Chapter Six Creating a Place for the Arts. Every child is an artist. The problem is how to remain an...

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Chapter Six Creating a Place for the Arts

Transcript of Chapter Six Creating a Place for the Arts. Every child is an artist. The problem is how to remain an...

Page 1: Chapter Six Creating a Place for the Arts. Every child is an artist. The problem is how to remain an artist once they grow up. - Pablo Picasso.

Chapter Six Creating a Place for the Arts

Page 2: Chapter Six Creating a Place for the Arts. Every child is an artist. The problem is how to remain an artist once they grow up. - Pablo Picasso.

Every child is an artist. The problem is how to remain an artist once

they grow up.- Pablo Picasso

Page 3: Chapter Six Creating a Place for the Arts. Every child is an artist. The problem is how to remain an artist once they grow up. - Pablo Picasso.

TopicsTopics

• Kind of environment needed for arts

(space, arrangement, supply storage, displaying children work, etc.)

• Creating an aesthetic environment

• Kind of environment needed for arts

(space, arrangement, supply storage, displaying children work, etc.)

• Creating an aesthetic environment

Page 4: Chapter Six Creating a Place for the Arts. Every child is an artist. The problem is how to remain an artist once they grow up. - Pablo Picasso.

Jim GreenmanJim Greenman

• Author of Caring Spaces, Learning Places

• Order – most important aspect for reflecting teacher’s goals

• Author of Caring Spaces, Learning Places

• Order – most important aspect for reflecting teacher’s goals

Page 5: Chapter Six Creating a Place for the Arts. Every child is an artist. The problem is how to remain an artist once they grow up. - Pablo Picasso.

Organizing Art SuppliesOrganizing Art Supplies

• Organization makes supplies appealing but also teaches

• Control amounts, label, choose suitable containers

• Consider storage of finished artwork (until it goes home)

• Organization makes supplies appealing but also teaches

• Control amounts, label, choose suitable containers

• Consider storage of finished artwork (until it goes home)

Page 6: Chapter Six Creating a Place for the Arts. Every child is an artist. The problem is how to remain an artist once they grow up. - Pablo Picasso.

Food and ArtFood and Art

• See page 160 and develop your own list of pros and cons

• See page 160 and develop your own list of pros and cons

Page 7: Chapter Six Creating a Place for the Arts. Every child is an artist. The problem is how to remain an artist once they grow up. - Pablo Picasso.

Displaying Children’s Artwork

Displaying Children’s Artwork

• Not all pieces treated equally (p. 162)• Encourage children’s to self select pieces• Names, dates (information shared depends on

venue - keep confidentiality for children’s safety)

• Display attractively but don’t enhance• Create a presentation center w/ accompanying

info. (photo, transcription, etc.)• Plan ahead for too much and unidentified

pieces

• Not all pieces treated equally (p. 162)• Encourage children’s to self select pieces• Names, dates (information shared depends on

venue - keep confidentiality for children’s safety)

• Display attractively but don’t enhance• Create a presentation center w/ accompanying

info. (photo, transcription, etc.)• Plan ahead for too much and unidentified

pieces

Page 8: Chapter Six Creating a Place for the Arts. Every child is an artist. The problem is how to remain an artist once they grow up. - Pablo Picasso.

Sending artwork homeSending artwork home

• Include explanation • Treat with respect• Suggest display ideas for families• Suggest art ideas for families

• Include explanation • Treat with respect• Suggest display ideas for families• Suggest art ideas for families

Page 9: Chapter Six Creating a Place for the Arts. Every child is an artist. The problem is how to remain an artist once they grow up. - Pablo Picasso.

Creating an aesthetic environmentCreating an aesthetic environment

• Go for neutral background (walls, floors, etc.)• Attractive, efficient storage• Reggio – beautiful items arranged by color in

clear plastic jars or baskets• Slowly changing displays of natural objects• Build in flexibility• Can children do what they need to do to learn

(and clean up) independently?

• Go for neutral background (walls, floors, etc.)• Attractive, efficient storage• Reggio – beautiful items arranged by color in

clear plastic jars or baskets• Slowly changing displays of natural objects• Build in flexibility• Can children do what they need to do to learn

(and clean up) independently?

Page 10: Chapter Six Creating a Place for the Arts. Every child is an artist. The problem is how to remain an artist once they grow up. - Pablo Picasso.

Teacher friendly spacesTeacher friendly spaces

• Greenman’s principles apply to teacher’s comfort too – safe, functional, soft, attractive, etc.

• Remember to include something beautiful to YOU

• Greenman’s principles apply to teacher’s comfort too – safe, functional, soft, attractive, etc.

• Remember to include something beautiful to YOU

Page 11: Chapter Six Creating a Place for the Arts. Every child is an artist. The problem is how to remain an artist once they grow up. - Pablo Picasso.

Current ResearchCurrent Research

• Gardner- When activities, children can learn in whatever way best fits their intellectual strengths.

• Olson (1997) - Children learn to write in the same way written language developed from pictures. (Children’s drawings as “first order SYMBOLS” that represent objects or actions.) Olson proposes a joining of art and language instruction. Art is the beginning of writing.

• Gardner- When activities, children can learn in whatever way best fits their intellectual strengths.

• Olson (1997) - Children learn to write in the same way written language developed from pictures. (Children’s drawings as “first order SYMBOLS” that represent objects or actions.) Olson proposes a joining of art and language instruction. Art is the beginning of writing.

Page 12: Chapter Six Creating a Place for the Arts. Every child is an artist. The problem is how to remain an artist once they grow up. - Pablo Picasso.

Current ResearchCurrent Research

• In the Reggio Emilia Preprimary Schools, children’s art is used as one method of recording observations, ideas, and memories of experiences.

• Katz and Chard (1990) - Art, rather than being a separate part of the curriculum, is then used throughout the curriculum as an important way children can explore ideas and communicate about the project or theme.

• Torrance (1970) - defined creativity as being able to see a problem, form ideas about, and then communicate the results.

• In the Reggio Emilia Preprimary Schools, children’s art is used as one method of recording observations, ideas, and memories of experiences.

• Katz and Chard (1990) - Art, rather than being a separate part of the curriculum, is then used throughout the curriculum as an important way children can explore ideas and communicate about the project or theme.

• Torrance (1970) - defined creativity as being able to see a problem, form ideas about, and then communicate the results.

Page 13: Chapter Six Creating a Place for the Arts. Every child is an artist. The problem is how to remain an artist once they grow up. - Pablo Picasso.

Creativity

is not something that can be taught, but something that must

be nurtured.

Page 14: Chapter Six Creating a Place for the Arts. Every child is an artist. The problem is how to remain an artist once they grow up. - Pablo Picasso.

A thoughtful art program should:

A thoughtful art program should:

1. Help a child grow

2. Educate the whole child

3. Be taught by someone who can think artistically

4. Integrate art into the curriculum

5. Use art to express what they know

1. Help a child grow

2. Educate the whole child

3. Be taught by someone who can think artistically

4. Integrate art into the curriculum

5. Use art to express what they know

Page 15: Chapter Six Creating a Place for the Arts. Every child is an artist. The problem is how to remain an artist once they grow up. - Pablo Picasso.

A thoughtful art program should:

A thoughtful art program should:

6. Provide perceptual, sensory and kinesthetic experiences

7. Encourage self-reflection and responding to the art of others

8. Introduce children to rich visual experiences from a wide range of artistic heritages

9. Provide an environment in which the creative process can flourish

6. Provide perceptual, sensory and kinesthetic experiences

7. Encourage self-reflection and responding to the art of others

8. Introduce children to rich visual experiences from a wide range of artistic heritages

9. Provide an environment in which the creative process can flourish

Page 16: Chapter Six Creating a Place for the Arts. Every child is an artist. The problem is how to remain an artist once they grow up. - Pablo Picasso.

For next weekFor next week

• E-mail/post on wiki reflections about the art museum field trip by Monday afternoon and comment on classmates’ reflections by Tuesday morning

• Literature Lesson Plan Due 1-22-11• Read Chapter 7• Study for March 1 Midterm

• E-mail/post on wiki reflections about the art museum field trip by Monday afternoon and comment on classmates’ reflections by Tuesday morning

• Literature Lesson Plan Due 1-22-11• Read Chapter 7• Study for March 1 Midterm