early Modern English Elly van Gelderen

The AuthorElly van Gelderen, Regents’ Professor of English at Arizona State University.

December 2017Pb • 978 1 4744 2038 9 • £24.99 BIC: CF, CFF, CFK

DescriptionTo describe a language, it is necessary to get as close to the sources as possible – this textbook takes manuscript images, explains the various scripts used, and provides a word-by-word account of the Old, Middle, and Early Modern English texts. It invites the student to explore early English syntax by looking at the linguistic characteristics of well-known texts throughout the early history of English. It shows how that piece of the language fits in to the broader picture of how English is developing and introduces the student to the real writing of the period as you look at the original manuscript version of selected excerpts.

For each text, issues such as the word order, the presence of auxiliaries, articles, and pronouns, the types of pronouns, and the nature of complex sentences are explored. It is designed for those who have already been introduced to the history of English and who are now going on to look more closely at the syntax and morphology using actual manuscripts. With an emphasis on the original manuscript, this book equips you with the tools to analyse linguistic characteristics of a variety of texts and periods in the early history of English.

Illustrates the syntax and morphology of English with manuscript images and word-by-word transcriptions

256 pp. 244 x 172 (Pinched Crown Quarto)81 colour illustrations

Table of Contents List of AbbreviationsChapter 1 Introduction1 The history of English in a nutshell2 Functions and case3 Verbal inflection and clause structure4 Language change5 Sources and resources6 ConclusionChapter 2 The Syntax of Old, Middle, and Early Modern English 1 Major Changes in the Syntax of English2 Word Order3 Inflections4 Demonstratives, pronouns, and articles 5 Clause boundaries6 Dialects in English7 ConclusionChapter 3 Old English Before 11001 The script2 Historical prose narrative: Orosius3 Sermon: Wulfstan on the Antichrist4 Biblical gloss and translation: Lindisfarne, Rushworth, and Corpus Versions5 Poetic monologue: the Wife’s Lament and the Wanderer6 ConclusionChapter 4 Early Middle English 1100-13001 Historical prose narrative: Peterborough Chronicle2 Prose Legend: Seinte Katerine3 Debate poetry: The Owl and the Nightingale4 Historical didactic poetry: Physiologus (Bestiary)5 Prose: Richard Rolle’s Psalter Preface6 ConclusionChapter 5 Late Middle English and Early Modern 1300-16001 Didactic poem: Cleanness2 Instructional scientific prose: Chaucer’s Astrolabe 3 Religious: Margery of Kempe4 Romance: Caxton5 Chronicle and letters: Henry Machyn and Queen Elizabeth6 ConclusionChapter 6 ConclusionAppendix I Summary of all grammatical information Appendix II Background on textsAppendix III Keys to the exercisesBibliography GlossaryIndex

Key Features• The structure provides two introductory and contextualising chapters, three

chapters on distinct chronological periods and a concluding chapter• Examines texts from a variety of genres including poetry, prose, romance

and sermon• Word by word transcriptions and translations • A glossary, exercises and suggestions for further reading• Appendices containing a summary of all grammatical information,

background on texts and keys to the exercises• Uses the original manuscript version of selected excerpts to get closer to the

language

SeriesEdinburgh Historical Linguistics

Readership Advanced undergraduate students, taught and research postgraduate students, and researchers working in the History of English, English Historical Syntax, Syntactic Change and Language Change.

Analysing Syntax through TextsOld, Middle and Early Modern English Elly van Gelderen

Alternative Formats:Hb • 978 1 4744 2037 2 • £90.00Eb (PDF) • 978 1 4744 2039 6 • £90.00EB (epub) • 978 1 4744 2040 2 • £24.99

Textbook

ANALYZING SYNTAXTHROUGH TEXTS

ELLY VAN GELDEREN

E D I N B U R G H H I S TO R I C A L L I N G U I S T I C S

S e r i e s E d i t o r s :

J o s e p h S a l m o n s a n d D av i d W i l l i s

EDINBURGH HISTORICAL LINGUISTICSSeries Editors: Joseph Salmons and David Willis

Edinburgh Historical Linguistics is a series of advanced textbooks, where individualvolumes cover key subfields within Historical Linguistics in depth. The series providesa comprehensive introduction to this broad and increasingly complex field.

ANALOGY AND MORPHOLOGICAL CHANGE

‘Fertig’s valuable and insightful book on analogy and morphological changeis an extremely welcome contribution to the field.’

Lyle Campbell, University of Hawai’i at Manoa

This advanced textbook provides a thorough, critical examination of traditionalapproaches to analogical change and an in-depth introduction to important recent workin a variety of frameworks. Key topics include the relationship between covert reanalysisand overt innovation, the relative importance of acquisition, repetition, and speakercreativity in grammatical change, the status of several supposedly less important typesof change including folk etymology, blending, and back formation, and various aspectsof the relationship between analogical change and sound change. It also takes a closelook at the value of concepts such as ‘naturalness’ for explaining and predicting directionsof change.

Although the focus is on morphological change, the book also examines the role ofanalogy in syntactic, semantic, and phonological change. Numerous examples areprovided from English and a wide variety of other languages, making this an absorbingand illuminating read for advanced students in linguistics.

David Fertig is Associate Professor in the Department of Linguistics at the Universityat Buffalo (SUNY). He is the author of Morphological Change Up Close (2000).

Cover design: www.hayesdesign.co.uk

www.euppublishing.com

David Fertig

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ISBN 978-0-7486-4621-0

O l d , M i d d l e , a n d E a r l y M o d e r n E n g l i s h


Suffragist Artists in PartnershipGender, Word and Image Lucy Ella Rose

The AuthorLucy Ella Rose, Teaching Fellow in English at the University of Surrey.

December2017Hb •978 1 4744 2145 4 •£75.00 BIC: DSK

DescriptionThis is the first book dedicated to examining the marital relationships of Mary and George Watts and Evelyn and William De Morgan as creative partnerships. The study demonstrates how they worked, individually and together, to support greater gender equality and female liberation in the nineteenth century. The author traces their relationship to early and more recent feminism, reclaiming them as influential early feminists and reading their works from twentieth-century theoretical perspectives. By focusing on neglected female figures in creative partnerships, the book challenges longstanding perceptions of them as the subordinate wives of famous Victorian artists and of their marriages as representatives of the traditional gender binary. This is also the first academic critical study of Mary Watts’s recently published diaries, Evelyn De Morgan’s unpublished writings and other previously unexplored archival material by the Wattses and the De Morgans.

Explores the interconnected creative partnerships of the Wattses and De Morgans – Victorian artists, writers and suffragists

256 pp. 234 x 156 (Royal 8vo) mm13 B/W illustrations 17 colour illustrations

Literary Studies

Key Features• Reveals the ways in which the couples promoted progressive socio-political

ideas• Draws on extensive archival research and analyses unpublished writings,

including diaries and poems• Focuses on neglected female figures in creative partnerships to challenge

longstanding perceptions of them as the submissive or subordinate wives of famous Victorian artists, and of their marriages as representatives of the traditional gender binary

• Shows how male and female writers and artists engaged with mid-to-late Victorian feminism together and individually, reclaiming them as influential early feminists

SeriesEdinburgh Critical Studies in Victorian Culture

Readership Postgraduates, academics and researchers in Victorian literature, Victorian art, Victorian culture, Art History, Women's Studies, Feminist and Gender Studies.



The American Short Story CycleJennifer J. Smith

The AuthorJennifer J. Smith, Assistant Professor of English at Franklin College.

December 2017Hb •978 1 4744 2393 9 •£75.00 BIC: DS, DSB, DSK

DescriptionThe American Short Story Cycle spans two centuries to tell the history of a genre that includes both major and marginal authors, from Washington Irving through William Faulkner to Jhumpa Lahiri. The short story cycle rose and proliferated because its form compellingly renders the uncertainties that emerge from the twin pillars of modern America culture: individualism and pluralism. Short story cycles reflect how individuals adapt to change, whether it is the railroad coming to the small town in Sherwood Anderson’s Winesburg, Ohio (1919) or social media revolutionizing language in Jennifer Egan’s A Visit from the Goon Squad (2010). Combining new formalism in literary criticism with scholarship in American Studies, this book gives a name and theory to the genre that has fostered the aesthetics of fragmentation, as well as recurrence, that characterize fiction today.

Constructs a history of community, family and temporality in American culture through one of the nation’s most popular, yet unrecognized genres

192 pp. 234 x 156 mm (Royal 8vo)

Literary Studies

Key Features• Spans two centuries to tell the history of a neglected genre that includes

major and marginal authors• Combines new formalism in literary criticism to scholarship in American

Studies• Constructs a history of community, family, and temporality in American

culture

Readership Upper-level undergraduates, postgraduates, scholars in creative writing, American literature, American fiction, American short story.



Hieroglyphic ModernismsWriting and New Media in the Twentieth Century Jesse Schotter

The AuthorJesse Schotter, Assistant Professor of English at The Ohio State University.

December 2017Hb •978 1 4744 2477 6 •£80.00 BIC:

DescriptionIn the British Museum, one object attracts more tourists than any other: the Rosetta Stone. The decipherment of the Stone by Jean-François Champollion and the discovery of King Tutankhamun’s tomb in 1922 contributed to creating a worldwide vogue for all things Egyptian. This fascination was shared by early-twentieth-century authors who invoked Egyptian writing to paint a more complicated picture of European interest in non-Western languages. Hieroglyphs can be found everywhere in modernist novels and in discussions of silent film, appearing at moments when writers and theorists seek to understand the similarities or differences between writing and new recording technologies. Hieroglyphic Modernisms explores this conjunction of hieroglyphs and modernist fiction and film, revealing how the challenge of new media spurred a fertile interplay among practitioners of old and new media forms. Showing how novelists and film theorists in the modernist period defined their respective media in relation to each other, the book shifts the focus in modernism from China, poetry, and the avant-garde to Egypt, narrative, and film.

Explores hieroglyphs as a metaphor for the relationship between new media and writing in British modernism

288 pp. 234 x 156 (Royal 8vo) mm9 B/W illustrations

Literary Studies

Key Features• Argues for the connections among discourses about film, phonography,

digital media, and literature in the twentieth century through the recurrent invocations of hieroglyphs

• Shows how novelists and film theorists in the modernist period defined their respective media in relation to each other

• Shifts the focus in accounts of visual languages in modernism from China, poetry, and the avant-garde to Egypt, narrative, and film

• Establishes a dialogue between Egyptian writers of the 1920s and 30s and canonical British modernists

SeriesEdinburgh Critical Studies in Modernist Culture

Readership Academics, postgraduates, upper level undergraduates in Modernism, Modernist Literature, Twentieth-Century Literature, Film, Media Studies, New Media



Text, Knowledge, and Wonder in Early Modern France: Essays in Honour of Stephen BamforthNottingham French Studies Volume 56, Issue 3 Neil Kenny

The AuthorNeil Kenny, Professor of French at the University of Oxford and Senior Research Fellow at All Souls College, Oxford.

December 2017Pb •978 1 4744 2455 4 •£16.99 BIC: CCFDM, CDNF, DSBD

DescriptionA triple nexus of text, knowledge, and wonder permeated much literary, learned, and ceremonial culture in sixteenth- and seventeenth-century France. There were endless variations on the combination, often with two of the three elements predominating. This volume tracks some of those variations as they appeared in collections of natural wonders, pedagogical situations, a family, an alchemical romance, a carnival festivity, a learned society, and poetry.

Explores the entwinement of early modern text, knowledge and wonder, and their connections in France

128 pp. 234 x 156 (Royal 8vo) mm

Literary Studies

Key Features• Content written in English and French.• The contributors to this volume are leading specialists in early modern

French studies, from France and the UK.• Considers the development of natural wonders, monsters and mythical

animals, alchemical symbols and concepts of friendship and rivalry

SeriesNottingham French Studies

Readership Undergraduates, literary studies students, academics in both literary studies and French literary and/or cultural studies, general readers.


Modernism and the Theatre of the BaroqueKate Armond

The AuthorKate Armond, independent researcher focusing on modernist literature, visual culture and Frankfurt School Theory.

December 2017Hb •978 1 4744 1962 8 •£75.00 BIC: DD, DSB, DSG

DescriptionDid you know that seventeenth-century philosophy influenced dance theory and evolutionary science during the modernist period? Or that in England, Italy and Germany the term ‘baroque’ was used almost exclusively as an insult until the 1900s? Modernism and the Theatre of the Baroque fashions an independent aesthetic for modernist writers and texts that challenges many high modernist qualities promoted by James Joyce and T. S. Eliot. Providing a fresh interpretation of the works of Djuna Barnes, Wyndham Lewis, Edward Gordon Craig and Isadora Duncan, the book broadens our understanding of modernist priorities and demonstrates how readily these ideas translate across genres. It shows that modernists are not passive recipients of baroque stereotypes but are instead painstaking in their research and innovative in their reworking of original sources. This is an introduction to key ideas, characters and techniques that will allow the baroque to be used as a conceptual and historical framework for analysing modernist achievements, thereby opening up new opportunities for further research.

First comparative study to address the rediscovery of baroque aesthetic in modernism

256 pp. 234 x 156 (Royal 8vo) mm

Literary Studies

Key Features• Fashions an independent aesthetic for modernist writers and texts that

challenges many high modernist qualities promoted by James Joyce and T. S. Eliot

• Provides new connections between philosophy/critical theory and modernist culture, links that are relevant to both popular and academic interest

• Introduces key ideas, characters and techniques that allow the baroque to be used as both a conceptual and historical framework for analysing modernist achievements, thereby opening up new opportunities for research, and demonstrating how readily these ideas translate across genre

SeriesCritical Studies in Modernism, Drama and Performance

Readership Academics, postgraduates, upper-level undergraduates, researchers in Modernist Culture, Literature and Critical Theory; Anglo-American and European Modernism; Modernist Performance; Art History, Philosophy, Architecture; Seventeenth-Century German Drama.

Alternative Formats:Eb (PDF) • 978 1 4744 1963 5 • £75.00EB (epub) • 978 1 4744 1964 2• £75.00

Women's Periodicals and Print Culture in Britain, 1918-1939The Interwar Period Edited by Catherine Clay, Maria DiCenzo, Barbara Green and Fiona Hackney

Edited byCatherine Clay, Senior Lecturer, Nottingham Trent University.

Maria DiCenzo, Professor, Wilfrid Laurier University.

Barbara Green, Associate Professor, University of Notre Dame.

Fiona Hackney, Associate Professor, Falmouth University.

December 2017Hb • 978 1 4744 1253 7 • Pre-pub price £125.00BIC: DSR, GB, GT, HBT

DescriptionThis collection of new essays recovers and explores a neglected archive of women’s print media and dispels the myth of the interwar decades as a retreat to ‘home and duty’ for women. The volume demonstrates that women produced magazines and periodicals ranging in forms and appeal from highbrow to popular, private circulation to mass-market, and radical to reactionary. It shows that the 1920s and 1930s gave rise to a plurality of new challenges and opportunities for women as consumers, workers and citizens, as well as wives and mothers. Featuring interdisciplinary research by recognised specialists in the fields of literary and periodical studies as well as women’s and cultural history, this volume recovers overlooked or marginalised media and archival sources, as well as reassessing well-known commercial titles. Designed as a ‘go-to’ resource both for readers new to the field and for specialists seeking the latest developments in this area of research, it opens up new directions and methodologies for modern periodical studies and cultural history.

Organised by sections devoted to the arts, modern style, domestic and service magazines, and feminist and organizationally-based media, this volume foregrounds connections between different genres of women’s periodical publishing and makes a major contribution to revisionist scholarship on the interwar period. The detailed appendix provides a valuable resource to facilitate new research on interwar women’s magazines.

Provides new perspectives on women’s print media in interwar Britain

448 pp. 244 x 172 mm (Pinched Crown Quarto)25 B/W illustrations 16 colour illustrations

Key Features• •Presentsnewessaysonwomen’sprintmediaininterwarBritain,revealing

the diversity of genres addressed to women readers, from domestic magazines, pulps and women’s pages to highbrow reviews and feminist periodicals

• •Featuresinnovative,interdisciplinaryresearchbyrecognizedspecialistsinthe fields of literary and periodical studies, and women’s and cultural history

• •Contributestotherecentexpansionofscholarshipontheinterwarperiodby recovering overlooked or marginalized media and archival sources, as well as reassessing well-known commercial titles

• •Designedasa‘goto’resourcebothforreadersnewtothefieldandforspecialists seeking the latest developments in this area of research—opening up new directions and methodologies for modern periodicals studies and cultural history

SeriesThe Edinburgh History of Women's Periodical Culture in Britain

Readership Academics, researchers, postgraduates, upper level undergraduates in Literary, periodical and print culture studies; design and material culture; media history and communications studies; women’s and gender studies and women’s history; 20th Century British history.


Reference

Table of Contents General Introduction, Catherine Clay, Maria DiCenzo, Barbara Green and Fiona HackneyPart I: Culture and the Modern Woman; Introduction, Catherine Clay; 1. “Tricks of Aspect and the Varied Gifts of Daylight”: Representations of Books and Reading in Interwar Women’s Periodicals, Claire Battershill; 2. “A Journal of the Period”: Modernism and Conservative Modernity in Eve: The Lady’s Pictorial (1919–1929), Vike Martina Plock; 3. Sketching Out America’s Jazz Age in British Vogue, Natalie Kalich; 4. Clemence Dane’s Literary Criticism for Good Housekeeping: Cultivating a “Small, Comical, Lovable, Eternal Public” of Book Lovers, Stella Deen; 5. “The Magazine Short Story and the Real Short Story”: Consuming Fiction in the Feminist Weekly Time and Tide, Catherine Clay; 6. Making the Modern Girl: Fantasy, Consumption, and Desire in Romance Weeklies of the 1920s, Lise Shapiro Sanders; 7. “Dear Cinema Girls”: Girlhood, Picturegoing and the Interwar Film Magazine, Lisa SteadPart II: Styling Modern Life; Introduction, Barbara Green 8. Now and Forever?: Fashion Magazines and the Temporality of the Interwar Period, Elizabeth M. Sheehan; 9. ‘Eve Goes Synthetic’: Modernising Feminine Beauty, Renegotiating Masculinity in Britannia and Eve, Ilya Parkins; 10. Miss Modern: Youthful Feminine Modernity and the Nascent Teenager, 1930-40, Penny Tinkler; 11. ‘The Lady Interviewer and her methods’: Chatter, Celebrity, and Reading Communities, Rebecca Roach; 12. The Picturegoer: Cinema, Rotogravure, and the Reshaping of the Female Face, Gerry Beegan; Part III: Reimagining Homes, Housewives, and Domesticity; Introduction, Fiona Hackney13. Housekeeping, Citizenship and Nationhood in Good Housekeeping and Modern Home, Alice Wood;14. Modern Housecraft? Women’s Pages in the National Daily Press, Adrian Bingham; 15. Labour Woman and the Housewife, Karen Hunt; 16. Friendship and Support, Conflict and Rivalry: Multiple Uses of the Correspondence Column in Childcare Magazines, 1919–1939, Kath Holden; 17. Documentary Feminism: Evelyn Sharp, the Women’s Pages and the Manchester Guardian, Barbara Green; 18. Y Gymraes (The Welshwoman): Ambivalent Domesticity in Women’s Welsh-language Interwar Print Media, Lisa Sheppard; 19. Woman Appeal. A New Rhetoric of Consumption: Women’s Domestic Magazines in the 1920s and 1930s, Fiona Hackney; PART IV: Feminist Media and Agendas for Change; Introduction: Maria DiCenzo20: ‘Many More Worlds to Conquer’: the Feminist Press Beyond Suffrage, Maria DiCenzo and Claire Eustance; 21. The Essay Series and Feminist Debate: Controversy and Conversation about Women and Work in Time and Tide, Laurel Forster; 22. Internationalism, Empire and Peace in the Women Teacher, 1920-1939, Joyce Goodman23. Providing and Taking the Opportunity: Women Civil Servants and Feminist Periodical Culture in Interwar Britain, Helen Glew; 24. Debating Feminism in the Socialist Press: Women and the New Leader, June Hannam; 25. Ireland and Sapphic Journalism between the Wars: A Case Study of Urania (1916-1940), Karen Steele; Part V: Women’s Organisations and Communities of Interest; Introduction, Maria DiCenzo 26. Housewives and Citizens: Encouraging Active Citizenship in the Print Media of Housewives’ Associations during the Interwar Years, Caitríona Beaumont; 27. Woman’s Outlook 1919-1939: An Educational Space for Co-operative Women, Natalie Bradbury; 28. A Periodical of Their Own: Feminist Writing in Religious Print Media, Jacqueline R. deVries; 29. Women’s Print Media, Fascism and the Far Right in Britain Between the Wars, Julie Gottlieb; 30: ‘The Sheep and the Goats’: Interwar Women Journalists, the Society of Women Journalists, and the Woman Journalist, Sarah Lonsdale.

Women's Periodicals and Print Culture in Britain, 1918-1939The Interwar Period Edited by Catherine Clay, Maria DiCenzo, Barbara Green and Fiona Hackney

ContributorsClaire Battershill is a Government of Canada Banting Postdoctoral Fellow at Simon FraserUniversity.

Gerry Beegan is Chair of the Department of Visual Arts at Rutgers University.

Caitríona Beaumont is Associate Professor in Social History and Director of Research for the School of Law and Social Sciences at London South Bank University.

Adrian Bingham is Professor of Modern British History at the University of Sheffield.

Natalie Bradbury is Information Co-ordinator at the Co-operative College in Manchester.

Catherine Clay is Senior Lecturer in English at Nottingham Trent University.

Stella Deen is Associate Professor of English and World Literature at the State University of New York at New Paltz.

Jacqueline deVries is Professor of History at Augsburg College in Minneapolis.

Maria DiCenzo is Professor of English at Wilfrid Laurier University.

Claire Eustance is Senior Lecturer in History at the University of Greenwich.

Laurel Forster is Senior Lecturer at the University of Portsmouth.

Helen Glew is Senior Lecturer in History at the University of Westminster.

Joyce Goodman is Professor of History of Education at the University of Winchester.

Julie Gottlieb is Reader in Modern History at University of Sheffield.

Barbara Green is Associate Professor of English and Concurrent Professor in Gender Studies at the University of Notre Dame.

Fiona Hackney is Professor in Fashion and Textiles Theories at Wolverhampton University.

June Hannam is professor (emerita) of Modern British History at the University of the West of England, Bristol.

Katherine Holden is Visiting Research Fellow at the Faculty of Arts, Creative Industries and Education, University of the West of England.

Karen Hunt is Professor Emerita of Modern British History at Keele University and a former Chair of the Social History Society.

Natalie Kalich is a modernist scholar and American Literature Instructor at Gary Comer College Preparatory in Chicago, IL. Sarah Lonsdale is a lecturer in journalism at City, University of London.

Ilya Parkins is Associate Professor of Gender and Women’s Studies at the University of British Columbia, Okanagan Campus.

Vike Martina Plock is Senior Lecturer in English at the University of Exeter.

Rebecca Roach is a postdoctoral research associate at King’s College London where she works on the ERC-funded Ego Media project.

Lise Shapiro Sanders is Associate Professor of English Literature and Cultural Studies at Hampshire College in Amherst, Massachusetts.

Elizabeth M. Sheehan is an Assistant Professor of English and of Women, Gender, and Sexuality Studies at Oregon State University.

Lisa Sheppard is a Lecturer in Cardiff University’s School of Welsh, funded by Y Coleg Cymraeg Cenedlaethol (The National Welsh-language College).

Lisa Stead is a Lecturer in Film Studies at the University of East Anglia.

Karen Steele is Professor and Chair of English at TCU.

Penny Tinkler is Senior Lecturer in Sociology at the University of Manchester.

Alice Wood is Senior Lecturer in English Literature at De Montfort University.

Literary Studies


The Edinburgh Companion to Fin de Siècle Literature, Culture and the ArtsEdited by Josephine M. Guy

Edited byJosephine M. Guy Professor of Modern Literature, University of Nottingham.

December 2017Hb • 978 1 4744 0891 2 • Pre-pub price £100.00 BIC: DSB, DSK, DSR

DescriptionThe late nineteenth-century fin de siècle has proved an enduringly fascinating moment in literary and cultural history. It is associated with the emergence of intriguing figures—such as the ‘new woman’ and ‘uranian’; with contradictory impulses—of decadence and decay on the one hand, and of experiment and renewal, on the other; as well as with unprecedented intercultural exchange, especially between Britain and France. The 22 newly-commissioned essays collected here re-examine some of the key concepts taken to define the fin de siècle, while also introducing hitherto overlooked cultural phenomena into the frame, such as the importance of humanitarianism. The impact of recent research in material culture is explored, particularly how the history of the book and the history of performance culture is changing our understanding of this period. A wide range of cultural activities is discussed—from participation in avant-garde theatre to interior decoration and from the writing of poetry to political and religious activism. Together, the essays provide new scholarly insights into British fin de siècle and enrich our understanding of this complex period, while paying particular attention to the importance of regionalism.

Explores the significance of the British fin de siècle in Scotland and Ireland as well as some regional cities in England

320 pp. 244 x 172 mm (Pinched Crown Quarto)28 B/W illustrations 11 colour illustrations

Literary Studies

Key Features• Contains a re-examination of some of the key concepts taken to define the

fin de siècle, such as Decadence, while also introducing new concepts into the frame, such as the importance, at the time, of humanitarianis

• Examines the significance of the fin de siècle in Scotland and Ireland, as well as in some regions of England

• Examines how attention to material culture, and particularly to the history of the book and the history of performance culture, is changing our understanding of this period

• Discusses a range of cultural activities, from participation in avant-garde theatre to interior decoration, and from the writing of poetry to political and religious activism

SeriesEdinburgh Companions to Literature

Readership Academics, researchers, postgraduates, upper level undergraduates, educated general readers in Fin de Siècle, Nineteenth-Century Literature and Culture, Late Victorian Literature & Culture, Decadence, The New Woman Literature, Aestheticism, Fantastic Fiction, The Visual Arts.


Reference

The Edinburgh Companion to Fin de Siècle Literature, Culture and the ArtsEdited by Josephine M. Guy

Table of Contents

Introduction, Josephine M. Guy;

Part I: Concepts;

1. Decadence and Institutions of Modernism in the American Literary Field of the 1910s, Kirsten MacLeod;

2. The Matter of Form: Fin-de-Siècle Illustrated Poetry and the Periodical Press, Alison Chapman;

3. Curious Intricacies: Versions of City Writing at the Fin de Siècle, Nick Freeman;

4. Gothic Aesthetics, Andrew Smith;

5. Catholicism and the Fin de Siècle, Miriam Elizabeth Burstein;

6. Secularism and Secularisation at the Fin de Siècle, Sara Lyons;

7. The Claims of Kinship: Humanitarian Ideals at the Century’s End, John Stokes;

8. Information in the 1890s: Technological, Journalistic, Imperial, Occult, Richard Menke;

Part II: Places;

9. Fin-de-Siècle Scotland, Caroline McCracken-Flesher

10. The Irish Fin de Siècle, Anne Markey;

11. Providing an Ideal Home: Paternalism and Persuasion at Bournville 1895-1914, Margaret Ponsonby;

12. Theatre in the Provinces at the Fin de Siècle: Beyond Outcast London, Jo Robinson;

13. ‘Truth About Russia’: Russia in Britain at the Fin de Siècle, Anna Vaninskaya;

14. Aestheticism and Italy: A New Sense of Place, Stefano Evangelista;

Part III: Identities: Female;

15. The 1890s Woman: New or Decadent?, Jad Adams;

16. When a Best-Selling Author and a West End Actress Made a Spiritualist Performance: Collaboration, Networks and

Theatre at the Fin de Siècle, Catherine Hindson;

17. Intergenerational Collaboration and Conflict: Women’s Periodicals at the Fin de Siècle, Alexis Easley;

18. Lily Montague and Liberal Judaism, Richa Dwor;

19. American Nervousness: Motherhood and the ‘Mental Activity of Women’ in the Era of Sexual Anarchy, Emily Coit; Part

IV: Identities: Male;

20. German and British Sexual Sciences Across Disciplines at the Fin de Siècle: ‘Homosexuals’, Inverts and ‘Uranians’, Ina

Linge;

21. The Anglo-African Adventure Novel in the 1890s, Gerald Monsman;

22. The Fin-de-Siecle Detective: But My Job don’t End There, Caroline Reitz.The Tun – Holyrood Road, 12 (2f ) Jackson’s Entry, Edinburgh EH8 8PJtel: +44 (0)131 650 4218fax: +44 (0)131 650 [email protected]

Literary Studies



Sinn Féin and the IRAFrom Revolution to Moderation Mathew Whiting

OriginatorsMathew Whiting, Fellow in Comparative Politics at the University of Reading.

December 2017Hb •978 1 4744 2054 9 •£75.00 BIC: 1DBKN, JPFN, JPL, JPR, JPWL

DescriptionIRA violence and Sinn Féin’s revolutionary politics plagued Northern Ireland for 30 years. Today, however, violence is (mostly) a tactic of the past and Sinn Féin is a major political player in both Northern Ireland and the Republic of Ireland. This is one of the most startling transformations of a radical violent movement in recent times.

What exactly changed within Irish republicanism? What has stayed the same? And, crucially, what caused this transformation? By examining republicanism’s electoral participation and engagement in democratic bargaining, together with the role of Irish-America and British government policy, Mathew Whiting argues that moderation was a long-term process of concessions by republicanism in return for increased inclusion within the political system.

Assesses Irish republicanism’s strategic process of moderation, from violence to peace and power

224 pp. 234 x 156 mm (Royal 8vo)

Politics

Key Features• Draws on a wide range of original data, including interviews with former

leading British and Irish politicians and civil servants; original material produced by republicanism over a 40-year period; and the latest available archival material from Britain, Ireland and Northern Ireland

• Reassesses British policy towards the management of the conflict in Northern Ireland

• Rigorously evaluates where Sinn Féin stands today in terms of achieving its goal of a united Ireland

• Raises important implications for how other non-state armed groups moderate, for the study of state responses to violent separatism and for studies of comparative peace processes

Readership Postgraduate students and scholars in British and Irish politics, recent political history, conflict studies, peace studies and comparative politics in Politics, History, British Studies and Irish Studies departments.



Human Rights and Community-led DevelopmentLessons from Tostan Ben Cislaghi

OriginatorsBen Cislaghi, Lecturer in Social Norms at the London School of Hygiene and Tropical Medicine.

December 2017Hb •978 1 4744 1979 6 •£75.00 BIC: 1HFDS, GTF, JPVH, KCM, LBBR

DescriptionHow can we empower people living in the most economically disadvantaged communities to improve their lives in ways that matter to them? This book refutes top-down development theory and shows how bottom-up human rights-based development can work in real life, using the West African community of Tostan in Senegal as a case study.

Combines development theory with practice through a case study of the West African community of Tostan

288 pp. 234 x 156 mm (Royal 8vo)

Politics

Key Features• Asks how we can empower people living in the most economically

disadvantaged communities to improve their lives in ways that matter to them

• Refutes top-down development theory and shows how bottom-up human rights-based development can work in real life

• Uses Tostanś community-led model as an example of helpful development intervention, drawing on the author's experience of living in the community, giving qualitative evidence of its effectiveness

• Builds a model of how community-led development works, why it is helpful and how practitioners can help people lead their own human development

SeriesStudies in Global Justic and Human Rights

Readership Advanced undergraduates, graduate students and academics in Politics and African Studies departments.

Development professionals, policy-makers, development activists and advocates of human rights and the rights of women.




DescriptionNow in its second edition, this comprehensive history of the Celts draws on archaeological, historical, literary and linguistic evidence to provide a comprehensive and colourful overview from origins to the present. Divided into three parts, the first covers the continental Celts in prehistory and antiquity, complete with accounts of the Celts in Germany, France, Italy, Iberia and Asia Minor. Part Two follows the Celts from the departure of the Romans to the late Middle Ages, including the migrations to and settlements in Ireland, Wales, Scotland and Brittany. This section also includes discussions of the Celtic kingdoms and the significance of Christianisation. Part Three brings the history of the Celts up to the present, covering the assimilation of the Celts within the national cultures of Great Britain, France and Ireland. Included in this consideration are the suppression of Gaelic, the declines, revivals and survivals of languages and literatures, and the histories of Celtic culture. The book concludes with a discussion of the recent history of the meaning of ‘Celtic’ and an examination of the cultural legacy of the Celts in the modern era.

Scottish Studies Scottish Studies

Key Features• This second edition features updated material throughout, drawing upon

research from 2000-2016• Includes archaeological, historical, literary and linguistic evidence• Compares Celtic to Germanic cultures• Examines the cultural legacy of the Celts in the modern era

2nd EditionAcademic Trade

The AuthorBernhard Maier, Lecturer at the Rheinische Friedrich-Wilhelms-Universität Bonn.

The TranslatorKevin Windle, Lecturer, Australian National University.

Readership Readers of Celtic Studies, Scottish History and Archaeology

The CeltsA History from Earliest Times to the Present Bernhard Maier, translated by Kevin Windle

Table of Contents PrefaceTranslator’s acknowledgementsIntroduction: People, Language and Culture

Part I: The Celtic Cultures of the Ancient World1. The Beginnings of Celtic History2. The Early La Tène Culture3. Celtic Expansion4. Gaul before the Roman Conquest5. The Celts of Iberia6. The Celts in Northern Italy7. The Celts in Asia Minor8. Gallo-Roman Culture

Part II: The Insular Celts of the Middle Ages9. The Early Celts of Ireland and Britain10. Ireland after the Conversion to Christianity11. Ireland in the Time of the Vikings12. Ireland from the Coming of the Normans to Colonisation13. Scotland from Irish Settlement to the Reformation14. Wales from the Romans to the Normans15. The Union of Wales and England16. Brittany from Prehistory to the Union with France

Part III: From the Reformation to the Present17. Ireland from Colonisation to Emancipation18. Ireland from Emancipation to 194519. Scotland from the Reformation to Culloden20. Scotland from Culloden to 194521. Wales from Union to Industrialisation22. Wales from Industrialisation to 194523. Brittany from Union to 194524. The Celtic-Speaking Peoples from 1945 to the Present

Looking Back, Looking Forward: The Celts and EuropeNotesBibliographyIndex

Competition Information

Celts: Art and Identity Julia Farley and Fraser Hunter British Museum Press, 2015 Paperback, £25.00, 304 pages

The Celts Alice Roberts Heron Books, 2016 Paperback, £9.99, 320 pages

The CeltsA History from Earliest Times to the Present Bernhard Maier, translated by Kevin Windle

December 2017Pb • 978 1 4744 2720 3 • £19.99 BIC: HB, HBJ, HBJD, HD, HDDM

320 pp. 216 x 138 (Demy 8vo)6 B/W illustrations 6 maps

Alternative Formats:Eb (PDF) • 978 01 4744 2721 0 • £19.99 •EB (epub) • 978 1 4744 2722 7 • £19.99 •

Explores the fascinating history of the Celts and their cultural legacy

Edinburgh Historical LinguisticsSeries Editor: Joseph Salmons, David Willis

ForthcomingAnalysing Syntax through TextsOld, Middle, and Early Modern EnglishElly van GelderenPb 978 1 4744 2038 9 £24.99Hb 978 1 4744 2037 2 £85.00December 2017

AvailableAnalogy and Morphological ChangeDavid L. FertigPb 978 0 7486 4621 0 £24.99Hb 978 0 7486 4622 7 £70.00June2013

The series provides a comprehensive introduction to this broad and increasingly complex field. Aimed at advanced undergraduates in linguistics, as well as beginning postgraduates who are looking for an entry point, volumes are discursive, accessible and responsive to critical developments in the field.

Individual volumes show historical linguistics as a field anchored in two centuries of research, with a rich empirical base and theoretical perspectives, and one tied tightly to all areas of linguistics. Fundamentally, though, the series shows how historical linguists approach language change. Every volume contains pedagogical features such as recommendations for further reading, but the tone of each volume is discursive, explanatory and critically engaged, rather than ‘activity-based’.

www.euppublishing.com/series-edinburgh-historical-linguistics.html

Edinburgh University Press Series

ANALYZING SYNTAXTHROUGH TEXTS

ELLY VAN GELDEREN

E D I N B U R G H H I S TO R I C A L L I N G U I S T I C S

S e r i e s E d i t o r s :

J o s e p h S a l m o n s a n d D av i d W i l l i s

EDINBURGH HISTORICAL LINGUISTICSSeries Editors: Joseph Salmons and David Willis

Edinburgh Historical Linguistics is a series of advanced textbooks, where individualvolumes cover key subfields within Historical Linguistics in depth. The series providesa comprehensive introduction to this broad and increasingly complex field.

ANALOGY AND MORPHOLOGICAL CHANGE

‘Fertig’s valuable and insightful book on analogy and morphological changeis an extremely welcome contribution to the field.’

Lyle Campbell, University of Hawai’i at Manoa

This advanced textbook provides a thorough, critical examination of traditionalapproaches to analogical change and an in-depth introduction to important recent workin a variety of frameworks. Key topics include the relationship between covert reanalysisand overt innovation, the relative importance of acquisition, repetition, and speakercreativity in grammatical change, the status of several supposedly less important typesof change including folk etymology, blending, and back formation, and various aspectsof the relationship between analogical change and sound change. It also takes a closelook at the value of concepts such as ‘naturalness’ for explaining and predicting directionsof change.

Although the focus is on morphological change, the book also examines the role ofanalogy in syntactic, semantic, and phonological change. Numerous examples areprovided from English and a wide variety of other languages, making this an absorbingand illuminating read for advanced students in linguistics.

David Fertig is Associate Professor in the Department of Linguistics at the Universityat Buffalo (SUNY). He is the author of Morphological Change Up Close (2000).

Cover design: www.hayesdesign.co.uk

www.euppublishing.com

David Fertig

AN

ALO

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ISBN 978-0-7486-4621-0

O l d , M i d d l e , a n d E a r l y M o d e r n E n g l i s h

Edinburgh Critical Studies in Victorian Culture Series Editor: Julian Wolfreys, University of Loughborough

The Decadent ImageThe Poetry of Wilde, Symons, and DowsonKostas BoyiopoulosHb 978 0 7486 9092 3 £70.00May 2015

Dickens’s LondonPerception, Subjectivity and Phenomenal Urban MultiplicityJulian WolfreysPb 978 1 4744 0238 5 £19.99 April 20152012: Hb 978 0 7486 4040 9 £80.00

Rudyard Kipling’s FictionMapping Psychic SpacesLizzy WelbyHb 978 0 7486 9855 4 £70.00April 2015

Women and the Railway, 1850–1915Anna DespotopoulouHb 978 0 7486 7694 1 £70.00March 2015

Roomscape:Women Writers in the British Museum from George Eliot to Virginia WoolfSusan D. BernsteinPb 978 0 7486 9794 6 £17.99September 20142013: Hb 978 0 7486 4065 2 £70.00

Spirit Becomes MatterThe Brontes, George Eliot, NietzscheHenry StatenHb 978 0 7486 9458 7 £70.00June 2014

1895Drama, Disaster and Disgrace in Late Victorian BritainNicholas FreemanPb 978 0 7486 9466 2 £19.99May 20142011: Hb 978 0 7486 4056 0 £70.00

Exploring Victorian Travel LiteratureDisease, Race and ClimateJessica HowellHb 978 0 7486 9295 8 £70.00May 2014

Moving ImagesNineteenth Century Reading and Screen PracticesHelen GrothHb 978 0 7486 6948 6 £70.00August 2013

Forthcoming Suffragist Artists in PartnershipGender, Word and ImageLucy Ella RoseHb 978 1 4744 2145 4 £75.00December 2017

Self-Harm in New Woman WritingAlexandra GrayHb 978 1 4744 1768 6 £75.00November 2017

NEW IN PAPERBACKAnthony Trollope’s Late StyleVictorian Liberalism and Literary FormFrederik Van DamPb 978 1 4744 2605 3 £19.99August 2017Hb 978 0 7486 9955 1 £70.00 January 2016

NEW IN PAPERBACKBritish India and Victorian Literary CultureMáire ni FhlathúinPb 978 1 4744 2603 9 £24.99August 2017Hb 978 0 7486 4068 3 £70.00 September 2015

Developing from recent and current interests in rethinking the 19th century, and drawing on the most provocative and thoughtful research. This series provides timely revisions of the 19th century's literature, culture, history and identity.

https://edinburghuniversitypress.com/series/ecvc

Edinburgh University Press Series Edinburgh University Press Series

Edinburgh Critical Studies in Victorian Culture Series Editor: Julian Wolfreys, University of Loughborough

London’s Underground SpacesRepresenting the Victorian City, 1840–1915Haewon HwangHb 978 0 7486 7607 1 £70.00July 2013

Thomas Hardy’s Legal FictionsTrish FergusonHb 978 0 7486 7324 7 £70.00July 2013

Walter PaterIndividualism and Aesthetic PhilosophyKate HextHb 978 0 7486 4625 8 £70.00June 2013

Jane MorrisThe Burden of HistoryWendy ParkinsHb 978 0 7486 4127 7 £70.00April 2013

Re-imagining the 'Dark Continent' in fin de siècle LiteratureRobbie McLaughlanHb 978 0 7486 4715 6 £70.00October 2012

Determined SpiritsEugenics, Heredity and Racial Regeneration in Anglo American Spiritualist Writing, 1848–1930Christine FergusonHb 978 0 7486 3965 6 £80.00April 2012

Blasted LiteratureVictorian Political Fiction and the Shock of Modernism Deaglán Ó DonghaileHb 978 0 7486 4067 6 £70.00February 2011

William Morris and the Idea of CommunityRomance, History, and Propaganda, 1880–1914Anna VaninskayaHb 978 0 7486 4149 9 £80.00December 2010

In Lady Audley's ShadowMary Elizabeth Braddon and Victorian Literary GenresSaverio TomaiuoloHb 978 0 7486 4115 4 £70.00October 2010

Available

NEW IN PAPERBACKDark ParadisePacific Islands in the Nineteenth Century British ImaginationJennifer FullerPb 978 1 4744 2611 4 £19.99August 2017Hb 978 1 4744 1384 8 £70.00 June 2016

Gender, Technology and the New WomanLena WånggrenHb 978 1 4744 1626 9 £75.00May 2017

The Lyric Poem and AestheticismForms of ModernityMarion Thain Hb 978 1 4744 1566 8 £70.00September 2016

Twentieth Century VictorianArthur Conan Doyle and the Strand Magazine, 1899 1930Jonathan CranfieldHb 978 1 4744 0675 8 £75.00July 2016

Edinburgh Critical Studies in Modernist CultureSeries Editors: Tim Armstrong, University of London and Rebecca Beasley, University of Oxford

Forthcoming

Hieroglyphic ModernismsWriting and New Media in the Twentieth CenturyJesse SchotterHb 978 1 4744 2477 6 £80.00December 2017

Portable ModernismsThe Art of Travelling LightEmily RidgeHb 978 1 4744 1959 8 £80.00 July 2017 Available

NEW IN PAPERBACKLesbian ModernismCensorship, Sexuality and Genre FictionElizabeth EnglishPb 978 1 4744 2449 3 £24.99 April 2017Hb 978 0 7486 9373 3 £70.00November 2014

Cheap ModernismExpanding Markets, Publishers’ Series and the Avant-Garde Lise Jaillant Hb 978 1 4744 1724 2 £75.00 April 2017

Each volume in the series focuses on current concerns within the 'new modernist studies'. Each presents a hot topic, provides original comment and attends to the cultural, intellectual and historical contexts of different British, American and European modernisms.

www.edinburghuniversitypress.com/series/ecsmc


Modern Print ArtefactsTextual Materiality and Literary Value in British Print Culture, 1890-1930s Patrick CollierHb 978 1 4744 1347 3 £75.00 October 2016

Modernism and MagicExperiments with Spiritualism, Theosophy and the OccultLeigh WilsonPb 978 0 7486 2770 7 £17.99September 2015Hb 978 0 7486 2769 1 £70.00 November 2012

Modernism, Space and the CityAndrew ThackerHb 978 0 7486 3347 0 £70.00August 2014

Modernism and the Frankfurt SchoolTyrus MillerHb 978 0 7486 4018 8 £70.00May 2014

Sonic ModernityRepresenting Sound in Literature, Culture and the ArtsSam HallidayHb 978 0 7486 2761 5 £70.00March 2013


Nottingham French Studies Special Issues Series Editor: Stephen Bamforth, University of Nottingham

AvailableUK Perspectives on Francophone CanadaNottingham French Studies Volume 55, Issue 2Edited by Anne ChapmanPb 978 1 4744 1520 0 £16.99July 2016

Still French?Nottingham French Studies Volume 54, Number 3Edited by Alec HargeavesPb 978 1 4744 0660 4 £16.99November 2015

Photography in Contemporary French and Francophone CulturesNottingham French Studies Volume 53, Number 2Edited by Kathrin YacavonePb 978 0 7486 9366 5 £16.99July 2014

Founded in 1961, Nottingham French Studies publishes articles in English and French and themed special numbers covering all of the major fields of the discipline – literature, culture, postcolonial studies, gender studies, film and visual studies, translation, thought, history, politics, linguistics – and all historical periods from medieval to the 21st century. The journal’s Editorial Board is composed of the members of the Department of French and Francophone studies at the University of Nottingham, supported by an international Advisory Board. Through the publication of general and special numbers covering a range of thematic and theoretical perspectives, the journal aims to represent established as well as new and emerging areas of research in the field of French studies.

www.euppublishing.com/series/nfss

ForthcomingText, Knowledge, and Wonder in Early Modern France: Essays in Honour of Stephen Bamforth Nottingham French Studies Volume 56, Issue 3Edited by Neil KennyPb 978 1 4744 2455 4 £16.99December 2017

Edinburgh Critical Studies in Modernism, Drama and PerformanceSeries Editor: Olga Taxidou, University of Edinburgh

ForthcomingModernism and the Theatre of the BaroqueKate ArmondHb 978 1 4744 1962 8 £75.00December 2017

Beckett's BreathSozita GoudounaHb 978 1 4744 2164 5 £75.00June 2017

This series addresses the neglected areas of drama and performance within Modernist Studies. It locates the theoretical, methodological and pedagogical contours of Performance Studies within the formal, aesthetic and political concerns of Modernism. It claims that the ‘linguistic turn’ within Modernism is always shadowed and accompanied by an equally formative ‘performance / performative turn’. Volumes in the series will initiate new conversations between scholars, theatre and performance artists and students.

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AvailableThe Speech-Gesture ComplexAnthony ParaskevaHb 978 0 7486 8489 2 £70.00September 2013

The Edinburgh History of Women's Periodical Culture in BritainSeries Editor: Jackie Jones

ForthcomingWomen's Periodicals and Print Culture in Britain, 1918-1939The Interwar PeriodEdited by Catherine Clay, Maria DiCenzo, Barbara Green and Fiona HackneyHb 978 1 4744 1253 7 Pre-pub Price £125.00Price after Publication £150.00December 2017

This is a new, finite series of 5 volumes which sets out to make a particular contribution to the ‘turn’ to periodical studies over the last decade by giving due prominence to the history of women’s periodical culture in Britain. Volume coverage extends from the 17th-century (if we regard 1693 as a starting point with the founding of The Ladies Mercury) to the 21st century. By adopting the term ‘print media’, the volumes cover not just periodicals and magazines run by and for women, but take in print networks and communities, technology and production, circulation, and reception with the aim of valorising and making visible women’s diverse roles in periodical culture.

www.edinburghuniversitypress.com/series/ehwpcb


Edinburgh Companions to Literature

These single-volume reference works present cutting-edge scholarship in areas of literary studies particularly those which reach out to other disciplines. They include volumes on key literary figures and their interaction with the arts (for example, Virginia Woolf and the Arts, Shakespeare and the Arts, T. S. Eliot and the Arts) on major topics (for example, The Bible and the Arts Life Writing) and on emerging forms of cross-disciplinary research (for example, Animal Studies, Atlantic Studies, Print Culture, Literature and Music, Medical Humanities).

www.edinburghuniversitypress.com/series/ecl

Edinburgh Companions to Literature


ForthcomingThe Edinburgh Companion to Fin de Siècle Literature, Culture and the ArtsEdited by Josephine M. GuyHb 978 1 4744 0891 2 Pre-pub Price: £100.00Price after Publication £125.00December 2017

The Edinburgh Companion to Children's LiteratureEdited by Clenentine Beauvais and Maria NikolajevaHb 978 1 4744 1463 0 Pre-pub Price: £125.00Price after Publication £150.00October 2017

The Edinburgh Companion to the First World War and the ArtsEdited by Ann-Marie Einhaus and Katherine Isobel BaxterHb 978 1 4744 0163 0 Pre-pub Price: £125.00Price after Publication £150.00 June 2017

AvailableThe Edinburgh Companion to Atlantic Literary StudiesEdited by Leslie Eckel and Clare ElliottHb 978 1 4744 0294 1 £150.00October 2016

The Edinburgh Companion to T. S. Eliot and the ArtsEdited by Frances Dickey and John D. MorgensternHb 978 1 4744 0528 7 £125.00July 2016

The Edinburgh Companion to the Critical Medical HumanitiesEdited by Anne Whitehead and Angela WoodsAssociate Editors Sarah Atkinson, Jane Macnaughton and Jennifer RichardsHb 978 1 4744 0004 6 £175.00June 2016

The Edinburgh Companion to Nineteenth-Century American Letters and Letter-WritingEdited by Celeste-Marie Bernier, Judie Newman and Matthew PethersHb 978 0 7486 9292 7Price after Publication £175.00March 2016

NEW IN PAPERBACKThe Edinburgh Companion to Twentieth Century British and American War LiteratureEdited by Adam Piette and Mark RawlinsonPb 978 1 4744 1394 7 £29.99March 2016

The Edinburgh Companion to Critical TheoryEdited by Stuart SimHb 978 0 7486 9339 9 £150.00February 2016

The Edinburgh Companion to Modern Jewish FictionEdited by David Brauner and Axel StählerHb 978 0 7486 4615 9 £150.00June 2015

The Edinburgh Companion to the Bible and the ArtsEdited by Stephen PrickettHb 978 0 7486 3933 5 £150.00February 2014

The Edinburgh Companion to Samuel Beckett and the Arts Edited by S. E. GontarskiHb 978 0 7486 7568 5 £150.00February 2014

The Edinburgh Companion to Twentieth-Century British and American War LiteratureEdited by Adam Piette and Mark RawlinsonHb 978 0 7486 3874 1 £165.00March 2012

The Edinburgh Companion to Shakespeare and the ArtsEdited by Mark Thornton Burnett, Adrian Streete and Ramona WrayHb 978 0 7486 3523 8 £165.00October 2011

The Edinburgh Companion to Virginia Woolf and the ArtsEdited by Maggie HummHb 978 0 7486 3552 8 £150.00April 2010

A Historical Companion to Postcolonial Literatures Continental Europe and its EmpiresEdited by Prem Poddar, Rajeev S. Patke and Lars JensenPb 978 0 7486 4482 7 £37.00September 2011Hb 978 0 7486 2394 5 £195.00July 2008

A Historical Companion to Postcolonial Literatures in EnglishEdited by Prem Poddar and David JohnsonPb 978 0 7486 3602 0 £36.00June 2008Hb 978 0 7486 1855 2 £225.00March 2005

The Edinburgh Companion to Twentieth Century Literatures in EnglishEdited by Brian McHale and Randall StevensonHb 978 0 7486 2011 1 £39.00June 2006


Studies in Global Justice and Human Rights Series Editor: Thom Brooks, Durham Law School

The Morality of PeacekeepingDaniel H. LevineHb 978 0 7486 7589 0 £75.00December 2013

Immigration JusticePeter HigginsHb 978 0 7486 7026 0 £70.00August 2013

Human Rights from CommunityA Rights-Based Approach to DevelopmentOche OnaziHb 978 0 7486 5467 3 £65.00June 2013

Institutions in Global Distributive JusticeAndras MiklosHb 978 0 7486 4471 1 £65.00February 2013

Retheorising StatelessnessA Background Theory of Membership in World PoliticsKelly StaplesHb 978 0 7486 4277 9 £70.00July 2012

ForthcomingHuman Rights and Community-led DevelopmentLessons from TostanBen CislagheHb 978 1 4744 1 979 6 £75.00December 2017

AvailableInternational Development and Human AidPrinciples, Norms, and Institutions for the Global SphereEdited by Paulo Barcelos and Gabriele De AngelisHb 978 1 4744 1447 0 £70.00September 2016

Rwanda and the Moral Obligation of Humanitarian InterventionJoshua James KassnerPb 978 0 7486 9627 7 £19.99August 2014Hb 978 0 7486 4458 2 £70.00November 2012

Health Inequalities and Global JusticeEdited by Patti Tamara Lenard and Christine StraehlePb 978 0 7486 9626 0 £19.99August 2014Hb 978 0 7486 4692 0 £70.00August 2012

Global justice and human rights is perhaps the hottest topic in political science today. This series of monographs and edited collections publishes groundbreaking work on key topics in this increasingly popular field, such as democracy, gender, legal justice, poverty, human rights, environmental justice and just war theory. It will be essential reading for theorists in politics, international relations, law and philosophy.

https://edinburghuniversitypress.com/series/sgjhr


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