Chutikarn Ngamthura

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CHUTIKARN NGAMTHURA P O R T F O L I O

description

Chutikarn's portfolio

Transcript of Chutikarn Ngamthura

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C H U T I K A R NN G A M T H U R A

P O R T F O L I O

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CHUTIKARN NGAMTHURA

Bir

thda

y10

JU

LY 1

992

+66 0 909 700 [email protected]://facebook.com/mynddck

Contact

InterestsFashion,M

agazine Design,

Photography,Music,Vintage

SoftwareIllustratorPhotoshopInDesignAfter Effects

EducationCommunication

DesignSrinakharintwirot

Prasarnmit

Design MagazineFashion StylingGraphicLayoutCorperate Identity

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CHUTIKARN NGAMTHURA

Bir

thda

y10

JU

LY 1

992

+66 0 909 700 [email protected]://facebook.com/mynddck

Contact

InterestsFashion,M

agazine Design,

Photography,Music,Vintage

SoftwareIllustratorPhotoshopInDesignAfter Effects

EducationCommunication

DesignSrinakharintwirot

Prasarnmit

Design MagazineFashion StylingGraphicLayoutCorperate Identity

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MAGAZINE DESIGN

FASHION PHOTOGRAPHYAND FASHION STYLING

ILLUSTRATOR /PHOTOSHOP/AND AFTER EFFECTS

TYPOGRAPHY

CORPERATE IDENTITY

CONTENTS

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MAGAZINED E S I G N

S M T H I N GM A G A Z I N E

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Miniskirts

Andre Courreges in Paris

and Mary Quant in London

can both lay claim to the

invention of the mini skirt.

Hemlines started creep-

ing higher at the start of

the decade, but by 1965

they had risen to mid-thigh

and were to become even

shorter. Often worn with a

big belt hung loosely over

the hips, they were adopt-

ed by women across the

world, not just the young

and leggy. And are still as

popular today.

Graphic lines

Mini skirts, shift dresses

and short A-line coats were

all given the Op Art look as

fashion reflected the opti-

cal illusions of contempo-

rary artists. Thick and thin

stripes geometric checks

were used to create strong

graphic impact .

Psychedelia

By the middle of the 1960s

the emphasis had shifted

from London to America,

and more specifically to

the flower children of San

Francisco, with their anti-

Vietnam chants, long hair

and ragbag of utilitarian

and ethnic garments.

Brocade jeans, frilly

skirts, flower-print tunics,

Mao jackets and Indian

scarves became a street

style emulated by most

European designers.

Oversized sunglasses

Huge bug-eyed spec-

1960s

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the emphasis had shifted

from London to America,

and more specifically to

the flower children of San

Francisco, with their anti-

Vietnam chants, long hair

and ragbag of utilitarian

and ethnic garments.

Brocade jeans, frilly

skirts, flower-print tunics,

Mao jackets and Indian

scarves became a street

style emulated by most

European designers.

Oversized sunglasses

Huge bug-eyed spec-

tacles in shiny black or

white plastic were one of

the hottest accessories to

match Op Art and Space

Age styles. Perfectly

round and goggle-like,

they were worn more for

photographic styling and

celebrity ‘disguise’ than

for everyday street wear.

Shift dresses

The most popular shape

was an A-line shift that

fell in a clean triangular

line from shoulder to

mid-thigh. Big circular

pockets, cutaway arm-

holes and contrast edg-

ing around the neck,

hem and armholes were

defining features. Some

were designed to wear

over a skinny rib sweater

and ribbed tights during

the day, or to wear on

their own with heels in

the evening.

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FASHIONPHOTOGRAPHYANDFASHIONSTYLINGD E S I G N

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S P I R I T O F Y O U T H /G O N E W I L D /L I K E A V I N T I Q U E /L A C E I S M O R E /O P I S E X A P P E A L

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Model : Put PuttidaStylist : Chutikarn Ngamthura

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SPIRITOF

YOUTH

Model : Puttida ButsayaratStylist : Chutikarn Ngamthura

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SPIRITOF

YOUTH

Model : Puttida ButsayaratStylist : Chutikarn Ngamthura

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Model : Olga SovaStylist : Chutikarn Ngamthura

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Model : Jam KaroonisaStylist : Chutikarn Ngamthura

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Model : Bank TeeradakornStylist : Chutikarn Ngamthura

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S M T H I NGC E L E B R AT I N G T H E S P I R I T O F Y O U T H

G R A N D O P E N I N G1 5 - 1 0 - 2 0 1 2

AT R O YA L PA R A G O N H A L L 5 t h F L O O R .S I A M PA R A G O N T I M E : 1 8 . 3 0 - 2 2 . 0 0 P M

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S M T H I NGC E L E B R AT I N G T H E S P I R I T O F Y O U T H

G R A N D O P E N I N G1 5 - 1 0 - 2 0 1 2

AT R O YA L PA R A G O N H A L L 5 t h F L O O R .S I A M PA R A G O N T I M E : 1 8 . 3 0 - 2 2 . 0 0 P M

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ILLUSTRATORPHOTOSHOPANDAFTER EFFECTSD E S I G N

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M E TA M O R P H O S I S /T W I G G Y /C O R A G E /D O I A R N G K A N G /2 0 1 2 C A L E N D A R B O O K /T Y P O G R A P H Y /

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GONEW I L D

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TYPOGRAPHY

SENSE THAIตัวอักษรไทย 44 ตัว มาจากลายไทยทั้งสิ้น

โดยมีการตัดทอนบางส่วนออก

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CORPERATE IDENTITY

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WITHFAITHCOMESHOPE.

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