Chapter 7 The Art of Sixty-Second Story Telling. Clients buy well-crafted solutions to their...

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Chapter 7 The Art of Sixty-Second Story Telling

Transcript of Chapter 7 The Art of Sixty-Second Story Telling. Clients buy well-crafted solutions to their...

Page 1: Chapter 7 The Art of Sixty-Second Story Telling. Clients buy well-crafted solutions to their marketing problems – they don’t buy “spots.” Why Advertising.

Chapter 7

The Art of Sixty-Second

Story Telling

Page 3: Chapter 7 The Art of Sixty-Second Story Telling. Clients buy well-crafted solutions to their marketing problems – they don’t buy “spots.” Why Advertising.

AIDAAwareness (Attention) --Minimum of 15 ads per week

needed to get results.Interest -- Focus should be on

the benefits to the consumer

Desire – appeal to basic wants, needs, desires

Action – invite consumer to visit store, pick up phone, etc.

Page 4: Chapter 7 The Art of Sixty-Second Story Telling. Clients buy well-crafted solutions to their marketing problems – they don’t buy “spots.” Why Advertising.

What’s In It For Me? (WIFM)

Don’t waste time telling listeners how great advertiser is.

What do you do instead?

Tell listener what they will get for doing business with advertiser (“What’s in it for me?”)

Avoid advertiser’s terms and jargon.

Focus is on how the advertiser will solve the listener’s problems.

Page 5: Chapter 7 The Art of Sixty-Second Story Telling. Clients buy well-crafted solutions to their marketing problems – they don’t buy “spots.” Why Advertising.

BrainstormingAll you need is piece of paper

and a place to think.Nothing is too silly, too off the

wall.Push the limits, don’t be critical

of your own ideas.Play ideas off other people.RefinementEvaluate ideas in light of what

salesperson and client have said they want.

Page 6: Chapter 7 The Art of Sixty-Second Story Telling. Clients buy well-crafted solutions to their marketing problems – they don’t buy “spots.” Why Advertising.

Selecting a Style

Dialogue and Narration, with and without music – business owner may voice commercial.

Testimonials – word of mouth.

Product Comparisons – small guy may challenge big guy.

Lifetime Experiences – real-life situations.

Humor – can be your downfall.

Page 7: Chapter 7 The Art of Sixty-Second Story Telling. Clients buy well-crafted solutions to their marketing problems – they don’t buy “spots.” Why Advertising.

Putting Words to Paper

Target audience – What’s in it for me (WIFM)? Focus on benefits to listener

Demographic, psychographic info

The objective – finish the sentence, “This commercial’s specific purpose is …”

Repetition, repetition, repetition (of client’s name). Avoid “we.”

4-6 times in a 60-second commercial; avoid “we” and “our”

Page 9: Chapter 7 The Art of Sixty-Second Story Telling. Clients buy well-crafted solutions to their marketing problems – they don’t buy “spots.” Why Advertising.

Opening the Commercial

You only have a few seconds to capture listener’s attention.

Ways to do it?

Statement that targets needs, wants, desires; a startling question, an unusual statistic, a quotation, a survey result.

Stay focused on consumer benefits.

Page 10: Chapter 7 The Art of Sixty-Second Story Telling. Clients buy well-crafted solutions to their marketing problems – they don’t buy “spots.” Why Advertising.

Price and Product

Commercials must mention price and product.

If price is relatively high, you might express it in cost per day, use price comparison (p. 211).

Call to Action

Business has to ask, or invite, customers to shop with them; tell listeners what you want them to do.

Page 11: Chapter 7 The Art of Sixty-Second Story Telling. Clients buy well-crafted solutions to their marketing problems – they don’t buy “spots.” Why Advertising.

Closing the Commercial

In a few words, tie all of the elements together in an easy-to-remember message.

Closing should reinforce the advertising message.

Include contact information, but don’t waste time.

Use landmarks, not addresses; keep web addresses to most essential part; is phone number really necessary?