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Transcript of Chutikarn Ngamthura
C H U T I K A R NN G A M T H U R A
P O R T F O L I O
‘
”
CHUTIKARN NGAMTHURA
Bir
thda
y10
JU
LY 1
992
+66 0 909 700 [email protected]://facebook.com/mynddck
Contact
InterestsFashion,M
agazine Design,
Photography,Music,Vintage
SoftwareIllustratorPhotoshopInDesignAfter Effects
EducationCommunication
DesignSrinakharintwirot
Prasarnmit
Design MagazineFashion StylingGraphicLayoutCorperate Identity
CHUTIKARN NGAMTHURA
Bir
thda
y10
JU
LY 1
992
+66 0 909 700 [email protected]://facebook.com/mynddck
Contact
InterestsFashion,M
agazine Design,
Photography,Music,Vintage
SoftwareIllustratorPhotoshopInDesignAfter Effects
EducationCommunication
DesignSrinakharintwirot
Prasarnmit
Design MagazineFashion StylingGraphicLayoutCorperate Identity
MAGAZINE DESIGN
FASHION PHOTOGRAPHYAND FASHION STYLING
ILLUSTRATOR /PHOTOSHOP/AND AFTER EFFECTS
TYPOGRAPHY
CORPERATE IDENTITY
CONTENTS
00
MAGAZINED E S I G N
S M T H I N GM A G A Z I N E
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Miniskirts
Andre Courreges in Paris
and Mary Quant in London
can both lay claim to the
invention of the mini skirt.
Hemlines started creep-
ing higher at the start of
the decade, but by 1965
they had risen to mid-thigh
and were to become even
shorter. Often worn with a
big belt hung loosely over
the hips, they were adopt-
ed by women across the
world, not just the young
and leggy. And are still as
popular today.
Graphic lines
Mini skirts, shift dresses
and short A-line coats were
all given the Op Art look as
fashion reflected the opti-
cal illusions of contempo-
rary artists. Thick and thin
stripes geometric checks
were used to create strong
graphic impact .
Psychedelia
By the middle of the 1960s
the emphasis had shifted
from London to America,
and more specifically to
the flower children of San
Francisco, with their anti-
Vietnam chants, long hair
and ragbag of utilitarian
and ethnic garments.
Brocade jeans, frilly
skirts, flower-print tunics,
Mao jackets and Indian
scarves became a street
style emulated by most
European designers.
Oversized sunglasses
Huge bug-eyed spec-
1960s
23
the emphasis had shifted
from London to America,
and more specifically to
the flower children of San
Francisco, with their anti-
Vietnam chants, long hair
and ragbag of utilitarian
and ethnic garments.
Brocade jeans, frilly
skirts, flower-print tunics,
Mao jackets and Indian
scarves became a street
style emulated by most
European designers.
Oversized sunglasses
Huge bug-eyed spec-
tacles in shiny black or
white plastic were one of
the hottest accessories to
match Op Art and Space
Age styles. Perfectly
round and goggle-like,
they were worn more for
photographic styling and
celebrity ‘disguise’ than
for everyday street wear.
Shift dresses
The most popular shape
was an A-line shift that
fell in a clean triangular
line from shoulder to
mid-thigh. Big circular
pockets, cutaway arm-
holes and contrast edg-
ing around the neck,
hem and armholes were
defining features. Some
were designed to wear
over a skinny rib sweater
and ribbed tights during
the day, or to wear on
their own with heels in
the evening.
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FASHIONPHOTOGRAPHYANDFASHIONSTYLINGD E S I G N
S P I R I T O F Y O U T H /G O N E W I L D /L I K E A V I N T I Q U E /L A C E I S M O R E /O P I S E X A P P E A L
Model : Put PuttidaStylist : Chutikarn Ngamthura
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SPIRITOF
YOUTH
Model : Puttida ButsayaratStylist : Chutikarn Ngamthura
SPIRITOF
YOUTH
Model : Puttida ButsayaratStylist : Chutikarn Ngamthura
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Model : Olga SovaStylist : Chutikarn Ngamthura
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Model : Jam KaroonisaStylist : Chutikarn Ngamthura
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Model : Bank TeeradakornStylist : Chutikarn Ngamthura
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S M T H I NGC E L E B R AT I N G T H E S P I R I T O F Y O U T H
G R A N D O P E N I N G1 5 - 1 0 - 2 0 1 2
AT R O YA L PA R A G O N H A L L 5 t h F L O O R .S I A M PA R A G O N T I M E : 1 8 . 3 0 - 2 2 . 0 0 P M
39
S M T H I NGC E L E B R AT I N G T H E S P I R I T O F Y O U T H
G R A N D O P E N I N G1 5 - 1 0 - 2 0 1 2
AT R O YA L PA R A G O N H A L L 5 t h F L O O R .S I A M PA R A G O N T I M E : 1 8 . 3 0 - 2 2 . 0 0 P M
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ILLUSTRATORPHOTOSHOPANDAFTER EFFECTSD E S I G N
M E TA M O R P H O S I S /T W I G G Y /C O R A G E /D O I A R N G K A N G /2 0 1 2 C A L E N D A R B O O K /T Y P O G R A P H Y /
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GONEW I L D
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TYPOGRAPHY
SENSE THAIตัวอักษรไทย 44 ตัว มาจากลายไทยทั้งสิ้น
โดยมีการตัดทอนบางส่วนออก
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CORPERATE IDENTITY
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WITHFAITHCOMESHOPE.