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EIGHT CONCERT SERIES19 OCTOBER 2011 16 MAY 2012

EIGHT CONCERT SERIES19 OCTOBER 2011 16 MAY 2012

Choral atCadogan

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Ch ral atCad gan

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Contents4 TheTallisScholars

Magnificat

6 TheWellensianConsortBlessedCecilia

8 TheArmonicoConsortAGermanChristmasStory

10 TheChoirofStJohnsCollege,CambridgeWhatSweeterMusic?

12 TheEricWhitacreSingersInspirations

14 NewYorkPolyphonyTudorCity

16 ExCathedraBach:ABeautifulMind

18 TheTallisScholarsFieldoftheClothofGold

ChoralatCadoganisdelightedonceagainto

presentsomeofthebestnamesinchoralsingingtoday.Highlights

willincludeExCathedrapresentingacompleteprogrammeofBach,

includingarareopportunitytohearsomeofhismotetssungoneortwotoapart.In-the-newscomposerEric

Whitacreisrepresentedbothinaneveningconductinghismusic,sungbyhisowngrouptheEricWhitacreSingers,andintheprogrammegivenbytheWellensianConsort,winnersofChoiroftheYear2010.UpcomingconsortNewYorkPolyphonywillgiveanexcitinglybalancedsequenceofmasterpiecesnextMarch,whilethechoirofStJohnsCollegeCambridge,celebratingtheColleges500thanniversary,capturethespiritoftheChristmasseason.AndagainTheTallisScholarswillopenandclosetheseasonwithsomespeciallyselectedrenaissancegems,familiarandunfamiliar.IlookforwardtoseeingyouattheHallduringourseason!

Peter Phillips,ArtisticDirector

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Contents4 TheTallisScholars

Magnificat

6 TheWellensianConsortBlessedCecilia

8 TheArmonicoConsortAGermanChristmasStory

10 TheChoirofStJohnsCollege,CambridgeWhatSweeterMusic?

12 TheEricWhitacreSingersInspirations

14 NewYorkPolyphonyTudorCity

16 ExCathedraBach:ABeautifulMind

18 TheTallisScholarsFieldoftheClothofGold

ChoralatCadoganisdelightedonceagainto

presentsomeofthebestnamesinchoralsingingtoday.Highlights

willincludeExCathedrapresentingacompleteprogrammeofBach,

includingarareopportunitytohearsomeofhismotetssungoneortwotoapart.In-the-newscomposerEric

Whitacreisrepresentedbothinaneveningconductinghismusic,sungbyhisowngrouptheEricWhitacreSingers,andintheprogrammegivenbytheWellensianConsort,winnersofChoiroftheYear2010.UpcomingconsortNewYorkPolyphonywillgiveanexcitinglybalancedsequenceofmasterpiecesnextMarch,whilethechoirofStJohnsCollegeCambridge,celebratingtheColleges500thanniversary,capturethespiritoftheChristmasseason.AndagainTheTallisScholarswillopenandclosetheseasonwithsomespeciallyselectedrenaissancegems,familiarandunfamiliar.IlookforwardtoseeingyouattheHallduringourseason!

Peter Phillips,ArtisticDirector

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54 The Tall is ScholarsMagnif icatWednesday19October2011,7.30pm

Palestrina: Magnificat For Double Choir Prt: Sieben Magnificat-Antiphonen Tall is: Miserere Nostri Allegri : Miserere Praetorius: Magnificat II Byrd: Miserere Mei Byrd: Miserere Mihi, Domine Prt: Magnificat Prt: Nunc Dimittis Palestrina: Nunc Dimittis for double choir

Director Peter Phil l ips

The Magnificat, Marys song of exaltation following the annunciation, sits together with the Nunc Dimittis at the core of the Christian liturgy, whether in the Anglican rite of Evensong or the Catholic Offices of Evening Prayer and Compline. Together they frame the scope of the Christian experience from the joyous anticipation of Christs birth to the calm acceptance of death and resurrection. Their certainty, however, leaves little room for the human errors and doubts that also shape the Christian journey, errors for which Ash Wednesdays Psalm 51 the Miserere is perhaps the most impassioned plea for forgiveness.

Taking these three texts as touchstones, this programme explores the musical responses of composers divided by age and nationality, but united by a common spiritual inspiration.

Tickets 30, 26, 22, 18

Encorememberspay26fortoppriceSee booking information on back cover

You could not have hoped for a more finely blended or carefully shaped and entirely affecting performance.The New York Times

ImAge BY erIc rIchmond

54 The Tall is ScholarsMagnif icatWednesday19October2011,7.30pm

Palestrina: Magnificat For Double Choir Prt: Sieben Magnificat-Antiphonen Tall is: Miserere Nostri Allegri : Miserere Praetorius: Magnificat II Byrd: Miserere Mei Byrd: Miserere Mihi, Domine Prt: Magnificat Prt: Nunc Dimittis Palestrina: Nunc Dimittis for double choir

Director Peter Phil l ips

The Magnificat, Marys song of exaltation following the annunciation, sits together with the Nunc Dimittis at the core of the Christian liturgy, whether in the Anglican rite of Evensong or the Catholic Offices of Evening Prayer and Compline. Together they frame the scope of the Christian experience from the joyous anticipation of Christs birth to the calm acceptance of death and resurrection. Their certainty, however, leaves little room for the human errors and doubts that also shape the Christian journey, errors for which Ash Wednesdays Psalm 51 the Miserere is perhaps the most impassioned plea for forgiveness.

Taking these three texts as touchstones, this programme explores the musical responses of composers divided by age and nationality, but united by a common spiritual inspiration.

Tickets 30, 26, 22, 18

Encorememberspay26fortoppriceSee booking information on back cover

You could not have hoped for a more finely blended or carefully shaped and entirely affecting performance.The New York Times

ImAge BY erIc rIchmond

76 The Wellensian ConsortBlessed Ceci l iaThursday24November2011,7.30pmChoir of the Year 2010

Programme to include: Britten: Hymn to St. Cecilia Kodly: The Music Makers, an ode chilcott: Everyone sang elgar: There is sweet music harris: Faire is the Heaven rutter: What sweeter music Whitacre: Her sacred spirit soars Vaughan Wil l iams: Silence and music

Conductor christopher Finch

Winners of Choir of the Year in 2010, The Wellensian Consort pay

homage to the patron saint of music in a glorious celebration of

the gift of music. The centrepiece of this programme is Benjamin

Brittens acclaimed choral masterpiece A Hymn to St Cecilia; a

deeply engaging work, rich in sonority and characterisation. This

is complemented by a marvellously evocative setting of The Music

Makers by the esteemed Hungarian composer Zoltan Kodly.

This joyous celebration will be further enriched by works from

some of the 20th and 21st centuries greatest exponents of choral

music, including Vaughan Williams, Elgar, Rutter and Whitacre.

Tickets 30, 26, 22, 18

Encorememberspay26fortoppriceSee booking information on back cover

This is a hugely accomplished choir, demonstrating technical mastery, smooth musicianship and wonderful phrasing.BBC Music Magazine

ImAge BY olIVer deAn

76 The Wellensian ConsortBlessed Ceci l iaThursday24November2011,7.30pmChoir of the Year 2010

Programme to include: Britten: Hymn to St. Cecilia Kodly: The Music Makers, an ode chilcott: Everyone sang elgar: There is sweet music harris: Faire is the Heaven rutter: What sweeter music Whitacre: Her sacred spirit soars Vaughan Wil l iams: Silence and music

Conductor christopher Finch

Winners of Choir of the Year in 2010, The Wellensian Consort pay

homage to the patron saint of music in a glorious celebration of

the gift of music. The centrepiece of this programme is Benjamin

Brittens acclaimed choral masterpiece A Hymn to St Cecilia; a

deeply engaging work, rich in sonority and characterisation. This

is complemented by a marvellously evocative setting of The Music

Makers by the esteemed Hungarian composer Zoltan Kodly.

This joyous celebration will be further enriched by works from

some of the 20th and 21st centuries greatest exponents of choral

music, including Vaughan Williams, Elgar, Rutter and Whitacre.

Tickets 30, 26, 22, 18

Encorememberspay26fortoppriceSee booking information on back cover

This is a hugely accomplished choir, demonstrating technical mastery, smooth musicianship and wonderful phrasing.BBC Music Magazine

ImAge BY olIVer deAn

98 The Armonico Consort & Baroque PlayersA German Christmas StoryWednesday7December2011,7.30pm

Programme to include: Schtz The Christmas Oratorio Praetorius Lutheran Mass for Christmas

Director: christopher monks The english cornett and Sackbutt ensemble

Heirich Schtz is widely regarded as being the most important

German composer prior to JS Bach, and is also thought to have

studied with Monteverdi in Venice. The influence of Venetian

music on these composers is undoubtedly strong, and the

combination of the brilliance in the perfection of German

compositions of the time with the vibrant excitement of the

Venetian School, created works of incredible colour, drama

and melody.

Tickets 30, 26, 22, 18

Encorememberspay26fortoppriceSee booking information on back cover

ImAge BY greAT BrITAIn onlIne

A beautiful soundBBc radio 3

98 The Armonico Consort & Baroque PlayersA German Christmas StoryWednesday7December2011,7.30pm

Programme to include: Schtz The Christmas Oratorio Praetorius Lutheran Mass for Christmas

Director: christopher monks The english cornett and Sackbutt ensemble

Heirich Schtz is widely regarded as being the most important

German composer prior to JS Bach, and is also thought to have

studied with Monteverdi in Venice. The influence of Venetian

music on these composers is undoubtedly strong, and the

combination of the brilliance in the perfection of German

compositions of the time with the vibrant excitement of the

Venetian School, created works of incredible colour, drama

and melody.

Tickets 30, 26, 22, 18

Encorememberspay26fortoppriceSee booking information on back cover

ImAge BY greAT BrITAIn onlIne

A beautiful soundBBc radio 3

1110 The Choir of St Johns College, CambridgeWhat sweeter music? Friday9December2011,7.30pm

Purcell : O sing unto the Lord Purcell : Remember not, Lord, our offences Purcell : Behold now praise the Lord Purcell : O praise God in his holiness Purcell : Hear my prayer, O Lord Purcell : My beloved spake rutter: What sweeter music? Whitehead: The seven joys of Mary cashmore: Es ist ein Ros entsprungen arr. ledger: Silent night arr. ledger: On Christmas night rutti : I wonder as I wander darke: In the bleak midwinter Bullard: Glory to the Christ Child arr. Wil lcocks: Away in a manger arr. Wilberg: Ding dong, merrily on high

Director Andrew nethsingha Piano: John challenger and Freddie James The St Johns Sinfonia

Andrew Nethsingha writes; Today we explore the rich, plangent

soundworld of Henry Purcell. At the interval we change the mood

to present a Christmas selection popular favourites as well as

new works. Boys voices have a special emotional resonance when

evoking the fragility and innocence of Christs nativity.

Tickets 30, 26, 22, 18

Encorememberspay26fortoppriceSee booking information on back cover

some of the most exquisite choral singing I have ever heardInternational Record Review

ImAge BY Ben eAloVegA

1110 The Choir of St Johns College, CambridgeWhat sweeter music? Friday9December2011,7.30pm

Purcell : O sing unto the Lord Purcell : Remember not, Lord, our offences Purcell : Behold now praise the Lord Purcell : O praise God in his holiness Purcell : Hear my prayer, O Lord Purcell : My beloved spake rutter: What sweeter music? Whitehead: The seven joys of Mary cashmore: Es ist ein Ros entsprungen arr. ledger: Silent night arr. ledger: On Christmas night rutti : I wonder as I wander darke: In the bleak midwinter Bullard: Glory to the Christ Child arr. Wil lcocks: Away in a manger arr. Wilberg: Ding dong, merrily on high

Director Andrew nethsingha Piano: John challenger and Freddie James The St Johns Sinfonia

Andrew Nethsingha writes; Today we explore the rich, plangent

soundworld of Henry Purcell. At the interval we change the mood

to present a Christmas selection popular favourites as well as

new works. Boys voices have a special emotional resonance when

evoking the fragility and innocence of Christs nativity.

Tickets 30, 26, 22, 18

Encorememberspay26fortoppriceSee booking information on back cover

some of the most exquisite choral singing I have ever heardInternational Record Review

ImAge BY Ben eAloVegA

1312 The Eric Whitacre SingersInspirat ionsWednesday1February2012,7.30pm

Programme to include: Whitacre: Sleep Whitacre: Lux Aurumque Whitacre: A Boy and a Girl

Conductor: eric Whitacre

A programme to include some of Whitacres most famous

works including Sleep, Lux Aurumque and A Boy and a

Girl conducted by the composer himself, performed by his

professional choir, the Eric Whitacre Singers. Alongside his own

works, Eric will conduct pieces by other composers who have

inspired him in his work.

Eric Whitacre is one of the most popular and performed

composers of our generation; many of his works have entered

the standard choral and symphonic repertories and have

become the subject of several scholarly works and doctoral

dissertations. His works Sleep, Lux Aurumque, and A Boy and a Girl are among the most popularly performed contemporary

choral works and tonight offers a rare chance to hear the

composers own interpretation of each.-

Whitacre is that rare thing, a modern composer who is both popular and originalThe daily Telegraph, london

Tickets 30, 26, 22, 18

Encorememberspay26fortoppriceSee booking information on back cover

ImAge BY mArc roYce

1312 The Eric Whitacre SingersInspirat ionsWednesday1February2012,7.30pm

Programme to include: Whitacre: Sleep Whitacre: Lux Aurumque Whitacre: A Boy and a Girl

Conductor: eric Whitacre

A programme to include some of Whitacres most famous

works including Sleep, Lux Aurumque and A Boy and a

Girl conducted by the composer himself, performed by his

professional choir, the Eric Whitacre Singers. Alongside his own

works, Eric will conduct pieces by other composers who have

inspired him in his work.

Eric Whitacre is one of the most popular and performed

composers of our generation; many of his works have entered

the standard choral and symphonic repertories and have

become the subject of several scholarly works and doctoral

dissertations. His works Sleep, Lux Aurumque, and A Boy and a Girl are among the most popularly performed contemporary

choral works and tonight offers a rare chance to hear the

composers own interpretation of each.-

Whitacre is that rare thing, a modern composer who is both popular and originalThe daily Telegraph, london

Tickets 30, 26, 22, 18

Encorememberspay26fortoppriceSee booking information on back cover

ImAge BY mArc roYce

1514 New York PolyphonyTudor CityWednesday21March2012,7.30pm

Andrew Smith: Surrexit Christus lionel Power: Beata progenies John dunstable: Speciosa facta es Andrew Smith/Worcester fragments (1300): Flos regalis Will iam cornysh: Ave Maria Mater Dei Andrew Smith: Ave Maris Stella Walter lambe: Stella caeli Schubert: Vier gesange fr Mnnerstimme, Opus 17 gregory Brown: Abschied vom Leser (New York Polyphony commission) gregory Brown: The Dying Californian gerald Finzi: Thou didst delight mine eyes Opus 32 clement Janequin: La guerre (La bataille de Marignan)

Based on New York Polyphonys acclaimed 2010 Avie Records

release, Tudor City is a stunning tour through chant, polyphony,

and renaissance harmonies (American Public Media). An allusion

to the historic New York neighbourhood, Tudor City highlights the

works of English composers active during the reign of the Tudor

dynasty (1485-1603), effortlessly interspersed new works written

for the quartet by Andrew Smith.

The second half of the programme explores works for male voices

by Schubert and Finzi, as well as two commissioned works by

American composer, Gregory Brown and ending with Clement

Janequins lively depiction of the Battle of Marignan in La Guerre.

the perfect blend of sixteenth-century England and twenty-first century New York.choral Fixation

Tickets 30, 26, 22, 18

Encorememberspay26fortoppriceSee booking information on back cover

ImAge BY JoAnne BouKnIghT

1514 New York PolyphonyTudor CityWednesday21March2012,7.30pm

Andrew Smith: Surrexit Christus lionel Power: Beata progenies John dunstable: Speciosa facta es Andrew Smith/Worcester fragments (1300): Flos regalis Will iam cornysh: Ave Maria Mater Dei Andrew Smith: Ave Maris Stella Walter lambe: Stella caeli Schubert: Vier gesange fr Mnnerstimme, Opus 17 gregory Brown: Abschied vom Leser (New York Polyphony commission) gregory Brown: The Dying Californian gerald Finzi: Thou didst delight mine eyes Opus 32 clement Janequin: La guerre (La bataille de Marignan)

Based on New York Polyphonys acclaimed 2010 Avie Records

release, Tudor City is a stunning tour through chant, polyphony,

and renaissance harmonies (American Public Media). An allusion

to the historic New York neighbourhood, Tudor City highlights the

works of English composers active during the reign of the Tudor

dynasty (1485-1603), effortlessly interspersed new works written

for the quartet by Andrew Smith.

The second half of the programme explores works for male voices

by Schubert and Finzi, as well as two commissioned works by

American composer, Gregory Brown and ending with Clement

Janequins lively depiction of the Battle of Marignan in La Guerre.

the perfect blend of sixteenth-century England and twenty-first century New York.choral Fixation

Tickets 30, 26, 22, 18

Encorememberspay26fortoppriceSee booking information on back cover

ImAge BY JoAnne BouKnIghT

1716 Ex CathedraBach: A Beautiful Mind

Thursday19April2012,7.30pm

Bach: Lobet den Herrn alle Heiden (BWV 230) Bach: Cello suite No 1 in G major (BWV 1007) Bach: Jesu, meine Freude (BWV 227) Bach: Komm, Jesu, Komm (BWV 229) Bach: Cello suite No 4 in Eb major (BWV 1010) Bach: Singet dem Herrn (BMW 225)

Conductor Jeffrey Skidmore Cello: Andrew Skidmore ex cathedra consort and continuo

A rare opportunity to hear four of JS Bachs motets for single

and double choir performed by one or two singers per part.

Bachs genius has moved and inspired music-lovers and

musicians for centuries: legendary cellist Pablo Casals

described Bach as the essence of music and the cello suites as

the essence of Bach.

This is no ordinary group of singersBIrmInghAm PoST

Tickets 30, 26, 22, 18

Encorememberspay26fortoppriceSee booking information on back cover

ImAge BY PAul ArThur

1716 Ex CathedraBach: A Beautiful Mind

Thursday19April2012,7.30pm

Bach: Lobet den Herrn alle Heiden (BWV 230) Bach: Cello suite No 1 in G major (BWV 1007) Bach: Jesu, meine Freude (BWV 227) Bach: Komm, Jesu, Komm (BWV 229) Bach: Cello suite No 4 in Eb major (BWV 1010) Bach: Singet dem Herrn (BMW 225)

Conductor Jeffrey Skidmore Cello: Andrew Skidmore ex cathedra consort and continuo

A rare opportunity to hear four of JS Bachs motets for single

and double choir performed by one or two singers per part.

Bachs genius has moved and inspired music-lovers and

musicians for centuries: legendary cellist Pablo Casals

described Bach as the essence of music and the cello suites as

the essence of Bach.

This is no ordinary group of singersBIrmInghAm PoST

Tickets 30, 26, 22, 18

Encorememberspay26fortoppriceSee booking information on back cover

ImAge BY PAul ArThur

1918 The Tall is ScholarsField of the Cloth of Gold

Wednesday16May2012,7.30pm

mouton: Nesciens mater cornysh: Ave Maria mouton: Ave Maria...serena mouton: Quaeramus cum pastoribus Browne: Salve regina mouton: Kyrie and Agnus dei from the Missa Dictes moy toutes vos penses Fayrfax: Agnus dei from the Missa Tecum principium mouton: Salva nos cornysh: Ah Robin cornysh: Magnificat

Director Peter Phillips

Between the 7th and 24th June 1520, in fields near Calais, there took place one of the most spectacular political summit meetings of all time. Henry VIII of England and Francis I of France met to seal a treaty of friendship between their two warring countries, with no expense spared.

The two Chapels Royal were of course in attendance, and of course they tried to out-sing each other. As luck would have it the two choirs were led by two exceptional composers of the period, composers to whom the Tallis Scholars have devoted individual recordings: Jean Mouton on the French side, and William Cornysh on the English.

The Tallis Scholars cannot by themselves, recreate the seething atmosphere of the original meeting but we can give an idea of the splendour of the occasion.

The Tallis Scholars sang these slow-moving, luminous masses with impeccable blend and balanceThis is music where time stands still.Financial Times

Tickets 30, 26, 22, 18

Encorememberspay26fortoppriceSee booking information on back cover

ImAge BY AlBerT rooSenBurg

1918 The Tall is ScholarsField of the Cloth of Gold

Wednesday16May2012,7.30pm

mouton: Nesciens mater cornysh: Ave Maria mouton: Ave Maria...serena mouton: Quaeramus cum pastoribus Browne: Salve regina mouton: Kyrie and Agnus dei from the Missa Dictes moy toutes vos penses Fayrfax: Agnus dei from the Missa Tecum principium mouton: Salva nos cornysh: Ah Robin cornysh: Magnificat

Director Peter Phillips

Between the 7th and 24th June 1520, in fields near Calais, there took place one of the most spectacular political summit meetings of all time. Henry VIII of England and Francis I of France met to seal a treaty of friendship between their two warring countries, with no expense spared.

The two Chapels Royal were of course in attendance, and of course they tried to out-sing each other. As luck would have it the two choirs were led by two exceptional composers of the period, composers to whom the Tallis Scholars have devoted individual recordings: Jean Mouton on the French side, and William Cornysh on the English.

The Tallis Scholars cannot by themselves, recreate the seething atmosphere of the original meeting but we can give an idea of the splendour of the occasion.

The Tallis Scholars sang these slow-moving, luminous masses with impeccable blend and balanceThis is music where time stands still.Financial Times

Tickets 30, 26, 22, 18

Encorememberspay26fortoppriceSee booking information on back cover

ImAge BY AlBerT rooSenBurg

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Bookinginformation

Tickets 30, 26, 22, 18Encore members pay 26 for top price t ickets Encore members receive priority booking, reduced booking fees, a dedicated telephone line, discounts on selected shows and drinks at the bar, invitations to special events. To join Encore, please call the Box Office on 020 7730 4500.

Seriesdiscounts*Series discounts are available on top and second price tickets forall concerts in the series. To qualify for the discount the same number of tickets must be bought for each event.

Book 6 concerts and save 30% off top and second price tickets Book 4 or 5 concerts and save 20% off top and second price tickets Book 2 or 3 concerts and save 10% off top and second price tickets

*Note: Series discounts cannot be used in conjunction with any other offer

GroupbookingsBook 10 or more tickets and save 10% Book 20-29 tickets and save 20% Book 30 or more tickets and save 30% School groups: group discount plus free tickets for teachers

Onlinebookingwww.cadoganhall .comOur system allows you to check the exact location and view from your seat before you book. Series discounts are available online. Booking fee 2.50

Telephonebooking02077304500Monday-Saturday: 10am-8pm Sunday: 3pm-8pm (concert days only) Booking fee 2.50

InpersonThe Box Office, 5 Sloane Terrace, London SW1X 9DQ Monday-Saturday: 10am-8pm Sunday: 10am-3pm (8pm on concert days) No booking fee

CadoganHallSloaneTerrace,LondonSW1X9DQwww.cadoganhall.com

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