Chapter 17: Romantic Opera Early Romantic Opera; Verdi and Italian Opera.
Chapter 23: Romantic Opera: Italy
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Transcript of Chapter 23: Romantic Opera: Italy
Chapter 23:Romantic Opera: Italy
Giuseppe Verdi (1813-1901)• Most popular opera composer throughout Europe
• His operas are performed more than any others
• Early operas supported Italian nationalism– Promoted a united Italy
• Dramas turned to domestic themes and personal conflict
• Opera standards include: Rigoletto (1851), La traviata (1853), Il trovatore (1853), Aida (1871)
Verdi’s Dramaturgy and Musical Style
• Conflict – personal or national – the root of every emotion
• Clear expression of emotion
• Emotional states almost melodramatic
• Intense passion and nonstop action– Recitativo accompagnato: Orchestra accompanies the
recitative; Smooth transitions between recitative and aria
– Arias push singers to the utmost of their range
– Bel canto style
La traviata (1853)• “The Woman Gone Astray”
• Based on a story (Camille) by Alexandre Dumas
• Pits passionate love against middle-class morality
• “Un di felice”– Gala party at the end of the first act
– Alfredo and Violetta sing to each other
La traviata, Act I, Scene 6•A Scena
– Slow aria (“Ah fors´è lui”)
– Recitative accompagnata (“Follie!”)
– Cabaletta (“Sempre libera”)• A fast-paced concluding aria
• Virtuosity serves a dramatic purpose
• Allows character to rush off stage