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the art of making art without lifting a finger
ART111
Diane Arbus, Child with Toy Hand Grenade in Central Park, N.Y.C., 1962
Diane Arbus, Teenage Couple on Hudson Street , N.Y.C., 1963
Diane Arbus, Two Girls in Curlers, N.Y.C., 1963
Diane Arbus, Young Man and his Pregnant Wife, Washington Park, N.Y.C., 1965
Ray Johnson1927 – 1995
Ray Johnson, Mail Art
Ray Johnson, Mail Art
Ray Johnson, Mail Art
Robert Rauschenberg, Erased de Kooning Drawing, 1963
Robert Rauschenberg, Third Time Painting, 1961
Robert Rauschenberg, Overdrive, 1963
Joseph Cornell, Untitled (Soap Bubble Set), 1936
Joseph Cornell, Ann– In Memory, 1954
Sol LeWitt, Wall Drawing 85, 1971
Sol LeWitt, Wall Drawing 260, Museum of Modern Art, 2008
Sol LeWitt, Wall Drawing 260, Museum of Modern Art, 1975
Dan Flavin, untitled (to the "innovator" of Wheeling Peachblow), 1966 – 68
Dan Flavin, Installation of greens crossing greens (to Piet Mondrian who lacked green), 1966
Yoko Ono, Box of Smile, 1971
Yoko Ono
John Cage, score __,_ _Circus on___, 1979
John Cage, Water Music, 1952
Relational Aesthetics is defined as: “A set of artistic practices which take as their theoretical and practical point of departure the whole of human relations and their social context, rather than an independent and private space.” Relational Aesthetics, 1998, p. 113
Rirkrit Tiravanija, Untitled (Free/Still), 1992
Carsten Höller, Revolving Hotel Room, Guggenheim Museum, 2008
Read:• Chapter 4, “The Art of Making Art without Lifting
a Finger”Respond in your Journal:
1. Reflect (in at least ONE PAGE) on chapter 4, a quote or one of the videos shown in class.