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Citation: Walduck, J.S. (1997). Role-taking in free improvisation and collaborative composition. (Unpublished Doctoral thesis, City University London)

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City Research Online

Role-Taking in Free Improvisation and Collaborative Composition.

Volume III. Unrealised Backbone Scores.

Jacqueline S. Walduck

PhD Thesis

City University Music Department

October 1997.

Contents.

Page

Key to notation in Scores 1-7. ................................................................................................................... 3

Score 1. Garden Garden. ..................................................................................................................... 4 Score 2. L'Amore d'Alfredo

..................................................................................................................... 7 Score 3. The Gathering Doubt

..................................................................................................................... 17 Score 4 Circus .................................................................................................................... 22 Score 5 String Soundscape

................................................................................................................... 32 Score 6 The Dark Box (of my shutting heart)

................................................................................................... 34 Score 7 Splatt! ................................................................................................................... 40

Score 4a Circus (facsimile of working score) ................................................................................................... 45

Key to notation in Scores 1-7

K, ) Pause.

r-1 Longer pause or break in the music.

Beamed notes are the principal notes in the phrase, others serve as ornamentation, and should be played with r

j; -V

lesser emphasis.

X No time signature given, or break with the previous time signature.

F. M Repeat section an unspecified number of times, or until a given cue.

IJ Unpitched note (percussive sound), or note of unspecified pitch.

In metrically-barred sections of these pieces, accidentals carry for the remainder of the bar. In unbarred sections,

accidentals are held until cancelled.

NOTE The contents of this volume are the unrealised backbone scores which accompany the portfolio compositions presented with this thesis. They are the raw material with which the players and myself worked in order to create the folio compositions, and are not a

representation of the finished compositions in publishable form.

3

Score 1

Garden Garden

Backbone for vibraphone.

Jackie Walduck 1994.

Ni. rý . ..

f8t JOA& W" 4J< J#4 Iff-

if ffp

n

,..

,ý ro �ý

..

,, s Aý

5

i

r {i

r, y

.i

, 4: 'ý `{

i', `

t^ Try

" "ý

ýýý ýý

ºr

a b

- r- ---

r_l 1. n- 1\

p r. . t:

D 1J- c) -j2 v- -- n" r. 1 Xýl

10.00 ý- ` -r

.r-T

t. 9pprOj� tcn p 'Jiv. in wda t) CAMfLA hctatOA. 1kMaI tttinpi oh rewrciý s nvxý vor 5ý1ýiýtýy Prow. yývýtn wuukwvJ; tt Spwc has br r.,

J left ovi acrva> v Ol. rs t W& in curl rc�4subwA 1119AJ cn tKcir h wurký"`ý 4P`1 '

I rr o GO äa w. .: I -_ r

fl tý l"v. s- ý.. > p

.

-Ma-f .d

t. ) ra-c"7-4-

NI. T--1 ý_ -- -.

Score 2

L'Amore d'Alfredo.

Backbone for voice and cello.

Text taken from Three Dances, a play by Fleur Mould.

Jackie Walduck, 1994.

7

0 L, halu . sb'(( .

Voice

voiu

ttUo

a9 ý'! Ai esl cc ýo le) c we. k ---ý , irový) lull voice)

bIlII. I I """"" II.... LLI.

C. ) in aI Gat (1 11 ) IL- k

Z'+ Love Iove late lava l- lovc lo�ý love

I __ 1a

er u1q nn LtLJ C.

_f3-,

f, >

r

Y0ct

tUo t

'Ä ýi,.. f xý;, s. �,; vain.

Vc t. t

(t h

z

yaia i lea -v ("/ ý-ý we love Yom,,

(Alta

r SQaw hw DW% left blw'k cv, aU .CO jar plo,! rs t ufttc, 11 Thar O Gt4cs, rexLUAt4º iGL43) eh. "n P2laian tý the rack e fcvt.

i'1m 18 SSE conwart wwonn uo ww

voi'c4

Moak.

voice

rhýkkrv l

IM o aft

1i Oict.

rlwlýh wý1

m, JOdý

Yoi ca

ý/

11 p In- ýtt 1' C ýn wtý

''f '1 11 - C4ID 3 III ii R- r

, AN A3 1B SE CVpl*GKT. -0" LTD ST

rl ý='ý4 mý

ANr fasttr (r -l z4

I r-- 3.1 r3 -1 -' .3 "-1 r-3-1

VOick

LLl1t

r3 -t c3 T

snd eh uý uwlI - }tthM H41i h, t 1º. we $cinc - "ýavt I-rAdJC in tee, - r�

.ý r3 ''1

Volct

Wut n

Voice Ft IA-t-v't I nwd 6+ m, w bIA k box, I, -Sick a big ale- (wiTH ir" ) In A rox - devi, Oha W6 1t ýicýI-Iicrýý lo-dw w lo

(cell o P MJ I -, (' ( -r i' II 1h , fl

khMý rh y

Dv, -&l - r---j ---1 7- 13 --1 P-- 3 '7-. -ý ,.. ý -71 1111 Vý Voice,

rHy4-wýI IM erLL

"La Fttitrl C wr I ntcd t+; wýý w black box, In-Sidc a big me- (with ir" ) In 1 rox 374. - dev,, OR 4 +h: 40I-l4") 10-der w lo

21

elý

- V%& MOM I

ý'foa - 'ý1 J 'vv ýýow t'^9 ýý1rvu9h wý ý: ý�öV9lý A

JL P04-r bbw%lp 6sIq .. pb41 0 yP-.

MedC

fit On the rucvctty j wen on MT 1,1vck1, the faw bads 0. f to kttu H an Plow . cA ak w sIt3Ktl $Iov, t tuvýpo

" AN-A3 18STAVE JJ

vtict

('A%5 yll mock

VoiCU,

rh MI M d',

voice

Erz ra-,

Lc LC Db°; cc Db°; B'w G c D6O3

--110

ftt Shat p st Jurirol s ä)t+r o1A Nom. ý'llwctAoj n1 OAT I, Tuck, 2.

torvrwr ,. awruý LTD ON FY N-A3 18 STIýIE ýJ

I (Vxp hit 5010 sh'ds) I, ý1 .. ß... 4. L cnl,, _

i, i x

1; j.

(a}tacca)

apf

I3 -� I- 3 -, -ý

,-3-,

ý.

n voice

give

E7 Fovu4 tense. Paco s{ýcc. J %1ýb n --- Grp xN

Tcklc. '1Ake me.

xn ---==7 -r

Jecre3C. + ARO

6 end. nie and slide ivi -side.

voice

chards

NAiI{orAtdorG to ta1Jt (p. ý. "Y - NS I-255, cur, {WinS, Cßl - Qles Snatch O -den V

-mow. i

Caith 0-Xt

. -ý vý ýu.

, ýýý. ý yam,, r Ný ýr aý;; _. , ýý; clnovnl3 , ý:.

.;, " ýxý5

! i. 1<i lý J

r4ý,

; ýý dgl Vic

A f, fat. ý`ý ýýýµ

A ... 1. P. - P. ------< --1 ,.. _. ---,

Sliik kp Iick up ra-c4' w-figq, siºw-u-1 -tiaK Ma-ni_? N a+^, Mc

Eb + E F E F Dºh

Eýstuh'c, s. f tý evefi'c. f°tý6

cklr, {oacc wie

6 Fad& in uwdcr v. tsie.

ýý P PeU s}xcc.

A< vote ý ý"p nnnnnin n-

ý`"O` "ý'' ý5i w1

SItP wd s6't tSiMl UA ý- trio-Yt

ViC. d'Al (rs -dog Ua -i (st«)

vdiu-

%AG

ßa3 leSM ca" -f sCiput tto

F

t

,ý

r

ýf

.ý yr 1

"Y

{

F

, ý''

.ý ,ý

{

4

ti 1

j ''

', "ý

ýjJ

. ý:

books Na JIL - Nt Nrita. IDYL. Iý: Iýu�-drin py-r. -». id. wý ckcl-n

t 6m: 1ä.

An I"- fb IIA%4"_. I ,. r

t}tt (i CI(t(1M ihat ca. mc thta. +"h duulasiovl I, ri}h

,; FAN -A3 vß. 18 t.., u i; Prager.

sirr - "o. a Islannic prtw (AU" i1 w pericKAJ Pctvxt of reue ce, MA nat rw k iu be- k N lo-mt NhuA Cf

-- .--

Score 3

The Gathering Doubt

Backbone for flute, voice and vibraphone.

Text: "The Gathering Doubt" in Ivor Cutler: Large et Puffy, Are Publications, 1984.

Jackie Walduck 1995.

17

6ý tA- 44L 4L -. ---& '-- --I--

I tx

rl

1ý

3 ý' (i t twfý Uld1 .. 3

- 1_ �--- - --- -- - -- --- - -- ----- --- --

3 ---ý -'-- _ý ý 3

, _,,.

1.3 W.. i

.. z

(F. ru %WN

J /J

a

ýý ýI

-The, 4o hcn'vvj voubr.

4 äßi. i

ýi i

P

ý

ýý

ý, `>

ýl ý

) it . )-

D

ý"- -

e1 ý-

mli in

Gay e.. ý ýi

v 12e

ýf

ýI, c gathc ij ClOkA Ot

"n

i11 ý1 ýý1 w LII-}V 1I llf t r"- -ý 17

x

r-TIl vnbe

.f

tibt

ter

-. TAN-A3 IO JYWC GOAIMWI 1ýMOrYf LID MM

r

i "i

4,

f

ýý

:+

}

D. ýbE. 1 k.. theM'j _n .i -- Ij

ý xti X4C x

. -; MN-A3 1B STAVE .

cw. Mos, MNO U$ LID aM

DIA (. kyl%f .A o+htr U COMA / other

btbbc4 p4owj

r,. Fl L--. \

Score 4.

Circus

Backbone for mixed ensemble and voice.

Text: Louis Macniece, Jackie Walduck.

Jackie Walduck, 1995.

22

L PrdtAac (dx56) S P~`I

--1 14+ r_ýýT,

1ý IýI4--/ H

.,

voG

Vocl )wh

VocI

ä

Wý! - Cpºht to ow- lý't - rle Skeyý/ he. rcwý . tst chew ors Ear

rýnalc" .ýJ, 'Ic) nn

WherQ fýum - ßt3 Sound hºhcra li - onS « cm -bot3 Asfounö ou! DiJ M SOU!

dý4 L-J" as p. Co a Polo d= ioß

uoc

4uýrdioý s

X"

Y3 GP

Wt. I - (rýxc to our- lit - tic 5hew The rat - cst show on to k 6 Q^

o-.

h5ai

t N. aucl i) rct , cs y�ýwº) ;h thn pu fcvrvt"(A shour m uT .

ý. projea, wnd

A or YoG

A- nute yox, a- stow. d you, dc -U ke --- - coLot JA

bays.

A dýbc I r3, ___7 LIJI ý''P

r3 -1 r- S

VIVA

it c(pf

vIK PP, sh'u

Vic

-; RWM 1B SM

1 11. :1-i. A I.. .. /.

C, 1rU. IS JucK-lc- WaldHCkrGwý4NýM

iý cý= 64 Nov 1r.

vln

Solo tlml

Au- VGL

vIN

Acc

vlt,

Q

Vim

Soto fWe4

S It

3 Y 3 It 3

ý pp gnu ý,

ft: --ý /Fuýrdýow

J. sC

1 616 U Li. 6.1 LI U1. L1i J .-n %I -T is 4- IK ,c2-IL,. _.. ___. X3

, Y3,

(ernanýer#eýl Y3 x3

v. 9. wrvro. r wýo. us "ýo ar . -. PAN-A3 peso

A( Fr

i tl it) Sob auavcGUU :

f 't

au. l 5010 CL

9

In

9= L+ A º" X4, ;; xß� x4ý

w; Kd 1i

VIK

VIC

prnkrud

-'- _-_-

Vic

Mid

VSG

W,

i

CI c,.. r º br-3 ,y -s ly, xi vlýý

vln: YýYýS

QCG"

-ý::.

; ý`"; ,

vIn3 kti, t

^`'Y, ý QLG

ýý4

A do

tS VIA:

r Vie:

1 Z-

3ý

a-gti an

do-to 03

Äi-n r-r n

vio

YsC

vl�9

TO

TTrT P, CXWC pOCO a pow 1. Ton - no-. 5c of in - Sfi; º+c. - five wes - doºr in {in - SFJ kc iYnkS (1

EZLC-k 3. U(R. P U', - C0. G1 Dr0. 'Y1 A (Jý4ft Ot Tr0 - PI& JNPMP a+lfý

a nY

ýuW - Eons and Ichs 4kc fr * Ale

tus.

vl�Sums-

QCC

voc

-fir-l º

vln5

au "

VIC.

There was a military dream of society; its fundamental reference was not to the state of nature but to the meticulously subordinated cogs of a machine,

not to primal social contract but to permanent coercions, not to fundamental rights but to indefinitely progressive forms of training, not to the general will but to automatic docility...

As a technique of internal peace and order, [it] sought to implement the mechanism of the perfect army, of the disciplined mass, of the docile, useful troop.

Michel Foucault.

ný. ý.. ý..,,. d

;i

'ýNF

'«4"

less

7

7"

1: 4 -, --ý ý. de�Za

I ýa

i'sode 2:

CW�t ý. oýe .,.

n3.1 jJ; q, 'r c, 6t' . Parade

Of

f

j%- 64 Liraas wire&4lk/4W*idh. u 5is. Nov 95

n

Wit - "t ýwýýf zio 4h 12 Výh

Lj -p

CUM, pp

Score 5

String Soundscape

Backbone for string orchestra.

Written for the Philharmonia Orchestra "String Soundscape" education project.

Jackie Walduck 1995.

32

S Fn ivý so wn äsc claCL i- h(a (cl wr lc Nei , 199S ~r; t

ntf, cla. ýtcý1 ýý c) s ý. pP

(vhI

lam' ýý vs

;,, _; -

sý. 3 -. X6 ,-3-, 3 -, '3-" r- 3 -'

xJrF

Sob [I! bý solo lY ^

JIZ4 A r.? -a, -- ref fcf f, n.

t Space has Iw^ kft bth i 4hk {k t "Tut6 ° tos Lniv uhu. h 5" "csIti(niJ nna. u be, inserted.

A1.3 ýJ

Score 6

The Dark Box (of my shutting heart).

Backbone for clarinet in B-flat and vibraphone.

For Paul and Lisa Bendsza.

Jackie Walduck 1996.

34

Q (Frce time. )

3-f}ý yýaýün9 . Eack Pnasc nýf -ý sifcnceýihýi'ný

j -. - -e- .b -2f- -p -et- Z- be-- - --

-- v4_-- .-Fr 4F - -'- --ý. '- -` I- --p --_ -. --

ý1 -0"- Yu_y-_-v" vom'" ti'" y 'r -r" I'r ---r'. - - 'r

At

86 uar

rrr -

Dt. 1C u&h* tw1+ýd. tncrm inq ao ,fý, n .ý

ýrý

i /_ ý#Lw "V dI LIA-A W

JI-" YI I, 1 .

.IL -u- %

�t

a"; aýý

vibrr

(i".

^1ýM, i

, At

ribc eag

: 1"

E iltic d-"k Iici0

bbb =pr 0

1,, ) 12- L Aw 4. pl

W1 61, , "" I'r, - ý1

11 V -p P-P I r'i ll

v

ar-A-j

ý S:.

r'f,

il'

ý'\

GJ Wa*la. d.

F9

�'

Ltd

s S z

:: ===- 11 D*- -

ý x3 ýn ' Y3.

:ý :a `ýý

F

... :(

Yrý �ý. ý

; z.,; -, ý. ý , ", ý ýay

ýýS .. .Y

Score 7

Splatt!

Backbone for vibraphone and voice, originally realised as a film.

Jackie Walduck 1996.

40

5p I'A

\T ý t

ýuVJ

ti d y, ryi

C'r. a

I C. i..... \ -1/

i

CUnmGMT -Oa \T0 TOTS

.

r1ý -ý' n ý----I'

ears &r ova pe. 1%cr Xs c Mý) WW CIM C3, ¢, S wý wwcpl 5 &Pes aW S In

/1 N J I. -

51 -tt

,y ' "t.

A t-1 r. "t Cl Q

fi m"I

U, -ka sen, oV Suffee wi 000 BPaiu. ýa, ur ^r of c r. výv1 uzt. &A, 01 AA o)N practice 5? acc - jot +1J j iu we' U to J

t^ý avý su

"(t klnaývt p(m OK'. '' Caxf lnc't3, ' Kt, ok4Lth5,1i2 StGf k Srvýuýý býý+i¢d uworý

. -; A3 18STAVf

6tttime, Slow) _n

'. 3_V l

; ý, ýµi 41ýfQ ? ý. v

fiýý ;, ,.., ý. ý`

"'

) C-.

rßyZll .....

i4b twt altt11 OKI OK) OK. Suý. i1 .... '

I donýic ,.,

swe Thb wtasa4tro, -- SPLAT .

'-b '

acct .....

l�_p. n... _ __ ....

" . a. " i. i" -1-- L A7 Low'hrwlc

kKow far sins ona out, a ruei 1,, wajP, Cfahý -fly 4A3 MoSjt4 , wiU ct w fyrM Abe acavt , te Iaýr oar 3...

R F,,; x ný

fý, o

''r

vi s

Vac.

[cpi3 i

. 0- eh.

L )pfr4r! SnIAft! SDIAh' I) ptoA/.. /, lc /

11

Score 4a

Circus (Working score).

(Score used for rehearsals leading to the first performance Nov-Dec 1995).

Jackie Walduck, 1995.

45

Cº �'c, u S º" P&uh.

, r3 -1 r- s ---ý

V1L

JoL, ki IsJ4o4Ack/4. E. May. /'15

Wal -CAM lL tö 0,! e Gt - tlý 36O Tl a n. ýk -<st sl.. w en Earth

Wýun -Mýºvý - pek3 INI"m, li - ons, i-i' - gc rs, a- cro - b. ýfs ASfvvmJ yoH

A. ini A'-1 1 1-i fI dý ch[I _

p,. ýý9ht yow Asfinish 9fA ^;; ýý

u

X3

- . 0. -

4p

1) 'M! TrqmlF4mi-"4 1)

LU I -- . -<Lceý Poc- c- P-u V &C

, ILcc.

Viel cnrý ýD our Gf- tk 4+ehl (Wru'st x3 CN`u' lttlWk'3 r Tý, ý oýre. ýl - csE Sf ew ova E.. ýth

1

ýI x3 G . P. ýý x

- x3 SHIFNo- wtiuý 1ý, ý�n-ýeý5 s. wýd �y Rnd b'- onS a -gws w- cro -bwf5

r, rl

, ---- [fsntil drv f7

Cýrcýs JAc.. kac, k1a cLAOt/ yt. ýldk1N Gunst bk

Nw ('11 S- YOL

AGG

bass.

0

a -2c yoti., OL - stow. d you dc - li ý"t ? ýd>v - ý2ý ä+'fiýs

VIN

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VIK pp,

Vic

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0ae "'f' P Y4 Str. x4 wivid creep ivt X4_ 1(4

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On

Acc

VIC

W 4 , 14 .

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VIN

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ca a«) C

4.144 Idb Y, ý

las%£ -3-

vuctc1c fi x toi M C-m su-, b fc

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VIC

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i_ý 5elr . Mitk

VAC

VIC

4u4

viv%

cl. wf %,

vIh

ýI

r, i

lgý I-º, ,,:

ýx, `" ýaýý, tl , ̀ýa. ýaM ,- l« .

COO D Eb FGA

v4r, (lawns ý, L

v

-5--

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pwý

--ý. cklc rvalduckl U24 uldh, t(/ Enc(, 4 I

ýý .i '"Ton -n. yý of iv, sh'nc tin wºs-deny lh «n -iss( Twhk3 likt.

p

ý-- .QX3

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o. n f_ I-. L. 7, L L. 1, l ... i_ /r r

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32AN43 1B STAUE

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I.

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Q. Ln ýI

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