Right Triangle Trigonometry Presenter: LaShondia McNeal, Ed.D.
Charles McNeal Compilation of Licks and Patterns 2014
39
Patterns and Licks Compiled by Charles McNeal 2014
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Compilation of Licks and Patterns 2014, compiled by Charles Mcneal
Transcript of Charles McNeal Compilation of Licks and Patterns 2014
Patterns and Licks
Compiled by Charles McNeal
2014
DD
DD
DD
DD
DD
44
20132013
55
44
33
22
5 Bob Berg Lines over a "D" minor groove5 Bob Berg Lines over a "D" minor groove
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DD
DD
DD
DD
AA
AA
EE
EE
CC
CC
AAEE
DD
DD
DD
AA
AA
AA
EE
EE
EE
CC
DDAAEE
AAEEDDAAEEDD
AAEEDDDD
AADDAA
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33
33
33
44
1010
1212
1616
20132013
1414
88
99
1111
1313
1515
77
6655
4433
2211
50 Phrases For Jazz50 Phrases For Jazz
CC
CC
DD
DD
CC
GG
CC
GG
CCGG
DDCC
GG
DDCC
DD
GG
GG
CC
CC
DDCC
DD
GG
DD
GG
GG
GGDD
DDCCGG
GGDD
33
2525
2828
2121
1818
2929
2013201322
2626
2323
2424
2727
2222
2020
1919
1717
CC
CC
DD
DD
GG
GG
CC
DD
DD
DD
DD
CC
CC
DD
DD
GGCC
CCGGGG
GG
GG
DD
DD
DD
DD
GG
DD
CCGGCC
GGGG
GGCC
GG
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5050
4646
4040
4242
4545
4949
2013201333
4444
4848
3838
3636
3939
4141
4343
4747
3737
3535
3434
32323131
3333
3030
& 44 Óœb
⁄- .œ⁄
- œ≈
œ œ+ œ œ+ œ+ œ œ œ œ+ œ œ+ œ œ+ œ œ
3
œb œb œb œb œb œn œn œ œ œn œn œb œb œ œ œb œn œ œ# œ œn œ œb œ œ œ œb œ œ œ œ œ
5
œ# œ# œ œ œ# œ œ# œ œn œ œ œ# œ œ œn œ œ œ œ# œ# œ œ œ œ œ œ œœ œ# œ œ œ œ œ# œ#
11111111
7
œ œ œ# œ œœ# œ œn œ œ# œ œ œ œ œ# œ œ œ œ œ# œ œ œ
œ# œ œ# œ œ œœn œ œ œ œ œ œ œ œ œb
Jœn‰ Œ
10
Œ ‰œ œ# œ œn œ# œ œ œ œ œn œ# œn œ# œ# œ œ œn œ œb œ œb œn œn œb œ œb
12
œ œ œ# œ œb œ œ œ œn œ œ œ .œ# œ œ œb œ œb œ œ œ œ œ œ œ œn œb œn œ œ
14
œ œ œb œb œ œb œb œn œ œ œn œ œb œ œbœ# œ œ# œ œ œ œ œ
œ œ œb œb œn œ œb œ
16
œ# œ# œ œ œ œ+ œ œÓ
Brecker Lick from Live in GermanyBrecker Lick from Live in GermanyBrecker Lick from Live in GermanyBrecker Lick from Live in Germany transcribed bytranscribed bytranscribed bytranscribed byCharles McNealCharles McNealCharles McNealCharles McNeal
"aaaarrrrgggghhhh......"
delayed
ritard.......... tempo...
slower.......................................
tempo.......
DDDD
EE
FF
EE
FF
GG
AAAA
BB
CC
BB
DD
AA
EE
FF
BB
CC
AAEE
BB
CC
FF
GG
3333
3333
3333
33
3333
33
33
33
33
33
3333
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33
3333
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3333
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33
33
33
33
3333
3333
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3333
33
3333
3333
3333
3333
3333
3333
44
Another Sonny Stitt Lick....Another Sonny Stitt Lick....
EE
AA
BB
FF
CC
Continue to transpose around the "circle of 5ths" on your own. Go slow!!Continue to transpose around the "circle of 5ths" on your own. Go slow!!
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33
33
33
33
33
33
33
33
3333
3333
33
3333
3333
3333
333333
33
3333
3333
333333
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333333
3333
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Bebop Cliche Lick ala "Sonny Stitt"Bebop Cliche Lick ala "Sonny Stitt"
BBFFEEBBGGDDBB
AA
CC
FF
EE
EE
AA
CC
CC
FF
BB
BBGG
BBFFDD
GG
CC
FF
EE
AA
DD
DDBB
BB
EE
AA
AA
CC
FF
FFEE
AAFFDDBB
FFCCAA
CCGGEE
EECCAAFF
BBAAEECC
44
M. Brecker Pattern over Coltrane MatrixM. Brecker Pattern over Coltrane Matrix
GGDDBBFFEEBBGG
DD
AA
AAFF
EECC
EEBBAA
CCBB
AAFF
FFDD
CC
EECC
AA
GGEE
22
Target Tempo: Target Tempo: = 240 = 240
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20132013
Diminished Pattern Exercise: ChromaticDiminished Pattern Exercise: Chromatic
2220132013
EECCAAFF
EECCBBGG
FFDDBBAA
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Diminished Pattern 3/14/13Diminished Pattern 3/14/13
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33
22
Diminished Pattern 12/6/14Diminished Pattern 12/6/14
11
GGDDBBFFEEBBGG
EE
FF
FF
EE
BB
CC
CC
AA
AA
BB
BBGG
DDAAFF
EE
EE
FFDD
CC
CC
DDBB
GG
GG
AA
EE
FF
FF
FFEE
CCBBFFDD
CCGGFF
CCGGEE
CCAAEECC
BBAAEECC
44
Eric Alexander Pattern over Coltrane MatrixEric Alexander Pattern over Coltrane Matrix
BBFFEEBBGGDDBB
BB
AA
FFDD
EECC
AAEECC
AAFF
AAFF
CCBB
CCAA
GGEEBBAA
22
FFCCGGDDFFCCGGBB
EE
GG
CC
BB
DD
GG
BBFF
DD
FF
AA
CC
EE
AA
CCGG
FFCCGGDD
EE
GG
CC
BB
DD
GG
BBFF
FF
AA
DD
AA
CC
FF
CCEE
FFCCGGBB
CCGGDDAA
GGDDAAEE
CCGGDDFF
GGDDAACC44
20132013
Hank Mobley "Rhythm Changes" LickHank Mobley "Rhythm Changes" Lick
DDAAEEBBDDAAEEGG
AAEE
EEBB
BBFF
FFCC
BBFFCCGG
AAEE
EEBB
BBDD
FFAA
BBFFCCEE
2220132013
BBFFCCGGDD
GG
CC
FF
DD
DD
GG
CC
AA
AAEE
AA
DD
GG
EE
AA
DD
EEBB
BB
EE
AA
FF
BBFFCC
EEBB
BBFF
FFCCGG
CCAAEE
333333
333333
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33
33
33
3333
3333
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33
33
3333
33
3333
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33
333333
333333
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3333
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33
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33
33
33
3333
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3333
3333
33333333
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33333333
44
inspired by Keith Oxmaninspired by Keith Oxmaniii-VI7-ii-V7 Lickiii-VI7-ii-V7 Lick
Target Tempo Target Tempo =250=250
FFCCGGEEBB
CC
AA
GG
EE
EEBB
DDBB
BBFF
FF
CC
FFCCGG
333333
333333
3333
333333
3333
33
33
333333
333333
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3333
333333
3333
3333
33
22
GG
FF
BB
DD
EE
AA
FF
DDAACC
BB
EE
FF
CC
BB
FF
BB
CC
DD
FF
GG
DD
CC
GGAAAA
CCBBFFCCCC
DDAAEEGGDDEEEEGG
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33
33
44
20032003
A really nice Michael Brecker line over theA really nice Michael Brecker line over the last "A" Section of Rhythm Changes last "A" Section of Rhythm Changes
BB
DD
DD
FF
A#bmiA#bmi
CCGG
AA
AA
CC
DD
EE
DD
GG
FF
AA
AA
FF
EE
AA
GGDDAAAA
EEBBFFCCEEBBCCCC
EEDDAAEEEE
BBFFCCGGBBFFGGGG
33
33
33
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2003200322
EE
EE
BB
CC
FF
AA
DD
CC
AA
GG
GGBB
EE
EE
DD
EE
BB
FFGG
BB
CC
AA
FF
CC
AA
GG
BBAAEEBBBBCCFF
GGDDFFCCDDDD
FFEEBBFFFFCCGG
33
33
33
2003200333
GGFFCCGGGGDDAA
EEBBDDAABBBB
DDCCGGDDDD
EEAABBFFEE AAFFFF
33
33
4420032003
Target BPM = 290Target BPM = 290
44
Michael Brecker Chromatic PatternMichael Brecker Chromatic Pattern
EE
BB
FF
FF
BB
FF
CC
CCGG
GG
CC
DD
Transpose into remaining 8 keys on your own Transpose into remaining 8 keys on your own (you didn't expect me to do all the work for you)(you didn't expect me to do all the work for you)
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44
44
44
Michael Brecker ii-V7-I Lick #1Michael Brecker ii-V7-I Lick #1
CCGGDminDmin
CCGG
44
for Treble Clef Instrumentsfor Treble Clef InstrumentsMike Stern LicksMike Stern Licks
CCGGDminDmin
CCGGDminDmin
CCGG
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22
CCGG
33
& 44œ œ+ œb œ œ œ+ œ œnC7alt œ# œ+ œn œ+ œ œ+ œ# œ œb œ+ œ œ œn œ œ+ œ œ œ œb œ œ œ œ œ
5
œ œb œ œ œb œb œb œ œ# œ œ# œ œn œ# œn œ œ œ œb œ œ œ œ œ œ œ œ œ ˙
Mike Brecker line over the 2nd "A" Section of Rhythm ChangesMike Brecker line over the 2nd "A" Section of Rhythm ChangesMike Brecker line over the 2nd "A" Section of Rhythm ChangesMike Brecker line over the 2nd "A" Section of Rhythm Changes
GGDDAA
AA
BB
DD
EEBB
FF
AA
CC
EE
DDAAEE
EE
FF
AA
BBFF
CC
EE
GG
BB
EEBBFF
FFCCGG
BBFFCC
CCGGDD
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33
33
33
33
33
33
33
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33
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20132013
...by way of Cannonball Adderley...by way of Cannonball AdderleyOne of my favorite short ii-V7-I licksOne of my favorite short ii-V7-I licks
GG
AA
AA
BB
EE
AA
FF
BB
AA
GGAAEE
GG
FFGGDD
*Phil plays this bar as a Dominant 7th chord resolving to "G"*Phil plays this bar as a Dominant 7th chord resolving to "G"
))*(D7*(D7
44
20132013
Phil Woods lick from "The Theme For Star Trek"Phil Woods lick from "The Theme For Star Trek"
CC
CC
DD
DD
AA
DD
AA
CC
BBCCGG
BB
AABBFF
*Phil plays this bar as a Dominant 7th chord resolving to "G"*Phil plays this bar as a Dominant 7th chord resolving to "G"
))
2013201322
Phil Woods lick from "The Theme For Star Trek"Phil Woods lick from "The Theme For Star Trek"
EE
FF
FF
FF
EEEE
EE
FF
CC
CC
BB
EE
DDEEBB
DD
2013201333
FF
4420132013
GGDD
BB
AA
AA
BB
FF
EE
EE
FF
CCGG
CCGG
DDAA implies an Ebmi (tri tone sub)implies an Ebmi (tri tone sub)
3333
3333
33
33
33
3333
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33
3333
3333
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Tri-tone sub for a VI7-ii resolution (John Coltrane)Tri-tone sub for a VI7-ii resolution (John Coltrane)
EEBB
EE
FF
BB
CC
FFCC
33
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33
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33
33
33
22
ETC...ETC...
ETC...ETC...
ETC...ETC...
ETC..ETC..
ETC...ETC...
Diminished (expanded into a chord) descending in minor thirds (Diminished Scale)Diminished (expanded into a chord) descending in minor thirds (Diminished Scale)
Diminished (expanded into a chord) ascending in minor thirds (Diminished Scale)Diminished (expanded into a chord) ascending in minor thirds (Diminished Scale)
Augmented Triad descending in whole steps (Whole Tone Scale)Augmented Triad descending in whole steps (Whole Tone Scale)
Augmented Triad ascending in whole steps (Whole Tone Scale)Augmented Triad ascending in whole steps (Whole Tone Scale)
ETC...ETC...
Major Triad descending in half stepsMajor Triad descending in half steps
Major Triad ascending in half stepsMajor Triad ascending in half steps
Basic Triad MotifBasic Triad Motif44
20132013
Basic Triad Motif realized 6 waysBasic Triad Motif realized 6 ways
