CHRISTIAN HINOJOSA PORTFOLIO SHEETS 1-28

951/775 5345 - [email protected] Hinojosa

Portfolio

Interior Architecture

Christian Hinojosa

RESUME STUDIOS II - IV MASTER’S PROJECT OTHER

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Riverside County Planning Department, California

Project Urban Regional Planner III

Reviewed and commented on formal applications, develop-

ment proposals, site plans, specific plans, and applications for

compliance with appropriate regulations and policies.

Assessed and commented of environmental documents such

as environmental assessments, environmental impact re-

ports and EIR and/or SP resolutions.

Prepared and coordinated of large land use projects and

subdivisions environmental impact report documents such as

initial studies, notice of preparations, notice of completions

and notice of determinations.

Answered routine public inquiries regarding zoning ordinanc-

es, laws, regulations, policies, and procedures governing land

use and transportation planning development.

Prepared staff reports and presented to Planning Commis-

sion and Board of Supervisors related to Land Use Plans,

Parcel and Tract Maps, Change of Zones, General Plan

Amendments and other Planning related cases.

Analyzed existing plans and identified deficiencies in policy or

legal authority.

Case management of projects and applications.

Prepared and reviewed Standard Operating Procedures

(SOP’s) for various tasks within the department.

Provided management & mentoring to Planning Assistant staff.

PROFESSIONAL EXPERIENCE

Joan Behnke & Associates, Beverly Hills, California

Interior Architecture Intern

Engaged in the day-to-day operation of the design firm.

Assisted designers with organizing for projects, conceptual

imagery and research.

Hand sketched floor plans, space planning and details.

University of California, Los Angeles, California

Teaching Assistant

Teaching Assistant for Elements of Design I & Design Com-

munication I in the Architecture & Interior Design Program.

Work focused on the development of perceptual skills, sensi-

tivity, creative awareness, and the technical ability necessary

to handle a variety of design media.

EDUCATION

Master of Interior Architecture, UCLA/CalPoly Pomona, Los

Angeles, California

Bachelor of Science in Urban and Regional Planning, CalPoly

Pomona, California

Associates of Arts, Riverside Community College, Riverside,

California

TECHNICAL & DESIGN EXPERIERENCE

Software proficiency in AutoCAD, SketchUp/SU Po-dium,

Revit/BIM, Adobe Creative Suite, and Microsoft Office.

Proficient in physical model building and product or material

research.

Fluency in Spanish.

Natural problem solving skills that create both practical and

agreeable solutions.

Excellent verbal and written communication skills.

Strong skills for teamwork and coordinating individual efforts

to achieve group goals with a broad range of audiences in-

cluding architects, engineers, applicants, regulatory agencies,

and the public.

Strong project management and organizational skills.

ACTIVITIES AND HONORS

Member Representative, Society of Interior Designers (ASID),

Los Angeles

Representative, American Planning Student Association

(APSA), Cal Poly Pomona

Member Representative, American Planning Association

(APA)

Toastmasters International, Inland Empire Chapter

CIDA Accreditation Site Visit, UCLA/CalPoly Pomona, con-

tributed 6 project examples

Presidents List, Cal Poly Pomona

Deans List, Cal Poly Pomona

Traveled to Spain, Canada, Nicaragua, Mexico, and most of

the continental U.S.

Summer 2015

Sp/F 2014

July 2005-12

Spring 2016

Spring 2005

Spring 2002

April 2013

to Present

Spring 2003

– Fall 2004

Spring 2005

– June 2013

Fall 2008/09

May 2014

Spring 2005

F 02 – W 05

My education and experience have proven

that I am a self-managing and a high-performing

problem solver with a passion for design quality,

complexity and detail. During the 7 years in urban

planning and the 3 1/2 years in the Master of

Interior Architecture Program, I processed and

produced several projects, ranging from residential

/commercial adaptive reuses, to large mixed-use

projects under a rigorous and fast paced schedule.

These included working

directly with clients,

consultants, govern-

ment officials, and

other professionals.

As a committed

team player, responsibilities

were to make sure my team was on track and met

milestones with a collaborative group dynamic. My

experiences include a broad range of design

and management software including AutoCAD,

SketchUp/SU Podium, Revit, Adobe Creative Suite

and Microsoft Office. As you will see from my

resume and portfolio, I have built my career from a

variety of industries and roles; I am continuously

adapting to different environments; where I take on

multiple responsibilities. I am thrilled by the possibili-

ties of being part of a team devoted to designs

shaping the human experience.

Spring 2003 – Fall 2004

ECKHART TOLLE ESSENCE BOARD

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SPACE ANALYSIS

A contemporary modern style with its geometric forms, smooth surfaces, & the use of material will provide a natu-ral sense of place. The client requests for open spaces for large group meet-ings and to allow more natural light in. The use of natural materials and earth tone colors will provide harmonious sp-aces and variation. The expansion of windows & the addition of skylights will allow additional natural light and the po-tential for scenic exterior views. The ad-dition of mirrors throughout the spaces will give the illusion of bigger spaces & assist in providing additional lighting. The design will approach to sustainabi-lity, & will provide a warm, quiet, bright, spacious, balanced, minimal, functional, & comfortable space to both guest & client.

CLIENT PROFILE

Eckhart Tolle is a 66 year old successful spiritual author of the modern age. Tolle is a German-born resident of Canada, best known as the author of The Power of Now & A New Earth. Eckhart is a very humb-le, and a self confessed “reserved” per-son, who loves being in solitude. He lov-es nature and is known to recommend nature as the greatest spiritual teach-er. He believes one "could develop org-anically.”

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FLOOR PLAN & RCP DEVELOPMENT

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CONSCIOUSLY MADE FURNITURE - BIODEGRADABLE SOLUTIONS FOR ANY SPACE

The design concept will incorporate the “cube,” a polygon, at a human size scale and a subtle disintegration theme aesthetic. The concept will achieve a contem-porary organic/modern style with its geometric and organic forms, plywood and/or OSB surfaces, and the use of exposed materials to provide a clean, organiz-ed, and natural sense of place. The use of reclaimed and exposed materials, and using earth tone colors will achieve the client’s requirements. The design will app-roach to sustainability in topics such as equity, economy, and ecology as the foun-dation for a well designed, green project.D

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VIEW LOOKING INTO EMPLOYEE LOUNGE

STUDIO IV: COMMERCIAL

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MIXED-USE RETAIL - FARMERS MARKET & CAFE

The client, Organic Crate, is a company that specializes in the sales of organic and natural foods. A place for local fa-rmers to sell their seasonal crops directly to customers. Organic Crate is the grocery shopping experience that ma-kes healthy living easy and affordable. The stores offer fre-sh, natural and organic foods and products at affordable prices.The business will operate during regular retail hours and consists of approximately 20 employees. The client ac-quired the subject property for its ideal location in a med-ium high-density transitional urban area where pedestrian traffic is not an issue. The company’s main goal is to achi-eve revenue sales, provide a sense of place where people can shop & meet in a harmonious environment to aid from the bustling street and transitional neighborhood.

DESIGN CONCEPT

The design concept will incorporate the “wood crate” and a subtle rustic theme aesthetic. The concept will achieve a contemporary rustic style with its geometric & organic forms, plywood and/or OSB surfaces, and the use of exp-osed materials to provide a clean, organized, and natural

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sense of place. The use of reclaimed and exposed materials, and using earth tone colors will achieve the client’s requirem-ents. The design will approach to sustainability in topics such as equity, economy, and ecology as the foundation for a well designed green project.

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PRODUCTIVE PLANT SYSTEMS

Plants are not only a key to the global ecosystem, but are also crucial to human health. Through "integrated site design," a comprehensive

approach to sustainable building and site design, sustainable commercial landscape architecture practices can not only improve water &

energy efficiency, but also use plants to eliminate chemical fertilizers, produce food onsite, and provide clean air.

Benefits of Plant Systems:

Adding indoor plants to improve air quality and human productivity.

Creating commercial composting systems for efficient waste removal.

Using plants as food sources within a commercial site . For example, the hydroponic-farming system grows plants in rotating rows, one on

top of another. The rotation gives the plants the precise amount of light and nutrients they need, while the vertical stacking enables the use

of far less water than conventional farming. By growing upward instead of outward, vertical farming can expand food supplies without using

more land.

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PROJECT SITE

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UP

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152.6°117.0°

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4. “TYP.” SHALL MEAN THAT THE CONDITION IS REPRESENTATIVE FOR SIMILAR CONDITIONS THROUGHOUT. UNLESS OTHERWISE NOTED, DETAILS ARE USUALLY KEYED AND NOTED “TYP” ONLY ONCE WHEN THEY FIRST OCCUR.

5. “SIM.” SHALL MEAN COMPARABLE CHARACTERISTICS FOR THE CONFITIONS NOTED. VERIFY DIMENSIONS AND ORIENTATION ON PLANS AND ELEVATIONS.

6. WOOD DOORS SHALL BE UNDERCUT AS REQUIRED TO CLEAR FINISH FLOOR OR THRESHOLD BY ¼”. ALL FIRE RATED DOORS SHALL BE ORDERED SO AS TO CLEAR FINISH FLOOR OR THRESHOLD BY ¼” (UNDERCUTTING NOT ALLOWED.).

modernLUX

5317 Noble StreetRiverside, CA 92508951 775 5345 [email protected]

CHRISTIAN HINOJOSA

THE ATRIUM

ARTIST-IN-RESIDENCE COMMUNITY

3834 MAIN ST.RIVERSIDE, CA 92501

CONSTRUCTION PLAN

DRAWN BY :

FERNANDO DE MORAES

INSTRUCTOR :

PROJECT INFORMATION :

DRAWING TITLE :

design studio

UCLA/CPP MASTERS PROJECT

INTERIORARCHITECTUREDOCUMENTS

SPRING 2016

COURSE :

SHEET #

SCALE :

06/13/16DATE :

8 OF 19

1/8" = 1'-0"

SCALE: 1/8" = 1'-0"

CONSTRUCTION PLAN

2x4 WOOD STUDS @ 16" O.C. PARTITION TYPE C-WALL

EXISTING MASONRY WALL TO REMAIN TYPE A-WALLLED

FIXED GLAZED PANELS TYPE E-WALL

2x8 WOOD STUDS @ 16" O.C. PARTITION TYPE B-WALL (AT INTERIOR PLUMBING WALLS)

GENERAL NOTES

1. DIMENSIONS SHOWN ON PLANS ARE TO FACE OF FINISH OR TO GRID LINES, UNLESS OTHERWISE NOTED OR DETAILED. DOORS NOT DIMENSIONED ON THE PLANS ARE 4” TO INSUDE EDGE OF JAMBS, UNLESS OTHERWISE NOTED. WRITTEN DIMENSIONS TAKE PRECEDENCE. DO NOT SCALE DRAWINGS. IN CASE OF CONFLICT, NOTIFY DESIGNER.

2. CONTRACTOR SHALL MARK PARTITION AND DOOR LOCATIONS FOR REVIEW BY DESIGNER PRIOR TO INSTALLATION. REVIEW WILL BE FOR DESIGN INTENT. SUB-CONTRACTOR SHALL COORDINATE AND VERIFY ALL DIMENSIONS TO ENSURE PROPER FIT.

3. ALL NEW FINISHES ARE TO ALIGH FLUSH WITHOUT EVIDENCE OF ADDITION. “ALIGN”, AS USED IN THESE DOCUMENTS SHALL MEAN TO ACCURATELY LOCATE FINISH FACES IN THE SAME PLANE.

ONE HOUR RATED CONCRETE MASONRY WALL TYPE D-WALL

WALL LEGEND

A

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WORK SPACE

OPEN TO ABOVE

LINE OF CEILING ABOVE

OPEN TO ABOVE

OPEN TO ABOVE

116

WORK SPACE

CHANGE IN MATERIALREFER TO FLOORFINISH PLAN

TYP.

TYP.

TYP.

TYP.

TYP.

TYP.

TYP.

118

WOMEN106

MEN105

NEW ATRIUM

SEATING/EXHIBITIONPEDESTAL

SEATING/EXHIBITIONPEDESTAL

117

EXISTING ATRIUM108

ENTRY101

RECEPTION103

EXHIBITION104

EXHIBITION107

EXHIBITION111

EXHIBITION110

LOADING/UNLOADING

119

EXHIBITION112

EXHIBITION113

WINDOW DISPLAY

102

WINDOW DISPLAY

114

MOUNUMENTAL SEATING UNIT

W/ STAIR, STAGE, & STORAGE

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0' 4' 8' 16' 32'

4" LED SPOTLIGHT

TRACK FOR LED SPOT LIGHT

6" LED RECESSED DOWNLIGHT

WALL-MOUNTED LED SPOTLIGHT

2” RECTILINEAR LED

LINEAR LED

LED SURFACE MOUNTED PANEL

LED PENDANT FIXTURE

12" x 12" SUPPLY DIFFUSER

12" x 12" RETURN DIFFUSER

3" SURFACE MOUNTED LED

SUPPLY FLOW BAR DIFFUSER

RETURN FLOW BAR DIFFUSER

DIMMABLE SINGLE SWITCH

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DIMMABLE 3-WAY SWITCH

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4'-9" 3'-8"4'-5"

5'-5" 4'-6" 6'-10" 4'-6" 6'-11" 4'-6" 6'-10" 4'-6" 9'-2" 31'-7" 4'-6" 6'-10" 4'-6"

13'-1" 4'-6" 22'-9" 4'-6" 6'-10" 4'-6" 13'-10" 19'-8" 20'-2" 8'-7" 4'-6"

modernLUX

5317 Noble Street

Riverside, CA 92508

951 775 5345

[email protected]

CHRISTIAN

HINOJOSA

THE ATRIUM

ARTIST-IN-

RESIDENCE

COMMUNITY

3834 MAIN ST.

RIVERSIDE, CA

92501

REFLECTED

CEILING PLAN

DRAWN BY :

FERNANDO

DE MORAES

INSTRUCTOR :


DRAWING TITLE :

design studio

UCLA/CPP

MASTERS

PROJECT

INTERIOR

ARCHITECTURE

DOCUMENTS

SPRING 2016

COURSE :

SHEET #

SCALE :

06/13/16

DATE :

9 OF 19

1/8" = 1'-0"

SCALE: 1/8" = 1'-0"

REFLECTED CEILING PLAN

GENERAL NOTES

1. ALL CEILING HEIGHTS INDIATED ON PLANS ARE FROM TOP OF FINISH FLOOR TO

UNDERSIDE OF FINISH CEILING U.O.N.

2. REFER TO MECHANICAL DRAWINGS FOR LOCATIONS AND TYPE OF ALL DIFFUSERS,

DUCTS, RETURN AIR FRILLES, SPRINKLERS AND ANY ADDITIONAL MECHANICAL EQUIPMENT.

3. REFER TO ELECTRICAL DRAWINGS FOR EXACT NUMBER AND TYPE OF LIGHT FIXTURES

TO BE PROVIDED. NOTIFY DESIGNER SHOUD ANY DISCREPANCIES OCCUR.

4. FACTORY PRIMED ITEMS OCCUR, SUCH AS GRILLES, DIFFUSERS, METAL TRIM AND

ACCESSORIES, ETC., THEY SHALL BE PAINTED TO MATCH THE ADJACENT SURFACE.

5. SUBSTITUTIONS TO HVAC GRILLED AND REGISTERS, AND ANY OTHER ITEMS VISIBLE IN

CEILING OR IN EXPOSED PUBLIC AREAS SHALL BE SUBMITTED OT DESIGNER FOR APPROVAL

PRIOR TO PURCHASE.

6. THERE SHALL BE NO EXPOSED PIPES, CONDUITS, DUCTS, VENTS, ETC., IN PUBLIC AREAS.

ALL SUCH LINES ARE TO BE CONCEALED OR FURRED AND FINISHED.

7. EXTEND SOFFIT FRAMING TO STRUCTURE ABOVE, AND DIAGONALLY BRACE AS REQUIRED.

8. SPRINKLE HEADS TO BE FLUCH CONCEALED TYPE WITH WHITE COVERS IN GYP. BD. AREAS.

COLOR TO MATCH GYP. BD. FINISH.

9. SPRINKLER HEADS TO BE CENTERED IN ACOUSTICAL TILE PANELS OR ALIGNED WITH LIGHT

FIXTURES.

10. SPRINKLER SYSTEM TO BE APPROVED BY PLUMBING DIVISION PRIOR TO INSTALLATION.

11. PROVIDE ACCESS PANELS AT POINTS WHERE MECHANICAL AND ELECTRICAL EQUIPMENT IS

CONCEALED BY GYP. BD. CEILING.

12. WHERE TRACK LIGHTING OCCURS IN FRONT OF DISPLAY FIXTURES, IT SHALL BE CENTERED

ON DISPLAY FIXTURES, U.O.N.

WORK

SPACE

OPEN TO ABOVE

OPEN TO ABOVE

OPEN TO ABOVE

116

WORK

SPACE

TYP.

TYP. TYP.TYP.

TYP.

TYP.

TYP.

TYP.

TYP.

TYP.

TYP.

TYP.

TYP.

TYP.

TYP.

TYP.

TYP.

TYP.TYP.

TYP.TYP.

118

WOMEN

106

MEN

105

NEW ATRIUM

117

EXISTING ATRIUM

108

ENTRY

101

RECEPTION

a b

c

c c

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d d

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a

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103

EXHIBITION

104EXHIBITION

107

EXHIBITION

LED COVE LIGHTING

111

EXHIBITION

110

LOADING/

UNLOADING

119

EXHIBITION

113

WINDOW

DISPLAY

102

WINDOW

DISP.

114

MOUNUMENTAL

SEATING UNIT

W/ STAIR, STAGE,

& STORAGE

109

A

13

B

14

LIGHTING SYMBOL LEGEND HVAC LEGEND

12’-0”

GYP. BD

P-1

10’-0”

GYP. BD

P-3

13’-0”

WOOD

WS-1

12’-0”

GYP. BD

P-1

12’-0”

GYP. BD

P-2

31’-0”

GYP. BD

P-4

31’-0”

GYP. BD

P-4

31’-0”

GYP. BD

P-4

31’-0”

GYP. BD

P-4

LINEAR LED (L-1)

DIMMABLE SINGLE SWITCH

DIMMABLE 3-WAY SWITCH

FIRE ALARM LOCATION TO BE

DETERMINED BY CONSULTANT

FIRE SPRINKLER LOCATION TO BE

DETERMINED BY CONSULTANT

LED SURFACE MOUNTED PANEL (L-3)

LED PENDANT FIXTURE (L-2) TRACK FOR LED SPOT LIGHT (L-6)

3” SURFACE MOUNTED LED (L-4)

SUPPLY FLOW BAR DIFFUSER

RETURN FLOW BAR DIFFUSER2” RECTILINEAR LED (L-9)

WALL-MOUNTED LED SPOTLIGHT (L-7)

12”x12” SUPPLY DIFFUSER

12”x12” RETURN DIFFUSER

6” LED RECESSED DOWNLIGHT (L-8)

4” LED SPOTLIGHT (L-5)

OPEN TO

ABOVE

EXHIBITION

112

LED COVE LIGHTING (L-10)18

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3"7'

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7"

2"

4'-2

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3'-6

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3"3"

1'-0

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2'-6

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8"2'-1"

8'-1

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3'-6

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1'-1

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8"2'-1"

8"4"

2'-1

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2"2"

7"

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2"2"

2"2"

2'-7

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1"2"

1"

4"

1"1"

1"

7"

1" 1"

3"

2" 1"

3" 1"1'

-8"

1"

1"

2" 2"

1"

4"

1"

1"

1"1"

0"

2"

1" 1"

2"

1"

1"2"

2"2"

5"

2"

2"

1"1"

7"

1"1"

2"5"

1"2"

2" 1"

3" 1"

1"

1"

2"

2"

2"

STAIR SECTION

LOBBY DESK ADA SECTION

SECTIONSAND DETAILS

modernLUX

5317 Noble StreetRiverside, CA 92508951 775 5345 [email protected]

CHRISTIAN HINOJOSA

THE ATRIUM

ARTIST-IN-RESIDENCE COMMUNITY

3834 MAIN ST.RIVERSIDE, CA 92501

DRAWN BY :

FERNANDO DE MORAES

INSTRUCTOR :


DRAWING TITLE :

design studio

UCLA/CPP MASTERS PROJECT

INTERIORARCHITECTUREDOCUMENTS

SPRING 2016

COURSE :

SHEET #

SCALE :

06/13/16

DATE :

17 OF 19

N/A

D1--

SCALE: 1" = 1'-0"

ELEVATOR WALL SECTION

SCALE: 1" = 1'-0"

LOBBY DESK SECTION ABSCALE: 1 1/2" = 1'-0"

STAIR DETAILSD

SCALE: 1 1/2" = 1'-0"D1

ELEVATOR DETAILSCALE: 3" = 1'-0"

A1ELEVATOR DETAIL

SCALE: 1 1/2" = 1'-0"A3

ELEVATOR DETAILSCALE: 6" = 1'-0"

A2

LOBBY DESK DETAILSCALE: 6" = 1'-0"

B3


B2


B4


B1

ELEVATOR THRESHOLD SCALE: 3" = 1'-0"

U

SCALE: 1" = 1'-0"C

A1--

B2--

B3--

B4--

B1--

B2--

B3--

B4--

A2--

A3--

8 1/2” x 7’-3” DRIFTEDWOOD PLANKS

FC-4

MONARCHALUMINUMZ CLIPS

HD-1


HD-1


HD-1

STL-2SATIN STAINLESS STEEL BASE

8 1/2” x 7’-3” DRIFTED WOOD PLANKS

FC-4

STL-2SATIN STAINLESS STEEL ROUND HANDRAIL

STL-2SATIN STAINLESS STEEL GLASSPEDESTAL



STL-2SATIN STAINLESS STEEL GLASS PEDESTAL


STL-2SATIN STAINLESS STEEL REVEAL

CAB SHELLBY OTHERS

CAB SHELLBY OTHERS

CAB SHELLBY OTHERS

WC-1RAISED LAMINATEPANEL




L-10

WS-1

STL-1SATIN STAINLESS STEEL SUSPENDED CEILING PANEL

STL-1

P-5

SATIN STAINLESS STEEL SUSPENDED CEILING PANEL

STL-1STAINLESS STEEL CEILING PANEL

STL-1STAINLESS STEEL CEILING PANEL

LED COVE LIGHTING

L-10LED COVE LIGHTING

GLOSS PAINTFINISH

THRESHOLD

ALIGNFINISHED

FLOOR

TH-03

STL-2SATIN STAINLESS STEEL DOORS

LIGHT POLISHED CONCRETE

FC-1

LIGHT POLISHED CONCRETEFILLED METALPAN STAIR TREAD

LIGHT POLISHED CONCRETEFILLED METALPAN STAIR TREAD

METALPLATE STAIR RISER

STEELANGLEWELDEDTO STRINGER STEEL

ANGLEWELDEDTO STRINGER

SAFETYNOSINGTYPICAL

FC-1 FC-1

2 X 7 DOUBLE PLATE

2 X 7 SILL PLATE

2 X 7 SILL PLATE

PLYWOOD FRAMING

PLYWOOD FRAMING

PLYWOOD FRAMING

PLYWOOD FRAMING

PLYWOOD FRAMING

DRAWERSIDE PANEL

WHITE BRUSHED OAK WOOD FACE FRAME

WS-1WHITE BRUSHED OAK WOOD FACE FRAME







VT-1LIGHT GREY PLASTIC LAMINATE MDF COUNTER




VT-2ASH WHITE RECYCLEDGLASS COUNTER

VT-2ASH WHITE RECYCLEDGLASS COUNTER

VT-2ASH WHITE RECYCLEDGLASS COUNTERVT-2

ASH WHITE RECYCLEDGLASS COUNTER


MD-1SMOOTH GALVANIZED STEEL MDF STUMP

MD-1SMOOTH GALVANIZED STEEL




WS-1WHITE BRUSHED OAK WOOD DESK EDGE



WOOD DESK PANEL

ELEVATOR CAB (MOVING) LEVEL ONE (STATIONARY)

ELEVATOR CAB SUBFLOOR LEVEL ONE SUBFLOOR

SHIM

MDF STUMP

MDF STUMP

1/8”

WC-5GLAZED PANELS

WC-5GLAZED PANELS

STL-3

STL-4STEEL PLATE STRINGER

SATIN STAINLESS STEEL 1 1/2” DIA. HANDRAIL STANCHION

STL-3SATIN STAINLESS STEEL 1 1/2” DIA. HANDRAIL STANCHION



STL-3SATIN STAINLESS STEEL ROUND GUARD RAIL

STL-3SATIN STAINLESS STEEL ROUND GUARD RAIL

B1--

1/8”

19

MA

STE

R’S

PR

OJE

CT

DO

CU

MEN

TS

ELEM

ENTS

OF

DES

IGN

II

21

4” x 6” INDEX CARDS MODULAR DESIGN

MODULAR DESIGN INTEGRATED WITH SECONDARY MATERIAL ABSTRACT SCULPTURE

SECONDARY MATERIAL & DEVELOPMENT PROCESS

ELEM

ENTS

OF

DES

IGN

II

22TWO FREESTANDING ABSTRACT SCULPTURES EACH CONSTRUCTED FROM ONE CONTIGUOUS SHEET OF 9"X12" 3 PLY BRISTOL BOARD WITH NOTHING REMOVED

ELEM

ENTS

OF

DES

IGN

II

23

The Active Adult Living, modern condo-miniums 55+, is a multiuse development in the desert that accommodates the cur-rent high demand of senior housing. The de-velopment includes parking spaces with light-ing, landscape and adequate circulation, and a trail with exceptional views that includes a bridge and seating. The complex includes a re-sidential tower, a main lobby, and a multiuse re-creational bridge that connects the greenhouse and the main lobby. The design concept was ins-pired by modern architecture such as the Olympic Bird's Nest Stadium in Beijing, China, a library’s fa-çade in Guadalajara, Mexico, and other modern ar-chitecture in Guadalajara.

ELEM

ENTS

OF

DES

IGN

II

24VIEWS LOOKING INTO THE ACTIVE ADULT LIVING 1/8” SCALE MODEL

STU

DIO

II: R

ESID

ENTI

AL

25 ATRIUM CONCEPTUAL MODELVIEWS OF CONCEPTUAL MODEL

STU

DIO

III &

LIG

HTI

NG

DES

IGN

26 DECONSTRUCTED PLASTIC WALL CLOCK LIGHTING FIXTURE VIEW LOOKING INTO STUDIO III FINAL PROJECT MODEL

OVERALL VIEW LOOKING INTO STUDIO III FINAL PROJECT MODEL

AR

CH

ITEC

TUR

E &

INTE

RIO

RS

PH

OTO

GR

AP

HY

27

C H R I S T I A N H I N O J O S A

C O M M E R C I A L I N T E R I O R SP R O J E C T M A N A G E M E N T

U R B A N P L A N N I N GA R C H I T E C T U R E

C H I N O J 0 S A 5 3 @ G M A I L .C O M 9 5 1 7 7 5 5 3 4 5

Inspired by the natural environment and my master’s project thesis The Atrium, an artist-in-residence community or artist retreat, the Tree Pyramid Retreat provides a habitat for the natural spirit that exists in all of us. Symbolizing bigger consciousness of strength and energy, the pyramid can be used for mystic ex0periences.

Combining triangular clean white walls w/ partnering glass windows and a 10’ x 10’ open plan, the pyramid brings an ancient building typology to modern camping architecture. The simple geometric shape creates a clean aesthetic, while remaining eye-catching due to its iconic form. The structure can be hand-crafted from fiberglass and locally sourced wood. It could accommodate up to 4 people, and can be capable of accepting an electrical line for electricity and heating. A web like support system can ensure that the pyramid stays stable, and can be reached by spiral staircases that can wound around the tree trunk.

Z F O L D T R E E S E C T I O NT O I N S E R T TO O T H E R

S C A L E : 1/16" = 1' - 0"

A T R E E P Y R A M I D R E T R E A T

A T R

E E

P Y R

A M

I D R

E T R

E A T

C H R

I S T

I A N

H I N

O J

O S A

C H I N

O J

0 S A

5 3

@ G

M A

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C H R

I S T

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A

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A I

L .C

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A T R

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P Y R

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E T R

E A T

C H R I S T I A N H I N O J O S A



C H I N O J 0 S A 5 3 @ G M A I L .C O M 9 5 1 7 7 5 5 3 4 5

Inspired by the natural environment and my master’s project thesis The Atrium, an artist-in-residence community or artist retreat, the Tree Pyramid Retreat provides a habitat for the natural spirit that exists in all of us. Symbolizing bigger consciousness of strength and energy, the pyramid can be used for mystic ex0periences.

Combining triangular clean white walls w/ partnering glass windows and a 10’ x 10’ open plan, the pyramid brings an ancient building typology to modern camping architecture. The simple geometric shape creates a clean aesthetic, while remaining eye-catching due to its iconic form. The structure can be hand-crafted from fiberglass and locally sourced wood. It could accommodate up to 4 people, and can be capable of accepting an electrical line for electricity and heating. A web like support system can ensure that the pyramid stays stable, and can be reached by spiral staircases that can wound around the tree trunk.

Z F O L D T R E E S E C T I O NT O I N S E R T TO O T H E R

S C A L E : 1/16" = 1' - 0"

A T R E E P Y R A M I D R E T R E A T

A T R

E E

P Y R

A M

I D R

E T R

E A T

C H R

I S T

I A N

H I N

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C H I N

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16

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CHRISTIAN H

INOJO

SA

CHINOJO

SA53@GMAIL.

COM

951/775 5345

CHRISTIAN HINOJOSA

[email protected]

951/775 5345

SC

ALE: 1

/1

6

C H R I S T I A NH I N O J O S A



951/775 5345 --- [email protected]

CHRISTIAN HINOJOSA

[email protected]

951/775 5345

CHRISTIAN HINOJOSA

[email protected]

951/775 5345

SC

ALE: 1

/1

6

C H R I S T I A NH I N O J O S A



951/775 5345 --- [email protected]

CHRISTIAN HINOJOSA

[email protected]

951/775 5345

CH

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HIN

OJO

SA

CH

INO

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CHRISTIAN HINOJOSA

[email protected]

951/775 5345

CH

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CO

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CA

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FIN

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CA

RD

MODEL CARDINSPIRATIONS

CHRISTIAN HINOJOSA PORTFOLIO SHEETS 1-28

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Transcript of CHRISTIAN HINOJOSA PORTFOLIO SHEETS 1-28