CHRISTY · PDF fileChristy Moore Previously recorded ... Christy Moore It's a hoor, if you...

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  • CHRISTY MOORE

    THE BOX SET1964-2004

  • 1. Yellow TriangleChristy Moore

    Previously recorded on "Graffiti Tongue" in 1997. I was never happy with that rendition. Here I offer a better version withthe Companeros from a late night break inrecording. This song has travelled aroundthe world and I dedicate it to the latePhyllis McGee who inspired me to write it.

    C.M. - vocal and guitarDeclan Sinnott - guitarDonal Lunny - bodhrn

    2. Dunnes StoresAuthor Unknown

    This song describes the strike action takenby a small number of Dunnes Stores workers who refused to handle SouthAfrican goods in the Henry Street Dublinstore. Their action was taken in support ofthose oppressed South African workerswho called for an international boycott. I can recall their picket line standing coldand alone in an atmosphere of hostility andapathy in Dublin. While many Irish lookedthe other way, this act of anti-apartheid solidarity was recognised and appreciatedby South African workers and wasacclaimed by both Nelson Mandela andBishop Tutu.

    C.M. - vocal and guitarDonal Lunny - hammond keyboards bouzouki mandolin guitar bodhrn

    YELLOW

  • 3. They Never Came HomeChristy Moore

    I wanted to include this song. I could findno other version but this one from The PointTheatre Dublin in 1995. I offer it here forthose who failed to get a copy in 1986 when it was banned and withdrawn.

    C.M. - vocal and guitar

    4. Nuke PowerJim "Doc" Whelan

    After the first Anti-Nuclear Event in Carnsore Point 1978 I received this songfrom the writer, one of the small number oflocal people who stoutly opposed the ESBand Government plan to build a NuclearPower station at Carnsore. I recall the lateJim "Doc" Whelan's delight at his song being used as a weapon of opposition. This version was recorded in St. Patrick'sTraining College in Drumcondra in 1979.

    C.M. - vocal and guitar Jimmy Faulkner - guitar

    5. Who Cares? Christy Moore

    I can recalltheir picket linestanding coldand alone in anatmosphere ofhostility andapathy

  • 6. MullaghmoreChristy Moore

    I wrote the song for Donnacha Rynne whowas active in the campaign to saveMullaghmore from ruthless developers, and the gombeens who ride in their wake.This recording was made in Bath, Englandwhere I spent a memorable day playingmusic with Neil and Calum McColl. 30 years earlier I had the pleasure of performing with their parents Ewan andPeggy in London.

    C.M. - vocal and guitarNeil McColl - guitar and mandolin Callum McColl - psaltery whistle zither

    7. Hey! Ronnie ReaganJohn Maguire & Friends

    This song was sent to me by John Maguirewho wrote it with a group of friends inadvance of Ronnie and Nancy's visit to the Shamrock Shore. This version wasrecorded in the garden shed by LeoPearson in 1999. There was a bootleg of this song recorded in the town hall NewYork, which I have not been able to uncover at the time of going to print.

    C.M. - vocal and guitar

    8. St. Patrick's Dance in San FernandoColm Gallagher

    I met and heard Colm Gallagher in LosAngeles in 1987. He writes wonderfulsongs. His "Reel in the Flickering Light" is a classic and this gem captures moments in life seldom written about. It's like amovie for me. It is simple and it is huge.

    C.M. - vocal and guitar

  • 9. Tim EvansEwan McColl

    I learned this Ewan McColl song from the late Derek McEwan of Chadderton,Manchester in 1967. I recorded it in 1975and this version is from that time.

    C.M. - vocal and guitarDeclan McNelis - bassRobbie Brennan - drumsDonal Lunny - guitarKevin Burke - fiddleJimmy Faulkner - guitar

    10. Goose Green (Taking tea with Pinochet) Christy Moore

    Don't know when or where or how I came to write this. Found it in a copy one sleepless night and stuck it down on the old blaster.

    C.M. - vocal and guitar

    11. In Zurich Jim Page

    An outtake from the "Ride On" album of1985; this song came from the author of"Hiroshima, Nagasaki, Russian Roulette".Jim Page is at the forefront of Americansongs of Resistance these past threedecades, and he is still going strong. Hestill carries the torch passed on by Guthrie and holds it at the front line. His journey is never a safe one and it is always a joy tohear him. One of my favourite moments in2003 was when Donal Lunny and I joinedhim on stage at Whelans, Dublin for a hotset. Ride On Jim.

    C.M. - vocal and guitarDonal Lunny - bouzouki

    to save Mullaghmore from ruthless developers, and the gombeens whoride in their wake.

  • 12. The Powdered MilkBrigadeChristy Moore

    A sleepless night. Pick up the guitar.Press record on the blaster. It gets themind off the Heebies!

    C.M. - vocal and guitar

    13. Folk TaleLyric: Paula MeehanMusic: Christy Moore

    I particularly like this recording by NigelRolfe - at dawn between Hook and Crookout in his garden above the estuary. Themilk lorry passed up and the birds listenedcarefully. It was a beautiful moment. I recommend you to read the poems ofPaula Meehan.

    C.M. - vocal and guitar

    14. The Two Conneeleys Christy Moore / Wally Page

    Previously recorded on "King Puck". I like the atmosphere of this version from De Barras in Clonakilty during August 2003. I don't sing it often andwhen I do it can sometimes prove to be an emotional experience.

    C.M. - vocal and guitarDeclan Sinnott - spanish guitar

    and send you up a heap of goodvibes that sometimes would fill youwith a fierce unnatural energy,

  • 15. Don't Forget Your ShovelChristie Hennessy

    The Point Theatre, Dublin. This is what itwas like to stand before 7,000 people whoare out for a good night and want to hearyou play and send you up a heap of goodvibes that sometimes would fill you with afierce unnatural energy, jaysus ye'd be bollixed after it.

    C.M. - vocal and guitar

    16. Quiet DesperationFloyd Westerman

    I've offered this song on two previousalbums but for the sake of two minutes and fifty three seconds I want to includethis rendition from Theatre Royal, DruryLane, London in 1996. It illustrates an element of my work for which I have deepgratitude. To be part of a song that, forthree minutes, stills the night, quietens thecrowd, as together we deeply feel the loneliness imbued in the words of Floyd Westerman.

    Previously recorded on "Ordinary Man"1987 and "Live at Vicar Street" 2001.

    C.M. - vocal and guitarJimmy Faulkner - guitar

    jaysus ye'd be bollixedafter it.

  • 1. January Man Dave Goulder

    I know, I know! I've recorded it recentlyand also in the distant past, but I am convinced you will want to hear this particular version of Dave Goulder's timeless classic. Despite the fact that thereis a version of this on my last album I amconfident that you will agree with me andconsider this track worthy of inclusion. Ifyou disagree with me, well that's the sort ofthing that makes life interesting and I'll tryand make it up to you with the next box.

    C.M. - vocal and guitar Donal Lunny - keyboardDeclan Sinnott - guitar

    2. Poor Old Earth Samuel Beckett

    In 1974 I was staying with Tony and JanetRohr in Hammersmith, London. Very lateone night I heard Jack McGowran recitethis piece and for years afterwards itresounded in my head. I made numerousefforts to record these words in the 80'sand 90's until one night The Companerostook a run at it down in Kilkenny and itfeels good. God only knows what Beckettmakes of the outcome! Others, I'm sure,will be more forthcoming.

    C.M. - vocal Donal Lunny - bouzouki Declan Sinnott - guitar

    PINK

  • 3. Tippin' it uptrad. arr. Christy Moore

    The Boyle Fleadh Ceol in 1964. We werefull of it. A few van loads of short grassballadeers, out for sport and porter whenwe landed into Bridie Grehans pub wherethe music was epic. In the midst of all themayhem Mrs. Grehan called "order" andthe pub went quiet and this small man inthe corner began to sing. What followedchanged my life, for John Reilly carried"Lord Baker", "What Put the Blood" "RaggleTaggle Gipsy" "The Well Below The Valley"and "Tippin' it up" to us. These and a fewothers were saved before poor John passedaway. God knows what he might havetaken with him. John was a transporter ofour culture and we barely noticed him. Mygratitude to Bridie Grehan and to TomMunnelly. They cherished the beauty.

    C.M - vocal and bodhrn

    4. PoitnChristy Moore

    It's a hoor, if you get fond of it!

    C.M - vocal

    5. 1945Christy Moore

    Here is a song I wrote about growing up inNewbridge, Co. Kildare.

    C.M - vocal

    If you disagree with me,well that's the sort of thingthat makes life interesting

  • 6. Little Musgravearr. Christy Moore

    This is one of the big songs in my life.Here is a version from 27 years ago. Ifound the words scattered around the floorof an old auction room in 1973 - loosepages from a fallen book. I gathered themup on Liffey Walk and took them home toInchicore where I stuck them togetheragain and found this wonderful lyric. Sometime later I heard the melody elsewhere -(Nic Jones maybe) and married the two. I still love to sing this but don't often findthe right setting.

    Last Saturday night (11/10/'03) I performedit in The Hall in Lisdoonvarna with the original Planxty Band (our first gig since1982) and it was hypnotic. Once again Ifell under its spell.

    C.M. - vocal and guitarJimmy Faulkner - guitarDeclan McNelis - guitarDonal Lunny - bouzouki and keyboardKevin Burke - fiddleMichael O'Domhnaill - guitar

    7. Johnny Jump Uptrad. arr Christy Moore

    Me and Jimmy Crowley were doin' a worldtour in 1974. We hit Kealkill, Ballydehob,Sc